ミッキー&フレンズ ジグソーパズル 光る 1000ピース 「ナイト アクアリウム 」
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the hungers of hadewijch and eckhart, donald f. duclow // stigmata: escaping texts, hélène cixous // you are in a hotel room, joan tierney // the notebooks of malte laurids brigge, rainer maria rilke // great expectations, kathy acker // hot-hand fallacy, jasmine gibson // erotism: death and sensuality, georges bataille // cain, josé saramago // love in the time of monsters, emily palermo // a curious night for a double eclipse, j. karl bogartte.
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Donald Duclow, The Hungers of Hadewijch and Eckhart
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LOVE IS STORED IN THE KITCHEN PT 3/? quote by antoni porowski in interview with megan summers, the hungers of hadewijch and eckhart by donald f. duclow, in the kitchen by helena janecic, grilled cheese & tomato soup by noah verrier, all too well by taylor swift, @lavenderfables on tumblr, robert and mary frank, 1952 (dancing couple) by elliot erwitt, just the two of us by clifford prince king, call down the hawk by maggie stiefvater, wish by w.s. merwin
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[Hadewijch] speaks of her loving in terms of feeding: "I suckle with my blood."
Donald Duclow, ‘The Hungers of Hadewijch and Eckhart’
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Hadewijch sometimes takes the role of the knight pursuing Lady Love; in other texts she identifies Love with Christ as male and herself as the lover/bride; and elsewhere she speaks in exclusively female terms of the soul's or her own relation to Minne. Courtly themes also complicate Hadewijch's account of love in other ways. In particular, amor de lonh or "love from afar" intensifies the pattern of Love's alternating presence in ecstatic union and devastating withdrawal. As Hadewijch explores this pattern, she exposes the many tensions of loving through a dialectic of opposites: Love's wounding cures all, her concealing reveals, her silence is song, "her withdrawal is approach." In nearly every setting, Hadewijch displays the strength and intensity of her desire.
Donald F. Duclow, “The Hungers of Hadewijch and Eckhart” (The Journal of Religion, Vol. 80, No. 3 (Jul., 2000), pp. 421-441)
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