#i had very mixed feelings on that final arc

[egophiliac]

Ace with us!

#art #kamen rider #geats #geats spoilers #i had very mixed feelings on that final arc #(my lack of motivation is probably...kind of apparent) #but i did enjoy a lot of the show! #and i gotta respect the chutzpah of making the villains a niche group who think kamen rider should be dark and edgy #anyway see you next week for some CARD ADVENTURES

[chronicdisasterwrites]

death is pretty but his eyes are prettier

pairing: gojo satoru x reader (gojo’s past arc)

genre + warnings: - blood, injuries, mentions of death, passing out and intestines spilling out of the body (it's a bit gory but nothing crazy), swearing, reader is shorter than satoru but other than that it's gender-neutral (i'm pretty sure), shoko smoking, protective satoru and suguru.

a bit angsty but definitely FLUFF !!

word count: 3,191 (yikes lmao)

authors note: okaaay, so i was inspired by taylor swift saying "you drew stars around my scars", and also i love slow burns and two idiots silently but obviously pining for each other; SO satoru and reader aren't dating here yet. but they very much do like each other.

also apologies in advance if i messed up any location descriptions :')

enjoy this chaos lol <3

I’m an idiot. 

The curse was dead. The special grade curse you were assigned to kill was dead and you were almost dead. 

As the dissipating remains of the curse mixed with the wind and faded away, you heaved as the blood from the gash across your stomach soaked your dark blue uniform and colored it an even darker shade. Taking a few steps towards the nearest wall, you lean against it, legs buckling and gasping for breath. The light-headedness was growing exponentially and you had to force your eyes to stay open and your legs to stay upright. Blinking rapidly and trying to regain focus, you press one hand to the gaping wound on your abdomen. Red bleeds through your fingers and you feel like you might just pass out. Or die. Or both. 

Feeling liquid drip down your chin, you lift your other hand to the right side of your cheek to assess the source of what you assumed had to be blood. Sure enough, your previously bloodless hand was now stained with sticky crimson. Slowly moving your finger on your cheek to figure out where the blood was coming from you felt a sharp pain when your hand made contact with what seemed to be a pretty large cut. 

Shit. That’s gonna leave a scar.

Your scythe was broken so you had no weapons to worry about carrying back to Jujutsu High. Sluggishly taking your phone out of your uniform pocket you pray to every force you know to let your phone be okay. The black cracked screen stares back at you and the reflection of your worn out, disappointed, and bloodied face is all you see.

Oh, you have got to be kidding me. 

Now the question is whether to go to a hospital and get questioned by non-sorcerers about the horrendous wounds covering your entire body or, to go to Shoko and get patched up and hopefully not get asked too many questions and look like an absolute idiot. 

Shoko will ask questions and she’ll obviously be concerned. If Shoko knows, Satoru and Suguru are bound to find out and they won’t be happy with the higher-ups about this… misjudgment.

So, the hospital sounds better. But the nearest hospital is further from my current location than jujutsu high. 

Your breathing is getting shallower and your head feels so light you feel like it’ll just fall off. Closing your eyes and taking the deepest breath you could take without feeling like your stomach will tear open from the searing pain, you decide.

Fuck it. Shoko it is.

Pushing yourself off the wall with one hand still clutched to your bleeding stomach you start moving towards Jujutsu High. You control your breathing and use every last bit of cursed energy you have left to staunch the bleeding and somewhat ease your pain. With that, you urge your legs to move as fast as physically possible without breaking down.

---

You don’t know how you made it without bleeding out in the middle of the road, but the gates of Jujutsu High have never looked prettier. But, the sight of the stairs was enough to make bile rise to your throat. Swallowing it down and heaving some more, you make your way up the neverending steps of your inevitable doom.

Upon reaching the final step, your legs give out and you fall, wounded cheek first onto the stoned pavement. The pain was like nothing you’ve ever felt before; shooting upwards to your neurons and all the way down your body, right to the tips of your fingers and toes. 

It feels so nice to lie down. No no, get the hell up and go to Shoko. Or all this damn walking would’ve been for absolutely nothing.

Hours was it? Or minutes? You’re not sure but you managed to get back up. After first turning from your side to your back and then bending one leg and then using one hand to help your body up and then finally sitting up. Then at a snail’s pace, managing to stand up on your two feet you start moving towards the morgue, where Shoko spends most of her time anyways. That was your best bet. And if she wasn’t there, well then death seemed like the next best option. 

Slugging your way to the morgue, one hand still clutched to your stomach, you aggressively slap your free hand on the doorknob and turn it with your full body weight on the door. The door swings open and unable to keep your balance, you fall again, right cheek hitting the cold floor for the second time that day. 

All you remember hearing before your eyes finally shut is the sound of a chair screeching on the floor followed by the sound of rapid footsteps and a string of unintelligible words you assumed belonged to Shoko.

---

Darkness. More darkness. Muted voices. Yelling. Some more darkness. Pain.

When you finally open your eyes, everything is a blur. You blink a few times and look around until your eyes find something to focus on. The white walls, the green curtains, and the smell of antiseptic chemicals all lead you to believe you are in the infirmary. Flexing your hands one, two, three times before slowly lifting your right hand up to gently caress your right cheek, you feel the soft cloth of a bandage taped to your skin. Bringing the same hand down to lay it flat upon the blanket covering your abdomen, you apply the slightest bit of pressure down until you feel a slight prick of pain. Lifting the blanket up you tilt your head down to check the situation. You’re wearing a flowy hospital gown and your stomach looks a bit bulky. Feeling around the wound site you realize there’s a bandage there too. Laying your hand back down by your side, you stare up at the ceiling, wondering how you were even alive.

The creaking of the door opening breaks you from your stupor. 

“That was fast. Thought you’d be out for longer,” comes the smooth voice, the smell of cigarettes and that familiar sandalwood sweet perfume you know only belongs to Shoko.

Turning your head to the side you watch her sit down on the chair next to you fiddling with an unlit cigarette and crossing her legs. Her bangs almost cover her left eye and you notice how tired she looks. She sighs and looks at you with a lazy smile, fingers still twirling the cigarette with ease, she asks, “How you feeling?”

You shift and push yourself up to lean your back against the headrest of the bed. With a loud exhale you look back at her with a half-assed smile, “I’m great actually. Good job, doc.” You give her a thumbs up and hope it’ll be enough to squash any more questions she might have.

With her smile still on her face, she looks down at the cigarette and hums, “You know, Gojo was about to unleash hell on the higher-ups for giving you that mission.”

Your smile is immediately replaced with a frown and you feel unbelievably small upon hearing this. With a scowl you ask, “I mean, the mission was a success, wasn’t it?" You shrug, "And I’m fine too so win-win.”

Finally, her smile fades as she stares straight at you; and you think this is the most serious you have ever seen Shoko look, “You could’ve died. That doesn’t seem like “fine” to me. For once I actually agree with Gojo. It wasn’t right of them to assign you on that mission, especially without warning.”

“I’m feeling unbelievably underestimated right now, Shoko,” your voice is small as you fiddle with the seams of the blanket covering the lower half of your body.

Shoko sighs and shakes her head, short hair swishing as she leans forward with her arms on her legs, “I’m not doubting your abilities. No one is doubting your skills. But your wounds were really bad, you know that as well as I do.”

It’s quiet for a bit before you speak again. You look at her downturned head as you reach out your hand to hold hers. Your voice is demure.

“I know. I’m sorry for worrying you, Shoko. But I promise I’m fine. And that’s all thanks to you.” You smile at her as she lifts her head enough to lock her eyes with yours. A smile she doesn’t return but her hand holds yours back and you know she believes you now.

“Yeah well try not to pass out with your intestines all over the floor next time, thanks.”

You laugh. “I promise. I hope you’re joking about the intestines though.”

Shoko huffs a short laugh and lets go of your hand. Bringing the cigarette to her mouth as she stands up she says, “Your cursed energy is the reason that’s a joke. It’s amazing you held out for that long. But don’t get too used to that luck.”

Bringing your hand back to your lap, you watch as she makes her way out and shuts the door. 

Immediately after leaving she pokes her head in again and says one thing before leaving again without waiting for your reply, “Please talk to Gojo and Geto. Go now actually.” 

You sigh and bring down one foot then the other. The light-headedness returns once you stand up but it’s manageable, so you look around for a change of clothes when you find a new uniform folded neatly on the side table next to your bed.

Changing into the new uniform, you make your way out to look for either Satoru or Suguru or if you’re lucky (more so unlucky) both of them.

---

Jujutsu High really is beautiful this time of the season. The cherry blossoms are in full bloom and the campus looks downright ethereal. You think while walking the halls how this place would feel if it were just an ordinary high school and not a place teaching kids how to wield weapons and slay curses. The classrooms would be filled with boisterous students and teachers talking in the courtyard. Canteens with flirting couples and students playing football outside. The gymnasium would hold basketball games with students wearing the school jersey and cheering for the school team. It would be different. It wouldn’t be Jujutsu High, you think.

“Well well, look who’s up and walking already,” the loud, smug voice you know only belongs to one white-haired, blue-eyed boy.

Stopping in your tracks you turn around and stand face to face with Satoru. You give him a sheepish smile and with the sweetest voice you can muster you say, “Hey there Satoru! I was just looking for you!”

Satoru scoffs and walks closer to you. 

"Drop the crap."

Oh shit.

Once close enough to touch you he waits for a few beats staring at your face, eyes locked with yours as he occasionally looks at the bandage on your cheek. He breathes your name.

“What the hell were you thinking?” he seethes.

You groan, exasperated but expecting this reaction. 

“I’m okay, Satoru. I don’t get why this is such a big deal honestly.”

You can see his eyes widen behind his sunglasses with pure rage as he scoffs yet again. His voice gets louder and his arms flail around trying to prove his point, 

“Oh, you don’t get why this is a big deal? Well for starters, you could have died. You’re a semi-first grade, why the hell would you even accept a job to kill a special grade curse?” 

“Okay, I didn’t know it was a special grade. And I killed it, didn’t I? Have some faith in me,” your tone matches his and you glower as you cross your hands across your chest.

He starts pacing back and forth, facepalming himself to oblivion as he goes on a rant,

“Oh my- that’s not the point! It’s not about having faith. You were all messed up and half dead and you could’ve been fully dead and we were almost about to kill those stupid old geezers but then Shoko stopped us and I swear if she didn’t we would’ve actually gone through with it. I mean seriously what the hell-“

You stomp forward mid-rant and grab him by the shoulders, forcing him to stop. Your voice is soft but steady like you’re comforting a child in distress.

“Satoru calm down. I’m okay. The curse is dead. It’s fine. Now please breathe.”

He stares at you through his sunglasses. His chest is heaving and fists are clenched by his sides, not trying to move at all even though he could easily shove you away and continue pacing and ranting.

He dips his head down and exhales deeply, shoulders slanted downwards and breathing slowing down. He moves forward as his arms encircle your body and his head rests on top of yours. Your nose is squished against his chest and you can smell his scent; a mix of sweets, laundry detergent, and his signature scent; the smell of dewdrops and what you assume would probably be some expensive brand of perfume. You relax against him as you breathe him in and your arms move to hug him back. Shifting your head to rest your cheek on his chest you hear his heart beat steadily. You close your eyes and get lost in the feeling of Satoru. 

Neither of you say anything, but say everything at the same time. All his thoughts poured into that one hug, and you silently hear them all as you hug him a bit tighter.

You can feel him gulp as his Adam's apple moves against your forehead. His voice is small and honest as he says, “I would kill them all. If you didn’t wake up, I wouldn’t hesitate to kill them all.”

You know he would, so it’s not really a confession. But it feels like a confession. Satoru would turn the world upside down for the people he loves. You know that too well. 

“I know,” your voice is quiet. You feel so safe in Satoru’s arms. You think it’s so embarrassing how safe you feel whenever you’re with him. You feel like a baby; guard down and vulnerable. You’re sure Satoru feels the same way. You’ve never once seen him keep his Infinity on when he’s with you. 

He hugs you tighter and you can feel his heart rate quicken. He takes a deep breath and exhales as he lets you go and looks at you. You tilt your head up and try to find those cerulean blues hidden behind the shade of his sunglasses. Lifting your hand up to push his glasses up to his head you finally look right into the swirling blues of his eyes. They’re like the ocean. Calm, but with an unmistakable power surging within them. Like the energy you feel in the water right before a wave is formed, the blues in his eyes seem to pulse and flow with power. But they’re also still and serene, and filled with so much emotion. His eyes hold so much more than just power. 

His hand comes up to your bandaged cheek and he slowly takes off one side of the tape and then another until the bandage flaps open. You suddenly feel smaller and even more vulnerable. You haven’t even seen your face with the scar yet (you’re positive there’s a scar). His eyes zone in on the cut as he traces the raised flesh lining the center of your cheek. As his finger runs down the scar, you envision just how large the cut really is; about 3 inches vertical. It didn’t hurt anymore. Shoko really is a fantastic sorcerer, you think. Not moving your eyes from Satoru’s even once, you see the whirlpool of emotions swirl around in those crystal blues. Anger, sadness, worry, relief, adoration, hope.

His jaw clenches as he furrows his brows ever so slightly, fingers moving across your scar with featherlight pressure. Moving his gaze to your eyes, he rests his entire palm against your wounded cheek. Adjusting his hand to hold the side of your face perfectly like two pieces of the same puzzle, his thumb lays on the scar with a gentleness you didn’t know Satoru had. 

It’s so quiet, you can hear your heart pounding in your chest. The occasional breeze and the mellow chirping of birds bring you back to the world, otherwise, you’re positive you’d forget all about the outside world and be content standing in the middle of the hall in Jujutsu High wrapped in Gojo Satoru’s arms. 

You and Satoru were friends. Of course, you loved him, but that love is no different from the love you have for Shoko and Suguru. They’re your home. You’re a family. You know they love you too. 

But right now, it feels different than all the other times Satoru has held you. Held your hand, held your face, hugged you, clumsily threw his lanky arms over your shoulders, ran his fingers through your hair, wiped the blood off your face, flicked you on the forehead, patted you on the head, messed up your hair, rested his head on top of yours. This particular instance feels different. More intimate, perhaps. 

Maybe because you really could’ve died. Your life was hanging by a thread and you don’t seem to understand that. You were so prepared to die, that such a close brush with death’s scythe didn’t affect you in the slightest. This job comes with a guarantee of death. Even though that is life in general; being a jujutsu sorcerer means your days are already numbered. Anytime you embark on a mission, your chances of dying are much higher than your chances of survival. So you always went out on the field with the thought of dying. Knowing you could die and leave everything and everyone behind. But this was the first time you felt you were one step through death’s door. 

You can feel Satoru’s breath on your face, and you think he might kiss you. You keep one hand on his back as you lift the other to hold his wrist near your jaw. As he leans forward you close your eyes bracing for the kiss to reach your lips. But it doesn’t reach the place you were expecting. Instead, the lightest kiss touches your forehead, almost chaste; as he lingers there for a moment and then moves back. 

By now, your heart is racing and you think you’re dreaming. Only when his hands leave you, do you open your eyes and realize this isn’t a dream. 

He exhales as he stands straight, with both hands by his side. Bringing his sunglasses back down, perched on the bridge of his nose, he gives you a small smile, “I’ll see you later, yeah?”

You try to mask your stunned expression with a smile and nod. 

As he turns to leave he says, “Suguru’s at the gymnasium, probably.”

You release the breath you didn’t realize you were holding, “Alright.”

He walks away and you go in the other direction.

part 2

#gojo x reader #gojo satoru x reader #jujutsu kaisen #jjk x reader #gojo satoru #jjk fluff #jjk angst #gojo satoru x y/n #jjk x y/n #suguru geto #shoko ieiri #bruh why am i blushing #reader is kinda nonchalant ngl

[yan-lorkai]

Hii, Lorks ~

Had see that your writing for my favorie earl now, have any hcs for older sibling reader and young brother Ciel? Sorry about bad english, is not my first language

.⁠｡⁠*⁠♡ A/N: Been busy with uni stuff but nothing couldn't stop me from writing this now that inspiration strikes me and since we're having a new season I began to reread the manga these past few days and wow, I still love this lil dude. Look at his smiled he knows he's adorable. The Green Witch arc remains my favorite <3

.⁠｡⁠*⁠♡ Warning: Yandere content, platonic yandere, protectiveness.

.⁠｡⁠*⁠♡ You were a few years older than the twins, but you were very close to them as well as being a constant figure for them as they grew up. You were what they would describe as the best sibling in the world, even though you liked to make fun of them and make jokes that embarrassed them in front of people, like any good old sibling would do.

.⁠｡⁠*⁠♡ When you had free time, you enjoyed teaching them chess and other logic games, loving the way the expressions on their faces were confusing whenever you used a different strategy. These were simple times when the whole family would get together to watch you play while everyone chatted. Times that were lost after the attack, all the joy, all the warmth, that mixed with the sad blue of the wallpaper until it turned the entire mansion into something cold.

.⁠｡⁠*⁠♡ Ciel came back, lost, deeply hurt, and you were the only person he told what happened. The whole kidnapping and the cult, and it broke your heart, your brilliant little brother was an unresponsive blank as he recounted the facts, as if he didn't want to realize the impact that that event had on him. As if he was still on autopilot and couldn't let his guard down. And things were worse now that he had lost his twin brother, who he was as attached to as you were.

.⁠｡⁠*⁠♡ But you were there to support him every step of the way, holding his hand after a nightmare, wiping the rare tears from his eyes, listening to everything he had to say. Ciel's stubborn and prideful, he never asks for help but he has this serene smile on his face when you go out of your way to help him anyway. You knew he was strong for withstanding all the pressure, for enduring everything he went through and for having the strength necessary to overcome everything, and you reminded him of that in each of his "weak moments". It reminded him that he was loved and that you would always be by his side.

.⁠｡⁠*⁠♡ He's still twelve, he's still a child, and you're always telling him stories to sleep and taking him out to take his mind off his trauma. Sometimes you just sit next to him and listen to him express his thoughts.

.⁠｡⁠*⁠♡ Ciel can be a little overprotective sometimes, which is funny considering you should be the overprotective one due to the age difference. He always sends Sebastian with you on your errands, to protect you from some attack or someone. And you don't complain, his intentions are good and you can understand the anxiety he feels upon knowing that those responsible for the attack are free and alive.

.⁠｡⁠*⁠♡ Being a few years older, you know a lot about balls, about every important person and how to negotiate with them. And you teach each of these things to Ciel when he decides to claim the title of Queen's Watchdog, giving advice and sharing your opinion whenever he asks you, being by his side as his left hand.

.⁠｡⁠*⁠♡ And being his left hand means that you and Sebastian interact on a daily basis, protecting Ciel, going on missions together, collecting information and the such.

.⁠｡⁠*⁠♡ In private, when your masks can finally fall, you call him by his real name, hug him lightly and let him know that no matter what, you'll be there for him. Always.

⠀

.⁠｡⁠*⁠♡ Ciel actually told you everything, everything except that he made a contract with a demon. He hopes you can forgive him when the contract is completed, when he and his soul disappear from this world, without any chance of seeing you one last time in the so-called paradise.

.⁠｡⁠*⁠♡ Even after your death, Ciel might remember the loving way you sat in the chair next to his bed when he was sick and took care of him. He will remember the silly promises you made, the bad jokes you told him to make him laugh until his stomach hurt, the little adventures to steal cookies on Christmas morning. Things too precious for him.

#yandere kuroshitsuji #yandere black butler #yandere ciel phantomhive #yandere ciel #yandere ciel x reader #yandere ciel phantomhive x reader #platonic yandere #ciel x reader #ciel phantomhive x reader

[david-talks-sw]

The series Ahsoka is coming out soon, and in light of the recent comments by Ashley Eckstein...

... I figured I'd also point out that people hated Ahsoka.

Every complaint you've heard about Rey? It had been hurled at Ahsoka about 7 years prior.

“Oh, she’s fighting Grievous and she’s only, like 13?! That’s so OP!”

“She feels like a Mary Sue written for a prequel based fan fiction.”

“Oh, she disobeyed an order from Yularen on Ryloth?! She’s so snippy!”

“Ugh, I hate her and her stupid voice!”

“She’s always pointing out stuff other characters have missed, like she’s so perfect! She's a Mary Sue with an annoying voice and personality.”

And honestly? I remember that period. People despised Ahsoka (and sometimes voiced anger towards Ashley Eckstein too), just like they hated Hayden Christensen, and most Prequel-related content.

But guess what? They weren't the target audience. Said Eckstein in her 2018 book It's Your Universe:

“Ahsoka’s arrival on the scene was met with mixed reactions. She had a big personality and was very snippy. [...] She talked back to Anakin, and some even called her bratty. Critics didn’t quite know what to think, but kids loved her. Finally, girls had another character besides Leia and Padmé to play on the playground — and now there was a lightsaber in their hands.”

They didn't "fix" Ahsoka, as you'll see on some click-baity YouTube thumbnails.

She had a fucking character arc. There was nothing to fix.

The whole point of her character is that she starts out as immature and petulant as Anakin is in Episode II. This forces Anakin himself to grow up, so he can better take care of her.

Eventually, they both mature together... and at some point, Ahsoka surpasses Anakin by learning and implementing the Jedi teachings, while Anakin remains stuck on that first part (no thanks to Palpatine).

Same thing goes for Reva. The character has a goddamn arc.

I'm all for putting a "save the cat" moment to make these characters more likeable (and even when they do, like they did with Rey, then somehow the problem becomes that they're too likeable), but at the same time, I think parts of the fandom should wait and see before prematurely hating on a character (who almost always "just happens" to be female, weird!) to see what story is being told.

#ahsoka tano #ashley eckstein #The Clone Wars

[cupcakeslushie]

I’m really looking forward to more of Leo and Mikey interacting! We haven’t gotten the chance to see them have a relationship beyond flashbacks to when the two were young or the tiny snippets you give outside the current comic. Usagi clearly seems to be a massive part of Leon’s recovery, Raph seems to be the sibling who will be facing the brunt of Leo’s rage, and the disaster twins in Rise are a law- but Michael is still such a kind and loving presence that I can’t imagine he isn’t a massive reminder to Leo that the world isn’t as worthless as Oroku Saki tried to make it.

Love my tide-pod babies in every iteration, the two ingenuitive minds of the 5

(Also migraines are the worst! I’m glad you’re feeling better)

This arc is definitely gonna be for the Tide-pod duo lovers! Mikey is ready to burn down the whole Foot Compound to get to Leo. And he will drag his brother kicking and screaming back into their loving family, if he has to.

Usagi will be a huge part of Leo’s recovery after the Shredder!Leo Arc, but not really while Leo is reacclimatizing to the family. Usagi knows the proper thing to do is step back, and let the Hamatos get reacquainted on their own. They’ll have enough to worry about without him in the mix. Also in Usagi’s mind, he’s only on the current mission to make things right, and offer his knowledge of Saki’s private Compound, but he’s still very much convinced that Leo doesn’t want to be saved, even if it would mean death. However, Cass asked for his help, and he’s gotten to know Mikey and Raph pretty well, so he wants to at least do what he can.

It won’t be until later, when Usagi can see that Leo is finally someone he can get to know, instead of this mysterious blank canvas with nothing real behind it. And that growth will be thanks in large part to Mikey. Because you’re right, Leo will benefit greatly from having that sunshine back in his life—he’s been denied it for too long. He’s lost any and all hope he had, and Mikey will help Leo discover it again.

#rottmnt #ask slushie #tidepod duo #rise leo #rise mikey #rise usagi

[ponett]

Bobby's 2023 Media Wrap-Up

So! Like I said before, this past year I kept a running list of everything I watched, every game I finished, every new album I listened to, etc., and wrote one-paragraph blurbs with my thoughts on every single one. Please enjoy this journey through everything I liked, or didn't like, in 2023, with my favorites of the year listed at the bottom.

(Yes! This is long!!)

Some notes:

I mainly only included things I finished. Exceptions are marked with an asterisk.

I included some YouTube stuff as "TV shows" - mostly particularly long, high effort video essays and documentaries.

I was a bit less adventurous than I'd like to have been this year. Part of this was just that I felt like I was constantly playing catch-up with Big Releases I felt obligated to check out, and part of this was just executive dysfunction from burnout. Wait until you see how long it took me to beat Mario Wonder lmao

Yes, I need to read more books. I don't read a lot of books these days. I need to get back to Discworld.

COLOR KEY

Video Games • TV / Web Video  •  Movies  •  Comics  •  Music

January

1/15: Final Fantasy XIV: A Realm Reborn (MSQ) - Very slow at times, the Primal shit is generally extremely lame to me outside of the boss fights themselves, but god if the quality of life improvements over WoW, the JRPG energy, and the fact that it Actually Has A Story carry it pretty hard.

1/18: Sonic the Hedgehog: Scrapnik Island miniseries - One of the most creative and compelling uses of the Sonic IP… ever? Fantastic little self-contained arc about the struggles of Eggman’s abandoned creations that gracefully weaves between heartfelt optimism and moody horror with some of the best art ever seen in a Sonic comic.

1/18: Mega Man X4 - Glad I finally actually beat this after never even beating any of the Mavericks as a kid! I can see why it’s a lot of peoples’ favorites. The gameplay has very little of that X series bloat and is just fun, especially after getting X’s armor upgrades. (But the story really is a long series of missed opportunities.)

February

2/2: Donks - Felix Colgrave continues to be an exceptional artist. The sound design on this is fantastic and really sells this short as something unique. Had to go back and watch his older stuff again after this.

2/4: Final Fantasy XIV: Heavensward (3.0 - 3.3 MSQ) - I get it now. I get why people say this is just a proper mainline Final Fantasy game built into the framework of an MMO. That shit ruled. Not even walking back the drama in Ul’Dah from the end of ARR can sour me on it because the main storyline was so strong.

2/8: Disneyland's Forgotten Sci-Fi Rock Band - Live From the Space Stage - A nice and honest tribute to a group of artists who could have easily been forgotten. In hindsight this feels like a precursor to Kevin’s Disney Channel jingle video, a tribute to the unsung artists pouring their hearts into “lesser” art for a megacorporation, art that was designed to be transient but sticks with people nonetheless.

2/9: Metroid Prime Remastered* - Not gonna finish because I just played through the Wii version in 2021, but still. Very, very pretty remaster.

2/16: Theatrhythm Final Bar Line - It’s more Theatrhythm. What more could I want

2/17: JoJo’s Bizarre Adventure: Stone Ocean (anime) - Probably the best part of the anime so far (assuming they continue on to SBR). A near perfect mix of the more structured plot of part 5 with the goofiness of parts 3 and 4 that crescendos into a fantastic, bombastic, emotional, bittersweet ending. The use of footage from the original opening and the new ending set to Roundabout in the finale were perfect, and made me intensely nostalgic for the early days of my JoJo fandom between seasons 1 and 2 of the anime.

2/22: Aggretsuko Season 5 - I don’t really know what to make of this one. Once you get past the agonizing initial arc all about Haida where Retsuko has to be his overbearing mommy GF who flips out and starts spying on him when she’s left on read and chides him when he misbehaves, it feels like an improvement over the previous seasons. But I don’t know how much of that is due to the extremely low bar set by season 4. And then the ending is extremely rushed and anticlimactic. They got legally married and the only acknowledgement was a shot of them signing the paperwork in a montage partway through the final episode?????????

2/24: Double Fine PsychOdyssey - God, what a journey the making of this game was. I already loved 2 Player’s past efforts at documenting Double Fine’s process, but this takes it to a whole new level. This feels culturally significant. The depth and honesty with which they depict not just the nitty gritty of making a game, but also the inherent struggles of working on a collaborative creative work for years at a time, is astounding. Not to mention that they were there to capture the shift from office life to remote work as COVID hit. So much of this would have been nightmarishly stressful to watch if I didn’t already know how successful the game was, but that’s just because they really didn’t sugarcoat it. And yet even after all that, it leaves me feeling optimistic about video games as an art form in a way that the constant headlines about cynical live service games don’t. There are still people out there pouring their hearts into making real art, and this is their story. Everyone who plays video games should watch this.

2/25: Cracker Island (Gorillaz) - New Gorillaz albums feel like less of an event these days, but after Humanz it feels like they’re just more chill with the project and their ambitions with it. Every couple years we get some more laid back jams from Damon along with some fun new collabs. Hard to complain. Favorite track: New Gold

2/25: Pool Kids (Pool Kids) - I discovered this band because Derek knows them and was excited when they got a song added to Fortnite through the Bandcamp collab. Always down to find more cool indie rock bands I can vibe with. The mix of dreamy vocals and energetic riffs on some of the tracks here almost fill the Crying-shaped hole in my heart. Almost… Favorite track: Conscious Uncoupling

2/25: Insane in the Rain (insaneintherainmusic) - I thought it was really funny timing when Carlos announced that his first original project would be a jazz fusion album inspired by acts like T-Square and Casiopea right as I was getting into those two specific bands. The final product does not disappoint. Favorite track: Insane in the Rain

2/26: Get Up Sequences Part Two (The Go! Team) - I’ve never been one to believe that a band’s sound has to remain exactly the same forever, but it really does hit you hard that the first two tracks here sound like classic The Go! Team. Their more recent cleaner sound is still here too, though, for a nice mix of old and new. Favorite track: Divebomb

2/28: Mobile Suit Gundam: The Witch From Mercury (Season 1) - Oh my god. Oh my god. I got distracted around the time I was finishing SLARPG, but finally catching up now, wow. My assumption that the seemingly lighter tone of the series compared to the prologue was there to lull us into a false sense of security before twisting the knife when war finally breaks out was spot on. This is peak Gundam.

March

3/4: Pizza Tower - One of the best platformers I’ve played in a long time. It transcends its blatant Wario Land inspirations with the sheer speed at which Peppino can move and the way things like the level design, his wall running, and even the hidden ability to do a second lap around the level reward getting into a flow state where you’re just constantly moving. This is the type of game that wants to turn you into a speedrunner. My only real complaint is a few iffy enemy designs that I wish would get patched.

3/6: Bloons TD 6 * - I bought this before bed one night on a nostalgic whim and then the next morning woke up and saw the Steam receipt email on my phone in one of the most “what did I do last night” moments of my life. I like when the monkeys pop the balloons.

3/7: The Book of Boba Fett - I put off finishing this show for a very long time but finally caved upon the release of The Mandalorian season 3. This show spends four episodes failing to make me give a shit about Boba Fett trying to be “the daimyo” and drive the drug trade off of Tatooine, then just gives up and becomes season 2.5 of Mando, which in turn feels like it undercuts the main series. It fails as both its own story and as a spinoff. I know that finishing this after Andor did it no favors, but WHOOF.

3/12: Obi-Wan Kenobi - Some interesting ideas in the first half hinting at a more introspective show, but it’s mostly swept aside in the back half so it can become a generic Star Wars adventure remixing things from A New Hope and Rebels (and apparently Jedi: Fallen Order). Action scenes have zero stakes because you know nothing can happen to any of the returning characters and none of the new ones are particularly interesting. Why there’s a second climax hinging on a Luke Skywalker death fakeout eludes me. Obi-Wan throwing the rocks at Vader is one of the funniest things in Star Wars history. But it was still better than Book of Boba Fett, I guess.

3/19: The King of Braves GaoGaiGar - Wow, cool robot indeed… GaoGaiGar isn’t going to blow anyone away with its writing, but sometimes you just need a really fun monster of the week mecha show with great action and lovably goofy characters. This is a show where like 20% of every episode consists of recycled transformation, combination, and signature attack sequences and I ate it up every time because they look fucking cool as hell. I don’t care. I’d watch Final Fusion another 49 times.

3/21: The Last of Us (HBO) * - Watched the first two episodes out of curiosity, but I’m not sure if I’ll continue because I don’t give a shit about The Last of Us. It’s definitely a well done adaptation, though, even if I know it’s inevitably going to devolve into miserable torture porn with questionable politics if they adapt Part II faithfully. The ending of episode 2 also lines up perfectly with where I stopped in the game in 2013 lmao

3/27: The Future is a Dead Mall - Decentraland and the Metaverse (Folding Ideas) - Another banger from Dan Olson. This time the premise inherently gives him more time to just show off a bunch of stupid ugly bullshit made by crypto guys, which is fun. My main complaint was that I wished he would’ve brought up Second Life more as a point of comparison (a thing I basically always want out of discussion of “the metaverse”), but he at least did touch on it in the last section.

3/31: The Murder of Sonic the Hedgehog - I can’t believe after years of begging for the supporting cast to get more and better material in a Sonic game I got my wish in the form of a freeware murder mystery VN released for April Fools. This kicked ass.

April

4/7: Berserk - Completed Miura’s run and caught up on the chapters that have been released posthumously. It’s hard to say anything that hasn’t been said about Berserk, universally agreed upon as one of the greats of manga and fantasy fiction as a whole. What begins in its first few volumes as a nihilistic and edgy action comic built to facilitate as much sex and gore as possible quickly evolves into something deeply human and vulnerable and beautiful, both figuratively and in terms of its lavish art. The world sucks and is immeasurably cruel, and you will see that cruelty illustrated in graphic, sickening detail repeatedly throughout the series. (Perhaps a little too often throughout the Golden Age, where it feels like Miura never misses an opportunity to threaten Casca with sexual assault mid-battle.) But the point isn’t to wallow in that misery. It’s the story of a victim of horrific abuse learning to slowly open up to others, having those people he cares about torn away from him in the worst night of his life, hardening himself into a cold killing machine, and then slowly learning to open back up again, even if it means leaving himself vulnerable to more hurt. Anyone who says that the series peaked with the eclipse and went downhill in the “Guts’ JRPG Party” era is missing the point. Guts needed to find new people in his life to care about, to begin to find happiness again. Because no matter what unspeakable things Guts has gone through, it’s still possible for him to heal and to be loved. It takes time, but eventually you stop and realize that life has moved on.

4/8: Dedede’s Drum Dash Deluxe - Skipped it upon release because I didn’t particularly care for the minigame in Triple Deluxe, and I didn’t miss much. It’s fine as a little distraction, but not as a standalone rhythm game with only seven songs. If you don’t bother with the hard modes or chase after high scores this game is 15 minutes long. Oh how I yearn for Kirby to get the Theatrhythm treatment.

4/10: The King of Braves: GaoGaiGar FINAL - Eh… It was okay. Lots of cool robot fights, but said fights are stitched together with a mediocre plot that tries too hard to be more “mature” than its unabashedly schlocky kids’ show predecessor. Not crazy about the ending, either, which tries to be a bittersweet farewell closing off the series once and for all while also teasing that maybe there’ll be ANOTHER sequel after the OVA series they literally called “FINAL.” Ah well.

4/11: The Owl House - Sad to see this one go, but it’s hard to imagine them doing a better finale than this, even if they had gotten the six seasons they deserved. I’m not as obsessed with The Owl House as I probably would’ve been had it come out when I was, like, 20, but it’s a really fantastic show for all the reasons people always say. Great characters, great world, great story. I love that this starry-eyed fantasy story about a teenager finding love and a place where she belongs is also set on the rotting corpse of a titan with Hieronymous Bosch-inspired scenery and freaky monsters everywhere. What a great mix. If anything, I just wish I would’ve watched the first season as it aired so I could’ve had more time with it.

4/29: Mega Man Battle Network 3: Blue Version - FINALLY beat this via the new collection, 20 years after playing it as my first Mega Man game. (Technically my first was White, not Blue, but whatever.) There are more annoyances than I remember - lots of really really bad forced backtracking sections where you have to revisit every previous part of the internet, low chip drop rates, some really aggravating bosses like BubbleMan and KingMan, etc. But it’s still a great time overall. It’s Battle Network. In the back half the story gets surprisingly emotional, too. I was always under the assumption that the Hub stuff never came back up much in the story after 1, so I was pleasantly surprised with how relevant it was to the emotional arc of 3.

4/30: Mega Man Battle Network 4: Red Sun * - Yeah I’m not playing through the whole thing lmao. I just wanted to play the first couple hours for nostalgia’s sake, and as a baseline for how much better the rest are. Even before getting deep in the game and having to deal with all the shit gated between doing two new game+ playthroughs, it’s immediately obvious how much of a downgrade this one is. Tons of glaring errors and typos all over the script, blander music, a way more boring aesthetic for the internet, and a premise that mostly just recycles the tournament idea from 3.

May

5/14: The Venture Bros. - Glad I finally sat down and watched all of this with Anthony after having seen one (1) episode as a teenager and a bunch of random clips in the years since. Great show. Some jokes in the early seasons haven’t aged gracefully, but what the show grows into over time... man. Hank and Dean go from being the butt of the joke to being characters you actually sympathize with - while still also being funny little goofballs. And the journey Henchman 21 goes on throughout the show. Man. Amazing that a comedy like this could run for 20 years and maintain its level of quality. Can’t wait for the movie.

5/18: Future Me Hates Me (The Beths) - Okay yeah I’m now just discovering bands through Fortnite lmao. I can’t complain really, they pick some really great indie artists for the in-game radio stations. Anyway: It’s very easy to win me over with a combination of energetic power pop, catchy guitar riffs, and earnest lyrics like this. One of those albums where three or four tracks in I know I have to buy it. Favorite track: Not Running

5/18: Jump Rope Gazers (The Beths) - Ditto. Favorite track: Dying to Believe

5/18: Expert In A Dying Field (The Beths) - Another good album. (I’m listening to these in release order.) I’ve been a bit slower to warm up to this one, initially thinking it was a little too mellow overall, but it might be my favorite after a few listens. Some real high highs. Interestingly, the lead singer’s New Zealand accent is also coming out more in her singing? Favorite track: Your Side (or maybe Head in the Clouds)

5/19: The Super Mario Bros. Movie - As a Mario fan, I think I enjoyed it? As a movie, less so? It was decent, in spite of feeling like they came up with a list of fun action setpieces first and then wrote the absolute bare minimum possible for the story scenes tying it all together. Full thoughts here. (This is the first movie I’ve seen this year, huh? I really don’t watch a lot of movies.)

5/23: Don't Know What You're In Until You're Out (Gladie) - I feel like I don’t like Gladie as much as I should. Their style of noisy indie rock is very much in my wheelhouse, and I do enjoy listening to them, but I dunno. Maybe it’s that the particular style of vocals makes it more monotonous to me. A good album nonetheless, if not 100% my thing. Favorite track: Nothing

5/24: City Slicker (Ginger Root) - Yes I am still making my way through Bandcamp artists I heard on Fortnite don’t @ me. Any excuse to get me to listen to some cool city pop-inspired funk like this is a good excuse. Favorite track: Loretta

5/24: Rikki (Ginger Root) - Favorite track: Why Try

5/25: Spotlight People (Ginger Root) - Favorite track: The Classic

5/29: Succession - A good dramedy series that increasingly focuses more on the drama than the comedy as it progresses, but it’s hard to complain about that since the drama is so compellingly produced. I enjoyed it. That being said, I kind of rankle at the claims that it’s The Greatest TV Show Of All Time. It’s great, don’t get me wrong. Amazing performances all around. But the show LOVES to spin its wheels, to repeat itself, and to let most of its interesting dramatic developments fizzle out before anything really comes of them, almost as if the show is constantly getting bored with its own ideas. To some extent this is intentional - Logan Roy is the untouchable billionaire, his kids fail at everything (but will nonetheless remain billionaires), and in the long run none of them really give a shit about anything other than their own status. But it’s not like things tend to visibly impact anyone else, either, be they supporting characters or the world at large. Even the Big Scary Election, where the Roy siblings are directly responsible for plunging the nation into chaos, ultimately has zero impact on the finale a mere two episodes later. Certain Other Things do have an impact in the last season, though, allowing things to meaningfully change for the cast and for the show to sit with the ensuing drama, which has stopped me from souring on Succession more. There was finally a payoff for something. But it does still kind of feel like a show that goes in circles until it’s ready to call it quits, even if those circles did contain a lot of great acting and music along the way.

5/29: Kipo and the Age of Wonderbeasts - I’d watched the first 12 episodes when they originally released, but I guess the Netflix binge release and the fact that all three “seasons” came out in one year led to me waiting until it finished… and then I just never got around to finishing it. Glad I fixed that! Really fun and stylish cartoon with an art style reminiscent of Teen Titans, a hip hop-filled soundtrack, dynamic fight scenes, and a colorful post-apocalyptic world filled with mutant (mostly anthropomorphic) animals. I’ll admit that at times I do kinda roll my eyes at Kipo’s unshakeable belief that everyone can be friends in a way that I don’t necessarily with similar shows like Steven Universe, and not every joke lands, but I dunno. It’s a kids’ show. That’s to be expected. It doesn’t detract from the overall package for me.

June

6/1: Craig of the Creek (Season 4) - It’s been years and I’m still processing the fact that kids can turn on Cartoon Network and hear Jeff Rosenstock. Anyway! Craig continues to be one of the best cartoons on TV, consistently funny and creative and way more engaging than a show about a bunch of kids LARPing in the woods has any right to be. This season turned into One Piece with the gang effectively hunting down the Poneglyphs in search of a legendary treasure. The kids think it’ll be magic. It isn't. An increasing number of cartoon logic gags aside, this show is firmly set in the real world. Does that make it any less interesting? Hell no. Season 3 turned a game of capture the flag into an all-out five episode war between the heroes and villains, filled with dramatic turnabouts and a climactic guest appearance from Del the Funky Homosapien. I’m sure however they wrap things up in the (sadly shortened) final season, it’ll be great. (Also? I would watch a whole show based on that “what if” episode that jumped forward to everyone’s 20s.)

6/6: Barry - Holy shit, what a show. I ended up binging it in less than a week in a cycle of “okay, just one more episode.” The way this show is able to swing between tones and genres while still feeling like a cohesive whole is truly masterful. It’s a layered character drama, a tragic crime thriller, a farcical comedy, an understated action series, a surrealist morality play, and a scathing satire of Hollywood, all in one. Even within the criminal underworld subplots the show ranges in tone from Breaking Bad to Paddington 2. And it works! While the show naturally gets bleaker over time as it confronts the repercussions of Barry’s murders, it never completely loses sight of its comedic roots. My favorite episode was easily season 2’s “ronny/lily,” a mostly self-contained episode that somehow manages to keep throwing the perfect curveballs to escalate its dark comedy.

6/12: The Lord of the Rings: The Fellowship of the Ring (Extended Edition) - Y’all heard of this movie? Pretty good, it turns out. (I’d seen the theatrical cut before, but this was my first time watching the extended edition. I’ve also only seen parts of the other two movies, so it’s time I finally watch all the extended cuts. The Gollum game pushed me to this.)

6/13: The Lord of the Rings: The Two Towers (Extended Edition) - give it to us RAW and WRIGGLING

6/17: The Lord of the Rings: Return of the King (Extended Edition) - I’m not crying YOU’RE crying

6/22: Clone High (Season 2) - While the first episode being about “cancel culture” (or, more accurately, a teenager from 2003 being transported to 2023 and putting his foot in his mouth a lot) put a lot of people off, I ended up enjoying the new season of Clone High. The new clones grew on me as the season went on and their roles in the web of teen romance melodrama crystalized, and it made me laugh a lot, and Cleo/Frida is galaxy brained. Also they played one of my favorite Antarctigo Vespucci songs like a minute into the first episode. I don’t think I could really ask for much more.

6/28: The Mandalorian (Season 3) - I'd been watching this weekly but put off the last episode for no real reason. Responses to this season have been all over the place, but my blistering hot take is… it was fine. Is it as good as the first season? Probably not. But Mando no longer needs to carry the whole franchise on its shoulders and set the bar for how good the live action Disney Star Wars shows can be, because Andor exists, and it’s never gonna top Andor. The Mandalorian is free to just be a pulpy space adventure show where Giancarlo Esposito plays a scenery-chewing cartoon villain and a little puppet does wire stunts. These are things Andor cannot and should not do, but that’s Star Wars, baby. It’s delightful. I could watch Grogu get underhand tossed like a sack of flour all day.

July

7/2: Mobile Suit Gundam: The Witch from Mercury (Season 2) - LOVE WINS. (More nuanced take from way later: It definitely feels like a lot of the more messy political conflicts in this show got swept aside by the big final battle where some more easily resolved family conflicts take center stage. I’m not sure the ending is the most satisfying. But also this show only got half the episode count that damn near every other Gundam show ever made got, so that might be a factor here. Idk. Still one of my favorite Gundams.)

7/4: Final Fantasy XVI (watched Anthony play) - I had to write my longest Medium article ever about this one because I was so frustrated

7/10: Home Movies - “Things I like that I’ve never seen in full” has certainly been a recurring theme this year. Home Movies remains an all-time classic of animated comedy that went out on a high note before things got stale or the characters became parodies of themselves. While it’s mostly known for its funny improvised banter, throughout the last season you can really see the arc where Brendon no longer enjoys making movies, yet he feels obligated to keep using them to escape from the real world. In that light, the ending where the nature of their dysfunctional makeshift family is cemented, Brendon’s camera suddenly breaks, and life moves on really does feel like the perfect note to end on. Truly one of the best to ever do it.

7/15: The Legend of Zelda - Tears of the Kingdom - Wow. Just… wow. I had serious doubts about TotK in the months leading up to release due to how close Nintendo was playing their cards to their chest. I didn’t want this to be a Saints Row IV, where the game is fun enough but the recycled map makes it feel like a rehash. Instead, I found a game that made me look at BotW’s map in a whole new light, brimming with so many more things to do and people to meet. Add on a better, more versatile set of tools, more varied dungeons and bosses, and a story that I felt was told somewhat better and we’ve got a real contender for my new favorite Zelda game. It was hard to tear myself away, but as this list shows, it’s been basically the only game I’ve played since it came out.

7/16: Sonic Prime (Season 2) - I liked the parts with Shadow and Chaos Sonic, but I’ve come to the sad conclusion that most of this show is just mediocre. More thoughts here.

7/18: We ♥ Katamari Reroll + Royal Reverie - “I’m a dog, but I love Katamari Damacy.” Truer words have never been spoken.

7/19: Transformers: Rise of the Beasts - Pretty good! It didn’t blow me away, but after how bad the Bay movies got I’m just thankful to have a decently cohesive Transformers movie where the human story is okay and I like the bots (although half of them needed more screen time), even if it is just another Hollywood blockbuster about two sides fighting over a macguffin that devolves into a big CGI battle against an army of nameless monsters in the third act. This is basically a mid-tier MCU movie but with Transformers, which won’t do much for most people, but again: the bar was underground.

7/22: The Venture Bros.: Radiant is the Blood of the Baboon Heart - God DAMN. A phenomenal ending for the series. While I would have loved to see a full final season to get some more one-off episodes in there, this doesn’t feel creatively compromised in any way–either due to the time constraints, or due to a desire to make it more marketable as a movie. It really does feel like they just took their outlines for the canceled final season and gently massaged them into the shape of an 84-minute movie, and I mean that in the best possible way. It’s completely on par with the previous seasons. A hilarious and fitting sendoff for one of the greats of adult animation.

7/23: Beautiful Katamari - This was one of my first Xbox 360 games, but a frustrating temperature-based level made me put it down for 16 years. “Maybe it won’t be as bad now that I’ve beaten the first two games and am better at Katamari,” I thought. Nope! Still an absolutely dogshit level. But also, turns out the whole game is only like two hours long lmao. It’s still Katamari, so it’s still fun - the final level in particular, which seamlessly takes you from ground level all the way to space, feels like a logical endpoint for the series - but beyond that it just doesn't have the same soul without Keita Takahashi's input.

August

8/4: Doom Singer (Chris Farren) - I’ve been waiting so long for Chris and Jeff to do another Antarctigo Vespucci album, but god damn. This is the best of Chris’s solo work, and a contender for his best record, period. Every track’s a banger, with more energy than some of his previous solo work but also a good deal of variety. Favorite tracks: First Place, Cosmic Leash

8/4: Transformers Earthspark (Season 1) - This show had a bit of an uneven start, unsure if it wanted to have the emotional maturity of a more serious action cartoon or a preschool cartoon where the characters have little kid mood swings and outbursts and learn basic lessons. It also felt like it was speedrunning its Wholesome Found Family Dynamic with characters who just met, which didn’t feel earned. While these problems never completely go away (see: the cheap and corny way the otherwise very dark season finale suddenly resolves), the show improves quickly, and the positives outweigh the negatives. It’s so great to have a Transformers cartoon that feels fresh, giving us a post-war setting with a bunch of new characters and new dynamics between the Cybertronians and the humans. The returning characters are also uniformly great as the old veterans overseeing the new generation. (Reformed Megatron! Danny Pudi as Bumblebee! Steve Blum returning as Starscream! Keith David as Grimlock!!!) And those super dynamic action scenes! I can nitpick, but Earthspark’s a ton of fun, and easily the best new Transformers cartoon since Prime and Animated.

8/5: Ghost Trick: Phantom Detective (remaster) - Everyone who told me this game was a masterpiece was right. I had played the first chapter when it dropped as the demo for the iOS version years ago, but never went further than that until now. What a game. Absolutely incredible through and through. Great story, great twists, great characters, great puzzles, great art direction. Everything comes together so perfectly to form a totally unique, unforgettable package, a top tier video game murder mystery. Everyone should play this, preferably going in as blind as possible.

8/15: It’s Always Sunny in Philadelphia (Season 16) - Wow! Recent seasons of Sunny have been kind of up and down, with some interesting experiments (Mac Finds His Pride, the Ireland arc, etc.) paired with some comedic duds. Most of this latest season is standard fare for the series with fewer big creative swings, but it’s just hit after hit in terms of comedy. Not a single dud, whether we’re seeing Mac and Dennis try to start a rental business for inflatable furniture or watching the gang meet Bryan Cranston and Aaron Paul, believing the entire time that the latter is Malcolm from Malcolm in the Middle. Even the attempts at topical comedy landed better. Easily the funniest season in years.

8/16: One Piece Film Gold - It’s easy to see why this one has kind of been forgotten in the wake of Stampede and Film Red, which revolve around established fan favorite characters, but this was still pretty fun. Perhaps a little too long, but it’s fun to see the Straw Hats fool around in a giant casino and do a heist. They definitely cranked the fanservice up even more than usual in this one, though, as I probably should have expected for a movie made alongside the anime’s adaptation of Dressrosa.

8/17: One Piece: Stampede - This one goes for a different kind of fanservice. While most One Piece movies are isolated from the ongoing plot and its expanded cast of characters, Stampede instead asks “What if we just put damn near every active character on the same island and had them fight?” The answer: a fun time! It would get old if all of the movies were like this, but after a bunch of movies that are just like “the Straw Hats are gonna land on another new island and fight some more weird guys” it’s fun to see characters like Law and Buggy and Smoker get in on the fun. It’s also nice to get a movie with the Wano era art style, and Usopp surprisingly gets some really good character moments in here.

8/18: One Piece Film Red - This really is the best of the One Piece movies, huh? (Baron Omatsuri is a close second.) It really feels like a change of pace after the last four with the most interesting and emotionally engaging story out of any of them. And even if the events of these movies are never canon, it still feels significant in my understanding of Shanks as a character as we move into the final phase of the manga.

8/21: Pikmin 4 - The opening hour of the game made me really question if they’d changed too much, with all the focus on your new dog unit over your Pikmin and the extremely dull, drawn out dialogue scenes with your new companions back at the base. But once I got into the swing of things I had a blast. This is probably my new favorite Pikmin game. There’s a great mix of activities here to keep things fresh. I also really ended up liking Oatchi’s role as basically your second captain who can also serve as your tank or a rideable mount. The Dandori stuff and nighttime missions in particular show off how useful Oatchi is for your multitasking without necessarily overshadowing the Pikmin.

8/22: Never Get Tired: The Bomb the Music Industry! Story - I literally backed this on Kickstarter eight years ago (my name is in the credits!) and then never got around to watching it for no reason. It’s on YouTube now, and Jeff’s got a new album out next week, so now feels like the perfect time to watch it. And man… what a great documentary. Obviously I’m just a fan of the band, but this also really spoke to me as an artist. Jeff wanting to stick to his principles and give out his music for free and play cheap all ages shows, his discomfort over the idea of selling merch, and the struggles that come with not playing the game like that… It's hard. They readily admit that Jeff is an idealist, that people fight him on this stuff, that he’s missed out on some big opportunities because of these stances, and that he’s had to compromise a bit on some of these things over time. But that incredible climax with their final show, including a full opening performance of the slowly building “Campaign for a Better Next Weekend” and the closing performance of “Future 86” where the whole audience is singing along as the members of the band are hugging and crying… it’s beautiful. This may have been a band where the members had to go back to their shitty day jobs after every tour because they weren’t selling out arenas, but their art meant something to people, and that makes it all worth it.

8/25: Nimona - I haven’t read the original comic (yet), so I can’t compare them too much, but it’s nonetheless pretty apparent that some things were softened and easy kids’ movie jokes were added by the studio to squeeze this graphic novel for teens into a PG animated movie. Regardless, the emotional throughline hits REALLY hard, particularly the very blatant trans allegory and the climax. (It’s no wonder Disney was afraid of this movie seeing the light of day lmao.) The animation is also very squishy and fun to watch throughout. Great movie.

8/26: Puss in Boots: The Last Wish - Spider-Verse really has done so much for animation, huh? This one was as good as everyone said. Beautiful use of stylized color and lighting throughout, and every time this movie very conspicuously shifted to different framerates for a flashy fight scene it owned. Very cute and heartwarming story, too, which thankfully gave its second act plenty of time to explore the cast and let them go on their journey, unlike a certain plumber movie that came out a few months later. Also I would let Death [redacted]

8/28: Holocure: Save the Fans! - This isn't really something I can beat, but I've been addicted to Holocure lately. I don't even watch VTubers aside from maybe seeing a funny Korone animation every now and then, this is just a really, really good freeware Vampire Survivors clone with a huge roster of varied characters to pick from.

8/31: HELLMODE (Jeff Rosenstock) - A new album from Jeff is always a major event for me. If there were any worries that he was starting to go soft at 40 (because one of the three singles off this album was a gentle acoustic piece), the frantic opening of this album put those worries to rest. The first two tracks are Jeff screaming out for help as he’s pulled in a million directions by the chaotic state of the world, a theme that becomes the thesis of the album. I’d say it lags slightly in the middle, but overall this is another extremely well-rounded record full of bangers that’s unapologetically Jeff, with possibly my favorite closing track he’s ever done. Favorite tracks: I WANNA BE WRONG, 3 SUMMERS

September

9/3: One Piece (live action, Season 1) - They did it. I can’t believe it, but they did it. While I have my nitpicks (Usopp and Sanji don’t get enough big moments to shine), this is an extremely solid and faithful adaptation of the first few arcs of One Piece with a great cast. For the most part the changes feel smart and logical, and the big emotional beats of the story are all there and executed very well. I doubted it a little in episodes 2-4, where the Orange Town and Syrup Village arcs saw some major changes to shift the action indoors, and the increased focus on the drama in favor of repeating every gag and battle from the manga 1:1 took a bit of getting used to, but by the end I was having a blast. It’s a different take on One Piece, but it still feels like One Piece. Genuinely very excited for season 2.

9/4: Pseudoregalia - A great little N64-style 3D Metroidvania focused on platforming and very satisfying movement. I always love entries in the genre that are less prescriptive in what order you have to tackle areas in, a la Symphony of the Night or Hollow Knight, and this one’s great in that regard. While there are a number of new moves to find, most of the map is open to you very early in the game, and smart use of your moveset can allow you to “sequence break” without even realizing it. (You would not believe how long I went without getting the wall run.) I do wish it had a map, but that’s already being patched in.

9/6: Bomb Rush Cyberfunk * - Not a bad game at all, but I quickly remembered how bad I am at skating games, so like… eh? Not sure I have much desire to play past chapter 2. Also the soundtrack is sadly kinda hit or miss for me outside of the obvious Naganuma tunes.

9/9: The History of the Minnesota Vikings (Dorktown) - Jon Bois never misses. Even as someone who doesn’t actively follow sports, Jon Bois is a master storyteller, using graphs and statistics and funny anecdotes to explore these deeply human stories. He can convey why people care so much about these teams, these people, and sports in general, and how our popular sports reflect on American culture. He could tell the story of just about any team or player in any sport and I just know I’ll come out the other side a misty-eyed fan. And what a fascinating cast of characters we have this time, with origin stories for everything from the Hail Mary pass to a Minnesota state supreme court judge to the Griddy. Nine hours well spent.

9/10: Timespinner - A fun and highly polished Metroidvania that maybe doesn’t quite have enough of its own identity in its quest to replicate Symphony of the Night…but also, like, this was pitched as a Symphony throwback on KickStarter in a pre-Bloodstained, pre-Hollow Knight world, so I can’t really blame ‘em! Stopping time to avoid boss attacks is fun, the pixel art is gorgeous, and I liked the dark science fantasy story about warring empires and meddling with time a lot more than I thought I would - lore journal text dumps and all.

9/14: The Decay of Sam & Cat (Quinton Reviews) - All the stuff at the end with Matt Bennett (the actor who played Robbie on Victorious and Sam & Cat) in this was really good and sweet. It’s that kind of thing that makes these videos feel like they’re still worthwhile on some level. But the padding and the things Quinton chooses to spend the colossal runtime on does drive me more and more insane with each passing Nick sitcom video. I don’t know how much longer he can keep this schtick up. I hope he’s able to move on to other things before too terribly long instead of continuing to extend this “miniseries.”

9/19: Marvel’s Spider-Man: Miles Morales - AKA Insomniac’s Marvel’s Spider-Man 1.5. It’s fun for the same reasons Peter’s first game was fun. I had a good time swinging around New York again in preparation for the sequel, and there’s a lot of cute stuff with Miles becoming Harlem’s neighborhood hero, but WOW did the Underground v. Roxxon conflict fall flat for me.

9/20: I Think You Should Leave with Tim Robinson - I understand so many posts now.

9/25: Spider-Man (2002) (rewatch) - It’s you who’s out, Gobby! OUT OF YOUR MIND!

9/25: Futurama (Season 8) - I was ready to be a hater, recalling the fact that Futurama has already had three “perfect endings” with the show getting a little weaker with every revival. Then I watched the first new episode on a whim and thought it wasn’t bad, so I was like, eh, sure, I’ll watch the rest. Overall Hulurama is hit or miss. There are chuckles to be had, and it sure as hell beats modern Simpsons, but almost every episode is either a belated take on an overplayed Topical Issue (the pandemic, Amazon, cancel culture, etc.) or a direct sequel to an old episode people liked. Or both! It’s also really noticeable that certain voice actors sound way older - Billy West is struggling with the Fry voice in particular, and it hurts his comedic timing. But just when all hope seemed lost after the nigh-incomprehensible toy-themed anthology episode, possibly the worst episode of the entire series… the last episode, where the Planet Express crew explores whether or not the universe could be a simulation, was really, really solid. Great note to end on to make me not regret my time with this season as a whole.

9/26: Spider-Man 2 (2004) (rewatch) - Once the GOAT, always the GOAT.

9/27: Spider-Man 3 (rewatch) - Revisiting this movie for the first time since I saw it in theaters… it’s not bad. It’s fine! It continues to have the heart and sincerity that make the first two movies work. It’s just not as concise with three villains vying for the spotlight, but I also wouldn’t cut any of them, necessarily. I guess Eddie/Venom would be the easiest, but Peter getting the black suit and giving in to his resentment feels too central to cut. (Yes, even with Emo Peter becoming a meme.)

9/28: Adventure Time: Fionna and Cake - I wasn’t really sure what to expect with this one, especially since I was never really a fan of the genderbend episodes in the original show. (At the time they mostly just felt like an excuse to crank up the teen romance stuff to 11.) But MAN. This was a fantastic coda to the original series. It made me care about Fionna and Cake and their friends as their own characters separate from their original counterparts, it gave the Simon/Betty arc a much more satisfying (if no less bittersweet) resolution than the original finale had time to do, and it even managed to be a multiverse story that didn’t make me roll my eyes in 2023. A+ all around. Makes me wanna rewatch the original show again. [spoiler: I did]

9/29: Meanwhile (aivi & surasshu) - It’s been a whole decade–they were busy with, you know, all the music in Steven Universe, among other things–but we finally have a new aivi & surasshu album! Their chiptune/piano fusion style is familiar, but they’ve definitely grown as composers in subtle ways. Favorite track: Time Travel

October

10/1: This is Financial Advice (Folding Ideas) - A lot of the nitty gritty finance law stuff turned into white noise for me, but still, great video. I had no idea that the GameStop stock craze devolved into this bizarre cult that thinks they’re going to crash the global economy and rise from the ashes as the new kings with the value of their GME stocks. Glad this video exists to try and balance out the narrative.

10/5: Sonic Frontiers: The Final Horizon DLC - Good ideas, absurdly frustrating and tedious execution. Full thoughts here.

10/10: Spider-Man: Into the Spider-Verse (rewatch) - I didn’t plan this, but very fitting that I would end up rewatching this on 10/10.

10/12: Half-Life Alyx but the Gnome is Self-Aware (wayneradiotv) - ha he! (Seriously though, that finale was a fucking masterpiece. The RTVS crew has an incredible knack for using the framing device of video game livestreams to blur the lines between comedy and horror, or ironic anti-humor and complete sincerity. I’ve never seen anything else like this.)

10/15: Spider-Man: Across the Spider-Verse - Not sure how much I can say that hasn’t already been said. The most visually creative movie I’ve ever seen, grounded by some really excellent storytelling about Miles (and now Gwen) that’s probably better than his actual comics. But it also does feel like it’s about to end and then the movie just keeps going like ten times over lmao. Can’t wait to watch this a second time on a better TV.

10/20: Sonic Superstars - A mostly really solid and fun 2D Sonic game that’s unfortunately dragged down by an extremely hodgepodge soundtrack and some overly drawn out boss fights. I spent HOURS trying to beat the final boss of the bonus scenario (which is required for the true ending in this one) before giving up. Really a shame that that’s the note I’m leaving the game on, because I otherwise enjoyed it, but ah well. More thoughts here.

10/27: Marvel’s Spider-Man 2 - Another good Spider-Man game from Insomniac. Liked the story more than the one in Miles Morales, but maybe not as much as the first game. Extensive thoughts here.

10/28: Venom - Was in the mood for more Venom after the game. As expected this was not a very good movie, but the dynamic between Eddie and Venom made it a fun watch. Tom Hardy is constantly about to shit his pants in this movie. It’s great.

10/28: Venom: Let There Be Carnage - I had a way better time with this one. Is this a good movie? No. But it cranks the insanity of the first movie up to 11. Goofy as fuck in an extremely watchable way.

November

11/5: Pluto - An absolutely masterful series that anyone interested in sci-fi needs to watch. The anime adaptation was great, and I immediately understand why people who’ve read the manga speak so highly of it. Really makes me want to get into Astro Boy more, and also read some of Urasawa’s other works.

11/18: Scott Pilgrim Takes Off - Wow, just wow. When news of a Scott Pilgrim anime broke I was cautiously curious to see if we’d get a more direct adaptation of the comics, and instead it veered off in the exact opposite direction in the best way possible. This is almost entirely a different story, one that’s in conversation with the previous versions (sometimes in very meta ways), and I think it’s really valuable to see O’Malley revisiting these characters with new things to say about them. The major story divergence gives us a chance to examine the characters from a new angle - particularly Ramona, who’s the real protagonist of this version, and the evil exes, who completely steal the show. This was a great reminder of why I fell in love with this series as a teenager. I now genuinely hope we get more Scott Pilgrim.

11/22: Void Rivals (Issues #1 - #6) - The first arc of the new Robert Kirkman series that kicked off Skybound’s new “Energon Universe” is now complete, and I’m left thinking Void Rivals is… okay? I thought the first issue was a decent (if not particularly original) sci-fi comic with an appealing art style, which just so happens to also briefly have a Transformer in it so there can be a Big Surprise. And the series still hasn’t quite shaken that feeling to me. It’s an okay sci-fi series that arbitrarily dedicates a couple of pages of every issue to something from Transformers, but I’m not really sure what the shared universe stuff adds to Void Rivals, or what Void Rivals adds to Transformers and GI Joe. I guess we’ll have to wait and see.

11/22: Journey to EPCOT Center: A Symphonic History (Defunctland) - Yeah, gotta be honest, I only got halfway through this one. It seems like Kevin just 1) really wanted to push himself creatively and 2) make a love letter to Epcot, and while I respect that, I think it suffers as a historical documentary. It’s Fantasia but for the creation of Epcot. That might be very impressive on a technical level, but it feels more like a piece of Disney propaganda than prior Defunctland videos due to a lack of context and nuance. 

11/24: Aperture Desk Job - A short, sweet, and funny little tech demo for my new Steam Deck set in the Portal universe. More effort was definitely put into this than was strictly necessary.

11/26: ESCHATOS - I am not good at bullet hell games, but I enjoy them from time to time and I really love this one’s FM synth soundtrack, so I picked it up on a whim in the Steam sale. I only beat it on Easy, but still, I had a lot of fun with it! It’s straightforward but very flashy, with the camera dynamically zooming around from set piece to set piece at ridiculous speeds and each level segueing directly into the next. The lack of a powerup system on the main mode in favor of just needing to know when to use your different shot types makes it feel very approachable.

11/27: Lunistice - A great little 3D platformer with a good soundtrack that I had fun hunting down all the secrets in. This is an easy recommendation for fans of games like Kirby or Klonoa - whimsical games set in colorful dream worlds where the underlying story can get a bit more somber. (Although the story in this one is mostly told through mildly cryptic lore dumps, so your mileage there may vary.)

11/28: Spark the Electric Jester 2 - The leap from 2D to 3D here is impressive, but this is very clearly a rough draft for Spark 3. Very, very fun Sonic-style 3D platforming, but the combat is lacking and the storytelling is just kinda bad. More extensive thoughts on this and the above two games here.

December

12/2: Fortnite (Chapter 4) - This was my first full chapter of Fortnite, after having been roped into the game by the siren songs of Zero Build mode and Goku during Chapter 3. This means it’s harder for me to compare this chapter to previous ones, but still, Fortnite remains a genuinely very well made Battle Royale shooter that’s a blast with friends. If I have any complaint about this Chapter, it’s that they would regularly introduce zany ideas and then slowly reel them back in, whether it was the Augment system or the increasingly mundane movement items. It also felt like it was a little too easy to get the perfect loadout in every match, meaning the final showdown would almost always be against players with Slurp Juice and gold shotguns. And I missed the smaller mid-season map updates of Chapter 3. But overall I still had a really good time, and look forward to playing more for the foreseeable future.

12/4: Plagiarism and You(Tube) (HBomberguy) - This will get written off by many as “YouTuber drama,” but this really is an excellent video essay that feels like the kick in the pants that YouTube needs. If video essayists are gonna be a major source of information for so many, then they gotta have standards. I also think it does a good job of highlighting the people that have been plagiarized and trying to drive more attention their way in an attempt to right those wrongs.

12/6: Transformers (Skybound comic) - We only got the first three issues of this in 2023, but I just HAVE to say something about how incredible this series is here. Daniel Warren Johnson is knocking it out of the park. This is the new bar for Transformers. The hand-inked art is extremely dynamic and full of character, and the story is using the familiar beats of G1 Transformers but doing very new things with them. You can tell this from the very first page, but the emotional scene of Optimus accidentally crushing a deer in the forest and realizing how fragile life is on Earth sealed the deal for me. And yet in the very same comics Optimus can do suplexes and clotheslines and lord knows how many other wrestling moves on Decepticons, and it doesn’t feel like tonal whiplash? These comics just fucking rule, and anyone with even the slightest interest in Transformers should be reading them.

12/8: What We Do in the Shadows (Season 5) - [spoilers] WWDITS has very much settled into being a status quo show. Every season has its own little arc where one or two things change to keep things interesting, but then everything returns to normal by the end. Guillermo finally becoming a vampire, only to become a human again in the end, might just be the most egregious example of this yet. But also… the show’s still really funny? And I continue to be happy that Kristen Schaal has stuck around as a series regular as the Guide. So it’s hard to complain. I could see the show running out of steam over the next few seasons, but it’s still hitting for me right now.

12/12: Pony Island - Finally got around to this since the trailer for the sequel dropped. I feel like playing this years later in a post-Inscryption world where Pony Island is a known quantity kind of lessens its impact, but still, it’s a fun and funny puzzle game where you try to hack your way out of a possessed arcade machine. I’m not sure I found it particularly scary, but I’m not sure it’s supposed to be? The way the game messes with you during the Asmodeus “boss fight” was probably the highlight for me. I also like being able to say things like “The part where you have to not kill Jesus was so hard. I kept getting terrible butterfly patterns.”

12/16: Breaking Bad VR but the AI is Self-Aware (wayneradiotv) - As always, Wayne and co.’s commitment to the bit is unrivaled. This kind of got interpreted as just a way to troll HLVRAI fans, but so many moments in this genuinely made me laugh out loud.

12/18: Soul of Sovereignty Prelude - As someone who would list Cucumber Quest as a big creative influence, I was naturally very excited for this first chapter of GGDG’s new visual novel. Their mentality of both scaling things back in terms of labor while also going more shamelessly self-indulgent in terms of storytelling after burning out on making webcomics has really spoken to me, and WOW, the end result of that new process of theirs is shaping up to be something really special. The art and music are sparse but extremely evocative, giving you the rough sketch of the world and letting your mind fill in the rest. The story blends literary high fantasy vibes with the style of fantasy seen in ‘90s JRPGs (you can definitely tell this came from an idea for an RPG), but rather than constantly winking at the audience and making self-aware video game references it plays these storytelling ideas extremely sincerely, giving them real dramatic weight while still indulging in fun tropes to their fullest extent. While it’s a far cry from their most famous work with much more mature content, GGDG always excels at creating characters and worlds that immediately grab me. I can’t wait for the rest.

12/18: Barbie - I’m only… what, five months late for the whole Barbenheimer thing? Perfect timing. Anyway! On the one hand, I get the critiques saying that this movie is just a major corporation funding a self-aware feminist critique of their own product as a marketing ploy. And I kinda agree with that. And the movie is a little too long, and I don’t really know what to think of the way the Barbie/Ken conflict plays out. Anthony asked me to summarize what the story ended up being about, and I had no idea what to even say. But also… I did still like the movie? We don’t get a lot of cartoonish, absurdist, fourth wall breaking comedies like this anymore, and this is a good one of those. Also the whole cast is great, the set design is kind of stunning, and the cinematography is consistently appealing. I wouldn’t say it’s a revolutionary work of feminist filmmaking by any stretch, but it’s a good comedy movie.

12/21: Dr. Stone: New World - Man, Dr. Stone is great. I’ve said this many times, but I just love that this series uses all the trappings of shounen that would normally be used to hype up the protagonist learning a new move to instead hype up things like the protagonist building a loom or a hot air balloon. It’s shounen Bill Nye. I didn’t completely love everything about the Treasure Island arc this season, but it all built towards a really fun climax with a lot of satisfying turnabouts where the heroes use their ingenuity to just barely win.

12/23: The History of Mike Tyson’s Punch-Out World Records (Summoning Salt) - Truly one of my favorite Summoning Salt videos ever, even with how repetitive Punch-Out can get to watch. It’s just so hard to beat “and that runner… was me.”

12/24: Super Mario Bros. Wonder - What more can be said that hasn’t already been said? It’s the best and most creative 2D Mario game since the ‘90s. The only real flaws are that it’s a little easy, the Search Party stages are annoying in singleplayer, and I wish that every boss prior to the final boss wasn’t just some form of Bowser Jr. fight. But those aren’t nearly enough to drag the whole experience down. It was a blast.

12/24: Do a Powerbomb! - Got this from Anthony as a birthday present. This is the previous series by the creative team currently doing the new Transformers comics I was gushing about a few entries ago. Even with the high bar set by those comics, Do a Powerbomb! exceeded my expectations. Holy shit. An absolutely entrancing fantasy wrestling miniseries full of dynamic, energetic action and tons of heart. These comics where a guy wrestles a giant talking orangutan almost made me cry. Twice. An instant favorite.

12/25: Adventure Time (rewatch) - We ended up finishing our rewatch of Adventure Time (the main series, anyway) on my 30th birthday, which feels appropriate. I already kinda knew this, but this rewatch has truly confirmed that Adventure Time is my favorite TV series of all time. The entire show is even better on a full series rewatch. In hindsight, even parts that annoyed me when they aired end up being important parts of the beautiful tapestry that is this series. The many low points of Finn’s adolescent love life are important stepping stones in his growth as a person, which leaves him in an extremely satisfying place by the end. Jake having kids didn’t get to be a huge status quo change because they grew up instantly, but then they did a bunch of fun episodes about Jake’s relationships with his adult children that deepened him as a character. And most of the big lore questions they kept teasing over the years (“Where’d the humans go?” “Who are Finn’s parents?” “When’s Finn gonna get a robot arm?” etc.) ended up getting satisfying and creative answers, because the show left itself the room to figure those things out later. This is a truly special, one-of-a-kind series, one that lasted nearly 300 episodes and yet still seems like it was over too soon. And yes, I did in fact cry during the final montage, like I knew I would. I will always cherish this show with all of my heart.

12/25: Olive the Other Reindeer (rewatch) - Haven’t seen this one since I was a kid! It was a favorite of mine back then, and while it might not be quite as funny as I remember it’s still very cute, with a 2D/3D hybrid art style that remains very unique and appealing. As an adult I can also appreciate the cast they got for this, with like half the cast of Futurama bolstered by guests like Michael Stipe from REM and The Sopranos’ Joe Pantoliano.

12/26: Guillermo Del Toro’s Pinocchio - Anthony and I capped off our Christmas with the most jolly and festive stop motion movie of all! Jokes aside, man, what a beautiful movie. The animation is immaculate, and we really just don’t get children’s animated films like this anymore. Ones that overtly feature real world politics and religion and so many other dark themes in a way that doesn’t talk down to kids or sugarcoat things. This one hits hard. We need more movies like this.

12/31: Oppenheimer - This was an interesting one. Despite being three hours, the way that first hour jumps around in time makes it feel like Oppenheimer is constantly being propelled forward through life at a breakneck pace, swept up by the rising tide of nationalism in spite of his personal left wing politics, never really reflecting on what he’s doing until it’s too late. Then when he’s no longer useful to the empire, he’s chewed up and spat out, only to eventually be honored as a national hero as a symbolic gesture. It’s a compelling story. However, I’m a little torn on how certain aspects of history were framed. Does the abstraction of the bombings detract from the true weight of those events, in favor of sympathizing with the man who built the bomb? Or is it clever a way to show how the realities of the war were compartmentalized away by people who were complicit in its most heinous acts of violence? One minute a bunch of physicists are talking theory, thousands of miles away from the theaters of war, and the next they’ve killed 200,000 people. So which is it? Eh, probably somewhere in the middle, I guess. But I liked it overall.

12/31: Kirby’s Return to Dream Land Deluxe - I’ve been really surprised by how good this rerelease is. It kind of flew under the radar for me. I liked the original game, but at the time it also almost felt like the New Super Mario Bros. of Kirby. It was a straightforward throwback game where you went through a grass world, then a desert world, then a water world, etc., and also they added four player co-op. But returning to this one after the kinda mid Star Allies has made me appreciate just how solid RtDL is as a Kirby game. I really like the updated graphics, too - yes, even the new cel shaded outlines around the characters - even though I didn’t think it looked that great in screenshots. Also the two new copy abilities (Sand and Mecha) are fun, the minigame collection is shockingly fleshed out to the point that they could’ve sold it as a standalone eShop game, the collectible character masks are fun, and the new epilogue mode where you play as Magolor is one of the coolest bonus modes they’ve ever done. This is a top tier Kirby remake any fan of the series should check out.

Ongoing things I followed in 2023 that don't have a blurb:

Halo Infinite multiplayer

IDW Sonic the Hedgehog (main series + specials)

One Piece

Chainsaw Man

My Hero Academia (not caught up)

The JOJOlands (not caught up)

Things I started in 2023 that I still need to finish:

Freedom Planet 2

Hi-Fi Rush

Live A Live

Super Monkey Ball: Banana Mania

Star Wars Jedi: Fallen Order

Picross 3D Round 2

Rhythm Heaven MegaMix

Mega Man Battle Network 5: Team ProtoMan

Ratchet & Clank: Rift Apart

Spark the Electric Jester 3

Sonic Dream Team

One Piece (Wano arc, anime)

Jujutsu Kaisen season 2 (I’ve already read the Shibuya arc already in the manga, though)

Astro Boy (2003 anime)

Futurama (original run rewatch)

One Piece (manga reread)

The Amazing Spider-Man (Lee/Ditko era)

Scott Pilgrim series (reread)

And finally... my favorites of 2023!!!

Overall favorite game: The Legend of Zelda: Tears of the Kingdom

Favorite indie game: Pseudoregalia

Games remastered in 2023 that are now among my all-time faves: Ghost Trick: Phantom Detective, We Love Katamari

Most pleasant surprise in gaming: The Murder of Sonic the Hedgehog

Favorite film: Spider-Man: Across the Spider-Verse

Favorite live action show: Barry

Favorite anime: Pluto

Favorite anime written by a Canadian guy and an American guy based on the Canadian guy's old graphic novel series: Scott PIlgrim Takes Off

Favorite live action adaptation of an anime that I still can't believe they didn't fuck up: One Piece

Favorite Western cartoon: Adventure Time: Fionna & Cake

Favorite older cartoon I only got around to watching in its entirety this year: The Venture Bros.

Favorite documentary: Double Fine PsychOdyssey

Favorite semi-improvised semi-scripted absurdist comedy/horror/tragedy Twitch livestream performance art thing: Half-Life Alyx but the Gnome is Self-Aware finale (wayneradiotv)

Favorite manga: Chainsaw Man

Favorite older manga that I only read this year: Berserk

Favorite Western comic book: Daniel Warren Johnson's Transformers

Favorite album: HELLMODE (Jeff Rosenstock)

And that's a wrap!!!!! Happy new year, everyone! Here's to me maybe actually reading a goddamn book this year

#bobby writes #i don't have a writing tag so i'm making one now to save this and other things

[probablyhuntersmom]

The scenes towards the end of the finale were like an intersection of multiple characters experiencing the loss of father figures, in different shades:

Luz's relationship to her late father took on a different form, after King's own father passed on and his glyph magic was gone for good. Manny gifting her the Azura books before his death, and Papa Titan offering her glyph magic before he too passed on, helped Luz find her place in the world and defeat Belos.

Apparently this scene is what made Sarah Nicole-Robles bawl in the recording studio, right after she recorded the lines.

When these changes happen - when we experience the loss of a person, when our ties with them are wrangled into a new form, against our will - it can be devastatingly painful. Change and transformation make for fancy, dramatic scenes in fiction, and they always incur loss in some form, painful or not. It also made me so emotional when seeing how much 18-year-old Luz resembles Manny, and how her enrolment in the university is linked to both her biological father and Papa Titan.

King's experience of seeing the majesty of his father, however brief, left him in awe and exhilaration. He can rest in the beautiful knowledge that Papa Titan was watching over him the whole time too. The message that his dad left him, relayed by Luz, is something he'll hold dear forever.

Hunter will never be truly harmed by Belos ever again. But he can't discard the memories of Belos granting him attachment: even if the attachment ended up not being real in a sense. However, like what can be applied in real-life therapy, he can get guidance on how to rescript those memories.

Belos's lies about having good intentions don't change how it felt real to Hunter all those years ago. Hunter was a young child when receiving this 'love', and in a twisted way...the mission given to him by Belos kept him alive up till he could escape the Coven, because the mission gave his life meaning despite the circumstances being awfully terrible. A child cannot survive without attachment, and needs attachment even if the experience of attachment has been horrendous and scarring. And holy Titan don't get me started on how at age 16 (before the timeskip), he had yet to learn more grisly details about his predecessors - whom he might view as older brothers and fathers whom he never met - and the generational trauma in his Golden Guard family tree:

which would have definitely been explored before he could experience that amazing hard-won serenity and peace at age 20.

Even Philip's arc is inextricably tied to his manner of coping with how he murdered Caleb, who was the closest thing he had to a father, given how these two brothers were orphans. In the end, Philip meets his end while Luz gazes upon him the same way Caleb's ghost did. Philip won't be haunted by Caleb's ghost again, and he joins the person who was essentially his father figure in death. Till the very end, he was projecting onto another person because he didn't want to recognize the same traits in himself. He was the one responsible for his father figure's death.

But grief doesn't mean the relationships in question have ended altogether. It's kind of like what this post about the finale (link) says, and it even extends to the relationship between us fans and the show itself.

The cliché "5 Stages of Grief" is the most commonly mentioned grief model, but I follow the development and advocacy of a newer perspective on grief that challenges it. In fact, the 5 Stages was originally just intended for terminally ill patients, but it was taken out of proportion. I began a serious investigation into the newer models after I went through something that parallels Hunter losing Flapjack...eerily, it happened to me two weeks before TTT's release date. No wonder I feel so close to Hunter as a blorbo, I guess.

Unlike what the 5 Stages of Grief says, grief and linear time don't mix well. Without "stages" to follow, there isn't an expectation of some deadline or permanent end of a tunnel in the newer models. Such pressure wouldn't be honoring the sacredness of connections between us. Instead, less famous grief perspectives like the dual-process model and continuing bonds model, are a better fit to honor relationships that mattered, since they aren't given an expiry date.

I wonder how Luz would be feeling on the day she graduates from the Wild Magic University, and how King feels each time he unlocks his own new glyphs since he is the new Titan to supply the Isles with magic. And I wonder how Hunter felt when his coven sigil was replaced with the Flapjack tattoo, and how he feels when he sees the Gravesfield town seal and Wittebane statues.

There are ways in which they can get creative to integrate their grief (notice I didn't say "get rid of", "remove", "erase" or even "manage"...the pain is what is to be managed, not the grief itself) the best they can. In canon, we have examples such as the Hexsquad agreeing to get their Flapjack tattoos together. Luz letting go of the light glyph sheet here:

is also a fantastic representation of rituals like sending off a message in a bottle at a beach, tying a message to a balloon and letting it fly away (this happened in Reaching Out, didn't it?), or burning a message in a campfire to let it float up towards the sky in the form of embers.

It is a common recommendation to have exercises like letter-writing where the griever writes to the lost loved one. What many may not know is you can also do the reverse: you writing as your lost loved one, to yourself. Because the griever takes a piece of the lost loved one with them, that the griever has shaped within themselves. This is especially good if you need to extend forgiveness to yourself. An example from a book called Bearing the Unbearable:

The author felt responsible for the stillbirth of her child, but had a "happy accident" where she intuitively asked for forgiveness and then received it, by invoking the love that her child would have shown to her in a world where said child had remained alive.

I think Hunter in particular could benefit from something like this, writing to himself as the uncle whom he saw as genuine and nurturing, and gaining ownership of that part of him even though Belos was a liar and is now gone for good. It can help him move forward especially since he won't be spared from nightmares in which his loss is re-enacted. With this kind of rescripting, historical accuracy doesn't actually need to matter. After all, our own minds lie to us at times and mess with historical accuracy anyway, like Luz's thoughts telling her she was as bad as Belos, and how true that felt.

A physical loved one is lost to death, and it can feel just as painful - only in a different way - if people become estranged or separated without a literal death having occurred. But the connection to them isn't lost, it is only adapted. The bond continues. For better or worse.

I believe the pain in grieving is connected to each moment when we remember all over again that the one we loved isn't coming back.

It's like the needle of a gramophone getting stuck in the loop of an unpleasant-sounding record scratch noise. It's a bit like what C.S. Lewis says in his book A Grief Observed: "In each of my friends there is something that only some other friend can fully bring out." I can't find the other part but he later said something like, therefore if a friendship is lost, the part of you that only that friend could bring out, is also lost. Something in you is locked away forever, though new things can also be unlocked after the loss.

It wasn't shown onscreen but I wouldn't be surprised if it's regular for Luz to come across a meme and be freshly reminded of her dad's absence, because she can't show him that meme. King would be wishing that a new funny cat video he discovers is something his dad could also laugh at along with him. Hunter would be hoping that Flapjack, the previous Golden Guards and Caleb are watching as he brings back palismen.

Bereavement, and any grief that is significant enough to alter our personhood forever, are the forms of love that can never really grasp how time flows in a linear way. They can't be reasoned with, only experienced.

"...the howling at the center of grief is raw and real. It is love in its most wild form" - Megan Devine.

#I'm applying some of this to how I'm grieving the end of the show. our relationship with it has just changed..not ended #toh analysis #the owl house #luz noceda #king clawthorne #toh hunter #philip wittebane #caleb wittebane #manny noceda #papa titan #grief in The Owl House #loz writes a meta #death mention

[genericpuff]

The Extended Mishandling of LO's S3 Midseason Finale Premiere

Alright, so I had mentioned leading up to the release of the newest LO episode that my feelings regarding LO returning were pretty "meh". Not hyped, but not completely back of mind either. Just sort of a weird calm before the storm type feeling that could go either way.

I'm glad I got to have that moment of calmness because good god, this episode was an absolute shitshow. And honestly, I'm not surprised, for several reasons:

Rachel has never been good at maintaining a buffer, even back at the start of the series she only ever had 2-3 episodes ready ahead of her schedule which is NOT an ideal buffer for an originals series.

Rachel has never been good at writing, she's very "draw first write later" and has stated as such in interviews that when she gets 'stuck' on what she's writing, she'll just start drawing and fit the pieces in later.

Four months is NOT enough time to both rest, attend massive conventions, and work on improving a project while also getting buffer episodes ready.

Because of the FP episodes remaining locked over the hiatus, technically Rachel only needed to have ONE episode ready upon return for the newest FP release, not multiple like she'd usually need like in the past during the S2 midseason hiatus or the season finale episodes which would unlock those FP releases like normal - so for all we know, she could have drawn this episode literally last week, especially when the promo material was so last minute. Frankly I think it was REALLY stupid for whoever it was who decided to keep these FP episodes locked (whether it was her or WT, it was more likely WT) but you can read all I have to say about that in my review of the midseason finale episodes.

All that's to say, no, there was never any guarantee Rachel was going to somehow "turn around" the ride we're currently on. I know that many of the critics were hoping for that to happen, but with the circumstances of the hiatus mixed with Rachel's bad habits of putting her best efforts into the procrastination projects that aren't her actual comic (ex. the few original pieces and LO sketches she put out during the hiatus) it just wasn't in the cards. This is where the comic is at and this is where it will remain until it's over.

I want to also point something out about this episode that was... really glaring to me.

As with all of these hiatus returns, LO got priority advertising in the first two banner slots and push notifications AND a popup ad within the app. This is unsurprising, Webtoons is still trying to milk this thing for what it's worth.

I know a lot of people are gonna focus on the art, or the fact that WT is continuing to shill LO, but I wanna point out the part that WT implemented specifically - "NEW SEASON".

This is literally just false. At best I'd like to think some intern just messed up and thought this was a new season, but it's literally not, the episode designation still says "S3". Note that the creators only design the banner art, the actual labels on top are put there by Webtoons.

But at worst, this feels like blatant lying to continue to hide the fact that LO is ending. Mind you, Rachel and Webtoons have still not put out official posts stating that this is the final arc. There is NOTHING from either of them to communicate to the audience that the comic is ending next year. It feels like they're trying to avoid the topic altogether out of fear of losing the fanbase they still have, rather than hyping up the comic's end for those who have stuck around to see how it all wraps up. And honestly, I wouldn't be surprised if this was the case, considering they're now trying to funnel the fanbase into Penguin/Inklore with new marketing deals and the whole Rachel Smythe Presents thing. They're trying to make this seem like the beginning of something "new" when it's really just a quiet shifting of management (Penguin House).

But all that aside, let's actually get into the episode. It's one episode after 4 months, which is not standard for LO's hiatuses, typically FP episodes release on schedule (meaning free readers start hiatuses 3 weeks after FP readers do), the only time this has been an exception has been with the 2 week breaks because the whole point of those was to build a buffer (which you can't do if you're going ahead and releasing the FP episodes anyways). For extended hiatuses like these, usually free readers still get their FP episodes, but that wasn't the case here. That means Rachel technically only needed one episode ready for the comic's return, and it shows. It really fucking shows.

FROM HERE ON OUT THERE WILL BE FASTPASS SPOILERS REGARDING EPISODE 254. DO NOT CONTINUE IF YOU DO NOT WANT TO BE SPOILED !!!

As per tradition, we get a title that means nothing at all. It just says what we already know.

Our collective husband Zeus is dying, no thanks to the poison cupcake fed to him by Apollo. For those who don't remember, Apollo had tricked Zeus into eating the cupcake by making him believe it was from Hebe. We are fully aware that it was Apollo who poisoned him. Remember that for later in this review.

Right off the bat we're off to a hilarious start, both with a cryptid appearance from Apollo in the background (lmao) who is, for some reason, ALREADY returning to the scene of the crime he just committed because... who knows at this point. Apollo and Psyche know it was Apollo at this point, I might add, but I have no clue why Apollo is actually returning to the scene of the crime when he has no idea Eros and Psyche know.

Moving on from that, can we talk about this hilarious dialogue?

"We have to call a doctor! Let's call Asclepius!"

"No, we can't trust him! Gosh darn it, why are we only bothering to think of ONE doctor in this universe where we've seen more than one doctor?? Guess Zeus is just gonna die! What a horribly contrived situation this is!"

And that's literally how I can best describe most of this episode. Contrived. There is a LOT of manufactured drama in this that makes ZERO sense even on a surface level.

And what do you mean exactly, Eros? "What a terrible system!" Is this supposed to be a joke? Lampshading? We've seen Persephone go to the gynecologist. There are non-god doctors who tend to gods all the time here.

Eros just doesn't seem to be that pressed over this, he sounds like Ned Flanders and that's NOT a good way to open up a scene like this... let alone an episode people have been waiting four months for.

Anyways, after a few pointless reaction panels (again remember I have to cut a lot of what I show here for Tumblr image limitations but I promise you, I'm keeping as much important stuff as I can in this, there's just THAT MUCH filler at this point), Eros and Psyche confront Apollo and he is... good god.

There is... so much to unpack here.

First of all, remember those theories about how Rachel was clearly trying to write Apollo as this "secret twist villain" the whole time but it doesn't work because Apollo is simultaneously written as both a 'conniving villain' and a massive dumbass at the same time?

Well, I finally have a more appropriate term for him. He's your average red pill redditor - someone who thinks he's smarter than everyone else when really all he does is sit on reddit all day using big words incorrectly in arguments he gets himself into with a bunch of equally-air-headed dumbasses.

"You can't possibly understand the nuances of the Olympian political system," Apollo said proudly, a man who had, ironically and obliviously, run for president in a monarchy. The union of kettle and pot is eternal.

He's the Slappable Jerk but instead of it being a painfully hilarious impression, it's just painful and hilarious for all the wrong reasons.

this is so stupid because it's 1.) Eros pointing out how obvious Apollo's plan was, despite Apollo acting smart two seconds ago with a goddess who, mind you, has been a goddess for ten years, and 2.) patricide isn't even intrinsically linked to politics, there's nothing 'political' about a guy trying to kill his dad except in, idk, a monarchy, which again, Apollo has spent ten years trying to rise to power in as a president which is a completely different form of government.

If I wanted to be really granular with this, I'd like to think Apollo is making some kind of point about the critics who call out LO's whack as fuck political system (especially in the trial arc) - as if he's saying "well you're just a stupid reader and this is fantasy where you don't understand exactly what political system we're using, so shut the fuck up you stupid twig" - but I don't think it's meant to be that deep. I think it's just Rachel trying to write a smart character and then failing at it because she, herself, is not a smart writer. And I'm really inclined to believe that more than the theory about this being some kind of meta-narrative about the critics because this entire plotline is contrived and stupid down to its core.

I did not cut anything out here, that's the pacing. Leto literally just appears out of nowhere and uh oh spaghettio's, she has Kassandra! Remember Leto? The character we were led to believe was truly "pulling the strings" until she disappeared from the story completely after she realized that Apollo and Persephone weren't a thing, even going so far as to call out her own son for being a fucking dumbass? Well, she's back and once again she's being involved as some kind of "double agent" in this whole thing, even though we literally haven't seen her since halfway through S2.

"Mm yes, you're so stupid, falling into my trap! Even though you had no reason to remember Kassandra anyways because she's literally a mortal woman you just met and you yourself have committed acts of violence against mortals without a shred of care! I'm so smart! My plan is all coming together!"

We've never seen Apollo do anything except cry and poop his pants, the closest he got to being "powerful" was his attempts to murder Daphne (who he seems to have forgotten about in this "master plan" of his) but ultimately he's literally just a piss ant baby and there's no reason to believe that he could somehow outmatch the God of Love who can literally manipulate people's emotions and states of mind with his arrows. But yeah sure go off, you're so powerful and smart.

The worst part is, I can't even buy this as the narrative trying to be like "see how manipulative and conniving he is?" because it's just silly. We've SEEN this man cry with his victim complex, we've seen him say and do the DUMBEST things that don't lend to any amount of "intelligence" he may have, it comes across less as him being "smart the whole time" and more as him trying to sound smart but ultimately sounding incredibly stupid. And I can't even immerse myself into it and buy that maybe that's the point, because it doesn't feel like the point, it just feels like inconsistent writing, he doesn't feel like a 'threat', he's just monologuing.

Bad art and Apollo literally just repeating what Leto already implied so this is a waste of the audience's time.

This is the funniest panel in the whole episode because I can't tell if Apollo is supposed to be in the background (for some reason, despite him literally being in front of Eros and Psyche two seconds ago) or if he's in the foreground and just REALLY small for some reason. This is so off-putting. And of course, it's just Apollo explaining what we're ALREADY SEEING ONSCREEN.

You see, in addition to this episode being contrived, it also talks down to its audience a LOT by explaining exactly what we're seeing onscreen. It's like Rachel saw the criticisms about her not including enough to depict what's actually going on in her head and so she thought the solution was to spoon feed information over pictures that are already doing the job of explaining what's going on. Rachel really doesn't know how to write and even when she tries to implement changes that reflect criticisms that have been made of her writing, she somehow makes things worse because she completely misses the point of what those criticisms are trying to get across.

Anyways, without even trying to resist (for some reason) Eros and Psyche get sentenced to horny jail.

They're now trapped in a basement that Leto somehow has in her home. How do we know that?

HAHAHA FUNNY LAMPSHADING SO FUNNNYYYYYYY

Leto claims that they shouldn't try to escape because the dungeon is "enchanted", but she doesn't even bother to explain what that means. So they literally don't bother trying. They don't try to call her bluff, they don't try to teleport out of there, they literally just go "well shoot", shrug their shoulders, and accept their fate. Just like with the whole "we can't trust the only doctor we bothered to think of" situation, Eros and Psyche are turning out to be some of the stupidest, lowest-effort characters in this comic who literally can't be bothered to try because that would require too much brain power.

Notice how much time we've spent on this and we haven't gotten back to where the cliffhanger of the last episode left off? Well buckle up because there's still more to cover.

So it turns out Hebe was still inside with her dad, in FULL VIEW of what was going on through glass which is somehow COMPLETELY soundproof, and when Apollo steps inside, she just has no idea what happened. She never bothered to even look outside to see what was going on with Eros and Psyche, she's just been sitting on the floor staring at Zeus' dead face for what was likely several minutes, unless Rachel is seriously trying to convince us that conversation and hostage negotiation from earlier only took 2 seconds. The timeline is such a mess at this point that characters basically freeze in place as soon as they're not the focus of the scene.

Apollo rushes inside, acting shocked over the situation, and when Hebe asks where Eros and Psyche are (again, she could have just looked out the window at any time), he's just like "dur idk they just left lol" which Hebe just... buys, I guess.

That's just Persephone but yellow. She's even missing her beauty mark.

See how Apollo put his hand on Zeus' chest/shoulder by the way?

Apparently, despite Mr. Smarter Than Everyone Else trying to pretend it wasn't him, he's able to discern that Zeus is dying from a toxic and rare poison just from touching him. He doesn't even really seem to use his powers, he just touches him and goes "welp he's dead i guess lol don't bother asking me how I know that".

But oh nooo remember that note from before? Well gasp Apollo's gonna use it to frame Hebe! In front of no one else at all!

Hebe of course says she didn't write it, but Apollo continues to try and frame her anyways, even though, again, there's no one else present here, and so it effectively just becomes the most absurd form of gaslighting I've ever seen.

Again, THERE IS NO ONE ELSE HERE IN THE SCENE. He's just trying to claim she did it to absolutely no one at all, in the hopes of... what exactly? That she'll just take the fall for something she knows she didn't do? That she'll somehow be convinced? It's not like Hebe has the same thing going on as Persephone where she has a 'wrathful dark side' he could pin it on, this is just a criminal who just robbed a building pointing at the first person they see and yelling "YOU DID IT!"

All I'm saying is that Apollo would be really bad at Among Us. He'd be the type of player to kill someone, hit the report button, then claim yellow did it which, even if he DID convince the rest of the team, would still get kicked anyways as soon as yellow was proven through the eject to not be the imp and everyone would go "okay cool so yellow wasn't the imp, that means obviously it's purple self-reporting." It's a trick that doesn't even work anymore because of how old it is. Hebe isn't a child here, she's an 18 year old woman who should be fully capable of raising an eyebrow and wondering why Apollo is this quick to accuse her - almost like he's trying to hide the fact that he did it.

But Hebe can't catch onto this, just like Eros and Psyche, she has to act stupid for the sake of the plot.

At first I thought maybe Rachel was trying to do some "whodunit" scenario, but that doesn't work here because we already know who did it. And while there are stories that exist like that that pull it off (ex. Knives Out) the problem with trying to do this the way Rachel did is that the person being framed has to have this thing called motive. The reason why Knives Out and Glass Onion work so well is because the person who was murdered (or conspired against) is someone who is being targeted by multiple people who could all be the murderer. It's quite literally called out in Glass Onion as a form of smart lampshading. "It's like putting a loaded gun on the table, and turning off the lights."

But it doesn't work here because Hebe does not have motive. If you're going to attempt to frame a murder on someone, it has to be someone who would have reasonable motive to commit that murder, even if they didn't actually commit it.

And who among Zeus' children has motive?

What about the war-mongering bloodthirsty god of war who has been regularly sentenced to time in the Mortal Realm to fight in wars in which he's been regularly injured?

What about the chaos-seeking wrathful goddess who would do it to get revenge on the parental figure who cast her aside, or even just for the fun of saying she did it?

Why try and pin it on Hebe, the doting daughter of Zeus who's only had a collective of maybe 20 panels in the entire comic?

But then I realized... it's not Knives Out, it's the fucking Lion King.

Which is just as contrived - if not more - than the assumption this was gonna be some attempt to frame Hebe. It's not. He's literally just trying to keep her from assuming it was him. He could have just as easily played dumb without calling attention to the note but he intentionally went out of his way to try and be Scar from The Lion King , while completely missing the point of why that scene worked in the original movie.

Scar wasn't trying to 'frame' Simba for Mufasa's murder. He was trying to hide the murder, while also attempting to get the only heir to the throne out of the picture, so he passed the guilt of the death onto Simba - a child who, unlike Hebe, wouldn't have the ability to rationalize or realize his uncle his a scumbag - who then ran away from home because he was too terrified to face his family for what happened, assuming that it was all his fault when it wasn't.

That's not how this is panning out here. Hebe is the now 18 year old daughter of Zeus, and not one of his only children. She doesn't even fit into the whole "sons overthrowing their fathers" prophecy like Aries would. Apollo is literally just being a big idiot here by saying "well I'm gonna give you a headstart to run away, because if you stay, I might hurt you" (which btw, should be MORE of a smoking gun that Apollo did it??)

And again, it's all so contrived so that the plot can move forward. "Well I'm going to frame you for this murder, but y'know, you should just leave, I'm not gonna try and press it further lmao"

Again, Apollo is a fucking idiot here, because he just attempted to frame someone who has NO MOTIVE to harm Zeus, to absolutely NO ONE at all who would side with him, only to let her go which would leave her to question why Apollo would try to accuse and harm her in the first place before considering other options. And through ALL this he claims he's the smart one, which I can't even be bothered to "love to hate" because it's written so poorly.

And really it all comes down to how everyone else behaves in relation to Apollo that makes it so stupid and unbelievable. Apollo, you're not smart just because all the characters around you are intentionally being written to be as stupid and non-confrontation as possible. If you can only write a smart villain by making everyone else stupid, you haven't written a smart villain, you've written a dumbass whose victory only happens due to contrived plot convenience. It's not even done well like in Glass Onion, it's just bad writing, full stop.

And who does he call to report this emergency? The satyr police? His son the doctor?

No.

The media. Literally just "hello, the media?? I need your best journalist here stat!"

I need you to understand, even if he were calling a tabloid magazine like The Weekly Nark, you don't just... call a journalist to report a murder. These are not the actions of someone who's trying to absolve himself of guilt, these are the actions of a complete dumbass trying to get news coverage of his trophy kill who would be better off just playing dumb instead of trying to play smart. Even Walter White wasn't this fucking stupid despite all the times he fell on his own sword, Apollo is literally just instigating suspicion towards himself for no reason at all. He's self-reporting so hard and worst of all, you can't even take any of this seriously because of how corny it is. There's no dramatic tension, no stakes, it's just a bunch of characters performing in a really bad stage play and reducing every conflict to "well I guess Zeus is just dead now because no one's bothering to make an effort to stop Apollo or ask questions lmao"

It's truly the epitome of "this plot wouldn't exist if characters would just talk to each other."

But finally, FINALLY we mention the thing this episode is named after, the transition point to Persephone.

Just like with the midseason finale episode, there's a lot to cover here, so I'm gonna get more into it in a part two post.

That said, you can see already this is the messiest, most contrived bullshit to ever wind up in LO. It's trying so hard to be smart and it just comes across as a bunch of toddlers in the world's worst stage play rendition of Clue. None of what was done here was in any way dramatic or tense, it's just a bunch of characters infodumping shit we already know, trying to set up new plot threads that don't make any sense, and allowing one another to get away with what they're doing because they don't bother to even try.

It's completely manufactured, contrived nonsense. It's not "smart", it's not "so dumb it's brilliant", it's just dumb.

#lore olympus critical #lo critical #anti lore olympus #this is the comic that bought two eisners #uh i mean *won* two eisners #... no wait i had it right the first time lmao

[lurkingshan]

After reading this post from @waitmyturtles about her read on Fire and Dynamite, I was thinking a bit more about the way the show has handled their story and what I love about it. And I think it comes down to a crucial point: Cooking Crush, unlike most Thai bl, is NOT in the bubble, and the presence of homophobia, both internal and external, cannot be separated from their story. This is a queer narrative to the core.

Both Fire and Dynamite are shaped by their sexuality and their experiences or fear of rejection because of it. Dynamite is out and proud and unapologetic about what he wants, and as we learn when his backstory is revealed to us, this is a direct response to the familial rejection he experienced when he came out. Dy is defiant and in your face with his desires because he has already experienced the worst kind of rejection and is always bracing for more. So he dares people to do it right out of the gate. He likes to know where he stands with people, so he’d rather be his brashest self and suffer the loss early before getting attached. He deals with fear by daring people to prove him right.

Fire takes his fear in the opposite direction, denying who he is and rejecting anything that makes him think too hard about the aspects of himself he does not want to deal with. Even without Dynamite in the picture, it was clear that he was trying to talk himself into liking Jane in a way he simply did not. Once we got to know his mother, the source of his fear became crystal clear, and it was easy to see why he worked so hard to suppress himself. Fire was unhappy living that way, and Dynamite was a constant reminder of what he was trying to keep down, so it’s no wonder he reacted so viscerally to him.

But that’s exactly why their story works. Fire needed someone who he couldn’t ignore to draw out his true self, and because Dynamite is so unwilling to put up with mixed messages and half-hearted declarations, Fire had to work himself all the way out before Dy would accept him. One of the genius things this show did in their arc was have Dy pull away as soon as Fire began sending mixed signals. Dynamite was fine in the face of Fire’s firm rejection—it as what he always expected to get from him along with everyone else. But he wouldn’t allow Fire to run hot and cold on him and play with his emotions, because that was where he knew he could get really hurt. And this boundary that Dy set forced Fire to figure out what he actually wanted and communicate it clearly.

Which is why we saw Fire change so much as soon as they were together, because in the process of deciding what he wanted from Dynamite, Fire had to make some decisions about who he wanted to be and how he wanted to live. And he chose to embrace his queerness and live a more authentic life. He is a new man in this relationship because he is being himself for the first time ever, and he’s finally breaking free from the weight of his own internalized homophobia. It’s a positive change and one that is clearly making him happy, and part of him must feel grateful to Dy for pushing him into figuring out what he wanted.

But crucially, that is where Dy’s pushing ends. He is utterly unwilling to make any further demands of Fire regarding coming out, to the point that Dy puts his own friendships at risk to hide their relationship and protect Fire until he’s ready. He understands the fear of rejection Fire is still dealing with because he lived it. And he has already proven that he’s up to the task of handling Fire’s mother whenever Fire is ready to face her. These two are still early in their relationship but they have already fallen into a very natural and easy pattern of providing each other emotional support and stability, and we can see them shoring each other up. They make a great pair and theirs is a story that can only exist between queer characters.

I just love that in this show that feels so light on the surface they have made room for such depth in the storytelling. Watching Cooking Crush feels like a warm hug because even though it’s gentle and funny and often silly, there are real emotional struggles to ground us, and the story takes them seriously. We’ve seen this consistently in the main storyline with Ten and Prem, and Fire and Dynamite are no exception.

#cooking crush #thai bl #shan shouts into the void

[ginnymoonbeam]

I have such mixed feelings on episode 11 of Last Twilight. In a nutshell, I like a lot of what they're doing but it needed better setup and more space to fully work.

Things I like:

- that Day's vision wasn't restored, and that this episode showed him accepting this and starting to use more assistive tools (the cane, the text reader app)

- that Day's mom's first response to the failed surgery was "there will be another one!" while Mok's was "I'm here with you." Shows the difference in how they see his blindness even better than their explicit conversation about it.

- that Mok's PTSD from his sister's death finally came head to head against Day's intense need not to be babied. We saw this way back in episode 2-ish, and it makes sense to me as their final hurdle.

- that all Mok's struggles at the hotel came from his own past and his own fears... it was very plainly about Mok's problems, not Day's blindness.

- that Day didn't back down from his anger in that final conflict. Did he need to break up with Mok? Not if he was better at expressing anger and holding boundaries in general... but he's not. People who struggle with asserting themselves tend to go to extremes when they finally do. All that tracked for me.

What I didn't like:

- the lack of space given to Day's surgery recovery and his mom's progress toward accepting Mok. Not even a montage? Not even a couple of scenes? Come on.

- as much as I like the final conflict and the actual argument they had, I don't think there was enough lead-up in previous episodes to make it really land. I had to do a lot of the logicking about why it makes sense for the characters myself, and that's never ideal.

- there's no exploration of the way Day turns to his mom for comfort even after she's consistently treated him the way he hates being treated, while booting Mok out for one big mistake. I can totally understand why he does this, the psychology makes sense, but I want the story to get into it, and it doesn't seem like it will.

- the suggestion that we're headed for another time skip. Trailers lie and Aof trailers especially, so I'm not going to get really mad about this until we see what happens, but I absolutely feel that this is a conflict that needs to be resolved in the immediate aftermath, not a "we didn't see each other for years and then we met and started over." I want to see them working through this issue together, and soon.

A lot of how I feel about this final arc, and the show overall, is going to depend what happens next week.

#last twilight the series #last twilight

[lunar-years]

okay. at risk of being too harsh on Ted...

I genuinely do not think he's a very good coach. And I do not mean that just in the obvious "well he doesn't even know anything about the sport he's head coach for" way, even though like, yeah, duh that really is a crucial point. I mean it in like, he's genuinely not as good at managing and delegating and working alongside his fellow coaches! The way he acts and the ways he manages the team so rarely feels...collaborative? I've been thinking about it a lot after reading posts from other blogs about how he constantly brushes off/ignores Beard's advice and also sends Jamie mixed messages and stuff and it's like. YEAH. It's all very "Ted makes the final decision" about everything and that's deeply goofy because Ted literally knows the least about the game out of all of them!!

We see him ignoring Beard's advice to bench Roy, and ignoring that Beard is actually trying to help the team win, as it is their job to do, until Beard finally snaps at him in s1. When he decides to reject Jamie he doesn't pause to consider it or discuss it with anyone, and even afterwards when he does have the coaches "take a vote" it feels...very performative? Like no matter what they said, it was always going to be Ted's decision in the end, and if they disagreed with what he'd already decided he wanted to do, he was just going to do it anyway.

Then he gets in Jamie's head about being a team player and passing the ball a to the point where it's actually hindering Jamie's role on the team and the strength of his performance. And even though Roy recognizes that, rather than going to Ted about it and making different suggestions, he comes up with the whole signal thing which in hindsight sort of feels...very much like Roy trying to package his complaint in a way that will be digestible to Ted's approval? Like, "oh we'll give him the signal so he doesn't feel bad about playing the way we need him to play. but ONLY when we give him the sign don't worry we'll still control it!" Instead of just being like Ted, look, I don't think your strategy for Jamie works at all and here's what we need to do instead.

It almost feels like none of the assistant coaches really feel comfortable questioning Ted's judgement...because he doesn't foster a space for them that welcomes that kind of feedback from them. Even with the Zava thing, he doesn't listen to Jamie, and Roy and Beard don't question it, BUT Roy offers to individually coach Jamie. Because Roy knows what's happening with Zava is bullshit, and he'd rather pull Jamie aside and deal with the problem himself in the way that he can, rather than talk to the head coach about how it's bullshit. And the ONE time Beard and Roy go off and try something against Ted's wishes (showing the Nate video), it massively backfires and they scramble over themselves to apologize while Ted feels even more vindicated in never valuing their input. It's like a never ending cycle of bad management. and the WORST part is that Ted will TELL them he wants to know their thoughts and hear their strategies, but then he doesn't follow it or he just goes off and does his own thing, so it results in like...a level of unintentional condescension, I think.

At the end of the day, I do not think Ted has bad intentions or is going into this stuff intending to walk over the other coaches, but it happens because his purpose and goal for the team is fundamentally misaligned with what the other coaches value. Ted wants to make the team better by changing the culture at Richmond (at least until he checks out and loses interest in even that) and Beard & Roy (& Nate) want to focus on helping them win matches. I also DO think there's something in all of this that could have been a very compelling major factor in Nate's downward s2 spiral. I've always said that to me the most lackluster part of Nate's arc was not his redemption but his downfall--which had a basis that was severely under-explored onscreen. When he leaked Ted's panic attacks, it felt so severe and sudden a leap because there wasn't enough to back up Nate's headspace throughout the season, even thought the basis is THERE. The foundation for Nate feeling ignored as a coach and having his input constantly undervalued is THERE. They just don't ever let the characters properly explore it, or god forbid allow Ted to reckon with how he's ostracized all of his coaches to some extent.

#ted lasso #roy kent #ch: ted lasso #coach beard #nate shelley #ted lasso critical #i do not consider this a hate post but i'm gonna add the anti tag to be safe #anti ted lasso #basically I don’t want to take up a character tag with criticism

[mapoeggplant]

skip to loafer chapter 56 analyze + brief shima study // spoilers

summer vacation is over, which means we’re all coming back to tokyo. for some, it’s time to bask in the memories they created, however for others, the harsh reality comes creeping in again.

one thing that i absolutely love about takamatsu’s way of constructing a chapter is how she easily mixes the youth of the characters (the girls talking about crushes) with the obscure subplot she has been creating up to now (shima’s backstory). the change between subjects isn’t harsh or out of place: everything happens in a simple flow, ending in a calm scene to tie it all together.

so, let’s start from the youth: it’s amazing to see how mitsumi was the step that the other three girls needed to finally be free enough to be a teenage girl, something they prevented themselves from being before. she’s the one who manages to ease their worries and let them be free to talk about things teenage girls should be talking about — and they decided to choose one of the cutest subjects ever: crushes!! makoto being the one to bring this subject up just shows how she grew and how much she trusts the girls, since she was always apprehensive to touch on certain subjects. and this talk was the perfect opportunity for mitsumi to get a little more courage to talk about her relationship with shima with the girls, and choosing to do that in tokyo shows how much she cares about shima, since she doesn’t want the girls to think badly about him at any point.

ok, now let’s jump to the subplot, the one that i love to analyze so much. well, we all know that i had a gut feeling that shima didn’t say anything about the trip to his mother — first because we saw nao-chan talking to all the parents, minus shima’s, and second because, by the little we know about shima’s mom, it’s easy to say that she would never allow shima to go there empty handed. so i can’t say that i was surprised by the outcome of the confrontation. 

i think first i have to focus a lot on shima's reaction towards his mother. the scene opens with shima entering his room and noticing that things were not the way that he left before the trip, showing from the beginning a breach of trust. even if his mother had the best of intentions (like, for example, keeping her son's room tidy), it is difficult for shima to understand this act as something affectionate and not as a way of showing that she doesn't trust him.

after that, we have the big showdown. there is no way to defend shima in anyway with the way he acted and what he did. he traveled miles from his mother, without her having any idea about it. this is extremely dangerous, any parent would be desperate to receive news like this after days. i don't blame her, on the contrary: i think she’s more than correct in confronting him about this.

but for shima, this concern doesn't come from a loving side, from a worried mother. shima still sees his mother as that manipulative and controlling person he grew up with and had so many conflicts with, so hearing all of this only a desperate need to get out of this situation as fast as possible. she already broke her son's trust as soon as he entered the house, so it's very easy for him to assume that this is another one of her controlling attitudes.

but there is an interesting point in all this. after the fight, shima begins to reflect on her mother's changes and asks a very important question: am i still mad at her or am i just being stubborn, like a child who expects something in return?

this shows a maturity in his character, as it is the first time he stops to analyze what all this means inside his chest. would it be rebellion? love? distrust? a cry for help?

shima's relationship with his mother is still something that requires a lot of growth and development for it to make a significant change. in my opinion, it won't happen now or in 5 chapters, but much later, something like an ending to shima's arc, a way to embrace all of his growth. it’s as if she represents the beginning and end of his journey.

aside from his mother, now we have two new pieces to this puzzle: the unknown man and a very new image of shima (the image of him walking with other boys, on the panel where he thinks about his feelings towards his mother). what we have left is to have an idea of how many pieces we still need to assemble the final image. what happened? who was responsible? is this the man who ruined it all? or he was just another victim of the circumstances?

(something that is not related to these questions but that made me think was the fact that ririka sent him the photo. could this be a form of provocation or just a way of finding comfort?).

crabs are no longer shima's only concern at the moment. his harsh and difficult reality came back to the surface with full force. and i, who thought we were close to the climax of his arc, am shocked to realize that we are nowhere near halfway there.

to finish: mitsumi's speech about how tokyo is finally being a new home for her. this is something that makes me so happy, that brings me so much peace, especially with nao-chan's happy and relaxed face next to her. tokyo is finally mitsumi's second home, and she's happy to be able to return to it.

another month and another amazing chapter, another reason to be so excited for what's to come. this is takamatsu-sensei's power. thank you for reading me rambling and for all the nice messages you guys have been sending me 💛 it means the world!!

#chapter analyze #skip to loafer #skip and loafer #skip to loafer chapter 56 #chapter 56 analyze #mitsumi iwakura #sousuke shima #feels like I keep getting more unhinged with my analyzes #like you don't have to write all of this girl #calm down #anyways I can't #I love them too much #no one gets shima like me sorry (by voices in my head) #and I'm still stuck in sensei's basement #duckmetas

[once-upon-an-animation]

Some thoughts on Annabeth’s Character Arc

Before I begin, just want to say sorry about not being online much. I’m in a very busy period of my life and haven’t had the mental capacity to address all the responses I’ve gotten on posts and such. Will do that in the future.

That being said, I still enjoy writing, so today, I’m going to write a post sharing my thoughts on Annabeth’s character arc in the original PJO series.

For context, someone posted on Reddit that TTC was their favourite book in the original series because of Annabeth’s absence. The comment resulted in a discussion about why people didn’t like Annabeth’s character. I shared the extremely unpopular opinion that Annabeth’s character peaked in Sea of Monsters for me, and I didn’t really love what was done with her character from TTC onwards. Here’s why:

In general:

• ⁠I feel like her perspective towards Luke lacked a lot of nuance. I’m fine with her not thinking he’s completely evil, but it would have been nice to see her also consider all the harmful things Luke had done before the incident with Silena in TLO. It just felt like her POV was sweeping a lot of those things under the rug even though I know that wasn’t necessarily the intent.

• ⁠The Perachel thing would have been fine if there was an on-page apology. But the fact that there is none and it seemingly took Rachel becoming the Oracle and not being allowed to date Percy for Annabeth to finally stop hating her seems like a missed opportunity to have Annabeth address her pride and the way she acts towards others.

• ⁠On that same note, I have mixed feelings about Annabeth’s overall character arc in PJO. While I feel like her relationships with other characters in the story changed over time, I don’t always feel like she truly changed as a person. I mean, she ended up being right about Luke in the end, so it’s not like she had any major motivation to shift her perspective of the world, change her way of thinking, or work on her personality flaws. Given that her fatal flaw is hubris, I would have loved to see a character arc where her pride gets her in deep trouble and she has to confront it head-on by actively learning humility in different ways. She did that well in the first two books, which is why she peaked for me as a character in SoM, but it feels like TTC lost the rhythm and never picked it back up. I would have liked to see her acknowledge being wrong about the way she treated Rachel, and walking away from the war with a different perspective on Luke other than just “I was right all along”. It would have also been nice to see more people actually call Annabeth out on her BS. Someone other than Percy should have said something to her about her behavior. I feel like Chiron could have done it in a “loving dad who wants the best for you” kind of way. Thalia could have also done it.

Or maybe Annabeth gets a visit from Athena after BoTL, where they talk about the quest, the battle, and the stuff on Daedalus’ laptop, but Athena also expresses disappointment in Annabeth for acting petty and not recognizing Rachel as a useful addition to the quest. Maybe Athena reiterates that she doesn’t approve of Percabeth’s friendship, especially because it seems like Annabeth is letting her feelings cloud her judgement. Annabeth’s arc could have been about learning what true wisdom is. Wisdom and knowledge aren’t the same thing, and wisdom is so much more than just knowing facts and battle plans. Wisdom is about maturity, exercising well-informed judgement, and recognizing the truth about things, including yourself. Humility is a huge aspect of gaining wisdom and I think it could have been a great arc for Annabeth, given her fatal flaw. Her overall arc in HoO could have been a continuation of this, especially with what happens in BoO with Piper in that temple.

• ⁠I don’t really like the way her arc with her dad was resolved. The way the story is written in TTC, it seems to imply that Annabeth was to blame for assuming the worst of her dad/stepmom (which I know was probably not the intent, but it has that vibe). I think there was a better way to acknowledge that Annabeth’s parents do in fact care about her, but didn’t do the best job of showing it when she really needed it and made her feel like she needed to run away.

• ⁠There are tiny things that Rick adds into the way he writes Annabeth that make Annabeth seem kind of inconsiderate, like all the little moments of aggression , the fact that she keeps teasing Percy about Rachel even after everyone else has moved on, or in Crown of Ptolemy where Percy said that he “has a healthy fear of Annabeth because she’s kicked his butt plenty of times” and doesn’t feel like he’s allowed to disagree with her. I know it’s mostly supposed to be amusing, but it’s a little uncomfortable to read at times. It sucks because Annabeth is obviously supposed to be a kind person and in many ways, she is, but these moments don’t always make her look nice.

Whew. Sorry that this was long.

I chalk much of my complaints with Annabeth up to not having much of her POV in the original series. Then again, even if Rick decides to delve deeper into Annabeth’s story in the Disney series, I feel like he’s just generally not that great at writing female characters, so I don’t know how much he’ll be able to improve this. In addition, it feels like Rick has generally been losing sight of his characters and they feel less and less like themselves with every addition to his franchise. I’m genuinely nervous for Chalice of the Gods because I don’t know what he’s going to do with Annabeth’s character and I don’t know how much I trust him, lol.

#PJO #annabeth chase #Percy Jackson and the Olympians #heroes of olympus #rick riordan #pjo hoo toa #HoO #anti PJO #anti annabeth chase #anti percabeth

[averagewriter-inthedark]

Eye of The Storm ⛈| Six of Crows Imagine

Takes place during the events of Shadow & Bone S2

My Masterlists

Characters & Pairings: Crows x Squaller/Saint!Reader (platonic), Kaz Brekker x reader (slight/eventual)

Content Warnings: fighting, blood, profanity, cannon divergence | female!reader (she/her) | wc: 4.9k

Requested 📨: yes/no

Premise: As the Crows make their way back to the Slate following their climatic dethronement of Pekka Rollins, they are ambushed by his supporters with no plan of action to escape. As they slowly accept their fate, what was once a clear night is rained upon with lightning and thunder in its wake. Having beat the odds of meeting one living Saint in their lifetime, the Crows are stunned when their savior, a player in the ever unfolding drama in Ravka, is the legend in stories of restoring life in the world when all hope was lost.

Note: although the Saint name I give is not Y/n, it’s still a reader insert and explains more at the end (it’s not an OC) also I know Zoya is called Sankta Zoya of the Storm but I have yet to get to her arc so for this the reader has powers equivalent to her

————————

The sirens had finally seized, concluding the hysteria in the streets of Ketterdam once it was revealed the Firebox outbreak was a hoax. Constructed by none other than the Bastard of the Barrel and his thieves amongst men, the Crows. After years of heated tension, and guided vengeance, against Pekka Rollins, Kaz Brekker succeeded in his plans of putting down the Lion that had ruined his life. Constant mental torture as he manuevered his players on their chestboard now able to rest.

“Where were you?” His voice was raspy, face still painted with his blood from the beating as he addressed Inej when she appeared from the shadows. They had been making their way back to the Slat. Nina, Wylan, and Jesper were flanked beside him, the dimly lit street light shining down on the group. Inej had been the only one not accounted for, flooding Kaz with anxiety mixed with anger that she strayed from the plan.

“I--.”

A gloved hand came up, stopping her. “Actually, I’d rather not hear what you have to say.” he wanted to shout. Reprimand her for being so foolish. Voice how her actions could’ve gotten her or one of them hurt because they had no idea where she was.

Despite these desires, the pain in Kaz’s body was too much and he was in need of a strong drink. Inej narrowed her eyes, but the man brushed past her leaving the others to send her looks of sympathy. Falling in step, the group followed behind Kaz, making note of how empty the streets were at that time of night. It was eerie. Yeah they may have caused an uproar with their little stunt, but they assumed there’d still be people out and about.

Dance halls and clubs are empty. The markets closed for business. Not a soul in sight. Wylan was the first to speak, “I’ve never seen it this quiet.”

“Very odd if I must say,” Jesper agreed, unconsciously letting his hands fall to where his guns strapped to his belt. His intuition was picking at his brain at the feeling that something wasn’t right.

“Wouldn’t be surprised if someone’s plotting now that Pekka is gone,” Inej made note of their surroundings. They were only a block from the Slat. Soon they’d be in the comfort of their home, able to bask in the relief they pulled their task off. A warm cup of tea by the fireplace before it came time for bed. Inej was looking forward to it.

But unfortunately, fate had other plans.

Nina suddenly froze, “Stop,” all movement seized, heads turning to the heartrender. Unease consumed them as they took in the sudden paleness of her appearance. “I hear heartbeats.” There was a subtle gulp, the woman adding in a low tone, “a lot of heartbeats.”

Tensing, they were met with the sounds of footsteps approaching from every angle. Inej pulled out her knives, as did Jesper with his guns. Wylan clutched his satchel to his chest, thinking of what he could use to help them out of this situation, though the odds were not looking good. Meanwhile, Kaz reversed his steps while the others spun around, the Crows forming a circle with their backs to one another, Kaz keeping space between him and Jesper. Allowing them a full view of the square.

They watched the herd of men step into the light. Revealing themselves with menacing eyes filled with vengeance. Kaz tensed, recognizing them as Pekka’s men.

Well the ones still loyal to the King of the Barrel. Several had already pledged their support to Kaz or took the chance to ditch town while they had the opportunity. Yet, here was a group of at least twelve, likely part of Pekka’s inner circle who’ve taken the actions of Kaz more personally. Those who refused to kneel. The young criminal should’ve known better than to expect a sudden shift in power would come easily to him.

“We have no business with you, gentlemen,” Kaz spoke with a level of calm that surprised even him. Deep down he was consumed with nerves seeing he and the Crows were severely outnumbered.

“Oh, but we do,” a gruff voice replied. Kaz’s eyes drifted to the owner, who’s hand mavuevered over his gun. “See, some of us are not too pleased with your little show tonight, Brekker. And we’ll be damned before claiming you as the King of the city.”

Jesper tilts his head slightly, whispering under his breath, “What do we do, boss?” Beside him Wylan was visibly freaking out. Nina raised her hands, ready to counter any attacks while Inej tightened the grip of her knives.

“This is it,” Kaz thought, clutching onto his cane. No ideas surfaced to help them escape. Accepting his time was up. Though he was going to fight for his Crows, the Bastard of the Barrel was ready to come to terms with his fate.

But before anyone could make the first room, a crack of lightning followed by its booming thunder shook the ground. Several flinched, including the crows, some of the Dime Lions stumbling by how close and sudden the element was to them. Rainfall began to pour down the once clear sky. Dark clouds covering the stars and skies.

The rain was thick, drenching everyone from head to toe. Their clothes became heavy. Had it not been for the skewing of their visibility, making them struggle to see where they were, they’d be annoyed by their state. But there were more important things at stake.

The storm made it hard to see. Only getting a glimpse of shapes and figures when flashes of lightning in the near distance hit the earth. Coupled with its thunder. Kaz barely could make out the enemy, bringing his cane up for any sudden attacks.

“What’s happening?” Wylan shouted, gurgling when the water hit mouth. “What do we do?”

“I-I--,” Kaz stuttered, the feeling of nausea swarming him at the cold, wet, rain hitting his face. It brought him back to the worst days of his life. Floating on top of cold, wet, bodies in the harbour, begging the Saints to save him. The man wanted to crawl away and hide. Yet the fear of not knowing what waited for them when the rain stopped kept him from falling to his knees in a panic.

“Hey! You there!” the same man from before shouted, Kaz squinting his eyes to see him raise his gun only to be thrown back by an invisible force of wind. His partner beside him went down next, though what hit him appeared to be a beam of light.

Kinda like a lightning bolt.

“What the hell was that?!” Inej shouted over the thunder.

‘A Squaller?’ Kaz thought to himself, watching another bout of wind sweep his oncoming attacker off their feet. He had not heard of another Grisha roaming the streets of Ketterdam. Surely if a squaller were inhabiting the area he’d know.

Using the butt of his cane Kaz knocked him out unconsious. When he glanced back up, his eyes landed on a cloaked figure standing on the roof of a nearby building. The rain made it impossible to make out their face. But judging by the way they moved their hands, and the fact his enemies were being bombarded by gusts of air, their savior was in fact an Ethereaki.

But what kind exactly?

At first Kaz believed they had to be a Squaller due to the wind. Yet, he then witnessed the rain shift direction, and water from a puddle shoot up to hit a man about to attack Wylan. A Tidemaker would better fit that description, however Kaz wasn’t aware of a Grisha able to control both air and water.

“I don’t know,” Jesper responded, shooting at an assailant he saw racing toward them, “But I’ve never been so happy for a thunderstorm as I am now.” At that moment Kaz realized nobody else noticed the mysterious person on the roof. His attention turned to Jesper beside him, oblivious to the help he was getting from a fellow Grisha. Turning back to the roof, expecting to see the cloaked individual, but they were gone.

As the fight commenced the storm ensued. Thunder overpowering the sound of pelting rain and gunshots. The Crows fought for their lives as the number of Dime Lions against them decreased. Nina managed to incapacitate several as did Jesper and Inej. The fight came to a climatic end with the last one standing was, quite, literally, hit with a lightning bolt causing the Crows to freeze where they stood.

Smoke filled the space, and when it cleared they were met with the mysterious being. Rain pelting down on them, however they seemed to pay no mind. As though it were a natural occurrence. It was still hard to see them. The streetlight candles had been blown out from the rain and wind, and the moon was covered by the clouds. Both those combinations obscured the face of their savior.

Nina raised her hands, ready to defend the group but Kaz motioned for her to stop, causing confusion amongst the rest. Who was this person and what did they want? And why was Kaz not doing anything?

“Well,” their voice, a feminine one at that, breached the once silent square. “That was entertaining if I’m being honest. Been a while since I’ve squabbled with angsty men,” she chucked, “but I was in dire need of practice.” Now hearing the woman speak clearly, they were able to identify her Ravkan accent. For Nina, her heart nearly stopped.

“I know that voice.” she felt the eyes of everyone, including the woman, on her. Hands lowering to her side, Nina's face etched into pure astonishment. Adding more confusion to the group who were at a loss of who this woman was.

“Oh!” The woman chuckled, not commenting on Nina’s words, “Apologies for the storm, let me just--,” they watched in stunned silence as her right hand rose, displaying a motion before the rain slowed and stopped altogether. Then with two fingers, she waved them around causing the clouds above to dissaperate, allowing the moon to shine down.

“Did she just--.” Jesper whispered to Inej, who’s expression resembled that of witnessing a miracle. “Can squallers summon thunderstorms? I thought that was a myth.”

Inej blinked rapidly, voice so low the others barely made out her reply. Tone in absolute awe, “Only one can.”

“One?” Kaz repeated, feeling a wave of unease beneath his skin.

Water from puddles splashed as the woman walked forward, stepping into the ray of light. The Crows, now able to see her fully, were greeted with her (y/h/c) hair and bearing dazzling grey eyes like the storm clouds she’d summoned. She appeared to be slightly older than the group, possibly by a few years. Then again Grisha were known to age slower than regular folk. For all they know she could be in her 50s. Look at the Darkling, who passed as a man in his early 40s to the naked eye but had lived for nearly 400 years.

Adorned in a deep grey kefta, the white and blue embroidery etched on resembled lightning bolts along with tiny drops of rain. It was unlike any kefta the Grisha wore. Those in the Ravka’s Second Army, with the exception of the Darkling, wore certain colored keftas and embroideries to signify their order. But to the knowledge of the Crows, no Grisha wore grey.

“Saints,” Nina gasped, jaw dropping slightly, causing the woman to smirk.

“Now, now,” she playfully tsked, “I’m not above swearing, but considering that applies to me….” her smirk never faltered, “I’m sure you can understand.”

Jesper’s head spun, looking between his comrades to see they were reacting the same way, “I’m sorry, are you saying that you’re--.”

Nina beat him to it, “Sankta Imber of the Drought.” Inej gasped, as did Wylan. The former repeated the name in wonder, falling to her knees in respect, “Sankta Imber….”

Kaz tightened his grip on his cane, mind racing to remember the tale behind the name. Who’s story was passed down from generation to generation for centuries. Who, like the Darkling and the Sun Summoner, was said to be either myth or once lived but suspected of perishing long ago.

Legends say that Sankta Imber of the Drought had been born in the century following the creation of the Fold. A farmer's daughter in the region of East Ravka, her family lived through the period where the country was stricken with a severe drought lasting over a hundred years, beginning not long after the Black Heretic disappeared. With no rain bringing water to the crops came a deadly famine. Hundreds of people and animals were lost, not only due to starvation and dehydration, but also illness. The economy in all of Ravka crumbled. Both States were fighting against each other for resources, as the food supply from East Ravka to West was now scarce. An increase in fires and dust bowls destroyed a lot of ecosystems, further deteriorating the country.

What was left of it that is.

There was little to no hope, with even prayers to the Saints to help them becoming meaningless words. Those still worshiping begged for a savior. The one who would bring the rain and storm. Ending the drought. Releasing them from the famine.

The idea a Squaller could summon a powerful storm was unheard of. Being able to bring forth powerful winds, rain, and possibly lightning and Thunder? Surely a Grisha of sorts would be only known by folklore. Especially given Tidemakers were the ones to control water.

Yet, it all changed one day as the 104th year of the drought approached.

“You’re more powerful than you think, Imber,” Baghra's stern voice echoed in the cave. Sitting opposite of her, with her head down and tear stains painting her cheeks, 15-year-old Imber Egorova made a sound Baghra could only assume was a whimper. “Denying it will do you no good. It will do this country no good.”

“How do you know?” The girl whispered, voice hoarse from crying following another gruesome 12 hour training day. “What makes me different from any other Squaller here?” She referred to the 20 other Squallers residing on the Little Palace grounds. Though some trained with the renowned Gisha teacher, none experienced the level of intensity Imber did.

“No Squaller here has shot someone 80 yards by their power during an exercise,” Baghra rebutted, causing Imber to wince at the memory. The reason why she was suddenly called to Baghra’s cave in the first place. From then on Imber barely got a lick of sleep or time to eat a proper meal.

The older woman gave a pointed look, “nor have they been able to summon electricity.” Ignoring Imbers stunned expression, she continued, “yes, girl, I know what you did when your sister’s heart stopped before you came here. Why your family was so willing to let you go after the testers proved you were Grisha,” Baghra leaned back in her chair, face void of emotion. “Ravka has not seen more than a few inches of rain since this drought began. No storms. And with the famine,” there was a light pause, “It’s claimed more lives than the Fold.”

Imber shuddered at the mention of Ravka’s darkened entity. Not wanting to think about its black abyss swimming with volcra.

“The point is, child,” Baghra captured her attention once more, “Besides the Sun Summoner, you could be the one to end part of Ravka’s suffering. But that will not happen if you cannot believe it yourself.”

Weeks shy of her 16th birthday, Imber received a letter from her father, which would change not only her world, but the one around. After contracting a bacteria from contaminated pond water, her mother and sister succumbed to a deadly illness after only a week. Her father had buried them on their land by the dead oak tree where they used to have picnics before Imber was taken to the Little Palace.

Distraught and riddled with unbearable pain, Imber collapsed to her knees in the middle of the courtyard, crumbling the letter in her hands. Her peers were silent, staring at her with sympathy. Unsure of what to say to the grieving teen, despite many knowing the exact feeling Imber was feeling.

Sorrow, anguish, regret. Never having the chance to correct wrongs or make memories with the loved onces they longed for. The cries of the Grisha filled the otherwise silent courtyard.

Suddenly, a rumble came from the sky..

Imber didn’t hear it over the sound of her sobs. Her companions, however, drew their attention upward, where they were greeted by a sight unimaginable. What once was a clear blue canvas, barely any clouds to begin with, transformed to that of a dark shadow. Wind, so powerful they thought a Squaller was responsible, nearly sent them off their feet.

“What’s happening?” A girl shouted, though they had difficulty hearing her due to the mix of rumbling overhead and breeze of wind.

“I don’t know!” the boy, a Tidemaker, beside her squinted, “Imber!” He lifted a hand to protect his eyes while focusing his view on the kneeled Grisha. A flash of light where her hands were plaed on the ground had him flinching. ‘What in the---.’ The spark occured once more. Chills filled his entire being as his eyes became saucers, falling to a whisper. “Saints above.”

Witnessing the sparks, an Inferni moved closer, ignoring the warning sent by the Tidemaker. “What is she doing?” His answer came by being blasted back by a gust of wind.

Imber let out a broken scream, head tilting back toward the sky as bolts of lightning released from her hands, igniting bouts of thunder in its wake. Gasps and shouts echoed around the Squaller from fellow Grisha and palace guards. The group behind her ran to find cover as the wind became too much, sending barrels and crates flying. Lightning and thunder, the duo reuniting as lost friends.

A sight to behold.

As the tears rolled down Imber’s cheeks, heavy rain soon replaced them. Drenching the lands of East Ravka for the first time in a hundred years.

For hours the girl remained kneeling on the grounds of the courtyard. Alone as everyone had seeked shelter within the Palace walls, letting the water from above coat her. The kefta she bore grew heavy. She paid no mind to it.

It wasn’t until she began to shiver from the freezing atmosphere that Imber retreated inside. Coming face to face with the reality of what transpired. As two guards escorted her to the throne room, Imber barely took notice of her peers watching the storm draw on from the windowsills. Some glanced at her in a mix of wonder, awe, and fear. Fear at the unknown, but wonder at what will be known.

Entering the throne room Imber was greeted by the King, Queen, Baghra, and the General of Ravka’s Second Army. Whereas the country’s monarchs were visibily bewildered at Imber, Baghra appeared impressed in comparison to the General’s excitement. Nerves consumed her on top of the immense grief Imber was experincing. Rain continued pelting the windows and roof of the Little Palace. Every once in a while, the occupants in the room flinched at the crack of thunder.

Upon making eye contact with the King, Imber bowed her head, curtseying as best she could with the weight of her soaked kefta. From there she underwent an hour of intense interrogation at the hands of the King and General. Baghra was questioned as well. Admitting she suspected the scale of Imber’s power but decided to stay quiet until the time came. The General, while pleased to know the world’s most powerful Squaller was among his ranks, voiced concern at the possibility of their enemies discovering her.

“Ravka has been praying for the day storms finally wash over her,” his tone was calm, almost haunting. Imber couldn’t look away as he moved toward her, tear stains painting her cheeks. “To save them from this wretching drought. Bring an end to this famine that has wiped away countless lives. Rain has touched grounds for the first time in over a century, Miss. Egorova. The people of Ravka are going to celebrate you. Erect statues on your name for being the hope they prayed for all these years.” he halted directly in front of her, keeping hold of her gaze it sent another wave of chills not relating to the cold clothes Imber wore.

“You are now the symbol of this dark period coming to its end. You are Sankta Imber of the Drought.”

“The storm lasted a fortnight, dispersing across Ravka’s lands until every inch had been touched by lightning. Yet the rain continued for months on end after the winds disappeared,” Nina recited the story etched into her brain. The crows silent as they took in her words. “Many say it was the raw grief of Imber losing her family that the storms were so strong. The constant rain marked as a symbol of her time in mourning.” The crows familiar with loss could relate. Kaz, Jesper, and Inej looking elsewhere than the Grisha.

Nina let out a breath, “Now whenever a powerful storm appears in Ravka, locals believe it to be Sankta Imber reminding them they will never experience a drought again. Famine will never touch their lands so long as she remains. Rain will be their protector, and she will be its champion.”

At the end of the Heartrender’s tale, Imber clasped her hands behind her back. “Nice to see my reputation still precedes me after all these years.” Chuckling, she took another step toward the group, “Still odd to hear myself spoken like a myth when I still live and breathe the same air as you.”

Again, no words could describe what the Crows were feeling at that moment. No one however was more shocked than Nina herself. And her reasons were far more than just being in the presence of a living Saint. “But you…”

Imber’s smirk turned to a soft smile, “Been some time since our last acquaintance, Nina Zenik.”

All eyes turned to the brunette, Kaz the first to speak, “What?” Not only was his mind racing, but now it was full of questions and doubts. They knew each other? But judging by Nina’s reaction, it was not all that meets the eye. She was stunned beyond belief like they were. “Care to explain, Zenik?”

Tensing by the tone of his voice, Nina sent him a light glare, “I don’t know her as Sankta Imber,” her eyes returned to the Grisha, this time showcasing betrayal as the memory of the woman in a blue kefta like her fellow Squallers appeared in her mind. “But as Commander Y/n Tempestasov of the Second Army.” Everyone felt the shift in the air at the mention of the Darkling’s army.

Why was one of the Darkling’s soldiers, a Saint at that, coming to them in the middle of the night? Traveling across the sea and saving them from Pekka’s men. There had to be a reason.

Kaz tightened the grip he had on his cane. Thinking back to events of the past several months. He would’ve recognized Imber, or Y/n, whatever she wanted to be called--at the Winter’s Fete. The kefta was unique; it would've captured anyone’s attention. As a powerful Squaller, Kirigan surely wanted her close to his side. Yet the Grisha had not been present on the skiff nor did Alina mention anything of meeting another living Saint.

Then there was the fact that the legends of Sankta Imber of the Drought were from nearly 300 years ago. It was believed she had died or dissapeared roughtly 20 years after she brought the storm to Ravka.

Meaning she’s been hiding in plain sight for centuries. A ghost among the living. Playing the role of a Second Army soldier under a false name to preserve her identity.

Another chuckle brought Kaz out of his thoughts, “Allow me to fill in the blanks, Crows,” Imber smirked at their reaction, “yes I know who you are. Do not doubt Nina’s loyalty--the last time we saw each other I was a different person. Roughly eight years if I’m correct,” bringing a hand to her chin, the Saint acted like she was deep in thought, “You’d only just arrived at the Little Palace before I escaped.”

“Escaped?”

Imber retained her posture, more serious than the initial laid back she had presented, “You’ve witnessed the evil General Kirigan is capabale of first hand.” they stayed silent, but each of their expressions faltered. “I discovered the scale of it a long time ago, after he made me a prisoner of the Little Palace under the guise of a trainer.” Nina bowed her head, the memory of Commander Y/n paroling the grounds where the Etherealki trained. She always appeared detached, but was kind to the young Grisha who had not yet succumbed to the corruption of the Darkling. “He was responsible for everyone believing I had died or dissapeared. After instilling fear in me at the thought of being captured by enemies, he had me locked in the caves of the Little Palace.” Inej let out a gasp, face consorting with sadness.

Imber shrugged, “sooner or later people stopped searching for me. Unaware I was close the entire time despire my storms becoming a blanket over Ravka for years. I was all but the myth you’ve heard.” Turning her head to Nina, Imber offered a soft smile, “It was years before he let me out. When he did I was named Commander under a false name and trained Grisha for centuries. Changing my name each time he did because someone asked too many questions and we had to clean up his mess. Y/n Tempestasov is the recent name of the many I’ve gone by. Frankly it’s my favorite if I’m being honest.”

“Would you prefer it if we called you that?” Wylan raised his hand, resulting in a side eye from Kaz at his formality. The Saint, however, smiled at him, “I’d like that. Imber Egorova…” she trailed off, connecting her gaze with Kaz as though she read him like a book. “She is of the past.”

Ignoring the weight on his chest, knowing damn well what the Saint was refering to, Kaz changed the subject. “Enough sentiment. You still haven’t said why you’re here.” The sound of his cane echoed on the pavement when he moved closer to her. “The Darkling might be dead but how are we to trust you’re not doing his bidding.”

The woman scoffed, obviously offended by the assumption, “Believe me, I hate the man more than anyone. Probably more than you and Alina combined.”

Jesper made a face of shock, voicing what they all thought, “You know Alina?”

“She sent me,” Y/n mused, shocking them more when she added, “And Kirigan is alive.”

“How is that possible?” Inej wondered aloud, unable to grasp the news.

“Turns out his own creation did not kill him after all. Instead he used merzost to create shadow monsters. Monsters that can only be destroyed with a certain blade that, like me, is also a legend.”

“Neshyenyer,” Kaz narrowed his eyes, waiting for her to call bluff. Y/n smirked in response.

“That is where you come in. We have some mutual friends, and they sent me to retrieve you lot to find the sword. Said you were the best of the best.” Hand going into her pocket, she removes a rolled parchment tied with a ribbon. “For your cooperation, the King of Ravka plans to generously compensate you.” She held it out to Kaz, “For you, Dirtyhands.”

He ignored the name, deciding not to question the depth of her knowledge on him and the Crows, and instead took the parchment. Once unfolded, he read the message inked onto its surface, detailing the extent of the mission and amount of kruge to be paid. He stopped at the name signed at the very end, ‘Nikolai Lantsov.’

‘Mutual friends,’ he remembered she said. Intuition telling him it was not only Alina and Mal the Saint referred to. Only person Kaz recalled that could likely be said aquaintance was a certain privateer.

Footsteps wandering away had the man look up, finding Y/n to take her leave. Kaz and Jesper flanked to his sides, the whole group watching her depart. “Come along, Crows,” she called out, the playfulness returning. “A storm is approaching.” light rain began to fall once more, followed by the sound of thunder in the distance. Kaz pictured the smile on her face by the tone of her voice. “And we’ve got work to do.”

#kaz brekker #kaz brekker imagine #kaz brekker x reader #kaz brekker x fem!reader #inej ghafa #inej ghafa x reader #inej ghafa imagine #jesper fahey #jesper fahey imagine #nina zenik #nina zenik imagine #six of crows #SOC #six of crows imagine #grishaverse #grisha!reader #Saint!reader #grishaverse fanfic

[oneatlatime]

Any predictions for season 3, or are you planning to dive straight in?

You're not the first person who's mentioned s3 predictions, so I'll give it a shot, but I'm really not sure if I have anything to use to make predictions. S2 ended in a very final, end of arc kind of way. Lots of things have been tied up. I don't even know where they're all flying off to. Back to the Southern Water Tribe, since the Earth Kingdom's a bit of a bust? The Fire Nation's out of the question, the Northern Water Tribe probably has mixed feelings about seeing them again, maybe the Eastern Air Temple? Although even that might not be safe, since Aang's travel plans to said temple to meet the Guru were known by various Earth Kingdom generals. And that stupid King.

I think the Fire Nation contingent are going back to the Fire Nation, and I am looking forward to a Zuko with eyes at least somewhat open interacting with FN citizens/nobles/military etc. who are still completely drinking the kool aid. I think it's going to suck for Zuko. Should make for good TV though. Lots of conversations where both people are saying entirely different things while thinking they're talking about the same thing.

I said it before, but I'm worried for Iroh. He's for sure arrested, but is he going to be executed? Obviously I don't want that, but unless Iroh still has enormous popular support, and the Firelord's grasp on power is incredibly shaky, I don't see how permanently eliminating a traitor (from a FN perspective) can be avoided. Then again. Kids' show.

As for the Gaang? In broad strokes, Aang still needs to learn firebending to fully Avatar himself, then he needs to defeat the Fire Lord (who is quite the homebody apparently - seriously, where is this guy?). So next season Aang will shake off his lightning hangover, find a firebending teacher, defeat the firelord. He'll probably have to commute to the Fire Nation to find the Fire Lord first. No idea what he'll do in between those things. Perhaps inadvisable shenanigans? That would be in character. His biggest story arc all series has been learning to accept his status as Avatar, but between his talks with the Guru and opening his last Chakra in the finale, I think he's done it. So all that's left is the main plot and goofiness.

Katara has the same problem she had going into S2 - she's mastered waterbending, so she needs a new conflict/arc. S2 answered this demand by... having her hang around? What did Katara do this season? Bend a bunch, set up camps, tear down camps, wreck Jet, support Aang, be nice to Toph that one time, yell at people. I hope she gets something meatier in S3. I still think she should meet some good FN citizens that challenge her morals.

Sokka was also kind of just there this season, although if I'm being mean I'll say that he was also kind of just there for S1 too, which is why it doesn't feel as odd as Katara's lack of purpose. I loved his stuff with Suki. Suki is officially the glow up of the season. I loved their interactions together, and I love the growth she poked him into doing. I'd like to see more of that. So less a prediction and more of a hope: S3 Sokka develops the ability to rely on/trust others (or maybe realises others can be relied upon/trusted is more accurate), hopefully with Suki somehow involved. And I loved his dad too. I want to see more of that guy, but since a cardinal rule of kids' stories is getting rid of the authority figures asap, it won't happen.

Toph. Honestly I'm stumped. She already broke the universe. Where can she go from there? Unless she's going to devolve into an antagonist, which I absolutely don't want, I don't see how she can top her S2 plot. And Aang's got earthbending down, so I guess she'll be like Katara was this season: tagging along. Not that I'm complaining; I love me some Toph in any form. We have seen that she wants to make peace with her parents, sort of, probably? Or at least give them another shot? But I kind of don't want her within 100 miles of her parents. So I don't know.

Appa & Momo will hopefully be tagalongs in S3 too. I learned my lesson this season about wanting the animals to have character arcs.

I guess the antagonist in S3 will be the Fire Lord, finally. Who else is left? Zhao tried, he died. Azula tried, she won. Unless S3 has an Azula rematch. But would she want that? She's already proven that she won. She can go home and enjoy the spoils of her victory (which may or may not include Zuko - I'm kind of unclear on exactly how much agency Zuko is going to have in the FN, especially since I'm not actually sure that he has permission to be there as a free man - didn't the arrest warrant Azula was executing in episode 1 list both Zuko and Iroh?)

There's nothing left for the Gaang in Ba Sing Se, so I doubt they'll go back there. Frankly it's the FN characters who have roots there. I wonder what will happen to Iroh's tea shop? I wonder if his investors will find out who he is? I wonder if money talks louder than national loyalty? (It's the Earth Kingdom - the answer is yes) Wouldn't it be funny if Iroh busted out of imprisonment and went right back to serving tea? And everyone sent to find him would be thinking "this is the famed tactician the Dragon of the West - he's probably travelling the FN plotting a coup as we speak. That devilish mind of his must have safe houses set up all over the nation." When actually he's right back where he got caught, doing exactly what he was doing when he got caught, to great and not-very-quiet acclaim?

I think S3 might have an overall darker tone too, within the bounds of a kids' show. I don't know what place Ba Sing Se occupied in the mind of the average person in the Avatar universe (although refugees seemed to revere it), but the city's fall to the FN represents a very big FN victory. The Gaang will probably be the most underdoglike in S3. S1 was mostly stalemate, then a big FN defeat. S2 was opened with the FN taking Omashu and closed with them taking Ba Sing Se. The FN have never been in a better position, and I bet the NWT is safe from further invasion only until the FN have built their fleet back up. So even the few free areas could have an expiry date on their freedom.

This is rapidly devolving into rambles, so I'll conclude by saying I have no clue what's going to happen next season, and that's exciting.

#ask

[brookheimer]

i feel very mixed on shiv's ending, particularly her choice to return to tom -- i think it makes sense from a thematic/character arc perspective and is a powerful yet devastating indictment of both shiv and the world that created her as well as showing that the cycle of abuse will always continue to cycle, that shiv will become her mother etc, but i also think it does not make sense from a character/internal logic perspective. it's a choice that makes sense from the writers, but not from shiv, not yet. it could've been a brilliant ending to her character, but is tainted for me by the less-than-ideal execution of it, which felt very rushed, making shiv's final submission to tom feel forced by the show rather than forced by the situation or honest to her character. the ending is not inherently misogynistic from the writers' side as i've seen some criticisms claim (it is a dark but real portrayal of misogyny within capitalist society and how it's internalized within the white women who end up at the hips of the CEOs who run it), but i do understand how it could feel that way. the show fails at building up to (and thus convincing us) that the version of shiv we currently know would so immediately subject herself to her mother's fate, so instead of it feeling like shiv's hand was forced by patriarchy to place herself into her worst nightmare, it instead feels like the show itself was the thing that forced shiv to take that route, which does leave a sour taste in the mouth. it doesn't feel like the result of a choice shiv would make or the impact of patriarchal society bearing down, it just feels rushed and thus wrong. shiv would've benefitted immensely from a few more episodes or even just a few scenes dedicated to teasing out her newfound willingness to subject herself to immense disrespect in order to remain close to power, but given that her entire character has always been defined by her inability to do just that unless forced to (which i don't think she was in this situation as she could've easily not waited in the car for tom, not put her hand in his, but she did), her return to tom feels hard to comprehend, and her near immediate submission to him hard to stomach.

(read more under the cut because jesus christ did this get long)

in my mind, at least, i've always understood shiv as being respect-driven rather than power-driven -- she wants power, yes, but more than anything she wants to be taken seriously and respected and seen as a legitimate player, and time and time again we've seen her blow up situations that would've been very advantageous long-term because she felt disrespected and needed to speak up and force people to take her seriously (which, ironically, typically results in the opposite). shiv's overarching goal is power, but her immediate necessity is always respect. her dignity is her number one priority at any given moment, even when it shouldn't be, even when it stops her from attaining the success and power she wants. i can kind of understand shiv going against kendall because of this -- she's always had a very, very narrow lens whenever she feels like she's being disrespected, and even though it is infinitely more humiliating for your (somewhat ex) husband to betray you and boot you out of the CEO position behind your back at the behest of your supposed closest ally (and for you to still vote for them after that!!!) than it is for you to magnanimously allow your brother to be CEO (which would publicly be seen as a choice, as telly etc said - sibs need to stand united behind one chosen CEO - rather than shiv being out of the loop and fucked to infinity), the narrowness of her vision upon seeing kendall about to win makes it impossible for her to think about that legitimately. it's not just jealousy, it's indignity: shiv feels she earned CEO through her machinations with mattson and feels genuinely sick seeing the loganified kendall grinning at the head of the table, hearing his "that's fucking right" and witnessing his cocky entitlement to the job that belonged to her. so, she does what she always does when she feels disrespected, when she feels her dignity is at stake, and impulsively blows everything to fuck, including her own best interests. that makes sense for shiv, at least somewhat -- i still think that as much as she wouldn't want ken as CEO she'd feel like at least w that outcome she'd be seen as a player and a deciding factor, whereas with mattson/tom she'd be viewed as a pathetic fucked-over nothing woman pawn etc (a situation of unparalleled indignity imo), but i can rationalize her choice to go against ken anyways as being part of the narrowed field of vision she always gets upon feeling disrespected by men in her life that makes it impossible for her to think strategically (and i guess even though the disrespect was greater and more humiliating from tom/mattson than ken, ken was the most recent most present and most lifelong source so that's all she could focus on; seeing him like logan was too much to bear). it's hard to imagine shiv publicly throwing her vote behind two men who publicly fucked her as humiliatingly as mattson and tom just did, even if the other option is kendall, but i think that's part of it -- it's fundamentally illogical, even from her disrespect-lens, because there's just something about kendall specifically being in charge that she's never been able to stomach. it's visceral and impulsive. it's not meant to make "sense." it's just what she feels she has to do to preserve her own dignity, even though it works directly against those same interests realistically. it wasn't executed very well, making it hard to entirely buy it given just how publicly humiliating the alternative is, but it can still be chalked up to her historically one-track-mind when it comes to indignity by the hands of kendall in particular. it's a last-ditch attempt for shiv to at least feel like she's maintaining her dignity, her self-respect, as counterintuitive as it actually is. it makes sense. i can stomach it.

again, shiv's fatal flaw (in logan's eyes and aside from her original sin of being a woman) has always, always been her inability to shut up and make the smart move in situations where she feels she's being disrespected or not taken seriously. if shiv stayed quiet during that dinner with the pierces, maybe she would've been logan's CEO, but no, she couldn't stop herself, she needed to feel she was being taken seriously, she burst out 'cmon, dad, just tell them it's going to be me.' she is unable to play it smart, to keep quiet, to win when winning means perceived disrespect. she's allergic to it. even on a personal level, she shoots herself in the foot constantly because of this: she is unable to let herself have the things she wants because she can't put herself in positions that open her up to disrespect and perceived inferiority. she can't be vulnerable because she needs to be respected. tom asks her if he could 'try to make love to her' in episode one of this season, and even though she clearly wants to, she says 'no, i don't think so, tom.' tom tells her he 'wants her, wants this' back in episode six, and even though she clearly wants that too, she draws back and says 'well then you shouldn't have betrayed me.' shiv is fundamentally incapable of allowing herself to remain in possibly advantageous situations when she feels at risk of being seen as lesser, of being disrespected, of being perceived as weak. that is her response to patriarchy. when patriarchal forces bear down, shiv is unable to grin and bare it -- she has a short fuse, a sharp tongue, and an inability to entertain even a second of being treated like The Woman, of being looked down upon, especially when it's for her gender. it's the one thing she cannot do, cannot let herself do, and it's why she fails to "win" over and over and over again. she shoots herself in the foot the second her patriarchy disrespect sensors tingle. she makes the wrong choice, the dumb choice, the one that makes her feel like she stood up for herself in the moment but ends up leaving her powerless and helpless in the end. that's the only explanation for why she chose to vote against kendall (the clearly better option for her long-term as she'd 1) be respected as part of the decision, as someone who helped choose the CEO rather than a Woman who got fucked over and had the door slammed in her face by her husband and close ally simply because she possessed a womb, and 2) probably be head of ATN or some other area of waystar, she'd have actual power within the company and be respected as a legitimate source of power rather than the CEO-to-be made CEO's humiliated wife -- if she was capable of making the smart, selfish choice in terms of power instead of having a hair-trigger reaction to gendered disrespect and cocky male superiority, she would have voted kendall. but she is not capable of doing that. she never has been. so she voted tom and mattson.

so what i still cannot for the life of me understand is what would compel this shiv, the one who cannot stomach indignity even when power's on the line, to immediately return to tom's side the second he beckons her, which is like five minutes after he becomes CEO (the job she was promised) by mattson (who gave it to tom instead of shiv because 'why get the baby lady if i can get the man who put the baby inside her?'). it makes perfect, cruel, devastating sense from a show perspective, and that's what most people are talking about, understandably. it's a devastating yet unavoidable, inevitable outcome. she's left with no other choice once she makes the decision against kendall, and patriarchy compels her to play the good wife to stay close to power. except, like... she does still have a choice. she does not have to go back to tom's car. she does not have to sit patiently waiting for him. she does not have to quietly congratulate him on his victory. she does not have to place her hand in his. these are all choices she made very voluntary. they're choices between maintaining her dignity and self-respect at the cost of future power versus maintaining the potential for future power at the cost of her dignity and self-respect -- the classic siobhan roy conundrum. she's been faced with it time and time again (even just five minutes prior with kendall) and she has never, not once, chosen the latter of her own volition. she hasn't been able to. that's her fatal flaw. maybe i could stomach her going back to tom if she didn't congratulate him, didn't place her hand in his when he expectantly held his out -- then some dignity would be preserved, maybe. but her complete and total submission for the sake of future power does not make sense with her lifelong inability to do just that. it makes sense that this would be her eventual endpoint, but we have seen nothing that implies shiv would so willingly subject herself to this feminine submission of wife and mother before person or source of power, to the complete and utter humiliation of being the quiet wife at the side of the man who knifed her in the back (and notably handed said knife by the man she thought her closest ally) in order to steal the job she fought for her entire life and, in her opinion, had earned. maybe she would come back to him eventually, for love or (more likely) for power, but it is incredibly hard to believe that shiv 'impulsive when faced with indignity' roy would be capable of immediately and publicly playing the role of the good wife after such intense and public humiliation at the hands of her husband.

really, the way i feel about the shiv ending is similar to how i feel about the daenerys ending -- unlike most people, i really wasn't that against the daenerys outcome. i thought it made a lot of sense and was interesting, devastating, and fascinating. i thought there had been a few signs all along and that that ending for her would make sense and be far more interesting than a Hooray ! Girlboss ! ending. however, it was poorly executed -- it was rushed. it did not make sense from where daenerys was at that point in the text. it could've worked, it could've worked brilliantly, but it needed more time to build and fester in order for her ultimate turn to feel earned rather than forced for the sake of the point the writers wanted to make. that's kind of how i feel about shiv. i get the ending and i don't think it's inherently bad or misogynistic or anything, but it feels like the writers saw the possibility for a shiv 'mommed' ending and immediately took it, with little regard to what actually made sense for shiv herself to do in that moment. outcome > character. that's frustrating for me particularly for succession because my like number one reason for adoring succession as much as i do is their consistent refusal to operate the way most media does (using the characters as instruments to achieve the plot/outcome the writers want), instead prioritizing following the characters themselves in a way that feels honest and real. it's character-driven, not plot or ending driven. i think that this fell by the wayside a few times in the latter half of this season simply because there was so much that needed to happen in such a short space of time (especially during the finale), but in my opinion, at least, the most egregious case is shiv. given more time, more development, more build-up, the last shot of her hand in tom's would've struck the chord the writers wanted it to -- and for some people, it did anyways! but for me, it rang out and fell nauseatingly flat. it felt hollow and wrong and unearned. shiv could end up becoming her mother, that feels entirely possible, but not in this particular sense, not yet. in what world would siobhan roy willingly choose to be seen as nothing more than a woman hanging off her husband's arm, especially when said husband had publicly humiliated her and ruined her entire life just five minutes prior? when, just five (metaphorical) minutes prior, she was the one poised to be CEO and everyone knew it? when now everyone will see her on tom's arm and whisper and gawk? she has become her worst fear, yes, but unlike kendall, it does not feel earned. it does not feel like she has actually become her worst fear. it feels like the show forced her to. not patriarchy or the situation or her own desire for power, but the show itself. that's what feels so shitty.

i wouldn't necessarily call the writing misogynistic as a result of this, as it's less a flaw of misogyny and more a flaw of bad, rushed writing that could happen to any character. it's the same as with daenerys -- although (somewhat unlike succession) there were many, many aspects of GoT's writing that were deeply misogynistic, especially in the last season (just look at fucking brienne), the core issue with the daenerys plotline is not one of misogyny but of time. they did not give daenerys the time needed to become the version of herself seen burning down the city. that could've easily been a focus of previous episodes, but it wasn't. they simply did not develop her enough for that turn to make sense yet. it could make sense, hypothetically, at some point down the line, but at that point it felt sudden, off-putting, and wrong. shiv could easily become her mother. that's been made evident especially regarding her relationship to pregnancy/children, love, and vulnerability (or the lack thereof). but for this ending to make sense, we would have needed to see signs of shiv imitating her mother's willingness to be relegated to the sidelines, to bring out the food while the men eat and make deals, in order to remain tangential to power. that is a concession shiv roy had never been willing to make prior to the last five minutes of the entire show. other signs of shiv imitating caroline or falling prey to patriarchal norms throughout the show are not enough to undo shiv's fundamental refusal to weather gender-related indignity even when doing so would benefit her. in my opinion, that's why the final five minutes of shiv's plotline were so unsatisfying.

shiv could become her mother, and her ending could be a devastating portrayal of the inability for even rich white women to escape their original sin of being a woman in a man's world, as well as a dark, ironic criticism of both women like shiv and the patriarchal world that breeds them into existence. but because the show did not develop shiv in this particular direction and because her entire character thus far has been defined by her self-destructive insistence on being respected at all costs, shiv's ending did not land the way it could've, or should've.

#WOOF okay this was long. not even gonna read it over bc if i do i'll never stop editing to it or adding to it and god knows no one needs tht #so if it's shit well. forgive me #but yeah this is just my take. i felt really unhappy w shiv's ending but didn't quite know why because the ending itself i can imagine bein #fine with but really i just feel very frustrated by the show writing over any agency she would normally have had in order to make their #point by the time the episode ended #honestly the more i think about it the more i feel this season should've had more episodes -- i think another season after this one would b #GREAT for me personally obviously but unnecessary for the show itself and possibly too much of a good thing #but at the same time the latter half of this season could really have benefitted from a little wiggle room and space to develop #so it wasn't just Sudden Mattson Likes Tom or Wait Did Mencken Disappear or Remember Roman's Sexuality or SHIV FUCKING SHIIIIV lolllll #ok. this is too long. post #succession #succession spoilers #long post #and i mean LONG #should i do a read more? i never know what the like courtesy is lmao #well . yall asked for it so here u go #shiv roy #succession meta #i guess #edit i did a read more this is disgusting LOLOL #100 #casey shut the fuck up about shiv roy