Extract from a short #noaudience guerriila gig in Yeovil, round the back of airfield by the abandoned Jacket Potato van. Apologies for the terrible sound quality - it was windy and speaker was away from phone - lesson learned: will get a Zoom recorder when I can afford one and get a better sound quality for subsequent videos. Will upload a studio version of track at some point. Consider it a practice and a nano-protest against the Public Order Bill. Thanks to JM for filming in the cold wind!
A music video celebrating the unity of the Palestinian Resistance in Gaza. From a 2015 interview with Gaza representatives of the Abu Ali Mustafah Brigades (PFLP), National Resistance Brigades (DFLP), Al-Aqsa Martyrs Brigades (Fatah), Al-Nasser Salah al-Din Brigades (Popular Resistance Committees), and the Mujahideen Brigades.
Since it’s been a year since Burning Shores came out, some thoughts on Seyka:
TL;DR: Great character, really happy with her as a love interest for Aloy. They do some really interesting things with her that I never really see addressed so I wanted to talk about them.
She is tangibly shown to be much more of a match for Aloy through gameplay. Compared to other npcs, she solves things faster, does more damage, is a much more formidable melee combatant, faster climber - she even has a fucking Valor Surge using her Focus that does pretty significant tear damage to large machines like Slaughterspines. Environmental storytelling- Seyka’s skiff has at least 2-3 Tiderippers’ worth of parts, meaning she’s been out on her own killing the things to build boat motors, and she has some ambient dialogue that strongly suggests she’s fought and killed Slaugterspines before. Is some of this npc tech advancements in Burning Shores? Maybe, but it feels intentional.
Seyka has a natural probing curiosity about the old world that for the most part Aloy’s other companions didn’t have without some significant hand-holding from Aloy to get them started, and some of her close friend (but not base team) characters just don’t have at all. I don’t mean this as a moral judgement, everyone is different and has different strengths and priorities , but it’s absolutely critical that a partner for Aloy have that kind of curiosity - it’s such a big part of her character. While she lives in this new world, she’s never going to be entirely a part of it. Like she says, she finds belonging in individuals, and not really the tribes. I don’t really see Aloy settling down in Meridian or Mother’s Heart. She needs to have a life of exploration and discovery and Seyka seems cut from that cloth too, whether she was always that way or being marooned gave her a fresh perspective.
Seyka did risk death using the focus and decided to do it anyway- in Rheng’s notes he calls for capital punishment for her. The threat is never *too* present but honestly I think that’s a broader critique of the series and pretty consistent with the writing of conflicts in Horizon. I agree they could have played up the dramatic tension a bit, but this is a person who weighed the risk of a military execution by a totalitarian state and immediately decided it was worth it to save her sister and others. I think Aloy can intimately relate, given what she went through for Beta.
Even though it’s a DLC, she has a TON of screen time, probably comparable to Kotallo in HFW, and Horizon does SO much storytelling through gameplay and ambient dialogue. I think she’s given a LOT of narrative space to breathe. She’s also has her own musical cues and leitmotifs that do a ton of foreshadowing work through the DLC - in terms of musical cues and framing she’s very associated with the acoustic guitar, and the flute melody in ‘Her Sky, Her Sea’ has for Aloy and Seyka the same function that ‘It Can’t Last’ does for Ellie and Dina in TLOU2 - next time you play Burning Shores, listen for it. That and the guitar cues from ‘The Idea of Home’ and ‘For His Entertainment’ do a lot of emotional work. It’s great stuff.
Okay and lastly- YMMV on this one - I’ve def talked about it with friends before but I don’t think I’ve said it on Tumblr. I’m a firm believer that meta narratives and the way that stories are situated and created in our own world matter and that art deserves to be taken seriously and dissected. I love Horizon, but it, and Aloy as a protagonist, are absolutely drenched in white savior and colonial storytelling tropes. Every time I play Frozen Wilds, all I can think of is Jack Sparrow going “and then they made me their chief”. There’s a lot of iffy stuff in the games, as much as I absolutely love them. We’ll have to see how H3 goes, but Burning Shores is MUCH better about this and honestly Seyka is a huge part of it. The story centers itself on a queer woman of color who is pretty tangibly presented as Aloy’s equal with her own strengths and weaknesses throughout the story and takes the lead just as often if not more than Aloy does, which I find really refreshing. It doesn’t entirely fix Aloy’s white savior issues but I think it’s a really good move for the narrative that continues the themes found in HFW about community and connection.
IN MEMORIAM -- BECAUSE RANDY GAVE HIS LIFE FOR INDUSTRIAL/FREE JAZZ/NOISE/HARDCORE.
PIC INFO: Spotlight on a portrait of the late, great Randy Uchida in his then post-hardcore punk/glam metal trappings (in his late 30s), photo taken from G.I.S.M.'s "SoniCRIME TheRapy" era, c. early 2000s.
I think the Tideripper is going to be my favorite machine, the way the Rockbreaker was for me in HZD.
Possibly, it’s the way they both floppily move on land ? I don’t know… xD
i was tagged by @wouyoung, thank you sweetheart 💗 sending you a big hug as usual 🫂
name: Natalia
sign: 🌞 Sagittarius,🌙 Taurus, ⬆️ Virgo
height: 169 cm/ 5'6'' (used a converter so don't quote me on the second one though!!)
time: 23:05
birthday: 11th December
favourite band/artist: idk how to even make this relatively succinct………. ok so for kpop it’s ateez, bangtan, stray kids, gidle, taemin…… otherwise i also love chelsea wolfe a lot…. dream theater the metal band of my life? royal blood, white lies, muse but also nothing but thieves and des rocs a lot lately…… romantic feelings for meg myers’, emma ruth rundle’s and agnes obel’s music?? but also banks and florence + the machine and aurora and hey i also love men. post malone, hozier, hurts and even crazy stuff like hatari?? and i also have been to 7 riverside concerts and FFSSSSSSSS
last movie: pls don't laugh at me but i literally just watched 'the next 365 days' with my friends and yes it was about as bad as expected.....
last show: BAD BUDDY OH MY GOOOD I'M ON EP 7 IT'S SO GOOOOOOOD
when i created this blog: uhm like *checks* 3 weeks ago
what i post: this is my ateez spot though occassionally i might also speak
other blogs: my main is @jiminsproof and my lit/art/personal diary blog is @liquidsun-sets
do i get asks: i am just a babie so not a lot, more frequently on my main
followers: 26
average hours of sleep: ???? i love sleep so my body wants 10+ hours but unfortunately i'm an adult so usually 6-7 but also sometimes much less when things to do. oh and my sleep record was 15 hours. no i didn't feel bad. it was great.
instruments: in polish we say you can play on sb's nerves and that's all i got
what am i wearing: black sweatpants and black t-shirt
dream job: ???????????? uhm happy?
dream trip: florence, italy, also all of the uk
favourite song: you know what i'll consult spotify stats or we'll be here all day. ok last 4 weeks top 3 is: 1. guerrilla by atz, 2. sector 1 by atz, 3. hwaa by gidle. last 6 months it's 1. advice by taemin, 2. maniac by skz, 3. guerrilla by atz (i am normal about this song WAWAWAIT LET ME TELL YOU SOMETHING LET ME TELL YOU SOMETHING).
0 pressure tagging some of my lovely moots, hi besties!!! sending everyone a big hug, hope everyone is well 🫂: @twinklytwinkles, @sinatserendipity, @ateezbiased, @blackawsum, @kpopcrossworlds, @undetectorist, @applejongho. 💗
It has taken me three days to calm down and form coherent thoughts. This turned out longer than expected so it’s behind a cut. If you haven’t watched the music video, this is your sign from God.
1) Firstly. Who does all the screaming. I want to know. It’s a very important piece of information that I need to know. The laugh is Hongjoong’s but does he also do all the screaming. I need answers, NASA!
2) The Energy. Every single reaction I’ve seen about this song uses the word “energy”. Ateez do what other groups think they’re doing when the genre is hype because I’ve never NOT ONCE seen Ateez slack off. They leave blood and sweat on the floor for their rivals to slip on. When I first heard the song I thought my heart was just pounding from the excitement but my oximeter said I was actually having a near svt episode, lol. I shouldn’t laugh, it’s kind of unpleasant but HR 120 bpm? Yeah, only Ateez tbh.
3) Production Quality. I’d like to thank the Academy and KQ for the increase in budget for the MV because it really shows. They used it in a way that wasn’t an empty flex (expensive clothes, meaningless sets, fireworks) but rather, added to the world they’ve been building up since debut. You can see the narrative continue and I really appreciate that. The audio production on the song is just flaw free for me. I usually have so much to nitpick, even in good songs, but I have nothing else to add to Guerrilla. It must have so many layers and tracks to it but it was quiet when it needed to be and absolutely feral at the right parts. What a way to end a track. It didn’t fade out but exploded like a grenade. You can’t ever say that Ateez don’t commit to a concept in every single sense. You’ve heard of Ugly Crying, well Ateez Ugly Hype and have never been afraid to do that.
3) War Aesthetics. Okay bitch, listen, the creative team really stepped up 800% here for this era and this MV. There are so many warfare references in those 4 minutes that it makes my mind exhausted just thinking of the planning that went into all this. The speaker-bombs were fucking inspired. The use of zeppelins immediately remind me of war, particularly WW1, and an alternative steampunk reality. This part of the MV, which is a piece of art tbh, has got to be a homage to ‘Raising the flag on Iwo Jima’ during WW2 as well as Banksy’s Rage, The Flower Thrower piece in Jerusalem. I think that part of the MV was deliberately in slow motion because the inspiration came from still images. They make very clear statements about war and anti-war sentiments. Without boring you all, the last thing I wanted to mention is the font and colours used for the choreo scenes looks straight from vintage propaganda media. I could keep going but this post is already way too long.
4) Metal/Rock Aesthetics. That band room? With all the cables and amps? The mics? The spy cameras? The tv monitors? The fisheye lens? You can tell the team has watched a billion 1990s music videos. It also reminded me a lot of American Idiot. That’s all I wanted to say about that. There’s just a lot of influence in those shots.
5) Screamo in KPOP?! The way it was incorporated was really well done because it’s not prominent enough to scare away the more sensitive casual listener but it was definitely prominent enough for metal fans to have a crisis. We talk about Cultural Reset-This and Cultural Reset-That but nobody has produced a track like Guerrilla before. Nobody. This is one of those times where you can use hyperbole and be right. Nobody has made a song like this and there is no other song like this in KPOP right now. Respect to the Ateez team and the members for their total commitment because they operate like one big breathing organism and that’s why everything feels cohesive. I’ve been waiting 84 years for this. I hope we get to see it with a band one day.
6) Kim Hongjoong. I don’t know if it’s true or not but I feel his influence all over this. This is HIS era and the style/genre suits him the best. I know he likes Linkin Park and at the very least, this style of music, but I do wonder how much he was able to dictate the Ateez sound and direction. Guerrilla is so good and fed me so well that even if they never do this style again, I’m actually fine with that.
7) Literally. I just think it’s so amusing how literal this whole song/mv is. There’s just no “hidden meanings” or subtleties here. I’m not sure Ateez can even do subtle. Even their soft material is aggressively emotive. Haha.
8) People sometimes wonder why I only write long reviews about Ateez music but it’s because they always give me meat to sink my teeth into. Answer is still my Top 3 favourite kpop songs of ALL TIME. There’s just always so much to talk about and it doesn’t even hinge on how hot the members are. You know a group is Legit Good when visual appeal isn’t the first thing I want to talk about. We’re so lucky to live in the Ateez Era.
I can’t just listen to these songs I have to be able to touch them and EAT them!!!
GUERRILLA HAS NO RIGHT TO BE THIS POPPING LIKE DAMN, the build up to the chorus and the bridge is so fucking good
Cyberpunk is literally perfect, exactly what I imagined it’s just so cool
The fact that Sector 1 has been written since Answer era absolutely GUTS me because you’re telling me that masterpiece has been HIDING FROM ME?????
Overall an excellent album and the songs flows together perfectly in their vibe and storytelling, like I wholeheartedly believe these boys are starting a revolution like let’s gO MFS