#i cater to a very specific niche audience

[cruddyart]

Some old White Wolf backgrounds and borders for their website in case anyone wants to use it for their neocities or something

#old web #they're less impressive because they're usually made for like old ass pc's #wod #vtm #wta #ctd #mta #wto #white wolf #demon the fallen #i cater to a very specific niche audience

[chososdiscordkitten]

Lord Choso Kamo.

Synopsis: bridgerton au- 22 yrs old nd have yet to marry, only to be set up in an arranged marriage to Choso ^-^

Pairing: Choso x Fem!Reader Content: no use of y/n nor readers appearance, Choso is 26, enemies (on one side) to lovers, reader is sharp tongued and stubborn, plotttttt booooo, just a niche fic I couldnt stop thinking about ^-^, catered for a very specific audience, if you get it- YOU GET IT.

Presented to society at seven and ten. One of the many young potential brides. 

You had asked your mother to allow you to wait a few years- focus on your studies instead of marrying you off. As lacking in presence as your father was, even he said, ‘Absolutely not.’

The first year had a handful of potential husbands. But none of them could nack your witty remarks towards them. Causing your second year to have an even less amount of suitors.

The second year, you were already deemed a spinster by your parents. Attending balls and only sitting on the sidelines in the very same gowns you've worn before- only ever seeing it as a meaningless affair. Only present to watch the other young ladies receive marriage offers before you did. 

By the time you were two and twenty, your mother and father saw you and saw a sort of disappointment. An only child- raised and trained for marriage- and refusing to let go of the silly notion of going through life unmarried. 

They blamed you- but in reality it was a mix of their inability to keep up with the fashions of the seasons. Having to re-wear dresses didn’t help you in the situation either. That and the lack of an eye-catching dowry. Seemed as though no man wanted to marry a woman with a mere four figure dowry, no matter how beautiful. 

One afternoon, as you read a book in the drawing room, you sat on the couch lazily, wearing a day dress that you deemed obsolete—dressing up for no one but the servants and your mother. 

And your mama spouting- “I do not know why you insist on filling your mind with nonsense.” Pacing back and forth a few feet from you. 

Causing you to lower your book and look at her with pursed lips. “It is not nonsense, mama,” you snipped, lining up your eyes with the words again. “It is Shakespeare.” you muttered, a small smile curling on your lips at the look on your mother’s face. 

She was about to start speaking again- only your father walked into the room with an unaccustomed smile on his lips. Almost exasperated, “And what is it you have to smile about, my lord?” your mother scoffed, sitting on the couch across from you with a sigh. 

“I have found a proper suitor for your daughter,” he said, causing your shoulders to tense and your book to lower in disbelief. 

“I am your daughter as well- father.” you scoffed. Lightly pinching the bridge of your nose and sitting up. 

The gleam that shone on your mother’s eyes was one you hoped you’d never see. “Who?” she asked, breathless and eager to see who would finally take you from their hands. 

Your father flashed his eyes to you, almost worried for the words that dared spill from his lips- “The lord Kamo.” 

You closed your eyes with a soft sigh. You had been appropriately raised to not talk back to your father, but the vein that pulsed in your mind when he said that name almost made you snap at him. 

Lord Choso Kamo. 

To others, just another lord without a bright and shiny title. Firstborn son and heir of the Kamo name, his mother gave birth to 8 more boys- all one year apart. And on the eighth, his mother died. 

His father remarried within the year, speculated with a woman he had an affair with when his mother was still alive. Giving Choso one last little brother. 

And to you, three years your senior. Choso was a playful child growing up. Chasing you around- stepping on your shoes and stealing your ribbons at the various balls you would attend with your mother. 

But somewhere around the time his father died, he became more serious. Now head of the Kamo family at a mere five and ten, he grew taller and more serious-faced. And no longer picked fun at you, nor chased you around. If anything, he ignored you. 

Even as a child, you had developed a special kind of disdain towards him. Seeing him as an ill-raised boy, blamed for his misdeeds by your mother. “But mama- he is the one who chases me!” you would defend when she would pull you away by the arm. 

And in your teen years- you would avoid him like a plague. Holding your head high as your eyes looked over at him- his eyebrows, thick and furrowed with severe eyes scanning the ballroom. 

You disliked Choso not only for his actions as a child but also because he had a dismissive aura when it came to these balls—and when it came to you now, apparently. Far too mature and busy to even hold a conversation with you now. 

Only once when you were four and ten did you approach him. Standing much taller than you at seven and ten, hands behind his back with a stern look in his eye.

Choso stood near the far wall of the ballroom, his eyes scanning the lively room for his little brothers. To make sure they did not stain his legacy even further than his father had. 

“I think you owe me a dance, my lord,” you spoke, standing beside him but not bothering to look over at him, dressed in a dark plum suit, a color he had taken a liking to at his coming of age.

His face churned in confusion, “Owe you a dance? Whatever for.” he spoke- improper and uncaring of this supposed debt you imposed onto him. 

“For stealing my ribbons and stepping on my shoes.” tilting your head slightly, so sure you were correct. 

He only scoffed, walking away from you and collecting his rowling brother. 

Choso’s coldness against you was upsetting. Not because you wanted his friendship but because of how improper and indifferent he was when it came to you. Not even bidding a goodbye before walking off.

In the third year you were on the market, you stood beside him once more—you, freshly twenty, and he, three and twenty. Thinking if no other man would have you, who was the Lord to deny you?

It was not as though he was the worst man of the bunch. A decent name, a decent fortune- and a better-looking face than most suitors. His only flaw was how standoffish he could be and how improper he was with you.

Yet still. You gave the man one last chance.

“You still owe me a dance, my Lord,” you spoke, watching the people dance at the center of the room. Choso looked over to you, quickly scanning the light pink gown you wore that evening, surely to attract a suitor.

Your gaze caught the bags below his eyes, a side effect of the late nights spent in his study with only candlelight illuminating the mess of books his late father left him. And his long hair tied back, giving you an unobstructed view of his strong jaw.

“Should you not be looking for a husband?” he spewed, looking back at the dancing crowd and lightly widening his eyes. Unable to see the youngest sibling he was watching. 

You let out an unamused laugh, “That is what I am doing, is it not?” looking over at him with a pleased expression. 

“No, you are talking to me-” he murmured. Walking off and trying to find the pink-haired sibling with a penchant for wandering off. 

After that, you swore never to speak to him again. There was a spark of hatred in your heart when you saw his stupid, serious face at the balls. And when his eyes caught on yours, you would look away, uncaring if people saw. If anything, you wanted people to see your dislike for that brinking-on beastly man. 

So when your father said that he- Lord Choso Kamo was to be your husband, you almost hemorrhaged on the spot. 

You did not speak to your father for three days and two nights. At the dinner table, you stayed silent. Picking at your food and avoidant of any conversation. And your mother held more than enough excitement for you both. Planning the flowers, the gown- all before the Lord even proposed. 

And when your father grew tired of your silence- he shouted at you to speak. 

You bowed your head, tears in your eyes—“Please,” you said in a tone of voice you had not used since you were a girl. Peering your eyes up at him, full of salt water and a weary lip. You said, “Please, do not make me marry that man, father.” 

Though your papa was generally uncaring when it came to what you felt. The way you looked at him- he saw a glimmer of his little girl in your eyes. The same little girl that would cling to his leg, scared of the strangers he would present her to. 

Your father took your hands in his- and you were so sure he would call it off. 

“I will allow you a two-week courting period.” He whispered, watching the tears spill from your eyes. “You must marry him,” he spoke your name softly. 

It wasn’t until the following day you heard your father speaking to your mother- the stoic man practically in shambles at the thought of using his only daughter as a form of paying his debts. 

Before the late Lord Kamo passed, your father owed him a substantial amount of money. A debt your father was still unsure how he would pay. And the news of Choso’s father's death washed over your papa as a wave of relief.

So when a six and twenty-year-old Lord Kamo wrote to your father- something along the lines of; ‘I have in my late father’s books that you owed him an undisclosed sum of money. I would like to discuss this face to face-’

Your father thought up a million things—selling off the silverware, the dresses, and letting go of the staff—but it didn’t amount to half as much as he owed. 

So when your father met up with the young Lord Kamo at a gentleman's club, he was far too inebriated. Drinking to fill the uncomfortability he felt with the severity Choso imbued in his words. 

“It is my understanding you have yet to marry?” your father spoke- glass half empty in his hand as he looked at the brown-haired man before him. 

Choso furrowed his eyebrows, looking at the drunk man and squinting. “I have yet to.” 

“Then the matter is settled. You may have—*hic* My daughter,” he said, thralling his arm around Choso’s shoulder with a happy smile. “She is well-read. And you have been friends since youth, have you not?” 

Choso parted his lips to speak—“Phenomenal!” your father said, “We will discuss the technicalities later,” ending the conversation and continuing to another topic. 

In Choso’s mind, he knew the impending task of finding a wife had run at him at full speed. And rather than slotting through the many carefully primped young ladies, Choso found peace in knowing if he should have to marry, let it at least be you who he does. 

The least objectionable option. Finding it revolting how the many mamas would peddle their overly young daughters to grown men. Be it you- three years his junior and knowing you far better than he would know any of them. 

And when your mother advised you that the Lord Kamo had asked to see you- you felt a pool of nerves and unease form in your tummy. Knowing that the two-week period your father had granted you, would begin the minute, he would come see you. 

Your mother mulled over what you were to wear when he would visit. Trying to find the best option- an option that would make your beauty distracting enough to ignore your sharp tongue. 

“Mama, I’ve already told you- he is not interested in marriage” you insisted- your mother ordering you to hold a dress against your body. 

“Hush up.” she insisted, causing you to sigh. 

Tossing a light pink chiffon gown onto your bed- “I have known him since I was a child- mama, he knows what I am like.” sitting onto your bed with a scoff, “A frilly gown I’ve worn before won’t change his opinion on me.” 

Your mother shouted your name- “Your father has said that he already agreed- mouthy and far too mature as you are. Lord Kamo has agreed to marry you.” she insisted. Making your mind reel at the possibility that he only agreed to vex you, knowing him.

As your ladies maid fixed your hair- looking into the mirror and thinking of your foiled plans. Plans that had been entirely derailed simply because the Lord said ‘yes’ to marrying you. 

And as you sat in the drawing room- back slouched and a bored look on your face. Your mother did not hesitate to slap your back when the footman walked in “The Lord Kamo, to see you- my lady.” he directed at you. 

Straightening your back- fixing your face as you watched the man stand at the doorway. Flowers in hand and with his hair pushed behind his ears. Unfurrowed eyebrows and nervous eyes looking at you. 

You rose to your feet, “My lord.” you exasperated, lowering in a half-assed curtsey as he slightly bowed. 

“My lady.” he spoke- almost unsure and far too formal for the relationship you had with him. 

You clenched your jaw looking at him- your mother leaning to your ear, “Be kind, and smile.” she instructed through clenched teeth. Sitting at a tea table a few paces from the couch you were sitting on. 

Choso took a step towards you, holding out the bouquet. “These are for you,” he mumbled- yet another thing you disliked about him. He spoke unclear words far too often. 

You plastered a false smile on your lips, reaching for them- “Thank you. My lord.” dropping the smile and holding them out for your ladies’ maid to take them. Thinking of a snide comment, only laughing softly to yourself at- ‘make sure to leave them in the sun till next week.’ you said in your mind. 

“Did I say something funny?” he asked- watching you sit onto the couch and following you. 

You eased your expression. “No, unfortunately you didn’t.” you spit. Hearing a slight cough come from your mother, reminding you to be kind.

Choso parted his lips to speak- “May I ask you why you agreed to marry me?” you interrupted- a hushed tone so your mother would not scold you. Eyebrows stern and determined to know his reasonings. 

The Lord squinted his eyes slightly with a furrowed brow. “I have yet to ask for your hand?” he queried- as though you had the answers that you, yourself, were looking for. 

“My father says you agreed to marry me in two weeks.” deadpan face looking at his confused one. 

The corner of the Lord’s lip curled, “Your father was drunk when he struck that deal.” 

You rolled your eyes and looked off to the side. “So you do not wish to marry me.” you stated rather than asked. So eager to hear the words- ‘I do not want to marry you.’

“I did not say that.” 

You almost groaned in frustration at his words. Only your twitchy eye went unnoticed by the man sitting before you. “Then?” you pressed, pursed lips and squinty eyes awaiting his declaration- or an excuse. 

“I am reaching the age to take a bride.” he started, bordering on a mumble that only frustrated you even more. 

“And why not take on a well-behaved child bride-”

Choso’s expression churned in a flash of disgust. “I did not choose you,” he spoke your name in a whisper. Improper as ever- not even using your family name with a simple ‘miss’ before it. 

You blinked harshly at your name callously spoken as though you were already wed. 

“Your father offered-”

“And you accepted.” 

“Because I have known you since I was a boy.” he defended, “I found marrying you to be simpler than carding through the many eligible young-” you sighed at his droning on. Giving you every excuse besides the one you wanted to hear. 

“You also said 'yes' to this union, did you not?” he asked. You looked off to the side, scoffing at his assumption. 

Intertwining your fingers together and pursing your lips, “This union is everyone’s choice but mine.” you muttered. Looking down to your hands with a frustrated look on your face. 

Choso called your name again- this time in worry. Making the vein in your temple pulse from his improper tendencies. “If you do not want to marry- I will not force you to.” 

“You do not know a thing.” you spouted, causing your mother to look up from the embroidery cloth to see why you were seething in your words. And Choso only smiled at your mother, assuring her it was okay. 

Clearing your throat- standing from the couch and urging him to do the same. “I think it’s time for you to take your leave, my lord.” You spoke- hearing your mother stand. 

“Can’t you stay for tea?” she asked- only for Choso to look at you. Mouthing a soft ‘No,’ instructing him to assure your mother that was not necessary. 

The next time Choso saw you was at a ball. You stood near a wall, a pondering look on your face, an unsipped glass of lemonade in hand, and an empty dance card on your wrist. 

Looking off as though you were physically here- but your mind was elsewhere. 

The Lord came up to you for the first time since he was seven. Calling your name in a mutter and pulling you from your thoughts. 

“Yes, my lord?” you spoke- refusing to turn and look at him. 

He inhaled sharply, “Have you thought more on-”

“It is all I think about these days.” 

Choso tried thinking back on the lessons he was taught as a boy- how to approach a lady and how to ask for a dance. 

He parted his lips to speak- “What is it you want, my lord?” you asked, interrupting his attempts to communicate with your tone bordered on frustration. 

“I owe you a dance, do I not,” speaking your name with the same thoughtlessness as he always held. You sighed, placing your glass on the table beside you. 

Looking over at him with a peaked brow, “Why is it now you want to dance? Not once have you ever shown interest before.” 

He scoffed softly, “I aim to court you- dancing is part of it, is it not?”

You let out an unamused laugh, “If dancing meant courting- you declined that proposition long ago, my lord.” taking a sarcastic tone, holding your head high as he furrowed his eyebrows. 

Unknowing what you were talking about, Choso squinted his eyes. “Why do you speak to me in that tone?” he looked over at you, trying to recall if he had insulted you or even done something to warrant your curt behavior. 

You sighed harshly, bored of this conversation- and irritated that Choso had the guts to ask that. “My mother is summoning me-” Trying to find an escape from this conversation; you chose to lie. 

Turning to face him, pursed lips and your jaw slightly clenched, “Good evening, my lord.” you spat, his eyes widening and scoffing. 

As you turned to walk away, he called your name- loud enough for more than enough people to turn their heads to the source. Seeing you still in Choso's presence, his face troubled as he looked at the back of your head. 

The control you had in not turning around and snapping at the man, was control you weren’t sure you held. You only breathed in a small breath and continued your steps, hearing the Lord step behind you as you walked out of the ballroom. 

Nodding your head 'no' as you stepped onto the terrace- breathing in the crisp evening air and clenching your jaw. Your name was spoken again, in the same uncaring tone he always held when he referred to you. 

“If I have done something to offend you-” You turned around swiftly, angered by the face before you and your eye threatening to twitch. 

“If? If you have done something?” you scoffed, finding it unbelievable that he didn’t even know what he did wrong. Choso turned his head, awaiting your explanation as your gloved hands balled into fists at your side.  

Choso parted his lips to speak, your name falling from his lips carelessly, making you even more upset. “Please, tell me if I have done something wrong.” The urgency in his tone fell on deaf ears. 

“I do not wish to speak of this any longer-” you muttered, “My Lord.” you gritted, a breath leaving his lips at the name. 

“Why do you insist on calling me that?” he lightly grimaced, cringing every time you’ve ever referred to him as that. 

The control you held slipping from the satin covering your fingers. “Because it is polite—something you do not harbor,” you spat, shivering at the crisp breeze brushing against your arms. 

Choso furrowed his eyebrows- even more confused than before at your proclamation. You scoffed- “Do not pretend you are unaware of what I speak of.” your chest puffing and slightly spilling from the top of your gown. 

You abandoned the topic, knowing he would only look at you with the same stupid expression in wait for you to further elaborate. 

Turning away from Choso and placing your hands on the balcony’s edge, sighing softly before a smile crept onto your lips. 

“We have yet to marry, and we are arguing already,” you whispered, looking out into the gardens with a pummeling headache. 

Choso sighed, his face troubled. “I’ve already told you—if this marriage is not of your will, I shall decline your father.” 

You breathed a sharp exhale from your nose at his claim, knowing it was not up to you nor him. It was a duty your own father entrusted to you. 

“It is of my will.” you muttered, hearing his footsteps creep beside you. Looking out to the same view as you. 

“Then why is it you hold such disdain for me?” he whispered, looking to the side of your face in worry. 

Dropping the veil of anger to answer his question in earnest. “Do you remember when we were children? And you would chase me around the Easter gardens?” you asked, taking a softer tone and looking to the very same gardens below you. 

“Or when you would step on my freshly polished shoes- or steal the ribbons of my hair?” Looking back to him with a soft expression- watching his face churn to a pensive one. 

A small smile formed on your lips, “I was able to forgive all of that- but when I was ten and four, you declined my offer for a dance.” your mouth in taught purse, watching his lips part to defend himself. 

“And when I was twenty, I offered again.” the corner of your lip curling in disbelief, “And you declined- again.” 

“This is all because I refused to dance with you?” Choso asked in a half laugh. 

You huffed a smile, “No, not because you declined my offers for dancing, my lord.” clenching your teeth and the seething below your skin burning in your cheeks. “Because after all of that- you somehow managed to foil my plans for the future.” 

Sighing in a straggled breath, “After all of that- you agreed to marry me. And go on as though we have been friends since childhood.” You nodded in disappointment. 

“But we have been-” Choso stated in almost a question. 

“You bullied me in childhood. We are not friends.” You spat in a whisper, turning and taking a step away. Only for his hand to grasp onto your clothed forearm, holding you back with an amused expression. 

“Bullied?” he asked in a surprised tone. “If anyone was a bully- it was you,” speaking your name and looking at your angered expression. 

Choso loosened his grip on your arm, “Do you not recall? When you would pull my ears or push me?” he smiled, remembering the memories he held fondly. 

“Or when I would call you 'my lady'- and you would snap at me? Tell me that was not your name- and that you were no lady?” he scoffed with an earnest smile. You furrowed your eyebrows, barely able to remember the memory he was referring to. 

“If I am so horrible- why did you agree to marry me?” you whispered, the smile on his face only growing in the slightest. 

His cheeks slightly flushed and daring to inch closer to you. “I do not find you horrible,” the tone he took when saying your name made your own cheeks threaten to warm. “I never have.” he smiled. 

Watching your tight expression soften, you parted your lips slightly. Darting your eyes back to the ballroom and seeing a pair of debutants whispering whilst looking through the doors. 

You cleared your throat, taking a step back and exhaling a shaky breath. Choso furrowed his eyebrows and looked over to where you had looked, “A dance, my lady?” he offered his hand out to you. 

You took it with a sigh, what you interpreted as anger filling your cheeks. Allowing him to guide you back to the ballroom. 

A hand on your waist and other holding yours, taking precise steps as your eyes avoided his. Thinking of a way to break the tension without stuttering. “If you insist on marrying me- I ask we speak of agreements beforehand,” you expressed, avoiding the gaze Choso held on you. 

His hand guiding you into a waltz, “Agreements?” he murmured, snapping your eyes back to him and nodding. 

“Yes, agreements. Discuss what shall happen if we marry.” you reiterated, keeping a stern brow and ignoring the wisp of a smug expression on his face. 

Choso lightly smiled, “Very well.” he murmured again, making you nod your head no with heat rising in your cheeks. 

“Bring freesias for my mother- and stop mumbling.” you seethed, watching his smile deepening as he heard your demands. 

-

(a.n) sooo niche and I overindulged I know, but I don't CARE.

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[derinthescarletpescatarian]

hi derin! i’ve been following you for a little while, and also bemoaning the nature of publishing fiction (indie or trad) for a little bit longer than that, and i only just realized today that…of course web serials are a thing i can also do!

i really love the idea of publishing serially (though i’m not totally sure i CAN, i’d like to try), so while i add this to my list of potential paths, do you have any advice for getting started? building an audience? marketing? figuring out if writing/publishing this way will work for you to begin with?

i know that’s a lot of questions, and you don’t have to answer all of them! i’m throwing spaghetti at a wall out here. i hope you have a good day though, and thanks in advance!

Getting started in web serial writing

Web serial writing has the lowest barrier of entry of any major method of publishing your story. You can literally just start. There are two steps:

start writing your story

decide how/where you want to publish it

The writing part, I assume you have handled. The important thing to note here is that you gotta see the project through. Start and don't stop until you're done. For publishing, you have a few options:

1. Publish on a website designed for web serial novels

There are a few of these around, they're usually free to publish on (although most offer a paid account to give you ad space or boost you int he algorithm or whatever), and your best choice generally depends on which one happens to gravitate to a niche that best suits your kind of work. The big names in this industry are Royal Road and Scribblehub, which, last I checked up on them (about a year ago) tended towards isekai and light erotica respectively. (You absolutely can publish outside these niches on these sites, it's just much harder to get traction.) Publishing somewhere like this comes with multiple advantages. Firstly, there's a writing community right there to talk to; there's usually a forum or something where people gather to talk about reading or writing on the site. Second, the site itself is designed specifically to publish web serials, and will come with a good layout and hit trackers and 'where you left off' buttons for the reader and all that; generally all you have to do is copy-paste the text of a chapter into the page and the site will do everything else for you. Third, there's an audience sitting right there, browsing the 'latest arrivals' or 'most popular' page of the site; if you can get high in the algorithm, you have to do little if any marketing.

The downsides of such places usually come down to the same things as the advantages. Such sites are a flooded market. Your story absolutely will drown in a sea of other stories, a great many of them terrible, and most of them with the advantage of catering to the site's niche. Gaining an audience there is often a matter of trying to game an algorithm, and the community can be... variable. Some of these places are nice but most of them are a bunch of authors trying to tear down everyone around them to make their own work look better by comparison int he hopes of poaching audiences for their story instead. If you go this route, I'd recommend shopping around for a site that fits you personality and writing style (or just posting on many sites at once; you can also do that).

These places also tend to get targeted by scrapers who will steal your story and sell it as an ebook, which is very annoying.

2. publish on another site

Plenty of people publish web serials here on Tumblr. I do not know why. This site is TERRIBLY set up for that. It makes tracking stories and updates a pain in the arse (people end up having to *manually tag every reader whenever they post an update*), building and maintaining archives are annoying, community building is surprisingly difficult for a social media site, and it's just generally far more work for both writer and reader than it needs to be. You often do have a ready-made audience, though.

This does tend to work better on other sites. Reddit has multiple communities for reading and writing various types of fiction; publishing on these is a bit more work than somewhere like Royal Road, but not very much, and many of these communities are very active. There aren't as many forums around as there used to be, but you might be able to find fiction hosting forums, if that's what you prefer. And of course, many writers who simply want to write and don't mind not being paid choose to write on AO3.

These sites are a good middle ground compromise for people who want a ready-made community and don't mind putting in a bit of extra work.

3. make your own site

This is what I did. You can make a website for free, giving people a hub to find you and all your work, designed however you like. You can also pay for a website if you want it to be a little bit nicer. This option is the most work, but gives you the most control and leaves you free of having to worry about any algorithm.

The obvious downside of this is that there's no community there. If you host your work on your own website, you need to bring people to it. You need to build an audience on your own. This is not an easy thing to do.

Building an audience (general advice)

Here is some general advice about building an audience:

1. Consistency. Consistency. Consistency.

If you want people to read your writing, the best piece of advice I can possibly give you is have an update schedule and update on time, always. If you need to take a break, give people as much warning as possible and tell them exactly when you will be back, and come back then. Do not take unnecessary breaks because you don't feel like writing. (Do take breaks if you get carpal tunnel or need time off for a major life event or something -- your health is more important than the story.) If you're taking a lot of breaks to avoid burnout, you're doing it wrong -- you need to rework your whole schedule from the start and slow down updates to make these breaks unnecessary. Two chapters a month with no breaks is a billion times better than four chapters a month with frequent burnout breaks.

Consistency. Consistency. Consistency.

A reliable schedule is the #1 factor in audience retention. If readers need to randomly check in or wait for notifications from you to check if there's an update, guess what? Most of them won't! They'll read something else. You want your audience to be able to anticipate each release and fit it in their own schedule. I cannot overstate the importance of this.

2. If you can, try to make your story good.

We writers would love to live in a world where this is the most important thing, but it actually isn't. Plenty of people out there are perfectly happy to read hot garbage. How do I define 'hot garbage'? It doesn't matter. Think of what you would consider to be just a terrible, no-effort, pointless garbage story that the world would be better off without. Someone is out there writing that right now, making US$2,500/month on Patreon.

It is, however, a real advantage if you can make your story good. At the very least, it should be worth your audience's time. Preferably, it should also be worth their money, and make them enthusiastic enough to try to get their friends into it. Managing this is massively advantageous.

3. Accept that you're not going to get a big audience for a really long time. Write consistently and update on schedule every time anyway.

It took me over a year to get my second patron. For the first year, I updated Curse Words every single week, on schedule, for over a year, and had maybe... four readers. One of them was a regular commenter. One of them was my first patron. There was no one else.

My audience has grown pretty rapidly, for this industry.

You're not gonna start publishing chapters for a big, vibrant community. You're just not. And you have to keep going anyway. These days, I have a pretty good readership, and those couple of loyal readers (who I appreciate beyond words) have grown into a much larger community, who hang out and debate theories with each other and liveblog and drag in new readers and make fanart. My discord has over 550 members, with volunteer moderators and regular fan artists and its own little in-jokes and games and readers who make a point of welcoming newcomers and helping them navigate the discord, all with very little input from me. I start crying when I think about these people, who do the bulk of my social and marketing work for me just because they want to help, and my patrons who, after writing for over 4.5 years, have recently helped me pass an important threshold -- my web serial (via patreon) now pays my mortgage repayments. I can't live off my writing alone, but boy is that a massive fucking step.

You're not gonna have that when you start. You're gonna have a couple of friends. And that's it. Maybe for a year. Maybe less, if you're good at marketing and lucky. Maybe longer.

You have to update on schedule, every time, anyway.

Building an audience (more specific advice)

"Yeah, that's great, Derin, but where can I find my fucking audience?" Well, if you publish on a web serial site, then the audience is there and you jsut need to grab their affention using the tools and social norms offered to you by the site. I utterly failed at this and cannot help you there. You can still use these other tips to bring in readers from off-site.

1. Paid ads

I've never paid for ads so I can't offer advice on how to do it. I've Blazed a couple of posts on Tumblr; they weren't helpful. This is, however, an option for you.

2. Actually tell people that your story exists and where they can find it.

I used to have a lot of trouble with this. I didn't want to bother people on Tumblr and soforth by telling them about my personal project. Unfortunately you kind of have to just get over that. Now I figure that if people don't want TTOU spam, they can just unfollow me. If you're like me and want to just politely keep your story to yourself... don't. You're shooting yourself in the foot doing that.

You need to mention your story. Link your story in your bio on whatever social media sites you use. Put it in your banner on forums. Make posts and memes about it. Eventually, if you're lucky, extremely valuable readers will start to talk about your story and meme and fanart it for you, but first, you need to let them know it exists.

It will always feel weird to do this. Just accept that people can unfollow you if they want, and do it anyway.

3. Leverage existing audiences and communities

Before I started doing this web serial thing, I used to write a lot of fanfic. The original audience that trickled in for Curse Words comes from AO3, where I was doing a full series rationalist rewrite of Animorphs. They knew how I wrote and wanted more of it. Nowadays, I still occasionally pull in readers through this route. Most of my new readers these days come from a different community -- people who follow me on Tumblr. Occasionally I bring in people who don't follow me because we'll be talking about how one of my stories relates to something different, and fans of that thing might decide they want to check my stories out.

Your first readers will come from communities that you're already in and that are already interested in something similar to what you're doing (people reading my fanfic on AO3 were already there for my writing, for instance). Keep these people in mind when you start out.

One additional critical source of existing communities is your readers themselves. A huge number of my readers are people I've never been in any group with -- they were pulled in by their friends, relatives, or community members who were reading my stories and wanted them to read them too. This is an absolutely invaluable source of 'advertising' and it is critically important to look after these people. enthusiastic readers, word-of-mouth advertisers, and fan artists are the people who will bring in those outside your immediate bubble.

4. Your "where to find me" hub

If you're publishing on your own website, you can simply link everything else to your homepage, and put all relevant links there. For example, I can link people to derinstories.com , which links out to all my stories, social media I want people to find me on (you don't have to link all your social media), patreon, discord, et cetera. If you don't have your own website, you're going to have to create a hub like this in the bios of every site where you garner audiences from. This is the main advantage of publishing on your own website.

Monetisation

There are a few different kinds of monetisation for web serials, but most of them boil down to 'use a web serial format to market your ebook', which to be honest I find pretty shady. These authors will start a web serial, put in enough to hook an audience for free, and then stop posting and release an ebook, with the intention of making readers pay for the ending. Now, to be clear, I am absolutely not against publishing and selling your web serial -- I'm doing exactly that, with Curse Words. I am against intentionally and knowingly setting up the start of a web serial as a 'demo' without telling your audience that that is what you are doing, soliciting Patreon money for it, and then later yanking it away unfinished and demanding money for the ending.

Monetisation of these sorts of stories is really just monetisation for normal indie publishing with the web serial acting as an ad, and I have no advice for how to do that successfully.

Your options of monetisation for a web serial as a web serial are a bit more limited. They essentially come down to merchandise (including ebooks or print books) or ongoing support (patreon, ko-fi, etc.) Of these, the only one I have experience with is the patreon model.

This model of monetisation involves setting up an account with a regular-donation site such as patreon, providing the base story for free, and providing bonuses to patrons. You can offer all kinds of bonuses for patrons. Many patrons don't actually care what the bonus is, they're donating to support you so that you can keep writing the story, but they still like to receive something. But some patrons do donate specifically for the bonuses, so it's worth choosing them with care.

The most common and most effective bonus for web serials is advance chapters -- if people are giving you money, give them the chapters early. You can also offer various bonus materials, merchandise, or voting rights on decisions you need to make in the future. 'Get your character put in the story' is a popular high-tier reward. If you're looking for reward ideas, you can see the ones I use on my patreon.

Patreon used to offer the ability to set donation goals, where you could offer something when you were making a certain amount total or had a certain number of subscribers. They recently removed this feature because Patreon hates me personally and doesn't want me to be happy, so you kind of have to advertise it yourself now if you want to use these goals. I release chapters of unrelated stories at donation goals, and I found this to be far more effective than I thought it would be.

The important factor for this kind of monetisation is that it's ongoing. The main advantage of this is that it makes your income far more regular and predictable than normal indie publishing -- your pledges will go up or down over a month, but not by nearly as much as book sales can. The main thing to keep in mind is that it's not a one-time sale, which means that however you organise things, you want to make sure that donating keeps on being worth it, month after month. Offering bonuses that aren't just one-time bonuses, but things that the patron can experience every month, helps here. So does making sure that you have a good community where patrons can hang out with other patrons. (Offering advance chapters does both of these things -- the patron can stay ahead in the story and discuss stuff with other patrons that non-patrons haven't seen. I've found that a lot of my patrons enjoy reading an emotionally devastating chapter ahead of time, discussing it, and then all gathering a week or two later to watch the unsuspecting non-patrons experience it for the first time.)

Whatever method you use for monetisation, rule #1 is (in the words of Moist Von Lipwig): always make it easy for people to give you money. The process of finding out how to give you money should be easy, as should the process of actually doing it. And, most importantly, the spender should feel like it's worth it to give you money. This is a big part of making it easy to give you money. Make your story worth it, make your bonuses worth it, make sure that they're happy to be part of your community and that they enjoy reading and supporting you. And remember that support comes in many forms -- the fan artist, the word-of-mouth enthuser, the person who makes your social hub a great place to be, the patron, all of these people are vital components in the life support system that keeps your story going. And you're going to have to find them, give them a story, and build them a community, word by word and brick by brick.

It's a long process.

Good luck.

.

#web serials #web serial novels #writing #advice

[hiveworks]

Hiveworks x InkBlot Partnership & Interview with CEO Jay Brown

June 2023

Hiveworks is proud to announce our partnership with InkBlot! InkBlot is a new queer-run and artist-made social platform for creators and their audiences, with similar vibes to DeviantArt or Pixiv.

We are so excited to help an emerging platform by providing advertising support, working together to help the webcomic community grow with one of the things we do best.

We asked InkBlot CEO Jay Brown to talk with us more about InkBlot, its origins and its future.

. 🦋🐝.

How did the idea for InkBlot originate?

InkBlot started on a call with some friends of mine. I was upset and talking about how social media at that time (and unfortunately still even now) had been suppressing creators. Instagram was my biggest source for my other company selling my designs and merch. It still is, but the reach is minimal and nothing compared to how it was 4 years ago. Then, on top of that, DeviantArt hadn't been listening to its user base about an update they were rolling out. As a person that doesn't like to talk about it but be about it, I set to work making wireframes and getting ideas for InkBlot, building the prototype at my kitchen counter.

We're seeing a cultural shift in how people interact with social media. How would you describe InkBlot's place in the future digital landscape?

InkBlot is certainly a social space for creators and lovers of the arts, and I think I like to really emphasize that it is a community space. It is first and foremost a space that will cater to a specific community and the supporters of that community. It is NOT Twitter. We will never be like Twitter, nor do we want to. There are estimated to be about 16 million people around the world that take part in the creative arts. This doesn’t include music, writing, animation, or comics (source? Trust me– jk Global Art Market). So with that being said, InkBlot exists for a large group of people, mainly artists, but also slowly expanding into other areas like music, voice acting, writing. That’s why we refer to users as creatives/creators, and I quite frankly don’t think it matters if we cater to a niche. This niche is huge and life is one big canvas. In this day and age, the internet is very hostile to creators, especially ones that cannot keep up with the algorithms that consume and churn ‘content’ at paces faster than creatives can make them. InkBlot is here to slow things down, have people enjoy the process and connect with others that do the same.

What is missing from artists' online experience that InkBlot aims to fulfill?

Community. The creative community has been shattered into so many different parts of the internet. We have taken residence in places that weren't made for us and still don’t even think of us. We are stronger together, and InkBlot is here to make a permanent home that is built by and owned by the community.

From an adult artist perspective, InkBlot's content guidelines are pretty clear and generous compared to other content hosting sites. What motivated this decision?

There is really nothing more important than keeping every part of the community. This includes the NSFW/adult spaces. The content guidelines are shaped to still allow for the freedom of the arts. You cannot say you are a space for the community, yet completely cut out a part of it. So many spaces have forced out the NSFW community and with it has also scorched the LGBTQIA+ community. There is something deeper here about this, but I won't write an essay. In short, it is important to keep all parts of the community regardless if it's SFW or NSFW.

Hiveworks is also a queer-run, artist-made organization, with a focus on webcomics. What is your perspective on the value of queer spaces online, particularly for creatives?

It is super important. In a world where queer folks are constantly ‘up for debate’ and our existence is a ‘political ticket’, we need to have a space online for ourselves. It is so very important to have a safe space in a world that constantly tries to erase us. Spaces like Hiveworks and InkBlot give people hope. It gives people a chance to connect with other queer creators and find that they aren’t alone. Making media that is queer is more important than ever right now. Even if it is just one person, it can save someone.

Speaking of comics, do you have a favorite comic (print or digital) or a recently read recommendation?

I am a big fan of Novae by KaiJu, Lies Within by Lacey & Golden Shrike by doeprince

For people who want to see InkBlot grow, what is the best way for them to support you?

The biggest thing is getting the word out about InkBlot and USING IT! Use it, even if it’s just once or twice a week. We need to know what people want to see, how it differs from what people use now, or if we should make it similar to those other tools. Of course, we are user-funded so supporting us through our Kofi or on-site premium works, too! Lastly, give us patience! Rome wasn’t built in a day.

PS: Bee on the lookout! InkBlot users will notice that Hiveworks creators on the site have a little bee badge to help make identifying your fave creators easier!

Badge artist: Ray Armstrong

#hiveworks #inkblot #interview #blog

[rollercoasterwords]

your fanfic doesn't need to be Content

ok so thanks to this lovely anonymous message i've been motivated to organize my thoughts on the increasingly common phenomenon of fanfic writers treating their own fics like Content for consumption, the way an influencer on social media might (all of this is in the context of the marauders fandom specifically -- no idea how or whether it might apply elsewhere)

what i mean by that is, essentially, instances of fanfic writers playing into the idea that fanfiction is a product created for the consumption of readers (and thereby the idea that fandom is a community that can be clearly divided between "producers"/writers and "consumers"/readers).

some examples i've seen: people "advertising" their fics on platforms like tiktok, sometimes even before they've started writing said fic ("hey guys i'm going to start writing a fic with x y z who's interested??"), or making posts asking outright "if i wrote a fic with x y z would people read it??" i've also seen people share concerns that if they write a certain thing they want to write (i.e, heavy smut, heavy angst, etc) then it will make their fic less "accessible" to a broader audience ("i want everyone to be able to enjoy my fics!")

another recent example that comes to mind is the "jegulus strike." while i'm sure it was largely well-intentioned, a strike is a form of protest tied inextricably to a consumer economy, and positioning writers as laborers who are standing in opposition to readers demanding that labor reinforces the framework of a consumer economy in which fanfiction is a product for consumption.

something i want to make clear here--i'm not saying that any of these behaviors are like....Moral Failings deserving of Ridicule. i think we are all very much conditioned by late-stage capitalism + algorithmic social media to view everything, even our hobbies, within the framework of a consumer economy. this is just me observing some of the ways i see that mindset creeping into fandom spaces.

like. i think there's this unspoken assumption that art is only worthwhile if it has an audience; that creative pursuits only matter if you can profit from them. if people are applying this mindset to fanfiction, then it makes sense to see this impulse to advertise fics the way authors advertise their books on tiktok, or twitter, or whatever. it makes sense for writers to become preoccupied with audience perception, perhaps changing their stories to make them more palatable for a certain audience or even going into the writing process with the audience already in mind--an overhanging and ever-present anxiety, asking yourself "how will this be received?"

the problem is that fanfiction doesn't fit into this model. it has always been meant for a niche audience, never the mainstream, and it has always existed outside the profit economy. trying to turn fanfiction into broadly consumable content is antithetical to the medium itself, and, in all likelihood, will fail. the vast majority of fanfiction is never going to be read by hundreds of thousands of people. if you go into writing it with an audience as your end goal, you will likely be disappointed.

what makes fanfiction so wonderful and unique is that it is meant to be written, first and foremost, for the writer. fanfiction as a medium grew out of personal joy in creation, out of individuals who thought "I want to see this story for myself" and then wrote it. because fanfiction is specific, catered to individual tastes and niche audiences, it lends itself to a unique sort of community in which your work attracts other people with that same niche taste, making it easier to strike up a conversation or start a friendship by saying, "hey, i love this story you wrote for yourself! it just so happens to be the exact sort of thing i wanted to read."

so i guess at the end of the day, my question for other fic writers is: if nobody was ever going to read this, would you still want to write it?

and if the answer is no...i think that's something that calls for reflection! where is your motivation rooted? is it rooted in a desire to create, in the joy of creation? or is it rooted in a desire to be seen, to be validated? wanting to be seen and validated is entirely natural, and it is by no means a bad thing. oftentimes, both these impulses--creation and validation--will be part of the decision to write + post a fic. but if validation is your primary motivation, and if you have internalized the idea that validation means getting as many people as possible to look at the thing you're making and click a heart button, then you will probably end up disappointed. you will probably end up feeling like your writing isn't good enough, no matter how many people end up reading it--because no audience will ever be big enough to validate you if you aren't able to take pride in your creation independent of any metrics of consumption.

i'm not saying that you should never share your fics on social media. like i mentioned above, community is one of the best parts of fanfiction--but are you posting in search of community? or are you posting in search of an audience? i know the line can get blurry sometimes, but i do think those two things look different, and i do think it is productive to look inwards and ask what you are truly seeking when you throw your writing into the void of social media posts. and i think as writers it's important not to fall into the trap of acting like our fics are a product intended for audience consumption, because to do so contributes to the deterioration of a fandom culture that is separate from the profit economy. plus, i just think all of us would be happier if we started trying to actively unlearn the idea that art is only worthwhile if it manages to amass a huge audience.

#art is worthwhile because it's art!!! #creations matter because the act of creation holds value!!! #anyway. this is something ive spent a lot of time reflecting on personally #and i think it's a good thing for anyone writing fanfiction to reflect on!! #like it's completely valid to want people to read ur writing #but if that is the DRIVING FORCE behind why ur writing....it probably won't be sustainable in the long run #ranting and raving

[herbgerblin]

Hi Herb!! I was wondering if you had any advice on opening commissions? I enjoy your art immensely and you were one of the first people I thought of to ask since I know you do commissions on occasion

Sorry if this is totally weird, I am just at a complete loss! Thanks for taking the time to read this!

These are things I wish I had figured out when I started selling art commissions. Also, feel free to use my current commission form to pattern your own. (also if anyone >.> wants to commission me, I am open <.<)

Step 1: Write a Terms of Service

Good terms of service will manage the expectations of your clients, establish a level of professionalism, and protect you if someone tries to argue something already made clear in writing. You can keep your ToS really simple, but it's good practice to include the following:

What kind of art you will/won't do (I don't do nfts)

Estimated duration of the project (2-4 weeks is my M.O.)

Number of revisions (more than 3, I add a fee)

When and how often you will update the client

Rights that you retain as an artist/permit to the client

Note: This mainly applies to personal/non-commercial work. If you are approached to make art for a game/magazine/website, do a ton more research. You will need to write out a contract that makes things Boringly Clear, and you will want to retain all of your rights as an artist.

Step 2: PRICES (scream)

Everyone starts out underselling. I'm underselling (I'm trying to get better.) Just go at your own pace. Look at what other artists are offering, but don't just look at the quality of their work. Think about your turnaround time, your style, and your target audience. If you are a fast worker or very detailed, that's worth a pay bump. Niche communities will pay solid money for artists to cater to them. So for example, if you draw fetish art, you have more room to charge higher.

ALWAYS GET PAYMENT UP FRONT. You can offer half upfront and half upon completion. If it's a big or long-term project, it's okay to go 30/70. BUT NEVER START WORK WITHOUT SOME SORT OF COMPENSATION. I just had a client that has not paid me the 2nd half and they are blacklisted. This rarely happens but it does happen.

Once you think you've got a price chart you feel comfortable with, add $20. Do it, even if it feels wrong. You may have to pay transaction fees, or the work (often) takes longer than expected. It'll be a small mercy to yourself to account for these things. Raise your prices a little bit each year because you are growing in experience and inflation (scream) is a thing that affects the arts too.

Step 3: INTEGRATE AND AUTOMATE

I wish I had done this step years ago, but I slacked off, and therefore staying organized was a nightmare. The less "business" stuff you have to do manually, the more time you can focus on "creative" stuff.

Make a google form. Make it as easy for the client to input information as possible. In the settings, set it so that responses will go to an excel file. The questions you ask will be the titles of the fields, so keep them short and easy to read. Reference image attachments will save to google drive.

You can set it up so that you will get an email whenever you get a new response (you might want to make a separate email account specifically for commissions.) Prewrite confirmation responses and save them as templates so that you're not writing the same email to clients over and over again.

Set reminders for responding to clients, requesting payment, and finishing work. This can be through google calender or some other app. You are responsible for facilitating communication. Even if the email is just, "Hey, just letting you know the work is still in progress, I will send you a wip in 1-2 days." Client assurance is high priority.

I use paypal invoice for payments. It means I have to pay a transaction fee, but I factor that into my prices. It also ensures that I have clear documentation for orders, I can send reminders easily if I haven't been paid, and it just looks more professional overall. You can use whatever service feels most comfortable, just make sure you practice good bookkeeping (*stares at my taxes in horror*)

Step 4: Mockups and Descriptions

Provide examples of the work that you are going to. Make a mockup of busts/half body/full body, etc. Don't include anything you don't intend to actually produce.

Make sure that your form includes room to answer EVERY question about the commission that you might have. This will reduce the amount of back and forth you need to have with your client. You want to be able to get that request, confirm it, send that invoice, and jump on it ASAP.

Step 5: Start small, be honest, be firm

If you haven't done commissions before, have a limited number of slots available. Take break time after you've finished a certain amount. Don't languish over an art piece. At some point, it will be as done as it can be. Send it to the client, and keep rolling.

If you feel like you are getting overwhelmed, tell your client. It's bad practice to go on hiatus and not notify them while they're waiting on an update. If you genuinely forget to touch base with them, do so as soon as possible. Apologize, then finish the work as soon as you can. Refund if you think that's the most polite route, but completing the task is usually more appreciated.

Be cordial, but firm. People will try to bully you over little things, but don't give in. Ignore folks who say your prices are too high. Make it clear that if they ask for more than what is agreed, you will charge a fee. If you feel like a request is sketchy, get a second opinion.

obligatory paypal link: help me pay kravitz jr's vet bills

#Okay I'm sleepy i'm going to bed #i hope this was helpful #i wrote this at midnight whoops #tips #advice #art commission advice #art advice #art business

[7grandmel]

Todays rip: 18/08/2023

Rainbow Baroad

Season 7 Featured on: Os Bar​õ​es da Qualidade

Ripped by Pan

An early Season 7 rip? That can only mean one thing - its time to go to Brazil!

A very underappreciated yet always fun part of following SiIvaGunner is just how many different kinds of people are part of the team, and how many of them are able to share their unique culture to the rest of us. A lot of SiIva tends to sway toward pretty "global" experiences, like video games released worldwide or featuring celebrities and memes known all over the world. Yet there's always been exceptions to that, more niche jokes and more culture-specific rips not made to appeal to a global audience. During Season 1, for instance, we had the album Hatsilva Muku: Ripping DIVA, catering specifically to the Japan-centric Vocaloid crowd, and althroughout events such as the two King for a Day tournaments we saw South American music and memes represented through the Dancing Alien Team. Althesame, I don't think there's ever been anything quite like the Felipe Barão's Birthday takeover.

Felipe Barão and his brother form the band Os Barões da Pisadinha, which translates roughly to "The Barons of the Pisadinha". What's the Pisadinha, you ask? Put simply, its a very distinct rhythm of notes that's applied all over Brazilian Forró music, which is what the band performs. These guys, along with Forró music in general, are pretty damn popular in Brazil, a bizarre phenomenon wherin their music seems to be beloved despite being fully acknowledged just how much of it sounds the same.

Part of what made the SiIva takeover in their name so funny was just that effect - that it made EVERY rip sound the same, with the same opening progression of notes, same instrumentation, same jolly tone...yet at the same time, it was really amusing to follow! Everyone already knew each rip's joke to a tee, and the focus now became on discovering if the song ripped would sound good or not in that new instrumentation. For my money, Rainbow Baroad takes the cake as my favorite of the event. Rainbow Road Wii is already quite a nostalgic and happy-go-lucky track, and the kind of summery vibe that forró music brings just heightens those feelings more. Its hard to listen to this one without getting a big ass smile on your face! Every part of the original song is recreated perfectly in Os Barões da Pisadinha's style, with excellent layering of instruments on more impactful parts, great use of backing, and a surprisingly natural implementation of the Pisadinha rhythm.

This entire event and others like it fascinate me with just how unfamiliar I actually am with the source material. In a way, SiIva has always been a sort of gateway into discovering new kinds of music, new games, new everything - its an outlet of every creator on board to let others know whats dear to them. For some its a game franchise, and for some its a silly band from Brazil - hell, for the creator of the channel it was Maroon 5 with rips like Everyday Goodbyes (SiIvaGunner Band Cover). Even if you try describing SiIvaGunner as a celebration of video games and "pop" culture, you're never gonna be able to truly capture everything the channel's able to provide.

#todays siivagunner #season 7 #siivagunner #siiva #Pan #rainbow road #mario kart #mario kart wii #mario kart 8 #mk8 #mkwii #nintendo wii #nintendo #Youtube #Bandcamp #brazil #brazilian artists #brazilian music #pisadinha #forro #tecno brega #os baroes #Os Bar​õ​es

[psychewritesbs]

What do you think that made Jujutsu Kaisen different from any other shounen? Also, why do you think that most people said it's overated? I don't mean anything negative, just want to know your opinions on this. Thanks to you I started JJK manga and anime, and I love it (sorry as a new fan, at first I hesitate because of the negative stigmas that I found on fandom about this series).....

Also, why do you think that Gojo is a popular character?

First of all... I'm SORRY! I've literally been writing an answer to you for like for ever and ever 😭

It's just that I've been thinking long and hard about your ask because how do I objectively gush about what makes jjk amazing, when all sense of objectivity and normalcy walked out the door in 2020?

So I'll start by saying FUCKYES I don't know what fandom you found me through, but I LOVE hearing that you decided to give jjk a shot despite what other people might say about it. Most especially if you found that you love it.

I think that, for all of its flaws, jjk is still a wonderful story exploring deep truths about the human condition.

So I'm going to glaze on jjk like there's no tomorrow under the cut'o!

Glaaaaaaaaze....

Regarding the idea that most people think it's overrated: It's really simple... jjk is a very multilayered niche story.

By multilayered I mean that everything from a meathead battle shonen fan, to a brainiac "intellectual" who doesn't care for the battles that much, and everyone in between, will find something that they can enjoy in jjk.

✅ Canon/headcanon romance ✅ Battles ✅ Existentialism ✅ Amazing characters ✅ Spirituality and esoteric concepts ✅ Power scaling

The problem is that jjk is so mainstream because of this mass appeal, that it could never live up to everyone's expectations, nor it should. That is not to mention that the more popular it becomes, the more people who are simply not going to like jjk it will reach.

In the end, jjk is at its core a niche story published in a shonen magazine, catering to a very specific audience.

To me, for every person saying jjk is overrated, there's 9 people who love it. And maybe I can't back up my totally made up statistic with facts, but jjk wouldn't have 90 million copies in circulation if most people thought it is overrated--they just happen to be the loudest and I can't wait for them to stfu lol.

🤪...

So that's really it. jjk is so popular that it has gotten the attention of people who aren't going to like it for whatever reason they might have. Sometimes it's simply personal taste, and sometimes it's them missing the point. These are the people calling jjk overrated.

How do I know? Because when I heard all of the hype surrounding csm and how it was the second coming of manga Christ, I decided to read it and found it to be incredibly overrated. That doesn't make csm objectively bad, btw, it just mean I personally don't care for Fujimoto's writing or art.

What makes jjk different from other shonen?

What I want to say is that I'm wondering if there is an objective measure for what makes jjk different. I think the obvious answer is that jjk has successfully subverted tropes time and time again. But I think it actually goes much deeper than that.

I am not sure that I speak for everyone. But... like would I be me if I didn't turn this answer into an exploration of depth? It's just that for those of us who feel jjk in our bones and don't see it as yet another basic shonen story... I feel like jjk speaks deeply to our humanity.

Whether we are conscious of it or not, stories are carriers of subjective truth and experience. And jjk is moving and shaking the collective psyche because of what it's saying about our shared humanity.

The basic shonen recipe

(source)

The thing is that I started watching Jujutsu Kaisen because I had an expectation that a shonen story had a good chance of catching my attention.

I've seen a lot of anime, and a lot shonen anime to be more specific. So I went in assuming jjk would follow a specific recipe.

Light haired, yang/Sun archetype, happy go lucky with a single-minded determination to achieve something shonen mc who goes on a hero's journey, learns about himself, and powers up as a result of his journey...

Bonus points if he has a demon inside of him and joins a tight knit 3-man squad made up by dynamic personalities that is mentored by the strongest teacher.

That said, it is the way Gege has explored every single one of these tropes that has made jjk unique in my eyes. I particularly love that there is a certain intentionality to how jjk's characters express typical shonen character traits outside of the way the recipe is usually followed...

The result is the same... but the means and the journey in jjk are explored through an existential and psychological lens that is very grounded in our humanity (aka relatable).

I think more than being a battle shonen, jjk is an exploration of the sense of self first and foremost.

In that sense, jjk is an exploration on how the sense of self is shaped. Like the panel above setting the stage for one of the main themes in jjk: how facing the existential fear of death shapes the sense of self.

So to me jjk is intentional about asking deep questions about life, and telling stories about characters who ask the same questions and how they go about finding answers.

As such, jjk asks that we question the very foundation of our identity as we come face to face with how our expectations haven't matched up to the reality of the world around us...

Similarly, jjk asks that we consider the difference between choosing a life worth living true to what truly matters to us...

...and realizing a little bit too late that what we thought mattered was not as important...

jjk is saying there are consequences to your actions and face them you must even if it all feels bleak...

And to me, that's because Gege understands people on a very deep level. To the point that if you're a jjk fan and you feel moved by any of its characters, they move you deeply.

A lot of this is in the subtext, of course, so not everyone can understand these themes on an intellectual level, nor do they care for. And it doesn't matter if they do or not because jjk still shakes and moves so many people to the point that you have people who make a sport out of hating on it and spend hours complaining about it... like who has that much energy to focus on something they don't like 😭?

Anyway... if I had to say one thing that makes jjk unique, it is how it story tells--which is ironically the main complaint people have about it. Again... it's a niche story that has mass appeal.

I love Gege's writing because to me it isn't about his technical skill, but his vision and the topics he explores. As someone who's been consuming animanga for 25+ years, an author with a unique writing style and an interesting premise doesn't come often. Gege is that author for me.

Anyways... Gege probably didn't even think of any of that...

jjk is just another battle shonen.

About why people love Gojo

Honestly? I'm the wrong person to ask 😂. I haven't a clue. Maybe because he's a cute bishoen? And also the strongest?

No clue lol. Anyone want to chime in with why they love Gojo?

But I fully agree with this and saved it just for you lol 👇🏼

(source)

Thanks for dropping by anon! :)

#ask the mental gymnastics anime girl #god i love jujutsu kaisen

[yogfan14]

Gettin real tired of Hazbin/Helluva haters dunking on fans once more now that Hazbin Hotel is out and gaining traction again.

Y'all are free to dislike the shows, it's a very niche audience and definitely not for everyone. The pacing in Hazbin is very rushed and as a result a lot of the characters aren't getting to shine like they deserve. Helluva Boss can be a bit much for those with a more conservative taste. They both cater to a very specific audience and, like I said, definitely aren't for everyone.

But also I'm not shitting on you for liking whatever else is objectively problematic so maybe shut the fuck up.

Anyway, Hazbin good despite its flaws, but don't watch it on Prime; make sure you're pirating it bc Vivzie is a horrible fucking person <3

#like please let me enjoy my stupid demon squads in peace #I'm so tired of people being like WELL THIS THING SUCKS SO U CAN'T LIKE IT #sir that is your opinion #I happen to like the shows but highly encourage people to pirate and overall not give Vivzie any more money than she already has #hazbin hotel #helluva boss #yog rambles #rant

[scales-n-art]

What advice do you have for someone hoping to start making money with art? I'm new to everything so building an audience and engaging with them feels like me shooting in the dark, let alone getting them to request commissions or join a Patreon!

Hi there!

I think you have the biggest part of it already figured out tbh. If you're aiming for it to be a side hustle kind of thing, then building an audience is definitely one of the best ways to go about it if you wanna stick to online. The way it's been for me, it's all been through fandoms and niche art. I drew a ton of fanart for Shadowhunters back in 2017, but it wasn't until I got into making fanart for Attack on Titan (mostly merfolk AU stuff) in 2018 that I really became more "visible" as an artist. Back in 2017 I had some commissioners, but from 2018 onwards is how I truly became a full time artist.

There's people who have the fortune of making it big with their own original art from the very beginning, and that's wonderful. But it's not something I can give you advice on, because I haven't figured that out myself, and it's not how I got here either. I know it's possible, however, so that's definitely always an option too.

As frustrating as it is, I think there's no real way around it. You need an audience who's interested in what you have to share, and a lot of it can become making art that caters to what your audience is interested in. So be very careful with how you go about it. I'd say just draw what YOU like, what YOU want to see. Most likely, there are others out there who want to see the same thing too. Algorithms online make it harder for people to find you, and it's very tiresome to adapt to them, but there's no way around it except keep pushing, keep trying, follow other artists, make friends with them. Comment on art, share art, join discord servers, talk with people. Interaction will take you a long way in this circle!

If you're not afraid of taking your art outside of the online market, there's always conventions, exhibitions and bazaars/markets in most cities, where you can take prints, stickers and other merch with your creations. They also work wonderfully as contact makers. You'll get to meet other artists in your area, and they can help spread word about your work, and you can do the same for them, aside from directly putting your work literally out there for people to see.

If you want advice on how to become a professional artist, getting studio jobs and such, I'm definitely not the right person to ask. I have no experience on that other than applying and getting rejected or "saved for later". Not that I've tried much tbh, I've been ok enough with freelance work.

I've worked mostly on commissions for individuals who just want a specific piece of their favorite character, and I've also worked on commissions for self publishing authors and one major awarded, published author in my country as well. All of it, just because I started an askblog about Merman!Levi when I was bored, depressed, and going through Big Shit irl. So an art journey can have many crazy looks.

I'm not sure how helpful this will be, because I'm honestly not the best example of How To become An Artist. I've had so many ups and downs, currently going through a major down. And the only thing consistent about my journey, is that I haven't given up. So I guess that has to mean something, as cheesy as it may sound.

I wish you the best on the journey though ❤️

#asks #Artist life is tough #But also very rewarding

[genericpuff]

Hi! I love your comic Lore Rekindled, it's pretty entertaining! (definetely planning on reading Time Gate when I finally have some time lol). I'm currently very early in the process of making a comic myself, and while I have the main idea down, and the planning sorta done (I'm busy with uni, so I've been working on it bit by bit), I can't seem to figure out how to grow an audience. I was wondering how you did it and how long it took?

oh god oh no y'all are asking me how to grow an audience UH-

so like, here's the thing, I can try and give you pointers, but I also like... don't consider myself as someone with an audience ?? Like obviously there's an audience for Lore Rekindled but up until that point, Time Gate's been running for like 10+ years and I think it only has 5-10 regular readers nowadays, it peaked in its audience numbers years ago when it was still on Tapas before their platform went downhill and I bailed and since then the industry has only become more and more saturated making it even harder to get seen. Rekindled, on the other hand, has been super refreshing to work on because of how much people have flocked to it (which was surprising af but I couldn't be happier about it ngl it's been great ;o; <3) but that's really because Rekindled had the advantage of a pre-existing audience to tap into (specifically the communities of ULO/antiLO/etc. who were looking for something to rejuvenate their love for what once was in LO). So that made it a bit easier to build an audience, but that's something that goes for a lot of fandoms.

Original stuff is definitely a bit of a harder sell because you have to go out and find the people who might like your stuff and then convince them to give it a try. Building an audience in an original market is just not something I've ever been good at, I can't stand social media, I don't like "playing the algorithm", I just want to tell a story with my own characters and because of that, it often feels like I'm posting to the void with only a couple cheerleaders rooting me on. Which like, don't get me wrong, I'm grateful for the readers I DO have, but it can make creating comics feel like an uphill slog when you're not seeing any growth at all every time you update and try your best to advertise. Original projects are my own personal boulder if y'know what I'm saying (￣y▽,￣)╭

At the very least, working on Rekindled has definitely helped open up the doors for Time Gate a couple more inches, because a lot of stuff in Rekindled is also in Time Gate so when people enjoy Rekindled, I can point them towards Time Gate and go "Oh, you like Persephone's hot and cold characterization? You like Charon's aloofness? You like the banter between Hades and Persephone? Go read Time Gate." (｡･∀･)ﾉﾞ

That said, I think the best experience I've had with marketing Time Gate so far actually happened this year - when I went to the Island Entertainment Expo, a gaming and media convention (similar to Comic Con but on a waaaaay smaller scale lmao). There I was actually able to talk to people face to face and draw them in with physical proof of my work, it was less posting and hoping and more connecting with others and showing them my work and giving them an elevator pitch. And considering it was a convention full of like-minded people cosplaying as video game and anime characters, Time Gate fit right in because that's the niche it was written for. I'm due to go to another convention in June and possibly one in October (if I get in) and I'm hoping they're just as successful as IEX was because it was so refreshing to actually get to market my comic on a playing ground catered to my work; rather than one that would bury it after 30 seconds just for not posting at the right time of day or using the exact right combination of hashtags or not using reels.

Of course, doing tables and stuff is something that you're likely not going to jump right into especially when you're starting out. So considering you're just starting, focus less on growing an audience and more on just making your comic. It's a lot better of a sell to an audience when you have proof of your work existing and your biggest struggle in the beginning isn't going to be building an audience, but building good habits. A lot of webcomics don't even make it past a year of regular publication because of how difficult it is in practice to maintain a regular schedule. Often times the people who don't make it past that year either get bored, overwhelmed, or burnt out from the work it requires, especially when they're drawing the same characters over and over and over again - and even more so when they're doing it by themselves, with next to no audience, and no return investment. No exaggeration, drawing comics is hard, but like going to the gym, it gets easier as you get into your groove and learn what works and doesn't work for you as a creator.

Most of all, while I do hope that anyone going into webcomics can build themselves an audience they can be proud of having, please please please don't go into making webcomics purely for building an audience, because it's hard and not guaranteed. As I had said above, I still don't even consider myself as someone with an audience in the traditional sense because when it comes to Time Gate, it's still a VERY small thing, and with Rekindled, I consider the people who read it less of "my audience" and more just the community that I came into who engages with my work because it's made specifically for the community. So please, for the love of god, do it for yourself first and foremost, don't get trapped in the grind of chasing an audience when you're still just getting your work off the ground <3

I hope that helps a little, sorry I don't have a more direct "do xyz and that'll do the trick!" answer (and it turned into another essay post) but to be perfectly honest, that straightforward answer just sorta doesn't exist in this industry. Sometimes you get an audience from catering to a niche, sometimes you get one from going viral on IG, sometimes you get one from climbing the ladder within the industry, it all depends. But the good news is, there's no surefire 100% way that you have to be obligated to stick to. It's okay if you try some things and they don't work, just as it's okay if you don't feel like doing things the way everyone else is telling you to. Just have fun, learn lots, and be open to putting yourself out there and trying new things! \(￣︶￣*\))

#lore rekindled #lore rekindled comic #lore rekindled ama #comic writing advice #comic advice #comic creator #ama #ask me anything #anon ask me anything #anon ama

[dragonomatopoeia]

Do you have any recommendations for zines?

I ended up writing a pretty long front-matter to this ask, so I've put it all under a Read More. If you only want the resources, feel free to skip to the end

So: I am always going to be a little too pedantic and autistic for a comprehensive, unambiguous rec list. Someone asked me what my favorite book was once, and it felt like my brain stalled and rebooted five times.

Don't get me wrong! I love putting specialized recommendations together, like puzzle-box mystery novels, or horror genre video games with thematic emphasis on grief, or documentaries on sewage treatment

But I am very, very bad at recommending general purpose Media full stop. alas I am a fussy and particular creature who hisses at five star rating systems on review websites because I think using the same Quality Metric regardless of genre and medium and purpose is Silly

Making recs gets even more difficult with things like zines, where they are small press by nature. A lot of my favorite zines are DIY projects with Very Small Distributions. One of my prized possessions is a small, hand-drawn zine of one hundred cats the artist drew with their eyes closed, which they gave to me for free because they liked my shirt. But that's a zine that means something to me because of circumstance and taste and my own ability to pick it up in person

Your mileage tends to vary with this stuff. If I found a Repo The Genetic Opera zine that ranks every organ in the human body, I have friends that would love that WAY more than I would, and I'd probably send it their way. If I found a zine about Gundam and gender and disability and idealized bodies that have been shaped into weapons, then I have dozens of friends I would need to send copies of it to, but that wouldn't make it any less niche. Zines are for VERY specific audiences. That's one of the best things about them!

That Being Said! There ARE popular, more-accessible, or more well-known zines and artists with broader appeal, and I mean that in an enthusiastic, complimentary manner.

I've even seen zines being advertised on my tumblr dashboard. Zines like:

Oh No! A kidpix zine by Louie Zong (Pay what you want- all proceeds donated to LA Foodbank)

Golem Zine is a publication by and for Jewish creatives living in areas where Jewish life is challenged. Their Out West issue sold out before I could grab a copy ($10 per issue, physical)

FYMA: A Lesser Key to the Appropriation of Jewish Magic & Mysticism goes hand in hand with the previous zine, I think (Pay what you want)

But you're more likely to get something that caters to your specific interests and artistic sensibilities by getting in touch with your community members, asking friends who have similar tastes, or checking out some of these resources:

Your Local Library (I'm being serious here-- your library likely has connections to local artists, galleries, resources, and e-resources that can set you on the path to zines you'll enjoy)

Any local art walk or small press events near you (your library can help you find these)

Itch.io's Zine Tag (Adding more tags will help you filter these)

Papercut Zine Library's Virtual Library

Internet Archive's Zine Collections

The DC Punk Archive Zine Library (Specific to punk and DIY interests, as you might imagine)

The Library of Congress Online Zine Web Archive Collection

QZAP (The Queer Zine Art Project)

POCZP (People of Color Zine Project-- and they're on tumblr!)

Hevelin Fanzine Collection (Literally a bunch of sci-fi, horror, and fantasy fanzines that were all collected by one guy which are now being digitized)

From Staple to Spine: A Compendium of Zine-Related Books (This doesn't have zines itself, but the books included can be a great starting point for where you should be looking and what will be of interest to you)

I also recommend making your own zine! It's fun to make things and put words and images on paper.

And if you downloaded the bundle for Racial Justice and Equality off itch.io, you already own the Electric Zine Maker (Warning for brightly colored, glitched, and moving visual elements that may cause eyestrain. I would also be wary if you're prone to migraines)

I know this has been a Lot and I got a bit carried away, but I hope that this helps you in your quest for finding cool, obscure art made by people who care deeply about niche topics. Personally, that's my favorite kind of art

#asks #anonymous #recs #resources #should i tag this as research aids. i feel like this is now a research aid

[dynared]

Kit Harrison claiming he's "never heard" complaints about too many characters is something when Roberts admits in one of his Q&As that he was juggling too many.

On the point of how much Roberts in particular catered to a very specific fandom niche as well as the Q&As, I saw a criticism that the Q&As focused too much on shipping. They weren't wrong.

Like any other continuities, it has its strengths and its flaws. However, I would say the fandom does a terrible job at recognizing that and are getting to be on par with "geewunners".

I don't want to be too much of a curmudgeon here, so let me start by saying that IDW's run was not entirely bad writing, boring relationships, and sheer hatred from everyone involved towards all but that more insular fandom. Some of the dialogs could be clever, and the crossovers, more often than not, were a ton of fun. I'm still sad they could never figure out how to make Fortress Tiberius from their Star Trek crossover (Fortress Maximus with the original Enterprise as an alt-mode) an actual toy after it looked cool in the comic.

That being said, Harrison was definitely deflecting. It's easy to defend "too gay". The people complaining are just bigots! And you'd better believe that was a constant go-to during the IDW years, not helped by the fact that a minority of a minority of the criticism was bigoted in nature, and that was used to paint all the criticism as such. It's much harder to defend the cast being bloated beyond all belief and the focus on romance resulting in a muddled, uniteresting mess. At the same time, I'm glad to hear Roberts admitted that he was dealing with too many characters. I may utterly despise his writing, but I have nothing against the guy personally.

I think because the IDW fandom is so insular and dedicated since it was designed to be such, it is inevitably going to have a narrow view on what is acceptable and what is not. And they were upfront about it. "I want to focus on romance and if you don't like it, too bad." "I don't like this aspect of the franchise, and if you do, too bad." The thing is, like many a Gee-Wunner, there is no compromise. You can do something heavily inspired by G1 but still be its own thing. The Transformers Armada video game for PS2 openly cribs half its dialog from Transformers the Movie but is still considered a great (if difficult) game that uses the Armada designs and gimmicks effectively to create a fun game. The Energon Universe is essentially Ultimate Universe G1, in which it takes the core cartoon from 1984, adds in GI Joe, and mixes everything together with 40 years of hindsight and and a desire for smooth integration to make something that is vastly different from the original cartoon and comic, and is actually resonating with the audience. But being a purist like many of those IDW fans are, and like some of the more hardcore Gee-Wunners are, saying "Only this way of treating the material is acceptable, and if you disagree, you're either a manchild or a chud" is a recipie for failure. Isn't that right Earthspark?

#transformers #transformers idw #skybound #idw publishing #tf skybound #energon universe #earthspark

[clarktooncrossing]

HEY THERE PEOPLE OF TODAY AND ROBOTS OF TOMORROW! IT'S ME, CLARK! There is a madness deep in the dark catacombs of Castle Clarkenstein. For years these claustrophobic corridors have been the home of the ghoulish giraffe himself, watching as the world passes by. He prefers it this way. It gives him more time alone with the voices. The voices tell him many strange things. Yet they always come back to one: make more monsters! Everyday they tell him this. Everyday he is unable to comply. Hey, being a mad scientist on a budget means he can’t afford the fancy scientific equipment needed to breathe life into newborn abominations. Guy’s gotta afford pizza somehow. Luckily, he has discovered a way of sorts to please the voices. During all those years of watching, Dr. Clarkenstein noticed a particular pattern. Every night during October saw artists posting new pictures based on peculiar prompts. Many of them based on children of the night. While the spotted specter might not be able to craft new zombies, he can sure as heck sketch’m! As such, I provide this friendly warning to you all now: Be afraid. Few people can survive the horrors that are DUDELZ of the Damned!

By that I mean I decided to do my own take on Sketchtober this year just minus the prompts. Anybody gotta problem with that? Tough, cuz I already drew this crap so you might as well check it out.

How does an alien hailing from the planet Garbanzo manage to run a successful drive-in business in the age of streaming services? By not being an idiot. After buying a former run-down truck stop turned drive thru, Ziggy realized his enterprise had to cater to a niche audience. A niche audience that, like him, realizes the best way to watch B-Movies is on a big-screen from the comfort of your car. It’s why the Robot Monster goes to such great lengths to keep everything running smoothly. Thus everyday he sweeps the parking lots, pops fresh popcorn, and inspects his projectors. Gotta make sure the movie can actually be watched, am I right? Can’t very well enjoy The Blob when your equipment’s possessed by evil and spewing out blood like a gore geyser! It’s why he and his wife Wanda make sure to sharpen the chainsaw whenever possible. That’s just smart business!

It’s also an excuse for me to pay tribute to Evil Dead. Specifically the scene near the end where Ash (Bruce Campbell) stumbles around the cellar of the cabin, looking for buckshot only to find more blood. The poor man has the stuff dumped onto his head by the gallon via leaky pipes before he’s seen quivering in front of an antique projector. More of the red stuff leaks onto the lens, making it look like the whole world is turning a creepy shade of crimson around our hapless hero. According to Campbell, the scene was meant as a tribute to one of the production’s backers, Andy Grainger. Thank goodness for Andy then, cuz it’s easily the most ironic moment in the movie, even serving as the cover for the comic adaptation years later. It at least serves as the perfect visual for Sam Raimi’s style of directing. Weird camera techniques, buckets of blood, and Bruce Campbell’s sanity shredded to pieces. Now here it all is in my tribute to the films starring Clarksburg’s resident B-Movie expert, Wonder Ziggy. I hope to draw more of this crazy character soon, but for now I hope you all enjoy this DUDEL!

MAY THE GLASSES BE WITH YOU!

PS: In case anybody's wondering where yesterday's DUDEL is, sorry folks, my schedule got wonky. I plan on re-releasing that soon, but first I gotta finish a commission for my friend AND cleaning my entire house to bottom. My entire body is sore, though given Ziggy's circumstance, maybe I shouldn't complain. XD

#halloween #halloween art #inktober #original art #original character #clarktooncrossing #clarktoons #Wonder Ziggy #b movie #drive in theater #Evil Dead #projector #blood #possession #red #DUDELZ of the Damned #DUDELZ #sketch

[stowaway-society]

I was wondering is torchwood a show?

Hi yes so sorry it took me a while to get around to this I didn't see our inbox!

But yes!! Torchwood is a show (with quite a few official audio drama submissions!!)!! It's a spin-off of Doctor Who focusing on/mainly playing alongsise the David Tennant Era!!

I'll summarize the plot real quick because omg this show is one of our favourite ones ever it's so silly and gay and I've been wanting to ramble abt this for ages though I can't guarantee that this is comprehensive, also some general trigger warnings for the show at the bottom

Basically, it's about the Torchwood Institute, specifically Torchwood Team 3, situated in Cardiff! Torchwood exists to protect humanity from alien threats, so the show is build around hunting down different aliens, Supernatural style, with a lose plot for each season. There's 5 team members/Main Characters, a singular braincell, and ALL the bisexuality (seriously, there is no fully straight Main Character). Also, while she doesnt get much screentime they have a pet pterodactyl and she's the best ever! It has very openly gay Relationships! While having previous knowledge of a lot of Doctor Who things is definitely very helpful in understanding everything properly, it can technically also be watched as a stand-alone, though a lot of context won't be there if you do because it does directly reference what happens in Doctor Who a few times

Conpared to Doctor Who the general themes are much more mature/catering to a more mature audience, theres a lot of NSFW themes, violence blood and death, and there are S/A themes throughout the show. And it does have One transphobic joke, though the actor of the character who made it is a very very aggressive Trans Ally (And an absolutely gay icon!)

Overall it's not for everyone but its a very fun show if that's your niche!!

#torchwood #The silly gay show ever #ianto jones #captain jack harkness #toshiko sato #owen harper #gwen cooper #doctor who

[ofmermaidstories]

really appreciate the effort that u put into making reader as gender neutral as you can- and how u don’t add descriptions to how reader looks. i cant tell you how many times i’ve had to stop reading an x reader fic that mentioned reader having blue or green eyes, blonde hair, etc. (or when they describe reader as being paper thin). like yeah some people do have those features but NOT everyone…and the ppl who don’t have green eyes and blonde hair (etc) features wanna be included in x reader fics too u know? anyway. yeah. thanks. <3 love your writing btw!!!! 😅

LOL, hi! i will continue to try my (very human) best with the neutrality. 🌷 it’s the charm of the x Reader niche! neutrality with personal descriptors—because you’re trying to cater for as much of the audience as you can, within whatever role you’re giving the Reader in your fic! whether that’s assigning them as a trope like a Pro Hero, or a Childhood Friend, or giving them a specific background that’s important (and informing) to their identity and thus their experience of the world at large—like a POC, or being plus-sized, or living with a disability. Going through a illness, or a life-changing event—idk, i think these are all types of specificities that add more nuance and fun to a piece without dictating a Reader’s shoe-size.

because!! this is the thing!!! specificities are fun—but they’re fun when they’re insertable. humans are at once emphatic and selfish, LOL; we can imagine losing our entire town in a war, or our mother in a tragic building collapse, or being marginalised in a way that we might not otherwise be—but mention we go through all that and that we have piercing amethyst (non-Quirked) eyes at the same time? eh… LOL.

i consider x Reader fics to be their own genre, with their own genre-rules. second-person pov, scant personal descriptions, etc etc. and because i find it fun, i give myself extra rules (it’s fun to me!!!!! reeee!!!!!!!)—like, for instance, there are certain words i either won’t use to describe our Reader or our Reader’s actions, or will use sparingly, depending on the context: like pretty. giggle. delicate. curvy. jeans!!! (i personally think they can be indicative of a size range, depending on how Reader is wearing them, but maybe that’s me projecting bc i hate jeans and i wish they had never been invented <3) just stuff like that! stuff that makes me pause and go, hmm, okay, what kind of person/image is this suggesting to me? using second-person POV to write in gives you so much like, room to play with, when it comes to describing how someone might view themselves/be viewed by others. especially with a romance, where all we want is to be seen! it’s a great opportunity to be like, okay, maybe i don’t want to be seen for how prettily i can giggle—maybe i want to be seen for how easily i laugh with other people.

however,,,, (and this is a big however) i (me, merms) do think that i (again, me, merms) can say this stuff simply because writing with those aforementioned rules makes writing these x Reader fics in general more fun for me (merms). and it’s fun for me because i’ve had my amethyst-eyed, white-haired character days. when i’m not working on fics, i’m busy chipping away at my original fiction, third person, where we have green-eyed skinny blonds and curvy girls with long wavy dark hair like—any and all need for description i have, i get it out in other ways LOL. which means i can afford to approach x Reader fics as a different type of challenge. i would never begrudge (the often younger) writers who are here because it’s fun, and want to write about a Y/N who has amethyst eyes and white hair. Y/N has always, always been their own character—the specificities we give them (or don’t) has always just been in service of making it easier to project onto them. an adventure is an adventure, and at the end of the day it doesn’t matter the cloak we’re wearing for it—as long as we get to the end of it safely. 🌷💕📖

#ofmermaidstories-asks #oof sorry anon ur ask kind of unleashed some thoughts i didn’t mean to use it as a jumping off pad LOL #thank-u for the thought-provoking ask tho 💕 #call me by y/n: in defense of the self-insert