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#i had to be very selective but there were a lot more scenes that showcased the difference
zhouszishu · 5 months
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ji bai & xu xu + height difference
WHEN A SNAIL FALLS IN LOVE 如果蜗牛有爱情 (2016)
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shineemoon · 1 year
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MINHO ✨ NME Interview
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Q: It’s been 14 years since your debut with SHINee. What was the moment when you realised you were ready to go solo? “The biggest reason would be the desire to show my fans a work of my own. I figured that this would be a good timing because next year is the 15th anniversary of SHINee, and I want to shift my entire focus on SHINee [then]. I wanted to close this year with an album of my own.” . Q: You helped direct and film the video for ‘Chase’. Why did you focus on telling a full story, as opposed to, say, adding performance scenes? “The main [reason] was to help the viewers focus more on the music. I figured that acting would create a better synergy, allowing [them] to enjoy and listen. It was also a bold choice to remove the performance from the music video, because it is very unlike the usual SM [Entertainment] style, which really focuses on artists’ performance and dancing. I wanted to try something refreshing and surprise fans with something unconventional.” Q: What was the most challenging part of preparing this album? “There was definitely a lack of time, from my perspective. I wanted to dedicate more time and effort to really, really perfect the album to the best of my abilities. I am still pleased with how it came out and happy with the overall result, but I wish I had a little bit more time to focus on the smallest details and make sure everything was in its perfect place.” Q: And what did you enjoy the most about it? “The overall process has been very enjoyable, from the process of selecting the songs to setting the direction of the overall album. I was also very active and had multiple meetings with the director, and I remember one of the music video editors edited with me in the room as well. Even on the performance side, a lot of my ideas were incorporated. I really found the joy of creating and being original. The entire [process] has just been very memorable and joyful.”
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Q: You began as a rapper in SHINee and gradually evolved into a singer. How was that process for you? “Rather than a shift or a transition in my role, it was more of an expansion of the spectrum of work that I can do. In the beginning, I felt like rapping was my stronger suit, so I wanted to focus more on [that]. But through more practice as a SHINee member, I was able to study and find the strength in my own voice, and I wanted to show people that, as an artist, I was now able to expand a little bit more and showcase a different style.” Q: As your experience with SHINee colours your solo work – from your skills to the album packaging – could you tell us one thing that each of the members has taught you? “It’s hard to pinpoint exactly which members have influenced me in which aspects, but there is a mutual desire among our group to constantly be better than ourselves. There is a bit of a healthy competition, of motivating and almost instigating each other to try hard and evolve as artists. And for this solo album, because the other members have already released [their solo material], I wanted to come back with my own personal colour and show something that is unique and exclusive, that [SHINee fans] Shawol haven’t been able to find in other members’ works.”
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Q: The Netflix drama you starred in, The Fabulous, will premiere soon. How do you think that acting influences your work as an idol, and vice versa? “In the beginning, I saw it as two different types of work. But now, I see them as one big spectrum where I am able to work as an artist. There are definitely benefits that acting comes into my music, because I am constantly experiencing new roles. I remember that, because I had to study [to] act in roles that I hadn’t experienced before, it was very helpful in allowing that kind of expression in my music. Even the members have commented that since I focused on my acting career, it allowed me to better express the messages and the music on my own as well.” Q: What kind of artist do you want people to see you as? Who is Minho, through your own eyes? “Rather than having a specific side that I want to show as an artist, I wanted to let the public know that this is the kind of music I like, and this is the type of story and message that I wanted to share. Because I showed a lot of sides during the longevity of my career, I wanted to use [this solo debut] as an opportunity to show new sides of Minho as a solo artist, and as a member of SHINee.” Full Interview → HERE
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shutterfox5555 · 2 months
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Camera Showcase
Olympus OM2 Spot Program
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Pictured: Olympus OM2 Spot Programs with all owned OM specific lenses, flash units and motor winder
In the OM series of cameras, double digits such as the OM10 were consumer grade, whereas single digits were professional grade. First manufactured in 1984, the OM2 Spot Program (OM2S in the US) was a thorough overhaul of the OM2 to make it more competitive, meaning it's internals have more in common with the OM4 than it's predecessor.
Personally speaking, this is the most feature-rich, reliable 35mm film camera I have owned, making it my go-to workhorse for 35mm work. It’s compact design was very well-thought out and lightweight compared to other cameras before it.
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Pictured: Top view of the OM2 Spot Program highlighting camera controls
One of the really well-thought out designs of this camera is how the shutter speed, aperture and depth of field preview controls are all in the same area on or next to the lens, meaning with one hand you can set all the main exposure controls without looking away from the viewfinder. Instead of a shutter speed selector on top, it’s a combined ISO speed/exposure compensation dial.
The OM2 Spot Program has 3 shooting modes: Program, Auto and Manual/Spot. In Program, the lens is set to the highest/tightest aperture and the camera will set both the aperture and shutter speed according to the light levels. In Auto, the camera shoots in an aperture priority mode where the user sets the aperture and the camera deals with the rest. In both Program and Auto modes, the camera meters centre weighted but in the full manual mode the camera switches to spot metering. This is an extremely useful feature when shooting high contrast images and with light sources behind the subject matter.
Another great thing versus it's predecessors is that it has a mechanical 1/60th shutter speed option, meaning if the batteries are depleted mid-shoot there's still a way to take photos depending on light levels.
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Pictured: 3 shots through the viewfinder showing the current focus screen's split centre and microprism centre, the Program/Auto mode metering and the Spot/Manual's digital match needle meter
The viewfinder's light meter is a LCD style display which can be illuminated for 90 seconds for better viewing in low light scenes. In Manual/Spot mode it switches from a bar depicting the shutter speed to a match needle style display. The viewfinder itself (dependant on chosen focus screen) is very clear and bright making composition a lot easier.
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Pictured: A selection of various attachments for the OM series of cameras. teleconverters, extension tubes, right-angle viewfinder, motor winder and flash units
The OM series of cameras have a wide range of accessories to further extend the capabilities of this camera. The motor winder allows for shooting up to 3.5 frames a second in continuous mode. The right angle viewfinder is especially useful when shooting at awkward angles or with telephoto lenses on a tripod, and has a toggle switch to add a 2.5x magnification to it for really dialling in the focus. I have a T20 and T32 flash for my cameras, and although the more lightweight and smaller T20 is more portable and uses half the amount of batteries, I prefer the T32 as it allows for bounce flash photography. Both flash units have 3 modes: TTL camera auto, flash unit auto and full manual. I have only really used the TTL camera auto mode but with the lens set to f4 I haven't had any photos with blown out highlights or muddy shadows.
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Pictured: three different focus screens and an OM2 Spot Program with no lens and the current focus screen unclipped from the camera
A great thing about the OM2 Spot Program and other single digit OM cameras is the ability to fairly easily switch focus screens. Different lenses and scenarios work better with different screens and the ability to change really increases the versatility of the camera. For example, for general use I tend to use a split centre with microprism focus screen to give me 3 ways to focus, but with a telephoto (especially with teleconverters) the split centre goes black due to the low light levels. At that point, I have the option to switch to a microprism only or ground glass screen to make it easier to focus.
All in all, a fantastic camera with a solid design, accurate light meter and a wide selection of lenses and attachments which if in good condition will be a fantastic addition to any vintage camera collection.
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elriell · 3 years
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Some jumbled up thoughts about Elain, Lucien and Azriel + Mating Bonds
There have been a lot of conversations regarding this topic and I thought I’d flesh it out a bit myself, but these are facts/observations that as a fandom many have noticed, discussed, analysed. I just wanted to dive in myself fully.
I want to talk about each of them individually as well as, as a whole. Their emotions and mindsets, as someone who loves all three characters and wishes for all of them to get a happy ending. I will preface this with saying I will be discussing why it is very likely Elain will reject the bond and such things, so along the lines of Anti-Elucien. If you are a fan of them, thats cool, just skip this one if you happen upon it. 
We are going to dive in to the following;
Lucien & Elain  (their choices)
Lucien & Azriel  (contrast)
Rejecting the Bond
New Bonds
Fate & THE POV 
and why the writing is basically telling us everything we need to know...
Lucien 
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Lucien is noble male, he has a good heart and has suffered his plenty, and this is why people want what is best for him, to be the happiest he can... Unfortunately I think that in this case Elain is not it. 
He is right to feel that way, just as Elain has a right to feel as she does. I think it is incredibly interesting that when we finally see from his POV we see that in a way he feels as though this has been thrust on them. 
That with his last love he had a choice and so did she.
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It reminds me very much of this line about Rhysand’s parents, who were an example of an unhappy mating bond.
We will deep dive in to wrong matches further down, but the fact is that mated couples are not always indicators of true paired souls, that they very well could be the couple that do not end up happy together.
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I speak on Elain and her agency a lot because I feel like a large portion of the fandom like to discard it as if it means nothing, and even judge her for it but if we actually take a look at Lucien’s behaviour he is not all that more happy.
There are some key differences between them though, Lucien as a male feels their bond to a different degree than she does, and he also has been raised to believe and respect the bond. And thus he feels a certain obligation to honour it in the best way he can. 
This doesn’t mean he thinks she is right for him, any further than his attraction to her (which like same dude same), he hasn’t displayed any signs that they actually aline as a couple. And I feel like SJM clearly highlights this when she sets examples of his gifts not being... well right for her. 
The gloves we know she never wears show us how little they know each other as she loves to get dirty [which Feyre had told him] and the pearl necklace is then contrasted by Azriels which was very personalised to Elain. 
(The rose, the secret beauty of it hitting the light etc...)
These are all deliberate moves by Sarah to showcase their misaligned bond.
And during Elain’s section I will also be pointing out some Lucien moments that really don’t read well for him. I genuinely believe he is much happier amongst the Band of Exhiles than he is when he is seen with The Inner Circus.
Elain
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Here is the thing, this situation isn’t any easier on him that’s true but people need to respect Elains feelings, and the fact is she does not like him. Not only does she not like him but she shrinks in on herself, she looses all the progress and confidence she has made since the Cauldron. That is not a good sign of anything healthy.
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If this is suppose to be a romance we root for why is she doing everything in her power to make it seem the opposite? If she genuinely was playing the long game she would have at least started to make them comfortable around each other, goodness they don’t even have to talk, but she does the opposite.
She emphasises that he brings out the bad in her. Again, no bueno. She quite simply does not want to be around him and with SJM’s writing I think this is highly deliberate on her part. 
[And let’s be clear there are countless quotes from the other books that do NOT reflect well on their relationship but I am trying to stick to ACOSF, as it is her most recent work, otherwise I would be here all day.] 
Rejecting the Bond
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We have almost a two page discussion on why mating bonds are not an exact science, and that they can be more harmful than good. We are given two examples of it, with both Rhys’ and Tamlin’s parents. And then we get a very subtle hit at Azriel. This is all in the book Sarah said she began planting the seeds for the sisters journeys.
We also know from this there is a choice. But that many force it, because they feel it it right, (much like Lucien is probably doing right now, because he feels a duty and hope that it will work out.)  
Then we have the fact thrown at us that a lot of males believe that their mate belongs to them and will challenge the other male, which we now have a call back to with Rhys’ mentioning “The Blood Duel”. 
There is literally not one reason Sarah would put this in TWICE only for it never to happen or come close too happening. How anyone can question at this point that Elriel will happen is confusing to me, she has laid all the groundwork for it.
Now I don’t believe for a second that Lucien wouldn’t respect her choice, I think it will most certainly come down to Beron forcing his hand to wage the war we know he wants.
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I think despite what Rhys said in Azriel’s POV under immense stress, TNC will protect Elain and ultimately stand by her decision. 
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Not only does ACOSF spend a great deal of time creating a further divide between Elain & Lucien it also add a shockingly large quantity of easter eggs about “Elain choosing bonds” “Other Mate” “What if it chose wrong?” and again in this book like in ACOMAF we bring back up a failed mated pair to remind you of it’s existence.
All possible signs lean towards them breaking the bond.
And frankly from a storytelling perspective having three perfect bonds that are basically the same overarching love story (enemies to lovers) is boring, she would want to shake it up and throw a little curveball.
Lucien + Azriel  &  Why I think Azriel will have a bond with Elain.
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“If anyone can sense if something is amiss, it’s a mate” And low and behold it is Azriel who figures out what was going on with her. Not to mention in the reveal SJM further displays that Lucien has no clue what was going on with her.
I don’t know what bridge holds their bond but I wouldn’t trust crossing it personally... :/
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Further still, Lucien cannot hear her heart. Their bond is definitely not strong but you could also argue that is not an element of the bond at all but rather of her abilities perhaps. Since we know she could hear the sea too though it was nowhere close by.
But Azriel did hear her, he did pay attention and he figured out what was amiss. 
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It is interesting to me that people took such issue with this when I believe very few have issues with Rhys or Cassian fighting for their respective partners. Now I have gone in to it in depth about how I think that this was pure emotion and illogical on Azriel’s part, and I don’t believe he would kill Lucien so carelessly.
I think it speaks to the same blind emotion a lot of them have displayed for their mates, Lucien may have wanted to see if she was worth it but Azriel knows she is worth the fight.
And for all intensive purposes in that moment he was willing to fight for someone he believes shares his feelings.
Now let’s tackle the whole “Possessive” crap.
First of all, all of the male pairings in this series have shown moments like this, so if it is bothering you here why isn’t it bothering you at other points?
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Lucien has been just as instinctively possessive from their bond, and let me clarify, I am not shaming him for that anymore than anyone else. What I am pointing out is the double standard, if anything Azriel has more reason to feel like he can fight for her because she has actually shown him care, interest and attraction. 
They have actually bonded a lot more than she has with Lucien thus far.
And if they truly do have an upcoming bond then judging him on three paragraphs when we don’t know what the heck is going on is just ridiculous.
On the same note of that scene, let’s talk about “deserve”
First of all he never said he deserved her, Rhys implied that is what he was gleaning from the conversation and that it is just lust, which we know is not the case. Clearly Rhys perception is not accurate at all so to take his statement at face value and call it fact is a bit disingenuous.
Azriel wasn’t claiming he deserves her, did you read his POV at all?? He didn’t even feel like his hands should touch her let alone deserve her. Please go back and read that chapter again if you can’t see that.
Not to mention I think that the idea of FATE, and believing in hope even when the odds are stacked against you (AKA her having a mate) is actually very consistent with SJM storytelling and Az. Remember this;
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The fact that he is hopeful despite the despair of his situation is exactly what people have valued about him. Not to mention after Rhys says this to Azriel he says to them;
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So Rhys too believes they were brought in his family for a reason, some sort of fate.
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Amren too thinks they are blessed by fate. Why is it so shocking and offensive that Azriel have a little hope that there is a reason they came in to their lives? Because he isn’t with your fav?
Let’s be honest he didn’t exactly get over Mor in ACOMAF, ACOWAR and then even ACOFAS there are slight moments, thats over a long period. Three sisters didn’t just arrive and he went TAG “I want one.”
No, he genuinely grew to care for Elain, and let go of his past, and in watching Elain not find any connection with her mate he saw it as a sign that the Cauldron was wrong, which we know it can be. 
I don’t know if people are selective readers but if you think that he doesn’t care for her as a person beyond being a “sister” I don’t know what to tell you, we are not reading the same books.
ANYWAYS back on topic.
I think Sarah has laid a lot of groundwork for her breaking the bond and perhaps choosing a new one. I know not everyone is keen on another bond as they feel her free will and choice is enough, that’s fair and I agree to a point. 
I just wanted to analyse the data at hand, and I do believe after ACOSF (I never thought it prior really) that they are mates in some capacity, whether that is because of the Cauldron or something that will occur... I think she has laid enough groundwork for them being Soulmates at the least. Hence why I love the idea of a Carranam bond.
There are so many parallels between Rhys, Cassian & Az that could be taken as little signs but honestly this is long enough I am sure you all want to kill me already for making you read all that hahaha 
One last little morsel, it very well might be nothing but Az shouting after they take Elain is an interesting choice, it’s ambiguous enough that you can take it to mean the pain but it could also be another little crumb.
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Basically with all said and done I think she will give Elain her agency back and break it.
And potentially something will occur with Azriel as a result but thats certainly more grey than the rest of it.
Thank you for coming to my ted talk!
Obviously, to each their own opinion, have fun and ship whatever you want these are just my thoughts on the text at hand!
(Also I am sorry I got like 20+ messages to get to in my inbox, yeah I kinda ignored everyone and worked on this today, sorry!!! I’ll be back tomorrow)
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gaijinhunter · 3 years
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Monster Hunter Rise: 2nd Trailer and news blowout
Hey guys this is Gaijinhunter. I am uploading this as a text post since I caught a cold and have been unable to edit a video.
There was a huge second wave of news for Monster Hunter Rise with the reveal of the 2nd trailer the other day during the Game Awards 2020 show. Keep in mind the actual full length trailer is much longer and better than the shorter edit they showed during the show so makes sure you watch it. It showcased a second map, 2 new monsters, several returning monsters, and more. They also updated their official website with a ton of information so instead of doing a trailer reaction or breakdown, I am going to give you all the info they shared but split up by category, trying to focus only on the new stuff.
New Map
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Director Ichinose hinted in an interview that one of the new maps would be nostalgic and boy he wasn't kidding. The Flooded Forest from Third Generation has been massively remade and is back in MH rise. Of course given this game’s focus is verticality, there is no underwater combat sections but they really nailed it from what I can see. One of the most iconic parts of the forest was the ruins in the backgrounds, and now you can scale up it using the wirebug. How cool is that. 
With the new map we also got the reveal of 2 new monsters.
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First up is the mermaid wyvern, the Somnacanth. This marks the much hyped return of the leviathan class of monsters which were missing in world and iceborne. This Monster looks so wild. It has a special breath that will put you to sleep, is super aggressive, and has this crazy taiko drum like chest in which it will grab oysters and other things and bust them against it to break them open and buff itself. The Japanese name is quite a mouthful and is called Isonemikuni. This is the monster that Ichinose teased with his cute drawing on twitter.
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Next up is the tengu beast, Bishaten. This monster is really unique, it looks like a mix of a monkey, bat, and bird. It has a huge and powerful tail it uses for massive mobility and it will chuck various fruits at you as well. One of the most iconic fruits it throws are persimmons, which are very Japanese and if you haven’t had them before, they are kind of an acquired taste. It’s Japanese name is Bishutendo. 
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For returning monsters we have a few. First is our favorite sponge, the Royal Ludroth. This is a fan favorite and a great early to mid game monster. It has one of the best move sets in my opinion, very telegraphed but it can still catch you off guard even if you are super used to it. Strategically figuring gout where to stand in order to cut off its tail or break the sponge has always been really fun and intersting so I’m delighted to see this monster return, also look at that texture of the sponge!
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Then we got the return of the Great Wroggi, the anti-poison skill tutorial monster. This thing really messed me up back in MH3G until I spent the time to get the materials to craft anti-posion decorations and even then, like the Great Izuchi, it fights really well with its sidekick small wroggis and I cant wait to see the improved cooperative AI that they are making for the Great Izuchi applied to this monster as well. It’s armor also spots a really cool Crocodile Dundee hat and look in the trailer and you can see the palico armor as well. So cool.
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Finally, we got a small scene that appears to show a snow map and a group of baggi getting hit by a Khezu lightening shot. Does this mean the Great Baggi will return? Not sure. But that scream 100% is a Khezu, and I cannot wait to see how it looks with higher resolution texturing, I bet it will be creepy as heck. So while not technically confirmed, I’d say it’s safe to say Khezu is returning in some form. The balance of all these monsters is so great, I love the selection so far.
As far as other returning monsters that might return, I think we all expect nargacuga and zinogre. These are flagship monsters from games directed by Ichinose and he even tweeted his palamute and palico both named after these two monsters. Especially given the Japanese aesthetic, I think it’s pretty much guaranteed they are returning. Then I think mizutsune is also highly likely given its Japanese design, the fox theme, the kimono armor. Plus the model for it doesn't look that far off from the new Somnacanth. Anyway I have super hyped.
Interaction with animals and endemic life
One of the huge features of Monster Hunter Rise is the focus on wild life and animals to buff your hunter or be used as tools during a hunt.
There are 4 major types of Endemic Life: Temp Buffer, Permabuffer, Hunting Helper, and environmental.
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For Permabuffer, we got a new render of the Spiribirds, which will buff your hunter if you move near one, and the effects depend on the color of the pollen it is carrying. Green increases your max Health, Orange increases your defense, red increases your attack power, and yellow increases your max stamina. There is even a special rainbow colored one, which I assume will buff all 4.
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Via their website, Capcom announced a new item called the Petalace, a bracelet made of a plant called a Sending Sprig that each hunter has equipped. This is what collects the pollen from the birds and buffs your hunter. There is a variety of Petalaces in the game and some may increase the amount in which an attack boost is applied from a single Spiribird, raise the max value that health can be boosted, and more. Here in the screen shot we can see the caps for each and the amount gained for each buff. Just a quick note but this is not going to be replacing charms as we know that they are giving away a talisman for pre-order.
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For Temp Buffer creatures, they revealed the name of the Clothfly, a butterfly that will temporarily increase your defense once you interact with it and cause it to generate a cloud of dust. In previous videos we have seen Peepers that reduce stamina usage, birds that raise your base stats, and a dragonfly that boosts your affinity and I had calculated it out to being applied for 90 seconds but we’ll have to wait for hte final game to see if that depends on the effect or if they change it, but it sounds about right.
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For Hunting Helper creatures, we got an adorable new render of the Stinkmink. You can carry up to 5 Hunting Helpers and use them like items. The Stinkmink can be used to cover yourself in a special pheromone that will attract large monsters to you, even allowing you to lure one monster toward another to cause a turf war. I personally can think of other applications like luring a monster toward a trap and stuff like that.
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And for environmental endemic life, they didn't show it in the trailer but there are also wildlife that can be used like environmental traps. For example, use raw meat and the giganha fish will go crazy, damaging anything nearby be it a hunter or monster. I can’t wait to see someone hunt a Great Wroggi using only raw meat. I love that we finally will have more use for this item.
NPCs
In the new trailer we got to hear several of the NPC villagers talking and on the website they go into a lot more details. They have quite the star-studded cast in Japanese and the English voice actors are also very interesting picks. This really marks the first time in Monster Hunter that the main cast of villagers will all be called by name and speak, which I think adds a lot of personality to the game.
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First we have Fugen the village elder of Kamura and skilled long sword user. 
Then we have Hinoa the Quest Maiden, a cheerful and optimistic girl who serves as the quest giver in the village while her twin sister runs the gathering hub. While not announced in any other language, the French and Italian language sites for the game list her sister’s name as Minoto. Hinoa’s name is Hinoe in Japnaese and for the rest of the cast their names are identical between the two languages.
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One thing I am excited for is that they said that one of the ways they will help communicate the uniqueness of Kamura is through songs and they shared a sample of one of them in the full trailer. This one is sung by Izumi Kato. If you remember back in Monster Hunter 4 Ultimate they featured songs by the wyverian Diva, and I am so happy they decided to do songs again, they add so much richness to the world and are just lovely to listen to.
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Next up is Yomogi, our village chef. In this game you will eat meals at her Tea Shop, where her speciality is the Bunny Dango she makes along with the help of some palicoes. I love that we’ve seen her in past videos with a heavy bowgun, so the idea that all the villagers are active participants in the story is great. 
Then we have Hamon the blacksmith. He used to hunt alongside Fugen back in the day but now creates weapons for the hunters of the village. His grandson also appears in the game and is a kind-hearted youth that loves your hunting companions.
Next is Kagero the merchant. Despite his mysterious appearance he is actually very warm and kind. If there is a sale going on, not only can you buy most items for half off, but you can also participate in a lottery where you spin a wheel and it dispenses a colored ball. Get a rare color ball to win a rare prize. You can do it once per sale, but you can also scan an amiibo to spin two more times, but only once per day per amiibo you own.
Finally we have Komitsu the sweet-tooth, she sells candy apples in town. What these do is still not yet revealed.
Companions
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We got an adorable render for the Cohoot, the pet owl that shows the positions of monsters on your map. You can interact with it in the town and even dress them up in fancy outfits.
Kamura Village
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We got gameplay showing that the entire village is open to the 4 person multiplayer session and you can even ride around on your palamute and use your wirebug while in the village to zip around and have fun. There is still a gathering hall but the ability to see each other in the village as well as jump around and really explore it is a lovely change they are making.
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Story wise we got more info about the Rampage, both a story mechanic and new quest type. For some reason the monsters will sometimes gang up and attack the village all at once and no one knows why. They call this a Rampage. There was a really bad rampage 50 years ago that nearly destroyed the village and in response the town has created a Stronghold to stop further invasions. This looks like a new quest type with multiple monsters all at once, and a slew of different artillery options at your disposal. I could see this as being a really fun type of quest to do online with other players. 
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And of course the most exciting news was that there will be a demo in January with more details to come later. That is far earlier than I expected and I now have to finish up my back catalogue of games in like the next month.
And that about wraps it up. Cpacom said that they will be sharing weapon preview videos for all 14 types very soon and if they do the way they used to do it, we’ll get one new video a day for 2 weeks. I hope you enjoyed this recap of the news and please let me know down in comments what you thought about the second trailer. And until next time, happy hunting.
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inessencedevided · 3 years
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(You can find the set that this gif belongs to here 💙)
From planning to posting, share your process for making creative content!
To continue supporting content makers, this tag game is meant to show the entire process of making creative content: this can be for any creation.
RULES: When your work is tagged, show the process of its creation from planning to posting, then tag 5 people with a specific link to one of their creative works you’d like to see the process of. Use the tag #showyourprocess so we can find yours
I was tagged by @aheartfullofjolllly. thank you so much Pat! it was really fun to reflect about my own process 💗 You can find her post here and @lan-xichens' post that started it all here :)
Also thank you @huigusu 🥰 (who tagged me for my nie brothers set) I'll get to that one in a few days!
Now Pat gave me two sets to chose from to show my process, so obviously I chose the more complicated one :P
I only work in Photoshop CC 2018. I know that there are programs out there for easier cutting and sharpening but I have only just figured out how to do that in PS and I am too lazy to figure out any other programs right now xD
1. Idea and Planning
This set, like most of my sets with lyrics started with me reading the poem, clutching my heart and going "oh shit this fits my favourite characters!!". The idea actually started with me thinking that the first stanza of the poem would go really well with wwx during the burial mounds arc. Then I realized that the last stanza fits lwj better than him and from there came the idea to contrast the both of them next to each other. This is when I realized I wanted to do a dark-light contrast set, though I did not know that I would go with red and blue at that time. My idea in the beginning was just to do a black and white set
I was really impressed by how Pat said that she plans her sets around exact timestamps. Because I don't do that at all ^^ I just get ideas for which scenes would fit (in this case the wwx burial mounds scenes and lwj's kneeling and punishments scene) and then I watch the scenes to narrow them down.
Back when I made this set, I still used a screenrecorder (AceThinker Screen Grabber Pro to be precise. They have a test version that allows you to record up to 3 minutes) and recorded the scenes I needed from Netflix. This worked well enough but now I have the entire show saved on an external drive and it makes a world of difference when it comes to gif sharpness
Now, in this case I had to repeat this step once because when I was almost finished, I realized that I wanted a gif for the lwj corner but let's pretend I didn't do that and that's the way this gif was always going to look because otherwise this post will be way too long ^^
2. Creation
Short disclaimer: The creation process for this gifset was anything but linear. Multiple effects I used here were things I had never tried before. I just had a vague idea and tried to realize it through trial and error. So whenever I say "then I did xyz", it is implied that I ultimately went back to that step several times and changed stuff ^^
I started with the Wei Wuxian part of the gif. I usually use a frame rate of 0,06 (with some variation depending on gif length and size). I work in timeline so I converted all the layers to a smart layer. Then I resized the gif into a square, leaving big chunks of the gif empty (as can be seen below.) I flipped the gif horizontally, so he is looking inwards. This was simple because I felt it fitted the composition better. Then I imported the Lan Wangji part of the gif, again with a frame rate of 0,06. (Image 2)
After that I created a layer for masking in a separate PS document by rotating a square until it was point down (is that a rhombus?). I sized it to match my gif (540x540 pxl) and copied it over. (Image 3) a bit of masking magic and ta da! There's the basic layout (Image 4)
I put a layer of solid black behind wwx to get rid of the transparent bits (Image 5) and then started adding more white and black to both sides by adding solid whit and black layers that i put masks on and changed the opacity as i needed (Image 6)
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("reading" direction: from the upper left to the lower right corner)
Then I fiddled with the colours a bit. The first thing I always do is using the curves layer to get more contrast. Then I use the colour balance tool and the selective colouring tool to get rid of that cql-typical cyan tint after that it's just trying to have it look "natural" while the colours still fit the overall scheme. This was difficult here because wei Wuxian’s side of the gif was very dark and when i turned up the saturation to see which colour dominated it was a very weird mixture of multiple colours. That's when i decided that I'd just go with red on his side, since lwj's side was already so blue and those to look great as contrasts.
After that just came a lot of fiddling with selective colour layers and brightness and contrast unti I has happy. There really wasn't much to it ^^. (Image 1)
After that I added the text. I knew I wanted the two lines to for a square of some kind. So I tried different fonds until I arrived at the one below. The two lines are in seperate layers so I could move them around and change the spacing between the letters until I was happy with the layout. I also changed the layer mode for the text to "difference" (is that what it's called in english? my PS is set to german sorry ^^), keeping their colour white. (Image 2)
I originally hadn't planned adding anything else but I felt like the gifs (plural because I switched between the gifs of this set) was still kind of empty and lacking, so I added the tear down the middle (a tutorial for that is either coming up later or already posted. I recently got an ask for this :)) (Image 3)
It still felt empty after that, so I tried different overlays. Okay no, first I wasted a lot of time on different free image sides but then I tried out different ones until I chose the one you can see in the finished gif. I liked that one because a) I felt the round shape was a nice contrast to all the straight lines already there and b) because once I applied a black and white filter to it and switched the layer setting to "difference" (again, i hope this is the correct translation) it looked a bit like a moon. (Gif at the top)
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("reading" direction: from left to right)
And that's it! :)
Although in general, these gifs took so much fiddling! I went back and forth between them a lot and sometimes almost redid the entire thing because I had no idea what I was doing in the beginning and by the time I noticed an error, the only way to fix it was ti redo everything. So yeah, this set definitely is the the one that took me the longest out of all the ones I've posted so far.
3. Posting
I save all my gifs to my drafts first to see what they look like put together and to check if they look any different on mobile. Usually i do this several times and change stuff until I'm happd enough with it to hit post. Once i am happy enough, i can't hold back. Doesn't matter if it's at a time when nobody is online, i hit post 😅
And that's it!
Tagging:
@lanwuxiann for this gifset (I adore it so much. I've looked at it and read it severat times since you posted it and the poem just kills me every time!)
@suibianjie for this gifset (The combination of static images and gifs in your gifs is always absolutely perfect! This one is only my favourite of yours because the light coming from behind wwx is just so pretty!!! ^^)
@sweetlittlevampire for this piece (It was soooo hard to pick a piece of yours because I have so many favourites! But this one is just so out if this world, I want to know how you worked that magic :D)
@wei-gege for this set (sparkling shijie! 😭 that set is so incredibly beautiful! I love how you matched the colour of the overlay with her dress!)
@purplexedhuman for this set (your gifs are always incredible! I chise this one because it showcases both your colouring skills and some really intricate effects)
If any of you have already been tagged or don't have the time or energy for this, obviously no pressure to do this at all! 🥰
(btw, I originally tried to place the actual text of this under a "read more" cut but somehow it always messed with the order of the images, so this ended up as a rather long post. sorry!)
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gayregis · 3 years
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right away sorry if this gets too ranty I've just been Thinking lately and i feel like twn is such a good example of like. this idea that Real and Good film and television can only be made by Hollywood i guess? like there's even this polish saying that roughly translates to "you praise the foreign and don't know your own" which gets made fun of a lot but also. it's very true imo. like i still wonder what could've been if actual good polish filmmakers were entrusted with making a new witcher (1/?
and it would've been such a good opportunity for like. one showcasing that there Can be good art and entertainment made locally and two some genuine cultural exchange. like i know its too big of an idea for Capitalism™ but if there was a well made polish-language show on international Netflix like. idk i feel like maybe that could spark some interest in like broadening peoples horizons and changing their views on what fantasy looks like etc and its just frustrating that there wasnt even a chance
i really agree. i have been dreaming recently about what my ideal "visual adaptation" of the witcher would look like, and what i've come up with essentially is something like the polish audiodramas set to 2D animation by fans of the witcher. subs, not dubs, i guess?
audiodramas
gilthoniel1173 on youtube has uploaded many select clips of the audiodramas, translated them and set them to pictures. amazing work and i highly recommend this.
i really value the majority of sapkowski's prose, though there are faults with the witcher, his prose really has a marvelous quality to it and i am trying to think of a way to keep this intact. something like the audiodramas in which there are narration may be the best way to go, with subtitles so that
animation
it's the sort of thing i think about like, hey, if i had netflix's budget (approx. $70 to $80 million, [dies]), how would i make the witcher adaptation?
disclaimer: i hesitated to @ artists because i feel like it sends the message that i am saying, "hey you, specifically, should do this idea for free, also btw, i only see you as a witcher fanartist and nothing more :)" this is not my intention, what i want to do here is just want to bring light to these artists in the community and the work they have done, both witcher-related and original work (and i hope that i am in no way defining them as 'only-witcher' artists). additionally, this is in no way suggesting that i don't want to involve any artists i did not mention or that i do not adore the work of other artists in the witcher fandom, these are just the immediate two i think of when i think of animating the witcher.
i imagine it in the style of @paticmak , @astrolunos , @johix because they have done just such gorgeous art of the witcher... <3 (i hope everyone reading knows of these artists already, but if you do not, please check out their work and support!)
paticmak's cherry vodka, an original animation which you should watch: [x]
paticmak's witcher fanart: [x]
astrolunos' animations, including geralt and ciri from sword of destiny and yennefer and ciri from blood of elves: [x]
astrolunos' witcher fanart: [x]
johix's jadýrko, an original interactive story which you should check out: [x] [x]
johix's art (some ship and ns/fw): [x]
specific witcher pieces from these artists that i think about:
[paticmak / "The witcher drawings redraws and sketches"]
[astrolunos / slavic-inspired outfits]
[astrolunos / "yen and ciri’s room, ellander"]
[johix / geralt and dandelion at beltane (ship)]
other major inspirations in my dreams of this:
studio ghibli movies (spirited away and howl's moving castle)
independent animators like felix colgrave (double king)
laika studio animations (kubo and the two strings)
gobelins studio (sundown)
embracing the roots, introducing diversity
my main point in this section is that i believe the polish & eastern european culture of the witcher is essential to it, at the same time i also value diversity and uplifting people of color. i do not believe that these two concepts are in conflict with one another! a discussion simply needs to be held, which is something that netflix did not do because it had few eastern european voices on the set, and kept the voices of color it did have down.
something netflix failed to do is acknowledge the witcher's cultural origins... at all. really, at all. in the writing, in the dialogue, in the set design, in the character and fashion design... and they had the opportunity to do this. this is massively disappointing and thoughtless.
my goal would be to bring polish & other eastern european writers who are fans of the witcher to work through the prose to tell the story. i would also like to have female and lgbt voices in this because the witcher has some elements that are...! disconcerting, let's just say. as we saw with lauren, having a woman in charge doesn't immediately make things not misogynist anymore, somehow she added to the misogyny of the witcher. but i think this is still a step in the right direction. additionally, this writing process would NOT look like writing fanfiction. it would really be going through and working with the artists and translating the prose, deciding what should be kept and what should be left out (some things like forest gramps should be left out, wouldn't you agree?).
new scenes could be added, but they would just have to be done for a reason. i believe the 2002 hexer did this somewhat-successfully in scenes such as this one, in which they develop relationships between characters just that little bit more and add to the pathos of the witcher (which is quite direct and does not "loiter" upon many things!)
i would also really value the voices of set designers, fashion historians, food historians, and cultural anthropologists who are from + study poland & eastern europe because i believe the history and culture should be integrated into the witcher and appreciated, demonstrated in a positive and celebratory light to the world, without doing so in a cultural appropriation-like manner (in which elements are just taken without any knowledge of where they are from and what context they hold). also, yes, the witcher is not a historical fantasy - but its setting is inspired by history and it would be rewarding to see a visual fantasy universe that is not based in english culture!
i think the witcher community is really vast and holds many opinions... this is both a good and bad thing, because "the witcher fandom" includes both people of color and like, white supremacists. i will say that i wouldn't want the latter working on the project, just saying. i would like to see designs of color for the cast of the witcher (i have done a few but hesitated to post them, lol) and sensitivity readings, NOT just diversity for views like netflix performed, but diversity that empowers, makes sense, and isn't "people of color are in this, they are either white-passing or just there to support the white characters." ... i also would like to think about how we approach diversity, as in, designs/casting of color should not be relegated to insignificant or evil characters, the good protagonists could be people of color. i would also like to think about and avoid problematic tropes such as when white characters in a media teach and "civilize" a young person of color, or when "monsters" or non-human characters are cast as people of color... i think people of color should be given roles in which they are in control, powerful, desirable, and good. we need to think about the message we send. in the end, my goal would be "genuine cultural exchange" as you said.
additionally: i think involving jewish and indigenous (broad terms, but i mean them to be broad) voices specifically in conversations about writing would be significant because sapkowski made some decisions in the witcher which can come off as offensive to these groups in particular (regarding the parts of the story about elves, dwarves, gnomes, dryads, and specific characters such as yennefer and regis).
music
honestly, not many thoughts here! can we really get any better than the soundtrack of the witcher 3? cdpr has many faults, but their music is not one of them in my opinion.
afterthoughts
i was displeased to learn that alik sakharov left twn because of not being appreciated and instead being fought on his writing, but i feel a project like this would actually value input like his instead of kicking him out and citing "creative differences"
what is really the most significant thing to me is good writing and ciri's relationship with her parents, because i believe these being taken away is one of the things which was most painful about netflix's "adaptation."
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spaceorphan18 · 4 years
Text
Kurt Hummel Solos Ranked
Ever since I finished the Kurt Hummel Meta Series - Finding Kurt Hummel - I’ve been wanting to talk about the music a bit.  Well, here we go.  I have four different categories -- Solos, Duets, Small Groups Numbers, and Large Group Numbers, and I’m starting off with Solos.  
Kurt didn’t have a ton of solos on the show, but that made them special when we did get one.  Kurt’s solos are usually integral to his story line, and usually hold a great deal of emotion one way or an other.  And while not all of them are 100% tied to his own plot - I think they all show bits and pieces of his character.  
As a note - there are a few songs on here that may not initially be counted as a solo, but I’m doing so anyway -- either there’s a studio version with just his voice, or the tiny bit of someone else singing I’m kind of ignoring.  For this discussion, I’m counting them as solos. 
There are two songs, however, that I should mention first -- two short solos that didn’t have a studio release -- 
1. Pink Houses (Laryngitis, 1x18)
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I still find this number quite hilarious.  Kurt’s attempt at emulating his dad, and therefore singing John Mellencamp, to seem more ‘masculine’ is not only a great comedic spot, but shows us really what the opposite of who Kurt is.  While, clearly, not a great song for Kurt -- we do at least get to hear Chris’s low register for once, and get a rare moment when we get to see Chris be actually comedic during a musical number -- something that didn’t happen all that often because Kurt’s musical numbers were usually serious in nature and involves a lot of crying.  It’s not a great performance - but it’s a damn entertaining one. 
2. Music of the Night (Choke, 3x18)
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Another non-studio release for what is an extended comedic moment.  Kurt’s right - his rendition of this is pretty bland, and you can tell he’s not putting forth his best effort.  There’s clearly no emotional connection to the song that is a hallmark of his songs, especially his solos.  That said - the scene itself is pretty entertainingly comedic -- from his ridiculous choreography, to Tina’s bored version of Christine, to the massive amount of candles on stage.  The scene is a lot of fun - even if it’s not meant to be a serious performance. 
So, with those out of the way.... 
Kurt Hummel’s Solos Ranked: 
I should preface this with, these are, obviously, my own objective opinion.  While I am taking into account performances and effectiveness of the song, at the end of the day, these are my own opinions, and everyone will have their own version of the list.  
17. I’ll Remember (Goodbye, 3x22)
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I don’t think that there are any bad Kurt solos.  There are ones that I don’t think work all that well, and this is one of them.  First off is the fact that I’m not a big fan of the song, originally done by Madonna.  While the song does fit the moment lyrically, and I do buy Kurt singing it, the song itself isn’t that great.  The performance is fine. Despite all the tears and wistful looks, it’s a bit standard of a performance that doesn’t lend itself to being all that memorable.  Also, there’s the fact that this song is dedicated to all the men in the room.  Ug, Glee your plot points suck sometimes. 
16. Don’t Cry For Me, Argentina (Special Education, 2x09)
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This is the first of a few songs on the list that are technically sung by two people, but this has a Kurt-only studio version, so it’s here as a solo.  Kurt does relatively well vocally with this song.  But it’s clear that it’s not his song at all.  This is a Rachel song, which is made clearer as they sing it side by side as a comparison.  While Kurt sings it technically and proficiently fine, he doesn’t embody the song the way Rachel does in the scene.  (And that’s fine - the point is that it doesn’t fit him correctly.)  Kurt is a little stiff and uncomfortable with this song, with a sense of emotion that doesn’t quite connect.  And while fine for the scene that they’re doing - it lands this one low on my list. 
15. I’m Still Here (Bash, 5x15)
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This is Kurt’s last solo of the series, and, unfortunately, the only representative of season 5 (and 6), which is why it really pains me to put it so low on the list, but, also unfortunately, there are a lot of issues with it.  First of all, at this point in the series, while old Diva Broadway numbers were his bread and butter - he had been growing past them, and while the song choice works for the story (mostly), the selection feels a little tired.  Vocally, he’s proficient enough, though it lacks some of the grittiness and understanding of, say, an actual old school Broadway Diva.  (I can see Rachel Berry singing this when she’s 80 a la Elaine Stritch.)  The choreography is a little weird at times - but they did let Chris do the choreography of this one nearly by himself, and it shows a little.  
One weird nitpick I have about this number is actually a production thing -- it’s clear that in the close ups Chris is doing better acting and giving more of an effort than he’s doing in the wide shots.  It’s a weird thing to notice but between that and the tepid performance in general, it brings this one way down on the list for me. 
14. Some People (Funeral, 2x21)
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This one is a huge step above the others on the list, as the rest of this list is really a bunch of fantastic performances.  Chris really brings it in this one (and fun fact, he helped do the choreography on this one), as Kurt’s energy is high and all of his moves here are quintessential Kurt classics.  It’s like all of standard Kurt Hummel in one song, especially since it’s a classic old diva Broadway standard.  While I don’t have any complaints about the performance, the reason it’s so low is for two reasons.  The first one is the context -- it’s for an audition for a solo and not directly connected to any meaningful Kurt storyline.  And secondly - it’s just not a favorite song of mine.  But, Kurt at least gets to have a peppy and physically entertaining solo, which doesn’t happen very often, so it is worth a watch. 
13. You Are The Sunshine of My Life
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Honestly, the only reason this as low as it is, is because I’m not a huge fan of this song.  There’s actually a lot of great things going on here.  For one, this is a really sweet performance for Kurt as he sings a sentimental song for his dad.  The choreography is silly, but it’s intentionally childlike as little Kurt came up with this with his dad.  Kurt sounds really good when he’s in his lower register (I actually love his lower register - which isn’t complimented enough).  And one thing I really like from second half of the series Kurt is that he’s less choreographed Broadway style and more reflective of the quirky weirdo that he is.  And this performance is exactly that. 
12. A House is Not a Home (Home, 1x16)
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This is an interesting one, because there are a lot of great things going on here that bring it up the list, but a few things that very much drag it down.  First of all -- it’s the first showcase in the show of something I don’t see Chris get much credit for (outside the fandom bubble).  The fact that he’s able to act while sing.  It’s a difficult thing that Chris does masterfully here -- it’s not easy to make a solo next to a piano visually enticing but he really sells it.  Anyway - the way Kurt’s emotion bleeds through the song is perfect, it’s not too overt or too subdued.  And we really feel everything Kurt is feeling in this moment.  It feels real, in a way that isn’t apparent in a lot of the other characters when they sing songs (coughrachelcough).  This song is a fantastic reflection of Kurt’s emotional stance, and fits into the story wonderfully. 
Bringing it down... first of all, technically, Finn sings a verse of this.  And while I don’t consider this at all a duet (duets, I feel, are sung together), it’s still there, and still a glaring ear-sore.  (Sorry Cory.)  It sticks out like a sore thumb that Finn’s voice is not suited for this material, and while I see what they were doing with the story, it’s cringey when it gets there.  The other thing about this song is that it’s kind of uncomfortable to watch.  Kurt sells all of his emotion, but it’s focus point is an unrequited love, and the discomfort on Finn’s face, as well as a few others, makes it not an easy watch.  Still -- overall, this is a great number and a fantastic performance. 
11. I’m The Greatest Star (I Am Unicorn, 3x02)
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This is kind of an interesting one to talk about because there are a lot of conflicting things going on.  It’s one helluva performance, it’s a terrible interpretation of the song, and it’s not a great choice of audition song for West Side Story (all of which was the point), but that doesn’t mean I don’t agree with Coach Beiste, that Kurt made the song his prison bitch.  If nothing else -- this really showcases just how talented Kurt is -- not only can he act while he’s singing, he has other talents as well, such as climbing scaffolding and using sai swords.  The comedic/tragic element of this song, for me, is the fact that Kurt’s trying to show off everything he’s able to do in one song -- and in effect, while being an incredible spectacle, kind of backfires for him.  (If he had done this one for his NYADA audition - I would have bought Carmen Tibideaux’s remarks.) I think this is often an underrated Kurt solo due to the high level of proficiency that’s needed to pull this off -- but it’s also not the best Kurt has to offer.
10. Bring Him Home (Diva, 4x13)
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This is another one of those Kurt/Rachel comparison numbers that I count as a solo because there’s Kurt-only studio version and because it’s not really sung together but side by side.  What I really love about this number is that subtle delicacy that Kurt brings to the number.  It’s sung with a restrained emotion that’s perfect for the number that is a pleasure to listen to when compared to the over-emoting mess that Rachel is doing next to it.  The other fascinating thing I’m learning, as I do this list, is that there’s a sense of maturity about Kurt’s voice that I’m finding in the later seasons - which is really neat to listen for. My only real reason it’s as low on the list as it is - is because there’s the song holds no real weight for Kurt’s story.  I kind of wish the Midnight Madness song had not been the popular number of the year thanks to Les Mis, but something more meaningful to their friendship - but ah well, for Kurt, it’s still masterfully done. 
9. Le Jazz Hot (Duets, 2x04)
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This is a fun number that really showcases Kurt’s talents and ability.  I really love the moment at the end when he sings his entire range.  Like I’m The Greatest Star and Some People, it’s a showoff number, but I think more so than those other two, Kurt really brings it extra in this one as the choreography and costume additions are incredibly inspired.  It’s not his greatest vocal solo, or the most meaningful, which is why it’s a little lower on the list, but it’s quite entertaining to see Kurt push in so much on himself, especially when forced to do so by the story, and thus makes it a memorable solo. 
8. I Want to Hold Your Hand (Grilled Cheesus, 2x03)
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I believe with this one we’re getting into the iconic Kurt-solo territory.  The show already knew that Chris was a great pretty crier, and that was used to great affect in this entire episode.  The one really great thing that Kurt (and Chris in his acting) does is not over emote.  He sings songs with great emotion, but it’s usually controlled and right under the surface, making it incredible compelling.  (By contrast - Rachel is always over-emoting, and always giving the same kind of over emoting that feels bland the more you see it.)  The fascinating thing is that Kurt draws you into his world and his pain with song, and while he’s not doing much but standing there, he is letting you get a glimpse of what is behind the guarded shield he uses so much.  This is why Kurt solos are special, because they’re rare, and a rare glimpse of what’s going on in a character who blocks himself off so much from the outside world -- especially in the early years.  While I just happen to like the other solos on the list more, I believe this is one of the best performances on the show. 
7. Defying Gravity (Wheels, 1x09)
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So.  This is the last of the side-by-side comparisons that I have on the solo list.  And I want to start by saying that vocally, even minus the intentionally botched note, it’s not very good.  Honestly - go listen to the season 5 version, and you hear how much better a vocalist Chris became, and it’s really a treat to hear him grow into his voice.  And I do think Rachel won this competition.  However...  there is something magical about this performance.  First of all, the song is deeply resonant for Kurt (and for Chris) and that comes through clearly in the song.  He embodies the emotion of the song in a way that Rachel (and I’ll argue Lea) doesn’t.  The lyrics are meaningful, and are acted out superbly.  And on top of that is a layer where Kurt is debating with himself as to whether or not he’s going to throw the song.  The vocals might not be there, but the acting is, and the emotion is, and on that alone brings this song so high on the list.  This is a character defining song if there ever was one.  
6. Blackbird (Original Song, 2x16)
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Do yourself a favor - go on Netflix and watch this one, the youtube version cuts off Kurt’s head, which really is a disservice to the song and the performance, but it’s the only link I could find. 
First of all, I’m biased, because I really love this song.  Kurt sings it beautifully, too, which helps.  But really -- I think it’s an incredible story element on multiple levels.  Kurt’s singing a eulogy for a dead bird, which is bizarre when written out.  But this moment is perfect.  It’s a moment where Kurt’s restrained emotion is channeled beautifully through song, and we see, again, an element of Kurt himself, who has been caged throughout the whole Dalton arc.  So, it’s not only about the death of Pavarotti, but about the death of Kurt trying to be something he’s not - and the freedom that comes with allowing yourself to be you.  
On top of that, it’s a pivotal moment in the Klaine story, where Blaine finally gets to see the raw emotion of who Kurt is, and realizes he’s in love with him.  The fact that this song is so multilayered on top of a great and beautiful performance is really what makes it one of my favorites.  
5. I Have Nothing (Dance With Somebody, 3x17)
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This might be the most controversial choice on this list, but I’ll stand by it because it is one of my favorites.  Yes, Kurt is straining to get to some of those high notes, vocally it’s a bit raw and forced.  But my god, it’s one of the most stunning displays of emotion that he ever gets to do.  Not only is this song about him, and the type of person he is, it’s also about love, and how Kurt expresses love.  
Like so many of his best performances, there are a lot of layers going on here.  Not only does it have the emotional intensity that A House is Not a Home did, but it has a razor sharp, singular focus that the other song lacks.  Kurt is expressing himself, the best way that he can, to communicate to Blaine -- and the two of them have an unspoken dialogue during the song, which is really incredible.  (The acting chops for both Chris and Darren here are really remarkable.)  It is the most romantic performance on the list, and one of my favorite moments on the show. 
4. The Boy Next Door (Choke, 3x18)
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Believe it or not, this is one time I’d actually recommend the studio recording over the show performance.  Despite lacking the Gold Lame Pants of Infamy, the studio version really showcases just how amazing this performance is.  But anyway - unlike Carmen Tibideaux, who clearly doesn’t know our Kurt Hummel, there is nothing surface level about this performance.  And unlike I’m The Greatest Star - this isn’t Kurt trying to shove everything he can do into one performance, it’s showcasing who he is as a person and a performer.  Vocally, it’s fantastic, and I’m glad the later seasons allow Kurt to do more songs settled in lower registers - as that part of his vocal range is really quite beautiful.  Visually, this is Kurt emulating a bit of Hugh Jackman while retaining some of his own, unique elements.  This performance is truly special because it’s a time when Kurt realizes that it’s okay for him to be himself, and lets that shine through song. 
3. Rose’s Turn (Laryngitis, 1x18)
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Kurt’s first real big solo in the show, and it’s absolutely stunning.  The fascinating thing about this one is, again, just how much is going on here.  Kurt slowly gets to unravel, shaking off the expectations that he thinks society is putting on him, and blossoming into who he really is.  This song is perfect for him as a character in this moment.  While the vocals are a little shaky at times (I’m noticing that a lot about season 1 Kurt) the performance is not.  We never really get to see Kurt be angry and gritty through song again, but I’m glad we do have this moment to show how it would go.  I love everything this number chooses to be, and everything that it says about Kurt, which is why I feel it’s one of his best numbers. 
2. Being Alive (Swan Song, 4x09)
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There is something kind of magical about this song.  And this is the reason that I find it tragic we don’t get an emotionally powerful song from Kurt after this point.  (Though - after this point, we don’t get a long going individual Kurt arc either, so I suppose it makes sense.)  But here’s the thing about this song... It is Kurt going inside himself, and reflecting on all the pain and heartache that his life has given him, and all the struggles he’s had in the change from child to adult, and almost unknowingly, as the song continues on, getting lost on that emotion as he reflects.  It’s very hard for, I believe, for a musical number such as this to work on TV -- that relies on more action and visuals than other mediums.  But as I’ve stated in all of these other entries -- Kurt (and Chris, really) is the master of reflecting all these different, conflicting emotions on his face, and making it visually compelling, even if it’s one person in a room, and nothing else going on.  The emotion, the complexity, the story is all there in a performance much more mature than anything that had come before it.  This is really one of the most beautiful and richly developed performances on the show, and truly one of the best that Kurt has to offer. 
1. As If We Never Said Goodbye (Born This Way, 2x18)
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I debated for a while which would take the top spot, and what I kept coming back around to was that while Being Alive is the most technically proficient, and deeply profound of Kurt’s solos... As If We Never Said Goodbye is the epitome Kurt’s character and story all wrapped up in one.  It is his most iconic solo, and for a reason.  It’s all of the emotion, vulnerability, and deeply layered story telling we get so often from Kurt Solos.  It perfectly describes the journey this character has been on and where it’s going, as well as just being a fantastic performative piece.  It’s helped by the fact that the show allows the whole five minute song to be sung, where we get to follow Kurt as he moves from one stage of his life to the next, again another song about coming out of his shell to reveal his true identity and what is buried in his heart.  This song is why I love the character, and why I love his story.  The fact that it’s subtle and refined, but having so many layers if you’re willing to look.  It’s beautiful and imperfectly perfect, just like Kurt Hummel.  
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jaywritessmut · 4 years
Text
Weiß Chapter I- Business & Pleasure
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*Weiß- White in German
Florian Munteanu x black female reader (All my fics are with black women in mind!)
Warnings: mentions of death & drug use, unprotected sex (wrap it up folks!)
Authors note: Sorry this took so long yall! I moved to a completely new state and that came with its own challenges and adjustments. Things have calmed down since but I’m about to start job hunting and house hunting which is exciting but also stressful AF! Pray for me! I apologize for any mistakes!
Word Count: 4.3K
Something about the smell of a hookah lounge drove her wild. The subtle sweetness in the air had always brought her peace, sometimes a bit of arousal. She found it much more tolerable than plain old cigarettes. But then again, cigarettes didn’t come in flavors like Blue Mist or Double Apple. She scanned the drink menu, impressed with the newer selections listed. Of course there were the outrageous names to contend with. Oil Spill? Typical Klaus she pondered. He’d always had an eye for the dramatic and it was one of the things she loved about him. How sad it was that she’d never hear one of his energetic, albeit coke fueled, rants again. She decided to pay homage to her eccentric companion and order one for old times sake. Her usual order of Jäger would have to wait.
The server took her order, fumbling over his pen as he scribbled it down. He was intimidated by her. She radiated authority and confidence. He had no idea who she was  but the level of service she was receiving let him know that she was definitely a VIP. Making a mistake could cost him his job.
He must be new. She smirked at the thought. How cute.
Most everyone here knew who she was. Her table had been closed off and ready for her with her usual selection. Sex on the beach with a deeper freezer hose. They even made sure to put it in a mango just how she liked it. As soon as she stepped her Manholo clad foot out of her pearl white BMW, she’d been escorted into the club. Tamir gave her a salacious grin while he watched her strut into the building. Yeah, he was still hoping for a piece of that. The line of impatient party goers stared on in envy as she was given preferential treatment. But she was the boss. And bosses waited for no one.
She thought about letting loose tonight. Lord knows she needed it. But tonight was all about business. She needed to think. And surprisingly she was able to do just that as the bass from the clubs stereos shook the room. They had a deal, she and Klaus. She provided the money and kept an eye on the financial and legal side of things while Klaus was the face. He managed the club events, payroll, employees, social media presence, you name it. He was good at being the center of attention while she worked behind the scenes. But he also handled the grittier parts of it all. He dealt with the foot soldiers, making sure they were moving product. And then with suppliers to make sure they weren’t getting screwed them over. Turf wars and partnerships were all handled by him. It was a messy arena that Klaus shielded her form. And it made sense.
She was a sheltered daughter of an American diplomat. Her experience growing up in Berlin was quite different from his. While he fought to escape the crime infested slum and shady gangs, she vacationed on glamorous yachts in Malta. As a kid, he’d learned about the proper price to charge for a kilo while she was taught French and art history. They came from two different worlds yet managed to build a successful enterprise together. And now with him gone, she had no idea what to do. Just why the fuck did he have to piss off the Russians?
From across the club, Florian studied her closely in amazement. Annalise Roper in the flesh. ‘Lise’ was what she went by with family and close friends. But to her secret associates, she was Snow, the cocaine queen of Deutschland. He was surprised to see her here tonight. He had had the pleasure of meeting her on only a few occasions but knew that it was rare for her to be at the club. And with the circumstances surrounding Klaus death, he would’ve thought she’d lay low and increase security. But her face was unknown in the underground circles. When rival gangs talked about taking out Snow they were expecting a blonde hair blue eyed type. Not the melanated beauty he was currently admiring. The whole thing was ingenious really.
He watched as she threw back a shot, the club lights reflecting off her deep mocha skin. Her all white ensemble gave her an ethereal appearance, as if she were floating above the crowd. The effect she had on him was evident from the noticeable bulge in his pants. Full luscious lips, sultry bedroom eyes, flawless skin. All of her features drove him wild. And that was just her face. The white midi dress she wore, clung to her curves sinfully almost like a second skin. He knew she worked out. A body like that had to be properly maintained and cared for. And he wanted to explore every inch of it.
Florian adjusted his pants before approaching her. She’d just finish placing another drink order, a Jäger with ginger beer. The already skittish server rushed from her table almost running straight into him. When he glared stoically at the poor kid, he took off faster than before, desperate to get away from the two of them. Her almond shaped eyes gazed at him curiously while she took a pull from the hose. She admired the way his clothes fit on his body. His tailored shirt accentuated his impressive biceps. and the first two buttons were undone, showcasing his signature gold chain. He had style, that was undeniable.
Florian fought the urge to look at her lips but they were too hard to resist. The image of them wrapped around the hose was enough to fuel his already wild imagination.
She let out the smoke she inhaled while maintaining eye contact
“Wusstest du nicht, dass es unhöflich ist zu starren?”
He couldn’t help the smirk that fell upon his lips. Sarcasm was her defense mechanism, but it only made him want her more.
“Ja. Ich bin nur überrascht dich hier zu sehen, Schnee”
Her eyes flashed in anger at his nickname for her. She hated the way it sounded in German. Schnee. It was nowhere near as sexy as Snow.
“Darf ich mich setzen?”
“Wirst du mich nerven?”
He took a seat next to her, ignoring her question. Asshole she thought to herself. But a very sexy asshole nonetheless. The jittery server returned with her drink and skittered off to help the next patron.
“Why do you hate me so much?” He leaned into her, pressing a muscular leg onto her. She’d always been in awe of his large frame, even daydreamed about being pinned underneath him while he did unspeakable things to her body. But she was his boss. And she didn’t fuck her employees.
“I don’t hate you. I’m irritated by you” she went to take a sip of her drink to take the edge off. Whichever bartender made it went heavy on the Jäger . She was grateful for it.
“Why? Because I turn you on?” She almost choked on her drink as he brought his mouth to her ear.
Composing herself, she turned to glare at him. But he remained unfazed by her anger.
“Who said you turn me on? And how do you even know what me being turned on looks like? You’ve never had me to know”
“We could change that tonight.”
She rolled her eyes in annoyance and turned away from him. He was a typical playboy, used to getting what he wanted with a few charming words. But she wasn’t falling for it.
"Don’t be like that. You know you want me”
“And what makes you say that?”
“Basic science. Your pupils dilate whenever I come around. And you think I don’t notice but you look me up and down while biting your lip. It’s really sexy by the way, makes me want to lean forward and nibble it myself”
She crossed her arms in indignation trying to prevent his words from having an affect on her. His eyes wandered low to admire the way her breasts were pushed together.
“You also clench your legs together when I speak to you. Just like you are right now. And if you let me, I can give you the friction you desperately need. All you have to do is say yes”
He softly strummed his finger against her thigh. The sensation made her dizzy and she struggled to compose herself. It had been a while. Her last relationship ended a year ago and the Tinder dates just weren’t cutting it anymore.
Florian leaned closer once more and brought his mouth to her ear.
“Want to bet on how many times I can make you come in one night?”
Her resolve weakened and she closed her eyes as she fought for control of her libido. This was not what she had in mind when she made her way to the club.
Fighting past her bodies screams for release, she sat up straight and scooted away from him.
“Flo, I’m here to think. I can’t be distracted. Not now”
He picked up on the solemn tone of her voice. Maybe he was coming in a little too strong. Her friend was just killed and now she was left with an illegal business that she felt ill equipped to run alone. His attempt at seducing her didn’t really help.
“He cared a lot about you, you know? And he respected the hell out of you”
She nodded as she took another pull from the hose, trying to fight back the tears that would undoubtedly come. Klaus truly was her friend. And because of some stupid deal that she didn’t even want him to take, he was dead. She’d never hear his infectious laugh or be on the receiving end of one of his bear hugs again. A chill ran through her as she blew out a plume of smoke.
“Snow, did you hear me?”
“What?”
“I said, let me take you home. This is the last place you need to be”
“I can’t. I need to be here”
“No you don’t. Elias has the club under control. We’ll figure out the rest ourselves, okay?”
Maybe now wasn’t the right time. She’d always prided herself on being rational and calculated. It was hard to be that way when so many emotions swirled through her heart and mind. Fear being the biggest one. What if this was all going to collapse? What if she was next?
She nodded, focusing on fighting back the unshed tears that blurred her vision. This was not how the night was supposed to go. But it was for the best. The business could wait. Right now she needed a distraction. She handed Florian her keys and let him guide her out the club, ignoring the curious stares that followed. Fuck them she thought. It was none of their business who she took home.
They rode in her car in silence. She was careful who she let drive her baby but she trusted Florian for some strange reason. Occasionally his eyes would wander over to her seat so that he could admire her toned legs. He imagined them wrapped around his waist while he drove into her. Or maybe over his shoulders while he pounded into her. Snow smirked to herself as she caught him staring in the mirror.
“Drei” she blurted out. He turned to her as best he could, a curious look on his face.
“You wanted to bet how many times you can make me come tonight. Die antwort ist drei”  
Surprise registered on his face as he took in what she was saying. She was giving him the green light, and he had no intention of passing up on the offer. Florian drove like a mad man, weaving through traffic with a fierce determination. The sounds of blaring car horns filled the air as he made his way to her apartment. When they finally pulled into the parking space outside, he turned the car off and turned to Snow. The tension in the air was thick and he fought to compose himself.
“Are you sure you want this?” he asked
“Since when did you become such a gentleman?”
“I just don’t want you to regret this. If you say yes, I won’t hold back. If you say yes, then I’m going to make it my mission to explore every inch of your luscious body. Willst du das??”
With an unmistakable nod, she gave him the answer he wanted. She gazed into his hazel eyes, and found that his eyes were slowly flickering down to her plump lips. Florian leaned forward to kiss her, relishing in the feel of her soft lip against his. Her brought up a hand to tenderly stroke her cheek, causing her to gasp. He took the opportunity to slip in his tongue, gently coaxing her to deepen the kiss.
Something came over Snow as she unbuckled her seat belt and climbed over to straddle his lap. Without breaking the kiss, he leaned his seat back to give them more space. His hands lowered down to her ass which he held a tight grip on.
He broke the kiss, bringing his lips to the tender spot underneath her ear and began to place open mouth kisses there. The feeling made her head fuzzy with need and she felt her wetness drip from her center.
“Flo” she moaned, rocking her hips against his. She felt the substantial bulge in his jeans and it made her even more desperate for release. He chuckled against her skin before bringing his lips to hers and planting a hot open mouth kiss.
His hands moved strategically over her body, as if he was studying every spot that drew a response. He committed it to memory, trusting that this wouldn’t be the last time he’d get to taste her. He took both her hands in his and pinned them above her head and he continued to kiss her which she returned with fierce determination. The inside of his car began to fill with the sounds of her moans as he slid his hands up her right thigh.
His talented fingers began to glide between her legs. Much to his delight he discovered there were no panties to remove and his fingers found the source of the wetness sliding down her shapely mocha legs.
"Enjoying yourself are we?" he teased as he circled her clit. She moaned and shook, unable to formulate a response.
"Gut" he said as he slipped a finger inside and massaged her g-spot. She shuddered and felt himself hardened as her walls clenched his thick fingers.
He kissed her and continued to massage her inner walls while stroking her clit. The sensation of his mouth devouring her while stroking her most sensitive spot, caused heat to spread through her body. She knew her orgasm was close and she didn’t even care that they hadn’t even made it inside her apartment.
“Fuck, Flo, I’m-”
He pumped his fingers into her, stroking the soft spongy part of her with a wicked speed while coaxing her to her release. With added pressure on her clit, she detonated around him, her warm center tightening around him with a vice grip. He placed soft kisses on her neck, which she exposed to him as she threw her head back in ecstasy.
“That was one” she purred, coming down from her orgasm. She saw the flash of persistence in his eye and immediately knew she was in for a wild night. The gauntlet had been thrown down and he was more than ready to pick it up.
“Let’s get you in the house, jetzt” he growled before crushing his lips to hers.
They stumbled into the foyer of her apartment, a tangled mess of hands and lips. The ride up to her floor was nothing but him pushing her up against the elevator wall and teasing her already sensitive flesh. And right now, with them finally having privacy, she felt a mixture of excitement and fear.
“Where’s your bedroom?” he grunted, pulling his lips from hers.
“Upstairs, second room on the right”
With no effort, Florian picked her up and made his way up the steps. She began teasing him, suckling and nibbling on the soft flesh of his earlobe. His skin broke out in goosebumps making her smile with satisfaction. He made his way to her bedroom and crushed his lips onto hers, slamming the door behind him with his foot. They remained locked in a deep kiss, her legs wrapped around him, grinding on the front of his jeans. He tossed her onto the bed and she fell with a squeal of delight. After giggling and catching her breath she looked up at him.
He couldn't remember wanting anything so badly. He watched as she crawled on her hands and knees to the front of the bed and started to unbuckle his belt. Taking off his shirt, he measured the gorgeousness of her feminine curves as they lay before him. The gentle arch in her back, the slight hourglass form that widened into the luscious, full heart shape of her butt.
He needed to devour her; to put her in the ecstatic trance that drew him like a magnet to her in the first place. He needed to taste this irresistible creature.
She had succeeded in the arduous task of loosening his belt and had her little hand down the front of his boxers grasped gently around his thick member. He saw her eyes widen and her tongue trace across her lips in anticipation. He pushed his jeans to the ground so she could get an easier grip but when she went to take him in his mouth, he stopped her, took her hand off his member and kissed it.
"You first..."
Florian shoved Snow back onto the bed. She tumbled over with a giggle and a sigh as he crawled over the top of her. He teased her swollen clit with the tip of his shaft for a second and felt her shiver at the contact.
He began at her neck kissing slowly and biting gently, savoring her smell and every inch of her flavor. He made his way to her toned belly and grazed his lips over her navel, watching her toned tummy rise and fall as her breathing became more erratic. He positioned his shoulders under her thighs and gazed at her glistening pussy, laid open for him. Kissing the inside of her right thigh, then suckling the inside of her left, he reveled in her scent. It reminded him of citrus and honey.
With a long, flat tongue he tasted her.He groaned in appreciation at how sweet and juicy she tasted. Craving more, he  wrapped his arms around her legs and pulled her closer to his face, burying his mouth in her delicious folds. He could feel her wetness soaking his lips but it only made him more excited. His tongue danced around the sensitive flesh as he responded to her gasps and moans.
“Don’t stop, please don’t stop” she begged.
His dick throbbed painfully, wanting in on the action. But this was for her. And he loved making her moan. It was such deep satisfaction to feel the power he had over her. She followed his lead, grinding her hips against the entirety of his mouth, using the friction to get closer and closer to her destination.
He flicked his tongue across her clit in a fluid motion and inserted two eager fingers into her slick center. Her moan rose into a pleasure-filled shriek, he heard her breath come in quicker and knew she was close to her release.
“Fuck!” she cried out, her walls tensing around his fingers as she released once more in a succulent explosion that left his mouth soaking to the bottom of his nose and his hand wet all the way to his wrist. His beard glistened with her juices and it drove him wild to be covered in her scent.
“That was two” he grunted, a sense of pride filling him. He had always been a competitive man and this was one game he was sure to win. She lay sprawled, unable to open her eyes, but with a contented smile on her lips as the waves of her body's aftershock shook her, gently bouncing her breasts. He knew she was more than ready for him.
He quickly stripped her of the rest of her clothing, the white midi dress discarded somewhere on her bedroom floor. He was surprised to discover that in addition to no panties, she’d forgone a bra as well.
“No underwear huh? Well aren’t we nasty” he taunted, as he stroked his dick along her already sensitive clit.
“Shut up and fuck me Florian” she growled, growing impatient. Two orgasms weren’t enough, she wanted more. She needed him to fill her.
He slid his body atop hers, looking deeply into her soulful brown eyes as he sank into her. Her nails dug into his skin as he pulled out before thrusting forward and bottoming out inside her.
He began long, slow, deep strokes wanting her to feel every ridge and vein of his thick cock. Her eyes were closed and she was moaning with every down stroke, perfectly in tune with his pace.
“So fucking wet” he gasped as her felt her soft folds took him in deeper and deeper. He had decided in that moment that this was his favorite place to be. He could spend the rest of his life between her thighs and die a happy man.
Her cheeks flushed as the walls of her pussy tightened around him. She knew he was big from the feel of his bulge in the car but she still gasped in surprise when he filled her up. The way he moved within her drove her wild and she was desperate for more. She hooked her leg around his waist, aching for him to be as close to him as she possibly could.
“Please baby, harder” she urged, wanting to feel him fully unleash on her.  Teasingly, he pulled all the way out until just the head was inside her and paused. She opened her eyes and looked at him pleadingly, biting her lower lip hard. He sank his cock back inside her and paused again, causing her to quiver.
“Fuck Flo, get to it!” she cried, causing something inside of him to snap. He picked up his pace, his hips thrusting in her with a feverish need. She was panting as he fucked her and leaned up to kiss him hungrily. His tongue entered her mouth even as his cock penetrated her, hitting that sweet spot. And with one sudden jerk of his hips, he felt her pussy grip him tightly before exploding all around him.
“Oh my fucking God!” she screamed as her entire body dissolved into the waves of pleasure flowing through her. Florian continued to move inside her, softly stroking her face and hair while whispering sweet words in her ear. She was completely shattered, but the hard cock pulsing inside of her told her that the night was far from over.
“And there’s three. Think you got one more for me baby?” he cooed. Her hooded gaze told him she was spent, but he was determined to win this bet. He knew he could push her past the brink of satisfaction one last time.
He pulled out of her and effortlessly flipped her over, leaving her chest pressed into the mattress. He then led her to the edge of the bed, pullingg her lower body up onto her knees. Standing behind her, Florian pushed her head down to the mattress and rubbed the head of my cock against her dripping wet slit.
With a quick thrust forward, he buried his cock inside her roughly, grabbing onto her hips for leverage.
“Fuck!” they both cried out simultaneously.
Snow arched her back, throwing her head back in ecstasy. He grabbed a handful of her hair and used it to pull her back against him as he slammed his cock into her hard and fast. She moaned wantonly, and he felt the familiar tremor of her walls.
“Are you going to come for me again baby?” he cooed into her ear.
She could barely respond but her body answered for him.
“Hold it liebling” he urged, as he pounded into her fiercely.
Her body shook with every thrust of his hips and she wondered just how she would fend off this impending orgasm. As if it wasn’t hard enough, he wrapped both hands around her neck and began fucking her harder.
Her body had no choice but to surrender to his brutal assault and she wailed into the mattress as she fought to stop herself from coming. His thick cock was buried deep inside of her, relentlessly filling her up and staking its claim over her. And just when she thought she couldn’t hold it any longer, he granted her release.
“Fuck, Snow, come! Come all over this dick!” he growled before emptying inside of her, coating her walls with thick ribbons of his cum. Her last orgasm ripped through her, leaving her a screaming mess underneath him. She had never been more thankful for her penthouse apartment that separated her from the rest of her neighbors.
Florian gently pulled out of her before laying next to her. They laid next to each other, both trying to calm their breathing and make sense of what had just transpired between them.
“So I guess I won the bet” he remarked smugly, while taking in her appearance. Her hair stuck to her forehead, dampened by the thin sheen of sweat that had broken out across her body.
“Shut up” she ragged, still struggling to catch her breath. He couldn’t help the chuckle that broke from his lips and pretty soon, they were both laughing hysterically, their arms and legs tangled together.
“What’s my prize. For exceeding your expectations?”
“The nut you got was enough of a prize” she retorted, her head now gently laid on his toned chest. She lazily drew circles around his pecs, relishing in the feel of his warm skin.
“Fair enough”
“But we do have a more serious issue on our hands now,” she continued. The problems she had at the club were still there and a few orgasms wouldn’t be enough to rid her of them. Florian looked down at her expectantly, waiting for her to explain what she meant.
“I need you to walk me through the business. I want to take over.”
Translations:
Wusstest du nicht, dass es unhöflich ist zu starren?- Didn’t you know that it’s rude to stare?
Ja. Ich bin nur überrascht, dich hier zu sehen, Schnee - Yeah, I’m just surprised to see you here Snow.
Darf ich mich setzen?”- May I sit?
“Wirst du mich nerven?- Are you going to annoy me?
Drei/Die antwort ist drei- Three/ The answer is three
Willst du das?- Do you want this?
Gu- Good
Jetzt-Now
Liebling- Darling
Let me know if you want to be added to a tag list for this story! I hope you like it because I’m so excited to continue writing this!
241 notes · View notes
tirorah · 3 years
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Road to Berlin – The Strike Witches Magnum Opus?
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Hello! It’s been a long time. I don’t plan on returning to Tumblr long-term—it simply stole away too much of my time and energy, and I had to do what was best for myself. However, I thought I’d pop in for a very special message.
You see, Strike Witches’ third season, Road to Berlin, has now reached its halfway point. And I need you to watch it.
“Strike Witches?!” I hear you say. “That weird show about girls with no pants that you’re obsessed with for some reason?”
Yes, exactly! Hold on, don’t run away yet! Sit with me for a spell and allow me to explain my boundless love for this silly, emotionally gripping show. Allow me to tell you why it might affect you in the same way, and why Road to Berlin may be the best offering yet.
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Welcome to the 501st Joint Fighter Wing
If you’ve heard of this anime, you’ve undoubtedly heard of (or witnessed) its rather infamous claim to fame: a group of teenage soldiers fighting strange creatures in an Alternate Universe World War 2 Europe, flying around with guns and magic-fueled leg machines, and none of them are wearing any decent trousers.
That takes some getting used to, doesn’t it? I’m not going to deny that. But while Strike Witches’ rather peculiar design decisions are inescapable, there’s one thing you need to take into account: Season 1 aired all the way back in 2008. And over those thirteen years, it’s evolved into an experience unlike anything its roots would suggest.
Strike Witches has always been a strange beast. It has a large cast and divides its activities evenly between (light) war drama and slice-of-life shenanigans. And there’s fanservice, lots and lots of it! But the show’s emphasis on risqué camera work, and how that camera work is handled, highly depends on which entry you’re watching.
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You see, Strike Witches is strangely ambitious. It could’ve easily taken its bizarre concept and pushed that to its limits, bringing in as much fanservice as possible and playing a simple story in the background as window dressing. But it was never satisfied with just that. Even early on in Season 1, the show deals with heavier themes like pressure, trauma and loss.
And then there are the characters, the undisputed stars of the show. Twelve strong and all with different backgrounds and personal quirks, they may at first seem like TV Tropes come to life. And certainly, sometimes they are. However, as the series progressed, things started to change. Even Season 2, arguably the lightest and silliest of all entries, featured material that built on character development and character growth earned in its predecessor.
With the movie and a trio of OVAs to round out the cast a bit more, the stage was set for Road to Berlin.
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The Difficult Road Ahead
When this season was first announced back in 2018, two things stood out to me. First of all, the key visual and promotional video released along with the announcement were much more similar in style to the movies and the OVAs, featuring serious-looking characters and stormy clouds. Secondly, for the first time in Strike Witches history, an entry received a subtitle. Yes, the OVAs were named Operation Victory Arrow, but that was merely wordplay to spell out “OVA.” It wasn’t wholly serious.
Road to Berlin, however, is deadly serious.
Let’s start with an overall theme. The vaunted 501st Joint Fighter Wing has had some major victories, but much of the continent is still under occupation by the Neuroi. The Hive over Berlin is the Wing’s new target, but the journey there is fraught with obstacles. Plans are thwarted and delayed by Neuroi more powerful and far craftier than their 2008 counterparts.
And as the opening song tells us: “We all have flaws.” The Road to Berlin isn’t an entirely literal road; it’s also a metaphorical one. The push to Berlin is their hardest battle yet. Victory can only be achieved if the characters face and overcome their weaknesses. But they’re not alone.
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Friendship Is Power
As the characters have long since been established, there’s greater room for growth not just in one character, but also in how that character interacts with others. Road to Berlin chose the best possible route and decided to emphasize character dynamics. Episodes don’t focus on a single character anymore; they focus on relationships, and those relationships are at their peak here.
There’s a newfound maturity to the writing in Road to Berlin, a gentle touch that allows the characters to breathe and be more than their foremost traits. You get a sense that the characters have grown from their experiences; they feel different, more well-rounded, but they still behave exactly as they should. This is difficult to get right, and while I’m sure there might be a few eyebrow-raising moments here and there, the overall result is a cast that continues to improve every week.
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Chekhov’s Gun
Underpinning the character work is a highly intriguing execution. Road to Berlin delivers subtle setups and satisfying payoffs in every episode. The pacing is also seriously tight. No moment is left unused, every opportunity for additional development is taken. Even the script itself doesn’t like to waste time; it explains things here and there, but it rightly assumes you know who the characters are and what everything means, so it doesn’t bother with many unnecessary lines.
On top of all that, this season is reaching new heights in confidence and sheer audacity, and it uses that to deliver something truly special. There are interactions here that I never could’ve imagined, twists that genuinely caught me off-guard, moments where I had to sit back and digest what I’d just witnessed.
Not a single episode has been predictable thus far; I’ve had more surprises than I can count. In fact, before I started watching I made a bingo card on a whim, filling it with trends and running gags I’d spotted over the course of the series. Some of those bingo spaces have already been proven wrong, and others are in question. Road to Berlin has done such a spectacular job at simultaneously defying and exceeding my expectations that I honestly have no idea where this journey will take me.
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The Fault in Our Stars
Okay, hold up, stop the hype train! I admit, I’m a massive sucker for Strike Witches. One could say this somewhat clouds my judgement. Shocking, I know. So, to make this enthusiastic recommendation fairer, let’s dig into something that I hope to see an improvement on.
There is some terrible imbalance in screen time going on here. I know I said earlier that the cast is great, and it is amazing, but some characters have definitely been favored over others. Yoshika is the main character, of course, so it’s not unreasonable for her to have a large role. Similarly, characters like Minna, Gertrud and Shirley have more experience and higher ranks than the others, which means they have an easier time fitting into scenes.
So, who’s gotten the short end of the stick?
Let’s start with Lynne. She hasn’t had as much of a presence as I’d hoped. The primary reason for this is Shizuka, who’s taken up the role of newbie to the squadron and is often paired with Yoshika because they’re working together. As each episode focuses on the relationships between a select few characters at a time, the others are often relegated to minor roles, and poor Lynne hasn’t had an episode to highlight her yet. I’m sure her moment will come eventually.
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I don’t know if the same thing applies to Minna. She’s mostly stuck behind her desk again, it seems, and while she’s definitely had some scenes, her role as Wing Commander hasn’t allowed her as much wiggle room as some of the others. What I want to see from Minna is more time to be a nurturing mom to her girls. The thing is, I’m not sure how they’d accomplish a Minna-centric episode. I suppose they could pair her up with Mio, but even then, I’m uncertain where to take her. It seems redundant to have her be worried out of her mind over Mio again, and she seems to be keeping it together pretty well so far anyway.
In a trend so merciless it’s almost comical, Sanya and Eila seem forever doomed to the peanut gallery. They started out with few lines and have pretty much remained in the background since. Of course, a big factor to it all is their role as the night patrol, which naturally separates their activities from everyone else’s. It’s my current prediction that their relationship is next in line to be showcased. The quality of that episode will likely hinge on how their personalities are tuned, but there’s potential for something great.
And most shocking of all, Mio—She Who Has Practiced Plot Armor Ten Thousand Times—has had the most infinitesimal role of all. I’m of two minds on this. It appears that Road to Berlin has realized that having Mio fly into battle without a shield or Striker Unit is silly, and this is good. On the other hand, Mio is an iconic and beloved character. She deserves some screen time as long as she doesn’t overshadow the others. For now, she seems to be relegated to strategizing and logistics, although I have a hunch that a way to circumvent her newfound vulnerability has already been set up. Time will tell if this ends up being utilized.
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Journey’s End
In closing, Road to Berlin highlights the best of what Strike Witches has to offer. It’s striding boldly forward, eager to dazzle us with its animation and audio, grinning as it challenges our preconceptions about where its characters can go and what they can do.
The path to this greatness can be tough. Watching Strike Witches means accepting a number of strange concepts, which can give quite a few viewers a rough start with the series. However, if you made it all the way here and haven’t given Strike Witches a try yet, I sincerely implore you to make the attempt. If you allow the characters to sweep you off your feet, then Road to Berlin could be the apex of a most satisfying viewing experience.
Especially if its second half is as impressive as the first. I, personally, have high hopes. There’s no sky this show can’t conquer.
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snkpolls · 4 years
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SnK Chapter 133 Results
The chapter poll closed with 1456 responses. This month’s poll results brought to you by /u/berthototototo ,u/staraves, u/_Puppet_, @shifter-lines​ and @momtaku​
RATE THE CHAPTER 1,365 responses
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Nearly 80% of the fandom rated chapter 133 as good or great. In comparison with most SnK chapters, that’s on the low side. Since this was yet another set up chapter it’s possible that the fandom is waiting to see what payoff there will be before they throw their full support behind the developments introduced this month.
lmao good chapter but wtf
It's the best paced chapter since the rumbling began.
All I can say is I can't wait for the next chapter.
Great start to the end
There were a lot of contrived moments here on the first read but I'm hopeful things will play out in an unexpected way.
One of the better recent chapters, felt well paced and most of the dialogue and events seemed logical and fitting. Nice to see one more location added to the AOT world before the end.
I’ve been doing polls for almost 30 chapters now, this is the first where I have no chapter rating, I need to see how all this plays out before I decide if I love it or hate it.
All of this self-reflection is annoying. Though that feeling is just more because of the fact that waiting a whole month for another ‘these hands have killed’ chapter is not exciting when we are so close do the end and I just want to see the ending already.
Average as fuck, the intention is good but the execution is not it, and the dialogues feel very forced and repetitive.
Not good at connecting the narrative plot points 'cause there's...hundreds of them at this point but I'm here for the character interactions and to see just what the hell that "See you, Eren" from the beginning actually meant
Good but I worry about the pacing, some of this should have came earlier, will wait to see what comes from it.
  WHICH OF THE FOLLOWING WAS YOUR FAVORITE MOMENT 1,379 responses
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Looks like a lot of people were glad to see that this conflict will not be resolved with a little heart-to-heart (34.9%). People also loved seeing child Eren being spooky with his new pal Ymir (18.8%). 11% liked seeing Eren’s friends reach out to him – or at least try.  9.4% liked Levi, because Levi. Connie, Jean, and Reiner sharing a moment of understanding warmed 8.6% of your hearts. 5.6% were happy to see Falco and Gabi brainstorming, and seeing Mr. Leonhart being a badass was the favorite moment for 3.6%.
I don’t know how it didn’t come up in this survey that Levi called Armin COMMANDER. That was my favorite moment by far. I also enjoyed the confirmation of Levi still caring about Eren. He always uses Zeke as a scapegoat. I somewhat feel bad for monke.
Isayama yeeting the Talk no Jutsu trope was my favorite moment!
I CAN"T BELIEVE THAT FLYING TITAN IS CANON LIKE HOLY SHIT
It was tough for me to decide a favorite moment from this chapter because every scene in this one was awesome. That's how fantastic of a chapter it was! I guess the only issue for me is the possibility of the Flying Titan actually becoming a reality when it felt too good to be true, but looking back, I think there was some foreshadowing to this becoming a reality.
God bless Isayama for the flying titan reveal
Favourite part was child Eren and Ymir standing in the paths.
Kiyomi being willing to die and sink with the ship actually hit me harder than I expected
Levi being the smollest husband is my favorite.
The gang forgiving RBA makes my heart weep with both melancholy and joy
  WHO WAS THIS CHAPTER’S MVP 1,363 responses
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Kiyomi and Eren are similar shades of green in this chart but I assure you it was Eren’s ranting about freedom (39.8%) and not Kiyomi’s talk of sacrifice and atonement (1%) that granted Eren this month’s MVP. Armin (18.9%), Mr. Leonhardt (9.5%), Falco (6.2%) and Levi (5.7%) are the other visible pieces of the pie.
#TEAMEREN
ANNIE IS THE BEST GIRL!
EREN IS A GENEROUS GOD
Falco is a good boy
Proud of armin for not backing out from commander role🤩
I love every time Eren shows up nowadays, other characters are getting a little worrying tho, Its starting to seem like alot of them have outlived their usefulness to the story and are just repeating stuff until their deaths.
Reiner handsome. That is all.
eren is just a cool badass
  WILL ONYANKOPON ACTUALLY MANAGE TO GET THE PLANE TO EREN WITHOUT ISSUE, OR WILL THE HALF-CAPACITY FUEL TANK BECOME A RELEVANT POINT? 1,363 responses
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Because Isayama has made clear that details as small as which direction Grisha is looking while leaving the house can’t go unquestioned in this manga, we asked about the fuel tank which is at half-capacity thanks to Floch, and whether or not it will present problems for those on board. A strong plurality, at 44.2% of you, think that they’ll run out of fuel, but it won’t be a massive hindrance. In second place, with almost exactly half of the votes as the first answer, 22.2% of you think Onyankopon will use the plan in some sort of suicidal attack, and just under 20% think the fuel tank will be a major roadblock in some other way. Lastly, ~14% of voters said they’ll make it just fine despite the damage. I admire your optimism.
I hope in vain that Onyankopon doesn't die. He won't even get to go to PATHS if he does.
  THE TALK WITH EREN FINALLY HAPPENED… SORT OF. WHICH OF THE FOLLOWING DESCRIBE YOUR THOUGHTS? 1,371 responses
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Multiple select charts aren’t the prettiest but we like to think they do a good job of showcasing what the fandom thinks on a topic. While none of the options this month reached any sort of consensus, they do provide a snapshot of what we want and expect from Eren.  
Of the items offered, only “I’m glad Eren was firm and there will likely be no Talk no Jutsu” reached 50%. The other more popular choice were “I’m surprised Eren reached out to them instead of the other way around” (41%), “THAT PATHS STUFF IS STILL SO COOL” (38.8%) and “I’m glad so many were able to talk to him and it wasn’t just EMA” (33%).
The more negative options, ‘Eren was unnecessarily cruel, his friends deserve better”(13.8%), “I’m mad that Eren is letting them fight him. It’s like he wants to lose” (10.6% ) and “I don’t like Eren dismissing the possibility of talking” (8.1%) received only a fraction of support.
it looks like Eren is committed to HIS path, which backs his friends into a really tough corner. I can't say I'm surprised; we've seen it coming since they got to the ocean, we just didn't want to believe it.
Paths do be lit tho
I really wish Eren would stop the rumbling. He had done more than enough.
Eren's speech, didn't feel like him talking. It was way too typical, he used his catchphrases way too many times. This could be done on purpose for an in-story actual reason, but if it wasn't, i'm not a fan of it. The alliance talking about the colossal being able to defeat eren, makes me think armin won't be able to. I think Armin and Reiner still don't understand Eren's intentions, i fully think he does not want to be stopped. Eren is going to try to kill all of them.
I love Eren dialogues. I just loved the chapter and paths scene so much. Quality character development!!
Feel sad about Erens "catch me if you can" - I wish that the alliance will work together with Eren ....
Thank god for no talk no jutsu
he's been allowing them to use their titan powers, even against the Yeagerists who were supposed to defend their country. That means Eren doesn't dise with his friends, but doesn't side with his own supporters. Yeah, Eren's a dick.
  WHOSE WORDS TO EREN DID YOU ENJOY THE MOST? 1,366 responses
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The attempts at talking to Eren were almost a character rorschach test as each individual brought up what was closest to their hearts in an effort to stop the rumbling. While none of their pleas impacted Eren, we were curious which one the fandom enjoyed most. Levi’s promise of an ass kicking (32.5%) was the favorite, distantly followed by Mikasa’s more impassioned “Let us share your burdens” (24.9%).
Levi beeing sassy again - awsome
Mikasa saying she wants Eren to share his sins with her may be a hint for what's to come. I think she won't be able to let go of Eren and turn against the alliance to protect him.
Levi is hilarious
Honestly, the alliance have been so clueless that even Eren himself had to spare a moment for them, explicitly telling them that talking is never an option with Eren ‘I must always fight’ Yeager.
Look man, I'm an Eremika shipper and all but I really wish Mikasa didn't go on her usual "I'm here for you Eren" spiel in paths. It felt a little forced, and this would've been a good arc to have some more upfront and major changes as to how Mikasa sees Eren, but to get that usual "100% devotion" Mikasa that we've seen all series after we got signs that she's changed how she sees Eren was kind of disappointing.
I knew that the alliance talking to Eren won't work
Everyone is all sad while trying to convince Eren to stop the rumbling, and there's Levi cracking up jokes 😂 
  EREN PREEMPTIVELY TOLD THE ALLIANCE TO NOT NEGOTIATE WITH HIM AND TO ATTACK HIM WITH THE INTENT OF KILLING HIM. WHAT DOES THIS MEAN? 1,357 responses
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It seems to be another month of Isayama dangling Eren’s motivations in front of us, though this time we got some substance in the form of some surprising words to the alliance. The most popular interpretation is the straightforward one (30.1%), that it’s as Eren says and he is genuine in not wanting to step on his friends’ freedom. Up next is people who support Reiner’s hypothesis of Eren wanting somebody to stop him (21.2%), with decreasingly popular choices being Eren wants to be killed only after the rumbling is complete (15.5%), he’s just continuing his daily “freedom” spiel (12.4%), and he’s confident in the alliance’s inability to stop him (11.6%). Many opted for the write in option to share their original theories (5.6%).
Seemed like a cry for help to me.
Im convinced that he wants to be stopped, he just doesn’t realize it yet.
Inconsistent character writing lol
Eren loves his friends, so much that he is unleashing the Rumbling, but he only cares about them on a physical level. He wants them to stay alive, no matter how they are mentally.
Eren is in the darkest part of his mind and wants to die. However, his obession with freedom is strong, so he keeps moving foward and won't allow his friends to just kill him without fight.
He wants the alliance to challenge fate, as he thinks the destruction of the world is inevitable
I believe that Eren does want to win but doesn’t want to live with the guilt, but I just felt this moment was too forced, and honestly a little bit cringe, just didn’t feel like something Eren would say
It wasn't Eren talking
No idea, not even sure it's really Eren talking
There are only a few possibilities that make sense: Reiner is right and he wants them to kill him, Ymir is controlling the PATHS and trying to imitate Eren but doesn't quite understand that his concept of freedom is hypocritical, OR Eren only sees restriction of freedom enforced through PATHS as being truly taking away their freedom, like he thinks it's alright to manipulate, gaslight, beat and imprison his friends using his own voice and hands, but using the Founder is somehow too far.
it’s all a part of his plan even tho the fandom hates it. Just wait for it guys ;)
Eren wants the world to see that the Eldians they hate are saving them from the rumbling
If allaiance kills eren then the world will respect eldians more
Zero Requiem
I don't like the Lelouch scenario, it is contrary to what Eren's character really is. I believe there is more to this because why say it now, when he could have said it before ? There has been many holes with what he's doing.
Lelouch ending
LELOUCH LELOUCH LELOUCH
It means he values freedom over safety... which makes him look like a hypocrite because a lot of times he had no problem taking their freedom from them lol
hes hypcritical asf, getting to decide who can be free or not when he that literally was bothered by that himself. I think it was very selfish
Eren has become crazy had this point and his reasoning doesn't make sense, he's trying to dodge reality
Eren is just trying to define, create, and justify his own version of “freedom” because he can’t let go of his childish way of looking at the world. Letting his friends have their “freedom” almost feels like a cheap necessity he had to toss into his homemade definition of freedom.
Eren is a fucking narcissist, a hypocrite.
Eren is dumb
Eren is just doing what he has to do.
Eren's cool as fuck
He's literally giving them the choice to do what they want. The freedom of will. It's up to them to decide if they want to stop him by force or not. At the end of the day, Eren is already firmly set on doing what's necessary for Paradis.
If they want to die trying to stop the rumbling, they are free to do so. But, he wants them to know that negotiating is useless
Reiner is wrong, Eren doesn't want to be stopped because the Cringevengers are trying to take away his freedom to destroy his enemies
  EREN IS DEPICTED AS A CHILD, AND WITH THE SAME SHADED EYES AS YMIR ONCE DID. WHICH OF THE FOLLOWING EXPLANATIONS DO YOU BELIEVE? 1,339 responses
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Child Eren appears again in this chapter, but now resembling Ymir even more. About half of the fandom thinks that the shaded out eyes is a sign of loss of free will. The other popular option, at 42.1% is that they’re depicted at the age they first got their titan powers. The idea that their eyes symbolize ignorance and that their child form symbolizes immaturity each got about 16%, and 10.5% of fans think Yams drew it this way just to look cool.
Alliance POV. They cannot understand Eren/Ymir, therefore their eyes (=windows to the soul) are obscured. Note that Ymir's eyes gradually got clearer from Eren's POV as he humanized her.
Carla died when Eren was still a child. He never healed from this traumatic experience, his child-self is still strongly suffering, that why he appeared as a child. I believe that the child next to Ymir is the darkest part of Eren's soul.
child self image is reflective of eren entering a state of naivety so as to bear the pain and gravity of the rumbling which he has caused  
I think it symbolizes a kinda immature concept of freedom
"Slaves don't need two eye balls". Eren is a slave to freedom.
shaded eyes represent being blinded by their desire for freedom & child-like state represents their innocence even if deemed to be something more
The are the ages of their greatest trauma
Adult Eren couldn't live with the guilt so he's letting child Eren carry the weight.
Both of them are doing everything for the sake of others, at the moment they aren't even thinking about themselves. EREN wants the people he loves and cares about to live a happy life and for that he is ready to sacrifice himself.
Bert had shaded eyes when talking to Armin too. I think it means the character is going to do questionable actions but in a mysterious manner. If that makes sense…
Bertold had the same shaded eyes when he was acting as the villain in rts. Same for Eren/Ymir here. Like Bertold, he is willing to kill his friends
Eren could have split his psyche similar to Reiner did with Marco. He is so distraught from his actions that he is using his child self's willpower to continue moving forward.
What about that parasite thing that attached to Ymir in the tree? What if that's the big bad of the series, and has taken over Eren?
The eyes are closed because they are tapped into the Yggdrasil network and are looking at what is happening in the real world through an inner eye.
  YMIR APPEARS TO BE ALIGNED WITH EREN. WHAT DO YOU MAKE OF THIS? 1,329 responses
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Ymir and Eren standing side by side was quite the sight to behold, but what does it mean? The large majority at 55.9% believe it indicates that they’re on the same side wanting the rumbling. 19.2% believe Eren to be a pawn to her now, 15.6% think it’s the other way around, and 9.3% think she’s on his side but is having doubts about her allegiance.
Corrupted by the Eren’s idea of freedom (Ymir’s freedom was taken from her); Child Eren is a prisoner of Adult Eren’s future actions.
Eren is taking Ymir's place as the lord of the Paths. Like Ymir, after he dies, he will live on in the Paths.
I low key think Eren is kinda being controlled by Ymir/ conflicting with her
Eren is now like Ymir, enslaved in Paths to something bigger
Ymir started controlling Eren when he was a child
Ymir and Eren are tied together now. One is definitely being influenced by the inner emotions of the other (possibly Ymir's years of resentment for her life since we saw Eren "sleeping" at the end of one of the previous chapters with the birds)
Eren as a child symbolises regression, immaturity and narrow-mindedness. Eren refuses to be an adult (aka making compromises, listening to others…) and enslaves himself to the simplistic ideology he had as a child. Ymir was a literal slave who never managed to emancipate herself despite her power. I think the parallel between the two is to make Eren's state of mind more explicit than it already was in 131.
EY is cute and canon
  EREN SAYS ALL THAT’S LEFT IS TO FIGHT. WHO IN THE APPROACHING BATTLE WOULD HE BE WILLING TO KILL? 1,333 responses
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Eren’s willingness to kill his own friends has been a topic of debate ever since the two sides separated, and this chapter pushed that question further. People seem to think Eren would hesitate the most with Mikasa and Armin, and hesitate the least with Pieck and Reiner, with the others falling into various middle positions, as the chart shows. The requisite to avoid Eren’s hit list seems to unsurprisingly be a pre-existing bond with him, with some leeway being given to children. Except for Gabi, it seems, but we all know how Eren fondly refers to her as “that brat”.
Eren has accepted that he will kill his friends, and wants to get it over with
Eren explicitly said "If someone tries to take my freedom, I won't hesitate to take theirs". That was in private to Zeke, so I don't doubt for a minute he will kill anyone in the Cringevengers he needs to in order to achieve it.
He is willing to kill them and I can't wait when some of the 104th will die already
Eren kill Armin already please
If Falco dies, I cries.
  IF NEITHER SIDE STEPS DOWN, EREN SAYS THEY’LL COLLIDE. WHO DO YOU THINK WILL WIN THE BATTLE? 1,349 responses
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The time to make your bets is here! As the long-awaited battle between the alliance and Eren approaches, the audience is almost evenly divided on what they think the outcome will be. If this poll counts for anything, the alliance are projected as the victors (50.6%), narrowly edging out (by only 15 votes) the believers in Eren as the winner (49.4%). Whether you attribute the neck-and-neck result to the unpredictability of the setup, or simply too many clearly incorrect people from the opposing side to yours, is up to you.
The alliance will win GG WP
The alliance have 1 skilled warrior , 2 skilled former SC soldiers , 5 Titan shifters and 2 Ackermans but I still thinking that they can't defeat Eren or Ymir .
th Eldian empire will win in the end and the outside world will get what it deserves...I hope
Eren naturally shouldn’t be able to be stopped. He’s way too powerful.
I appreciate the fact that Commander Armin definitely has no tangible plan and it was the SC part manifesting their death throes for a peaceful end. Still I can't help but cringe and not feel anything at their attempt.
don’t think it’s a win/lose situation between eren and alliance, both with win and lose in some way and there will be some 3rd option
I can't wait to see the alliance-Eren fight. I just can't wait
Isayama's writing with his asshole. Whoever side gets to win, we lose.
  LEVI RETURNED FROM PATHS WITH MORE FINGERS THAN HE STARTED WITH. IS THIS A MISTAKE? 1,342 responses
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We’ve seen Isayama make mistakes that the fandom took too far before, is this the case again? In an incredibly close vote, 51.5% think it is just a mistake, while the other half at 48.5% are convinced Isayama slipped in this plot development.
I've been saying this for years but Levi getting his fingers back from the Paths was definitely intentional and I'm sure the relationship between Ackermans and the Paths are going to be a major plot point. And after 132 I'm wondering if the 'afterlife' aspect will prove important too.
Is it just me or has Annie been going through a growth spurt lately? Either that or Isayama's artwork is getting sloppy. Not to even mention Levi's fingers…
This was quite a chapter. So many things that could happen especially with the flying titan. And then levi possibly having his fingers back. Then learning annie’s titan power. I heard aot will have a bad ending but i hope the the alliance will win.
Levi is being healed by the coordenate. Ackerman's blood is "half titan" so he must have recovered because of that just like titans do.
  WHICH COMMANDER HAD A BETTER TITAN DRAWING? 1,352 responses
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Can Armin live up to Erwin? While he’s asking himself that, the fandom has decided that in the drawing department he has not. Erwin’s (in?)famous turkey titan drawing ate up 61.2% of the votes compared to Armin’s drawing from this chapter at 38.8%.
none of this would have happened if my goat erwin was still alive
  IF EREN IS INDEED STOPPED BY SOMEONE, WHETHER IT BE KILLING HIM OR INHERITING HIS TITANS, WHO MAKES THE MOST SENSE FOR THIS ROLE? 1,349 responses
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The bets are on Mikasa being the one to stop Eren and/or inherit his burdens at 30.2%. Her words to Eren this chapter could definitely be foreboding in hindsight. Armin, leader of the uphill battle against Eren, is the runner-up at 26.5%. 18.6% think the answer is no one – presumably because Eren will either wipe ‘em all out, or be the one to decide his own fate. 13.5% think Reiner will be the one, he is the same as Eren after all. But everyone is the same nowadays, so who knows?
We then have Gabi (4.3%), Falco (2%), and Zeke, Jean, and Levi tied (1.5%). Annie follows with a tiny fraction (0.4%), and Pieck, the ultimate underdog, has the fewest votes at 2, or 0.1%.
...Hang on, aren’t we missing someone? Yes – even below Pieck, there is the underdog of underdogs: literally nobody thinks Connie will be the one to end it all. Will he ever be considered a real main character? :’(
I'm leaning towards Mikasa.
It feels like there was a lot of foreshadowing for Reiner to go head-to-head with Eren one final time.
Can't wait for Gabi to eat Eren.
  WILL LEVI KILL ZEKE? 1,322 responses
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It’s been over 4 years both in and out of world since Levi vowed to kill Zeke. Will he end up doing it after all this time? The majority of fans think he will, at 54.8%. 18.5% think he’ll die before completing his goal, and 14.2% think he’ll reassess the situation and his goal of killing Zeke.
Both will die fighting each other
He may kill him and realise it was pointless, both as revenge and to stop the rumbling. Or possibly he'll be prevented from using violence as a solution this time. No forgiveness though.
He will defeat him but die just after killing him
He will fulfill his promise to Erwin but he'll die soon after
I do think he will but I don't think it's about Erwin's promise anymore
He will prioritize stopping Eren over killing Zeke
Please don't kill monke. Let him redeem himself first. Monke to save the world!
He won't necessarily forgive Zeke, but he will take pity on his sad state of affairs, but more importantly realise stopping the rumbling is more important than his petty revenge.
I predict Levi will kill Zeke, but it will be some kind of suicidal attack that will get him killed in the process.
Zeke will die but not by Levi's hand
He'll be forced to team up with him to save the world. But won't forgive him.
Nah, characters never get what they want, plus I don't see a real fight between them, that would be repetitive and too predictable and Zeke is probably too distressed/depressed over what happened in paths. And that would be really boring if Levi killed him tbh.
No, Because Zeke is already dead
I can’t believe the Beast Titan could be any animal they wanted, including a T-Rex, and that boring jackass picked a monkey. As if he wasn’t enough of a loser.
HOW CORRECT ARE ARMIN AND LEVI IN THINKING THE RUMBLING CAN BE STOPPED BY KILLING ZEKE? 1,343 responses
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Levi suggests to the alliance that instead of ending Eren’s life to stop the rumbling, they could opt to kill the man previously called the key to the Founder, Zeke. Only 4.2% of people agree that this would help in stopping the rumbling, with the most popular response at 41.8% being it would fail due to Eren having full control of the Founder. The belief that Zeke’s death would have alternatively disastrous consequences is also popular, with 27.8% thinking Ymir’s presence would allow the titans’ advancement to continue, and 26.2% expecting the lack of command over the titans would render them mindless, but still functioning.
killing zeke probably won’t solve anything since the rumbling has already started, it might make a difference since eren isn’t royal but i think it’s just too late, and I really don’t want zeke to get killed
They'll find either that Zeke is already dead and was only needed alive for a moment to begin the rumbling, or that his continued existence is still necessary for defeating Eren somehow.
Everyone's talking about "stop Eren using Zeke," and here I am remembering "Zeke, stop Eren."
How is killing Zeke going to solve what Eren is doing? The poor guy just wanted to achieve his dream of eliminating all pp’s and instead he has to bear the burden of the destruction of the whole world.
Killing Zeke instead of Eren would be an emotional cop out for the Alliance. I hope that won't become the case, because that would make the ending of this manga super dissatisfying.
  WHICH WHOLESOME MOMENT BETWEEN COMRADES DID YOU LIKE THE MOST? 1,334 responses
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In such dire times, wholesome moments really are appreciated. 43.5% loves seeing Annie recall her 104th days the most, while 28.3% appreciated Connie accepting comfort from Reiner. The rest of you were split pretty closely between Gabi and Falco being adorbs together and Armin emulating Hange in his interactions with Onyankopon.
Annie's flashbacks of the Warriors I rly liked, Reiner smugly looking at Bertholdt was rly heartwarming...
It is very heart-warming how close the surviving members of the 104th still feel to each other after all said and done, including Eren.
the 104 got some understanding /closure for previous actions, so that's nice
Gabi and falco should have listened to Annie when she told them to take care of the charcoal, instead of ruining the chapter, and spewing some nonsense
WHICH OVERUSED PHRASE FROM THIS CHAPTER ARE YOU MOST TIRED OF? 1,315 responses
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Isayama sure is hammering home certain themes and character motivations; is it too much?  29.1% are tired of hearing everyone scream EREH, which is most often attributed to Mikasa, but it branched out this chapter to all his friends. 22.3% got bored of everyone being the same as each other; because when everyone’s the same, no one is. 19.5% are tired of every other word out of Eren’s mouth being freedom, 16.4% want Levi to get an original thought, and 12.7% want Eren to shut up about his other catchphrase and just stay put for one second.
Muh ereh
I LOVE YOU EREN KEEP MOVING FORWARD 4EVER
"The dialogue between Jean, Reiner, and Connie couldn’t have been worse. It felt like a bunch of stock phrases, “we’re the same”, “traitor”, etc.
Can't remember who said this and where but Eren does love his friends, it's just that he only cares about their physical well-being. ""You are free to do as I see fit.""
Ereh: Reiner, I am the same as you. I know that my enemies are the same but I have no choice because Society™
Rainah: No, you are wrong. I had a choice, but I attacked the walls because I was selfish and because I wanted to.
Ereh: Damn bro, same. Time to commit war crimes!
Man, each time I feel like the 104 can't be more annoying... I can't stand their whining about ereh, how they don't wan't to kill him and that ereh is just misguided, let's talk, please come back uwu.
The forced ""We're the same"" bullshit is really getting on my nerves. Reiner broke a wall with the goal of committing a genocide against innocent civilians. Jean and Connie killed a few soldiers with the goal of STOPPING a genocide against innocent civilians. No, these actions are not the same, and I'm sick of Isayama trying to make us think that they are. Now, I can forgive it because it seems like he's just going for a "Jean, Connie and Reiner all murdered former comrades and are racked with guilt because of it" comparison, which I'm fine with, but we're on thin ice here with the moral reductionism.
"We're the same". I'm sorry, are they suggesting the 104th and Warriors are ANYTHING alike? the 104th are victims of circumstance who were forced to make terrible choices. The Warriors willingly slaughtered hundreds of thousands. The Warriors are horrendous monsters beyond redemption, and it's insulting of Connie to say they're the same as those inhuman creatures.
even tho I liked that Connie and Jean acknowledge their similarities with the Warriors, they are still not the same, the Warriors were brainwashed coerced children when they started their crimes, the 104th were adults in high positions when they killed innocents and they enabled Eren to do the Rumbling by ignoring the signs, while RBA almost from the start fought to prevent the Rumbling.
The chapter's named Sinners, Isayama called feeding a person to a titan a sin right as chapter 84 came out, and EAMJC killing Bert still hasn't been addressed under these circumstances? They're saying they are the same as the warriors which isn't true in any capacity and I hope they fall on their ass soon to realise they are not at all the same.
Eren saying freedom all the time has been cringe since the EMA table confrontation.
  WHAT WILL FALCO’S FLYING TITAN BE USED FOR? 1,335 responses
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The most popular two options, at roughly a third each, are that Falco will come in clutch at the final battle, and that he’ll save them when the plane starts to falter.
Carrying the Eldian evacuees to safety but remember there are also Marleyans there. A titan saving Marleyans, by its own will, will all help for the final peace treaties  
Either taking Annie, Gabi, Yelena, and Kiyomi off the boat and picking up the Alliance in case the Flying Boat runs out of fuel at any point, or carrying the Eldians from Liberio to safety in case there are no airships left at Fort Salta to escort them.
What's the point of Annie going off if she's just going to join back a chapter later after more aruani flashbacks?
I DON'T WANT TO BELIEVE IN THAT
Eren is baiting him with that "scenery" because he needs to have the 9 titans to end the Ymir's curse
Fly gabi to the founding Titan to snipe eren
I get a feeling that he is the one who may inherit Eren's titans. What would be the point of giving him the titan powers, if he doesn't have any bigger role to play? Falco is somehow opposite to Eren, so if the power of the FT and AT are given to such pure boy like him, the future of the world might become brighter.
I thought the dialogue hinted more at Annie eating Falco's spinal fluid and gaining wings. Also I think it will be funny if Falco's memories are not from the previous Beast Titan but is actually the "Scenery" (it looks suspiciously similar)
Transporting Annie, Gabi and Falco where needed for the plot.
I wonder if Annie mentioning eating birds meant anything, or if it was just another poor attempt at humour by Isayama?
He'll transform thinking he can fly, find out he can't, the ship will sink and that's how Isayama will kill the characters on the ship
He'll fly far away on a different planet and start a new colony. Oh wait there is atmosphere. Whatever paths will lend him some cheat codes :P
  THE PLOT POINTS HINTED AT IN THIS CHAPTER HAVE SPARKED SOME BACKLASH. HOW DO YOU FEEL ABOUT EACH ONE?
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So many revelations! The most controversial ones are Falco potentially becoming a flying titan, him getting Zeke’s memories, and the Female Titan powers; though more people are ok with each of these than not. Eren letting his friends continue to use titan powers, and the Beast Titan being multiple animals are the most accepted developments.
The idea of a flying titan is forceful and too convenient. I wonder how Isayama will draw it and not make it look like something odd.
The flying titan thing is the dumbest and most forced thing in snk I've seen. It feels like something from a fanfic and just seems so out of place. It's so sudden and forced. There are other things that seem really rushed in this chapter too. Like the bits about Annie's titan etc.
Lol at people calling anything about this “forced”. AoT fans pretend they’re a lot smarter than they actually are.
The stuff about Female titan and flying titans and memories being distributed was maybe a bit too conveniently delivered in the very end of the whole series, but tbh it's still plausible in-universe. I take it as a sign that Isayama knows what he wants and he wants to do the ending justice, not just get it out there as soon as possible with as little work as possible."
I'm glad the Falco can fly because it means the rest of the alliance can join the final battle and him flying was well built up. What I think should have been set up better is this power coming specifically from the Beast Titan. All past users we have seen of it was a monkey and we're just being told it could be other animals now?
some things (like zeke's beast memories, female titan abilities, flying titan, warrior families being alive) were so convenient, but I'm not too mad about it
Someone had thought about the beast titan animal theory before, since there was a giant horse at those old "paintings" that tell the story about eldia in marley's perspective, it is in chapter 87 i think, when grisha's parents are lecturing him.
The falco thing is too forced. The beast titan being any animal isn’t that forced but it should’ve been revealed waaay before, not in the same chapter as this whole falco flying thing.
I fully expected the Liberio Eldians to be alive, but was not expecting them to be en route to Fort Salta.
I don't like how plot convenient it is that the Eldian evacuees from Liberio are heading for Fort Salta just like Eren with his rumbling titans, the Alliance fighters on the flying boat, and now apparently the boat crew as well.
I always thought that suggested all the forms that titan could take. In retrospect it feels obvious -- Yams, you practically telegraphed that by naming the kid Falco in the first place.
What do you mean it's stupid that Galliard cured world hunger by creating bacon with his Titan form? His name is PORCO
since when could the Female Titan copy other powers? Did I just miss that? Because it just comes across as a convenient way to get Falco, Gabi, and Annie to the final battle.
annie will eat a boat and tranform into a boat titan AND KILL EREN WITH HER BOATNESS.
  WHICH TRAIN MOMENT DID YOU ENJOY THE MOST? 1,332 responses
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After being implied in 125, we get to see the Liberio evacuees on the run. As set up in that chapter, 44.8% were most happy to see Mr. Leonhart continuing to be a boss, while 33.6% were most hyped for another great double spread of the rumbling, as we’ve gotten for the last 4 chapters. Mr. Finger and the Brauns' concern for the children came in after that, followed by Karina and the Grices.
Papa Leonhart is a true badass. It wasn’t said if Bertolt’s mother was still alive, and the lack of Galliard parents/zeke’s grandparents was interesting- how the only warrior/cadet families shown were ones with a child that the readers know is still living.
Go Mr Leonhart we stan
I can’t believe karina is still alive
While having all the warriors' family (expect for the Yeagers) be there is forced and not natural, I'm really hoping that Falco gets to reunite with his parents.  He's so precious that he deserves that.  If the other parents die then so be it as long as I can have a Grice family reunion.
The approaching rumbling has pretty much lost its impact as a visual image because Isayama has overused it to death.
I liked the new character in the train
This chapter was a beautiful demonstration that ANNIE GOT ALL HER GUTS FROM MR. LEONHART THAT BADASS JUST REFUSED TO DIE AND FORCED THE MARLEYAN SOLDIERS TO GET TO THAT TRAIN WHAT A LEGEND
  WILL THE BLIMP BOMBERS BE EFFECTIVE AT ALL? 1,348 responses
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The chapter ended on the cliffhanger of the blimp bombers approaching Eren, but will it be worth the wait? The Majority, at about 75% think they will take out a few colossals but nothing to write home about, 19.7% think Eren will wipe them out without a second thought, and 5.6% think they will help deal a decisive blow.
I think The bombs on the plane , The colossal Titan nuke ability and the blimps won't do any kind of damage to Eren .
the blimps Will be destroyed by founding titan eren using his thorn on his spine
I'm itching to see eren finally take some sort of action against marley's bombers :D
I’m wondering if Isayama is going to flip the script a bit and showcase how the advancing technology is gaining the upper hand over titans, and cut Eren off in his tracks abruptly/make him change his tactic. Or, if it’ll just be the catalyst for the alliance to stop him after they witness it has no major affect on the titans.
I'm not sure about the direction of the final battle but everything's colliding at Fort Salta one way or another. I'm curious about this volume's cliffhanger."
  DESCRIBE THE CHAPTER IN ONE WORD 855 responses
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Continuing with the theme of underwhelming reception, the responses to this were, at least compared to others months’, very low in quantity and disparity between the top words. The 5 most chosen words for this chapter, quantity and average rating included, are:
Setup/Set-up [32 ; 3.91] Amazing [28 ; 4.79] Freedom [25 ; 4.20] Awesome [19 ; 4.84] Paths [19 ; 4.16]
Honorable mentions (because they all had the same or only one less amount of picks) include Ereh, Interesting, Great and Pain.
  WHAT CHAPTER DO YOU THINK THE MANGA WILL END AT? 1,337 responses
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Since Isayama’s self-appointed deadline of 2020 likely failed to stick, we’ve decided to revive this monthly question. The last time we asked, the majority of respondents chose 138 as the final chapter, which remains the most popular option now, though now losing a majority (39.5%), with 140+ (20.9%) and 139 (21.3%) hot on its tail. Perhaps it has something to do with the shared opinion that this chapter is one of setup, but it’s safe to say most of us are unconvinced this is ending anytime soon.
I think that the manga will end at chapter 138 or 139, and so 133 has to be the last "transition" chapter before the climax (end of volume 33/beginning of the last volume)
I think the story is going to end either at 138 or 139.
it will be over in a few months and both like Eren and Yams, we will finally be free.
I just hope Iseyama doesn’t rush to end this before the end of the year. 138 is the minimum
Idc at this point i just want it to end now it feels like it's stalling
I CANT WAIT FOR CHAPTERS 134+ TO COME OUT
im sad its ending :(
  WHAT ARE YOU MOST HOPING TO SEE NEXT CHAPTER? 1,366 responses
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Wow this was close!! We have a lot of hopes for next month’s volume closer. Of the options we presented, “The alliance finally taking action against Eren” (23.1%), “ZOOK WHERE ARE YOU” (22.1%) and “I’m always down for more Eren Jaeger” (20.9%) created a tight three way race. Historia’s return to the story was a distant fourth (12%).
I'm really curious about Zeke's whereabouts, I'm sure he will play another big role from now on
I’m just confused about Eren’s motivations and desires at this point.
Love the thought of a flying titan
levi better kill zeke next chapter!!!
Pls bring back historia
I just want to see Historia. Please I miss her lesbian greatness. Please I'm tired.
Next chapter is gonna be crazy
where is monke??
Isayama has something up his sleeves and I’m scared for the next chapter lol
Just let Levi kill Zeke already
Kiyomi backstory when?
One thought, the same as after every chapter, who's gonna bite the dust next ?
  WHICH OF THE FOLLOWING PLATFORMS DO YOU USE TO DISCUSS THE SERIES? 1,274 responses
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Reddit (41.3%) and Twitter (40.7%) remain the two most active platforms for fandom discussion, with Twitter stealthily creeping up on Reddit ever since we allowed multiple selections. Discord follows at (21.6%), with those lucky enough to talk about SnK in real life close behind (20.4%). Wherever you discuss the series we appreciate your support of the chapter poll! Even the Snapchatters.
  ADDITIONAL THOUGHTS ON THE CHAPTER? 365 responses
WOW, something something the japanese fans are not happy copypasta
The rumbing started some time ago and our heroes should get hungry in a little bit, will they be able to call pizza? Or something? Because it'd be very sad if they had to die without dinner :(
If Falco's cloud memories end up being child-Eren's view from last chapter, that would be incredible. So many characters will seemingly play an important role now that I have no idea what will happen next.
Reiner keeps thinking that the dialogue is about their guilt and since they are the same, then Eren wants to kill himself. But one of Eren's main statements is that he keeps moving forward despite everything (and he thinks Reiner is the same). I think Reiner's ""Eren wants us to fight him because he wants to die"" will be proven wrong, and he'll come to the correct conclusion in the end.
it's frustrating seeing eren continue the rumbling for the sake of his friends when it's not what his friends want
It's good but it could freak me out
it's honestly making me feel more hopeless...
Connie Reiner conversation was perfect to bring up his late best friend Bertholdt, but I guess they forget again and pretend they never killed him brutally, and he just got thanosed one day lmao
i'm really enjoying annie's development. she's went from one of my least cared about characters to one of my favourites just from her development with armin and reiner alone. really looking forward to how isayama will finish her arc.
Eren is gonna be defeated by the power of friendship and the power of the scarf he gave to boring Mikasa and also by two kids who should honestly be dead by now but somehow are still alive in this mess anyways boring chapter i don’t care what happen anymore I just want to this to end
According to all known laws of aviation, there is no way a Falco should be able to fly. Its wings are too small to get its fat little body off the ground. The Falco, of course, flies anyway because Yams don't care what nerds think is impossible.
I don't mind the "inconsistencies", because most of what people are complaining about is just nitpicking that doesn't have much of anything to do with the story being told. I just hope that we're done with setup and can finally get to the final battle next chapter.
Everybody in this chapter was admitting their sins, but Bert still wasn't mentioned when so far he's the biggest elephant in the room when it comes to Reiner / AMJC. They watched Armin devour Bert and felt nothing about it, they participated in a terrorist attack against Liberio and threw a party instead/didn't protest against it, but the moment they betrayed their countries and slaughtered their comrades, suddenly they're evil sinners. It really feels iffy as shit.
Eren should finish what he started, I actually support him, I do understand his anger, his past anger, and everything that has been done to the Paradis Island. The only way to stop the exterior world’s way they think about them, is killing them all (or nearly), otherwise it’s never going to stop. It would be too much of a childish way of actually allowing the alliance to stop him knowing that he’s really REALLY powerful.
I don't get why people are having so much backlash about Eren allowing the Alliance to kill him, it's not a goad of "come get me", it would be hypocritical of him to take away their powers to stop him when he preaches about freedom, because then he'd just want PERSONAL freedom when want he truly wants it freedom for everybody especially Eldians.
@ isayama as a yumihisu shipper stop the Ymir smelling Historia's hair gag it isn't funny :/
I just think Eren doesn't detour from his character cause he's persistent on continuing the rumbling, having his own definition of freedom while he also doesn't take away his friends' power to fight him. It's just kinda frustrating that Eren is so blinded by his concept of freedom and chose this path.
People who think Eren will complete the rumbling are in heavy denial.
I kinda hope that we get to see Hizuru at least once. I also believe that Mikasa deserves to know the truth about her Ackerman blood and that it does not make her a slave in any way. More than anything though I just wanna see her character done justice in this final arc so that people will finally quit complaining about her always being "Eren-obsessed." She is without a doubt one of the most misunderstood characters in the entire series.
I liked the Paths stuff. But I'm bored of the cringe 104th, Isayama please give back Bertholdt I wanna see him, Paths is the perfect opportunity T-T
I maintain that Eren allowing his friends to fight him and potentially die because FREEDOM is fucking weird and OOC because he had no problem taking their freedom away in 112. He lied to their faces (same chapter he stated that ignorance=slavery) and locked them in prison. He also couldn't stand losing anyone close to him for most of the manga (serumbowl, hiding info about Historia, etc.), even if it went against Paradis, and so far nothing states that he suddenly and consciously changed his mind on that. If there is no explanation for his sudden change in behavior then parts of his character just went down the drain for the sake of covering up a plothole (that could easily be resolved by just saying that the founder can't control the shifters......)
I read some theories of Hange come back as a Titan Shifter. The parallel of both Ackermans put their fist on Eren and Hange before they died. Eren came back to life again as Attack Titan after that. There are also similarities between Hange and Xavier, both do research on titans, wearing glasses and I wonder if we would find out who is this person that Zeke could trust, as Xavier mentioned. We've seen Hange almost died 3 times, during the battle with Bertholdt and Reiner revelation, the crystal underground with Kenny's team and Bertbomb. Hange managed to come back again and again. Maybe I'm just being hopeful here (crying again) but I respect if Isayama sensei really killed Hange for good. But but but.. T^T
I'm beyond sick of the alliance. If they win at this point Isayama has officially destroyed his own manga.
No Hanji = nothing to smile neither to hope for in this chapter. I hate Eren for not even reacting to her death.
Isayama's doing a terrible job with the Alliance. I have many reasons to want the rumbling to be stopped, but if I forget for one second that Armin's my fave charac., I need to ask WTH?? Characters say one thing while the narrative says another. Yo, every damn chapter they've been feeling guilty and shitty, yet their constant regretting says they're good people. The heroic sacrifices say they're good people. The refusing to bring the kid although the kid can fckin fly says they're good people. This is more complex than calling an oldman with a career built in genocide HERO then calling these lost as fuck teens SINNERS. Repetition won't make me buy it. Btw, I'm not taking proJeCtiNg five chapters from the end. I refuse to believe these characters are at the same. damn. mindspace as 10 chapters ago. Nah. Losing or winning, this finale should feel dignifying, not pathetic. I'm desperate here. :(
I'm tired of Eren and the alliance. My feelings are with Levi's promise, nothing else. What comes after that (if Levi is able to kill Zeke) it would be interesting (and amazing, I'm sure) conceptually, I will love to read it, but my heart is with our midget. He deserves to rest.
Also Levi...I get why he's still ""muh kill monke"", it makes sense with his character... But that doesn't mean it's not annoying.
I REALLY enjoyed this one
Can't believe that flying titan was a sort of joke since the Marley arc, but now it's a thing uh.
More evidence that freckled Ymir may be alive.
where bert
where IS ZEKE
Where Monke?
Ymir distorting the space and keeping Mikasa, Armin, Connie and Jean away from Eren makes me think she's controlling him.
YOU ARE FREE
There was so much information given to us this chapter. The reveal of the possibility of Falco flying and the possible death of Zeke.
There were some alright points to this chapter but for the most point, it seemed like so many things were forced, the most ridiculous points of this chapter for me were the warrior families living, and Falco deciding he can fly simply because he had a dream
This chapter (like all the others and the others to come) made me cry. 😔
This chapter made sense. Too much sense. All the plot points we’d been expecting like Falco being able to fly, Eren bringing the alliance into Paths to tell them they have to kill him if they want to stop the rumbling, and the folks from Liberio surviving, were all present. I think Isayama is about to throw some wild curveballs and ruin our whole careers
Something's wrong with Eren
Thanks Isym for ruining Armin and make him Annie's waifu
Nice, a little boring but also not disappointed
The alliance was so annoying this chapter. Reiner projecting his pathetic suicidal thoughts into Eren was just absolute cringe. Then Jean and Connie actually saying they’re the same as the guys who killed their friends and families just made me damn near bust a vein. Then Pieck was just being a passive aggressive bitch. I was hoping that at least the 104th would make it out alive but now I straight up want Eren to kill them all. They’re just flat out insufferable, incompetent traitors at this point.
Pieck passive aggressively roasting Armin felt good
Levi is sexy take the bandages off his face and let me see the scar
Levi's really fed up. he doesn't care anymore about eren he just wanted to kill zeke. But I do agree that by killing Zeke, maybe the rumbling will end.
People thinking that Eren became a slave are speedreaders
For me, the Rumbling represents Eren’s own death drive. He’s killing others and wants do die in the process or afterwards. And his talk to the alliance is what his "if you don't fight you don't win" ideology boils down to. Blind, narrow-minded kid!Eren doesn't really see any other outcome other than him completing the Rumbling (aka "winning") or getting killed by his friends before he can complete it. I (heavily) suspect Isayama is going for a third option though.
This arc has highlighted Eren's internal contradictions regarding freedom. We have him forcing his friends to fight, imprisoning them, beating them, gaslighting them about their own free will, but most of all forcing the rumbling onto them, which completely takes away their agency to choose their own fate. I would be disappointed if Isayama has dropped this consistent pattern of Eren contradicting his own ideals of freedom, just to rectify his mistake of making Eren too overpowered due to rule of cool (something I initially feared), so I'm hoping the true reason has to do with Ymir taking the reins and speaking for Eren.
Eren can't help what he wants and believes in and he can't stop his convictions to move foreword, but at the same time he recognises his friends own free will and different convictions and has decided that both sides will never be able to give up their own convinces or meet at a middle ground and has decided to just let things play out.
Eren is resigned to his fate to rumble the world, but he will not command his friends to do anything. He is willing to die by their hands.    
Eren prizes freedom above all else. If someone uses their freedom to try to kill him, he wouldn't mind
Eren isn't sure if he's right so he wants them to have the chance to stop him if they feel so strongly
Sooo due to the Warhammer nutcracker incident, does that mean Falco has a portion of the Warhammer, or something?
Spectacular chapter completely closing the possibility of dialogue between Eren and Aliance. It's good to see that Eren remains firm with his actions and hasn't changed his psychology of freedom out of the blue. Although many people think that Eren wants to die, I'm sure that he will fight against the Alliance to survive and carry out his plan to destroy humanity.
Still a Beruani shipper...and...OMF ANNIE IS THE 2ND SASHA SHE WANTS TO EAT GIVE MY BABY FOOD
Still feels like buildup ready for the final showdown already
Telling the story as if the alliance stands a chance, or has anything close to a complete picture of Eren, is still dumb
historia pov when
Honestly I think everything about Annie is forced and she never should have come back.
Hope Jean survives 💯
Hope will reveal historia's baby connection to the series
I believe in Isayama
I believe that Annie got the ability to harden by eating part of Reiner, I think by revealing her ability yams intends to lay foundation for Annie getting wings as well and joining falco in the sky fuck ya
I hope Annie's father dies in front of her
I hope any inconsistencies in Eren's character get clarified later.
I hope more is discussed about Historias child
I hope My beloved Eren kills levi and armin
I just can’t wait a pray that MAPPA don’t fail us💀
I don't know man why the fuck does a flying titan exist
AC130 INBOUND, wait, WHAT THE HELL IS THAT BIRD THING AND WHY DOES IT HAVE BOMBS IN ITS HANDS
Isayama is a hack
isayama never misses
isayama the goat, incredible as usual
23 notes · View notes
hazelenergy · 4 years
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How I Digitally Paint like a Scenic Artist/Designer
Aka: how I did this and put my degree to good use. 
LONG POST WARNING
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Step 1: Research. 
First off, get to your image search. If you are going to be using Google, you may want to type “-pinterest” in the search to eliminate the countless boards. 
I had to figure out clothing that is vaguely late 1800s. I found a multitude of reference images that were fancier clothes- but I wanted to find images of clothing for kindred across all social classes. Photographs from the era and paintings are your friend. They will more accurately showcase what was worn. 
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After Fashion research comes location research. The 1890s in America is known for the rapid industrialization. Factories were getting bigger and work days were getting longer. But, I wanted the moonlight to be cascading into the place, illuminating the scene. This means I needed to find a structure that had skylights or let sunlight in. And the best images I found? Slaughterhouses. Fitting, huh?
The same rule for fashion still stands- if you can find photographs or paintings from the era- they’re better. There are tons of places still standing today from the 1800s. But today, they look WAY different. Ya know, Abandoned! So just be sure to take this into consideration if you search “abandoned slaughterhouses” or go trespassing like I did.
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Lastly, pose research. Finding the poses for a fight scene can be tedious. So, I enlisted some help from a few fight choreographers and stunt men. You can record their fights and play them back at quarter or half speed. You can also get a mirror and flop on the floor a bunch. I did both. This lets you see the action/motion lines you are going to replicate in the drawing.  Heres how we initially did fina’s pose:
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And sometimes you have to go back and get a clean shot. I ended up using this pose for the axe.
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Step 2: Set up and Background!
When you open a new file, set it to the dimensions and resolution you want. I was working at 600. Usually, I’m working at 300-350. You can always reduce resolution. Its hard to prevent fuzzy lines if you increase it later. 
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I cannot stress the following enough:
You work background to foreground. Big Shapes and areas to little shapes. Work your way forward. What this means is you need to fill in as much space as possible first. Then build your details. I prefer working as follows: Big Solid tones, Soft shadows, Dark Shadows, Highlights, then final blend. Once you finish this, put an overlay on top. This knocks everything back and helps create the illusion of depth. See this at work with the video below or here
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Step 3: Figure Drawings + Composition
Utilize that research and images you collected to pose your characters. I create subfolders for each set of figures. Organization is important here. This will help keep you on the right layer and prevent the eternal digital artist struggle of “Fuck that was on the wrong layer!”
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Even after you move on to lineart and shading, Keep the sketch layer as a reference. You may need to see what youre original notes/ figures looked like as you do the lineart and shade. Don’t be afraid to move them around and alter the composition rn. You want to be able to make changes. Make notes! Detail light sources! 
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I’m about to through out some art jargon:
You want to think about asymmetric balance. The easiest way to achieve this in an eye-pleasing manner is to use the Fibonacci spiral. Yeah. This boi:
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Place your figures and actions in a similar sequence to the spiral and the viewer’s eye tends to naturally follow it. This is sometimes called the Golden Ratio in the art world. 
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Doesn’t need to be perfectly on the spiral. You can break it- but its an excellent tool to plan how things move in the piece. 
Step 4: Lineart
Once you got things sketched- its time to do the lineart. I’m using clip studio paint’s standard brushes. Nothing fancy. I often switch between the G-pen and the For Effect Liner. Mapping and Turnip are for thicker lines. 
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Usually I set these pens to a specific thickness depending on where I’m drawing.
My background figures are lined at 0.05 thickness, the midground is .1 to .2, Fina is .3 and the foreground is .4. I set my stabilization high to help keep my lines smooth. Stabilization 100 means there’s a significant delay between where the pen is and the cursor. I like the stabilization to be at 20 for freehanding and at 50 ish for outlining. Dont become completely reliant on the stabilization though. Good and smooth lineart is drawn from the arm not the wrist. Your range of motion is severely limited if you only move your wrist. Practice moving from your elbow and you’ll be surprised how much smoother your lines get. 
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Once I finish lining the figures, I usually go around it with an outline. This does three things: 
1. Solidifies the figure and cleans lineart for paint bucket tool. More on that in the next step.
2. Its a stylistic choice. Helps give it that comic book feel with a heavy outline. 
3. Pushes figures forward or back in the composition. Thicker outline helps denote that a figure is farther forward than another. My background figures have no outline to push them away 
Step 5: Digitally coloring
For each figure you are going to select outside the lineart. 
Create a new layer under the lineart
Invert the selection. Paint bucket. You should now have a solid shape of the figure under the lineart. Do not deselect.
Create a new layer above the one color. Title it solid colors. Paint in thick, solid tones. I like to use the mapping pen and turnip pen to color in my solid tones: skin, clothing, hair, etc.  
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After that, deselect. Create a multiply layer if you can. If your program does not have a multiplier function, Pick a tone you want to use for shadows and lower the opacity (usually 30-40% I like to use lavenders or blue tones). It will not be as vibrant, but you can edit it in post. Select off of the solid colors layer. I like to start with skin tones. Use the airbrush tool to create soft shadows. You don’t want to create harsh lines on this layer.
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Then repeat this process with harsh lines.  
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Then knock it all back with an overlay. If you dont have the ability to create an overlay, you can again drop a solid color and lower the opacity, but you’ll have to mess with the color balance/ brightness/contrast to let all the hard work come through. 
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You’re going to repeat this for every single figure. Here’s a few color theory tips though.
Your overlay colors should be darker (not more vibrant) in the foreground and lighter (avoid using pure white) in the background. This helps with the depth of the piece. Things closer tend to be darker (not always true, depends on lighting)
You can choose to use color theory to aid your shadows. Instead of choosing black or grey for shadows, choose a complimentary color. I used a lot of green for this piece, I used red for really dark shadows. Its not that black drains color- its just loses some depth if not used carefully. 
Keep your colors consistent. Helps unify the piece. You can strategically break the consistency to draw focus. For example, Fina is the only figure with a true blue overlay. This helps her stand out from the other figures who have reds and greens. 
Step 6: Touch Ups and Final Renderings
Now comes the most tedious part. If you’re like me, your computer fans have been whirring for the last few hours trying to render this monster of a file. If you havent already,  SAVE FOR THE LOVE OF ALL THINGS GOOD
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These are the last four layers I have for the entire piece. Here, I am trying to create effective and believable lighting. This kind of work I have only been able to achieve in clip studio or photoshop. You can do it with normal layers, but choose your colors CAREFULLY. Stay away from pure white. Carefully utilize your knowledge of light and shadow to create soft highlights. Harsh lines tend to be a stylistic choice for me. The final layer, subtract, dulls out harsh red tones. I used this as a final overlay to help put everyone and everything in the scene. Without it, things are a little too green and skin tones are a little too blushed for vampires.
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The challenge here is I want to tone down the red, but not lose the vibrancy of the blood. So, shift it to a blue. This also helped reinforce the “nighttime” effect. Its only a slight change.
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Final thoughts:
Whenever you finish something, its important to reflect.
1. I am so FUCKING PROUD OF MYSELF. This is easily one of the most complicated pieces I’ve done in a while- and I’ve made 16′ tall faux stained glass. Brag. Let yourself feel awesome cuz you just made something awesome. 
2. I timed myself on the piece. I could have easily spent another 7 hours on it. But its important to know when to stop messing with it. Partially for budget reasons but also when you get down to the details you can make yourself go insane. Theres also a ton of detail work I lost cuz of overlays or its just too small to notice. Fina’s face? hard to see cuz its not close enough. 
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3. I needed to take frequent breaks for this piece. That was good. Resting and stretching was very important. That is one of the reasons why I was able to work so fast. 
4. I started doing more digital art in April 2020. I have to say, practice makes perfect. I practice drawing and digital painting for at least 3 hours a day. 
That discipline has allowed me to improve so rapidly. So- I don’t wanna hear shit about I can’t possibly get this good! Or I couldn’t even draw a stick figure! BULLSHIT. You can. Get yourself some free software like Krita or Autodesk sketchbook and start playing! 
And thats what I got! Thanks for coming with me on this long post! 
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astrologista · 4 years
Text
jason stop dying
ooooook i just watched ditf. it was PRETTY GOOD.... i only wish there was MOOORE! watching this REALLY brought me back to 2011 times to see it and i think they did a good job with most of the character design and animations insofar as matching it to the original. (maybe i’m totally wrong but i thought it looked good for the most part... also i just really love these character designs in particular). obviously the budget is not what it would be on a feature, so there are a LOT of places where animation gets recycled and many still frames. some parts are basically a slideshow lol. but i only sort of came to that realization awhile after watching, so i think they did a fairly good job of masking this... ymmv
so let’s get into it!!! 
SPOILERS a-head! do not read until you’ve watched it because i’ll spoil everything
now obviously the thing to be aware of if you are not is the fact that this adaptation is not a panel-by-panel adaptation of the original death in the family comic. all references to jason’s mother (save one mention of her dying of illness) are completely removed, they go to bosnia instead of africa, and the circumstances around jason leaving are also heavily altered to fit the new narrative. this adaptation does slot perfectly into the universe established by the under the red hood animated movie from 2011 though, without which one would be pretty confused when watching this. it’s kind of a mystery as to why they didn’t just package this with utrh and release the entire thing as a collectors edition. instead they package it with like 4 or 5 unrelated dc showcase shorts which makes absolutely 0 sense but go off i guess. anyway
i liked that they took the time to adapt the scene from the original ditf where bruce is talking to alfred about jason! (i do not like that alfred didn’t get any lines. bad choice). tbh i can’t understand why they bothered showing us alfred, barbara and dick if they weren’t gonna give them any lines..... like come on........??
HOW INTENSE BRUCE LOOKS WHEN HE FINDS JASON IN SARAJEVO and just. grabs him lol. hes smad :)
ok so one two skip a few and we get to the first branch. instead of calling 1-900 we now get to choose whether jason lives or dies. there are 7 possible endings i think i got em all so let’s see what we got here.
“Hush” Route - Robin cheats death
hgrgdggr. i definitely think this is one of the more interesting endings, if not the most interesting one. this is also the only ending in which both bruce and jason survive the bombing. bruce is still too late, but this time jason barely clings to life and survives. as a hurt/comfort fan i was 100% on this shit from the word go but then jason? runs away from home lmao lmao i thought that was SO funny because 1) hes super messed up, how is he able to just literally run out the house that is SO funny to me and 2) implying that bruce would ever not be keeping an eye on him after that is just, lmao. it’s so zany. i call this the “hush” route because of the bandages but there are no other references to hush so ok. that’s fair. so anyway jason is now angsty for loosely explained reasons but the most fun part is yet to come.
when talia showed up, i really thought / was terrified for a second that they were gonna bring up certain “events” regarding damian’s parentage / who damian’s father is but then she mentioned bruce and i was like OH THANK GOD WE CAN STILL GO TO HEAVEN. i am so so grateful to the writers for NOT going there. cuz it was damn close ok. im not sure what the implication of this route is in terms of talia, jason and damian being a family unit but i want to believe talia sees jason as a son and damian’s brother (which is how she refers to him, damian’s brother) and not... yknow. i mean. jason raising a baby is kind of like a baby raising a baby...
no actually the reality of this scene is really dfuckin interesting like. they actually go with the “birth of the demon” (forget if it was birth of the demon or bride of the demon. one of those.) explanation for damian and that is something i’ve NEVER seen adapted so whoever wrote this can have a cookie and i kNOW this is something a certain someone will appreciate :)
not only that but the implications? are interesting? so talia’s claim is she miscarried so bruce won’t have to “choose” between damian and jason and idk if she’s supposed to be all on the-up-and-up in this universe but. i’m sitting here like GIRL YOU DON’T GOTTA DO THIS HE HAS A PRIVATE JET HAVEN’T YOU HEARD OF SHARED CUSTODY and BETTER YET HE HAS A MANSION JUST GO ON MAURY AND GET THIS SORTED OUT RIGHT NOWwwww
i’m also LAUGHING at the implications of jason thinking theres anywhere on earth that he’s going to go and hide damian’s existence from bruce. because you already know he’s just going to be tearing the planet apart looking for jason so this is actually hilarious. imagine he finds jason in one piece and also a baby. his baby. he’d be like (@ talia) “OMG WHY WOULD YOU THINK I WOULDN’T WANT THEM BOTH u are tearing me apart talia......” BUT THEN HE WOULD BE SO FREAKING HAPPY BECAUSE HE HAS TWO ALIVE SONS AND HE THOUGHT THEY WERE BOTH DEAD / (lost to crime)!!!
please lord imagine all of jason’s angst probably just originating from the fact that he has a brain injury that hasn’t fully healed and the trauma of going through all those surgeries probably gave him a lot of fear / paranoia about bruce and associating him with the joker because his neural pathways are all messed up but after he leaves he starts slowly healing back and regaining some of his lost sanity and thats when he realizes he misses bruce so much... but hes also raising his child... and every day it gets more difficult for him not to just take damian and bring him home and i ;v;
anyway i thought this route, while it had a few inconsistencies in it, was really freaking interesting and it gave me feels and plot bunnies and is probably the one i want to write about the MOST despite the fact that baby damian looks like a character from one of those web flash games in this lol
“True” End - Jason Dies
now if you select that jason dies the route basically defaults to the canon of under the red hood and the fact that utrh does not come packaged with this movie is a rather mystifying choice to me as i don’t think this adaptation would stand on its own very well. like you need quite a bit of background to really get anything out of watching this on its own, which is probably why it’s classified as a “short” and not as its own movie.
instead of showing all of utrh, it seems they took the opportunity to give a ~30 minute recap of utrh with basically entirely reused animation but they allow bruce to sort of. give his dvd commentary over it.
the biggest feeling i have on this is that it’s sad that they had to waste 30 minutes like this that could’ve been used to do something new and much more interesting, but honestly i’m not mad. it seems kind of obvious that this choice was probably made for budget and/or runtime reasons because a short does not get the same budget set aside as a full length feature film does. so they basically took the option of recycling 30 minutes of animation from the movie and dubbing new audio over it.
in evangelion they ran out of budget and that’s why the last two episodes consist of nothing more than still pencil drawings and frames while the characters engage in philosophical debates concerning the nature of reality and human connection. and i really enjoyed that. and for the same reasons, i also really enjoyed this.
i enjoyed seeing the clark kent of this universe. i enjoyed that he was basically out on a date with bruce. i enjoyed that bruce was willing to open up for once and tell clark all of what happened with jason. but what really makes this segment shine bright are bruce greenwood’s line reads. there are SO MANY good line reads in here. and i LOVED how many times he said the word “son”. very wholesome. the way he describes how he felt during the final fight with jason? probs my favorite FUCKING part.
and then him and clark joking together about contingency plans and then they’re going to work together to find jason and i ;_; this is probably the closest thing to a “good” ending but as a continuation of utrh i thought it worked really well. i really want to believe that bruce and clark did find jason in this route and that there was some closure in the end even though we didn’t get to see it.
including clark in this was DEFINITELY the right move as well, considering that he played a rather large role in the original ditf so it’s a welcome nod.
The rest of the branches exist under a separate option where Bruce makes it in time to save Jason from the warehouse... but Bruce dies......... :O
let me tell you bout it... bruce’s fucking DEATH SCENE i don’t know WHAT my man bruce greenwood is on, but the freaking LINE READS in this dialogue had me making INHUMAN NOISES. LIKE NOT ONLY WAS THE DIALOGUE GOOD, NOT ONLY DID HE SAY “I LOVE YOU, SON”, but this man is just an amazing actor. not just voice actor, but actor. he really really really really gave it the most i don’t know how else to say it....... it was very very well done and punched me sideways in the heart and i haven’t recovered and i’m not going to recover. and
ok so once we get past that.... scene.... u have to choose whether you’re going to catch the joker or kill the joker. bruce asks jason to promise not to kill the joker but technically jason doesn’t promise so........
Let’s start by choosing to kill the Joker. Jason attends Bruce’s funeral and various members of the Justice League show up to talk with him and just generally hang out. He has Alfred, Dick and Barbara as his support system, but Jason has some other plans.
This leads to a scene in a cafe where Jason meets with a man who... something something Killing Joke, flashlight, more Barbara being used as a plot device when she deserves better, Jason kills the Joker with a butter knife.
Once you do this you can choose to surrender to the police, or retaliate and escape.
Jailbird Ending
basically if you surrender to the police jason ends up in prison where he can actually attack even more criminals so.... ya
If you retaliate and escape instead you go to the Red Robin route where Jason becomes a vigilante who kills people much like the Red Hood and you get a further choice in a fight with Two Face where you can control how Harvey’s coin lands. 
Tim Ending!
If you choose the coin to land clean face up, the thing rewards you by having Tim show up and I forgot what happened (wasn’t really paying attention lol) because i was so focused on TIM!
Prolly they felt sorry for him what with Jason stealing what is essentially his outfit (ok I know it was Jason’s first, but Tim made it cool) so they let a little baby tim have an appearance :) he’s very smol
I guess in this ending Jason gets reintegrated with the family somehow and Tim becomes “Bat-kid” which is hilarious to me but you know what it’s cute. CUTE.
The one ending where the coin lands scarred side up
i honestly forget what happens if you choose to have the coin land scarred side up but let me just say this is a FUCKED route to take, not only have you had jason survive and bruce die, you’ve now chosen to kill the joker against bruce’s dying wish, you’ve chosen to attack the police, and at the end of that you really are gonna choose harvey’s coin to be scarred face up???? choosing this made me feel like a DICK because here i am supporting jason’s whole fall to madness and villainy thing the way it wants me to and now he’s gonna die HERE? i hate it here.
interestingly enough he doesn’t actually die in this route. he ends up at home with barbara and dick while dealing with the fact that he killed the joker but the route ends with jason saying “i promise” so i guess this is supposed to be kinda sad. im so confused lol ok
So that is all the options if you choose to kill the joker, I believe. You can also make the choice to just catch him instead of killing him but amazingly enough, those routes are even more FUCKED up. 
If you do this option Jason goes home, mourns Bruce with Dick, Barbara and Alfred, and becomes Red Hood BUT with a twist, he’s entirely on a bloodless operation in line with Bruce’s wishes. OR.... IS HE?
Things then follow the events of UTRH until the scene on the bridge with the van and the guys. Jason finally confronts Joker, who reveals the truth. 
Apparently in this route Jason has actually been killing and decapitating his victims just like in the original movie, but he’s repressed it so as to not even realize to himself that he’s doing it.
that is FUCKED. also. i wanna cry because jason doing all of that stuff but not even realizing it ;------; jason blocking it out, because he wanted to honor bruce’s wishes for him not to kill anyone ;______; but he’s doing it anyway ;_____; he’s actually hearing voices telling him to kill ;____; like it’s a very cheap twist in a sense and also really quite cruel but.... damn, son.
There is a branch here where you can choose to spare or kill the Joker at this point (UNDERTALE???) but from what I can tell it seems to be totally meaningless what choice you pick because you end up at the exact same point either way, I think there’s a small variation in what happens after you make the choice but after that they just coalesce back together into the following two endings. Which seems incredibly cheap to me, I mean making a choice like that should alter Jason’s path completely but, it doesn’t! So... ooook....
Either way Jason ends up on the Wayne building and Talia shows up with a re-animated Bruce from the pit. Here’s another fun blast from the 2011 past with more gratuitous Grant Morrison dreck, remember that shit? Well, they’re gonna jam it down your throat here, too.
The reanimated Bruce is the Zur En Arrh Bruce and he’s already dead so this is all meaningless but basically Jason fights him and you get to choose whether everybody lives or dies.
Zur En Arrh - Everyone Lives!
if you pick this, jason actually gets the re-animated bruce back to the batcave and they lock him up down there because he’s still pit-mad and the prognosis is not great. but i’m not sure what they expected, he is the zur-en-arrh guy so I don’t think he’s getting better. 
Zur En Arrh - Everyone Dies!
pretty much there’s an explosion and all three of them die and that’s it
I think that should be all the possible endings there are.
By the way the different ways in which black mask dies in this was actually a fairly clever running gag lollll. let that mf burn we don’t need no water.
overall there are a couple of things i would have done to SIGNIFICANTLY improve this adaptation beyond some of the obvious ones.
- the fact that all of the branching options are branched exclusively under the “jason lives and bruce dies” branch is a huge wasted opportunity. imo this is the most egregious problem with this, i was really looking for a more balanced tree / explanation of different things. i am probably super biased though being a fic writer and used to fic, we’re the ones making huge ass trees every day lol.
- the fact that there is no “good” ending here is something i kind of expected but given the context of this is lackluster. i sort of get it though because granted, the original ditf ends in an unresolved manner but it’s distinctly unsatisfying here. i secretly wanted an ending where bruce, like, figures out about the different endings and hacks reality to try to find a good ending where jason lives and everything is fine lmao. like a bat mite ending.
- i was disappointed in a sense that the narrative given in here is so basically simplistic? maybe i’ve been spoiled by games like 999 and undertale where shit gets messy and that’s not what this is supposed to be but when i play something with multiple endings in this day and age, at least play with the concept a little bit and connect some of the branches together narratively. use different devices. i was also hoping some of the choices would be a little bit meatier like you could choose to “forgive bruce” or something cool like that lol. but it looks like the majority of choices have to do with who lives or dies. and i felt like they couldve been a bit more creative with that ya know? being able to control harvey’s coin was a GREAT example of having some more fun with this.
- it is a huge missed opportunity not to have a “secret ending” on something like this. like where. the fuck. is my secret ending for completing everything. come on. and in a similar vein there should’ve been at least something in terms of bruce and jason interacting in a “true ending”. even if very brief. the closest thing to an ending this has is the “jason died” route and then the ending where he’s talking to clark which i feel like was a REALLY nice good optimistic ending as far as this goes, but it comes off as kind of disappointing i guess
there were SO many interesting nuggets locked into this thing though. i can’t deny it bugs me how many wasted opportunities there were with how they chose to structure things but i guess it’s the best you can do with limited runtime. i thought it was really well done though, makes an interesting companion piece to the original utrh, and is definitely something that i will be re-watching again soon!! overall i give it a 7/10 and some parts an 8/10+!
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wyattvsmusic · 3 years
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Ghetts - Conflict Of Interest ALBUM REVIEW
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I don’t think I have gone this long without writing a review. There’s been plenty of good music coming out but none that I really have a ton to say about. Ghetts is easily top 3 UK Hip Hop artists / Grime MCs and I have been waiting for this album to come out for a while now. He definitely has the strongest and most consistent discography out of any of his peers as he never made a shitty pop album when everyone in the UK scene was doing that to make money in the late 2000s/early 2010s. There is no one who raps like him and he just seems to be getting better and better. With his last album, 2018′s Ghetto Gospel: The New Testament, it seemed like that was the album he had been working up to his entire career as it sounded more polished and it contained some of the best songs he’s ever made but now that Conflict Of Interest is finally out, it makes it seem like The New Testament was just a great step in order to get to this point. All of these factors, along with all of the incredible singles that dropped in promotion for this album set my expectations extremely high. I don’t think I have anticipated an album this much maybe since Bandana came out. With that being said and having listened to the album, those expectations were absolutely met and I haven’t stopped listening to it since. Like the cover art and title of the album suggest, there are different sides to Ghetts. There’s Justin, there’s Ghetto and there’s Ghetts, which are all different stages in his life and these stages have different interests. Justin wants to be the best father for his children and take care of his family while Ghetto wants to be the best MC and will take on any challenger for the title. And then there is Ghetts, who doesn’t want to be confined to any title, genre or any sort of limit—he wants to be the best artist he can be and push boundaries. This is explained at the beginning of the album version of Mozambique but all three of these components of Ghetts are combined to make this masterpiece of an album. One thing I didn’t know about until after my first listen was that this album was released through Warner. Ghetts has been independent for so long and with this album, he’s getting that attention by a major label that he deserves but he’s already an established artist, meaning he’s doing it on his own terms. Right off the bat, he comes through on the intro firing off sick lines like “Strap on the lap like a serviette.” Fine Wine makes for the perfect intro and then seamlessly transitions into the lead single, Mozambique, which is simply incredible. I have never heard a song like Mozambique. South African artist Moonchild Sanelly features on the hook, which is really good but I have never heard a hook on a rap song quite like that. Birmingham rapper JayKae spits on the second verse as well. Rude Kid deserves a standing ovation for the production on this song. The first beat is crazy good and I was blown away when he flipped Ghetts’s song Top 3 Selected for the latter part of his first verse. The second beat was the one that really blew me away as the transition made sense but that beat is so mean and Ghetts’s more slowed down flow on it made it stand out even more. The last 15 seconds on the song even made a lasting impression as the squealing G-Funk sound gives the song one final punch. Fire and Brimstone goes so hard and the Dizzee Rascal ad-libs were a nice addition. Hop Out is another banger in the same vein as Fire and Brimstone. The way Ghetts switches in and out of different flows on this song is crazy. IC3 is a long overdue collaboration between Ghetts and Skepta but the fact that it’s finally happening now makes it so much more special. The two legends have clashed before and have been on radio sets together and IC3 is definitely makes for an iconic moment in UK history because of all of the history in the Movement and Boy Better Know era which Ghetts mentions in another song. Skepta utilizing his classic lines from Autopsy and the clip of their radio set with Kano at the end of the song where they spit each other’s lyrics makes the song so much more perfect for their first song together after all these years. Skepta’s flow on the song is straight fire while Ghetts’s is more laid back but he is able to float over the beat and showcase his signature rhyming style. As I mentioned before, there are so many different stages in Ghetts’s life and career and Autiobigraphy does an amazing job of going back into some significant moments. This section of the album is definitely the most personal with songs like Dead to Me and Sonya. There is also 10,000 Tears, which features Ed Sheeran. I didn’t really know what to expect from this song as the last time these two collaborated was before Ed Sheeran became one of the biggest musicians ever. I do love this song a lot. If it was Ghetts by himself, it would be an amazing song and if it was Ed by himself it would also be amazing, which speaks to how good it actually is. Proud Family is a song about loving one’s family unconditionally that really touches the soul. I hope that fans who know a bit about Ghetts’s family through songs like Jess Song were touched by this song as much as I was. One of the best things about this song is the hook, which Ghetts sings himself. I didn’t know that when it was released as a single so I was really impressed that he sounded so good. The album then moves on to a run of songs that go super hard. Skengman sounds like what the theme song would be if Ghetts played James Bond. The beat is so menacing and like I said about IC3, Ghetts floats on the beat like no other and spits one of the best lines on the album which is “I was 19 with a gun twice my age.” He then comes back in on the third verse with a mean verse where he attacks the beat in the way that Ghetto would back in the 2000s. Stormzy comes through with a dope verse as well. He doesn’t normally get to rap like this on his own albums so it was really nice to hear him with Ghetts on their first collab since Bad Boys. This song really does sound like an epic movie scene. The song Squeeze also sounds like an epic movie scene. Speaking of James Bond, Ghetts had a sick line on Dead To Me where he raps “I thought we was bonding to live and let die / For your eyes only you know me I'm Roger Moore” in reference to two Roger Moore James Bond films. No Mercy goes so fucking hard and I really wish that I could see it performed live. The hook is kind of quirky in a really fun way. It’s very playful even though the song’s content is so mean. The song features Pa Salieu, who I believe is the next big thing to make a significant impression on the UK scene if he hasn’t already. I highly recommend listening to his mixtape Send Them To Coventry, which I sort of liked at first but has really grown on me with every listen—now I love it. The song also features Salieu’s close collaborator BackRoad Gee, who never fails to bring the energy plenty of adlibs. I knew Crud was going to be a banger before Ghetts started rapping and I was not wrong at all. He went in on the song and his hook was really fun as well. When Giggs came in on the song, he really made it his own. They rap so differently but the beat works well for both of them. Giggs is very hit or miss for me. Sometimes he can be really bad but when he tries he can do incredible things and this verse was hard. The album’s momentum builds and comes to an end at the climax, which is Little Bo Peep. I have never heard a hip hop song like this ever. Wretch 32′s hook sounded incredible and though it did what it needed to do, I think a verse from him would’ve been amazing. Speaking of amazing, Dave killed it and Hamzaa used this song as her time to shine. Although there are some amazing features and Ghetts is the star of the show, one star of this album is producer TenBillion Dreams, who produced half of the album. His production style is very unique and excelled at making Ghetts’s rapping style really stand out. This album also did a great job at showing how Ghetts’s rapping style has evolved over the years. He’s more mature and his verses are very carefully worded. The crazy rhyme schemes are still there but it sounds much different; it shows his growth as an artist. Speaking of rapping and production, this album is not really a grime album at all, which is something I don’t really care about that much because this album is so good, Ghetts has given us plenty of Grime over the years and he is not just a Grime MC. My one issue with this album is the length and that is it. Conflict Of Interest is an incredible album that shows all the different sides to an artist that has freed himself from any limits that people have tried to put on him. It also shows the evolution of Ghetts and how he’s worked his way up to this moment and that it has finally paid off.
Fav Tracks: Fine Wine, Mozambique, Fire and Brimstone, Hop Out. IC3, Autobiography, Proud Family, Skengman, No Mercy, Crud
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nosybookworm · 3 years
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Ninja Academy vs Hero School Rant
Naruto was my jam back in the day. I stayed up late to watch the new episodes, bought the dvd box sets and manga volumes, collected toys and cards just to stare at adoringly, even pretended to be sick so that I could stay home and watch a Naruto marathon. Point is, I LOVED Naruto.
I was invested in the characters. My heart ached for every single character that gave me a backstory. I ugly cried on more than ten occasions.
The action and moral dilemmas sucked me in and spit me out, made me the person I am today thinking critically about the stuff I love because wow that universe is in no way safe or sane for the people living in it lol.
The villains absolutely TERRIFIED me DESPITE STILL WANTING TO SEE MORE OF THEM, Orochimaru alone had me sleeping with the lights on and ripping the arms off his action figure just to be safe.
When I started watching My Hero Academia those old happy feelings started slapping me in the face drawing me in. MHA hits a lot of the same points that Naruto had and I didn’t really notice until the end of season 3 because those points weren’t as in-your-face or emotionally impactful as it was in Naruto I guess. Not to say it didn’t have an impact! Just that it rolled off me a lot easier which might just be a me problem.
I Mean:
The main character getting bullied/excluded because of something he can’t control. 
Underdog character then meeting or making an emotional connection with a mentor figure truly feeling “acceptance” for maybe the first time and taking that all important first step toward their life long dream. 
A teacher willing to sacrifice himself to protect the students. 
A school training teens to protect/serve. 
Rivalry that may or may not be actual friendship.
Students fighting against each other to “rank up” by showing how capable they are to their superiors.
Enemies invading to terrorize the kids and escaping to terrorize another day.
Traumatic family backstories that child will now attempt to seek justice through own power.
Previous underdog character actually having a secret power that no one knows about but a select few and that he has to train to learn how to use, but it makes him a powerhouse that is always surprising the enemy and inspiring his fellows.
Sure all that can be tied to any story when generalized like this, but the way MHA presents them is pretty similar to Naruto.
(Okay, ALL OF THIS is going to be my personal opinion. Things I want to say to get out of my system so that I can move on. It’s long too. So, now that you’ve been warned continue on.)
The more I got into it the stranger it felt because despite hitting those same points I loved they hit in a different way that....well... made me a little uncomfortable to sit through.
Like Aizawa
Very clearly the Kakashi in MHA. He’s sly hardly ever telling his students the truth but has incredibly high expectations of them, has been known to expel students left and right until his most recent batch of kids, is ready and willing to throw himself in harms way for them, and surprisingly competent despite his exhausted persona/personality. However the way these two teachers act get two very different results from me. Naruto got a chance to introduce Kakashi in a way that endeared him to me, the bell test was more than just showcasing the kids current abilities it was introducing Kakashi (the Jounin that is a kind of jack of all trades, the known perv that will publicly read porn, the guy that will happily mess with a bunch of kids to “teach them a lesson” and because its funny, the guy that requires the students under his care to care about each other because caring for his team matters to him more than any mission, that guy). MHA gave the quirk test. Aizawa mostly in the background taking notes and jotting down scores after his speech about expelling whoever comes last. We didn’t get to hear Aizawa’s thoughts until the very end when Izuku surprised him. 
I didn’t really feel any connection toward Aizawa until I stumbled across fanfics that wrote him more involved with the students and I think that’s the problem. Aizawa is dedicated to his student’s education, he believes they will all be amazing heroes one day, but he hardly ever interacts with them. He can be seen watching their training from afar, sleeping in a corner as another teacher takes over for a bit, protecting them from danger or fighting along side them, and proudly declaring that Bakugo would never turn villain but all of that means very little emotionally when I can’t see him making connections with these students to make this standoffish confidence understandable. He comes off as one of those super smart teachers that have undecipherable lessons because he has no idea how to connect with his students enough to explain in way they understand. Similarly, he like jots down that he’s taking note of Bakugo and might need to step in before he goes down the wrong path but then does nothing and confidently tells the press Bakugo would never be a villain.
Kakashi was pretty standoffish too, no denying that, and the little episodes when the kids conspire to try to see him without his mask are the kind of outside interactions that would be weird for a modern teacher-student relationship like in MHA, so I get why Aizawa doesn’t really have that with any of the kids. However, Kakashi saw the path Sasuke was going down and spent time with him and confronted him about it (it did nothing to stop him but he tried). He took time to find a teacher for Naruto. He was present and awake for just about every milestone in there education with him. He told them when he was proud of them not other people. He involved himself in some of their high jinks to measure their growth and as such was able to have confidence in them when they went off on their own.
The Villains
And My Hero Academia villains, namely All For One. 
I felt nothing when he showed up. I was all caught up in All Might and his passing of the torch. The guy without eyes didn’t feel threatening, didn’t feel like the big bad he was suppose to be. The League of Villains really didn’t feel like “serious enemies” either cause I actually really enjoyed them when they were on screen for their dynamics with each other. Similar to how I liked the Akatsuki in their more light-hearted scenes when they where super strong idiots banded together by sheer force of will and explosive personalities that refuse to leave a job half finished. With the League I would be just as entertained (probably more so) if they were in a slice of life anime just being terrible people together.
I get the feeling All For One was supposed to be MHA’s Orochimaru. (And I say this despite knowing Orochimaru’s introduction is probably a lot closer to Stain what with the confrontation and all, but his whole “the world is corrupt, I will cut out the wrong and remake it into the pure world it should have always been” aligned more with Pain especially with his quick turnabout saving Izuku.) 
Orochimaru always felt in control even when he was in hiding or on the run, he felt like he had more up his sleeve which is the only thing I got from All For One when he was imprisoned. Both Orochimaru and All For One showed up out of nowhere, very obviously in a class of their own that the teenage main characters had no hope of beating, and a mysterious backstory that clearly put all the adults in the know on edge. But I just don’t see All For One as a villain. Nothing about him screamed “Run for your lives this man will smile as he tears you apart!” like Orochimaru. Nothing about All For One’s secret Mad Scientist lab gave me creepy vibes that left me on the edge of my seat clutching at the nearest pillow the way the Sound Village that practically worshiped Orochimaru and the many base of operations he had did.
Terrible Parents
The Todoroki family. 
...
Look. The world of Naruto has terrible parenting, but they also live in a dictator/military run nation where kids can be a front-line defense or key players in a war zone so it’s hard to measure how to view these people. Cause a father that beats his kid and yells at him to get stronger has genuine reasons to rightfully freak out when children as young as 8 get sent to ninja academy. Families that have a rare genetic trait like the Hyuga or Uchiha have every right to be tough and stern if they feel that will protect their kids when they know putting them out into the world makes them an easier target for enemies that would rip out their eyes. 
I can judge their actions based on their consequences. Like the Uchiha clan planning a revolt forcing their eldest to massacre them to keep the peace and their youngest to live with a crazy amount of trauma. Like the Hyuga clan branding their branch members to protect family eyes, but forcing them into being lesser than the main branch and all the trauma that forced on Neji’s poor head. The stupid level of expectation set on Hinata’s young shoulders that she couldn’t meet in the way her clan wanted that made her self-confidence practically non existent. The Hokage leaving Naruto mostly alone for his entire childhood in a village that openly hated him. The Kazekage trying to have his lonely three-year-old assassinated multiple times once by his beloved uncle - the only person that was kind and loved him - that scarred him so entirely that he carved “love” into his forehead and rampaged around the village and did casual murder intentionally for years before meeting Naruto. 
All that... I can get behind as abuse. I want those sad kids to be happy. They deserved better and I will happily lose myself in a fix-it fic where they get that.
MHA gives me similar scenarios but without the clear-cut consequences that shows when parenting for that world is abuse. 
Endeavor is not a good husband. He is emotionally abusive to his wife to the point she has a mental break and attacks a child. 
However, in a world of heroes, in a world where high school students are trained to protect and serve and that self sacrifice is a noble heroic trait. How do I compare such a society to my own? They put children in harms way with hero internships yet don’t allow them to defend themselves if they don’t have a hero license, that would be like getting a learners permit but not being allowed to practice driving.
All this to say I have a hard time telling when bad parenting falls into abuse when it comes to MHA. Endeavor is not a good parent, he is an abusive husband, but is he an abusive parent? As a hero training up the next generation of heroes can it be argued that he is pretty okay even if his methods are a little harsh? None of his children fear him from what I’ve seen. Shouto happily tells him his plans to never use his fire and all the reasons why without fearing he might be punished for it. The other kids seem to be pretty okay going on with their lives. Toya being the exception but again I don’t know what happened to him and he’s a follower of Stain so did he have a falling out with heroes or did his father push too hard?
Nighteye & Tsunade
Okay so this is where I get super rant-y. I have feelings on Nighteye and none of them good.
Nighteye being the estranged comrade of All Might the underdog’s teacher, Tsunade being the estranged comrade of Jiraiya Naruto’s teacher.
Tsunade has been hurt deeply. She ran because she felt that was the only way to save herself from more pain. Here comes Jiraiya with his new little tag along demanding she come back home, she gets appropriately angry and tries everything she can to get them to leave her alone. Naruto being the special little underdog that he is immediately gets under her skin reminding her of all the loved ones she lost bringing back all of that old pain back, so she gets even. She beats him down and challenges him to an impossible challenge to show him how small he really is and get out of her own responsibilities. But he wins. He wins, and shows Tsunade how closed off she’s become forcing her to face reality head on and face her fears at last. He changes her whole world view through action.
Nighteye has been hurt deeply. He sees the future for every person he touches and as such sees futures in which people he loves get hurt and sometimes die. He believes there is nothing he or anyone can do to change these visions. All Might is his hero, His friend and mentor, his comrade. His friend gets hurt in a way he can never fully recover from and he sees a vision where his friend dies on the battle field. He then tells All Might who refuses to retire and leaves without a backward glance. They don’t speak until years later when Nighteye picks out a successor for One For All, but Toshi chooses Izuku and never meets Nighteye’s pick.
Izuku, needing an internship not Gran Torino, goes to Sir Nighteye All Might’s old side kick. He gets tested, told he’s not worthy of One For All, and has to work under this man as he tries to get Izuku to see how Mirio is more worthy of All Might’s quirk. Facing off against Overhaul when they are at their most desperate Nighteye uses his quirk to see what will happen and sees the worst possible scenario. They lose. Then Izuku flies in sweeps Eri into his arms and fights Overhaul saving the day. Izuku proved, unknowingly, that the future Nighteye sees is not set in stone with his actions and on his death bed Nighteye acknowledges that without acknowledging it.
Nighteye’s treatment toward Izuku makes me uncomfortable. This is a man in a position of power over this student telling him that he is not enough, will never be enough, and that he is a disappointment.
His glorifying of All Might makes me uncomfortable. He was All Might’s partner and yet he practically had a shrine of the man in his office. He made him more than just a man, built him up as The Symbol of Peace and kept him there (as many of Toshi’s friends seem to do except for Nedzu and Naomasa) despite getting close enough trusted enough to learn about One For All. And despite all that “love” and “devotion” he left Toshinori alone to deal with his new normal of a permanently damaged system alone for years then takes out all that frustration and grief out on his friends chosen successor.
Then when all is said and done and he’s dying and he’s confronted by Toshinori and Izuku what happens? Does he apologize? Explain his actions? Get closure in his final moments?
No. Well, Toshinori got some measure of closure. Izuku got a few words that essentially boiled down to “Good job, your better than I thought.” without talking about the newfound hope Izuku’s action gave him that his visions are only possibilities not absolute. All of his attention then goes to his choice for One For All, Mirio. 
Understandably. 
He’s dying and Mirio was always his main priority as a mentor, and you know who Mirio looks like? All Might. He’s blonde, buff, blue-eyed, cheerfully friendly, and with a happy-go-lucky persona about him. Sir Nighteye taught him to smile. Chose him to be the new wielder of One For All and without telling him anything planned to introduce him to Toshinori to make his choice reality. Doesn’t that sound... I don’t know... uncomfortably close to manipulation? Grooming? To taking this child under his wing and molding him to be pretty close to a new version of All Might?
I don’t know. Maybe if Sir Nighteye had lived this uncomfortable impression I have of him would be lessened as he began to internalize the full extent of possibilities for the future that he never thought possible before and acted more hopeful, more willing to take gambles because his visions were no longer a guarantee of what will happen. 
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loopy777 · 3 years
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What’s your favorite composition by John Williams? And if you can’t choose just one, list your top 10.
My personal favorite is “Welcome to Jurassic Park,” the finale and credits music for the original Jurassic Park. I love the Jurassic Park theme, and this is a great suite of it combined with the ‘island theme.’ I like it even better than the concert versions of the same combination, as I think those are performed too quickly, even when Williams conducts.
And since I love talking about this, I’m also going to keep going for a top 10! Yay!
“Adventures on Earth” (from ‘E.T. the Extra Terrestrial’): Again, this is the finale and credits, which touches on all the great themes from the movie and includes the big, rousing, emotional climax. It’s funny- just two days ago I was talking about how everyone was comparing the end of Mandalorian Season 2 to the ending of E.T., and I speculated that the reason it didn’t work as well for me as everyone else is because Ludwig Göransson, while a great composer, just doesn’t do that Spielberg-sentimentality as well as Williams. But then, no one does.
“A New Hope and End Credits” (from ‘Star Wars: Revenge of the Sith’): I’m cheating with this one. I love the Star Wars music. It’s what made me aware of John Williams in the first place, and it got me to realize that the reason I wasn’t excited by all the pop music that my peers were into wasn’t because I disliked music- I just didn’t like that music. Star Wars taught me that I like the full, complicated performance of an orchestra, that the different sounds of the various instruments intrigue me more than lyrics (which I have to concentrate to understand), and that I like storytelling in music. Star Wars is probably the ultimate expression of that in the career of John Williams, not just because of how thematic it is, but also the breadth afforded by his doing nine movies spread across over 40 years. So how do I pick something to represent that? The main theme? The recurring Force theme? A suite? Yes, I have to go with a suite. But which one? I went with the one from the finale of ‘Revenge of the Sith’ for several reasons. It includes nice expressions of the themes of Leia and Luke, referencing the classic trilogy. It has “Battle of the Heroes,” which I consider one of the standouts of the prequel trilogy. And, for the soundtrack release, this suite includes pretty much all of the expanded version of “The Throne Room” from the very first Star Wars movie, which I feel was a great way for John Williams to take a bow at the end of a trilogy that can be criticized for many things but absolutely not the soundtrack. (By comparison, the soundtrack release for ‘Rise of Skywalker’ was a bit of an anti-climax, as Williams’ last Star Wars movie. That should have included a whole second CD that’s just an hour-long suite of music from the entire 9-film saga! Disney could have afford to take a loss on it! If they’re not going to release properly restored versions of the full series’ soundtracks, they owe to the John Williams fans!) And, of course, there are multiple expression of the Force theme in this piece, from the ‘binary sunset’ final scene of the movie itself to the B-segment of “Battle of the Heroes” to various parts of “The Throne Room,” and that theme might very well be the signature of the series at this point, since it has meaningful recurrence throughout the saga. The main Star Wars theme is Luke’s theme, and is reused throughout the saga as callbacks and call-forwards to that same kind of heroism, but George Lucas kind of messed up the focus there when he expanded things with the prequels. So the Force them is really the dominant theme in the saga, and that’s appropriate. I probably could have selected just the Force theme for this, but by cheating and picking a suite, I get other stuff, too, and get to acknowledge the prequel-era music (which is arguably superior to Williams’ work on the classic trilogy), so it’s a win all around.
“Out to Sea / The Shark Cage Fugue” (from ‘Jaws’): I think we have to recognize that John Williams has made an indelible mark on all of human culture- it is impossible for us include a shark in our media without a pulsating musical motif. He has literally defined the sound of sharks in our imagination. Even so, I think the soundtrack to Jaws is under-valued; sure, everyone knows the shark theme, and there’s no big thematic stuff like in Star Wars or super-emotional stuff like in most of the Spielberg scores, but it’s still a great soundtrack with really solid adventuring music that’s so wonderfully lively and fun to listen to. This suite is a great example of that, mixing samples from the second half of the movie with lighthearted moments, some of the more action-y chase music, and some darker stuff like when the ship is destroyed by the shark. I’ll often just whistle parts of this for fun even if I haven’t listened to the soundtrack or watched Jaws in over a year.
“The Visitors / Bye / End Titles” (from ‘Close Encounters of the Third Kind’): People are sleeping on this soundtrack, let me tell you. It starts out with weird alien sounds and standard action music, but the ending -- where mankind makes peaceful contact with aliens via the medium of music -- is one of the standouts of Williams’ entire career, one of the greatest examples of that Spielberg sentimentality. I find this music to be absolutely glorious, majestic and full and transcendent. The little joke of having an instrumental recurrence of “When You Wish Upon A Star” along with the ‘five tones’ motif is something I find actively amusing- wish upon a star, and alien life with reach out in response! XD I wish I could have linked to some of the alternate arrangements from the restored 40th Anniversary release from La La Land Records, because they’re absolutely fabulous and I love blaring them on my car’s speakers, but it seems that no one has pirated and posted them on Youtube. WHAT ARE PEOPLE DOING WITH THEIR TIME?!
“Remembering Childhood” (from ‘Hook’): Look, I don’t care what people think of the movie. I haven’t even watched it all the way through in over a decade, probably. But this is one of Williams’ best scores, no fooling. I want a 5-CD expanded soundtrack of this thing with every second of music from the film, the stuff that was recorded that didn’t make the final cut, alternate versions of the stuff that was used, etc. I love this music. Every moment is great. And Remembering Childhood is one of the standouts; it uses the main flying theme at the end, and the beginning is a big triumphant instrumental rendition of the “When You’re Alone” song that sounds great. But the showcase is the stuff that accompanies Peter Banning getting his memories back and becoming Peter Pan once again. It’s emotional and reflective and nostalgic and heartwarming. It’s a perfect musical sandwich.
“Prelude and Main Title March” (from ‘Superman’): Just like John Williams invented the sound of sharks, he invented the sound of cinematic superheroes with his score for Superman. It’s the perfect embodiment of the first and ultimate superhero, and everything that’s been written for the character since has either been a pale imitation or a deliberate attempt to do something different (to lesser effect). And I love the exuberant sound it has, like it’s shouting, “It’s Superman!”
“Love Theme” (from ‘Superman’): Two from Superman?! I didn’t even mange to fit two from Star Wars and had to resort to a suite! (Not that Superman isn’t one of Williams’ best. It’s great.) However, I feel like I had to include this one. Lots of movies have love themes, and Williams himself has written a bunch. But IMO the Love Theme From Superman is the best of them. I’ve never been in love and I don’t ever expect to be, but I have to imagine that this is what love sounds like.
“Theme from Schindler’s List”: There’s a lot of music on this list that’s warm and positive and exciting, but John Williams is also great at quieter stuff, without losing any of emotion. I think the theme from ‘Schindler’s List’ is probably the preeminent example of that, perfectly mournful and full of the proper sound, a unique sound that’s completely unmistakable. Of course, Itzhak Perlman‘s performance is a huge part of that. The theme is still good when played by others, but there’s something special about Perlman’s rendition.
“A New Beginning” (from ‘Minority Report’): Another finale, but this one isn’t a summary of the rest of the movie’s music like the others. It’s a fairly stand-alone piece, but I just love the sound of it. I’m never getting married and I don’t dance, but this is totally going to be the music for the first dance at my wedding reception.
If anyone else has favorites from John Williams’ oeuvre, feel to reply or reblog with additions. I’d love an excuse to re-listen to those.
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