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gotham-daydreams · 7 months

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i just had a thought

you know what would really fuck up the batfam in the "not tonight" series imagine the reader instead of leaving gets kidnnaped and when the batfam saves them reader breaks down into crying in relief because they genuenly believed the batfam would not bother to save them

Imagine the absolute horror the batman would feel

I know its a little farfetched but i live for the angst

No, no! I love that idea!!! And it isn't all that farfetched seeing as the reader is a well known musician on some level, and even if that wasn't the case- they're still the kid of Bruce Wayne. Which, honestly, is enough motivation for someone to kidnap them, I'd say. Especially if the reasoning is for money, revenge/jealousy, or both honestly.

Besides all that, though- oh my god that would be awful! I love it!

Because imagine things from the reader's perspective (which, there is implied violence inflicted on the reader, mentions a blood, and a gun is pointed towards them. So, if it isn't your cup of tea then that's fine!):

Your 'family' that barely acknowledges you enough as it is, and the only guy who ever seems to notice that you're around is the single butler that basically takes care of everyone and everything in the manor. Now, you're kidnapped because of your relation/connection to the family, and have no hope to do anything besides just pray.

Maybe you have tried to escape before a few times at this point, but the punishment for such attempts have now gotten to the point where if you try again and fail, you'd surely die. Maybe you've also been trying so hard to escape yourself because you're just that certain and sure that the Batfam won't save you. Since, up until this point, anything dealing with or connecting back to you in some way has been ignored or dismissed one way or another. Why would something like a kidnapping be any different? Especially when they also haven't noticed other events where you have gotten hurt before.

Right from the gate, you're already thinking that the Batfam won't save you. Not that they can't, but just like with everything else- something will come up and steal away their attention, and you'll be left by yourself, and to defend yourself as always. That's what always seems to happen, and so why would now be different? In your mind, it wouldn't. So that's why when your attempts to escape fail, and the punishments not only get worse, but begin to pile up and reach a point where you think you're going to die- the situation quickly becomes much scarier.

You don't hope that Batman will suddenly show up, and instead pray that your best friend will notice your missing somehow. You don't think that Nightwing, Red Robin, Spoiler, or Orphan will suddenly swoop in and save the day, but instead try and hope that your producer/boss notices that you haven't replied to his calls or texts and contacts someone. You don't even consider that Red Hood or Robin will come barreling in and quickly deal with your kidnappers before rescuing you — instead all of your thoughts are filled with silent whispers and desperate pleas that someone- anyone you know will notice that you're gone, or that something is wrong, and will contact somebody. With that 'somebody' being the police or anyone of help, but not the Batfam.

Maybe a small thought does slip by, but you can only internally laugh at yourself because you either think that you've already lost enough blood to actually try and believe that lie, or your just growing that desperate to have a little hope. To have something to cling onto in this moment, that you chose the one thing that you're so convinced will never be given to you. A thought that only further cements itself in your mind the more time passes. With hours turning into days, and days to weeks.

Perhaps that's why you try to escape again. Deciding that you had better odds of succeeding despite your injuries, than the Batfam ever coming to save you. Let alone even thinking about it, or even realizing that you were gone in the first place. Taking that risk of getting caught again, and potentially getting killed this time, because no matter how hopeless or unlikely it seems for you to escape and make it out- those chances will always be higher than any single person from the Batfam showing up, and even attempting to save you. Even on accident, or on a whim- that possibility is so unlikely in your mind, that it's basically nothing more than a made up scenario or daydream to you. It's not an 'if' or 'when', but a flat out 'won't'.

Maybe that's why when you fail you get so scared, but can't help but feel like this was inevitable somehow. Of course, you don't want to die- but you had tried your best. You fought until the very end, and it almost feels a little too fitting that things ended up this way. With your efforts ending in vain, and you having nothing to show for it. With your attempts futile, and almost seeming idiotic from an outsider's point of view, and maybe it was.

You never stood a chance. You were doomed for failure. Not even all the training and experience you had could save you- and only now could you see how truly worthless all your efforts had been. With a gun pointed to your head, and your own blood providing the only warmth you've felt in days.

There's an odd sense of comfort and familiarity in the chill that shoots down your spine, and the cold gaze that one of your kidnappers give you. They're carelessness and disregard for your health reminding you of something, with their rough attacks and harsh punches bringing back times where you really did need the Batfam, only for no one to show up. Your call dying down as fast as it had risen that day, and one you never even bothered to make again.

So maybe that was why you were so surprised when help arrived, and even more so when you saw who exactly it was.

Before you could even fully register anything, you began to cry. A wide smile full of disbelief grows on your face, and more tears begin to fall as the smallest of laughs escape you. 'Unbelievable' is the first word that comes to mind when describing what you felt, and thought when you saw Batman drop down from the ceiling and deal with the guy who was about to kill you, and heard some commotion just down the hall.

At first, your convinced it's all some silly dream, and that maybe during your final moments- your mind decided to give you something nice to send you off. Almost like a warm parting gift to distract you from the hopelessness, and reality of the situation. Though it's only when pain shoots through your entire body when you move a certain way, that the thought of all of this being some made up hallucination or delusion vanishes, and you can't help but cry harder.

You don't know if it's a good or bad thing that after all this time- the one time they actually notice that you're gone, is when you not only get kidnapped, but can't escape by yourself. That the one time they acknowledge you, you're almost dead, bleeding out, and the most messy and vulnerable you've ever been.

Maybe life really did have some grudge against you to go to such lengths to fuck you over, but right now you're too relieved to be saved to care at the moment.

Yet, to say the Batfam feels awful on a totally new level, is an understatement. They understand feeling relieved, but to this extent? It's like you never expected them to come and save you at all... and that little thought seems to be true when one of them tries to help you out, and you're still laughing weakly as you continue to cry. Asking through a broken, wavering voice if all of this is real, and isn't some fucked up hallucination your having to make passing on easier. That they really showed up, and as a last ditch effort to not make your death anymore painful then it has to be- this isn't just some... dream, to make you feel like you were actually cared for in your final moments.

It breaks their hearts, a lot.

Especially when you repeat questions, as if trying to really make sure that they're there, that they're real, and aren't just some figment of your imagination. That they actually came to save you, and weren't off saving Gotham or the world itself instead. Constantly trying to be sure, as if the moment you weren't- then you'd be convinced that you were slowly dying all alone, with no hope of help coming — not even thinking that the Batfam would come — and just have to sit with that fact as you take your final breaths.

The pain you feel is almost equal to their's, and what really worries and scares most of them is how sure and certain you are that they wouldn't show up. That either the thought would never cross their minds, or that something else would come up and they'd leave you for dead, or that they just wouldn't notice that you were kidnapped at all.

Which, said fright and worry is only amplified when you have to keep asking "Are you really here? Are you sure?" And the like, and they have to keep finding ways to prove to you that yes, they are here. They're helping you, and they're not leaving- they actually managed to save you, and that you're going be okay now. That they aren't going away, and are very, very real.

Each little, broken laugh chips away at the pieces of their hearts, and your own disbelief that they can't seem to get rid of no matter what they do or say, is just a punch to the gut. You didn't just think that they wouldn't show up, but were fully convinced that they wouldn't even bother with it. That own realization just... hurts more than anything.

Had they really been that awful to you? Had they really caused you so much pain and hurt that you'd not only think of such a thing, but fully believe it? They didn't remember doing anything in particular that would cause you to think that way... but maybe that wasn't the problem. It wasn't what they did to you, but rather what they didn't do, and that's when the pieces finally begin to click.

Of course some don't want to believe it, similar to how some of them in "Not Here" express a brief moment of denial and disbelief themself, but they don't get to experience such a luxury anymore. Not with you here- bleeding, hurt, and crying from both relief and disbelief, because you couldn't believe that they actually showed up.

Even when they do quickly take you to a hospital and get you treated, that image of you is still ingrained into their minds. They can't forget it- how you looked at them and spoke, and just how you treated the whole situation because of how convinced you were.

From here they'll try to rebuild what they can, and all definitely be 100% more protective then they've ever been. The moment you're able to come home (which, you ARE coming home. No if's or but's. You don't get a chance this time.), they're doing everything in their power to not only 'fix' everything, but make sure that you are safe at all possible moments of the day.

It's safe to say that the whole experience traumatized the whole family to a certain degree. Not only with you being kidnapped- but you trying to escape multiple times and almost dying, because you were so convinced that no one would show up to help. (Which, while it was also because you can genuinely handle yourself and did believe you could escape on your own, the Batfam doesn't entirely believe that (and you almost dying doesn't help with that) so they chalk it up to you being desperate, because you 'knew' that no one was coming to save you. Which also may or may not make certain people worse in the process.) So they're already leaning pretty heavy on the yandere tendencies. Which most likely develop over the time you're in the hospital, and into your first week or so staying in the Manor.

Which does lead us to your little addition:

Which, you are very correct!!!

Our boy Jason, put in very simple terms, doesn't take the situation well. At all.

Seeing you bloodied, bruised, abused, malnourished, and on the brink of death no less- definitely doesn't help with his reaction at all.

Don't get me wrong! All of them react pretty negatively to the situation, and many of them have very strong reactions- Jason in particular just has the worst and strongest one. :]

The moment he sees you, he's immediately reminded of his death. The urge to comfort you is strong, but he just doesn't know what to do- and so he ends up not doing anything until you're in the hospital. Which, leading up to that point, he's checking your pulse as often as he can.

He knows what it's like to be hopeless, and feel that helpless- but to know that you experienced that? To know that you almost died like he did? It ruins him. It fucks him up more than anything else.

From the way you looked at the Batfam- the way you looked at him, and just how utterly relieved you were, despite drowning in your own disbelief- it haunts him. The state they found you in messed him up enough, but all of your questions, and just how you were even trying to reassure yourself that them showing up and saving you was real, fucked him up big time.

Before he knows it, he's hunting down the people who kidnapped you, and wiping out whatever is left of their bloodlines. Not sparing a single person, as they didn't spare you- with their generations leading to your kidnappers being born.

He's making their final moments just as painful as yours would've been. Their agony almost matching his, as he couldn't forget the night they saved you. He refused to. That moment forever engraved into his mind, reminding him of what also was if they were a second too late, and how it made him realize just how much he's fucked up along with everyone else.

While Jason can't exactly just waltz into the Hospital to visit you, since he is still considered dead and everything, he sneaks into your room instead. Trying to give what comfort he can in his own silent, but close way. Holding your hand with a gentleness even foreign to himself, and saying how he's sorry and that he'll make it up to you. Promising every night that he'll make those that made you suffer pay with their lives, and then some. Saying how he won't leave your side ever again, only to be gone by the morning.

He brings what he can as well. Even if it isn't as showy or extravagant as any of the things that Bruce, Damian, Dick and so on are getting you, or as pretty and lively as the flowers that are placed by your bedside. It's just his own little way of trying to make it up to you.

The small, little gifts he gives you are indeed little, and he doesn't give much since he doesn't think that your forgiveness or love can be bought. But he still tries to give something. So he'll give things that can be as little as hair ties or bracelets, to earrings (that totally aren't matching) and a little music box that reminded him of the melodies you've made thus far. It's all just another way of saying that he cares about you, and not only wants to build your relationship but be connected to you somehow.

The earrings, even if you don't wear them but just have them, make him feel closer to you then he can. He hopes that in some little way, that whenever you wind and let that music box play its tune, that you are reminded of him or think of him in some way. That when you wear or even look at the few ties and bracelets he's given you, he comes to mind in some small way, and manages to bring the smallest of smiles on your face.

Jason doesn't yearn to be remembered or seen fondly, but he would like to and deeply appreciate it. Since when he looks at his earnings, he's reminded of you, and the pair he managed to give you. Leaving him unable to fight back the smile that grows on his face.

For the most part, he just generally tries to be more present, hardly leaving you alone unless he has to, and spending every moment he can by your side. Moments that begin to last longer once he finishes his buisness with your kidnappers, and their families. He doesn't push too hard or is super in your face and constantly invading your personal space. He just exists in your presence, and as long as you're around he's got no complaints.

Though he does get extremely protective and possessive. Especially if your sleeping or something, and someone walks in. God have mercy if they need to wake you up, and dare to try without saying anything to Jason first.

Which- all of this boils down to you getting scary dog privileges every night, which turns into an almost 24/7 type of deal when you get discharged from the hospital.

---

Sorry if this is a little all over the place. I wrote it all in one go for the most part and haven't really looked it over, so there's probably some mistakes I didn't catch and missed 😅

Still, I hope that's alright, and as you can see- i really enjoy this idea :]

#talking daydreams #yandere batfam #platonic yandere batfam #gn reader #platonic yandere #yandere dc #yandere batfam x reader #yandere jason todd

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ixiot-ghostrebel · 4 months

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Hi! Finally able to request. I really enjoy your work!

Can you try a creator who use their power through music (like singing or playing instrument) in an Imposter-AU with the Archons? (The voice of the Creator is heard as the sound of nature like wind or water, though. No one knows their true voice)

Thank you so much.

🎄Merry Christmas🎄

Welcome @peaceindreams ! I'll see what I can do with Your Request :D

Also VERY LATE Merry Christmas—I'm writing this a few days after Christmas.

Archons Realize Reader is a MUSICIAN WOAHHH

To be honest, you were kinda just minding your business when the Archons found you and your ever-singing glory.

They SHOOKETH so good job! Let's nitpick at their reactions! >:)

(Warning: Might be OOC!)

Venti

Wisp boi HELLA SHOOKETH. But he also happi boi so good job!

Wants to hear your voice sing and not the wind just continues to gently smack his face. Don't get him wrong, he's probably the only one who can actually listen and understand and compute with what you're singing, but like he really wants to hear your actual voice. He thinks it'll be such a treat!

"Your Graceee...Is there a way to let these humble gods hear your voice? Pleaseee? This bard will make a ballad about it and the world shall start spewing about it right after!~ Hehe, it'll be a big hit, one as grand as your visage!"

He really wants to hear you sing now. Good luck explaining that you got no control over dis :)

Zhongli

GRANDPA ABSOLUTELY SHOOKETH. But he finds it pleasant to see that you're having fun and enjoying your time in Teyvat.

Unlike the airhead beside him, he cannot understand what you are singing, and he feels kinda disappointed that he can't enjoy it too. He would share the memory—

Ahem, anyways. Loves it, 100%. Bro's a huge supporter even though he legit has, like, zero comprehension of the situation. He's also giving Venti some bombasic side-eyes.

"Your Grace, please do not be pressured by this wind god. While it would be a stunning blessing, do NOT feel like you owe us anything." You know those memes where like, one person is forcing someone's head to bow while they bow to apologize to whoever got offended? Yeah, it's that one meme except it's Zhongli making Venti bow for his idiocy.

Grandpa wants to hear your voice fr this time, but bro's not gonna force it upon you. Grandpa will, nevertheless, share the memory over osmanthus wine, because "Osmanthus wine tastes the same as I—"

Raiden Ei, Raiden Ei...I honestly think she feels like she doesn't DESERVE to hear you sing. Like, she feels like she just intruded on your personal space and she crossed some sort of line.

But the wind's pleasant and all of the surrounding area is practically glowing as you sing. Your voice practically carries throughout the place, becoming the nature, the water, the wind, everything.

"Your Grace, you need not heed to the request at all. We are more blessed to be in your presence enough." As much as she's getting more and more used to the present times of Teyvat, she's still kinda stuck in her ways a little. She still thinks of you highly and does not let her beliefs falter.

She really doesn't think she deserves to hear your voice, but she is also very curious. Never wants to push though because she's old-school.

Puppet Shogun looking at this and going "This will be forever engraved in eternity" as Ei is shaking the Puppet Shogun by the shoulders like "NO, WE SHOULD NOT BE HEARING THIS WHAT KIND OF PROGRAM ARE YOU ON I DID NOT PROGRAM YOU LIKE THIS—"

All in all? Mental crisis! :D

Nahida

Cute god loves you! She loves how the flowers bloom, how the wind flows, how the water speaks—not even analogies can describe the amazingness of it all!

She's grinning so wide with such wholesome-wide eyes, like an actual child discovering music for the first time or smth ykwim? IT'S ADORABLE IS WHAT I'M TRYING TO SAY.

"Your Grace...is it possible if we could see this more? You don't have to, of course, but this is really amazing!" She's practically GLOWING with excitement and nervousness. While Nahida wants to hear you sing and see you enjoying your time, she doesn't want to push boundaries!

Safe to say, she'll support whatever your answer will be!

Furina

Girl's flabbergasted. She thinks she might have been sent to both celestia and hell because it was hard to compute whether she was trespassing or if she was being blessed.

Furina is utterly speechless to how your voice alone commands presence and power without even needing to try so hard. Anyone, absolutely anyone, can tell you are truly the Almighty Creator.

Though she's retired from being the Hydro Archon, she still has the slight dramatic flare she has had for 500 years. And she's got to say, she absolutely loved your performance!

"Your Grace, if I could humbly suggest a request on the behest of the follow archons beside me." Furina dramatically bows a little. "May we be humbled by your presence, and continue to gaze upon our unfathomed eyes of what a real god can truly do in the likes of the world? I'm sure this will bring many beautiful pieces of art—be it music, visual arts, dramatic arts, and so on!" Girlie doesn't realize she made a beautiful monologue about your singing on the spot, but one thing's for sure—she loves you and you singing, even if her ears can't understand it. It was still a beautiful piece.

After all, she was the All-Powerful Hydro Archon before she retired. She knows power and art when she sees it, and you bypass all forms of mortal concepts. You're practically her favorite musician!

Please grace her—I mean them—with your singing! It's too beautiful to miss!

Ghost Rebel Side Notes: I am SAD I couldn't finish this when it was still AROUND CHRISTMAS SOBBING, but I hope y'all like this post, though! Hopefully my next post won't take too long—but I'm not gonna say anything because rn I'm EATING those words up like it's for breakfast lol—I'll see you all next time :)

✦ Check out The Ghost Rebel’s Blog Description & Info Page to See if Their Mailbox is Open! ✦

#genshin impact sagau #genshin sagau #self aware genshin #genshin self aware #sagau x reader #sagau #sagau genshin #yandere sagau #genshin cult au #sagau brainrot #sagau cult au #yandere genshin x reader #sagau furina #sagau nahida #sagau ei #sagau zhongli #sagau venti #genshin x reader

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hotvintagepoll · 1 month

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Propaganda

Brigitte Bardot (Contempt, And God Created Woman)—unbelievable charisma off the charts, post-war France could barely handle her because she just radiates sexuality in the deepest, hottest way. i've never seen a woman who fit so clearly in my head the "beautiful woman" category. also i'm including her little suit number because why not [pic below]

Vanessa Redgrave (Camelot)—Partially submitted as justice for her father, and you should all know her birth was announced to a theatre audience by Laurence Olivier. But for herself, she is a wild untameable beauty who was in some of the best avant garde cinema of the period.

This is round 2 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

Brigitte Bardot:

"Los Angeles Times in 2011 ranked her as the second most beautiful woman in film, she won a David di Donatello award and was nominated for a BAFTA. Literally nicknamed a sex kitten, she used her fame to promote animal rights. And God Created Woman was so scandalous to US audiences that some theater managers were arrested for screening it"

"She was a sex symbol and her style is influential even today"

"She's just so iconic! Wikipedia extracts because why not : "In 2011, Los Angeles Times Magazine's list of "50 Most Beautiful Women in Film" ranked her number two" "The Guardian named Bardot "one of the most iconic faces, models, and actors of the 1950s and 1960s" "According to the liner notes of his first (self-titled) album, musician Bob Dylan dedicated the first song he ever wrote to Bardot. " I mean of course she is iconic in France, but she inspired many women outside of France"

"She wasn't just a sex symbol because men found her attractive and then that imagine of her was further promoted. But she was actually one of (if not) the first women to stand for emancipated women in a sexual way in a time when women were considered to mainly exist to please their man. She was famous for portraying women who lived their sexuality for their own pleasure and knew what they wanted. Very important! And also what's hotter than a woman driving men wild because they don't even know how to handle a woman with her own ideas and needs lol"

Vanessa Redgrave propaganda:

#vanessa redgrave #brigitte bardot #hotvintagepoll #fuck that old woman #ladies 2

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inkblotsinkblots-alt · 2 months

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My experience with [band]

My experience with [band] and [band]'s management starts in April 2022. I had emailed the band's business email that used to be in their bio in December 2021, and in April 2022 I got a response. I had been asked if I was available within the next couple of weeks to come down to Brighton and do a photo shoot with the band. Management really liked my work, and wanted to work with me. I was asked to provide my rates and any expenses that would incur. I had asked if I would be at least credited for these images on social media (tagged etc ...), and management said that they could not commit to that at that time. This photo shoot did not happen.

I worked with [band] for the first and only time in January 2023 and photographed / videoed their set.

I was completely blindsided by the fact that this could’ve been a huge opportunity for me, and it could change my career completely. When I got the email inviting me to work with the band, I screamed and actually worried my parents for a few minutes. I agreed to terms that I shouldn’t have (not a full written agreement, but various statements in emails). In hindsight I had no clue what some of them meant (and I think the band’s management knew that).

There was no formal contract, only emails. The band would own my photos 'in perpetuity' and when I asked what that meant, they (management) said that 'the band have the freedom to use them however they please'. Making money off of my photos, and putting them on merch that they would then sell out of, was not mentioned. I was under the impression they would only be using the photos on social media as I did not get any clarification, even though I asked for it. I wanted to press for a more detailed answer, but I was afraid that I'd lose the job.

This was never about the money that I'd potentially make from having my photos on merch, it's that I didn't even know it was happening. I was also 'allowed' to upload '3-4' photos to my social media from the gig, even though they were my photos. I was stupid enough to agree with this. Again, I felt as though if I challenged this I would lose the job.

At the end of the show in January 2023 I was promised at least a couple of shows on the upcoming tour, as '[I was] great to work with. Such a pleasure.' I have no evidence that I was offered shows during that tour as it was said to me in person. I was then let down at the beginning of March (after multiple follow up emails) with 'I don't think there is the additional need for your services also' when I asked about discussing the tour. I was devastated.

I was offered photo passes* to subsequent Manchester gigs and I took them as they had no strings attached, and the band would not own my images (that's why you've seen a lot of them on my socials).

I met a bunch of well-known creators, musicians and photographers while working with [band] and they were all so very sweet. Some of which I am still in contact with today, and some I am good friends with. I am very grateful for this.

I fully support Shelby, she is so incredibly brave for talking about her experiences, and it's because of her bravery that I felt confident enough to share my experience - although very different in nature.

I fully believe that [band]’s management wanted to take advantage of fans who wanted to photograph [band]’s gigs. And pay them as little as possible with no consistency in pay between photographers or how many photos they were allowed to post. (This is my own opinion)

I am not the only one that has had a negative experience with [band] and their management as a photographer / creative, but those are not my stories to tell and if they want to comment then they will. Please don't speculate on who these people are or harass them on social media, they have every right to not want to talk about their experiences. Please respect everyone involved.

Massive love, take care of yourselves.

(*Photo passes are offered to press photographers and non-touring photographers. They shoot the first three songs from the photo pit and then leave. Either to go into the crowd for the rest of the gig, or leave the gig entirely.)

please do not edit this post or reblog, do not take screenshots and post this on twitter or any other social media platform, thank you.

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ms-demeanor · 6 months

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Also I have to say "but bands are using AI art for their album covers" is not a winning argument.

That band wasn't going to pay you. That band was going to beg somebody's artist brother for a freebie or they were going to have the people in the band who can kind of draw draw something or they were going to use a moody photo someone took with their cellphone. Best possible scenario is "they were going to trade for something from someone in the scene," and this is still the most likely scenario for bands that *give a shit* about that kind of thing.

And I've been the one doing freebie artwork for my musician friends; I've made album covers and done promo shoots, I've drawn logos and I've got a standing offer to make buttons for the cost of materials for every band I've ever played a show with. The people who give a shit in the scene are already doing this because everybody knows that everybody's broke.

I'm certain that there's not *zero* overlap between "bands that can afford to pay artists and photographers to create album artwork" and "bands that are using AI art for their album covers" but if you think "indie musician" is a demographic that has money to spare on commissioned artwork, I'm pretty sure you're mistaken.

Like. Okay, I mean my *big* argument is that AI image generation is fair use, full stop.

But the secondary argument that I've got is that I'm not sure there's a market to have the bottom fall out of.

The person making shitty covers for their amazon romance novel was not going to pay you. They were going to pay someone on fiverr eight dollars *at best* and that's only if they couldn't find a way to DIY.

That band that's trying desperately to sell ten tickets so they can play a show at the cool venue was not going to pay you to do their cover art. Their last fifty bucks just went to covering those tickets because their friends aren't even coming to their free shows. They were going to stage a photoshoot with a cellphone and a timer and someone's sister's selfie stick.

That person who made an AI avatar was not going to pay you for a custom avatar they were going to take a screenshot of your work and use that.

The people who are able to afford to pay artists and who are interested in paying artists are not the people who are replacing artists with AI. The t-shirt dropshippers, the shitty book cover designers, the bland corporate artists, and the art reposting instagram pages were the ones who undercut your market.

If you're concerned that someone is going to use AI to make art that is materially similar to yours and sell it, you're just concerned that someone is going to make art that is materially similar to yours to sell. The concerns about AI doing it are functionally exactly the same as what happens when someone says "wow, I want that on a t-shirt" under your drawing. If someone were to draw a character similar to but distinct from yours with words similar to but distinct from yours and put a link to that on a reblog of your post, that person is not actually infringing on you. They're a shithead, but that's not actually art theft. If they used your character and your words, or if they directly copy the image, that's art theft and you can try to get their post taken down. It's the exact same thing with AI.

The people who care about art and can afford to pay for it are always going to pay for it. Your problem isn't with AI, your problem is with the fact that people don't value art and that's as true now as it was a decade ago.

You are trying to sell a complicated, crocheted sundress made with 100% hand-dyed alpaca wool on Etsy and are complaining that the loose knit acrylic sundress from walmart is undercutting your market. Some people are always going to make the effort to save up and pay for your work because they value the craftsmanship, but those people didn't want to shop at WalMart in the first place. And the ones who value your craftsmanship but just plain can't afford it were going to dig through the bins at a thrift store until they found a crocheted swim cover from the seventies that they could pass off as a dress with a few alterations.

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astroismypassion · 11 months

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Astrology observations 🌸🌸🌸

Credit goes to my Tumblr blog @astroismypassion

🌸If you have Virgo Venus, you could feel like you can have the most rewarding, stable partnerships with people who have a 6th house Synastry with you. If you are Taurus Venus, you could resonate more with 2nd house Synastry. If you have Cancer Venus, you connect best with people you have 4th house Synastry with.

🌸I noticed with Mars in the 12th house Synastry is that the Mars person (who most often has secret feelings for the house person) is more "spiritual" about the connection. They have this "if it's meant to be, it will be" passive approach towards starting the connection.

🌸Venus sextile/trine Neptune in a Synastry chart means that Venus person is easily inspired by the Neptune person, hence being more creative. Meanwhile, Neptune person could have material, financial benefits from Venus person, such as getting more lavish, expensive gifts, free dinner, more clothing etc.

🌸In Synastry, when one person's Saturn is negatively aspecting the other person's North Node, they North Node person can feel like this person is slowing down their life purpose and career. North Node person feels like Saturn person wants them to prioritize them and relationship they have with them (starting a family for example, being more present in the connection) rather than their career goals and life purpose.

🌸If both people end up dating their Saturn sign, they view each other as trophies or like a most prized possession. If you have Pisces Saturn, you could see your partner with Pisces Sun as a trophy.

🌸I'm noticing a pattern that I'm starting to develop in a little theory. Often men who have for example Gemini Sun mum, often go for women who have Gemini Moon in their chart. Or if their mum is Taurus Sun, they pick a woman who has Taurus Moon.

🌸Often times people who have Scorpio over the 4th house tend to overshare and claim they are "an open book", when in reality you don't really know much about them personally or what is happening with them or their life.

🌸People who have Mars in the 9th house LOVE to travel (especially long-distance), but I noticed with them, they at some point have this weird, unique, "rebel" phase when they just rebel against travel and kind of don't want to leave their home or hometown that they are used to.

🌸Libra Moon can get pregnant, expect a baby with a person that is already married.

🌸You can start feeling like they brought you closer to who you truly are at your core level around the sign over your 8th house. Like you become more you through the connection with this person, not necessarily "lose" yourself in the connection.

🌸 Partners of women who have Virgo Mars always admire their woman’s modesty and how humbke they are.

🌸People with Scorpio or Aries over the 4th house might really like the gym, but also kinda dislike themselves for how much take actually enjoy it.

🌸 For fitness motivation always look at the people who share their Sun sign with your Mars sign. For example: if you have Scorpio Mars, you might be really interested in a workout routine of a Scorpio Sun, such as Kendall Jenner. If you have Cancer Mars, you might want Cancer Sun Gisele Bündchen to leak her workout routine. The same goes for if you want to have a personal trainer, it’s best if this person has Sun sign of your Mars sign, because they will be able to motivate you better than others.

🌸 Gemini Juno could have a partner that diets or often does cleanses.

🌸 People who have Neptune Ascendant aspect might view the gym as a sanctuary or like personal therapy.

🌸 Young musicians who have Capricorn Venus make songs that even the elderly like to listen.

🌸 In Synastry Venus opposite Mars can mean that Venus person can act differently at home with their Mars partner versus when they are in the public with them. While Mars person is always their authentic self at all times.

🌸 People who have Cancer or Capricorn over the 8th house could attract a partner that acts like their mother (in case of Cancer over the 8th house) or their father (in the case of Capricorn over the 8th house).

🌸 Pisces Mercury and Neptune aspect Mercury can sometimes be mentally quite lazy or passive. They would rather challenge themselves to do a task, chore physically than mentally. For example, they would rather learn how to skate than learn biology.

🌸Capricorn, Pisces, Aries and Libra Moons are prone to be more emotionally insecure, especially when in a partnership. That's why they need validation on a daily basis or often.

Credit goes to my Tumblr blog @astroismypassion

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vacayisland · 5 months

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Could you do a John Dory x Retired Singer/Musician Reader? Pls and thank you

(I loved meet the wifie I fucking cackled at "imma beat his ass!")

@!; Oldies are always better. John Dory / Retired! Reader

"Tag List"! @writergal02 @chamille-trash @valvalentine69 @starzwithapen @ykvlanq @apieceofcathair3 @kitthefanfickat

ꨄ︎. You were a big alt-indie musician, making music that tended to have a little bit of everything; the funk and beat of the funk tribe and the techno tribe, the guitar riffs and drum solos from the rock tribe, some classical instruments as undertones, and pop-like lyrics and beats. All the while you also put your own spin on it. Music had always been an outlet for you, always allowed you to take what was in your head and thread it into sound for everyone to hear. Sometimes it was chaotic, sometimes it was mellow, and it always depended on your mood when writing, composing, and singing. It's usually was drew people to your music. It was down to Earth, yet also complex and simple at the same time. Those who wanted to dive into the meaning of your music and dissect it would find multiple layers, many undertones that all harmonized. Those who just wanted to vibe out to your music could do that as well.

ꨄ︎. When you had left your career behind, it wasn't because of anything bad. You left with one final song in which explained that you were stepping down to let the new generation to find their own flow, to let other people take the stage, to be able to sit back and enjoy everything that will come in the future. You were only around 24 when you put down your guitar for the final time for the public; But you never gave up music for good on your own. While you never published anything anymore, you kept writing and composing for yourself as it was truly your passion.

ꨄ︎. This is when JD found you, playing in a friend's cafe. You had caught his attention right away, so much so he didn't hear the waiter when he had asked for JD's order. He was honestly so captivated by you for a moment he wondered if you were some sort of siren. He soon realized, yeah no you weren't, you just were really, really good. And he needed your number, badly. And that sounded a little creepy, but when you see someone who's not only good looking but knows how to sing and play an instrument all in one? You don't miss that chance to talk them up, and JD was defiantly not missing his chance!

ꨄ︎. JD didn't see a ring on your finger, it was fair game for him. Luckily you hadn't been seeing anyone at the time, but you still gave him a reality check after he approached you as though he was the coolest guy on the planet; Introducing himself before using some sort of cheesy pick up line to get your number. "Hey, babe, my name is John Dory and you seem rather lonely. You know, I can fill that 'me' shaped hole in your heart if you give me your number!" And then he winked!? Your friend was flabbergasted. You thought he was really brave.

ꨄ︎. And you hate to admit that his stupid pick-up line (which didn't even seem like a pick-up line!) actually worked and he got your number. (And he would be so smug and proud about this fact for the rest of his life.)

ꨄ︎. You two talked for a few months before making anything official, and then you waited about a year or two before you two even thought about moving in together. Even so, by 6 months of dating you basically lived in Rhonda; Your stuff littered his home, you had your own set of clothes there, your own toothbrush, and even your own house slippers. Then when you moved in, it felt natural. It felt like this was where you were always meant to end up and somehow the planets aligned. And for some reason JD never noticed the fact you brought in an electric guitar, which also sat in your shared closet. Sometimes you wonder if he's just stupid or a little blind, because he's also seen your play.

ꨄ︎. Either way, one day when he was hoisting his brothers over (after the whole Floyd situation got resolved, and god you were kind of glad you were staying with friends during all of that; not because you didn't like his brothers but because you didn't think you could handle meeting his family during that whole situation.) when they heard you playing your guitar in the bedroom. You weren't doing anything fancy, mostly tuning the guitar and making sure the strings didn't need to be replaced. But, of course, that always had to include one of your most iconic guitar riffs from a song about fighting your crushing mentality during the lowest part of your career. "Holy shit dude, I didn't know your lover listened to (Y/N)!" Branch would be the first to comment, being the most diverse music listener in the family. Floyd, who had been distracted by the riff, perked up at the conversation and nodded in agreement. JD only gave them a confused look, leaning against his kitchen counter, "Dude, my lover is (Y/N)?" And JD wasn't sure what to expect, but it wasn't all four of his brothers stopping and staring at him completely baffled. Mostly Floyd and Branch, who soon yelled a rather loud, "WHAT?!" "What?!" Which only confused JD more.

ꨄ︎. You hadn't met JD's family before this point, but you've heard all about them; Not only from JD, when he told you about his band days, and when you heard them around the trailer when they would come over. Usually you stayed in the bedroom, not to be rude yet to just let JD have his time with his brothers. Yet, you couldn't understand what all the yelling was about, "Yo, Que te pasa? Why the hell are you guys yelling?" You would ask, poking your head out of the door to the bedroom. Your expression tired, your hair messier, yet you could care less at this moment; You were sure JD's brothers wouldn't mind, they would see you worse later on since you were planning to stay with that big doofus. "Oh my god-" You flinched when Floyd dropped the cup he was holding, his jaw dropping upon seeing you; And honestly, for a second, you forgot you used to be a big artist. "John Dory," You started, startled by the reactions his brothers were giving, "Vas a decirme lo que esta pasando ahora mismo."

ꨄ︎. JD is always a little intimidated when you speak Spanish, mostly because his Grandma used to scold him and his brothers in Spanish. So he only explained (rather quickly) how his brothers had heard you tuning your guitar in the bedroom and how they just got weird. And that's when Branch defended himself, along with Floyd, how JD never told them that you were his lover! "And what's it to you that I love your brother?" You shot back quick and snappy, crossing your arms as you shot a glare their way. You weren't above throwing hands with JD's brothers. Floyd noticed the way JD glanced away, sipping his coffee. He was quick to stand up, placing a hand on Branch's shoulder to calm him, before explaining the whole situation to you better; Saying how Branch and Floyd were just big fans of your music and they didn't realize that you were with JD, because no matter how much JD spoke about you he never told them that you were his lover.

ꨄ︎. "Oh, Mierda lo siento." God, this made things a little awkward, "I thought you were about to be one of those horrible step-siblings that didn't like his brother's lover for some dumb reason like my hair." "What? No!-" "No, yeah, I see that now. My bad, really sorry." You mumbled, rubbing the back of your neck, "JD can be really, really dense sometimes, shut it John Dory!," You pointed a finger at JD before he could make a peep in protest about your slight insult, but it was made out of full love. "Let's start over, hi I'm (Y/n) and it's really nice to meet you."

ꨄ︎. Safe to say, JD forgot to tell his brothers that he was dating an old sensational artist...and kind of forgot you were one and was very shocked to realize this! Furthermore, you were a little flabbergasted when he revealed that some of BroZone's songs were influenced by your music. You would stare at JD after he confessed such a large secret, "Wow... that's a big insult." You mumbled sarcastically under your breath. "EXCUSE ME?!" But you guessed JD missed the sarcasm. "I'm being sarcastic, love. That's kind of sweet." Playfully rolling your eyes, you pressed a kiss into JD's cheek before turning back to his brothers. You crossed your legs, rested your elbow against your knee, and held your face in your hands. "Now about you four, how about we get to actually know each other. I'm planning to remain in this family after all..."

ꨄ︎. Safe to say that JD is wifing/husbanding/etc. you up really quick.

ꨄ︎. He still brags about how he first got your number and how he managed to 'snatch you up' before anyone else could. You told him he's too old to use new lingo and to stop, lovingly of course as you didn't want your 'husband' to embarrass himself. He melted hearing you call him husband before getting a bigger ego boost; And you had fun watching him terrorize his siblings while his ego was so inflated. You even jokingly did the whole 'I'm watching you' eyes to one of his brothers (Clay) as a silent threat that this is how you were always going to hand JD off to them like. He gave you the biggest (playful) stink eye ever. Yeah, you're going to fit right into this family.

.ᐟ this work is published and owned by @vacayisland. please do not plagiarize, copy, or steal this work; like, reblogs, and saves are appreciated :D

#john dory headcanons #john dory x reader #trolls x reader #brozone x reader #trolls band together #john dory trolls #dreamworks trolls #trolls #trolls fandom #trolls dreamworks #brozone #trolls 3 #john dory #floyd trolls #clay trolls #branch trolls #branch #trolls floyd

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slavghoul · 7 months

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Interview from Sweden Rock Magazine 10/2023

Hi, hi. There is an interview with Tobias in SRM’s newest issue, but it’s in the subscribers only section, so I thought I’d translate/share since I guess not many people will be able to get their hands on it. It is about Prequelle and it’s part of SRM’s „200 best Swedish hard rock albums of all time” series. Prequelle placed #68. The other albums may have scored higher, but for now we don’t know the whole list. Either way, enjoy. Very insightful.

„Do you think that "Prequelle" is Ghost's worst album?” Now that’s an unusual opening question. Especially when the interview is about an album that Sweden Rock Magazine's writers and qualified Swedish hard rock musicians (including Tobias Forge) have voted as one of the 200 best Swedish hard rock albums of all time. The question wasn’t planned, but comes spontaneously, as a reaction to the first thing Tobias Forge says when we sit down on opposite sofas in the record company office. I'm here for a two-part interview, partly about the EP "Phantomime" (published in #6 2023), partly about "Prequelle". Neither record companies, artists, voters, nor even our writers who conduct interviews for this series of articles have any idea what placement an album has received. Interviews are often done well in advance and we simply don't want placements to leak and become public long before publication.

No Ghost album has ever been on the list before. The idea is actually to end the day with the "Prequelle" talk, but when Tobias Forge suddenly starts with a funny little comment that this album is probably the one that those who have voted think is Ghost's worst or least popular album, I just have to take the opportunity to ask the question: Do you think that "Prequelle" is Ghost's worst album?

No, absolutely not, he says and laughs. If I'm going to be completely pragmatic, I'd say: "How many songs do we actually play from that record?" There are songs that work damn well live and sit where they should. So it's a pretty strong album.

But is this what you are basing it on? "Prequelle" was released after Ghost had become really big so it can't be compared to "Opus Eponymous" and "Infestissumam" which you don't play many songs from. I mean, no matter what kind of record you had released when "Prequelle" came out, you would still have played many songs from it and they would have worked precisely because Ghost's songs nowadays are moulded more to the arena format.

I don't know how to answer that, it's difficult. If the album had been different, it would have been. If I'm going to talk somehow both artistically and practically, I know that for every record we have become exponentially bigger. "Prequelle" was definitely no exception, but it also took us a big step forward and upwards and we became bigger and broader. To the extent that when we introduce old songs in the live set, you notice that there are elements on albums one and two that make some songs more difficult to play. Not technically, we can play the songs, but they don't work in quite the same way as the later songs, which means that there is a slight favouritism.

I asked the original question about whether you think it's Ghost's worst album only because you directly said that this means it's the least popular one.

I'm just so full of myself I assumed all the other albums are also in the top 200, which may actually be incorrect. This might be the best album and the others aren't even there, haha.

It wasn't long after "Prequelle" was released that you were self-critical of the album in interviews, saying that it was too ballad-heavy and a bit too soft. I haven't noticed that before, you being so self-critical shortly after the release.

Yes, but I still feel that way. If, as an artist, I am only going to look at the work with the criticism that one can feel towards one's own work, I think that if things had been different or if I had more time, I might have wished that I had managed to get maybe two more hard songs. Maybe one more hard song would have fit on the album and another harder song might have phased out one of the ballads. Now five years after the album came out, I know that the two ballads ("Pro Memoria" and "Life Eternal"), which I may not think are bad, are one too many. But I know that many of the people who like the band like both of them, so it's kind of a useless argument.

Who sets the length of an album? Have you set a limit, that it can't be longer than this and have no more songs than that?

No, but it must fit on an LP disc and there is a physical limit. I think the absolute pain threshold is 46 minutes and that's 23 minutes on each side. Now maybe Mikkey Dee (co-owner of Spinroad Vinyl Factory) will raise his hand here: "But I can make it longer!" And it's maybe 48 minutes, I don't know, but I do know that when a disc starts getting so full that you start getting close to the sticker, it starts to sound bad. Especially nowadays, because recordings today are so very maximalist in scope. It's one thing if you record 60s music with drums, a guitar and bass where the sound is cleaner and finer or if you play acoustic stuff with just vocals. Bob Dylan records could have eight songs on each side and it worked all the way through. But this kind of fairly compact music doesn't work well. Not only am I a militant vinyl advocate, I think we should respect the fact that most artists don't manage to create more than 45 minutes of good music on a regular basis. A lot of famous double records are not that good. I don't think the Rolling Stones "Exile On Main St" is very good. It might as well have been on one disc. And if I'm actually going to turn it into something completely mundane, I'd say that I think it's irresponsible to sit and make records with twelve songs if it results in the record being 63 minutes long and you automatically have to make a double record. It's pretty wasteful.

When you said that it's irresponsible, I thought you were going to say that it's irresponsible to print a double vinyl because of the environmental destruction that it entails.

Of course, if we're going to be completely straightforward and not do anything that harms nature, we shouldn't even release any records, so I say this with reservation. But with that in mind and for the sake of art, I think more people should embrace the actual given format that has been the most prevalent in rock history. There is a reason why a film is usually one hour and 30 minutes. You can’t take any more. There's a certain dramaturgical structure and there’s a certain comfort in it. Then the CDs came along they screwed that up, and suddenly there weren't two sides anymore but it started one way and ended another. Now that the CD is no longer important and we've gone back to vinyl, creators should follow suit and start embracing the physical rules.

Are there songs that have been rounded off just because you thought „I have to round off here, because if I continue, it won't fit on the vinyl disc"?

We actually had that problem on the last album. „Watcher In The Sky” ended the A-side and the outro is much longer on the CD and digitally. Two minutes longer I think. Much, much, much longer. It's long, noisy and has all these dives. It's a very chaotic soundscape. You get the feeling that it goes on and on, and on the vinyl it's just the beginning of an outro and then it drops almost immediately. I think that was a huge mistake.

So the overall sound quality was more important than vinyl buyers getting everything? Because you could have pressed the vinyl and it would have fit, but you would have had to compromise the sound quality.

Yes, exactly. You can get the song to just keep going until the vinyl simply runs out. Then it just starts spinning in the middle, depending on what kind of record player you have. But the problem then, if you want to anticipate events at a creative stage, is that people today buy and listen to vinyl records and are sensitive. It's quite common for people to complain that the record is broken. I don't just mean our records, but people complain a lot about the presses. If you make ten songs, it's therefore stupid to have a too thick soundscape towards the end of song number five and song number ten. If you want to be really good and old school, that's where you put a piano ballad because it's an easier sound to handle so far into the record. This is what I think about when I make records. But clearly sometimes I miscalculate.

This must cut right through the record collector Tobias Forge's whole body and soul, that "Watcher In The Sky” is shortened by two minutes on the vinyl of all versions.

Well... I don't toss and turn and wake up in the middle of the night thinking about it anymore. But when it happened, I was livid. Luckily it was just an outro. It would have been worse if it had continued with some kind of narrative into the next song. Now I can't remember in my head how long "Prequelle" is, but if I'd had to go back in time and just re-construct it, the re-construction wouldn't have had much to do with the existing material, I would have just wanted to add a scene. And it's not a scene that's missing, it's just for the sake of balance. It became asymmetrical in a way that bothers me a bit.

You've talked about this before, but it was before "Prequelle" that you really started to talk a lot about how you were thinking about what kind of new songs might suit the live show. Can you get stuck in that mindset, thinking more about what songs are needed live right now rather than creating an album that will last 30 years?

Hmm... (long pause)... The reason I'm sitting here thinking is because I'm trying to come up with examples of other bands that I think might have gone through something similar. I’m looking for examples to the answer I'm about to formulate and that is that: yes, I think there comes a point in the career when most bands make a record because they simply feel they need to… Because what we're talking about is that when you go from playing in small smoky clubs in front of an already inveterate audience that already understands the perhaps a little more chewy expression, that experience can change if you start playing in front of a larger and especially a different type of audience. When a different type of audience comes and you play in a different format, you discover that this song doesn't work very well, it doesn't sound very good and it's difficult to get the sound right. Then there's usually a record or two or three during your career when this transition happens where you start filling in with songs that work better live. Look at Piece of mind", "Powerslave" and "Somewhere in time". There's a reason why Iron Maiden didn't play a lot of the first two albums there and then, because it was easier to play the new songs. You get to that point somewhere in your career and it's very difficult to say when it is - there's no given rule and there are artists who continue to release relevant records and have an amazing ability to release new records and just play the whole new record. Well, now Iron Maiden does that and tests their audience a little bit in that way, but then they will always compensate by doing like a "best of" set the following year so everything is forgiven. Now we're in the middle of the "Impera" period here and have a very strong set, but I'm starting to feel that now that I'm about to start writing a new album, it feels like it's not really on my agenda to write three more albums that will change the live setlist ten years ahead. I think we already have the blueprint for what is Ghost's setlist, especially if you include the entire catalogue. After a while, each new record you make becomes a little less important. It's really hard to know when that point comes, but the truth is that new records don't matter in the same way. Slayer didn't have to release "Divine Intervention”. They definitely didn't have to release "Diabolus In Musica". I didn't care about it and I just wanted to hear the old stuff. If they had just come up and played "Reign In Blood" I would have been soooo happy. And that's the way it is with most bands. Nobody would be sad if the Rolling Stones came up and didn't play anything from "Emotional Rescue". And that's just the way it is. In the future, I can see a scenario where there is probably a basis to possibly build up an alternative setlist. There are so many songs that we do not play and that I have nothing against - I love them too! But it would almost be easier to build up a completely alternative setlist and run a show with only the odd songs. There are so many songs now. There's no reason not to build on that. But when I want to make a new record, it's irresponsible for me not to consider that there might have to be some songs that are a bit more direct. But it doesn't hurt me if we have more songs that we don't play live. I don't know if this answers your question...

I would actually like to ask exactly the same question again, because I wonder if you yourself feel that you get stuck during the making of the record. You said that you would have liked to include another hard song because "Prequelle" doesn't have the balance that you would have liked to have in retrospect.

Exactly, but the explanation for that has more to do with my mental capacity there and then. I simply couldn't cope. I felt that I had probably maxed out… It was probably about as much as I could do that year. That's the simple explanation. To get another song that would have fit and that would have fulfilled this requirement that I now in retrospect would have wished I had, it would have required something that I did not have there and then. The only thing that could have made it easier is if I had more time. It is difficult to reason about it, you see.

I was in the studio for a few days during the recording and it's one of the few times in all these years that I've done interviews where someone has started crying during an interview. It was quite obvious that everything that had happened with the split of the band affected you.

Yes. Of course. It did.

Is "Prequelle" a difficult album to listen to for you? Can you sit and listen to it all the way through?

Well, at the moment I have to do that from time to time, and listen to all the records, because we're just about to start rehearsing again and then I sometimes have to go back and just listen to the record to go: "Fuck, is that really how I sing?" Especially when we start rehearsing, I can be a bit like: "Damn, who changed this bit?” Then I usually sit down and it hits me: "Oh, it's me who has changed my song!" You simply do that over the years, you start singing it in a slightly different way. So sometimes I have to go back and listen, but it’s more practical. I don't think it's fun to listen them. I do it until they are finished. I listen over and over and over again and really try to listen with all the imaginary ears and all the imaginary perspectives you can have. "How would I have listened to this if I had heard it from this perspective?" Just to get as "objective" a perspective as I can until I'm satisfied, but then it's like „No, I don't want to hear this anymore". But I have to say that I think "Prequelle" is a very tolerable disc despite everything that interfered with the process. Therapeutically, it works quite well considering that we are still playing at least half of the album. For every artist there are songs that you want to play, and there are songs that you don’t want to play because they feel too personal. I don't feel that way about this one, it's more like: "Ah hell, they're part of the setlist and people like it and it sounds good. So that's what we're doing."

On a personal level, was Tom Dalgety the perfect producer for you, the way you were feeling at the time? Tom feels like the kindest, sweetest producer you can meet. He wasn't the kind of producer who pushed you very much, it was more of a nice atmosphere between you.

Yes, really, and it would have been different if Klas Åhlund, who is more confrontational, had been in the room. Now Klas and I are great mates, so it would certainly have been very therapeutic also, but it would have been a different process. If an artist comes in who is in such bad shape that they can't make a record, or a band where the main songwriter has just left them, then a Bob Ezrin goes in and says: "If you don't make the record, I'll make the record myself.” And he goes and makes Kiss "Destroyer" or Alice Cooper records. I'm not saying they didn't make them, just that you hear that Bob Ezrin made "Beth". It's a type of producer that's very different from a lot of other producers who maybe act a little bit more like buddies and cheerleaders and make the atmosphere good. Bob Ezrin doesn't care so much about the atmosphere in the room. Klas is somewhere in between, I would say. Given the condition I was in during "Prequelle", the result could probably have been different if Klas had come in. Ironically, there was actually talk of him doing it, but he didn't have the time and we'll never know how it would have turned out. I only know that it would have been different, but right there and then Tom was fantastic. I know that a lot of bands like to work with him because he is technically brilliant. He's really good at those typical sounds that people like: cool drums, guitar, bass, tone and clarity. He is also very "happy go lucky", a nice guy who sits and jokes all the time. Even if he has a bad day, it doesn't affect anyone else, which is convenient.

Let me compare it to when a writer contacts me after an interview and says "that was such a nice interview". For me, "nice" is not something positive in such a work situation and the result is often better when there is a little friction.

Mmm, and that is more Klas. There is more friction and more confrontation. And I was much better equipped for that at "Meliora" and later at "Impera". I felt better and was simply stronger. There wasn't the same survival instinct as on "Prequelle". If I think back, not about how the album turned out and how I have to live with it, but if I think back to the situation I was in, I was very anxious all the time. Even though I'm happy with the result, I wouldn't want to go through the recording again, even though Tom was great. Because it's hard to work when you're under attack. I realised that now when I made "Impera", when it was no longer like that. You are much more comfortable, it doesn't feel the same, you are more mature, you make better decisions, you are more controlled or dare to be uncontrolled. When things are this serious, you can end up in a freeze mode. Maybe that's also why there wasn't another song. The song that I miss doesn't exist because I simply squeezed out everything I had. If I had been in a different emotional state, I might have been more comfortable working out something at the last second from bits and pieces. But I felt that I really just wanted to get it done, deliver it, get back out on tour and start over again.

When you described being more mature during "Impera" you sounded like a 70-year-old, kind of like all the Aerosmith-like bands that have been fighting all their lives and now that they're in their 70s they say "we're soooo mature,” haha.

I think with all artists, especially when they're required to work in a group, there are many recordings that have been a collision with a wall because you're expected to function in a context all the time, whatever and whenever. But you do change and from one year to a few years down the line there can be a huge difference in a person's drive, hunger and priorities in life. Whether you have the same band structure as I do or whether you play in Metallica, people come in one state and they may end up in another, because you have different priorities at different times. It's unfortunately against the whole rock myth. I think that's the biggest problem for bands and businesses, that you always have this idea that if you just get to a certain stage - not just monetarily or career-wise, but you get to a certain stage of fun - then we've reached the status quo. But that is never the case! Never! There’s always something. Even in the best moments when everything is working, the band is awesome, everyone is working well, the crew is awesome, everyone is laughing, it's just a party all the time mentally, you have the world's best tour manager, everything is flowing and the tickets are selling, there will always be someone who doesn't like it and then has to break away and want to do their thing because it's no longer fun. It's usually somewhere in the lead-up to a stage where it's interesting and then once you've achieved it, it all becomes a bit boring. Just like in a relationship some people may eventually think, "well, that's a bit boring, I have to go out and do something else".

Since I was in the studio when you were laying down guitars on "Witch Image", my heart beats a little extra for that song and I thought it would be a great live song, but you've barely played it (at the time of writing it's Ghost's forty-fourth most played song live).

We did it during the "Prequelle" tour, or "A Pale Tour Named Death" as it was called. Then we did quite a few "an evening with" concerts, for better or worse. The advantage was that if you were a big fan of the band we actually played a lot of songs and actually a lot of the first albums, like "Idolatrine" - or "Witch Image". We did a set, a break and then a whole other set. That was a bit of a taste of what I was talking about earlier: doing a slightly larger set and then a slightly smaller one. You just shouldn't do it on the same night because it gets a bit stale. We played for two hours and 30 minutes or something and that wasn’t a good idea, haha. At least we did "Witch Image", but it has fallen behind a bit and it doesn't mean that we will never play it again, just that we don't do it right now. What I've been happy about is that there has been a feeling for the records that we've made recently, "Prequelle" and "Impera", that people still want to hear the new stuff. We haven't gotten to that stage that I talked about earlier when it doesn't matter anymore. Then it's very fun to try to find a new way to perform the songs, not technically, but suddenly a song like "Witch Image" might fulfill a very nice purpose between a completely new song and another song.

Let me speculate: in 30 years, I think "Rats" will be considered the great hard rock song, "Dance Macabre" the great hit and "Life Eternal" the great ballad. What do you think? Will this in the future be seen as the three big songs of the album?

Yes, that makes sense, I think. I understand that an instrumental song automatically ends up in the wake of a "best of" collection, in the sense that you do one in 30 years. I realise it's not a hit but the instrumental "Miasma" is a big part of our live show. It's strong and feels like such a keeper. Now we don't play "Life Eternal" very often actually, but it was very well received. For some reason people like to get married to it, I don’t know why, hehe. It's nice but it's also a bit like U2’s „I still haven't found what I'm looking for" and you don't use that one at a wedding. But people like it and I guess interpret it differently to me. It’s also a song that I don't think is fun to play live.

And why not?

Because I find it hard to play ballads. Physically, they don't feel the same as rock songs. I miss the "dunka dunka". Now everyone who plays music today knows what I mean - sorry, readers who don't play music - and it's that there's a small problem with having in-ear monitors. This means that you have to reach a certain frequency of beats in order to feel the music, unlike when you played at clubs with only a guitar amp behind you. You felt every single note you made and it just went through your body. Nowadays, I think it's sometimes hard when you play slow songs, because you have to trust that it sounds good, whereas when you play a rock song, you feel that it sounds good.

Does it also apply to "He Is” which is such a huge ballad, not least live?

Well, just the intro and then it gets going quite quickly and suddenly becomes a hard and rather fast-paced song. The classic ballad concept has always been that you play so-called edge beats to make it sound soft, while "He Is” is actually a rather hard-played song considering that it is a ballad. Once the drums come in – boom, boom – it's got AC/DC bite to it. It has a rock feel to it that "Life Eternal" doesn't really have. As I said, I don't think that "Life Eternal" is a lot of fun to perform, but that doesn't mean that it isn't quite good to listen to. It’s just that when I play "Dance Macabre" or "Mummy Dust" I feel that I can express myself physically more in line with what the text says and what it means.

#the band ghost #tobias forge #interview #prequelle era

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freakoont · 18 days

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"you have a crush on- WHO?"

Featured content: Bungo Stray Dogs

Summary: BSD characters finding out you have a celebrity crush while you two are dating!

Note: How do they react? {FLUFF / CRACK CONTENT meant for funny purposes}

Characters: GN reader // Atsushi Nakajima, Osamu Dazai, Ranpo Edogawa, Akiko Yosano

Atsushi

I don't think he would mind too much at first. He's like: "oh! Okay! Cool!"

But then when he starts to realize that you might be a... Simp. To put it simple, then he starts getting a little jealous.

He's seeing a bunch of [celebrity cruses name] edits all over your TikTok, or you being crazy enough to get a million dollar ticket to go to their concert to see them

He's like: "WE DON'T HAVE THE MONEY TO AFFORD THIS (Y/N)😭😭"

In the end, he's pretty chill about it, but don't forget the poor boy !! He'll be a sad tiger :(

After awhile, I can see him encouraging this crush of yours in a way? He'd be the type of person to be like, "(Y/N), did you hear that [celebrity crushes name] is staring in the latest movie? Yeah!"

Dazai

Betrayed. He feels utterly betrayed.

"BELLADONNA AM I NOT GOOD ENOUGH FOR YOU?"

He's the type of person to pout and get all sappy about it, before he'll pull out the "WELL GUESS WHAT? BEYONCÉ IS WAY HOTTER THAN THEM!" Card

In the inside, I don't think he actually cares.

He probably finds it cute when he sees you reposting a bunch of edits of this person, or saving a bunch of pictures of them, from a movie they were in, into you camera roll

Ranpo

Another one he feels betrayed.

He's definitely going to act cocky and hurt at the same time saying things like, "Ha! Why would you have a crush on them when you already have me? I'm practically a celebrity!"

Ranpo will then start to be pouty and ignore you whenever they're brought up. He's not sharing his snacks with you either!!

He'll act like a total baby but inside... He's also not one to care. He's just trying to get you're attention

Imagine you're both getting ready for bed and Ranpo sees you watching edits of them on your phone... He'll just grab it and throw it on the ground before snuggling up into you like nothing happened. Jealous boy

Yosano

She's going to be the least dramatic one on my list, like she'll be like "cool" and walk off

After some time, she'll start to pick up on anything they've stared in: movies, shows, late night talk shows, concerts. She wants to know more about them.

Yosano honestly just laughs it off when she sees you have a file of pictures, videos of them in camera roll.

But if this obsession got so far and you began to ignore her... She'll definitely get just a littttttle annoyed.

She's going to gift a T-shirt and CD if they're a musician/artist

#anime and manga #x reader #anime #ranpo x reader #dazai x reader #bsd dazai #dazai osamu #atsushi x reader #bsd atsushi #atsushi nakajima #yosano x reader #bsd yosano #bungou stray dogs yosano #ranpo edogawa x reader #ranpo

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steddieas-shegoes · 9 months

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Request: video gamer Steve who is very very private & constantly has competitions with his friends/followers. But one day he does & q&a and someone asks him about his ring/necklace (or something that is noticeable) & he talks about his partner. & Eddie who is a well known musician who talks about his partner Steve. And somehow their fans put it together that Steddie are together. Then they do a really cute q&a on Steve's channel all about their relationship & its really cute

MY LOVE!!! Honestly, if Liam didn't watch so many gamers on YouTube, I would be so clueless. I never got into video games (because I'm so so bad at them you guys it is actually embarrassing) and I never really watched streamers on YouTube or anything. But I know that some of them have like a cult following and so I am picturing Steve to be one of those here. Please don't ask what games he would play because this is a choose your own adventure part of the story. - Mickala ❤️

-----------------------------------------------------

Everyone made fun of Steve for how much he talked with his hands. Even on camera, his hands were constantly in the frame, moving and emphasizing his passion for whatever game he was playing for that stream.

He should have realized that wearing a ring on his usually bare hands would have given him away.

It was his first livestream competition since Eddie proposed on their trip to the Maldives.

He was still a little high off of, well, everything, and he wasn’t thinking clearly.

He ignored the first question that popped up.

who got you that ring?

He shared some basic personal stuff with his fans and followers, but he kept most things private, especially his relationship.

But then questions kept coming in.

R U ENGAGED???

usually the girl wears the ring right

If you’re taken I might have to unsubscribe

The last one made him pause.

It’s not like he was an idiot, he knew that there would always be a handful of people who followed him because he was attractive. He didn’t mind, especially because some of them would message him and explain that they ended up getting into games because of him.

“Okay, wait. Sorry guys. Um. I wanna address something before we start the actual stream.” He held his hand up, looking over at the ring Eddie proposed with. “I share a lot with you guys. I came out about a year ago during a stream as bisexual, and it really shouldn’t have been much of a shock, but it caused a bit of a…thing.” He grimaced. “And I guess most of the reason that I came out then was because my boyfriend had come out as well, and it felt like something we could do together without actually doing it together. Most of you know I was just gone for a week on a much needed vacation. I was with my boyfriend, and he proposed while we were there. I said yes because he is the only person I’ve ever wanted to spend my life with.”

Steve put his hand down, sighing.

“I understand if that makes some of you unfollow me, but I do hope you look at yourself and try to come to terms with why that is what makes you unfollow someone you enjoy watching. Anyways, the ring is beautiful, and it's a simpler version of one he wears every day, so it means even more.”

He felt relieved, but also a little stressed, and knew he’d be calling Eddie as soon as this was over to talk to him about everything.

“Let’s get gaming!” He gave his best smile to the camera.

—-------------------------------------

“Yeah, we had a nice week off together, alone, and I finally got to propose. I don’t think we left the bed for 24 hours after that,” Eddie laughed.

The interviewer laughed too, used to Eddie’s jokes and blunt answers.

“I’m glad you got to spend some time just the two of you. This has been a busy world tour for you and Corroded Coffin and you’re only halfway through!” The interviewer, Hannah, stated. She smiled at him when he nodded. “Anything new planned for the second half of the tour?”

“We can’t give out secrets, Hannah, you know that,” Eddie smirked. “But Gareth did say I should tell you about one thing.”

Gareth definitely had a crush on Hannah and had pouted endlessly about being scheduled for a different interview at the same time as Eddie’s interview with her.

“Oh?” she leaned forward, eyes gleaming.

She maybe had a crush on him, too.

“He actually wrote a song that’ll be on our next album. He doesn’t usually get bit with the writing bug, but someone’s inspired him,” he winked at her, smiling at her blush. “Anyway, it’s been added to the setlist for the second leg of the tour and we’re all really excited for everyone to hear it.”

Eddie felt his phone vibrating in his pocket multiple times. All the guys knew he was in an interview and couldn’t answer a call, so who the hell was calling him?

It was easy enough to ignore through Hannah’s next question, until it started again.

He reached in his pocket and checked to see who it was, eyes going wide when he saw ‘Stevie’ with a picture of them on their vacation lighting up his screen.

Steve never called twice in a row unless it was an emergency. He knew if Eddie didn’t answer, he was truly busy.

He felt his heart racing as he looked back up at Hannah, who instantly seemed to catch on to something happening.

“We’re going to a commercial break, but when we’re back, Eddie’s gonna share a few hints about the next album!” Hannah said, immediately shutting the mics off and gesturing for him to get up.

Eddie took off his headphones and stood, walking out of the room as he answered the phone.

“Sweetheart, are you okay?”

“I’m sorry to bother you, I just-”

“Hey, no, it’s not bothering me. I was just in a radio interview with Hannah so we had to cut to commercial break before I could answer. What’s wrong?” he asked, concerned that something terrible had happened.

“Fuck, I forgot that was right now. I’m sorry. Call me back when you get to the bus,” Steve seemed like he was trying to rush off the phone.

“No, Stevie, wait. What’s wrong?” his tone was firm enough to let Steve know he wasn’t going to let this drop.

“Um. I just had a livestream thing. And like, people asked about the ring, so I told them I was engaged and some people just didn’t take it that well and then I went online and some people have apparently put it together that the Steve you talk about is me because of something I mentioned about my vacation and something you posted about the vacation and so I think everyone’s gonna know and I’m sorry,” Steve was panting by the end, speaking a million miles an hour literally taking the breath from him.

“Okay, well, we knew this would probably happen eventually, my love. I’ll just call the guys and we can talk to Chrissy about it if it gets picked up by the media. No reason to panic,” Eddie tried to calm him down while watching through the window to the recording booth where Hannah seemed to be introducing a song to kill more time.

“But I ruined our plan!”

“No, love. People ruined our plan. And it’s okay, anyway. We’ll figure it out.”

“But your fans will be mad that it’s me. I’m just…me!”

“You’re not just anything and any fan of mine who says or thinks that, isn’t a fan,” Eddie sighed. “I love you, and we will figure this out. Whatever we gotta do, okay?”

Steve let out a long breath before responding.

“I love you too. Tell Hannah I said hi?”

“Of course. I love you so much, okay? ‘Til death and beyond.”

Steve let out a small laugh.

“You’re not allowed to use those lyrics in the vows. But I love you so much, too.”

“We can discuss that later. I wrote you a very metal love song that I fully intend to use some of in the vows. Okay, bye!”

He hung up before Steve could argue and walked back into the studio, mouthing an apology to Hannah, who just waved it off with a smile.

Everything would be fine.

—-------------------------------------------

“The lighting isn’t ideal, but it’ll be fine,” Steve was pacing, double checking his set up while Eddie watched.

He tried helping, but kept being told not to touch things, so he ended up just sitting on the hotel bed.

Steve had traveled halfway across the country to do this, his stress was at an all-time high, and Eddie didn’t need to get his head bitten off.

“Five minutes,” Steve said, shaking his hands nervously.

“Come here, sweetheart,” Eddie said, waving him over to the bed.

“No, you’ll distract me.”

“Yes, which is exactly what you need for a minute. Come here.”

Steve sighed, but went over to him, dropping onto the bed and resting his head against Eddie’s shoulder.

“What’s got you so worried?”

“Everything.”

Eddie sighed.

“But specifically.”

“I just don’t want you or the guys to lose fans because of me,” Steve was playing with the edges of the hole in Eddie’s jeans absentmindedly.

“Sweet boy, we lose fans because we endorse a certain amp brand over another. We’ll be fine.”

“This is bigger, though. I’m just a nobody who got lucky on YouTube playing some games,” Steve whined.

“And I loved you before that. If they don’t want me to be happy, they aren’t real fans anyway. You’re my future, not whatever woman still thinks she has a shot with my gay ass,” Eddie said.

“But it isn’t just you who suffers.”

“None of us suffer. We lose some homophobic, idiotic fans who shouldn’t ever have claimed to be fans at all. None of us want people like that around.”

Steve’s alarm went off to signal one minute before the livestream started.

He jumped up and pulled Eddie up with him.

They’d already gone over everything together, discussed it with Chrissy and the guys, even Steve’s manager, Robin, about how this would work.

Steve would pretty much act like it was any other livestream, but Eddie would be there for the first five minutes or so so they could do a quick explanation of things.

Eddie would do a phone interview with Hannah in 30 minutes while Steve was gaming, covering a bit more and answering some questions about their relationship.

Then they’d both have a night off to decompress in the hotel before Steve had to fly back home and Eddie had to head to the next tour stop.

Hopefully, the buzz would die down relatively quickly.

Steve did his normal intro, but Eddie’s hand rested on his knee out of sight, squeezing once when he heard his voice start to shake a little while introducing Eddie.

“There’s been some rumors about us, and we just wanna be completely honest about things so that the rumors stop,” Steve continued. “First of all, we’ve been together for almost four years. Way before I got anywhere with YouTube, before Corroded Coffin had even released their first album. And we were friends long before that.”

“Even though I had the biggest crush on him in high school, I didn’t admit I was in love with him until we both moved to Chicago. Wasted years,” Eddie shook his head.

“Second,” Steve smirked, looking over at him for a moment. “The week off in the middle of his tour had been planned for Jeff to go home and be with his family for his wife’s birthday and daughter’s graduation.”

“Anyone who thinks Steve threw a fit about needing a vacation and made the band take a break is just saying so out of spite that we had to move around one of the tour dates to make the week off work. It’s not up to you to come up with a narrative,” Eddie added, brow raised like he was chastising children.

“And finally, most importantly, what either of us choose to share is up to us. We do not owe anyone any explanations. Our relationship is ours. Being public figures already takes away a lot of our autonomy, and this is something neither of us will budge on. We are willing to share our happiness, but we are not willing to let everyone become a part of our life together.”

Sometimes, Steve said things in such a way that Eddie couldn’t do anything but stare at him in awe. He loved him more than anything, and sometimes the only thing he could do was kiss him.

He did so now, not exactly forgetting they were live streaming, just not really caring.

Steve tensed for a second, but then relaxed, cupping his cheek and smiling into the kiss.

Eddie pulled away and looked back at the camera.

“On that note, I’m gonna leave Steve here to his gaming. If you aren’t nice, I’ll ban you from Corroded Coffin shows for life,” he waved before standing and leaving the camera’s view.

Steve rolled his eyes, but smiled fondly as Eddie walked out of the bedroom, blowing kisses back at Steve the entire way.

—-------------------------------------------

After that, Eddie made random appearances on Steve’s live streams, and Steve flew out to a handful of shows to support Eddie.

It’s not that they were hiding before, but they just hadn’t felt like they should have to try to.

Now they didn’t.

Steve even did a Q&A with the band on tour while playing games with them.

They were all pretty terrible at it, complaining most of the time about how D&D was so much easier than this. Eddie didn’t play, but he sat next to Steve and braided his hair while he kicked their asses, asking them all the questions that popped up from people watching.

When he got to one for him, he smiled and kissed the top of Steve’s head.

“This question is for me. How did you know Steve was the one?” The guys all groaned, but they were smiling. “Well, I knew he was the one back in my first senior year. I tripped on the step into the gym and Steve was the only one there. He helped me up and smiled at me, and I was a goner.”

“He’s lying to you all,” Steve said without looking away from the game. “He knew when I made him homemade banana bread. His exact words were, ‘I’m gonna marry you so hard someday, Harrington.’ and then six months later he proposed.”

“Both can be true,” Eddie pouted.

Steve paused the game and turned to him, kissing the tip of his nose.

“Every moment I have with you proves you’re the one for me,” he said before turning back to the game and leaving Eddie silently shocked.

“This is the last time we come on this thing, Steve,” Gareth said.

“Yeah. You broke him,” Jeff agreed.

#steddie #steve harrington #eddie munson #stranger things #ficlet #request #modern au #gamer steve harrington #rock star eddie munson #established relationship

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m1ssunderstanding · 23 days

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You know if even Francie is saying it I'm starting to think old Jim Mac may have been slightly abusive, I don't think that's the right word since what happened it was a different time and place etc. But with the way he treated Paul and Mike, especially after Mary's passing and how he expected so much more when his son was one of the most famous musicians in the world, it's just - his whole family to he fair it's like they never really saw him as human and more akin to a musical monkey

Yeah I would actually call it abuse. I think Jim probably had mostly good intentions and genuinely loved his sons, but that doesn't mean his treatment of them was just or didn't have any affect on them. By my definitions, there's emotional as well as physical abuse going on (Paul was expected and pressured from the time they started to realize how intelligent he was to grow up and save his entire family from poverty; Appearances were everything and emotional needs suppressed; There was no financial security; After Mary's death, Paul was extremely patentified, depended on emotionally and materially by the person who was simultaneously physically abusing him)

About the normalization of the physical abuse specifically for a minute, if it was so normal for the time, why is Paul the only one of the four Beatles to have experienced it? My family has always been working class, and my grandparents who are Paul's age were not subjected to the violence that Paul was. Not saying it wasn't more common then and more accepted, but it's also not something you can just pass off as "that's what everyone did in those days".

Also, I wouldn't be surprised at all if even in that one interview where Paul specifically talked about how he got Jim to stop hitting him, he was downplaying. That's what Paul does. We have no way of knowing. But it does fit with Paul's usual story-telling and framing of events that maybe it was more than what he said.

And yeah, the financial abuse started early and clearly continued far into adulthood, maybe up until Jim's death when Paul cut Angie and Ruth off for selling his birth certificate. Paul was trained as a door-to-door salesman for Jim's club as a nine year old in the literal projects. He figured out how to snatch other people's lunch tickets out of the fire at the inny and pass them off as unused. What are we going to do without her money? He first saw John when he was a paper boy and John was buying chips. As soon as the band started making money, he became the head provider of his family (Jim made 10 pounds a week at the cotton brokers while Paul made 15 a week in Hamburg) and when the band wasn't making money, he found whatever work he could to make up for it. Meanwhile, we have no reason to believe Jim wasn't gambling insatiably. As the child of an addict, I know addictions don't just go away and then resurface when they're affordable again, and Jim was certainly an addict. He gambled so much Paul had to buy his house back for him (that he'd bought for him in the first place while Paul himself was living in an attic room like some kind of starving artist at the same time as the rest of the band was buying their mansions).

Paul clearly loved his dad so much and craved Jim's approval, trying to find a girl Jim would approve of after Jane, trying to be a good family man, trying to stay close to his working class roots. You can even see it in his music, from When I'm 64 to A Walk in the Park with Eloise. (I think the 1920s & 30s influence in much of his music came from him genuinely loving it and also from a desire for his dad to appreciate his talent). But he also had no patience for Jim's frailty toward the end, didn't go to the funeral, and didn't write about Jim's death in MYFN.

I really don't know too much about the extended family, anon, but it does seem the case that part of Paul's role in it, from the beginning, was to be a savior and a cash cow, and no one considered his humanity.

#paul mccartney #the beatles #jim mccartney #thanks for the ask!

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flowery-mess · 2 months

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One of my boys

For my birdie anon🦜💚 I had fun writting this, thank you for your request! Also I don't know anynthing about birds, so of someting doesn't makes sense I'm sorry and feel free to correct me

Noah x reader

It goes without saying, this is work of fiction, don't mistake it for real story!

You and Noah first met at Sumerian Christmas party last year where you talked for a bit, but that was it. Until just a few months ago.

You work at the Sumerian law department, so before their tour started you had to go through some papers with the band and their team. You never got to work together before, so you were happy you finally had a chance to meet with Noah again.

Even tho you expected Noah not to remember you. But he did. When you walked into room full of BO crew he said “Oh it’s you!” with more excitement than you would expect. He gave you a little wave before you went through the things you needed to.

After you were finished with them, everyone slowly started leaving the room as you were packing your papers and things you brought with you.

“I’m sorry for that earlier. I just didn’t expect to see you today. Actually I never saw you around I thought you maybe quit.” You heard Noah behind you when you were zipping your bag.

“Oh, quit my lovely 9 to 5 job, really?” You said with sarcasm in your voice. Even tho you like your job, working with musicians and doing law, it still was office job with lots and lots of papers. Noah just chuckled at your comment.

You two continued to talk for another 20 minutes before you excused yourself for having another meeting in a few minutes. You saw Noah’s face drop a little when you said that, much to your surprise.

“Yeah I wouldn’t want to make you late. I guess I see you around then.” He gave you same little wave as in the beginning of the meeting and left the room.

You felt the same feeling as you felt at the party. Another nice talk and nothing out of it. Girl can have dreams, right? And you kinda wanted to get to know Noah more. He was friendly, polite and hot… who wouldn’t want to get to know more of that.

Next morning you sat behind your desk with your favourite coffee from the coffee shop next to Sumerian. You did your morning routine to check and answer new emails. You had replied to 3 emails and opened the next one, surprised that this one had just two lines of text.

“Hi, I’m sorry for bothering your work email, but I didn’t know how to approach you. Would you be interested in dinner or movies sometimes? We could continue to discuss how monkeys aren’t really pets. Noah:)”

Oh. You didn’t realize that you were holding your breath in while reading that email. You didn’t expect that at all. And his comment about monkeys made you laugh, because that wasn’t even from yesterday’s conversation. You talked about pets and animals at the party, and you mentioned monkeys are cute.

Your reply said that you would love to discuss monkeys with him and you agreed on coffee in your favorite coffee shop. It was down the street you lived at, small and private space, because you know that Noah is more and more famous everyday, so you thought that this place will avoid anyone seeing you two together. You made reservation for booth at the back, where you two would have privacy.

Week before Noah had to leave for European tour, you had two coffee dates and dinner date at his place. You said it’s only fair to have dinner at your place next time.

You live in little cozy apartment by yourself. You have little bedroom, kitchen joined with living room and bathroom.

Well actually, not really by yourself. You have four little baby roommates.

You warned Noah that you have four little birds at home and made sure he’s okay with coming over. You thought about locking them up in their big cage in your living room for his visit, but decided against it. They are home and he is the guest, so you thought you’re gonna let him have a full experience.

You heard knock on your door as you were putting the meat in the oven. You decided for meat and vegetable mix for dinner, easy and delicious. You went to open the door just to see Noah standing there with flowers in his hands.

“Hello there.” You said with welcoming smile.

“Hi. These are for you as thank you for the dinner.” He handed you small bouquet of tulips, gerberas and other flowers you couldn’t name. He matched color of the flowers to your apartment very well. You had pretty colourful place, so those green and yellow flowers went with it so well. And it also matched your birds, which is Noah about to meet.

Talking about birds, one of them, Milo, sat on your shoulder staring at Noah, who was just taking his shoes of.

Noah stood up noticing this little friend on your shoulder.

“Oh hi there. Let me guess your name.” oh cute, he remembers names of your birds you mentioned the last time you saw each other.

“Hmm Simba?” Noah said that more as a question and got loud whistle as answer.

Before you had chance to correct him, Simba flew to your other shoulder.

“I hate to disappoint you, but this is Milo,” you pointed to your left shoulder “and this is Simba.” You pointed to your right shoulder.

“Nice to meet you guys, I guess.”

He earned one little squeeky “Hi” from Simba, but not from Milo. Let’s just say Milo is the most protective one and he takes the longest when it comes to meeting new people.

“Don’t worry, they’re gonna warm up to you. Milo is the hardest to win over, but he will come around. Come on in, dinner will be ready in a few minutes.”

You led Noah to your kitchen slash living room space. He was amused by the big cage you had in there.

“Wow. That thing is big.”

“Yeah, pretty expensive, but everything for those lil bitches you know.” You love them, but they can be annoying if the want to “Mavi, Kovu!” you called out.

They flew out from the bathroom, Mavi straight to Noah’s shoulder and Kovu to his head.

His face was priceless. He stood still, scared to move and scared they’re gonna bite him.

“Okay what do I do?” Noah asked with fear in his eyes.

“They like you! They are birds, they like heights and you are tall person. Those two are the easiest to get along with, obviously.” You laughed at the scene. Noah was like a statue scared for his life.

“And can I move?”

“Of course. If you don’t like them sitting on you, just tell me or you can tell them the word ‘leave’ and they should fly away. I don’t know if they’re gonna listen to you though.”

“Oh I don’t mind it, I want them to like me so I’m going to let them sit there for how long they want to.”

“Okay. Let me show you one more.” You lead Noah to your bedroom, but first you called Mavi and Kovu off Noah, because they can’t go in your bedroom for now.

“This is my foster baby bird that I took as a foster parent for now. Her wings are broken, so she can’t fly and she can’t hang around the boys, because they would take advantage of her state and probably attack her or something.” You explained Noah as you were both watching this little white baby in her cage.

“You took her in? That’s so nice of you. Poor baby, she’s so cute. I mean the boys with their colors are nice, but this is different, all white. Cute.” Noah studied her some more and you took that as a chance to study Noah’s face.

He was cute too. He was handsome and hot. And he was nice person, you liked hanging out with him. You didn’t really know where this was heading, because you haven’t been physical with each other yet. You planned on asking him, but didn’t want to make things between you weird.

“Yeah, we will see if she can heal. I am thinking of keeping her.”

“That’s really nice of you, really.” He said again and this time with his eyes on you, which made you blush a bit.

“Let’s go back, the dinner should be ready.” You went back to the living room and Mavi found his place on Noah’s shoulder again.

“I think he likes me the most so far.” Noah said with proud face on his face.

“Seems like it. He’s the friendliest so it’s no surprise.”

“Wow, way to make me feel special.” You both laughed at how your comment sounded ironic.

“Wow” Mavi talked back to us. I am used to them imitate me, but Noah isn’t and his face was priceless once again tonight.

“Did he just imitate me?”

“Yep he did.”

“Yep” another one of Milo’s words.

“And now he did imitate you.” Noah pointed at you.

“Yes. They do that. They can’t talk like parrots tho, but they can try and imitate what they hear.”

“Those are little interesting creatures.” It was funny watching Noah explore this kind of animals. Most people are amused when they meet them.

“They are, that’s why I picked them over typical cat or dog.” You smiled at the sight in front of you. You wanted to take picture of Noah and Mavi, but you didn’t know if Noah would be comfortable with that. “Let’s eat dinner Snow White.” You couldn't help with that little comment, he was looking like her and you bet his voice would have the same effect.

Just a few seconds after you dig into your food, four little creatures flew to the table.

Kovu, once again, on Noah’s head, Mavi on your right, Simba on your left shoulder and Milo sat on the table.

“I’m sorry I can put them in their cage so they don’t disturb us while we eat.” You said rushing from the table. You were used to their company while you eat, but not everyone has to like it.

“No that’s okay. I want them to like me, so I’m going to have dinner with them, maybe even Milo will crack up after this.”

“Oh, okay.” You sat back and started eating again.

After minute Milo hopped closer to Noah’s plate and started eating little piece of carrot.

“Milo!” you shouted at him, waving him back off of Noah��s plate, but Noah took it well and laughed it off.

“Don’t send him away! I’m going to share my dinner with him if it makes him like me, he can have it all.”

“Oh my god Noah. You don’t have to do that, he’s going to like you sooner or later.”

“Well it better be sooner, I don’t want any enemies.”

You couldn’t stop laughing at Noah’s attempts to make Milo like him. Because him letting Milo eat from his plate made others have a bite too. So the dinner was full with laughs and full bellies for all six of you.

As the night went on you and Noah sat at your sofa just talking about everything, while from time to time they boys made an appearance to make sure they don’t lose your attention.

At the end of the night even Milo sat on Noah’s head, which was like the biggest compliment Noah could get.

You had great time, so when Noah said he should leave you were a bit sad.

“We’re leaving in a week and I have a lot to do before the tour starts, but we can hang out again the next week?”

“Yeah sure, I’d like that. How about Wednesday?”

“That sounds fine with me, but I’ll make sure the boys won’t need me and let you know.”

You just nodded your head as Noah put his shoes back on.

When he stood up the silence fell over the two of you. You felt something change suddenly.

“Soo.” Noah said.

“Soo?” You didn’t really know what answer you should give him to that.

Before you noticed it, he was standing closer to you, his hand on your cheek.

“I had a great time tonight, thank you.” He whispered.

“Me too, I am glad you met my boys finally.”

“Yeah I think they gave me a pass to be one of your boys too actually.” He said with a smirk.

He leaned closer to your face, looking at your lips, then at your eyes looking for a sign if he could kiss you or not.

Well, before he could see anything in your eyes, Milo flew to you and started whistling at Noah. Which made him pull away with fear in his eyes.

“Milooo stop.” You chuckled. “I said he’s protective. Not sure about your pass though.”

“Yeah well how do you ask a bird for permission to ask his mum?” when he noticed what he just said you both started laughing.

“Maybe you don’t ask the bird, but ask the mum.” You sent Milo away and waited what’s going to happen now.

“Can I kiss you then?”

“Yes you can.”

So he did. And it was nice. And you wanted him to stay at your place and never leave. But you weren’t there yet.

“Good night Y/N.” he pulled away, placed last little kiss on your forehead and took his jacket.

“Good night Noah.” You watched him walk down the hall until he disappeared in the elevator.

You closed the door with hope that no one is going to need him on Wednesday because you needed to see him again before he leaves.

#noah sebastian #bad omens #noah sebastian x reader #bad omens imagine #jolly karlsson #nick folio #noah sebastian band #noah sebastian fic #noah sebastian imagine

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