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#i like to analyse things
plumspider · 4 months
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I love being analysed. Please analyse me.
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buggachat · 10 months
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honestly just in general it's very exhausting to try to analyze media that is literally meant to be analyzed, only for the replies to be filled with people arguing not against your analysis, but against the premise that the media can be analyzed at all.
i don't even know what to say about it without starting to really betray my frustration, so i'll just settle with— just don't engage with analysis posts? I'm serious. if you're typing a response to a media analysis post, reread what you've written and ask yourself "is this comment/response against the very concept of analyzing the media at all?" and if the answer is yes then delete it all and go sit in the shame corner. throw your curtains away if you want to so bad and stop telling me that I'm not allowed to hum and haw at the fact mine are blue
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obsidianbit · 7 months
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I love this gay ass show with its literally life ending injuries that heal immediately, but only when convenient to the plot, and its ridiculous use of modern phrases, and its laughing in the face of historical accuracy, and its kissing the face of the fans instead of trying to outwit them, and the way everyone involved in the show seem to go 'I KNOW RIGHT! I'M EXCITED TOO!' instead of mocking the fans
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buttercupshands · 17 days
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can you even call it a warm up if I'm going to bed without drawing anything big
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and a sketch I made while sitting in the park today
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vethale · 9 days
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Incoming Marble Sky theory about the Marmors' origin planet and more! Spoilers ahead!
I think if we ever get to see their original planet, it might be a dark place (literally and metaphorically), with hives or cities built within ant-like cave systems. Their society also seems to work like those of ants with a queen (Moon), workers and drones.
I think the fact that the Marmors use a form of ecolocation rather than our traditional eyesight might imply that on their original planet, sight as we know it is not a viable option. Their planet might either have little to no light, making eyes redundant, or too much, which would also cause the same problem. I think their fur coloring might also be proof of this, as they seem to display bright colors with no patterns. (Patterns usually help animals, especially predators, blend into their environment, because a blotch of a single color is usually easy to spot). However, there is also a possibility that their coloring might be a result of them becoming the dominant species: We see this with domesticated animals- think cows or cats, with white patches of fur, that make them easier to spot. When colors no longer affect their survival, new color variations tend to pop up.
I also think the fact that they are bipedal (with tails) also tells us that like humans, they might have started walking on all fours and then went up. This allows the brain to become larger, because the neck can hold up more weight, boosting their intelligence. Animals that walk on all fours are usually limited in this aspect because the neck muscles do all the work, so their heads can't get heavier.
The existence of tails might imply that those are still required for balancing purposes. Humans used to have tails but we kinda didn't need them and they went away, but the tail bone still exists. The fact that Marmors still needed them might imply that they still had to climb a lot in their original planet - maybe they live on trees (there's some ants that build their hives hanging from them! Super cool tbh) or they build their homes on cliffs/mountains.
I personally think them living in mountains or cave systems is the more likely option. In the comic we have already gotten the comparison with ants, who tend to build their little hives with tunnel systems going in all directions. This would make their tails useful for climbing, as well as their special eyesight and connections useful for navigating the hive. I mean, a connection like the one we have seen in the latest update is not only useful for hunting but also for their hives, as they can quickly figure out where more "manpower" is needed vs where there's already enough of them in one place.
Also, they have both sharp claws and teeth. Obviously those teeth are stylized in the comic, but they seem very very sharp. Definitely made for ripping and shredding. So it's very likely that the Marmors are obligate carnivores, meaning that, unlike dogs or bears, they can ONLY eat meat. I mention this because those claws would also be useful for hunting and disabling prey BUT connecting this to the cave system theory: Those claws are big and sharp, whoch might also be useful for digging. The giant anteater, for example, has some seriously sharp claws. This thing does NOT hunt other animals, besides ants and termines lmao, but uses those sharp claws to dig into the really hard ground. And those claws are SHARP, boy. They use them regularly to wars off and ERASE jaguargs. Yes, jaguars. So maybe these sharp claws might be tools AND weapons for the Marmors, useful for deleting your prey and digging into the ground!
Going back to the ant comparison: ants society usually has a queen, her simps, and the worker ants. The queen lays the eggs. If those are fertilised by the male drones, they become female workers but if not, they become male drones (the simps lmao). Ecliptica mentions that she is tall because she is a female AND the center of their network. Obviously these are aliens, but I think we can draw parallels: she might be their queen, the only one that reproduces -which would also explain their "children belong to everyone and noone" attitude"- while the rest might simply be the workers. I say workers, even if they are male, because I think the drones might actually be something else. We have seen smaller Marmors like Shepherd's assistants. Now, they might just be small or younger, BUT they could also be the lower ranking drones.
So, to sum up: I think Marmors come from a planet with little light, where they build their hives/societies in ant-like cave systems, digging into the ground. They might also have an ant-like society, that revolves around their queen, the workers and the lower ranking drones, where everyone but the queen is a male.
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lemongogo · 10 months
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maybe this is my curtains are blue moment, but its so fascinating to me that we are withheld from seeing wolfwood’s likeness again (from the moment he dies) until vash kills legato. after which, we see him multiple times in the closing act of the manga, as is . complete and all.
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surely nightow drew that last panel the way he did bc it was aesthetically pleasing, easier to draw, or perhaps more relevant/emotional for the situation, but i reaally really like what it accomplishes in portraying vash’s grieving process . by remembering him through inanimate objects like his gravesite , through the punisher, or through unmentionables (constantly referring to wolfwood as He, or Him) as opposed to his own Body or Self, you feel a sense of distance and detachment . its something vash doesnt really unpack until that critical moment where he has to, as wolfwood says, make an important and complicated choice . & by that point, having honored his sacrifice and finally Answered wolfwood’s dilemma, we see ww again. in full. CRAZYYYYYYYYYYY literally so cool and awesome 2 me
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new-ronantics · 2 years
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so will byers canonically wants to go on DATES with mike wheeler?? will byers canonically wants to hold mike wheeler’s hand and call himself mike wheeler’s BOYFRIEND??? will byers canonically wants to KISS mike wheeler on the MOUTH???? will byers is canonically in LOVE with mike wheeler????? this is sooo crazy!!
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aerequets · 1 year
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i very much appreciate how Yor, the strongest character, is so feminine
she’s obviously the physically strongest, and arguably the most mentally and/or emotionally strong. what i really appreciate is that this strength and her femininity are complements, instead of the two being treated as mutually exclusive like in many other media.
yor is soft spoken and gentle and kind to others. she feels emotions strongly and cries in front of others and shows her happiness. she has a natural inclination to take care of others. she is good with children, she is great at housekeeping. she may not be good at cooking but by gosh she tries; she wants to get better. she assumes the best in others and finds other women pretty and kind and admires them. she’s family oriented. 
yor is also insanely strong. she’s gone through extensive physical training since childhood, has multiple scars, has dealt with all kinds of people. she can kick a moving car, incapacitate a whole cow, take down a whole fleet of assassins, etc, etc. the list goes on. but despite all this and all that she’s been through, she didn’t become a tough, sardonic, mean-lean-killing-machine kind of character.
 what i’ve noticed in a lot of media is that there seems to be this kind of tradeoff that people think needs to happen in order for a female character to get “truly strong”. basically feminine = weak and masculine = strong. the character cries? not anymore she will never crack that poker face ever! the character cares for others? psh what no, care for yourself she’s not your maid. homemaking skills? useless, all she needs is the strength of her Fists and Harsh Words. she’s not like other vapid girls, she actually cares about the Real Important Fight which, undoubtedly, is also male-dominated. 
of course, all of this is set up as an opportunity for the male love interest to come in and “break down her walls” because women are just waiting for the right man to change them, but i digress.
why? why are the things that are inherently feminine deemed as inferior? 
a good example i can think of is cinderella, or to be more specific, an opinion about cinderella that was popular (and may still be, i dont know tbh): she is weak for needing a prince to save her. 
lets break this down: this girl gets emotionally, phyiscally, and mentally abused from her childhood into young adulthood by the people who are supposed to care for her. despite all this, she remains kind towards others and attentive in what she does. she seizes what she believes could be her one and only chance at freedom, however fleeting, and ends up catching the attention of the person who is ultimately able to pull her out of her situation.
yes, she didn’t bust herself out of the house and shank the stepfam with her glass shoe. but does this mean she is weak? is that kind of emotional resilience within someone after years of abuse what can truly be categorized as weak? 
anyways, all this is to say that yor is built up as the strong one in multiple ways, and the narrative doesn’t act like her nonmasculine qualities are somehow reductive or lesser, and i very much appreciate how rich her character is. i like so many things about this series man im just
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When discussing or analyzing Dazai, one thing I hope you will keep in mind when reading anything I write about him is that from my perspective, he is always, always both.
What do I mean by this? Well, I find there tends to be a general split among people who hold the opinion that "he's a manipulator and will always be manipulative" and "he's doing his best to be good and helpful and live up to Oda's last wishes for him", of which, neither is completely right - because he is both. But even among the people who hold to this dual-nature interpretation, I find that his individual actions and motivations still tend to be thought of in a dichotomous manner - is it manipulative, or genuine?
Again, I think it's always both.
Dazai has a very pragmatic view on a lot of things - he is always looking for the usefulness of things and people so that the situation turns out in his favour. He's incredibly adept at this, and his prediction and placement and careful reveals are all manipulation tactics to get his allies and enemies doing exactly what he needs them to. I don't think anyone can contest this since we see it over and over in the series.
But that's not all there is to it. He's not solely manipulative and he does, to some extent, sympathize with others - I think there are several instances of this in the series, but I want to stress that this has been apparent since Chapter 1!
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For context, Dazai is recalling what Atsushi said to him a few minutes earlier, but it's very interesting that it should be this specific part of the conversation. He could've flashed back to the part where Atsushi said he had nowhere to go; no money, no food - he is about to trick him into joining, after all, and this is the key piece he uses to basically force Atsushi into the Agency. But instead it's Atsushi's self-deprecation that catches his attention, and it really does, because even during the conversation, he turns to look at him after he says this with an odd expression.
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You could say that this makes Atsushi easier to manipulate, if that's your angle, but that can't be solely it, because in the later conversation with Hirotsu, we know Dazai was planning to bring Atsushi into the Agency and set him up as one half of the new Double Black the moment he met him. The panel shown there is the riverbank, set much earlier in the day than this scene. He was already planning to pair him with Akutagawa since he figured out he was the tiger, so what's with this reaction?
Well. Sometimes the simplest explanation is the best.
He manipulated Atsushi into joining with the intention of utilizing him in his future plans. He also helped him and gave him a place to belong, and importantly, he likes this kid! It's both.
I think much of it might be that his brain just kinda works way too fast - he's such a natural at crafting these elaborate plots and seeing how things connect and gathering useful people like resources that it's practically automatic - though this is not a great means when you're trying to be a kinder person. There's an omake, I believe, that has him saying "I like using my head for justice", i.e. using these underhanded means to act for the better. Not great, but those are the kind of gifts he has. He's way more suited to exploitation, but is choosing to use these tactics to save people now, which is quite reminiscent of what he tells Kyouka. Kyouka's talents lie in killing people - when what you're good at isn't who you want to be, what do you do? Well, I expect you use what you have, even if it's not ideal.
Now, about the current situation with Sigma - I think he definitely likes him, and is intrigued by him and his situation. We did get a little thought bubble where the guy amusedly compares him to Atsushi, and you can't tell me he doesn't care about Atsushi (listen to the onsen drama cd, or read 55 Minutes if you somehow don't believe me). But also, it's undeniable that Sigma is in a very vulnerable position of being homeless and having had no one be genuinely kind to him before. His trust is very easy to earn, and with the latest chapter, Dazai has now saved his life multiple times. There is, as always, a practical purpose he needs him for. And I have to be somewhat amused because Dazai is quite literally telling Sigma everything he ever wanted and needed to hear. It's a brilliant means of quickly endearing himself to Sigma - but I don't think that's all it is.
Look. The most honest moments we get in this series from Dazai are, interestingly for an expert manipulator, when people are at their most vulnerable. In spite of every pointlessly cruel act he inflicted on Akutagawa, his first meeting with him was open and transparent; much like the orphanage director, it seems he thought this treatment would make him strong and adaptable (he's wrong but that's not the point of this). He cuts Kyouka off in irritation and says "don't give me that" when she implies that she would fail the entrance exam. He tells Atsushi it's normal to cry after losing a father figure and to feel however you feel, even if that person caused you nothing but incredible pain and cannot be forgiven. He refuses to entertain Sigma's assumptions that Dazai sees himself as a superior being to him.
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Selective honesty can also be utilized to great effect; Mori does this, and undoubtedly it serves this purpose for Dazai too. But I want to stress that I do sincerely believe this is all still honesty from him. Manipulation, or genuine?
Both. It's both.
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libraryleopard · 3 months
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the true detective reddit is primarily full of haters but this post did make me laugh
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plumspider · 5 months
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i feel like you're the type of person to notice every detail. like the way someone's shoes are tied, their handwriting, the details on butterflies wings
Yeah. Some days I will notice every little thing and overthink most of it. But other days I’m a complete idiot and don’t notice anything. I definitely notice people’s emotions and how they act.
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hanadoesstuffwrong · 4 months
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Some doodles because the concept art for this mediocre corporate mess has been haunting me
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lilacpaperbird · 4 months
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If I could free the spn fandom from one illness, I'd choose the compulsion so many people have to present Sam and Dean as opposites in every facet, big or small. There are many preferences they both share, there are many situations in which they'd both feel or act in really similar ways, and there are certain pillars of their personalities that are essentially identical. Trying to always find that "polar opposites/two sides of the same coin" energy everywhere only ends up twisting and misinterpreting their personalities to make them fit that mold. And there's usually one brother who ends up getting the short end of the stick and being transformed into a caricature that has lost any actual connection to his canon self, just so he can be presented as the opposite of his brother
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spif-lol · 7 months
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Reasons why the simpsons hit and run stream is jerma's best stream
it's ELEVEN HOURS LONG
you get to witness his slow descent into madness as he insists on playing the whole game in one sitting
I can watch it when i replay the game, would recommend makes it way more enjoyable
he spends too much time doing really bad impressions trying to copy voice lines for the game and yelling "HIRE ME IM AVAILABLE"
He decides to confess half an hour in that he knows nothing about the simpsons and has only seen like one or two episodes
this is ten minutes after he references a specific episode, and then proceeds to get told off for 'spoiling' an episode of the simpsons (from like 1995) by chat
Chat also somehow manages to convince him that ten year old boy Bart Simpson's famous catchphrase from everyone's favourite family animated tv show is 'eat ass'
In general it switches between him refusing to believe things people tell him about the game despite being true and falling for obvious lies
he starts the game going 'lol wouldnt it be funny if you could run over simpsons characters' and then jokingly drives towards civillians thinking they'll jump out of the way. they go flying. he is so confused
the dissonance between early and later parts of the stream are palpable. It turns from a cheerful and lighthearted exploration of a funny simpsons game that he refuses to take seriously or accept that it could genuinely make him angry, and transforms into a desperate race against time, his computer and his own hubris as he seeks simply to finish the game so he can sleep. This stream destroys him.
the way the stream highlights are named on his youtube is hilarious. "Jerma will not get angry at the simpson's hit and run" -> "Jerma might get a bit angry at the simpson's hit and run" -> "d'oh"
it's extremely funny how many time he's convinced he's in the last level of the game, only to be wrong. the first time he thinks that is in the first section and hour of the stream
easily his most rewatchable stream (this is gonna cover a lot of dot points)
the amount of tragic irony and foreshadowing in this stream is almost cinematic.
at the very start of the game he complains about the music being too loud and monologues about sounds and over stimulation of game music bothers him, which of course will be very funny in the finale
he also comments a few time at the start about how annoying homer's random voice lines are, and says 'oh god he's gonna repeat that a thousand times before the end of this game'. he's right, and it nearly drives him crazy by the final mission
speaking of the final mission(s), the second time he has to transport the toxic sludge from power plant to the school he like pauses the game and very seriously addresses chat like 'alright tell me right now are the next three levels also me driving the nuclear waste to the school that cant be possible right'. and then just accepting in defeat that that is in fact how this incredibly stupid and difficult children's game finishes
when he first races against the malibu stacy car and gets destroyed he gets mad and says he wishes he could drive that car. then when he gets to drive it in later levels he quickly decides its his favourite and maintains that until the end of the game
on rewatch... you hear him audibly crack open a can that chat demands he prove to them is soft drink and not alcohol like A WHOLE HOUR before The Incident and it's a little like watching a disaster movie where you see the characters laughing and having fun little knowing how they are being hastened towards their own doom... like chat keeps bugging him about it, he keeps making excuses, he keeps sipping the drink. they bring attention to it so much and you listen to it just knowing the pain that is yet to come. dramatic irony at its finest and most heartache inducing
15. ohmyfucking gaaaawd no! no... god... ICANDOITINAJUMP! ..... BART. WHERE IS HE??? BAAART!!!! AAAUUGH
16. actually fr there's a lot of memorable jerma lines in this stream, rewatching it is like watching a jerma funny moment compilation
17. the final couple of levels where he is getting steadily more overwhelmed to the point of ferality, and then he says he has an idea and goes to the sound menu and turns everything off. voice lines. music. sound effects. and then we watch him play the level in complete silence. and it actually helps him focus its really funny
18. the whole tragic sequence where he is in the FINAL LEVEL. he has played it so many times and just missed it by a few seconds. he is tired. he is hungry. he just wants to get off stream and eat a BURGER. he is focussing as hard as he can. he is almost there. he runs over too many things and the police are after him. but its okay. he's doing it! he's gonna make it!!! he gets to the school with time to spare and is sucked up into the end of the game beam. it's over. except then the police get sucked into the beam as well. he gets arrested in the beam. which teleports him and the car out of the beam. WHICH MEANS THE TIMER RUNS OUT AND HE LOSES. so he has to do it all over again. it's actually so so so funny and also something i think i personally wouldn't survive if i was in jerma's position in that moment
19. okay we have to talk about The Incident. bc i already alluded to it and bc like, i couldn't not talk about it. as stated above Jerma cracks open a can so you can hear it and chat immediately accuses him of being an alcoholic. he adamantly insists that it is a soft drink not a beer but they refuse to believe him unless he proves it by showing camera. he's playing on a modded ps2 pc port or whatever of the simpsons so it's a complicated setup and he explains that it would be too hard and also he's shirtless so they will just have to believe without seeing. chat continues to harass him while he goes on to play the game, specifically most of the lisa level. he laughs it off but eventually caves, gets up and get a blanket to cover himself and then alt tabs, holds his can up to the camera and says 'alright you satisfied? that might have just fucked up the game'. so then he tries to tab back into the game and it. crashes. hard. so hard that the game won't actually turn back on. so jerma's cursing and fiddling with the controls and saying its over. then it finally reboots and the game works and he's so relieved and it loads and he realises that he has lost SO MUCH PROGRESS. he's back at the start of the lisa section. this is truly the turning point of the game where it goes from being a fun experience to a nightmare gauntlet
20. on a related note: jerma waiting with bated breath *sound of simpsons game booting back up after refusing to for far too long* jerma: yeeeAAAAAH
21. im watching it right now as i replay, which is why im thinking about it obv. so i will almost certainly have more to add to this
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worstloki · 7 days
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I don’t think the markings on a frost giant’s skin actually mean or represent anything I think they’re just randomly in place. I understand it’s cool to make them mean something. But it’s funnier if they don’t.
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melverie · 6 months
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Okay, but you guys do realize that the reason Mephisto behaves the way he does is because he has been raised with the intent of only being beneficial to the future demon king and nothing else, right?
(Buckle up because this is going to be a loooonnngggg post)
Mephisto comes from a family that has been serving the royal family for ages. He mentions multiple times that his family has always acted as their knights, their advisors and their protectors to them, and it won't be any different with him. It shouldn't be any different with him. Being beneficial to Diavolo has literally been decided to be the very meaning of his life even before he was born. He's been forced into the role and he's following it to a T because he's never known anything else, and because he can't afford to lose that. Without it, what else is left of him? What worth does he hold other than being essentially a tool for Diavolo?
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And then the brothers fall and suddenly his position is at risk. Lucifer and Diavolo have already gotten along fairly well back when Lucifer was still an angel. Both Diavolo and Lucifer (as well as several others) mention that they go way back in their Nightbringer homescreen dialogues, and we see them having mutual respect by the end of the 'The Glory Days' Devilgram in the original game. Mephisto and Diavolo meanwhile might be childhood friends, but here's the thing
Diavolo wants a friend. A real friend. Someone that genuinely appreciates him for who he is as a person instead of focusing on his status as the future demon king. And that's something Lucifer can give him. They often hang out for the sake of it (apparently even eating dinner at Ristorante Six together regularly), they regularly engage in lighthearted banter, and Lucifer isn't afraid to give Diavolo his honest opinion
But that's not really the case with Mephisto...? He was never meant to be on equal footing with Diavolo; Diavolo even calls him "mini-Barbatos" at one point. He is literally still calling him 'Lord Diavolo' all the time, requests to speak his honest opinion first and waits for Diavolo to allow him to do so before actually giving it. That's why Mephisto keeps pushing down his own feelings and keeps showering Diavolo in praise any opportunity he gets while he adjusts every aspect of life to be beneficial to Diavolo in a way. Sure, he might be popular, but as long as Diavolo doesn't want him to get married he doesn't even waste a thought about relationships. He might have no real interest in journalism, but of course he'll take over RAD's Newspaper Club. After all, Diavolo asked him to! He's part of the House of Lords because as the future king's right-hand man that just makes sense. He was always just meant to be a tool for the crown prince to use, so he doesn't know how to treat Diavolo as anything but. He was literally groomed to be dispensable, so he's obviously going to act like it
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And that's also where Mephisto's dislike for Lucifer stems from—he can only watch as Lucifer slowly grows closer and closer to Diavolo, and threatens to take the role that was always made up to be his. And so Mephisto keeps challenging Lucifer over and over again, trying to sabotage their friendship any way he can in hopes of winning back his position as the crown prince's right-hand man
That obviously doesn't make the way he treats Lucifer (and the rest of the brothers!) right. Lucifer isn't responsible for any of this, and blaming him for it is misguided. But it still doesn't change the fact that Mephisto has the right to be hurt at the situation at hand. His entire purpose of existence is just being ripped away from him right before his eyes and all he can do is watch. That must hurt. Especially when your entire familiy's purpose has been to serve the royal family, and you are the first one to lose that
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Also, I feel like something else we need to talk about is how his fight only ever really seems to be with the brothers, especially Lucifer? Again, part of the reason is the entire Diavolo situation, sure, but I feel like it also has to do with the situation in the Devildom at large? I already vaguely talked about this in a different context a few months back, but ever since the brothers have been cast out of the Celestial Realm and arrived in the Devildom, the entire situation has just been super unstable. We as a player have a unique perspective on the events because we only have a limited outsider view to on the actual politics going on the the Devildom, while also being aware how things will play out in the future. We know that ultimately letting the brothers stay is the right choice, but that's not the way a regular denizen who has to live through all this sees it. I mean, just the way Mephisto describes the brothers really puts things into perspective:
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The entire realm is super destabilized, they just semi-lost their current king, and there have been multiple very real threats of war—first when the Devildom took the brothers in in the first place, then when "Raphael" showed up and told the brothers to return, and Lucifer rightfully points out to (a comatose) MC that they are bound to go to war should the Celestial Realm ever find out that Diavolo turned Lilith into a human. There's just a lot of tension in the air, and the brothers—extremly powerful as both angels and demons—seem to be at the root of most of it in one way or another. From a the House of Lords' perspective, it makes sense to want the brothers gone, same goes for a denizens perspective. And while it is a delicate situation all around that can't just be blamed on the brothers, it makes sense for Mephisto to also see them at the center of it all. Again, that doesn't make the brothers' treatment right, but it's at least understandable given the circumstances
On a side note, when discussing his beliefs, I think it's also important to remember that he to this day is incredibly sheltered. He just accepts all this as normal because to him it is normal, but as we've seen in lesson 31 hard mode Thirteen was so shocked by his views that she immediately decided to drop everything and play therapist for him (absolute Queen for not just blaming it on him btw 💖). I know this was just a throw-away line, but this paired with him basically excisting to serve Diavolo already says so much about his character:
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And with everyone else he seems to be generally pleasent? I mean, he says he doesn't want anything to do with angels or humans, and yet he risks getting injured in order to save Luke from falling. Yet he actively seeks out MC to solve one of the 666 Mysteries of RAD together with them, and saves them from tumbling on the floor because "anyone else would have done the same" (they wouldn't have. The season 1 brothers would have laughed straight in MC's face). He literally complained to Thirteen about how he was just about to go home and how he doesn't have time for her, yet diligently carries all her things for her as rain is pouring down on him. His actions always end up betraying his words
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Also he has a massive sweet tooth which alings perfectly with one of the headcanons I had for months and is RAD's local horse girl so we stan! <3
-> more character & relationship analyses -> masterlist
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