Lion De Noir
The Secret of Moonacre / Merrynoir
Black as night, and quiet as death, the De Noir clan lived perfectly content. Perhaps the villain in many a tale, and never the hero, Robin De Noir learned to accept his fate as black hearted. And while he failed to meet his father's expectation's many times over, he knew his betrayal would have him banished for evermore.
From that moment on, he was no longer the Coeur De Noir’s fool of a son, but the Lionhearted Guardian of the Moon Princess. Who, at the 5000th Moon, broke the curse over the valley, reunited the two families, and ushered in a new era of magic.
However, the tales of Moonacre never end and a new page is turned; boys grow into men, hardened hearts soften, and all will learn of a rising calamity that comes with the dawn. There cannot be light without dark, love without hate, good without evil; balance and harmony must be maintained.
May the Moon shine as bright as the night is dark, and may the Sun continuously bathe her in his warm glow; thus begins the next chapter of The Ancient Chronicles of Moonacre Valley.
Part One: Red
Passion of passions
Of pride, devotion and love.
Of the strength that resides in all of men’s spirits
Of the lion’s eye and beating heart;
Red to represent life.
Devotion | Life | Family
Part Two: Black
Mystery of mysteries
Of power, authority and prestige.
Of the evil that resides in all men’s minds.
Of the moonless night and graveyard dirt;
Black to represent death.
Darkness | Death | Power
Part Three: White
Purity of purities
Of perfection, balance and innocence.
Of the light that resides in all men’s hearts.
The perfect moon and her sea pearls;
White to represent hope.
Moonlight | Hope | Purity
Part Four: Lionheart
De fierté, de puissance, et de perfection
De ceux ordonnés garder la vallée
Les mal famés et Cœur de lion
Le Clan De Noir
Spirit | Mind | Heart I | Heart II | Epilogue
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[intro]
Bakugou is a prideful, arrogant person. He holds himself to the highest standard; he is the best and everyone else is simply below him. Everything he has ever done was in pursuit of being number one, shining above the rest. He has to have a perfect victory, he has to be a perfect student, he has to win to save.
He pushes and pushes and won’t let anyone see his weaknesses or his insecurities. He can never lose, he can never fail, he can never show that he regrets or hesitates or that he hasn’t thought everything through. He must never be vulnerable in every sense of the word.
Then why is he standing in the rain.
To apologize shouldn’t be a sacrifice, but it is for Bakugou. To pour his feelings, to admit his wrong, to let down all of the walls he has built and be vulnerable. And in front of his whole class.
He is willing to sacrifice his pride, to fully sacrifice any superiority he could have, to bare his soul and even risk rejection. Because he knows Midoriya is more important. Because he wants him to come home, he wants him to know his true feelings, because he wants things to change.
Because Midoriya has changed him. Midoriya has opened his eyes; by showing him he’s allowed to be open, that his feelings should be expressed, that he has so much to learn, and so much of that was learned through Midoriya just existing.
He isn’t sacrificing his safety frivolously because he’s expected to as a hero; he is doing it because he has grown. He is doing it because he has finally admitted to himself that he wants Midoriya to be with him and safe.
So I will sacrifice this for you. Not because it will change anything, as much as I want that I know that I can’t just fix all the wrong with just this. And I am willing to do as much as it takes to earn your forgiveness. But I don’t need that from you, not now and not ever if you don’t want that, I just need you to rest. I did so much wrong. And I am sorry for everything. You don’t have to do this alone. Lean on us. You are so strong and being supported doesn’t discount that. You’ve taught me that.
I hate the rain. But I will brave it for you.
He would do everything in his power, admit so many things, just to get Midoriya to take care of himself. We see him being the most vulnerable he has ever been in front of people that aren’t Midoriya. He does so much completely out of character, all in pursuit of being there for Midoriya.
For Izuku.
He finally gets over himself and finally tells Midoriya the feelings he has felt for so long.
He lets go of this idea he is inherently better and finally acknowledges that his hatred for Midoriya has always been about his own shortcomings and insecurities. But he still wants to be better, they are still rivals. He isn’t going to sacrifice that part of him because that is just who he is; he is still going to push to number one.
But now it’s different.
There is verbal and vocal acceptance and respect. Before it was unspoken; their relationship had changed ever since Ground Beta. They were proper rivals, with mutual respect and care, they were actively making each other better.
But Bakugo finally verbalizes it and tells Midoriya, not only is he sorry, but he wants to actually have a proper friendship; he wants to continue to become better and earn his forgiveness. He wants them to push each other to be better, he wants to continue to fight for the top spot, he still wants to be the best.
But when did it become something else?
When was the turning point when it started to shift from wanting to surpass Midoriya and be the best, to wanting to keep up with Midoriya and stay by his side?
Bakugou has already sacrificed himself for Midoriya before. His body moved on its own; with no hesitation, he would save Midoriya. He has already risked his life for him. But there is a layer to it that I don’t think people talk about.
He tells Midoriya he shouldn’t try to win this on his own.
He disguises his concern with an insistence that he’s in it to fight for himself when he initially joins the battle. But it is to fight by Midoriya’s side and support him.
But taking the hit for Midoriya, jumping in the way isn’t just support. This is sacrifice. This is giving yourself to ensure the safety of someone. And it was second nature.
There are two reasons and both are a sacrifice of something in the moment.
It is knowing someone is so valuable, so great, in all senses of the word, that they must be protected. Bakugou is sacrificing his body and admitting that Midoriya needs to stay alive, for personal reasons and/or for the world. He needs Midoriya to be okay, Midoriya can’t fight alone and Bakugou will do anything to make sure he will be okay.
But the sacrifice of ideology.
With every development, he has relinquished parts of himself. When he sacrifices himself he is not only sacrificing his body but is admitting that he can’t do this on his own; he needs Midoriya too. This isn’t him wanting to be better than Midoriya, it’s him wanting to do it together.
Midoriya changed him.
He doesn’t die for Midoriya. He wakes up and just as his last thought was Midoriya, so was his first as he woke up. He runs to his side. People are dragging him back, trying to have him rest, knowing before he even said anything that he would lose his mind over Midoriya’s situation.
Everyone sees how Bakugou feels about Midoriya.
He sacrifices himself because Midoriya can not die on him. Midoriya has to stay alive. Midoriya has to keep fighting.
There can not be a world that doesn’t have him in it.
This is the culmination of what has been developing ever since the final exam where Bakugou finally works with Midoriya; the day that win to save, save to win was noticed. Then furthered after Ground Beta where they finally talked to each other and something changed within them both.
But the final sacrifice is the culmination of Bakugou’s character.
He knows what this decision will mean. Everyone screams for him not to. He knows that he is going to die. He knows he will not win this fight.
This isn’t dying for the cause. This isn’t just a hero complex. This is because he can help Midoriya and he will. This is for Izuku.
I will sacrifice myself for you. To give you more time, to give you even the slightest chance of winning. I will sacrifice myself for you because you are who can win. I am going to die. I am going to die and in my final thoughts, I will ask if I will still be able to be by your side.
It is no longer can I beat you. It is no longer can I surpass you. It is can I still catch up to you. It is can I still even be equal to you. He has already sacrificed the idea that he could beat Midoriya, that isn’t what he wants anymore. What he wants is to stay here with him.
I will sacrifice everything I am. I have wanted to be the best. All my life I have wanted to surpass you and everyone around me. But you. I will let that go for you. I let it go in my mind for so long now and I have never wanted to admit it. Is it even possible? Is it even possible for me to catch up to you? Is it even possible for me to stay by your side. I can’t be that anymore. I am sacrificing even that now. I will never be number one now. I will never become the person I always dreamed to be. I will never surpass you. I am forever sacrificing that now. I will die here.
But can I still be with you?
The sacrifice of his life is him fully relinquishing everything he is, admitting that he can’t keep up, losing all of the progress he has made, letting go of everything that made up his character.
And the last thing on his mind is if he can still be able to be by Midoriya’s side.
He won’t let him go again.
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So about that part in Ever Crisis where Sephiroth tries to call Genesis, I used Google Translate to try and see the actual translation of the original Japanese script. "頼む・・・・・・出てくれ•"
Google Translate translates it as "Please...please come out."
I looked up 頼む(tanomu) and it translates as "to ask; to beg; to request" and 出てくれ(dete kure) translates to "to appear or to come out."
Is Sephiroth literally begging for Genesis to reveal himself?
Aaaa!! Yes, he is! I actually hadn’t translated this bit yet, but yes that phrase is very…pleading.
"頼む・・・・・・出てくれ•"
“Please…please come forth…”
The second part of the phrase does indeed mean to “come forth, reveal oneself.” Sephiroth is pleading for Genesis to appear out of…wherever he is. The tone is desperate.
So yes, it works in context with the phone-call. Sephiroth wants Genesis to show up on the other end.
Yet knowing the deeper context of the current events, and Genesis’ desertion, it is almost like Sephiroth is saying,
“Please…please come back…”
He is terrified for Genesis. This is one of the few times I have seen Sephiroth express genuine anxiety and desperation as an adult.
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Chapter 110 is 13 pages long welcome to hell!!! so in a lot of ways this is just more fuel for a theory that I've had for a few weeks now, that's only gotten stronger with each recent season 5 episode, which is that the last episode of the season is gonna end on 110, and that Asagiri/Harukawa and Bones have been collaborating to make this happen, specifically because it's a major turning point that would be the only good place to end the season on.
When we started getting especially long chapters again (like from 25-35ish pages, with the exception of 107.5, the last two being some of the longest we've ever had), at first I just assumed that Asagiri/Harukawa got freed up from some other obligations they'd been having to cause the extremely short/half chapters, like promotional stuff for the anime/Beast movie, or working on light novels. But then 109 happened, with the "supposed" death of Dazai, and heavy emphasis at the end on how literally everyone is at their lowest point right now, and I got to thinking. 11 episodes is a strangely specific number for an anime season -- why not 12, or 13, or even 10, like you'd usually see? Why have we gotten suddenly gotten two 35 page chapters out of nowhere, that's almost unheard of at this point? They're both beautiful chapters, don't get me wrong (as always), and maybe A/H simply just didn't want to cut them in halves because they felt like the full emotional impact wouldn't hit/that there were no good cutoff points in them, but you can't deny that it's surprising, after all the shorter chapters we've been getting. Why has the anime been going at such insanely breakneck pacing for the most part ever since around the Sunday Tragedy chapters, even more so than it has in the past? So much so that it feels dangerously close to overtaking the manga?
Well, maybe, just maybe, it's because..... Asagiri decided a long time ago that whatever happens in 110 is the only point that feels "season finale"-worthy enough, in an arc that still isn't anywhere close to being completely wrapped up, and so both the manga and the anime have been specifically coordinated to reach that part within 2 and a half weeks of each other?
I've seen a lot of people now think season 5 will end with 109, and as much as my sadistic side would find that hilarious, I honestly don't think they'd do that and realistically don't want it to happen; it'd be so cruel to cliffhanger the anime for years like that, and just doesn't feel like a season cliffhanger BSD would do, a series that is ultimately hopeful and uplifting. Seasons 2 and 3 had a positive, conclusive ending; the only reasons seasons 1 and 4 didn't was because they're technically not really full seasons of their own, and are more like the first cour of another "season" that also came out that same year (seasons 1 and 2 both aired in 2016, so they're more like one big season, and seasons 4 and 5 have both aired this year, so they're also more like one big season, again taking into account how episodes 12 and 50 are not satisfying finales like episodes 24, 37, and hypothetically, 61, are). I really can't see season 5 ending with Dazai and Fukuzawa's supposed deaths, Sigma being unconscious and maybe close to death, Atsushi being vulnerable and limbless again, everyone we love still vampires, and the entire world being basically doomed; that's just too depressing and not like BSD at all. However, having said that, if it doesn't end there, there really isn't any good place to end the season before that, either, that feels in any way satisfying or like a finale at all. And so, to me, that only leaves after 109: chapter 110.
I think things are really gonna turn around next chapter. Like I said, everyone is at their lowest point right now, it cannot possibly get any worse, the framing of Dazai, Fukuzawa, and sskk at the end of 109 is telling us that; this is the time for the heroes to finally start winning again, with Aya being so close to pulling out the sword, and for all the thematic reasons other people have talked about to death that I don't need to go into here again. This upcoming chapter being so short again makes a part of me wary of 110 being "the one", so to speak, I won't lie, but at the same time, it's very possible that it needs to be that short because that's all the final episode of the season will be able to reasonably fit in, since it's already gonna be VERY close if they do make it all the way to 109. And at the end of the day, I don't doubt at all that Asagiri and Harukawa can make these the most monumental and game-changing mere 13 pages ever if they wanted to; a chapter does not at all need to be extremely long in order to be an important and impactful one, even if short ones we've gotten in the past haven't felt the most important.
An additional thought I've had, though this is much more crack territory than all this already is, is that since we know from Anime Expo that a Stormbringer movie at some point is highly likely (judging from Asagiri's reaction when someone brought it up), it's possible that chapter 110 and thus the final episode will involve the long-anticipated return of Verlaine and/or Adam, or at least some other major reference to Stormbringer, that would naturally and smoothly lead into a Stormbringer movie to explain things to people who haven't read the novel. It would make a lot of sense, especially since the s4 OP has the Old World sign behind Chuuya, which might be a hint that this has been in the works ever since seasons 4/5 were first in planning with Asagiri. We also know that Dazai and Chuuya's voice actors apparently struggled to record their lines together this season, which probably relates to 101 and possibly 109, but it could be 110 too.... I could be very wrong, as I'm no expert on this kind of thing, but I kinda doubt they would bring Chuuya's actor in for just the vampire growls, and Asagiri placing heavy emphasis on Chuuya's importance this season in that one interview gives me the impression that he's talking about much more than just 101/109. But that's the least solid evidence I have, that's just mostly based on vibes I get.
So basically, I think a lot of factors -- the unusual episode count, how close the anime is to catching up to the manga with three whole episodes left, the seemingly arbitrary recent chapter lengths, and the climactic events of 109 -- can tell us that 110 might be a very, VERY big deal. Again, there's of course no way this arc is anywhere near close to being finished, with so much left to address and resolve, but since it is currently incomplete in the manga, unlike the previously adapted arcs, if the anime was going to adapt it at all, they'd have to find a place that feels satisfying enough to end this season, knowing there won't be more anime for a long time after this, and so I think they specifically planned for that, from both Bones' and A/H's sides. 10 episodes might not have been enough to reach that point, but 12 or 13 might have been too many it wouldn't have been if Bones actually decided to slow down and let the story breathe the way it needs to, but this post isn't meant to criticize the anime, so maybe 11 was just right. And maybe Asagiri and Harukawa specifically pushed to make recent chapters longer than usual, in order to make sure that the manga reached the story content in 110 the monthly release right before season 5 was to end.
Is this just copium? Absolutely. Am I going to look like an absolute clown in two days when this post ages like milk? Probably. But the evidence is There, so let me just enjoy my delusions until Sunday, okay 🥂🫡
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what do u like about allison? not attacking u or anything she's just always fell flat to me and im open to enlightenment
shes funny to me :) i like that she's catty and entitled and insufferable, but that there are moments where it slips (namely grieving seth, but also offering herself up to be a confidante to neil, crumpling into renee after andrew hurts her) and we get to see that she's terrified of herself And others and that money could not buy her a sense of self nor a reasonable emotional framework. there are also small things about her that i just find endearing, like the few times where her and matt act like siblings (when the foxes get rained on and matt takes a picture of her looking soaked, much to her horror, and when jeremy shows the foxes his game plan for the semi finals and allison tugs incessantly at matts sleeve to let her see it) and her horrible betting problem, the way she knew neil caused seth's death but also knew she couldn't live her whole life with that grudge, her gossip habits, the way she desperately wants to fix everything with money (taking the foxes out to the cabins after neil got kidnapped always seemed like such an obvious attempt to soothe the team to me, but allison was not raised on affection and the only way she can conceive it is through what she can offer them in monetary terms + i'm reminded of the bit in the ec that allison keeps a trustfund for the foxes' children and that she pays for renee's child's medical bills) etc!
i do mean it when i say that allison and kevin are not all that different, and they have a very similar understanding (or lack thereof) of the way relationships work, but allison can be such a steorotype sometimes it's hard to allow ourselves to see her as anything but a tall hot glass of skank, whereas we naturally give kevin more nuance and space for humanity because we are taught to believe men are more capable of complexity than women. one of my favorite allison is kevin in a wig moments is the fact that allison's goal with seth ('to make a real man out of him', to give him something to live for, to make him want to achieve it) is exactly the same as kevin's goal with andrew
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