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#han meta
virahaus · 5 days
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Another day, another time to debunk shitty takes I see online.
I've seen a multiple of people pointing out that "we don't know anything about Tommy" and how could people ship him with Buck (nevermind that the ship is canon and always will remain so) when we know so little about him?
First of all, I'd actually make a point to say that we as of now already know more about him then all the other LI that Buck or Eddie ever had in the show.
I shall make you a list, so that you may remember it more easily:
- He likes cars and he's a good mechanic (extrapolated by the fact that Eddie explicitly said that fixed/improved his engine)
- He likes playing basketball and he's also quite competitive ("we'll make short work of them" said in reference of Buck and Chim)
- He's sarcastic (the closet line)
- His favourite film is "Love, Actually"
- He loves Monster Truck and Craft Beer, and MMA
- He has a big scar on his chest and it came from a fire in a factory
- He's a very skilled pilot, able to manoeuvre in a hurrican, and doesn't waver in the face of danger
- He likes watching and practicing Muay Thai
- He was a pilot in the army
- He only came out when he started working in Harbor, but prefers not to publicise his sexuality
- He doesn't like Bella Swan (and it's implied he might like Jacob more) and he watched the Twilight movies
- He likes to drive his friends to events
- He has friends that can get him high up tickets for shows in Vegas
- He has permission to fly airplanes for personal reasons when he's not on the clock
- He likes to be helpful and he's thoughtful (driving Eddie to check out his sprain, going to Buck's to clear out the air without prompt, immediately agreeing in helping the 118 with the whole ship operation, trying to get Buck to be at ease on their date)
- He's loyal (he didn't rat the others out when the chief called on their way to Bobby)
- He's a smooth flirt
- He can do a mean mouth static (at least in his opinion)
- He pays the bill on first dates
- He is very much the definition of carpe diem (kissing buck was very much shooting his shot)
- He checks for consent
- He kept contact with Chim ever after he left the 118
- Chim called him for help in the episode Broken
- He went to the 217 and opened the spot for Buck at the 118
- He participated in the betting pool Hen made on how long Bobby would last at the 118 captain
- He apologises when he's in the wrong and is shown to be able to correct his behaviour
- He doesn't like chickens (lol)
- He likes the film fight club and can quote it
- Implies to have dated people he met on a call
See? We know quite a lot actually. So you may get off your high horse how about that.
I don't think I missed anything but do let me know.
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stubbornjerk · 16 days
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we could have so many better conversations about pre-apocalyose han sooyoung
was she medicating for “sleep walking?” was she considered narcoleptic? did she have a chronic sleep disorder that affected her because of the timeline shenanigans?
was she unmoored, unnerved, and a little scared when, suddenly, her disabilty slowly started getting more manageable after the world ended?
“how do you sleep at night, knowing you’ve killed many for your own sake?” yoo sangah asked once.
“like a baby,” sooyoung snarks back. like a baby. 8-10 hours that actually feel like 8-10 hours.
when sangah points out that kim dokja seemed more alive after the apocalypse, the implications of having been waiting for this moment his whole life, what about sooyoung?
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tommy-evan · 19 days
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i'll be done after this i promise, but tommy was part of gerrard's terrorship at the 118, right? and we knew how he was, we don't need to go over that, but does this mean that tommy was in the closet while he was at the 118? what if he was like buck where he didn't know just yet, or what if he already knew? either way, if he was at the 118, under gerrard, that couldn't have been easy for him
not only did he have to worry about a toxic boss, but also a toxic coworker, and i think he may have started at the 118, and was complacent because he was impressionable, and he grew with this people. and yeah, maybe he didn't turn around fully until chimney literally saved his life, but you know what, it's a start
and when hen got there, and hen put everyone in their place, maybe tommy still wasn't out yet, either? he moves on to the 147 after that, but what if that shook something in him?
what if he took chimney's graciousness, and hen's bravery to stand against gerrard's tyranny, and it shook something in tommy? what if he didn't get to be part of the 118 like he wanted, but he took parts of the 118's heart and soul, chimney and hen, with him, to the 147. and slowly but surely, in the years between then and now, he became better, he came out, and he became the man we know today
the man who was reassured by buck that no matter what he thought, after all of these years, he still has the heart and soul of the 118 in him
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artbyblastweave · 7 months
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I think about Star Wars a lot more than I post about Star Wars, and I've had some free time recently to type up some thoughts on Episode 7 that've been swirling around in my head for a couple of years. There were a few ideas and plot beats, and moments of apparent self-examination in Episode 7 which I thought were fairly compelling, even though they ultimately paid no dividends:
First was Finn’s character concept. “Star Wars as experienced from the perspective of a Stormtrooper undergoing a crisis of faith” is a rich hook; humanizing and giving a face to what's basically the platonic implementation of the faceless mook. Unfortunately, the potency of the arc was undercut by the pre-existing textual ambiguity as to what stormtroopers actually are. Star Wars extended canon has settled on the idea that each trilogy features an entirely novel cohort of white-clad mooks, each with a fundamentally different underlying dynamic. The clones and the First-Order forces are different flavors of slave army; in contrast, the stormtroopers are more frequently portrayed in the expanded universe as military careerists, stormtrooper being a thing you work up to rather than a gig for a fresh conscript. A slave-soldier who defects is a very different character from a military careerist who defects, and they invite different analysis. There's a bait-and-switch going on here, in that Finn gestures in the direction of the familiar OT stormtroopers but can't comment on or examine them because he's actually part of a novel dynamic invented for the new movies. And there's one final nail in the coffin here, signaled by the number of times I've had to invoke the expanded universe so far. When Finn debuted, the racists were of course, legion, but I also ran into a number of people who were sincerely confused as to why they'd recast Temuera Morrison. Going off the seven films that existed at the time, it wasn't unreasonable to read the prequel trilogy as an origin story for where the OT stormtroopers came from. Going only off the nine films that exist now, it still isn't unreasonable! It's muddied from so many different directions by their failure to establish the ground rules in the mainline films before they tried to put on subversive airs about it. I am still irritated by this.
Next up is how Han Solo was written. I actually liked the tack they took with him quite a bit. Because initially, right, his role in the movie is just to be Han Solo. He's back, and he hasn't changed! He's still kicking ass and taking names, he's still the lovable scoundrel you knew and loved from your childhood- and the principle cast members react to his presence with the same reverence the film's trying to invoke in the audience, they've grown up hearing the same stories about him. Except that episode 7, at least, is also very aware of the fact that if Han Solo is still recognizably the same guy thirty years on, it indicates that things have gone totally off the rails for him. We find out that the lovable rogue routine is the result of him backsliding, his happy ending blown up by massive personal tragedy rooted in communicative failures and (implicitly) his parental shortcomings. It feels deliberately in conversation with the nostalgic impulse driving the entire film- here's your childhood hero back just as you remember, here's what that stagnation costs. And it also feels like it's in conversation with what was a fairly common strain of Han Solo Take- the idea that Ep. 6 cuts off at a very convenient point, and that Han and Leia's fly-by-night wartime relationship wouldn't survive the rigors of domesticity. Obviously, that's not the only direction you can take with the character; the old EU basically threaded the needle of keeping Han recognizable without rolling back his character development gains. But it felt like they were actually committing to a direction, a direction that was aware of the space, and not a reflexively deferential and flattering one, which at the time I appreciated! The problem, of course, is that for it to really land, you need to have a really, really strong idea of what actually went down-of what Han's specific shortcomings and failures were. And given the game of ping-pong they proceeded to play with Kylo Ren's characterization, this turned out to be. Less than doable.
Kylo Ren is the third thing about Episode 7 that I liked. His character concept is basically an extended admission by the filmmakers that there's no way to top Vader as an antagonist. Instead, they lean into the opposite direction- they make him underwhelming on purpose. Someone who's chasing Vader's legacy in the same way any post-OT Star Wars villain is going to, pursuing Vader's aesthetic and the associated power without really understanding or undergoing the convoluted web of suffering and dysfunction that produced Vader. It's framed as a genuine twist that there's nothing particularly wrong with his face under that helmet. Whatever it takes to be Vader, he doesn't have it, and he knows that he doesn't have it, and the pursuit of it drives him to greater and greater acts of cartoonish villainy. The failure to one-up Vader is offloaded to the character instead of the writers, and it was genuinely interesting to watch. For one movie. The problem, of course, is that if the entire character archetype is "Vader, but less compelling," you can't try to give the bastard Vader's exact character arc. You can't retroactively bolt on a Vader-tier tragic backstory when you spent a whole movie signaling that whatever happened to him wasn't as compelling as what happened to Vader. You can't milk his angst for two more movies when it's the kind of angst on display in "Rocking the Suburbs" by Ben Folds!
There's a level on which I feel like Moff Gideon was a semi-successful implementation of Vader-Wannabe concept; he's the same kind of middling operator courting the Vader Aesthetic for clout, but he's doing it in the context of the imperial warlord era, where there's a lot of practical power available to anyone who can paint themselves to the Imperial Remnants as a plausible successor to Vader. Hand in Hand with this obvious politicking, Gideon is loathsome, which relieves the writers of the burden of having to plausibly redeem the guy; he's doing exactly what he needs to do and there'll never be a mandate to expand him beyond what his characterization can support. Unfortunately, the calculated and cynical nature of how he's emulating Vader precludes the immaturity and hero-worship elements on display with Kylo, which is unfortunate; the sincerity on display in Kylo's pursuit of authenticity is an important part of why he worked, to the extent that he worked at all, and it'd be worth unpacking in a better trilogy. As he stands Kylo is a clever idea, and that's all he is- he lacks the scaffolding to go from merely clever to actively good.
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stagefoureddiediaz · 22 days
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Costume Meta 7x04
How we all doing?? have we managed to find some semblance of equilibrium in this new world where we have canon bi buck?? I’m not sure I’ll ever know how to exist in this world but that’s fine with me! I’m still here writing my silly costume metas and having a blast in this bright new world!
No Hen this week as we never see her out of uniform!
The rest is below the cut because you would all hate me if i clogged your feeds with this beast (shes 7k)- you have been warned!!
Actually going to start this week with a uniform out of work section!
Because three times in this episode, we had one of the firefam wearing an element of their uniform out of work and its actually pretty key!
We have Bobby in his LAFD polo when he informs Athena that Harry is wanted for assault and he fled the state.
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Then we have Chim at the basketball game in his LAFD hoodie
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And finally Buck at the airfield on his tour with Tommy.
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All three are playing into the idea of protecting ones self by being in an official capacity in some way. Firefighters (like all first responders) are of course there to 'protect and serve' the community.
Bobby delivers the news to Athena about Harry - he's in uniform because he can inhabit a small aspect of his captain mentality - makes it easier to deliver the news and also gives him the distance to play the 'don't shoot the messenger' card if necessary.
Chimney has to step into paramedic mode at the end of the scene. The LAFD hoodie separates him from everyone else at the court and foreshadows that he will have to 'go to work' its also about chimney being there as the colleague not the almost brother in-law of Buck. An important distinction - it protects Chim from being seen to favour anyone (specifically from Buck. (Buck is angry and not being rational so Chimney has protection from Bucks potential anger for helping Eddie - Buck is already feeling awful by that point so the protection isn't needed but it provides cover if it were) and allows him to go into first responder mode. (this is so badly worded but I'm sure you get what I mean!!)
Buck is at the airfield under the guise of wanting to find out more about becoming an air support firefighter - its the cover under which he is operating to try and befriend Tommy. The jacket also provides him protection from Eddie when he shows up and finds out Buck is not coming to Vegas with him and Tommy.
Bobby
Just the one costume for Bobby this week - a maroon tee that her's wearing to sleep in. we see him in this colour a lot - its a bit of a staple colour for him and I've spoken a lot about maroon tees and shirts representing parental roles in relation to the various children of the 118. Its no different here -we can see from Bobbys face he isn't buying what Harry is saying and the parental concern we see evidenced here plays out with him calling Michael and finding out what is really going on.
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Athena
Athena wears a lot of black this week, which is fairly typical from her, although we are in a much more overall muted palette than usual and its missing the jewel tones we're used to seeing her increasingly wear. its a bit of a signal of returning to normality now they're back from the cruise disaster.
She starts off in black and pink pyjamas but I'm going to talk about those at the end in the pink section so we're skipping ahead to this ruffle smocked cream blouse and her gorgons head necklace is back. the ruffling is an nod to her feathers being ruffled when Bobby tells her about Harry and his arrest warrant, and the white with the black trousers is about things being black and white - for Athena as a cop things do tend to be black and white when it comes to the law - of course Athena has always been one to work within the law to bend the rules but in this moment things are black and white.
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Then we have her all in black with a red longline cardigan which has a open weave that give the appearance of mesh or a cage. The show has been using Red since day one which makes sense as it is a first responder show and you literally cannot escape it when the fire trucks are red! But they have always been pretty careful about when they use bright red in the costuming meaning its appearance with such regularity this season so far is pretty telling. Its an advance warning of incoming danger/trouble/strife, but it is rarely worn by the one who is directly in danger - they will be involved, but not the centre of it. The best example of this is Bucks bright red broadcloth shirt when Christopher calls him because Eddie is smashing up his bedroom.
Here we have it on Athena in the scene when things are about to properly kick into action with Harrys story. Athena is literally a red net about to ensnare Harry. its the one time in this episode we see Athena in a bold bright colour - something that generally is attached to her being happy or having fun, but not here.
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The denim sleeveless shirt/jacket when Athena goes to the hospital to visit the lady who shot her son (does she have a name - I cant remember!) and later to talk to Harry about the reality of his altercation, is quite bulky and blocky. It's far less fitted, structured or flowy that we are used to seeing on Athena. To me this is about playing into her struggles to tread the line between mother and cop - that neither role fits right. That denim is also a fabric associated with labour, it suggests Athena is working hard to figure it out.
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Then we get this all black outfit when she takes Harry to the station - it is such a simple yet effective bit of costuming, especially with the silver zips and buckles- it blends her in with the police officers in the station so she can hover the line between mom and cop - and makes it look like an arresting officer bringing in a suspect.
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Harry
New Harry comes with a new style!!
I actually can't wait to see how they dress him over the rest of the season because there was a definite colour theme at play here this week with all the beiges, greens and redish browns which is very not how younger Harry dressed (he was much more bright colours).
Not going to lie - my hatred for the copaganda and the fact I've been in Bi Buck land since the episode aired has made it hard to focus on Harrys outfits in greater detail, but I do have a few thoughts!
This first shirt is a map print, maps denote journey's andHarry is on a literal and metophorical journey - the literal being the one he made form Florida to LA. The metaphorical one is all about his journey to become a man, and learning to take responsibility for his actions, so this shirt is essentially setting out his arc for the season - Makes me feel like the storylines with harry we're going to see are going to be about the community service he has to undertake and him figuring things out and growing up a bit in relation to that.
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Then next up we have this cream hoodie with an brownish beige pocket. the thing I found interesting about this choice was the fact that Harry played himself off as innocent. lawyers usually instruct their clients to wear white shirts to court, and to avoid loud patterns. The white is because i suggests purity or innocence, and the loud patterns should be avoided because it suggests you're trying to employ subterfuge (that you're lying). So Harry wearing a block of cream is a play on this idea. We see him in the map shirt before - when he is employing subterfuge about his reasons for visiting, and now this cream is him trying to suggest his innocence to his mother - the use of cream rather than white is telling us that he isn't as innocent as he is making out!
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Finally we have check theory (my most beloved) in play. harry returns to wearing patterns - this one check and in greens and browns. there is an element of military to the green shades, its a coloour we've seen used on Eddie to show his military background, but it is also a colour frequently worn by Athena - usually when she is fighting for her family in some way. Here it feels like a refelction of that, with the added aspect of green being a colour of growth. Harry shows contrition and is willing to take his punishement, showing his growth, but also showing his understanding of fighting for his family - and Athenas willingness to do the same. its showing us tht he is his mothers son. And of course the check is the pointer towards the fact he is in trouble - that his earlier protestations of innocence were false!
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Then we move on the he Buckley-Hans
Chimney
Only the one for Chimney this week, it's a very short scene where he is completely oblivious to the tone of the conversation. He's dressed completely in greys and is by all accounts neutrally costumed. this is intentional - he's not the focus of this scene and when we think that so much of this episode is shown from Bucks pov, the use of neutral grey makes sense - Buck is projecting on to chimney in this scene. Buck himself is speaking his jealousy and fear, while what Chimney says is actually the little voice inside his head that isn't in fact jealous of Tommy, but is impressed by him
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Maddie
Again only two costumes for Maddie this week and one of them is her dispatch outfit, but I'm including it because of its place with a mini colour theme for this episode, which both of her outfits play into.
I spoke about the use of red in Athenas section and its representing danger, and it is in play for both of Maddie's outfits, the wearer changes though. In the first scene, Maddie is in blue - dark blue. a tee with 'The Great School' and bobcat logo on the front. I love this, the bobcat is a symbol of inner strength and resilience in the face of adversity, while Maddie is a great source of learning for Buck - he essentially raised him and has been a sounding board for him since she returned to his life. Maddie is the next level wise older sister, her point of view is important to Buck and is grounding for him. She had got him to back down from his spiral over Eddie and Chris, until Chimney came in (and like I said above, that was Bucks inner voice, not really Chimney)
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Then we have her dispatch uniform and its red. This is a clever play actually, it allows the costume team to put Maddie into red, a colour we don't really see on her outside of work (a deliberate choice as it helps distinguish work from non work to the audience). Just like Buck was the angry one in the other Buckley siblings scene, her Maddie is the one who is angry (with good reason) and we again get Buck recieving education at he hands of Maddie - in her place of work where she is a lifeline to people and where she holds authority. Buck needed her in a lifeline capacity in this moment and he got it, despite her anger. She gave him the advice and help he needed.
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Eddie
Eddie my man looking suave and confident - this Eddie is Bucks version of Eddie so of course he looks cool, well dressed and in a green and black combo. In nearly every scene where Eddie nad Buck have a deep meaningful conversation - one that gets through to Buck on a higher level - that works on Bucks abandonment complex, Eddie is dressed in a black shirt and khaki green trousers (the only exception is the will reveal when he's in navy blue but that is to play in the yellow blue colour theming and its a close to black as they could have a blue!), this outfit is an inverse though, which is actually really clever. Eddie (Bucks version) here is playing into Bucks fear of abandonment - Bucks version of Eddie has spent so long building him up and chipping away at that fear that to invert that colour theme and have green on top and black trousers is a fun way of inverting that chipping away at Bucks fear - this is putting another brick in that abandonment wall
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The black tank top!! Its back and everybody cheered! Ok so I wrote this meta about when the show puts Eddie into a black tank top and how it means he's in an emotionally vulnerable place and once more, the theory plays out. Obviously Eddie gets physically injured, but his face when he looks at Buck after he's gone down shows him emotionally vulnerable. Yes there is a little bit of anger and a lot of pain in the look he gives him, but there is also understanding and a little guilt too.
It's the moment Eddie realises that he has unintentionally sidelined his best friend, and the effect that has had on Buck and his abandonment issues. This is Eddie showing his truly deep understanding of Buck and how Buck ticks (and because this is also from Bucks pov, its also showing us Buck understanding that Eddie understands how Buck ticks) we get all of this proven when Tommy comes over to Bucks later and clearly states that Eddie is feeling bad about the whole situation.
It is also worth noting that When Buck has seen Eddie at the gym or being sporty in some way Eddie has either been in uniform or in a black singlet and that he always looks super competent (even if he is working through things when he is in the black singlet). From my perspective, this is an interesting choice to play into because it suggests Buck recognises Eddies emotional maturity over him, even when he's not in a great place (we can discount fight club Eddie becasue Buck didn't actually see him there), its clearly something Buck admires and places as central to how he sees Eddie.
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Tommy
Tommys costuming is chefs kiss perfection to me. The wardrobe department have literally dressed him as Eddie and I am living for it.
Its a way to emphasise that Tommy and Eddie are super similar. this serves two purposes - it builds a visual connection for the audience - we don't need to be shown Tommy in the army or fighting/ training in Muay Thai etc, we can mentally make a connection to the ones we've seen of Eddies in the past and accept the information as fact. obviously not all people who join the army or undertake MMA are going to dress the same, but this is television where visual information is valuable real estate, so playing into tropes and stereotypes is a key piece of arsenal.
The other thing about it is the specific Eddies its calling back to - fight club Eddie and to a lesser extent, post breakdown Eddie when he's back in therapy and unrepressing himself.
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Tommys basketball outfit is really about making him stand out from everyone else - it makes him seem to appear more because the blue shorts and the light coloured top will catch your eye, even if he's not the focus of the camera at that moment. This is all about the fact that this is Bucks perspective on things - he is seeing Tommy everywhere and feeling like he's taking over/ taking away Eddie and so we the audience feel that same thing in a visual way. The thing the blue shorts do is visually connect Tommy to buck in the next scene we see Buck in - when he is talking to Maddie at dispatch - the blues are similar enough for us to subconsciously connect back to that scene and link Buck and Tommy together rather than Buck to Eddie - who Buck is dressed more similarly too in the basketball scene.
It doesn't hurt that the blue shorts also play into yellow blue theory - especially against the sunsets yellow hues in a scene that is playing homage to a famously queer coded scene from Top gun.
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Then there is this outfit from Bucks loft. again is very similar to an Eddie outfit - its the same style of shirt we often see Eddie wearing especially in seasons 4 and 5.
Tommys jeans have always been reminiscent of Eddies Jeans (I mean I know they are jeans, but I promise the significance will become clear when I get to Buck!)
Even Tommys watch is similar to Eddies Christopher watch (every other watch in the show worn by the men is all black - black strap black face and mount only the Christopher watch is different) in that it has a different coloured strap to the watch face and its mount.
The other thing I want to mention quick, is the progression of Tommys costumes in relation to them being similar to Eddies. By this I mean the first non uniform costume we see Tommy in is very stage 2 Eddie, while the one below is very much more stage 3 Eddie.
I also really like the use of a purple/red/black shot tee for this scene as well. If you watch the scene through, the way its lit changes its colour as different sections of the scene unfold. The red tones are there early on, during the apology and conversation around Eddie being allowed to have more than one friend and Christophers adoration of Buck. it gives it that air of danger lurking, because Tommy isn't sure how things are going to play out. and plays into the red/blue theme we saw with Buck and Maddie in this episode - just on a much lower level.
Then it turns this purplish shade as we move into the initial stages of flirting - from the moment Buck moves around the counter to put himself in the same space as Tommy. It gives things an air of mystery, but purple can also be a colour of enlightenment - both elements are in play here and I love they were able to do this with this shirt.
The shirt turns black at the moment Tommy says 'my attention' - the moment he essentially hold all the cards on making a move - he is the one with the power here (as the already queer person in the room) and black is a power colour, so its the perfect choice for the moment he makes his move.
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Buck
Buck my beloved bi disaster. His costumes were doing some pretty impressive storytelling this episode!
We start off at the air field - I spoke at the start about this LAFD jacket and the theme of protection, but I also have other things to say about it and the rest of the costume. We don't generally see Buck out of work wearing uniform (we actually don't see many of the firefam in uniform out of work tbh) so when we do its going to have meaning. T
he thing with the bomber jacket being the choice (they could've made it a hoodie which we've seen him wear out of work more!) is that on one level plays into its name and the fact that its being worn at an airfield, while on another level it low key plays into the Buck cheating arc. which is actually fun - the idea that he's 'cheating' on the 118 by claiming he's thinking about his career options and also cheating on Eddie by trying to befriend Tommy (because at this point that is all it is its only once Eddie appears that things change).
The trousers are also important. I know I've said before about how trousers are less important than tops because they are less likely to get screen time. We not here - here they are really important, but only with the context of the rest of the episode.
These are the short in the leg dark trousers we've come to know and love on Buck - he's been solidly wearing them since season 2 and what we have seen him wearing so far in season 7 so no surprises to see them here. But this is the last time we see them and its super important and telling.
We also have Bucks white trainers - the ones that he wears when he moves forward on his journey - we see him in them the entire time this episode.
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Buck and Maddie this episode have a red v blue thing going on in their scenes together. In this one Buck is in red and Maddie in blue. I spoke about the red for danger theme they seem to be using this season for the red clothes above in Athenas section and it applies here - Buck in red is foreshadowing the danger/strife that the basketball game presents as that is what he is talking about and what he is most upset about over Tommy and Eddies friendship.
It's a slightly burnt out red in comparison to Bobbys red shirt from the cruise, Athenas red cardigan, or even the red he wore when Eddie had his breakdown. Its not a full high alert colour, its a more muted and restrained colour - suggesting the danger is going to be less of a big thing, that it's just a part of it rather than the main big thing
We can also see that Buck is now wearing more traditional stonewash jeans - this is the first time we're seeing them on him since Eddies arrival at the fire house. I'll explain them in more detail in Bucks last outfit of the episode, but I needed to point their presence out here.
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Basketball Buck in his white shirt and dark blue marl cut off tee - its very Buck posturing at the firehouse gym and its meant to be. Its a direct reference to the last time Buck showed any jealousy towards Eddie. The shorts are different this time in that they're white/light grey rather than black, but I think this is done for two reasons - it creates a pairing with Eddie - they are dressed similarly with dark tops and lighter grey shorts, but on opposite teams/sides.
It also makes him stand out from everyone else at the game - excepting Tommy (and a random guy in a red top with white shorts that I'm living for. When Red = foreshadowing as I've talked about above, this guys actions on the court are precursors of what is about to happen - we see him bump into Tommy - a couple of moments later and Buck does the same thing, then just before Eddie gets taken out by Buck, he gets breezed past by Eddie stumbles and starts limping. Its fun and clever and not something many people will pick up on - its a bit like the role of the bullet in Hamilton!)
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Bucks bright blue chunky corduroy shirt with white tee underneath. I already spoke about the visual connection between Tommy from the basketball game and this shirt. It also fits into the red and blue theme I spoke about above - this time Buck is the one in blue and with the combination of Buck in his danger incoming white shirt and Maddie being in red it signals exactly what this scene is going to be about.
The danger, in my opinion, is Maddies wrath at Buck getting physical with Eddie. Its a perfectly valid and important response from her and plays into the growth we get from Buck in this episode that is not connected to his bi awakening - the recognition and acceptance of his bad behaviour in a far more mature way than we saw from s3 Buck.
The chunky corduroy give the shirt vertical stripes and we all know how I feel about Buck and vertical stripes at this point - I wrote about them a lot in my seasons 5 and 6 metas and the blue and white nature of bucks outfit plays into the theming that was at play in early season 6 - where Buck was free from Taylor and resisting buying a couch because he was looking for the right couch etc. (and playing house husband to Eddie nad feeding them!!!)
Here in this episode we kind of have Buck going through a similar process - free from the shackles of death and trying to figure things out - who he is and what he wants, he's still on that hamster wheel in many ways at this point in the episode but he is about to jump off it.
This is the key to happiness and Lev's advice and the year of yes scene 2.0 - the same shade of blue are at play here. Lev figuring it out ('I get it now') just as he's dying and Buck then trying to figure out what Lev had figured out and essentially failing before he died only to now get it and free himself is a blue thread we've been following through season 6 up to bucks death, then the use of this shade of blue in Bucks costumes tailed off - we saw it reappear a couple of times after the lightening strike - specifically around Natalia and his continues flirtation with death - almost like his hovering around death was him trying to grasp what Lev had figured out.
Then the blue had been gone again only for it to reappear here in this episode in a scene that precedes Bucks bi awakening and his comments about being free and 'yeah that works' with their double meanings that play in the same way as lev's 'I think i get it now' just without death coming immediately after. It's a scene when he starts to get an inkling on what his jealousy is actually about. (The fact we know he's going to be back in this bright blue in the next episode in a scene with Eddie - that is very likely a coming out scene also plays into this idea.)
And the stone wash jeans are once more there for all to see!
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Then we get this dark navy blue shirt with silvery white dots and yet again those stone wash jeans.
Ok lets talk about the jeans! The fact that we haven't seen Buck wearing stone wash jeans, which if you watch the opening couple of seconds of the dispatch scene, you will see are proper normal length on him and not ankle swingers like we've got used to seeing him in for the last few seasons!
The thing with him suddenly wearing these stonewash jeans is all about imitation - imitation of Tommy (and by extension, imitation of Eddie even though we don't see Eddie in stonewash denim in this episode) because you know that old adage of dressing like the person you want to be , or the idea that you subconsciously start dressing like the person you have a crush one?? Well yeah - Buck has all these new feelings that he doesn't know what to do with, but Tommy is cool and Tommy dresses like Eddie and Eddie seems to like Tommy better than Buck now so maybe if Buck starts dressing a bit like Tommy he'lI get Eddies attention back. So he's pulled out the stone wash jeans so that he's dressed a bit more like Tommy, but he's also dressing a bit like his crush that he doesn't yet realise is a crush.
The other small thing that I think is a nice nod - So Like I said earlier, the last time we see the jeans is in 2x01 - Eddies introduction to the firehouse. This is the moment (on screen at least for us as viewers) that Buck ceases to be the probie - that baton is passed to Eddie, so its almost like a symbol of him graduating and maturing in some way. then we get the jeans back for Bucks bi awakening - we see them the entire time he's navigating all these new feelings he has - he's never been with a man, so he's like a probie again.
The thing is, that the jeans appear to be gone for his date with Tommy (makes sense - he's on a date so he's got to look good for his man!) , and from what I can tell from the (super dark even when brightened) stills from the Buck Eddie loft scene, it would appear they are gone for that scene too. We've had bts of Oliver in the jeans again, so I don't think they're gone completely, but that makes sense, he's still a baby queer after all, still navigating his way through things.
On to the shirt! I wrote a whole meta about this shirt (and the jeans actually!) when we first got this still - you can read it here and I'm still a little awestruck at how close to the mark I got!
What I want to add to what I said, now I have context is that the two previous times we've seen blue shirts with dots are played upon in this scene - the lawsuit is the obvious one and the parallel is showing Bucks growth - he got jealous and worried about being replaced and ended up lashing out and suing everyone, now he got jealous and thought he was being replaced, but as soon as he lashes out, he realises he is in the wrong and verbally acknowledges it.
The diner with Maddie scene is a bit more tricky to parse out, but for me, it ties to Doug - Maddie is quick to call Buck out when he confesses to Eddies injury not being an accident, because of her experiences at the hands of Doug. In the diner scene she is determined to go back to her apartment and her life in the aftermath of killing him - she wants life to go back to normal. In the loft scene Buck is trying to achieve that end too - he's in a new world where Tommy exists as part of his life now (as Eddies friend initially) and he wants to clear the air and move forward - so he's still a part of Eddies life.
I also want to talk about the contrast between this scene and the one where Taylor turns up at his door after the shooting and the difference between being chased and doing the chasing. Its spots v stripes!
Buck is in a similar shirt - short sleeved button up in a dark shade (black) - this one with vertical stripes for the Taylor scene and he thinks he's being chased for the first (ish) time (Abby sort of chased him but he is the one who pushed for it to be a relationship when I think she just wanted a bit of fun and a hook up! so I'm not sure if it actually counts or not). Thing is Taylor only chases him after they've already kissed and when he's then made it clear thats what needs to happen. (as an aside - Natalia does pursue Buck - not romantically, but because he has died - and she is the one wearing vertical stripes
While in this scene he doesn't have to say anything, yes he flirts, but he isn't explicit about what hewants - Tommy is the one who makes the decision to go for it, and so when he genuinely gets pursued, he is wearing dots
Chased verse's doing the chasing - dots v stripes
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Then we have the Pink.
Pink is back in full force in 7x04 with it popping up regularly throughout the episode.
I didn't include Athenas pink dressing gown or Bucks pink shorts in their sections because I actually wanted to talk about them here. The context the scenes they were in gave me the information I needed to figure out what I think the purpose of all the pink we've been seeing is.
Lets start with a quick recap of all the pink from the 3 previous episodes then we'll look at the pink from this episode as well as the fact I've already spotted some for 7x05 from the trailer
7x01
Athena's pale pink top in therapy with Frank
Sue at dispatch in a pink cardigan
Christophers pencil is pink when he's sat at his desk - when he reads the letter from Shannon
Marisol in her bright pink strappy top
Lola's Manzanillo outfit is bright pink and white
Norman has pink flowers on his Hawaiian shirt and he later wears a bright pink polo shirt when he's pretending Lola is still with him.
7x02
the woman who is teaching her daughter to drive
the pink roses on Hen's jacket (which I know I said play into the theme of family bonds etc but the pink has a second meaning)
7x03
The cruise ship family nearly all wear pink at various points (grandma and mom are the exceptions)
and now 7x04
We have Ashley C in hot pink at the Bachelor mansion
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Athena in her dusty pink ddressing gown (and pyjama pants
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The woman who shot her son is in pink
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And then there are Bucks pink shorts!
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All of these scenes with the pink are scenes about either naivety and or innocence
The pink on Athena is about her being naive about her relationship with Bobby - not recognising that she is nothing to fear about them spending time together.
Sues pink cardigan. Sue's line is about the civilians at risk from the fighter jet - she is representing their innocence
Christophers pink pencil - in that scene his behaviour might be naive (he's a child so of course it is) but it comes from a place of complicated feelings as he does begin to mature - he was the innocent party in the loss of Shannon and he is the one left to suffer.
Lola is naive on the ship about having an affair and thinking she could get away with it and that it wouldn't hurt Norman. She’s also innocent in the plot regarding the bitcoin (or whatever it was)
Norman is also both naive and innocent - not recognising the fact his wife is cheating, for selling up their entire life and he is innocent in the bitcoin plot.
The mother and daughter were innocent in the car crash.
the pink flowers on Hens jacket hint at her being innocent of any wrong doing (from a departmental perspective) at the car accident.
The cruise family are innocent - just in the wrong place at rhetorical wrong time and they are a representation of all the innocent people on the boat who end up in danger on that ship.
I think the Marisol top is an interesting one - it plays into Chris being naïve thinking he can date multiple girls without them finding out. But I also think it’s foreshadowing her naivety in general - I think we might either see her immaturity in some way (perhaps on a date with Eddie) which will prove terminal for her relationship with Eddie. Now we know about this date scene coming up this is possible but it could also end up being about the fact that she is likely going to be an innocent party caught in the crossfire of Eddie unrepressing himself (much in the same way Ana was back in s4/5.
Ashely C's pink dress is a representation of the innocence of trying to find love.
Athena's pink dressing gown is about her innocently and blindly/ naively being excited about Harrys return home to her.
The lady who shot her son is innocent in that her actions were brought about by something out of her control and so she can't truly be held responsible for them.
Then Bucks pink shorts are about his queer innocence and naivety about his feelings the fact that we see them in a scene where Tommy isn’t present, a scene that is meant to inform the audience that his behaviours is all about Eddie and not Tommy - that he’s naively not grasping that part of this internal confusion that he's experiencing.
To add to all of this, we have Marisol carrying a pink bag in the teaser for next week, to me if pink theory is correct then this is playing into the idea that Marisol is naively dating Eddie and that she's going to be an innocent caught up in whatever goes down in that scene (part of this arc) the use of lighter pink here specifically on a handbag is giving me babyish vibes as well (its screaming little girl playing at dress up!). As a quick aside - I am very amused that shes been dressed in a basic black top - she looks like wait staff!
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And of course there is Eddies pink ensemble that is connected to either Chims bachelor party or the Madney Wedding. I have no idea what is going to happen in this scene(s) but whatever does go down - place your bets on Eddie being innocent (and or naive!) in whatever goes on - itll be fun to see if I'm right! 🤓
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Right 7k later and that is me done for this meta!!! I am handing out the tea, coffee, cake and biscuits (all dietary requirements catered for!)🫖☕️🧁🍩🍪- you've earnt them if you've made it to the end of this monster! Hope you enjoyed reading. i'm off to revel in Bi Buck some more - I can't believe its happened I'm overcome!!! 🩷💜💙
Tagged peeps as always are below!
@theladyyavilee @mistmarauder @xxfiction-is-my-realityxx @bewilderedbuckley @spotsandsocks @bewitchedbewilderedbisexual @rogerzsteven @wanderingwomanwondering @oneawkwardcookie @leothill @copyninjabuckley @shammers86 @crazyfangirlallert @missmagooglie @katyobsesses @radiation-run @gayandbifiremenofmine @bi-moonlight @crazyaboutotps @princesschez75 @alliaskisthepossibilityoflove @sherlocking-out-loud @tommykinarddd @satashiiwrites @lover-of-mine
(if the tags don't work its because people have changed their url (very valid of you!) and I didn't know, so let me know if you want tagging in future in the comments so I can catch the new urls!
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matan4il · 24 days
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911 ep 704 first watch reactions
IDK if anyone else will talk about this, but Josh and Maddie were a great comedic start to this ep! XD Also. Interesting choice to give Josh, the currently only openly gay male character on the show, more lines again. Is it a reminder he's there, so he can be a part of Buck's journey later on? *eyes emoji* We'll see.
All of these pretty women (I should also mention that as a non-American, all the gasped, "It's Joey!" "It's you!" "It's me!" are missing me by a kilometer. Whoever Joey is, he's not Madonna yet, if you want me to get excited about him, 911, you're gonna have to give me a bit more than a single name), hitting on Buck and Eddie, and the ease with which both men turn them down... Sure, this is a part of the set up regarding Buck, and Eddie technically has an excuse, but also. Most straight, taken men would at least be tempted. They'd at least bite their lips with frustration. Have some reaction. But not Eddie. And when you remember that he was distinctly not taken in ep 204, but still had the same reaction to pretty young women hitting on him and Buck... I know this ep is all about celebrating the 'oh' moment of another guy, but that's not gonna stop me from rooting for Eddie to have similar realizations eventually (and get together with that certain other guy *cough*).
LMAO So, Buck is meeting up with the guy who's gonna be his sexual awakening, a man who's good looking, gave him a thrill already, is an impressive fighter pilot, and the first thing he can think of to say, is blurt out Eddie's name? LMAO Oh, this boy really is down bad...
Man, that bit where Tommy tells Buck he can have it both ways, he can get certified and continue to serve with the 118. Thanks for the beautiful foreshadowing, 911. Buck saying he's keeping his options fluid... Holy shit, the show really wasn't holding any punches back.
OMG, why is Harry old enough to be making Bathena waffles (and then turn out to be involved in an altercation)? I swear, he was still on baby formula just a second ago. How did 7 seasons just fly by!?
Buck getting jealous over Eddie and Tommy sparring. Considering the fact that Buck was the one getting all hot and bothered over semi-naked Eddie in the gym in 201, and ready to jump into a boxing match with him, this is making me wanna punch a wall myself. The symbolism in this ep is NOT very veiled. Add to that Eddie mentioning how he and Tommy met and just... clicked. In the same conversation that reminds us of Buddie' in 201's first meeting, where they clicked? (even though they were both too dumb to realize in what way) 911, just let me catch my breath for a second challenge! Also, Eddie is dating Tommy more intensely than he is Marisol? Okay. Duly noted. These firefighters are both so freaking hetero, I'm sure that's exactly what every casual viewer was telling themselves at this point. And poor Buck, getting his hopes up that Eddie is asking him when he's free, so they can go on a date themselves, only to be let down. Poor baby boy. But this feels like it's spelling out the answer to whether Buck's jealous over Tommy or Eddie. So, yay for Tommy helping him with his bi awakening. But it's clear who's really occupying Buck's heart and mind, and whose time he wants. FOR SIX FREAKING SEASONS NOW.
Oh, it's continuing, the show really is trying to kill me, having Buck complain to Maddie about how often Eddie has been seeing Tommy. The annoyance with how cool Tommy is, that's exactly Buck's reaction to Eddie in 201. So, if Buck and Tommy will then kiss, what does that say about what Buck didn't even realize he wanted to happen with Eddie back then, hmmm? I also love that Buck wants to be the cooler "dad's friend" in Christopher's eyes. That's his son, you can't take that away from him. And of course, Maddie was his first confidante about his feels for Eddie, she was the first one to call out his boy crush (in 204) and to hear Buck automatically think about Eddie, when he hears, "He's cute!" (in 206). It's so freaking right that she is now the witness to Buck's bi jealousy meltdown. I love her calling him out on it. "Is it circled with a heart around it?" Honestly, this is better than front row seats at the Bachelor mansion. I'm just disappointed in Chimney and his imaginary popcorn that he doesn't get to witness all of this firsthand and get what it means. Letting down all Bachelor fans out there, Chim. -_-
And then Buck's back in the gym, staring at Eddie, feathers ruffled. Am I going to make it to the end of this ep? Who cares? This is fantastic! XD He tries to catch Eddie's attention with the little weightlifting without a spotter stunt, and it's specifically him. Chim turned out to also be impressed by how cool Tommy is, but Buck is circling Eddie, like a clueless Jane Austen heroine, about to become a hit teen romance movie. Ravi falling for Buck's weightlifting attention trap is just getting in the way. Chim asking about Buck's weird basketball hugging session is nothing but a way to get to the ball game with Eddie. Okay, I'm at the point where I need to be chewing on imaginary popcorn.
Athena is one of the strongest characters on television, ever. Precisely because she's not just tough when she has to be, she has a heart, too. The scene where she told the woman she accidentally killed her own son was hard to just watch. IDK how she actually did that. I'm not sure if viewers who aren't moms get it, 'coz I didn't until I went with my sister through her pregnancy. Motherhood changes you forever. You feel your kid moving inside you. You bond with them in the most intimate way possible before they're even born. You go on a wild journey with them after, where every second counts, let alone every hour and every day, when they're hungry, when they're cold, when they struggle to sleep, when they finally do, when they take their first step, when they fail and fall... The love and protectiveness are something different to anything else in life. IDK how Athena, who gets all of this, managed to break the news to this mother, that she had unknowingly killed her own kid. I think to me, this has to be the most devastating scene in the entire history of the show. IDK if I'll be able to watch it again.
When basketball game scene starts, and Chimney knows something's up, I was already chuckling. But then Eddie sees them, and the first thing isn't expressing joy that his best friend is there, it's asking how did Chim talk him into this. "He always says no to me." They BOTH always talk about each other in romantic coded language, it's not just Buck, and in the same ep where we get bi Buck confirmed, that makes me froth at the mouth...
"So I'm your basketball beard. I feel so bonded." Not Chimney calling Buck out, while using the term for closeted gay guys using someone as a cover. I AM SCREAMING. Thank you, 911 gods!
That montage with Eddie and Tommy high fiving each other right in front of Buck's salad face, while their muscles glisten in the sun, and Top Gun-like music plays in the background, like the biggest nod to the volleyball scene from that gayest movie ever made, which we already had Buddie paraphrasing in 201. I am fine, this is fine. I love this burning kitchen I'm sitting in.
Buck causing Eddie's injury because of his jealousy (which again, is not about Tommy. He made an impression on Chim as well, who was screaming, "Buck, I'm open! I'm OPEN!") and not even getting to offer some help, because Tommy's already on it... I hope ABC is happy with their viewership dropping next week, because they've killed every Buddie shipper in the fandom.
"Well, I'm not a 14 year old girl..." Both Buck and Maddie together: "So stop acting like one." Love this scene, love these siblings, love that the reference with the two blonde Sarahs sounds platonic, but it's also from a past season on the Bachelor. 911 really wants you to know this is romantic, and Buck's going through a late sexual awakening in his 30's, instead of in his teens, even before he's able to see it.
So, the conclusion to Buck and Maddie's convo is that he needs to talk to Eddie, to make it better, yet the person he ends up talking to is Tommy, and that leads to the bi awakening kiss... It's a classic rom com switch, we hear a knock at the door, we expect it to be THE love interest, showing up at the right time, and it's someone else, making the protagonist's romantic journey so close, but about to get longer. It's further emphasized by a shot over Tommy's shoulder, in a way that he can easily be confused for Eddie, and which is reminiscent of moment when we saw Buck standing at Eddie's door, or both of them there toegther.
It was a nice talk, I loved Tommy saying he can't replace Buck, I def noticed how he went to talk about it in the context of Chris instead of Eddie (hmmm... I wonder why), but my fave part was how Buck glowed when he heard his son doesn't shut up about him. ^u^ He even took a second to look away from Tommy, to take it in with a huge grin. Then Buck and Tommy start warming up to each other, moving towards flirtation, and what comes out of Buck's mouth? "You don't have to tell me how great Eddie is." That's not how you flirt with a guy, Buck. I liked Tommy kissing him, and Buck not recoiling. Like he's always known on some level, but could never do anything about it. "That's better than fake mouth static." LOL The stuff that great romance is made of.
I'm SO happy Buck is getting this storyline of realization he's bi, I've thought it would be important and that the show has laid some groundwork for it since 107, and I don't mind that Tommy is the "romantic other" who helps him with it. I do believe this is important bi representation in and of itself, away from Buddie, and if nothing else ever comes of it, this is still beyond wonderful. In 2024, we still barely have any characters who start out presumed straight, and are allowed the freedom to figure out that maybe their sexual orientation is different than what they thought, despite the fact that in reality, human sexuality is complex and confusing and a mess. So this really matters to me, as a human being, and as a queer person. That said, I can't ignore the past 5 seasons, and the way this storyline played out, with Tommy kissing Buck, but the whole thing being emotionally centered around Buck's feelings for Eddie, it means that whether they go canon or not (and at this point, I find it hard to believe they'd make Buck canonically bi, taking this HUGE risk of homophobic backlash, and not go there with him and Eddie, but just in case they don't, I wanna say this), it'll always be Buddie for me.
Thank you for reading! If you're looking for more, you can find my s7 reactions tag here, and more of my Buddie meta and content in my pinned post. xoxox
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lovegrowsart · 3 months
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it's pretty wild to me that people don't see that aang running off to save katara in CoD is his luke in empire strikes back moment, where he runs headlong into his want and attachment and he's narratively punished for doing so and not learning his lesson - aang runs after katara despite guru pathik's warning, like luke runs after leia and han from yoda on dagobah despite yoda's warning; similarly, as a result, things go to hell in ba sing se like they do on bespin - aang enters the avatar state before he's ready and gets killed, and ba sing se falls to the fire nation, luke fights vader before he's ready, loses a hand, and symbolically commits suicide after vader tells him he's luke's father.
the difference between their character arcs is that george lucas and co. actually went thru with luke's hero's journey and understood the fundamental difference between attachment and love, whereas I don't think bryke understood this difference and then dropped this from aang's arc pretty much completely and replaced it with aang digging in his heels into his want and attachment and he gets rewarded with energy bending from a lion turtle, the avatar state from a random pointy rock, and his forever girl from the self-indulgent white men that couldn't bring themselves to give their hero a compelling character arc that meant he might not have gotten everything he wanted at the end.
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You cannot convince me that once Buck comes out, Chimney won't create a second, "Bachelor"-inspired, office pool...
"Tommy or Eddie - Who Will Get the Final Rose?"
Bobby gets SUCH a headache from everybody arguing over it (when Buck and Eddie aren't around, of course). And he complains about it over dinner with Athena and May one night.
That's when May says "...Oh, yeah, they're having a shipping war."
Athena and Bobby both stare at May (who continues to eat like nothing's happened).
"A what?" Bobby asks.
"A shipping war," May says, with a shrug. "It's what they call it on the internet when one group of people like a character paired up with one person, but another group likes them paired up with a different person."
Bobby continues to stare at her for another minute.
"...My firefighters and paramedics are in a shipping war?" he repeated, like he still couldn't believe it.
"Sounds like it," said May.
The very next day, Bobby told Chimney to shut down the office pool.
"But Bobby, we're just havin' fun...!" Chimney insisted.
"No shipping wars in my firehouse, Chim."
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cum-villain · 7 months
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yoo joonghyuk wears all black because he is the text. he is the embodiment of the [story] "ways of survival". the [story] flows through him, because he IS the story. wos is the [story] of yoo joonghyuk, like omniscient reader's viewpoint is the [story] of kim dokja.
kim dokja wears white for the same reason han sooyoung 1963 and secretive plotter wear white, because they are outside of the story. the yoo joonghyuk in the alternate 1863 turn that died wore white because he wanted his [story] to end, and yoo joonghyuk that wore the black coat wanted the [story] to continue, to continue having text.
and he had the white astronaut outfit when he stopped being part of the [story] kim dokja wanted, he briefly became part of the white pages to give kim dokja's [story] a turn.
and the demon king of salvation has black wings because while he as a child could hide in the white pages, his soul beckons [stories] to him, he died and gained a story of love where people wanted to see him, and he gained the black wings to show that he has text, someone gave him text and words out of love for him. lee sookyung tried to love him but she couldnt give him real text, only a false [story] that in its salvation was truly agonizing. only in giving him black text, a true [story], could he escape and die. and find a new meaning and a new [story] among other discarded [stories].
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babytrapperdiaz · 1 year
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just know i have a lot to say about hen and chimneys partnership being the way buck's subconscious chooses to relay information. because they're his role models and the smartest people he knows and he's watched them work through impossible scenarios so many times. and even then, they're partners. comaland!chim didn't really start formulating until comaland!hen was at his side. they worked the issue through together. that's so important to me. buck's view of them being the perfect pair is so important to me, i have so many thoughts on that
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Buck & Eddie: Can share friendship and be in a relationship too!
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Friendships and romantic relationships do coexist.
In their recent interviews, OS and RG kept reiterating how Buck and Eddie have a deep and meaningful friendship but for whatever reason, there are some people who keep acting like two people can't be friends and lovers at the same time. It's unclear why but for them at least, this reasoning seems to only pertain to Buck and Eddie.
Aren't two people being friends at the very CORE of every great romantic relationship?
That's how Madney began and Buck said it himself in 2x8 during Maddie's and Chimney's BuffFriday. He said, "You guys are dating each other!", then Maddie and Chimney started explaining they were just friends who like to hang out but Buck explained it even further.
"You're always talking and texting each other. You sing karaoke together. You do BuffFridays. You finish each other's sentences. Guys come on... you're a couple!"
Sound familiar?
It should because isn't that what Buck and Eddie have been doing for five years?
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They hangout, flirt and make out.
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They eat pizza together and play video games with their son.
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They drink beers and talk.
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They cook for their family.
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They get dressed up and go on dates to play poker.
They've been doing it for YEARS!
The point is people in romantic relationships should be friends too because if they aren't then... it's certainly possible their relationship won't last long. Also, who wants to be romantically connected with someone they can't be friends with?
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bi-hans · 3 months
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It's likely with Damashi's help, but Shang Tsung knew how to speak to Bi-Han. He called him "Grandmaster," which no one else did. He cited Bi-Han's wish to break free of Liu Kang's control. He understood what Bi-Han wanted, which wasn't merely power for power's sake but to elevate the Lin Kuei.
Kuai Liang repeatedly told Bi-Han not to listen to Shang Tsung. To ignore him. And Shang Tsung, in turn, ignored Kuai Liang. He barely spared him a glance and never spoke to him. He never attempted to sway Kuai Liang in any way. He didn't try to make his offer more palatable to Kuai or frame himself in a more favourable light to gain his approval.
Later on, he gives him a mild compliment, which Kuai dismisses as "empty flattery." But it's too simple to say he doesn't quite understand Kuai Liang the way he understood Bi-Han. He knows Kuai doesn't trust him and that he won't be tempted by the same things that worked on Bi-Han. The truth is, Shang Tsung doesn't really try to tempt Kuai. He antagonizes him over corrupting Bi-Han and destroying the Lin Kuei. He shows no remorse over the soul stealers destroying lives and has no intention of answering for any of his crimes. He doesn't attempt to garner any goodwill from Kuai at all. He only offers to teach him the secrets of shapeshifting, something Kuai has no interest in or use for. He could have instead offered to share his knowledge with him to strengthen his new clan, but he makes no reference to the Shirai Ryu.
All his laments and his efforts to "tempt" Kuai are purely performative. And his intros with Bi-Han and Tomas further reflect that. He's been making entreaties to Bi-Han. He tells Tomas, "If only Kuai Liang had joined Bi-Han." he doesn't say 'if only he had joined "me." Kuai Liang never mattered. It was always about Bi-Han to him.
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blueteller · 11 months
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Hey, remember how Cale was constantly scared of Choi Han at the beginning, because of how in the TBOAH timeline he brutally beat OG Cale?
Now remember how Cale beat up the White Star with a rock, in the Test of Wrath in the Sealed God's Temple?
I think.... just as Cale influences other people to act just like him, Cale started emulating Choi Han (or at least, how he sees Choi Han) – in the moments of high stress I mean 😂😂😂
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tommy-evan · 19 days
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do you ever think about the sense of safety and clarity chimney and hen's mere presence probably gave tommy after years of being at the 118 with men like gerrard and deluca?
i always thought if things were really good with them, if they were allowed to grow, it would've been hen, chimney and tommy against the world
and we got that in bobby begins, again
so yeah, no wonder he's jealous about the 118, because buck was his replacement, and buck got what he had hoped for, but in order for it to happen, he had to leave
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stagefoureddiediaz · 14 days
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Costume Meta 7x05
Hello, Hey, how we all doing??
Ready for another super long meta post??
There is so much to talk about this week - admittedly mostly Buck and Eddie related, but there is also plenty going on for Hen and Karen as well.
No Bobby this week as we only see him in uniform, and only the one costume for Athena as well. I also want to say that I am not doing any of the costumes from the Madney wedding that we saw at the end of the epsiode - I want to give them the space they deserve and I will probably write a separate pre episode meta for those costumes specifically! All I will say is Maddie looks stunning, Buck in white - hello! and Eddie in a just a collar making him look like a pink priest - hilarious!
The rest is under the cut as always 😎
Let's start with some of the guest characters.
Alien Hand syndrome man continues to prove the check means bad things theme, which makes me happier than you can ever know!!
Then we have Deidra in her very bright pink coat. If you read my promo meta for this episode you will have read a fairly sizeable section at the end on my thinking about the use of pink in this season (going to make a separate post during this hiatus so its all in one place). All of the times we see it in this episode, play into (and I guess prove) my thinking. Deidra is acting with good intentions and while I don't think she's naive or innocent in the strictest sense of the word, she is perhaps continually being naive in thinking that not revealing Mara's past is the right way to go (don't come at me about child protection etc I am fully aware of what the real world laws state, but this story arc really highlights the fact that in trying to protect children who are at risk and in the system, they can also cause ongoing harm if things are not taken on a case by case basis - its a whole other essay that I am not getting into here).
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Then we have Mara herself who is never without pink - namely her pink blanket. The pink plays into the theme of innocence especially with Mara and while she may not be innocent of the act of maiming Denny, her innocence goes much deeper. Its meant as a very clear signpost of the innocence of childhood - that pink blanket and her clinging onto it is a symbol of her clinging onto her childhood, despite the fact that she has gone through a terrible loss and trauma. she is still a child and the show is clearly going to play into the idea that as she settles into the Wilson home and is able to work through the trauma, her need to cling onto her childhood in this way will diminish and we'll see her slowly become less attached to the blanket. We already have signs of progress with the colour journey her tops have been on - lavender, pink and then the turquoise one at the end. Lavender is also a colour associated with childishness or lethargy, pink the colour of innocence, and childhood. While turquoise is a colour of calmness and clarity. its signalling HenRen's breakthrough with Mara and that she's growing and beginning to feel secure.
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Hen and Karen
Hen and Karen go on a real colour journey this week - I'm doing them together (along with Denny) because they very much work in tandem clothing wise (and also because I was running out of pictures again - whats new there!)
So first up we have Karen in this beautiful dip dye ombre dress in purple, pink and mauve. it also has this drip staining pattern which has deliberately been created during the dying process. The lavender at the top of the dress is representative of hope and serenity, this is Karen in a great place - about to expand her family and fulfil a dream. The pink as I've said is all about innocence and naivety - more innocence in this case - both the new baby being innocent and Hen and Karens innocent hopes for their future. The dark mauve at the bottom of the skirt - eating into the pink is such a choice - gathering storm clouds, foreshadowing the turmoil about to come - taking away the innocent hope. mauve can be standoffish and withdrawn, and in this context those are great descriptors for Mara and her struggles that Hen and Karen will need to help her work through.
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Hen's in cyan blue trousers - which is a colour associated with clarity and balance. whilst the cream, black and blue jacket with stars on is the beginning point for a theme that runs through the Wilsons arc this week - black is a power colour, associated with many things, but for Hen and Karen in this arc it is very much about protection and strength. Here for hen it is mostly about protection - protecting this new baby they are about to take in. The cream is warmth and tranquility.
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Hen is wearing check - foreshadowing the upcoming struggles with Mara. Karens bronze and black Jacquard trousers are a symbol of strength - bronze as a colour means strength and support, it's also a symbol of faithfulness. It's telling us that Karen will take the lead on supporting Mara and being strong for her.
We see a lot of white on Karen in this episode, white, like pink is a colour of innocence, but it is more associated with purity and balance. It is also a colour of neutral refelction. By this I mean that it amplifies other colours by providing a neutral background - allowing other colours to shine. I find this a really interesting thing when connected with Karen - it amplifies her strength and supportive nature when the Wilsons meet Mara.
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Hen adn Karen in bed are in dusty versions of blue and pink - Karen innocently tries to touch Mara and that is when the screaming starts. Putting Hen in blue is about relaying her trustworthiness and sets her up as a soothing and calming presence for Mara - hence the sleeping on the floor of her room!
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At the hospital, We see Denny in red - he was wearing it when Mara woke the house up and its an indicator of what is about to befall them (in the same way Bobbys red in the cruise ship disaster adn Athenas red in relation to Harry, or Bucks back in s5 when Eddie broke down).
We again have Karen in white amplifying the other colour she is wearing, which in this instance is this buff/brown oversized sleeveless coat in teddy fleece. The brown is stability, dependability and responsibility - playing into the fact this episode really highlights Karen's position in the family as this stable rock which Hen and Denny lean on when they need support. Karen's unswerving and solid personality is once more being shown off. Its really a key thing for them to show as it feels like a set up for Mara and how she is going to bond and rely on Karen and that dependability as she unpacks her trauma.
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The orange jumper is a really interesting choice. I do love the loose threads on the design of it - paying into the idea that Hen and Karen are at a loose end and unsure what to do going forward. But, the orange itself is generally an open minded colour, its energetic and its also a colour of transformation. These are all things we know are true of Hen and Karen and it hints at the fact that they will fin a way forward. Once again we have Karen in white amplifying Hen's orange and the energy and idea of transformation the colour brings.
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Denim jacket and white tee. I love the distressed nature of this denim jacket and the way it plays into both scenes we see it in - playing into the distress Hen feels over finding out what Mara has gone through and how it explains why she has become non verbal and incredibly protective over her pink blanket.
Again the white of amplification and purity. Hen has pure intentions and the white amplifies Karens black when they are at dispatch listening to the 911 call.
We also have the Karen necklace back - once more showing this ism't about Hen - its about Karen and their family.
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Black on Karen for this scene is such a choice. Black is a power colour, it means strength and protection. Here it is showing Karens determination, as she gains understanding, to protect Mara and support her through her trauma - it is representative of Karen choosing to use the power she has been given through gaining information. The gold highlights hint at success.
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I love these lavender pyjamas on Karen - lavender is a soothing and sleep inducing colour (along with its scent which is possibly where the association came from for the colour) along with a Japanese print of mountains and trees, which plays into the idea of serenity and peacefulness.
Hen in contrast is wearing fairly bright and bold black and green. The green is all about that growth and learning once more, the growth of Hen and Karen, learning more about the issues Mara faces and seeking a solution, but also the growth of their family. The black is a reflection of power - much in the same way Karen wearing black when they heard the 911 call Mara made, here it is Hen, representing the protection that Hen and Karen are offering Mara.
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Athena in green - again with the mesh open weave knit - this may be a theme for her this season - potentially something to do with feeling caged or caging someone/something - especially children as both scenes we've seen it so far have been to do with young people and the law in some respect - ending up in the system - Harry through is crime and Mara through her parents death.
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Chim
This dark bottle green with a fawn brown (what I think is a polo) shirt underneath is Chimneys only non uniform costume this week . This kind of dark green, is as always a signal of growth, but its also a colour of harmony, and right now - everything in Chim's world is harmonious.
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Maddie
I don't thinkI've said it yet, but I am so happy to have Alayna back dressing Jennifer - I feel like we're really back on track with Maddie's costuming after last season where they somehow managed to make Maddie look terrible. The costuming overall last year was fine - not as good as Alayna's work, but it was for the most part good - except for Maddie where it was all over the place!
Anyway - Maddie in black here is very much about focussing the attention on Hen and Karen - like with CHimney's muted green, in tandem they are making the viewers eye focus on Hen and Karen - especially Karen - who is the brightest in the room.
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Maddie wearing this sage green colour when Buck comes out to her is sheer perfection from my perspective - we, once more have the green of growth and renewal, the green of learning - Maddie learning more about her brother - this new thing that he is realising about himself and choosing to share with her (even if inadvertently). But this green is also sage green - sage as in the play on sage advice - which we see Maddie give him. Buck needs that good advice - he needs to hear that its ok, that he can take the time to figure himself out and that its ok that he's only just uncovered this aspect of himself and that it doesn't invalidate him being an ally up to this point!
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Ok not going to lie - I got a little carried away from here on out - so sorry in advance for the rambling mess you're about to read!
Marisol
I'm doing Marisol in a weird order - because I wanted to talk about her date night outfit in tandem with Eddies - because its relevant. So we start of with virgin Mary Marisol! Honestly this outfit is just perfection from the costume department - they saw the brief and went to town and I love it. Its so good to see what they can do when they get to play!
One of the things I really love about this costume is the blue that they chose. Because that blue - that is Bucks blue! the virgin Mary blue is usually a much brighter royal blue. It really helps to place Marisol in parallel to Buck and we get the play on t he fact that Eddie seeing Marisol in this way changes everything for him, whilst later on, whilst Buck is in the same blue, he reassures him that nothing will change between them.
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Look, I'm not going to lie, when I saw Marisol in blue and yellow for this scene I laughed because Blue and yellow (as I've gone on a million times about) means queer coding so to blatantly put Marisol in it - in a washed out form, and very much connecting her to Catholicism - genius move. It marks her out as a roadblock, but also puts her into the role of beard (unknowingly on her part) because Eddie is still in the midst of his repression, even if it is beginning to unravel now.
The black top with spaghetti straps is clearly a theme they're going with on Marisol, as are the ditsy prints. The yellow high waisted trousers are interesting because of the specific shade of yellow. Yes the whole communication theme still applies here -and we see it in action, but this shade of yellow is sallow and sickly (one of the reasons its called sickly yellow is because its the colour of a lot of medications!!) - this relationship and its restart are ill and that automatically means its going to struggle to survive.
It plays into the more negative meanings around the colour - uncertainty and idleness and cowardice. For me the cowardice aspect is an interesting one in relation to Eddie - he has behaved cowardly up to this point - hiding out and not having the conversations that need to be had, and even in this scene it is Marisol who takes the lead.
It's really giving us an indication of things Eddie needs to work on in regards to himself - and once more it comes down to communication. Communication has always been Eddies major flaw - that he isn't good at it, unless really really pushed into it - essentially under duress. The other thing with communication is that it plays really well into the catholic guilt aspect - this idea that growing up catholic has taught him to repress part of who he is - to go along with what is expected of him, but that it also taught him not to ask for what he needs, to not communicate. We see it in this episode with his inability to say no to Marisol (the whole hiding out at Bucks so he doesn't have to have sex speaks volumes) even down to suggesting there's a third type of guy - who just needs a minute. Because, while that might be true to a certain extent, the fact that he says this off the back of her expressing her distress and upset about how all guys are one of two things, speaks volumes - its not him saying this because that's how he actually feels, its partly him saying it because he is pushed into a position where he doesn't want to be the bad guy. its really not a good place to be restarting a relationship from.
We also have the ditsy print of doom in play again - like I've said before, ditsy print on Eddies girlfriends - never a good sign - its really playing into this idea of Eddie jumping in headfirst with gay abandon (pun intended) and then regretting his life choices. Shannon wore ditsy print a fair amount - especially in the I think I'm pregnant' and 'we should get a divorce' scenes. Ana wore ditsy print A LOT - she was wearing it when Eddie had his panic attack in the shop and at other key moments that marked the death knell for their relationship. And so this appearance of ditsy print here marks the same - the relationship is not long for this world
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OK date night Marisol. The way this outfit played out more or less as I expected, She was very much an 'innocent' bystander in this scene (whilst also creating one corner of a triangle with Buck and Eddie) , and the ditsy print very much played into this. Like I said in my promo meta, both Shannon and Ana were costumed in ditsy print as well as in lots of pink!!!
The other aspect of this outfit that is making me laugh is the fact that the skirt is giving me 1980's/early 1990's teen vibes (not to out myself as old but trust me I had some just like this back then and I wouldn't be caught dead in it now as a grown woman!!) and the baby pink handbag looks like something an 8 year old would have to play dress up with - its all very childish and immature - naive one could say, and while it didn't play out quite how I was expecting, her being a novice nun, sure explains a lot of why she comes over as pretty immature.
The other aspect of this childish style we're seeing on her plays into Eddies narrative of looking for magic and trying to recreate what he had with Shannon. He's attracted to Marisol because she is immature and childish - it reminds him of what he had with Shannon when he was young, and when you're trying to recapture that, its easy to fall into the trap of thinking someone behaving in a naive manner is you finding what you'd been looking for. Eddies journey, along side his catholic guilt, is about learning that he cannot recapture or recreate that magic he had when he was young - that the love of youth - in all its innocence is not something that is sustainable or actually what he wants in the present.
Then we have Eddie in white. I spoke in the promo meta about how the white set him and Marisol as opposites and that remains true - very true on more than one level. What I especially love about it and something I could not have predicted is how it plays into the novice nun aspect of their story this episode - truly this show is a comedy! Because nuns wear black and white this is an obvious play on that, but it is also a play on the fact that Marisol is still a practicing catholic, whilst Eddie is very much not. The other aspect of this white is that of Eddies two non uniform costumes, it is the first one and we get this black and white play on religion - the black and white of nuns and priests - the black and white of being religious or not. Eddie never questions if he wants to become a practicing catholic again - he is lapsed and that is how he intends to stay.
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Eddie in uniform, with his green trainers, blue towel and water bottle. the blue towel and bottle play into the buck and Eddie blue green theming we see with them. But what is interesting is though is that Eddie is fulfilling all the colour theming on his own - he is both blue and green - to me this is about Eddies own struggles within himself as well as foreshadowing the Eddie Marisol break up down the line (green shoes suggest a road needs to be to walked before we get there) - it hints at Eddies internal struggles and implies that its will ultimately end in a break up a bit further down the line.
I also think it's only when in Uniform that Eddie can admit to his catholic guilt. Because we all know when Eddie is struggling with some form of emotional turmoil, he wears a black singlet - and he could've been wearing the same here, it would've been totally fitting with the situation - he is going through something emotionally and struggling with it.
But he's in his uniform. Part of it is to have him on a different level to Buck - they are both struggling with something in this scene. When we have previously had Buck and Eddie scenes like this one at work, the one dressed in uniform, tends to be the one offering advice to the one not in uniform. That isn't the case here. Part of it comes back to Buck not actually needing advice, but needing to reveal something about himself - to confess. Eddie is the one who needs advice.
This is a flipping of the traditional narrative for these scenes and is proof that even though Eddie might later tell Buck that nothing is going to change between them, that it has in fact already changed, it is just that neither of them are fully cognisant of that change at this moment in time. It is a key indicator to use the audience that this has happened before but that things are not going to play out the same way this time.
Put it this way - Eddie has form for doing something extreme with his relationships with women in the aftermath of Buck doing something dumb - its one of the manifestations of his repression. This time its asking Marisol to move in with him in the immediate aftermath of Buck going full green monster over Tommy.
Last time it was in the aftermath of Buck begins and then doubling down with Ana after the shooting when Buck had hooked up with Taylor and before that in the aftermath of Shannon's death and Buck suing the department he went and joined a fight club - but he has form. Its completely in character for him to pull this sort of a move. I know he says he's going with his gut but I argue he is in fact ignoring his gut - or at the very least confused about what his gut is telling him, because that would mean actually looking at why his gut reaction to Buck doing something dumb makes him do something dumb in turn connected to these women in his life.
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Eddie in black - this is the same shirt as the white one - just the reverse colour - which is important. This shirt has several layered meanings to it. its about the reversal of what Eddie wants - from him being bubbly and excited about Marisol moving in, to the dread of her having moved in and wanting her to move out - his feelings go from white to black - light to dark - happy to unhappy and it all sums up the relaity of that relationship - while it was new and unserious, it was fun and light, when things got real - it becomes dark and oppressive.
I'll go into more detail about this shirt when I get to Bucks costume for this scene - because they are connected!
The other thing about this outfit is that the green trousers have been replaced with jeans. Now I see a couple of reasons for the wardrobe department doing this. Firstly is that it plays into the 'nothings is going to change between us' of it all. Its a visual indicator that in fact things have changed (along with Buck wearing a brighter shirt than we normally get in these buddie heart to hearts that take place in Bucks loft but more on that later) the Buck being bi and going on a date with Tommy of it all aside, this is the first time we've actively seen Eddie hiding out at Bucks to avoid his girlfriend - this was a barrier that had existed between them previously that has now been broken down. Then there is the fact that Eddie does go home to Marisol - and he couldn't be wearing green at that point because she was wearing blue and Eddie in green would've meant break up time - only the Marisol as a plot device arc isn't yet over (it will be soon I promise - all the costume signs are there!) so that couldn't happen.
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Tommy
This dark olive green shirt that is almost brown. The brown undertones hint at the stability he represents while the green is hinting at his military past and once more paralleling him with Eddie. One of the things about green as a colour is that its not only a symbol of growth and renewal, but its also a colour of learning, and in an episode titled 'You don't know me' it feels like all the green is very much about education - learning about other people - and the growth that results from it. It feels especially important here for Tommy and Buck - that is after all what going on a date it all about - learning about one another and seeing if you're compatible.
The other fun thing about this green shirt is though that the green plays into the blue green colour theory when it comes to Buck and Eddie and their partners and the end of relationships. This one before its had chance to begin.
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For Coffee we have a grey Henley and a blue zip front hoodie with a grey striped undertone to it (I am pretty sure this is actually a hoodie we've seen on Chimney but I can't remember when and I don't think it would be the very same one as pretty sure Lou would not be fitting into Kenneths clothes ever, but Chimney has definelty worn the same style!!). Again Henley's are an Eddie thing, so we once more have the parallel with Eddie being drawn.
The interesting thing here is that the grey blue is the same colour combo Buck wore on their first date attempt - the costume department played a lot with flipping colour in this episode, so to have it done here as well is really fun - the fact there is more grey than blue is also interesting. It's a neutral colour, it is seen as a colour of stability, but is also a colour of uncertainty. It really plays into that theme of uncertainty running through the Buck and Tommy arc. The blue hoodie is actually pretty important because we've had one of Buck and Tommy wearing something dark blue in every scene they've had together - usually the one on the back foot. Tommy in this scene is relatively neutral in terms of position for most of this scene - they are equals - but he is put onto the back foot by Buck asking him to be his date to Maddie and Chim's wedding.
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Buck
Where to start with our beloved bi disaster!
I obviously spoke a fair amount about the date night shirt in my promo meta. The navy blue knit bowling shirt with these silver/grey close together pinstripes running down the front playing into the Buck wearing vertical stripes theme we've has running with him for at least the last 2 seasons.
What I said about false starts and this date absolutely played out - in the same way the sperm donation shirt represented a false start on that donation, this shirt also represents a false start on Bucks dating life as a bi man. The white trainers are also carrying on the theme of Bucks Journey towards happiness
What I find most interesting about this outfit though isn't colour theory related. its all about the fit of the clothes. Because these are ill fitting on Buck - not something we see from him very often - in fact I think the only time we see him in anything close to ill fitting to this extent is back in season 1 when he was figuring out who he was and if being a firefighter was the right for him and exploring relationships and what he was trying to find in that arena. The trousers are the most ill fitting of it all, but I'll come to the trousers later on as they are part o a wider Buck costume theme we have going on!
The shirt is a little roomie, but not overly so, it just stands out more because we're so used to his shirts fighting for their life, here this one is baggy and really helps to sell the idea of defeat, but also that h was trying on this new part of himself for size and that it doesn't quite fit. It's the only time this episode we see his clothes not fit him in this way and its a really small but expressive part of costuming that I love to see.
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Then we have this blue broadcloth jacket over a white tee and with these plum/brown coloured trousers - they're a bit blink and you'll miss them so its hard to be sure what type of trouser they are, but I think they are essentially smart joggers - jersey material but trousers!
We all know that Buck in white means trouble, I'm putting him outing himself to his sister as the bad thing - along with the fact that the date didn't work out.
I'm really fascinated by the fact that we really seem to be leaning into navy blue and Buck being bi. Navy has always been a colour we've seen a lot of on Buck in general, but there is something about the fact we've seen him (or Tommy) wearing it in every single scene that is about his bisexuality. I'm talking from the kiss scene onwards, not anything before that as Buck wasn't aware of his bisexuality before the kiss. I can't wait to see if it continues!
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The green shirt jacket is an interesting one. it obviously helps to play into the buck and Eddie blue green theory, but it does in a smaller way play into the blue green theming we see around Buck and Eddie and their relationships - specifically around issues arising. Both Buck and Eddie wear green when they break up with their significant others and while there is no break up here, there is a break of sorts. This was Buck about to try and tell his Best friend that he was actually out on a date with Tommy and that he's bi
symbol of growth - Buck went in with a goal - to tell Eddie he was on a date with Tommy, but changed tack when he saw Eddie needed to go through something - this is Buck growing as a person - not making something about him.
The other thing about this outfit is that its basically the same as the one Eddie wore at the airfield (even down to the badding of the trousers) - just in reverse - Eddie black trousers, black jacket, green top, and here Buck is black trousers, black top and green jacket - I find this fascinating as a metaphor for where the two of them are on their respective journeys.
Buck is now bi and out (he's told his sister) and has been on a date with a guy (regardless how successful it was - he cannot put it back into the box) - his growth is externalised and therefore expressed through the wearing of a green jacket. We get a lot of storytelling through the various Jackets Buck wears (we've seen him in over 35 at this point!)
While Eddie - who we could say was being taken on a date by Tommy - even if he didn't know it (because who flies someone to Vegas to a sold out fight if its not a date??) wearing a much brighter green that we've seen on him before now (pretty much all of his greens are more army green with a couple of exceptions - much darker greens akin to Bucks jacket in the below picture) - still in the army green wheelhouse, but much bolder. Eddie's queer status is still very much internalised - hence it being underneath the black jacket.
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Buck coming out to Eddie from a costume perspective was a glorious parallel that I have already mentioned in the promo meta (I've run out of pictures so you'll have to go watch the scene yourself if you want to see what I mean). Its actually a bit deeper that I appreciated in that promo meta, but that is in part because at the time of writing the meta I wasn't 100% sure it was a coming out scene and I didn't get to see the way it was shot and how that also played into the paralleling.
Costume wise - I already spoke above about Eddies black shirt and how it is reversing him in the episode. But what I didn't mention is that fact that it parallels in colour terms, what he was wearing when Buck informed the firefam that Connor and Kameron were pregnant. Eddie wore a black marl henley - black with flecks of dark grey running through it, and Buck here is wearing a slightly darker blue version of the same top he wore in that same scene. He is standing in the same place at the counter of his kitchen, or sitting very close to the same position and we get similar camera angles. As a whole the parallel is very loud - Buck was happy and proud of something he had done and wanted to share it with his friends - wanted their approval. He was feeling good about himself and confident in his decision.
The biggest thing about the blue - this shade specifically is the way it play into the blue theme we saw last season with Buck - the theme that started in the 5x18 finale at Hen and Karens vow renewal, when he was free of Taylor and moving forward and essentially restarting his search for happiness. We saw it weave a thread through the entirety of season 6, being worn at key moments that played into that theme - after Lev died, at various points in the sperm donation arc, and a key points in the aftermath of his death and rebirth.
The successfully helping create life aspect of this is so interesting. It on a low key level plays into the you don’t find it you make it manifesto that’s been at the heart of bucks arc since s2. the whole year if yes was supposed to be about this very thing - about Buck creating the life he wants for himself  - the sperm donation isn’t about the baby it’s about Buck and about him figuring out what he’s missing (which comes back to not only Thomas and Mitchell, but also Lev).
The other thing that ties into this theme is that Eddie isn't really changing but Buck is. Whenever we have a scene at the loft between Buck and Eddie Bucks costume and colour varies, but Eddies stays more or less the same. Bucks colour Palette for these scenes goes - dark grey in the you want to go for the title scene, then we have the grey blue on the balcony and now this much lighter blue. This is highlighting Bucks progression while Eddie who remains in his black shirt and that progression - while Eddie essentially remains steadfast - is key - it’s showing us that while buck is still doing dumb things, he is learning - he is listening to whatever Eddie is telling him - that he’s accepting Eddie’s absolution of his sins more and more - growing and understanding. 
It’s building on his long running arc - his fear of being left behind, of not being important enough for people to stick around for - and showing us he’s increasingly understanding that that fear is unfounded - that he’s found his personal- the one who will stay and who is steadfast in that. That’s why we see Eddie unchanging in his black shirt green cargos while buck gets lighter - more unburdened by that fear.
Before you think all is lost on the Eddie front though, we are seeing change - the army green trousers are gone and have been replaced with jeans - perhaps, in the same way Bucks growth into his bisexuality began with his beginning to wear jeans again, Eddies own growth into his own queer identity also begins with jeans - moving him away from Eddie the soldier - fighting for others - being a rock for others and now into a position where he can do his own growing.
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In the sperm donation arc, Buck was finally able to donate and was wearing that super pale mint green polo. we don't see the same with the outcome here at this point in the story (although the beige/mint green jacket from the bachelor party is making me👀👀👀 at this moment in time!) - we get this cream open weave linen shirt with black and terracotta and golden brown vertical stripes.
I love that they went with a shirt that has such an open weave - playing into the whole concept of Buck being open and embracing this newly revealed part of him that he's discovered. But what I love most about this shirt is the way it ties back into the Buck learning to accept himself and find his happiness.
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Because this shirt is so similar to the one from 6x01 - when he decides he doesn't need a new couch, what he needs is to be ok on his own and with himself.
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lets talk Buck and his trousers because the trousers are a whole thing this season and I am truly in love with the long game the wardrobe department have been playing on this one. They know that we have all been out here raising eyebrows at Bucks trousers for the past few seasons as they've gotten shorter and shorter and ill fitting. I know I've made comments in previous costume metas about the fact they must be doing something intentional with them being so short in the leg - that them doing this is giving the appearance of a child who is still in short trousers and isn't fully grown - hasn't moved on to wearing full length trousers yet.
Well it would seem I was right and thats exactly what they were doing, putting him in short trousers to show that he wasn't his fully formed self - that he was growing and learning and figuring things out. because - I've gone back through my spreadsheet and checked his trousers out for all of his scenes and there are only a handful where he has trousers on that are well fitted and the correct length. One of them is at the start of season 6 - at the end of the episode where he moves his armchair instead of getting a new couch - the one time in season 6 we see him most at peace with himself
I remarked in the 7x04 meta that we only saw Buck in his too short trousers in the one scene at the airfield, and from then on, he was was in jeans. Now the jeans are a mimicking thing - Buck hasn't worn stone wash jeans since Eddie appeared on the scene back at the start of season 2, so for him to start wearing them again as soon as he becomes jealous of Eddie and Tommy - and Tommy is wearing jeans - was pretty telling in its own right. It's Buck trying to get Eddies attention (not Tommys - Eddies) because, we do not see Eddie in jeans in 7x04 - but we do see Tommy in them - and in Bucks head he is loosing Eddies attention to a guy wearing stone wash jeans - so if he wears stonewash jeans then maybe he'll get Eddies attention back.
That obviously didn't work out how Buck thought it would, but it did lead to him figuring a new part of himself out.
We can see how his trousers are all now sitting at the correct length, I grabbed this still of the black ones, and you can see in the full length still from the date those are as well (even if they're too big more generally) but the others are all sitting at the correct length as well.
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We also see the jeans back for his scene with Tommy - I truly am fascinated by the choice to put him back in stonewash jeans aafter so long as a theming choice for his bisexuality, I really am enjoying this more relaxed looking Buck from a costuming perspective - the journey we've been on with his costumes is great - the increasingly formal style thats just a little too small and tight we've seen over the seasons now slowly relaxing once more into something much more comfortable and well fitted - showing just how far he has truly come.
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And thats me out for another week! Sorry it turned into another epic - it would seem `i cant stop myself! Not sure if this has come out longer than last weeks, I think it might've, but I can't be bothered to check! Thank you as always for reading this monster and I hope you enjoyed this deep dive into the costumes for 7x05. I'm off now to hyperfixate on Bucks bathroom door and get myself though this mini hiatus!
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matan4il · 1 month
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911 ep 701 first watch reactions
(I don't think I have the energy to write proper Buddie meta, so here's me randomly squealing instead...)
LMAO In case you were wondering whether s7 of 911 will be subtle about their gratitude/debt to ABC for saving the show, the answer is a resounding no.
Also, I have lost a lot of respect for Frank as a shrink, but gained a lot of love for him as a sass king. "Did she win!?" The murderous look Athena gave him was priceless. I love her, too. She doesn't even need words to rule.
Man, nooooo. Don't give me a mutual "I love you" between Bobby and Athena like that.
"Go ahead and cut the green wire." Everyone and their sister: "Green? You said Red."
9-1-1 is the superior comedy they slipped into our drink, while we were here for our weekly action, suspense, drama and familial love.
Buck broke off with Natalia, and the show really did it like that. XD Every single person who rolled their eyes at this pairing during s6, we were all justified, but wow. The show really is the only forum to respect the pair even less than fandom does. And of course we find out about it in the middle of a scene built around Eddie being half naked, Buck watching him, with the camera specifically turning so we can discover Buck was initially covered by Eddie's body, and the angle change reveals him, when the whole thing wraps up with Eddie welcoming Buck back to the land of the living... Yeah, wonder what made Buck feel alive again. Don't know. 'Tis a mystery. We were given zero clues...
"I want the honeymoon life." *cries* Chimney is just such a good, good man. And okay, expecting your whole life to be a honeymoon's a bit unrealistic, but Madney are living together and they have a child. They know this. Chim knows this, but he still wants to go for it. Aim for the moon, you'll at least land among the stars, right?
Bobby baffled by Athena's reaction to Norman and Lola is hilarious.
I like how Chim has a great idea, but it's still obvious that it's gonna go wrong, because he can't help going overboard with it...
OMG, that scene with Eddie recounting to Buck what Christopher's date was like... If I were to write my Buddie meta, I would serve a three course meal just from that. I mean, the fact that watching Chris hanging out with a girl he likes, makes Eddie compare it to "hanging out with his guy friends" (when there's no lack of interest in this girl... in fact, it turns out that if anything, Christopher's problem is the opposite of a lack of interest) is so telling. There's a reason why that's where Eddie's mind went.
But then also... Eddie's trust in Buck got to me, the way he went to his best friend (not his own gf) for help with Chris. But that was still played with half a smile. But then Buck sort of disses himself jokingly, and Eddie won't have it. "You didn't end up like you." He sees how Buck worked on being a better person, even when Eddie wasn't there for the worst of it, and he appreciates it, and won't let Buck forget it. Meeeep. I love them.
Oh Chim. I was giving you so much credit, and then you went and bought that outdoors jacuzzi. lol Still love him. That's what Maddie's reminding herself of right now, too. ;p
Poor Hen, she was great in this ep, but none of it was really about her, she was comic relief, both with Chim and with the red wire. Then again, she was amazing in this, like she always is with everything.
Eddie and Buck were both so good with Chris this ep, MY HEART. Buck with getting him to talk about what's really bothering him, and Eddie with realizing exactly what his son needs, and how to give it to him. They completed each other. Neither one would be helping Chris without the other one. Tell me again how they're not soulmates?
In conclusion, I love Bobby saying, "Let's go prove one of us wrong," when they're both right. Something WAS going on with Norman and Lola, AND Athena was using them to avoid him.
Argh. That scene of the ship and its passengers being hijacked was rough to watch. </3 I'll still be here to watch the conclusion of this. That's the power of 9-1-1 for you.
It def felt like a great kick to the new season. We had lots of comedy and fun, some great tension, some emotional moments (especially with Christopher), but all in all, it's still clear that the whole thing's a build up to next week. Are you excited?
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