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#i don't think any of them are wrong
sugar--pain · 1 month
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Kinda tempted to go back to identifying as aromantic but from the perspective of "I have chosen to love everyone that I have dated. I can choose to stop." but I don't know how well that would go over.
#I mean easily parts of us can identify as such just not collectively#so i guess that's why I'm saying it here#like. it's not wrong#some part of my brain has always decided that for whatever reason loving someone was in my best interest.#and only then did I develop interest Like That.#Usually we would like someone and want their attention want to be their friend and they'd develop interest#and we'd adjust to match their energy because they wanted that from us#for a while we argued amongst each other#that it wasn't valid if we didn't agree. pondering if this is ever valid#i saw people say it was popular to say that we don't choose to love#but i just don't relate to that#i know exactly how my brain works. and i can successfully convince it to love someone. and i can successfully convince it to stop.#i don't think being calculative is wrong#and honestly i think our feeling these things aren't genuine just because we can control it. it doesn't seem fair.#i'm fully capable of love. and there's nothing wrong with me deciding to love because it seems like it'd benefit us both.#and if we're already feeding each other anyway i just don't see anything wrong with accepting what's happening.#i don't like the expectations that get pulled with it.#i want to be able to independently decide what and when i want. i don't like labels.#i like that we're an anarchist but not everyone can even be on the same page about what that means#i know we left the aromantic community because they got too specific and a lot of ideas became too stiff and twisted in to reactionary#misunderstandings but how long can we keep leaving communities and cutting ourself off in to something nebulous#because of a problem that'll folllow us no matter where we go?#i think we can define ourselves any number of ways#i don't think any of them are wrong#bigger fools than i have claimed identities that were more maligned than my own#and when it's inevitable who's to say it's wrong#we're all who we are at the end of the day. these words can't contain or quantify us#they can be shortcuts but they can't define us#this is just how i live. it's about give and take#vv
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inkskinned · 10 months
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
#every time someones like ''AI will replace u" im like. u will have to fucking KILL ME#there is no replacement here bc i am not filling a position. i am just writing#and the writing is what i need to be doing#writeblr#this probably doesn't make sense bc its sooo frustrating i rarely speak it the way i want to#edited for the typo wrote it and then was late to a meeting lol#i love u people who mention my typos genuinely bc i don't always catch them!!!! :) it is doing me a genuine favor!!!#my friend says i should tell you ''thank you beta editors'' but i don't know what that means#i made her promise it isn't a wolf fanfiction thing. so if it IS a wolf thing she is DEAD to me (just kidding i love her)#hey PS PS PS ??? if ur reading this thinking what it's saying is ''i am financially capable of losing this'' ur reading it wrong#i write for free. i always have. i have worked 5-7 jobs at once to make ends meet.#i did not grow up with access or money. i did not grow up with connections or like some kind of excuse#i grew up and worked my fucking ASS OFF. and i STILL!!! wrote!!! on the side!!! because i didn't know how not to!!!#i do not write for money!!!! i write because i fuckken NEED TO#i could be in the fucking desert i could be in the fuckken tundra i could be in total darkness#and i would still be writing pretentious angsty poetry about it#im not in any way saying it's a good thing. i'm not in any way implying that they're NOT tryna kill us#i'm saying. you could take away our jobs and we could go hungry and we could suffer#and from that suffering (if i know us) we'd still fuckin make art.#i would LOVE to be able to make money doing this! i never have been able to. but i don't NEED to. i will find a way to make my life work#even if it means being miserable#but i will not give up this thing. for the whole world.
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co-dependance · 1 year
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I’ve seen people talk about the main theme of the owl house being acceptance, and I think they’re completely right about that. But I haven’t really seen anyone look at the sub themes depicted in the show around the acceptance theme.
Specifically how the owl house is really advocating for child autonomy. Specifically in the ways of discipline, showing that communicating and talking with children ends up being a lot more beneficial and effective than punishing them.
The most obvious example comes with the collector, where instead of talking to him, King’s dad punished the kid by putting him in essentially time out, for the actions of his siblings. Which he would’ve learned if he had talked to the collector. And then following that, every interaction before talking with Luz, has the collector being used or placated in some way instead of being treated like an actual child due to the amount of power he has. The titan trappers revering him as some sort of god, Belos manipulating him, and even king attempting to appease the collector, instead of really talking to him. Though for king it’s a bit more understandable. Even so, the show showcases the collector’s change only after he’s talked to like a person, and then shown why his views were wrong.
Luz, who’s the main focus of the show, has her character arc and journey centered around being punished for her not fitting in at school. And while, yes, some of Luz’s antics that were shown seemed to be legitimately dangerous, the real solution would’ve been to talk with her and teach her about safety and why bringing wild animals and fireworks into a school building is dangerous. It should have also been that Luz should be able to talk and negotiate with her teacher about what would be acceptable for her projects with her endless creativity. The solution was not to essentially punish Luz for being creative, and what that only did was make her feel worse about herself and more isolated from the people she thought would be on her side. And then we were shown in thanks to them and for the future, Camilla’s growth into understanding that not talking to Luz about this, and essentially forcing her into normality, was not the way to go about things.
And we see this theme again, with Willow forced into the abomination track because her parent’s thought that was what was best for her, until she was able to showcase her skills and switch to what she was actually good at. Alador realizing he missed a lot of Amity’s growth by not talking to her, and then making it up to Amity by letting her set the boundaries and reestablishing their relationship. Odalia being controlling and not listening to her children which lead to actively harming their social development, until she was confronted and then shut out. Belos manipulating Hunter, isolating him, and abusing him, not even listening to what he had to say. And all of these situations were made better and more bearable when they were given the chance to take charge and be heard.
All this, in an attempt to showcase that children can be vulnerable and malleable, but they are also smart and understanding. And instead of deciding what a child needs, it’s important to communicate with the child instead, asking what they need and listening to what they’re saying. And implementing that by guiding and supporting them, not attempting to control them to what someone else thinks is right.
Children are smart and observant, they just need to be taught how to communicate, and viewed and thought of as actual human beings.
In a way, the owl house is attempting to advocate for it’s audience, and that’s beautiful.
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uncanny-tranny · 1 year
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A lot of cis people may not want to hear this, but here goes:
You are going to have more in common with trans people who have a similar gender identity to you than you think. Trans people are reliable narrators of their own experiences, and whether you like it or not, we will have similar or even identical experiences to yours. Cis people don't have a monopoly over their gender or the experiences people have as a result of their gender.
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revenantghost · 6 months
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I collect these like trading cards
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front-facing-pokemon · 2 months
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muirmarie · 4 months
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honestly the funniest thing is coming across ppl who are like "bones is so mean to spock 😡😡😡" like spock doesn't go out of his way to be just as big a cunt to mccoy??? it's their LOVE LANGUAGE!!! some of y'all didn't grow up watching tv shows with old broads and old queen-coded men being as cunty as possible to each other OUT OF LOVE. spock spends half his shift on the bridge coming up with mean things to say to his dr the moment mccoy flounce onto the bridge to flirt with jim (affectionate) and spock (derogatory and bloody, there will be no survivors except for them, THEY'RE having a BLAST).
listen when the cards are down they will be thoughtful and worried and touch each other SO gently and fight over who gets to die for each other. all of that is the floor they're standing on. they KNOW that. but GOSH in the meantime they're BOTH having an absolute blast bullying the shit out of each other, bless <3
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dazais-guardian-angel · 8 months
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Chapter 110 is 13 pages long welcome to hell!!! so in a lot of ways this is just more fuel for a theory that I've had for a few weeks now, that's only gotten stronger with each recent season 5 episode, which is that the last episode of the season is gonna end on 110, and that Asagiri/Harukawa and Bones have been collaborating to make this happen, specifically because it's a major turning point that would be the only good place to end the season on.
When we started getting especially long chapters again (like from 25-35ish pages, with the exception of 107.5, the last two being some of the longest we've ever had), at first I just assumed that Asagiri/Harukawa got freed up from some other obligations they'd been having to cause the extremely short/half chapters, like promotional stuff for the anime/Beast movie, or working on light novels. But then 109 happened, with the "supposed" death of Dazai, and heavy emphasis at the end on how literally everyone is at their lowest point right now, and I got to thinking. 11 episodes is a strangely specific number for an anime season -- why not 12, or 13, or even 10, like you'd usually see? Why have we gotten suddenly gotten two 35 page chapters out of nowhere, that's almost unheard of at this point? They're both beautiful chapters, don't get me wrong (as always), and maybe A/H simply just didn't want to cut them in halves because they felt like the full emotional impact wouldn't hit/that there were no good cutoff points in them, but you can't deny that it's surprising, after all the shorter chapters we've been getting. Why has the anime been going at such insanely breakneck pacing for the most part ever since around the Sunday Tragedy chapters, even more so than it has in the past? So much so that it feels dangerously close to overtaking the manga?
Well, maybe, just maybe, it's because..... Asagiri decided a long time ago that whatever happens in 110 is the only point that feels "season finale"-worthy enough, in an arc that still isn't anywhere close to being completely wrapped up, and so both the manga and the anime have been specifically coordinated to reach that part within 2 and a half weeks of each other?
I've seen a lot of people now think season 5 will end with 109, and as much as my sadistic side would find that hilarious, I honestly don't think they'd do that and realistically don't want it to happen; it'd be so cruel to cliffhanger the anime for years like that, and just doesn't feel like a season cliffhanger BSD would do, a series that is ultimately hopeful and uplifting. Seasons 2 and 3 had a positive, conclusive ending; the only reasons seasons 1 and 4 didn't was because they're technically not really full seasons of their own, and are more like the first cour of another "season" that also came out that same year (seasons 1 and 2 both aired in 2016, so they're more like one big season, and seasons 4 and 5 have both aired this year, so they're also more like one big season, again taking into account how episodes 12 and 50 are not satisfying finales like episodes 24, 37, and hypothetically, 61, are). I really can't see season 5 ending with Dazai and Fukuzawa's supposed deaths, Sigma being unconscious and maybe close to death, Atsushi being vulnerable and limbless again, everyone we love still vampires, and the entire world being basically doomed; that's just too depressing and not like BSD at all. However, having said that, if it doesn't end there, there really isn't any good place to end the season before that, either, that feels in any way satisfying or like a finale at all. And so, to me, that only leaves after 109: chapter 110.
I think things are really gonna turn around next chapter. Like I said, everyone is at their lowest point right now, it cannot possibly get any worse, the framing of Dazai, Fukuzawa, and sskk at the end of 109 is telling us that; this is the time for the heroes to finally start winning again, with Aya being so close to pulling out the sword, and for all the thematic reasons other people have talked about to death that I don't need to go into here again. This upcoming chapter being so short again makes a part of me wary of 110 being "the one", so to speak, I won't lie, but at the same time, it's very possible that it needs to be that short because that's all the final episode of the season will be able to reasonably fit in, since it's already gonna be VERY close if they do make it all the way to 109. And at the end of the day, I don't doubt at all that Asagiri and Harukawa can make these the most monumental and game-changing mere 13 pages ever if they wanted to; a chapter does not at all need to be extremely long in order to be an important and impactful one, even if short ones we've gotten in the past haven't felt the most important.
An additional thought I've had, though this is much more crack territory than all this already is, is that since we know from Anime Expo that a Stormbringer movie at some point is highly likely (judging from Asagiri's reaction when someone brought it up), it's possible that chapter 110 and thus the final episode will involve the long-anticipated return of Verlaine and/or Adam, or at least some other major reference to Stormbringer, that would naturally and smoothly lead into a Stormbringer movie to explain things to people who haven't read the novel. It would make a lot of sense, especially since the s4 OP has the Old World sign behind Chuuya, which might be a hint that this has been in the works ever since seasons 4/5 were first in planning with Asagiri. We also know that Dazai and Chuuya's voice actors apparently struggled to record their lines together this season, which probably relates to 101 and possibly 109, but it could be 110 too.... I could be very wrong, as I'm no expert on this kind of thing, but I kinda doubt they would bring Chuuya's actor in for just the vampire growls, and Asagiri placing heavy emphasis on Chuuya's importance this season in that one interview gives me the impression that he's talking about much more than just 101/109. But that's the least solid evidence I have, that's just mostly based on vibes I get.
So basically, I think a lot of factors -- the unusual episode count, how close the anime is to catching up to the manga with three whole episodes left, the seemingly arbitrary recent chapter lengths, and the climactic events of 109 -- can tell us that 110 might be a very, VERY big deal. Again, there's of course no way this arc is anywhere near close to being finished, with so much left to address and resolve, but since it is currently incomplete in the manga, unlike the previously adapted arcs, if the anime was going to adapt it at all, they'd have to find a place that feels satisfying enough to end this season, knowing there won't be more anime for a long time after this, and so I think they specifically planned for that, from both Bones' and A/H's sides. 10 episodes might not have been enough to reach that point, but 12 or 13 might have been too many it wouldn't have been if Bones actually decided to slow down and let the story breathe the way it needs to, but this post isn't meant to criticize the anime, so maybe 11 was just right. And maybe Asagiri and Harukawa specifically pushed to make recent chapters longer than usual, in order to make sure that the manga reached the story content in 110 the monthly release right before season 5 was to end.
Is this just copium? Absolutely. Am I going to look like an absolute clown in two days when this post ages like milk? Probably. But the evidence is There, so let me just enjoy my delusions until Sunday, okay 🥂🫡
#bungou stray dogs#seriously call me a clown and point and laugh at me if I'm proven wrong all you want#but I really feel like there's solid evidence for this#either s5 isn't gonna reach 109 at all (but I seriously cannot fathom where you would want to stop before then) or they'll go beyond it#if they really do end it with 109....... well i'll give Bones kudos for having the balls to do that ig lol#maybe i'm underestimating (overestimating???) them idk#also just to clarify I don't wanna make it sound like I think Asagiri let the anime/Bones dictate the manga's pacing#like I'm sure these were his/their (him and Harukawa's) own decisions first and foremost#not that (if this theory is true) the anime had a major impact on how the chapters were split and that it-#-would have been extremely different otherwise#i'm pretty confident in that Asagiri does not do anything with BSD he isn't comfortable with#and he doesn't let anyone tell him how to write his story#I just feel like he worked with Bones to make this near-simultaneous release happen#BUT if this is the case I don't feel like it had any major effect on the writing/final product that is the manga#like the last handful of chapters have been so incredible#so I at least am still perfectly happy lol#(i mean i'm devastated and a nervous wreck but u know 🫡 in a good way lmao)#anyway 110 in two days please let this theory be true because I need some fucking hope already#please let Oda show up as Dazai's guardian angel to help (see what I did there-)#it would be the perfect way to end the collective season that is 4/5 with s4 beginning with Oda and now ending with Oda#Asagiri are you reading me are you picking up what I'm putting down please please a ghost Oda is long overdue please-#Oda Verlaine Adam just GIVE ME SOMEONE ALREADY 😭😭😭#MAYBE EVEN A TASTE OF THE FYODOR BACKSTORY TO TIE INTO HIM BEING IN ANIME UNTOLD ORIGINS. THE POSSIBILITIES ARE ENDLESS
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teamsasukes · 1 year
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people rightly criticize how team 7 reacted to sasuke's pursuit of justice for his clan, but one thing i feel is always overlooked in these discussions is how sakura literally is not granted the option by the narrative to learn about what sasuke has been through — not in the way that naruto, kakashi, or even team taka are. throughout all of part 2, she is operating under the assumption that sasuke killed itachi and then turned on the village for no apparent reason.
in part 1, she offers to help sasuke with his plan to kill itachi and even says she'll come with him so he won't have to handle a clearly dangerous and unstable sannin alone. she tells him she wishes he would be more open with her because she wants to understand what he's going through. (all of this stands in stark contrast to naruto, who says he'll break every bone in sasuke's body to bring him back, or kakashi, who projects his own traumas on to sasuke.) then in part 2, she can't bring herself to hurt him despite ample opportunity and even though (as far as she knows) he's become a violent criminal. throughout the series, she's averse to inflicting harm on others (aside from the punching naruto gag). is it really so unreasonable to imagine that if she knew sasuke was avenging the state-sponsored genocide of his clan, she would respond differently? with more empathy and compassion for his circumstances, and anger of her own towards konoha?
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greencheekconure27 · 3 months
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If anything the "Stalin was bad" post once again proves that tankies are sheep* .They like to gather in big mobs, the members of which are only barely capable of independent thought and have the average knowledge and maturity levels of a particularly poorly educated 15yo.
The leaders occasionally put out something vaguely resembling an original thought for their followers to parrot back.**To quote a certain famous (if apocryphal) letter "the devil shits and your army eats it"
* I would like to apologize to sheep here. Good USEFUL animals, unlike tankies.
** also my apologies to parrots, who are both much smarter and more independent.
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vikingknight90 · 5 months
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Listen, I'm sure Gwen and Miles will be cuddlebugs when they're together and things are fine and dandy, but before that, give me that angsty cuddling, you know?
like Spot is defeated and they walk away with various degrees of trauma from it, they've reconciled and yet maybe not quite. The hurt is still there, but at least, everything is explained and they know they love each other, and on this night, they need to be together and comfort each other. They find a bed (could be either Gwen or Miles', probably depends which place will be more... private?) and just. cling to each other.
idk if anyone will argue, but Miles is the little spoon okay? he buries his head in the crook of Gwen's neck, Gwen holds him tightly and they might both be shaking and silently shedding a few tears from the trauma of fighting Spot but also from the pain between themselves and everything that has happened. The closeness and tenderness soothes and comforts them however and Miles eventually falls asleep. Gwen remains awake a little while longer, she watches and caresses Miles' face while he sleeps, she thinks to herself how sorry she still feels for how she hurt him and how she'll never abandon him again, she wants to protect him at all costs etc. (I'm sure Miles already told her at this point he understood why she did what she did and he's forgiven her but Gwen will still think it, it doesn't go away that quickly and she knows his wound is still fresh too despite his words) Eventually Gwen falls asleep herself and they just remain holding each other in their sleep the whole night. When morning comes they feel a little better and converse a little easier with each other and perhaps share a kiss or two, then when it's daylight they finally feel a little awkward about the intimate position they're in and they blush and get up but the ice has been broken, they will still need to talk more and figure everything out but that night of cuddling and comforting each other made them both feel really good and relieved and in love and anyone want to write this or draw fanart please be my guest, lol, meanwhile I shall hope for something even close to this actually happening in Beyond, they better deliver on that angst and emotional pay-off you know? I do hold my trust in the writers though 🙏
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sukibenders · 2 months
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When it comes to Penelope I feel like a lot of her fans take any valid criticism towards her and turn it into hate, which does her character a disservice. While some people do hate on her, a lot of it holds valid reasons. Admitting that she has hurt many people isn't wrong because she has, it's been shown on throughout the show and the impacts it can have. From labeling Daphne as "unmarriageable" during her first season and events that followed, her labeling Eloise as being part of a group of rebels, the terms she used to describe Kate [and Simon]-- which carried racial undertones no matter how you try to spin it, who didn't even know personally at that point, what she did Marina. All of these were very harmful and to say that none of these characters should feel angry, that they should just forgive Penelope without any work put into it is very laughable (especially because she's still writing as Whistledown and put many, namely women, at risk during a time where reputation is everything--something in which Penelope herself faces). With this being said, criticizing her actions, at least for me, doesn't come from a complete place of hate but more so from believing that she can be better if she puts in the work. By ignoring all that she's done and having her get her happily ever after so easily in the end, to be honest, would ultimately feel lackluster. I feel like she still has room to grow, but it will take a lot of work and, I personally, think seeing her renavigate who she is with who she wants to be outside of Lady Whistledown would be very interesting.
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spadefish · 3 months
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Steward, Jarl, Housecarl
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uncanny-tranny · 7 months
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You know, I feel like other trans people might get this, but it's honestly kind of refreshing when a cis person has, like, undeniable tboy/tgirl/whatever swag. It's like when you come across somebody who speaks the same language as you and you only find out when they start speaking it, too.
#trans#transgender#lgbt#lgbtq#ftm#mtf#nonbinary#all this to say that we are existing on a rock hurling through space#and this universe is going to collide into another and does it all truly matter in the end?#a lot of this is based on ideas we have about what constitutes certain people and i think it can be a fun observation#so long as you do not inherently ascribe certain traits as being indicative of who somebody Is#it can be amusing when you're SO confident that somebody is a certain way until you realize how Wrong you were#the amusement for me only comes because it's like... 'you tried your best to box somebody and you FAILED lmao'#and in a weird way it's kind of comforting because it reminds me that we all come into this world with bias that Will be challenged...#...so the best thing you can do is recognize those biases and then try to overcome them through great effort...#...so yes maybe i did think that cis dude had tboy swag but. that's not inherently his problem you know?#it probably just means he's confident in his manhood in a way that reminds me of the trans men* i know and love#i noticed that in him and it reminded me of my friends who are trans so i think 'oh! maybe that's why he's giving off those vibes!'#so while i won't treat him any differently before or after finding out i was wrong i'm still going to appreciate the fact that...#...he and i are literally just Vibing on the same planet and we both don't have time for petty arguing about manhood#i'll acknowledge what inspired those thoughts in me but that is Not his problem and that's good and beautiful actually#i don't always mind the tboy/tgirl swag meme just so long as you don't treat it like an Inherent Trans Experience Only Trans People Have#just recognize where those ideas are inspired from and it's fine <3#sometimes you will be Wrong and that's actually fucking neutral <<3#anyway rant over i just think this is /generally/ harmless and fun#like astrology. sometimes you just look up your star sign without ascribing your Entire Life to it <3#i think what i lot of people mean by saying a cis person has tboy/tgirl swag is just that...#...that cis person has an understanding of themself that comes from deep introspection that isn't necessarily expected of cis folk...#...but it is often something trans people do as part of our exploration of gender...#how is this the FIRST POST to reach tag limit... ask me for more thoughts if you want lol!
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natelia-aldelliz · 1 year
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Guys what if Soap's skull mask is red because he wants the enemies to focus their fire on him?
Like he's a Sergeant, he has people under his command, under his protection, we've seen him focus on saving people in that first mission, I think he's very protective.
I also think he's not very careful with his own well being, unconsciously thinks of himself as less important than everyone around him.
So what if he spray paints that mask bright red to make sure that if anyone there is spotted and shot it will be him? And if he's hurt, or dead, but everyone else is fine, then he's happy with that.
I dunno, I think unearthed trauma suits him. And I think it's funny that Soap's way of dealing with it is by being self-sacrificial, and Ghost way of dealing with it is the exact opposite, unconsciously leaving people behind if there's the slightest chance of them being dead because he can't stop or he's gonna die too (and he can't be back in a coffin and fire's a no go also so he just can't die period), and then being so deeply overwhelmed with guilt that it sends him in a spiral...
Makes for quite a funny couple dynamic... And honestly I don't even think Price would say much about it because you know he's just as fucked up and if he recognizes that they're fucked up then he has to acknowledge that he is too and he's barely hanging on as it is, but he can't break because what's gonna happen to his kids if he does?
I think in this case it's a job for Laswell, she's fucked up as well but has a very comforting wife and a therapist, so she's working on herself at least.
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I may have posted about this before, but I don't understand the whole proshipper/anti debate. As far as I understand, I'm on the side of proshippers (i think fiction is fiction and doesn't have to reflect reality. because it's fiction.), but what I don't get is why there's such a clear defined binary, and why there's such animosity between the two. It's just a difference in opinion, like any other, isn't it? I understand that either group can "take it too far" (though i dont really get how proshippers could be TOO okay with problematic ships). but i really think either viewpoint is fine to a degree, they both have logic behind them, and it's just a matter of preference, isn't it?
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