FEMTOBER BLOG: Fridays & Franchises
Happy Friday the 13th!
While no woman has directed an installment of the Jason Voorhees saga, there have been a few franchise films that women have helmed, including one featuring Jason's rival Freddy Kruger, Freddy's Dead: The Final Nightmare, directed by Rachel Talalay.
Perhaps somewhat predictably, Freddy's Dead received poor reception but was a modest box office success, outgrossing its previous installment. The movie was relatively tame in its violence; Talalay instead wanted to focus on more surreal meta humor that the series had begun to stray from. True to its name, Freddy's Dead is the last film in the original Nightmare canon. The next three installments (New Nightmare, Freddy vs. Jason, and its 2010 reboot) all existed in a separate canon from the original franchise. While Freddy's Dead is not necessarily looked on fondly, I personally find it to be a very passable installment in a franchise I otherwise don't really enjoy. The 90s introduced the more acerbic side of humor in horror, so the slapstick goofiness of Freddy's Dead feels like a fitting goodbye to the previous decade.
The most powerful man in horror currently, Jason Blum, infamously stated in 2018 that "There are not a lot of female directors period, and even less who are inclined to do horror." He's since rightfully walked back on this statement, and while Blumhouse - under its various labels - has produced a fair number of horror films directed by women on streaming and television, theatrical releases of these films are few and far between. Enter Black Christmas (2019) directed by Sophia Takal.
Black Christmas is an interesting beast. On first glance it seems as though there's heavy studio interference. There's virtually no language or blood, and the story seems fractured. How much interference, it's hard to say. Sophia Takal stands by her vision for the film, wanting to make it as feminist as possible for a PG-13 audience. The end result, unfortunately, is underwhelming. Black Christmas ultimately feels like a shadow of its predecessors. While the 2006 remake is also maligned, there's a certain level of insanity that serves the film well in hindsight. The 2019 version often feels less focused on horror and more on identity, a criticism I hate to make about a female-directed film. Black Christmas's negative reception may have helped it fade into obscurity; in addition to being a critical failure it was also a box office bomb. I'm not the biggest fan of Takal's work, and certainly not of Black Christmas, but I think the most important takeaway we can have from this film is that women should be allowed to fail. We do not need an all or nothing approach to intersectional filmmaking. Sometimes things can be bad, and sometimes they can be worse than bad. We persist.
To date, Black Christmas is the only major theatrically released Blumhouse horror directed by a woman. Of course, this will change in just a few weeks with the release of Five Nights at Freddy's, directed by Emma Tammi. I can't say I'm particularly excited about the content of the film, but the prospect of a highly anticipated studio film directed by a woman is a major milestone. Between FNAF and Barbie, it's a good year for women to be making films, but of course there's always room for more.
My biggest pet peeve with major films directed by women is the passing of the torch to a male director when the first film succeeds financially (see Twilight, Fifty Shades of Grey, To All the Boys I've Loved Before, etc.). Blumhouse is obviously planning on making FNAF a franchise IP, so it would be great to keep the momentum going with Tammi or another woman continuing to lead the series. Fingers crossed!
If you're interested in any other female-directed franchise horror films, check out the following:
•Candyman (2021), directed by Nia DaCosta
•See No Evil 2, directed by the Soska Sisters
•Critters 3, directed by Kristine Peterson
•The Slumber Party Massacre series
•The Pet Sematary Series, directed by Mary Lambert
•Sorority House Massacre, directed by Carol Frank
•The Fear Street Trilogy, directed by Leigh Janiak
•V/H/S/94, 99, and 85
•Darlin', directed by Pollyanna MacIntosh
•Mirror, Mirror, directed by Marina Sargenti
and more!
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Watch "Goo Goo Dolls - I'm Awake Now [Official Music Video]" on YouTube
Spooktober Soundtrack of the day: Freddy's Dead: The Final Nightmare Original Motion Picture Soundtrack (1991) featuring I'm Awake Now by Goo Goo Dolls #googoodolls #imawakenow #freddysdead #TheFinalNightmare #freddysdeadthefinalnightmare #anightmareonelmstreet #wescraven #RIPWesCraven #freddy #freddykrueger #90s #spooktober #halloween #october
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