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#i loved writing it but its weird idk
skitskatdacat63 · 5 months
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Fernando Alonso & His Relationship With Cards
I'm sure we're all familar with the cards on the back of Fernando's Vegas GP helmet by now, but did you know his relationship with cards goes a lot deeper?
I. Magic Tricks
You've probably seen or heard someone at least mention Fernando's propensity for card tricks. As far as I can tell he was doing them(publically) as far back as 2003 all the way to as recently as 2018. Even once performing a card trick, with a condom and a teddy bear(!??!?!??!!), in front of Valentino Rossi who said "How was that possible?"(x)
But how did this start? According to James Allen, "Fernando admits to having been heavily influenced by his grandfather, a mercurial figure, who taught him magic and card tricks, still one of his passions away from the race track."(x) And I'm not sure the validity of this one, because I couldn't find an actual source, but apparently he once said: "My parents are responsible for the two things I like doing most - driving and magic tricks. They bought me my first go-kart and a magician's kit."
In several interviews he described it as his hobby off track, and that he loved learning new tricks and surprising others in the garage with them! So clearly cards are pretty important to him both as a hobby but also to who he is as a person since they've been with him just as long as racing has.
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II. Card Symbolism in His Helmets
This is the reason I originally made this post, but I thought I should also explain the origins of his card fascination first. As I said, we probably all remember the cards on the back of his helmet in Vegas, but did you know that wasn't the first time he had cards on the back of his helmet?
From 2008-2013, he used to have a pair of cards on the back of his helmets. The symbolisms of the cards themselves as well as the evolution of their design is really fascinating to me! Even more so with the recent development of the card choice in 2023.
Fernando said he wanted to reference his two titles in some way on the back of his helmet and after his friend sent him several ideas, he decided on having two cards(an ace of clubs and an ace of hearts, sometimes pictured with 05 and 06 on them as well), saying: "I picked the cloverleaf [the ace of clubs - Ed] to give me luck, but the only pity is that it doesn't have four leaves!"(X)
2008.
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Here's the very first appearance of the cards! They're displayed flat, with the 05 and 06 clearly visible
2009.
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Very similar to 2008, but with a slightly different design, and they're maybe a bit more straight with less shadow?
2010.
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This is the first major change! I was sad they didn't have the years on them anymore, but then I realized they're sparkly to match with his signature lightning bolts on the top of the helmet!!
2011.
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Honestly I'm still somewhat unsure if this is the actual 2011 helmet? It's pretty difficult to find clear photos of the back of helmets from older seasons. It's easiest to find them on replica sites or auction sites so I'm not 100%? But anyways, I like that this has the championship years on the underside of the cards
2012.
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This is when I started getting weirdly emotional about the helmets. Do you see how they've progressed from being a centerpoint to being curled up and sad at the bottom of the helmet? Not listing the year anymore??
2013.
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Same thoughts as 2012. And after this season, they cease to exist (just like his ferrari chair in the garage, WOAH CALLBACK), until cards make a reeappearance in his Vegas helmet, albeit in a different form
2013 Monaco(Honorable Mention):
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For some reason 2013 helmets were easier to find proper pictures of, so I happened to witness this absolute beauty. The creativity of this helmet genuinely blows me away??? Wanting to keep the card motif, but making sure to incorporate it into the rest of the puzzle piece design?? Mwah! There was another special 2013 helmet but they didn't change the cards at all so I really applaud this one
2023 Las Vegas(The Return of The King):
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The magnificent return! But look! The cards are different cards! Instead of being two aces, it's now an ace of hearts, a four of hearts(his driver number of course!) and, the, now iconic, representation of himself as a Joker. I literally could not believe my eyes when this helmet was released and I saw the Joker card, what a fucking silly old man....I really wonder if he felt nostalgic having cards on his helmet again or if he didn't think about it all and was just like, "ah cards because Vegas!!!"
III. Why Does This Matter?
*The rest of the post was factual, this is moreso my personal thoughts on the symbolism of the cards/designs
This post spawned from me recently watching the 2010 Bahrain gp and noticing "hey wait a minute...are those CARDS ON THE BACK OF HIS HELMET!?" It's a really tiny detail that's unfortunately covered up by the HANS device pretty much whenever he's wearing the helmet, so it's really difficult to spot! But I became fascinated with the fact that he had cards on his helmet before that recent helmet, and now here we are!
There's something to me about how the design of the cards evolves over the course of six seasons from the cards being front and center to being smaller, more folded up and closer to the bottom of the helmet. As I said, the 2012-2013 ones genuinely made me depressed because it feels, symbolically, like his hopes for getting another Ace are becoming more and more unlikely and falling away until they eventually fall falt and fade away entirely after 2013 and disappear for basically a decade.
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But when they return? They're not the same cards! Instead of representing Fernando's championships, they now represent him as a person, displaying his driver number and his persona of being a Joker!! Though I do think it's interesting he happened to keep the Ace of Hearts, even though he talked more about the Ace of Clubs before. I'm not sure it's actually this deep in reality, but I like to think that it's him not letting his championships(and the lack thereof) define him, but rather letting who he is as a person shine and be the centerpoint instead! But on a sadder note, as @suzuki-ecstar said to me, maybe the Aces aren't there anymore because he's lost all hope for a chance at a third Ace entirely :(
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#yes its finals week and im up to my eyes in coursework but instead decided to spend like 5 hours researching and writing this post#nah bcs i actually genuinely put more work into this then I think I have all semester dsfjdskjg#that thing about him using a condom and teddy bear in a magic trick genuinely had me crying with laugher. actual tears rolling down my face#<- HOW!?!? WHAT WAS THE TRICK?? its literally inconceivable to me what he did. oh if only there were pics UGH#anyways!! this post was a lot of fun to make!! i really really love the symbolism and design of helmets so this was a rly fun project#and i also went down a lot of rabbitholes while make this and saw many very weird articles from yore#i feel like i make an equal amnt of deranged posts abt seb and nando but i dont know why nando is gifted w all my well researched projects#<- i.e. chair post. that was the same level of research as this one but at least this one i could find actual sources about....#idk theres smth about the extremely long history of nando's history that evokes research posts like this KLAJSLSKDJ#theres just so much that i dont think I ever really see people discussing! so i must create.#haha what was that joke tag i wanted to make abt my researched posts? I think:#normal posts that catie normally makes in a normal fashion#<- one day ill go back and actually tag posts w that. bcs the amtn of research compared to my actual schoolwork is so unwell#fernando alonso#fa14#f1#formula 1#catie.rambling.txt#we do a little bit of f1
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puppyeared · 6 months
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its so hard to watch time pass when things like careers and assignments exist. what do you mean im supposed to take that seriously
#I have an assignment that was due a week ago and I really really dont want to do it. I have to but i dont want to#im probably making it worse because my brain has built a wall around it so now i can’t do literally anything else until thats done. but#because I don’t want to do it I’m just kinda stuck. turns out this is what they meant when they said emotional regulation is part of#exec dysfunction.. I’ll have a thought like if I get a little bit of it done now i can get it over with. I can just submit something#and then not even 5 minutes later itll be like ugh but I have to draw all the assets out. I have to write things and make spreads ugh#and its just flopping between those two things. i hate it when ppl are like well how much time do you need to work on one thing#because BOY id love to know too. I’d love to know exactly when my brain wants to cooperate with me and work around that but I cant#even my period can’t decide when it wants to punch me in the stomach. which is kinda funny in the grand scheme of things but still#its so weird im just lying on my bed thinking abt all this like damn.. the time will pass anyways no matter what I decide to do.. damn….#if I submit that assignment now and take the L I literally won’t die. it’ll just be a deduction on an assignment nobody will ask me about#I know this but I’m still stressing myself about it so my thoughts aren’t really connecting to my body. weird#maybe its because Im having a hard time looking forward to things. theres definitely a lot I should be living for but I don’t really feel#a strong attachment to it I guess? it’s been like this for a while with holidays and meeting with friends so I just don’t#I kinda figured its because im pretty passionless and its more like passing interest. but it’s not very fun when it feels like I’m going to#be living distraction to distraction for the next 70 years or so lol#idk it kind of feels like slowly bleeding out. which is funny because I actually did experience blood loss this week#had a 30 minute nosebleed and literally could not stand. also it felt like someone was pinching the back of my brain which was interesting#yapping#does this count as vent#vent#Ive just been making an oc carrd and contemplate changing my blog header for the past 3 days honestly
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wigglecoin · 5 months
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help im trying to concentrate on writing an essay but my brain wont stop thinking about an In Stars And Time AU where after everything the color red just... stuck around?? like, the world isn't ending anymore but its still there for some reason and all of a sudden some things are red, or what they would call 'the color'. like they wouldn't notice at first cause you don't find it in the sky but they pass by an unpainted brick house or something and its just.. red? and the person who owns it or has noticed first is just like 'yeah it happened a little bit after we all got unfrozen and it just stayed like that.'
imagining the introduction of a weird shade on a whole set of people and how it would influence things, vanguard add bits of red to everything cause its cool and new and i just have to wonder how the group would take it cause on one hand it could be a little triggering but on the other hand its cool when it doesn't mean the world is ending.
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thinking about writing a jmart fic inspired by my original story. would y'all read it or nah
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dangans-ur-ronpas · 23 days
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Chapter 19
(blowing a lil party horn and firing confetti poppers) YIPPEEEE
SEE HERE FOR GENERAL WARNINGS AND FIC SUMMARY
Some pre-chapter notes:
sorry to the ishimondo fans
this is the one with an execution!!!
@digitaldollsworld my bestie my lord my homie <333
Content warning tags: descriptions of injury and mild gore, character death, canon-typical violence, guns
< previous - from start - next >
“NO!”
Owada’s shout is loud enough to startle Byakuya out of the slight torpor he had fallen into, too busy trying to fend off the migraine that was threatening to make him sick. He jerks, eyes blinking open to see Owada leaning in Ishimaru’s direction, his entire frame tense and trembling with restraint.
“It’s okay, Taka, you don’t have to say it,” He’s babbling, talking in a rush. His complexion is blanched, with fear or desperation, maybe both. “It’s okay, okay? I’ll tell them. It’s fine.”
“You really should let him-” Kirigiri starts to say, but Owada shakes his head vigorously, his hair bounces side-to-side.
“No, I’m not gonna make him cover for me any longer. I’m not gonna make him- make him lie for me.” He cuts Kirigiri off, before drawing himself up tall. “I did it. Okay? I killed him. I killed Chihiro.”
“Mondo-” Makoto starts to say, but Owada barrels through him like a steam train. His voice has the same, strained quality of a whisper, but it feels shockingly loud at the same time, the only thing audible in the entire room.
“It was - I know I was calm. Earlier. When Chihiro told me everything. And - I really was supportive. I was happy for him, so happy for him, you saw me Makoto, that was all real. But-” He pauses to take a sharp breath, and Byakuya wonders if he looks as insane as he sounds, leaning over the edge of the railing, like a seasick man over the edge of a rocking ship. Spewing words like he’s trying to empty his stomach of them. “I was thinking about it after, and I just. I just got so fucking mad, I mean - we all have secrets, and mine is - I know it’s probably not the worst one here, but it’s something I’ve been holding on to for so long, and he was just. Flaunting it around? Like it was something to be proud of?” He snorts a laugh, ugly and demeaning. “If it was that easy, then what the hell have I been doing all this time?”
His voice breaks, and for a moment his shoulders slump. But he regains his composure just as quickly, drawing himself back up with a shuddering breath. “I.. on the way back to the trophy room, I couldn’t stop feeling angry. It was like I couldn’t see anything else but red, I wasn’t paying attention to anything else. And when I got back I saw - I saw Taka, injured, and Chihiro standing over him -” He swallows. “It’s not an excuse. I know Chihiro would’ve never hurt him, never hurt anyone - but I was so angry and he was there, and there was a trophy on the floor, with blood on the corner, so I just…”
No one says a word. The implication of what he had done hangs over them all, like a fog - like a body, Byakuya thinks. Fukawa hadn’t been able to pin Chihiro as high up as Syo, but it feels like the boy was watching over them. A ghost listening silently from the rafters.
“...Then, tell us. If you did kill Chihiro, how did you do it?” Kirigiri asks at last, and Owada makes a sound crossed between a sob and a groan.
“I - I just sort of blanked out, when it happened. When I came to, he was there, and - I didn’t know what to do.” He lifts his face, and Byakuya can make out the shine of tears, the gray pallor of his skin. “So I took Taka to the nurse’s room first. And bandaged him up. And then I grabbed supplies to clean up the scene - that’s where I got a sheet to wrap Chihiro up in, and the gauze pads to soak up the blood.” He’s slowed down now. The words come tiredly, laboriously. “And then I…I was just thinking about cleaning up the room at first. That was all I could do, so I just did it. I wasn’t thinking about my survival or anything, or the fact that I might end up getting killed by this fucking bear - I just. I was planning on confessing to it all, but I didn’t want the place where he died to be so…so messed up.”
“Oh, Mondo…” Hagakure breathes quietly, grievingly. Owada’s head twitches, but he presses on.
“I went to check up on Taka, and when I came back, the body - Chihiro - he was gone. Sheet and all.” He laughs again, another twisted sound. “I thought, maybe it was all a dream? Maybe I was going crazy and Chihiro wasn’t dead, and all that blood was from Taka’s injury? I didn’t know what to think. I didn’t want to think. But I went back to what I was doing, and then a little later, the announcement went off. And you all know what happened after that.”
The room is silent for a long moment. No one says a word, and Byakuya can only just make out the sound of breathing, the only indication of life. And, a slight, quiet rattling; Ishimaru was trembling slightly, but still not uttering a sound.
In the silence, all Byakuya can feel is a storming, pitch-dark rage; rage for Chihiro, killed over something so pointless and without warning, rage at Fukawa for framing him, and rage at Owada for hiding it all. For losing control of himself in the first place. “So afterwards, Fukawa went downstairs and found the body. If we consider the sheet around Chihiro’s corpse and the scene cleaned of blood, that also helps explain how she was able to hold off Syo for so long.” He says, disgustedly. “But, the bloodied gauze in the library. I’m assuming that you were the one who put it there? Whatever happened to confessing?”
“I was! …I was, planning to confess to all of it. But then I saw Chihiro’s body, and - and as everyone was talking about Syo, I saw you holding the file and the blood, and I thought… I thought I had a chance. I mean, you were right there, and…I knew that Makoto wouldn’t have been able to back you up. I stuffed the gauze through the gap between the library door hinges while everyone was investigating.” Owada looks up for the first time, and Byakuya can’t see what look he’s wearing. And he feels glad for that; he doesn’t want to see whatever simpering face Owada has, pleading for forgiveness, miserable and sullen. “I know it was wrong, but all the pieces just seemed to fit together so perfectly, and the more time that went on, the more believable it seemed, and- I’m sorry. I really am.”
And Byakuya wants to scream.
What use is your worthless apology, he wants to rage. It wouldn’t resolve anything - in the end, he had still been accused, and humiliated, and now utterly disgraced. He was still blind and disabled. Chihiro was still dead. “All this, because you couldn’t decide if you wanted to live or die? Did you never consider if you deserved to?” He hisses, and Owada actually flinches back.
“I know I don’t. I’m sorry.” He repeats quietly, and he sounds so hollow and drained that Byakuya finds it hard to maintain his anger, all the heat and passion dissipating in an instant like smoke. It leaves him feeling empty, bewildered, and so, so tired.
“...Well. It seems that it’s time to vote, no?” Celeste claps her hands lightly, a smile in her voice. “Monokuma, won’t you please?”
“Since you asked so politely…I was still enjoying this dee-light-ful soap drama, but for my precious student, I will oblige!” Monokuma bounces up to its feet, one arm raised high in preparation to call the vote. “Everyone-”
“Wait.” Kirigiri interrupts. She hasn’t looked away from Owada once, her pale face turned towards him this entire time like a hawk. “Something’s not right.”
“Wha- what do you mean?” Hagakure asks. “It’s pretty cut and clear by now, right?”
“It’s suspicious. Why put in so much effort trying to pin the crime on Byakuya, and then confess so suddenly now?” Kirigiri rebuts. “And we still haven’t heard Taka’s testimony.”
“Man…come on, Kiri. Just look at him. I don’t think he’s in any shape to talk.” Hagakure shakes his head. “And - I think we shouldn’t push this on any longer than it needs to be.”
“Our lives are on the line. I don’t want to move on until we’re entirely sure.”
“He’s already confessed, though…isn’t this enough?” Yamada lets out a long-suffering sigh. “And, I can’t see any indication of anyone else who might’ve done it.”
“No, but Kyoko has a point,” Asahina interjects. “We almost got tricked once already into thinking it was Byakuya, right? We should be careful.”
“Yes. We should err on the side of caution,” Ogami agrees. “I can’t see the harm in having Taka speak, and…I cannot trust Mondo’s confession entirely. No matter how logical it seems.”
“He can’t,” Owada cuts in, that desperate tinge on his voice again. “I keep telling you guys- can’t you just leave him alone? Please?” He hangs his head low. “I know - I’ve done bad by you guys, I’m not exactly the easiest to get along with, but please, just…he’s been through a lot. Can’t you cut him a break?”
“Erm…Can you kids make up your mind?” Monokuma is still standing, balanced precariously on the tips of its toes with one arm still straining upwards. “My stitches are ‘bout to pop, you know!!”
During this whole time, Makoto was silent. Thinking again, Byakuya recognized, as he usually does with his chin tucked under a curled finger, his foot tapping a quiet rhythm against the floor.
“Okay, then. Taka doesn’t have to talk.” He says slowly. “But in that case - Taka, can you please take off your bandage? So we can see the wound?”
“The wound-?” Owada sputters, taken aback by the sudden request. “Wha- Makoto, what are you…?”
“Something about the whole story has been bothering me. Mondo, I know that you, uh…sometimes, you react kinda strongly, I guess, to stuff that makes you mad, but you’re also really caring. I find it hard to believe that you’d twist up on Chihiro like that so fast.” Makoto drops his hand to a fist at his side, clenched tight. “If the trophy really did hit Taka as bad as you said - where he got hit by the edge of it - then the wound should also be really bad, right?” He turns back to Ishimaru. “Taka, please. You don’t need to say anything, but- please, just show us.”
“No way, he doesn’t need to-” But Owada stops suddenly, slack-jawed as he stares.
Watching as Ishimaru slowly unwinds the stained, white strips wrapped around his head with shaky hands.
“As I thought,” Kyoko says, as the last bandage falls away. “There’s nothing there to constitute that amount of blood on that bandage, is there?”
And it’s true. The pile of linen that now litter the floor around Taka’s feet is stained and spotted through with blood, but there’s no sign of an injury anywhere on his head. There’s not even a bump, or a bruise.
Makoto swallows thickly, before he continues. “Taka, you never hit your head at all, did you?” And Taka flinches, face somehow blanching paler. “You’re the one that killed Chihiro.”
“No, he didn’t, it was me-!” Mondo throws out an arm in Taka’s direction, as if trying to shield him from the accusations. “I keep telling you - I was the one who did it, I killed Chihiro-”
“No you didn’t. You were covering for him.” This was the worst. Mondo - he was violent at the worst of times, but ultimately kind, and extremely loyal - and right now, Makoto was going to kill his best friend.
“Are you stupid or something? Makoto, hey-” There’s a strange grin twitching on the corner of Mondo’s mouth, like this was some joke he could laugh off. “I’m telling you - how many times do I have to tell you? It was me.”
“It wasn’t-”
“It was!”
It goes on like this for a while. Everyone else is silent - or, it feels like they’re silent. Makoto can’t really hear them, not over the rush in his own head, or Mondo’s desperate, hysteric words, denying the accusation, insulting Makoto and everyone else, cursing, pleading, screaming. It’s the same as when Leon was condemned, when all he could do at the end of it was wail, ‘stupid, stupid, stupid!’ until Makoto pointed out the toolkit, the undeniable proof that it had to be him. Or, when it was Byakuya-
And he stumbles a bit, his rebuttal stuttering as he falters. He remembers the look on Byakuya’s face as he asked about his handbook, with the knowledge that he couldn’t bring it out himself. Not without revealing it to Monokuma. And therefore forcing him to admit it by his own words, the one thing he wanted to conceal from everyone else in the room. The betrayal, the hatred - just thinking about him made Makoto want to disappear.
But there’d been no other choice. Kyoko told him as much when they were investigating; ‘There’s a likelihood that you will have to reveal his secret during the trial,’ she had said, as they inspected the still-damp floorboards of the trophy room. ‘It may be the only way to clear his name.’
He’ll hate me for it, Makoto had protested, and she had just shrugged and turned back to inspecting the trophies, one of which had small dots of blood at the corner of its marble base.
‘Would you rather live being hated or die knowing you could have prevented it? He’ll get over it if he wants to survive.’ 
Easy for her to say, he thinks, as Mondo screams something at him, an barb so ugly it made him feel equal parts furious and sick with guilt, because Mondo would probably never say such a thing otherwise if it weren’t for this. She’s never had to do this before.
“Dammit, show me the proof! If he did do it, what’s the proof!” Mondo shouts, accompanied by a loud bang as he slams his hands against the railing. “You don’t have any goddamn proof, you little shit! So don’t just stand there and say shit you don’t know!”
“That’s enough.”
For a moment, it’s hard to place who said that. The words were spoken so quietly, after all, and so raspy it was hard to discern whose voice it was. But Byakuya cocks his head, and turns to look in Taka’s direction with a frown.
Taka is still as still as ever, but one hand rests on the bannister, and he’s leaning forward. “That’s enough, Mondo,” He says again, louder, before coughing into his elbow, clearing his throat. “Please…just stop.”
Mondo looks like he was slapped across the face, mouth agape in shock. “Wh-what are you saying?” He tries to laugh, but it sounds more like a sob than anything. “Taka - bro, it’s okay, you fell and hit your head-”
“Mondo. That’s enough,” He repeats. His eyes are hollow; Makoto finds it hard to look him in the face. “I killed Chihiro.”
Kyoko is the only one who speaks up to ask: “How?”
Taka talks slowly, haltingly, as if trying to dredge the memories up. “It - it was after Mondo left with Chihiro and Makoto. To the cafeteria. I was still cleaning, alone - when I’m alone, I think. About things, my family outside the school, if they’re alive, my secret, my grandfather - and then Chihiro came back. Alone.” He sways slightly, steadied only by his hand, white-knuckled against the wood. “And - as he was talking - I was still thinking - and -”
He pauses, taking slow, deep breaths. No one says a word. Makoto’s not sure if he’s even breathing.
“It just - it wasn’t fair. Him, confessing it - it was so easy, for him. He was so happy about it. My grandfather - if you knew, you would hate me. That’s how it’s always been, everyone who’s ever known about it, hated me. But he was so happy, and he -” He takes another deep, shuddering breath. “It was an accident. I - I just pushed him, I didn’t think I pushed him hard, but he hit the shelf. And, the trophy…”
It’s not hard to figure out what happened afterward. Makoto can practically imagine it, though he doesn’t want to; Chihiro going up to Taka, and Taka, too caught up in his own trauma, backing away, combatting his own fury and dread. And Chihiro, walking up closer to check on him, only to get shoved bodily backwards, into the trophy shelf, and then-
Mondo is shaking his head, tears falling silently down his face - muttering ‘no’ under his breath, over and over, like a mantra. Taka turns to him, a sad sort of smile tugging at his mouth.
“Thank you, Mondo. For trying,” And he sounds so genuine and so incredibly sad. “But - I can’t let my family be disgraced anymore. I can’t let anyone die for my sake.”
“No, no, no,” Mondo repeats, and despite his size, he shakes like a leaf. “No, don’t, don’t, Taka,” And his voice breaks. “Don’t- Please don’t, I won’t be able to take it, I can’t take it, Taka- not again-”
“I’m sorry.”
“Don’t apologize, don’t you dare fucking apologize-! Just-” He breaks down fully now, and turns away, one hand raised to his eyes.
“Forgive me,” Celeste interrupts, still wearing her indecipherable smile, unnatural red eyes narrowed slightly as she addresses Taka. “But I recall you were the first to suggest sharing secrets the night Monokuma revealed the motive, no?”
Taka recoils slightly at that, bowing his head. “I…I was. I thought - I could be prepared. If it’s the right thing to do, I could do it. But-” he turns away, his brows twisted into a scowl. “I…”
“Enough.” Kyoko sighs. “There’s no point in making pointless allegations. We have our explanation. There’s nothing left to say.”
And she casts Makoto a look, which Makoto interprets immediately, and he sighs.
As Makoto explains, it started when he and Chihiro were walking around the first floor, planning to find and talk to everyone Chihiro had yet to disclose his secret to.
After they had spoken to Owada, Chihiro went to talk with Ishimaru alone - Ishimaru, who was so rule-abiding and careful that no one would assume him to be of any danger - and that was how he died. Suddenly, and unexpectedly, and completely by accident.
Owada was the one who found the body, and to protect his friend, who was reeling from shock, he concocted a story as he wrapped the corpse in a cloth and mopped up the blood. To claim that he killed Chihiro, that Taka was merely injured, and therefore protect his friend from harm.
It was during this time that Fukawa was in the library, making her own confession, before Byakuya’s swift rejection sent her fleeing. As she went down the first floor, she saw the body, and with the cord that was tangled around her ankle, she strung it up outside the library door in a poor likeness of Syo’s handiwork. In some twisted display of vengeance, or a demand for attention, or something; and when it was done, overwhelmed by the blood and exhausted by her own perseverance, she took the sheet to the bathroom with her and collapsed, where Kirigiri found her moments later.
Byakuya listens to him explain it through a fog, feeling distant from it all. As if he was merely observing it from behind a broken, filthy screen, the sounds tinny and the visuals shot. He watches as Owada clings to Ishimaru, screaming for mercy at Monokuma’s feet. He watches as Ishimaru is dragged ruthlessly away anyway, behind the steel doors of the execution chamber.
He watches the execution, from behind a glass window. Ishimaru standing in a gleaming white car, the sunroof pulled down, driving through a street lined with the black-and-white shapes of more Monokumas, cheering indistinctly as confetti rains around him. The Monokuma in the seat next to him is holding a sign, lifting his arm to make him wave, poking his cheek to make him smile.
There’s a loud crack, and Ishimaru seems to stumble, a bloom of blood on the shoulder of his white uniform. But he doesn’t fall; he must be held up by some kind of mechanism or another, because a moment later he’s upright again, still being forced to wave, to smile, even as the cheering turns to jeers and he starts being pelted with what looks like rotten fruit, the dark red shapes of tomatoes smashing against his head. Another gunshot, and this time it’s his leg, a large, dark spot in his thigh. Another, in his stomach, and he seems to cough a little, blood trickling from his mouth.
There must be a microphone or something pinned to Ishimaru’s collar, because Byakuya can hear his breathing, harsh and labored, pitched with fear. The whimpering he can’t quite suppress, the jumps in his throat as he tries to swallow. And, the quiet whisper, barely audible behind the shouting, the gunshots, the noise of it all -
‘I’m sorry-
The final shot is a thunderous noise accompanied by a sudden, gaping pit between his eyes. He slumps, and the scene stills at last; the crowd stops yelling, the car freezes in its tracks. The lights go off, plunging Ishimaru’s lonely form into darkness.
And through it all, Owada never stopped screaming once.
Byakuya tears his eyes away, holding onto the railing of the stand to keep from falling as he steps down. It’s a similar scene as the aftermath of the last trial, everyone either comforting each other or wallowing in their own grief, and Monokuma giggling over them.
“Oh, oh, oh! That was good! Not even ol’ John could’ve done it better!” It sings, dancing between them. “I got a little antsy earlier when you called for the vote the first time, but you all pulled through with fly-ing colors!! Amazing performance! Especially that last confession, I was so moved!” It cackles, twirling and landing right next to Owada, who was on his knees, hands plastered against the window as if praying. “Such a lovely display of friendship at the end there, or was it really friendship? Whatever the case, the bond between men sure is something! I don’t think I’ve ever seen - whoops!”
Owada had grabbed him, and now rises with the bear dangling between his hands. His arms are trembling like Monokuma’s the heaviest thing he’s ever held.
“You,” He hisses, and his voice is wet and choked through. “If it wasn’t for you- if it wasn’t for you-!”
“Puhu, do you ree-ally want to do this, Mister Owada? Didn’t you learn your lesson on the first day of school?” Monokuma swings its feet in the air. “I’d hate to punish you after that amazing show-”
“I don’t care.” He spits. As Byakuya draws closer, he can hear the quiet splat of fat tears, striking the floor. “I don’t care, you killed him- I should tear you to pieces right now-”
And he stops, as Byakuya places a hand on his elbow. “Put it down.”
He’s sure that the face Owada is giving him is positively murderous. “Why should I,” he snarls, and his words are still thick with grief. “The fucker-”
“Even if you break this one, another one will take his place. And there’s probably countless replacements.” Byakuya sighs. What was he doing? He wasn’t sure himself. “What are you planning to accomplish? Other than a very messy suicide?”
“You bastard-” He drops Monokuma, who lands with a squeak, and grabs Byakuya instead, hoisting him by the collar. “What the fuck do you think you’re doing? What does it matter to you if I die?” His last words sound less like a threat and more like a genuine question.
Instead of immediately replying, Byakuya casts a glance over his shoulder. Only a few people were watching them, the rest too preoccupied by their own misery. “...Take a look. There’s only so many of us left.” Byakuya looks back to Mondo, and even through the haze, he can see his face is pinched into a look of anguish. ”Did you hear what his last words were? Because I did.”
The grip on his shirt slackens, and his feet meet stable ground again. He pushes Owada’s limp hands away. “I don’t care if you want to die. But take responsibility at least.” He glares at him, his kneeling form. “We can’t leave until everyone’s on the elevator, so stand up and walk.”
There’s a part of him that wants to berate Owada - to tell him that Ishimaru likely never wanted his help in the first place, that all he accomplished was unnecessary strife - but such a thing doesn’t sit right with him. That would be the actions of someone petty and sore, a pathetic loser who couldn’t let it go; and right now, all Byakuya wants to do is sleep.
He steps onto the elevator. Celeste is already there, poised as ever, as is Yamada, who is mumbling unhappily to himself. Kirigiri and Makoto join them shortly after.
Makoto balks slightly when he sees Byakuya, tripping at the threshold with a yelp. But he straightens up quickly, glances around, and slowly, hesitantly, walks to Byakuya’s side. “Um…”
“Be silent.” He snaps. Makoto recoils instantly. “Do not speak to me. The deal is null.”
“Byakuya-”
He turns away, focusing on the metal grates of the elevator walls. The wires are bent into some kind of honeycomb pattern, though it’s not like Byakuya could make out exactly what.
He half-expects Makoto to say something more, but the elevator ride up is silent and still.
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opens-up-4-nobody · 2 years
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Thoughts on baby sasunaru, like academy days where Sasuke realizes ‘shoot, I like this idiot’ after Naruto is carried into the class room laughing by disheveled ANBU who had to chase him around the town for 3 hours.
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Anon I've been thinking abt this all day
#listen. i love sasuke a lot. and i see a lot of hate for him and i cant stand it#im obsessed with how sasuke sees naruto. he looks at naruto and naruto makes the world feel less terrible#that is literally canon. but at the same time their dynamic in the academy is so weird bc like they do not talk but they gaze#longingly at eachother. its so weird. so i think to make sense of this i would say that sasuke thinks naruto is fun#he likes his sort of carefree off the walls nature which is something he feels he cant show. i also dont understand sasuke's intelligence#like were told hes smart but he also struggles with the same stuff as naruto. thus i must assign him auditory processing issues/maybe#dyslexia. bc i like to inflict dyslexia upon my faves. and i like the idea of iruka seating them together so that he can give special#attention to naruto and to sasuke with sasuke having to speak up abt it. but thats just me making stuff up. i also like the idea that#sasuke just like blank faced glares so much to cover the fact that he has no idea wtf is happening. like he's super smart but his brain is#on a delay lmao. anyway i just love the idea of sasuke wanting to be a dumb kid doing dumb kid stuff with naruto to the extent that he#forgets his anger. and being 100% on board for narutos stupid ideas#uzumaki naruto#uchiha sasuke#hatake kakashi#umino iruka#haruno sakura#is this the 1st time ive drawn sakura? maybe. i have complcated feeling abt her for obv reasons. bad writing i mean#naruto#also i say sasuke thinks naru is fun. im looking past the fact that they feel eachothers pain. more why do they vibe together personality#wise. does that make sense? maybe idk. i just love them a lot#oh god i wish i could edit my tags at the start to clarify what i mean. but god i dont wanna rewrite this
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fitzrove · 16 days
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Started watching a "problem with greek myth retellings" video and it began with a blurb montage like "Condemned by the misogynist guys of history, this is the true girlboss feminist story of [A WOMAN]" and like. brb writing one of those about crown prince rudolf. It's ok he's like a misunderstood girlboss to me<3
#NASJASKSDFKDSLFDGJDFJ#joking. since those retellings seem to be often bad#fun fact i do have ideas for like a black teen comedy series with mary as the protagonist where the ending is like a harrowing twist#like you think it won't go that far but it does and the point is that she had historical agency and her own problems and personal journey#but in the end it spiralled catastrophically due to both crown prince rudolf related events and others#unfortunately writing one would draw the ire of both misogynist rudolf conspiracy theorists (how dare you suggest women have agency) AND a#certain type of feminist media critiquer person: (1) how dare you cover a topic like that flippantly 2) how dare you make rudolf anything#but an inhuman monster of a r*pist murderer gr**mer or whatever in the story#like idk man.. other male characters portrayed as romantic interests in mainstream media are toxic r*pists all the time. like omg i hate ho#'the great' handles p*ter and catherine because i was rooting for them to remain toxic and for catherine to kill him or whatever but then#she starts falling in love with him in s2 and everyone in tumblr is like omg hot sexy toxic romance. like cant we have ONE series where#straight romance doesnt inevitably become the overbearing focus?? i had wlw ships for that show.. they never pulled through...#anyway um yeah. the way i would portray rudolf in that is that mary sees him as this romantic hero which is emphasised in the way its shot#but he's constantly acting in kinda offputting and strange ways and is occasionally pretty pathetic and weird ASHDJFJF#^^ that's never been a deterrent to anyone ever. most rudolf biographers want to [redacted] him this has been proven by the way they write.#the only ones that dont are me (well not a real biographer but a rudolf enjoyer nonetheless) and brigitte hamann /hj#(she actually doesnt salivate over his appearance like frederick morton does xD only quotes 2 contemporary women commenting on it)
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francy-sketches · 1 year
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This is the worst explanation I've ever read what 😭
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vaugarde · 4 months
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this is gonna sound so backhanded but after 3 letdowns in a row from pokemon (followed by a game which isnt terrible but i dislike because of how much it fucked up the plot of sm), then a game that i genuinely really love and want more in the style of and largely because of how it deviates from the main series, im genuinely so shocked that i love scarlet and violet as much as i do. like when i was going through that tutorial i was just cautious and waiting for the other show to drop and be bored at best, but like, graphic glitches aside, it never came. it stayed really fun and charming
#like is it acceptable that it came out so glitchy when its a $60 console release? absolutely not#i think the game has a lot of issues and i dont blame people for not being happy with it#but i think what makes this better than swsh to me is like. swsh sorta feels like it was made out of obligation sometimes#like. tpci and gamefreak treated galar like a kid would treat an art project in a medium they werent interested in#but they were being harassed for that good grade so they powered through and hated the result#and sorta just tried to hide it when they got home from school that day#not that there isn’t anything to like about galar or it has no substance whatsoever but when i played it i couldnt shake the feeling#that gamefreak was embarassed of it. like they did not want to linger too much on this game#i think the anime switching format was a good idea in the end cause just putting ash in another gauntlet after he won the alola league would#would have been weird but its veryyyy telling to me that they changed the format so drastically#that we didnt even spend all our time in galar. their home base wasnt even in galar#and in the game they emphasize that kantos got better pokemon and everyone loves them better and theres not a whole lot to do#and there was always just this feeling of insecurity and dissatisfaction with it#and for all its faults- i cant say the same thing about scvi. this game oozes with charm and care#the writing feels like someone genuinely cared about these characters and wanted the best for them and the story#the gameplay feels more involved and confident. they got more experimental with the format#idk it feels like people LIKED working on this game to a degree and wanted the player to have fun#echoed voice
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chibishortdeath · 1 month
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Some attempts at a design for Selena :3. The second image is inspired by the wedding in Haunted Castle, but I changed Simon’s outfit cause idk I just can’t picture him being comfortable in a suit.
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The last two of these are way more headcanon-y lol. They’re under a cut mostly in case my headcanons and story ideas change d(^^ ). One of them was inspired by a Kikuo song I was listening to while drawing lol, the song “Let’s Go to Heaven”.
#castlevania#castlevania games#selena belmont#castlevania selena#castlevania ii#castlevania 2#castlevania simon’s quest#simon’s quest#castlevania ii: simon's quest#haunted castle#simon belmont#akumajou dracula#akumajo dracula#art post#my art#I remember seeing someone make a post somewhere about how it was weird that#a lot of the cut items from the first Castlevania were things like high heels and a love letter and stuff#I wonder if Simon’s wife/girlfriend was supposed to be a character at one point in it and she got cut for some reason#idk it’s interesting to me that she’s only ever appeared in like deliberately noncanon content ya know?#like Haunted Castle was even called not a Castlevania game by its own lead director#the two novels with Simon girlfriends in them were never intended to be canon just fun side stuff#especially the ones that were choose your own adventure books lol I love the art style in one of those#anyway I’ve been trying to think of ways to write her lately but its so easy to end up accidentally falling into annoying tropes alas 💀💀💀#especially ones the series has already used before oof#currently my idea so far is since Simon himself is kinda the chosen one hero guy trope in CV1#and ends up subverting that trope by genuinely failing a ton getting hated by the public and possibly dying at the end#maybe Selena might work as initially the damsel in distress and call to action trope and subverts that later????#I also have always thought she ends up the Mysterious Woman somehow hmmmm#it’s a hard headcanon to incorporate without just pulling a Dracula X chronicles and oh no she’s a vampire aaaaa but that’s been done 💀#I am also aware that not everything you write has to be 100% completely new and original and perfect but aaaaaaa
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boyywithluv · 15 days
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#having a creative rut feeling#gonna rant#im basically a giant baby and i don't handle angst very well#and i constantly worry that im just. idk mentally weak or a deeply uninteresting person bc of it.#every big fantasy artist i see is usually very into making sad or angsty pieces and like i wish i was like that#like i fall into this mental hole very very often that im just holding myself back with how many subjects i dont write or draw#but also like when i DO write dark subjects it doesn't make me feel any better??#i dont like feeling sad or angry bc once i am its extremely hard to get back out of it.#and thats scary for me.#but also i want to make art that means something instead of my nonestop slew of smut and feelgood content.#i genuinely feel so trapped by my own emotions and its sp frustrating.#i keep getting told how good for you it is to get the negative feelings out but it never helps when i do it#i just feel. worse? i dont feel good.#i kinda wanna delete the one cloud post bc it just doesn't feel good.#ugh#idk i want to have good intelligent things to say and thoughtful art to make#and everything i make feels soft and cheesey and lame.#not that i find those things lame#but just that it feels like im stuck in baby brain.#when i was a teen i would write horror stories!!! i still love horror!!!#but if i make someone suffer in fic now it feels me with this awful awful overwhelming sense of dread and guilt and i end up so upset#im frustrated at me bc this is such a fucking weird sensitivity to have. im tried of telling myself its okay#bc i WANT to feel mentally free enough to create shit that isnt just uwu soft.#i don't think im making sense but like.#you know#I've literally been bullied out of fandom spaces for only making soft content#multiple times.#so idk maybe this is a learned sense of shame#but i feel like a big over sensitive baby and like I'd be able to do so much more if i wasn't#vent ish
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skitskatdacat63 · 8 months
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Boy King AU | Vettonso + Martian | 1.3k
There's something about putting the future emperor of the Holy Realm on his knees like this. About how easily he goes, how willingly, how obediently. What would his adoring public think if they could see him now. If they saw their beloved king pressed down like this, in the cramped space between Fernando's legs. When they realized their little boy king took it like he was a little concubine instead. 
Fernando's bitterness is lifted away in moments like these, like taking off a heavy cloak on a winter's day. It was hard to feel humiliated about his own situation when watching Sebastian debase himself like this. 
He always gives himself up so easily. When Fernando threaded his fingers through his thick curls. When he pulled them, and then when he pressed his face down further down into the vee of his legs.  Sebastian rubbed his cheek into the coarse fabric of Fernando's breeches and blinked up at him. Fernando had to smother an embarrassing sound; he was just like a little cat!
Sebastian quirked his lips up into an odd little smile and slightly rose up on his knees, "What's funny?" Fernando swallowed lightly and schooled his face back into being impassive, "Nothing. As you were." Sebastian simply smirked at him and let himself be pushed back down by the fist clenched in his hair. 
Fernando scoffed internally, there was only so much pleasure in putting the other man in his place when he instead acted like this, this degrading action, was his birthright. He took to ruling and indulging in carnal pleasures as if they were of equal gravity. To be privileged to hold such high station and also let himself be taken apart like this…Fernando felt embarrassed for him.
He is dragged away from his musings when Sebastian moved to settle his hands in Fernando's lap, clutching his hips over the fabric and slightly squeezing; Fernando fought against the urge to shiver. Sebastian pushed up the skirt of Fernando's waistcoat and smoothed his hands over the opening flap of his breeches.
His eyes darted up at Fernando again, a daft smile on his face. Fernando scowled at him, "What?" Seb's grin sharpened, "You could stand to be a little more gracious. This is your future emperor, and future husband might I add, kneeling for you on this dirty, depraved, derelict- ah–" Fernando tugged on his hair again and hissed, "Well then, why don't you show me how eager you are to perform your marital duties?" 
Seb licked his lips, completely unconcerned by Fernando's annoyance, and unbuttoned one side of the closure to Fernando's breeches and moved to open the other–
The door to the carriage flew open, arrival announcement dying on a wheezing breath as the servant took in the image the two kings made. One splayed across the seat, exuding power, the other kneeled, debauched, between the former's legs. 
One would be hard pressed to determine which was higher on the totem of power and titles. 
There was something gratifying about this to Fernando, about being caught. He had been humiliated enough throughout the entire courtship, what was one more thing? And, certainly, what was one more thing if he could drag Sebastian down into the dirt with him. 
"Oh Mark, don't act so abashed! It's nothing you haven't seen before, in fact, we have been in this very position not even a fortnight ago!"
Oh. Yes. That. 
It was hard to be completely pleased when he remembered how Sebastian had already spent years prior to their engagement sampling the palace's ample selection of fellow high-born men. And how all those men seemed to be completely and utterly wrapped around his little finger.
Fernando released his hand from Sebastian's hair as if it had burned him. He did not understand why he felt ashamed with Mark looking in on them like this. Fernando was the one marrying Sebastian, not Mark; Mark was just a lowly courtier who had the esteemed duty of spending practically every waking hour with the brat…something he himself was decidedly not looking forward to. 
Sebastian stayed kneeling, staring impassively up at Mark, still fiddling with the clasp on Fernando's breeches. Fernando gritted his teeth and looked up from where he was watching Sebastian's clever little hands; Mark stared back at him placidly. 
Mark's indifference made the entire situation worse. Fernando now felt as if he was not doing anything unique, not doing anything particularly new. How many other men had Mark caught Seb with in this exact position? Fernando felt like he was just another plaything of the boy king, soon to be boy emperor, except his position was forever, permanent. He was the "Kept King", the king who only kept his throne due to the whims of a boy who doesn't even understand what power is.
Mark coughed, "Well," he says, "Your Majesty, I do believe you have a meeting to attend." Seb pouted at him and whined, "We were just getting to the main course," but still braced himself on Fernando's thighs and got up off the carriage floor. 
Seb pranced down the steps Mark had placed next to the carriage, miming tripping sown the stairs, snickering when his action made Mark reflexively reach out to grab him, and then playfully skipped off the final step. 
Fernando couldn't help but stare as Mark made the weirdest grimace in response, and he inexplicably felt all his mortification seep away from him. Huh. Maybe Mark is-
Seb then turned around and frowned at him, seemingly disappointed, but his eyes are deceivingly sharp, "Fernando, I regret to inform you that I have other duties I must attend to, you will simply have to wait." He then grinned up at Mark next to him and giggled as the other man stiffened when Sebastian looped both of his arms through Mark's. 
He leaned all his weight on the other man, Mark not so much as shifting his weight, "Oh Mark, won't you carry me back to the palace? I'm so very tired after all the horse riding," Seb looked up at him imploringly.
Fernando observed as Mark rolled his eyes and shrugged off the man, though notably not pulling his arm from Seb's grasp, and he got the distinct feeling that this exact scene had been played out countless times before. 
Fernando clenched his jaw as he watched Seb turn and saunter off, Mark trotting alongside him like a loyal dog. Fernando was supposed to be the unaffected one in this partnership, the unflustered one, the unconcerned one. And yet here he stood, in broad daylight, in a foreign kingdom, on the steps of a carriage with his breeches half unbuttoned and his cravat in disarray. 
He heard a cough from beside him, jolted and looked to the side. Sebastian's loyal Horse Master stood there, lounging against the side of the carriage. Fernando had forgotten who had even been driving the carriage in the first place. After Seb has let himself be pushed down, his hair still windswept from their ride together, everything else seemed to fade away. His thoughts were reduced only to how he could mess up the younger man's hair further. 
Jenson grinned at him wolfishly, and casually crossed his legs,  "First time?" he inquired. Fernando glared at him. The other man laughed openly at him, "What? He's a busy man with big prospects. You're not his majesty's only conquest, you know. Now your throne on the other hand…"
Fernando seethed, it was one thing to be humiliated by the future emperor, but to be patronized by the king's horse boy? No. It would simply not do. He closed his eyes in annoyance, pinched the bridge of his nose, exhaled, and prepared a speech about how he was not about to be talked down to by a man who didn't even have a throne to speak of! 
But when he opened his eyes again and opened his mouth to begin his tirade, Jenson was already wandering away to tend to the horses. Dios mío, Fernando was not mentally prepared to spend the rest of his life with all of these impertinent morons. 
#i love how i kept saying to people: no no i shant write any fic for this. only art.#me like two weeks later: hey guys :)#this is just: i was sitting in class and had a drawing idea but then im obv not drawing *this* in class so my brain went into narrative mod#not exactly 'baby's first ficlet!!!' but moreso ive not written in a while so i hope its alright???#but aaahhh this was actually pretty fun!! idk i think it was bcs i was also being brainrotted by the image of seb kneeling....#maybe ill draw it. but it felt like something that needed the context of narrative and not just oo here is a drawing!#anyways you can always ask me for a directors cut-(PLEASE PLEAE BEGGING PLEASE)#see this is why im not cut out for writing fic#its not like i dont think it can speak for itself. more that im just an overly reflective person who wants to explain all my thoughts#if i wrote fic itd really be just: chapter 1. chapter 1.5 chapter 2. chapter 2.5#anyways i think its pretty obvious but this is before their wedding and just like peak bitterness.#well not peak. peak would be the first year- first few months of their marriage#but this is fernando who is only just realizing how naive all his expectations of seb were and getting a glimpse of his future#but mostly: mindgames and power play and: whos actually really winning?#also my god jense is literally the best chara in this au. he is vibing and basically just witnessing ye olde reality tv#mark and fernando are always in a weird powerplay with seb(even if seb isnt even consiously doing so) and jense is just free from it all#hmm now how does one go about tagging fic#vettonso#f1 fanfic#formula 1 fanfic#f1#formula 1#martian#sebmark#also idk why im always so concerned abt tagging when im basically just writing this for my little boy king following i have somehow formed#hahaha! it is art to me!:#catie.art.#boy king au
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milfygerard · 25 days
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living in the inbetween hell where I dont hate or love ttpd enough to agree with anyone on the dash so im just sort of flinching whenever I see a post about it from any side
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ya know what..... Kalim is one of those sunshine characters that naturally interacts and "befriends" so many characters. It's always the sunshine characters that I'm drawn to put in a giant poly-hole where basically everyone is in love with them. It just makes sense.
Kalim x Silver: He's always waking Silver up in class and tries to help is drowsy spells. They're also just one of the few genuinely sweet guys on campus so it's pure fluff. A bonus advantage is that since Silver is a Trained Knight (or on the road to be) he can protect Kalim from assassination attempts.
Kalim x Ruggie: Eat The Rich w/ a twist. My precious hyena boy DESERVES to get married to a sincere Sugar Daddy (or as my gf and I like to say, Sugar Bestie™). He's worked hard enough and Kalim is one of the few upper class individuals that would NEVER use his money or status to control, manipulate or abuse another. He just wants to help out and the endless positivity would not only bring Rugs outta his comfort zone but would also impact those in his hometown A LOT.
Riddle x Kalim: Not a favorite, but I get it. Two kids from wealthy families (one more wealthy than the other) who were kinda isolated from the "regular" world and gotta figure shit out for themselves away from their former caretakers. Obvi, very different contexts and personality but that's what helps them depend on one another. Even when they can't relate, they can Listen and Grow together.
Floyd x Kalim: ARE YOU KIDDING THEY'RE ADHD BUDDIES?!?!? Not only can they relate with similar neurological issues, but their common interests can be a safe zone for them to bond. On top of that, even with their reckless personalities and their overall lack of forethought, Floyd is STRONG and could protect Kalim from any pushback or consequences. They're also both raised by Extreme Capitalist (even thou we don't exactly know what the Tweels parents DO) so the business sense and exposure to the darker side of things probably wouldn't be too much of an adjustment for either side.
Obvi Jamil x Kalim: I know not everyone likes this ship (and considering the dynamic and difference in power/status I TOTALLY get it). Even if the relationship is seen through platonic soulmates, brother-like, or just a 'we-were-stuck-together-for-years-and-now-we-don't-know-how-to-live-apart' sitcom kinda vibe they'll ALWAYS be linked together. Besides, an angsty, complicated childhood friends to lovers story with repressed mutual pinning is a guilty pleasure of mine lol!
Whoever he gets paired with, regardless of if it's a ship that has an anchor in canon interactions or PURELY fueled by fanon crack, there's a billion tropes to work with before even having to dip into AU or Crossover. Kalim is a COMPLEX CHARACTER with so many random lore drops and info that has so much potential. Even when people are writing or creating fan-produces with a more 2d version of his character, he's still lovable!! He's one of the few reoccurring characters in a cast full of obnoxious, weird, arrogant, awful, annoying, egotistical, pigheaded teenage boys with the power of NUKES.... And isn't completely terrible.
Lemme reiterate, that I LOVE so many characters in Twisted Wonderland but boy do these kids get on my nerves. They're all little assholes in some way or another, but there's a range between "okay, pretty standard high schooler" to "IDC IF YOURE TRAUMATIZED NO AMOUNT OF BACKSTORY CAN EXCUSE YOUR ATTITUDE AND BEHAVIOR!!!!! YOU'RE A FUCKING INTERNATIONAL CRIMINAL WTF" and Kalim is a lot chiller. He's irrational sometimes and often does things without thinking it through.... But he's also a kid who's allowed to make mistakes and grow now that he's away from the bubble he grew up in. He can interact with people of all walks of life and get that perspective.
And depending on who he's paired with, romantic or otherwise, it's fascinating and heart wrenching and awe inspiring to watch him grow through the lens and experiences of the other person(s).
.........thank you for coming to my Ted talk 😌
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lord-squiggletits · 2 months
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This might be bc of my personal reading of exRDI/OP bc I'm pretty sure the authorial intent was to just write Optimus as having some fall from grace/borderline tyrannical edge but like
I really kinda wish the story had been written as more of a political intrigue, almost GOT-esque thing (sorry for the cliche) where like, instead of Optimus being written as the narrative's scapegoat to be condemned both by the characters in universe and the meta narrative, he was just written as...morally gray? With more of a focus on "this is a shitty situation where no decision is good" rather than having Optimus just be some sort of white guilt stand-in of how oh, he's a Prime so that means the most important part of his legacy is how Cybertronians are awful and he's no better than the other ones etc.
Like Barber doesn't write Optimus as EVIL or in a way where he's unilaterally condemned as a person who did more harm than good, it's just imo the vibes of the story is more of a dark political/war story where no person is clean and there's no solution to the war that doesn't involve moral compromise. Instead Optimus is forced to make these moral compromises but then everyone else in the story loses their absolute shit and immediately starts calling him a tyrant or a fascist or something.
Like idk, it was partially an issue of the set-up. Because for one, it was really hard to take it seriously when the humans went "omg he's annexing Earth the Autobots were literally the colonizers all along!" (I think the dialogue was written almost exactly like that too sjdjsidn, so bad dialogue was also another issue) yet were perfectly fine working with the Decepticons led by 1. Soundwave who personally helped execute the attempted invasion of Earth and 2. Galvatron who constantly talks about wanting to kill these puny organics. I feel like I would've been able to take humanity's fears of being colonized again more seriously if like, they hadn't literally teamed up with The Colonizer Faction just bc Soundwave promised they were good guys again. So really it's just execution + plot holes + bad dialogue.
And another thing about the annexing of Earth specifically that I wish got talked about more (mostly by the fandom more than in universe) is that like. Basically the reason Optimus did that was because the neo-Decepticons were planning to invade Earth again, but since he's not actually a formal political leader any more he has no power to actually force a war to stop them/request military back up. But also, Starscream didn't give a shit about Earth and neither did the Council of Worlds, so appealing to the government for help defending humanity wouldn't work either. So Optimus annexing Earth was an absolute clusterfuck yes, but in a way it was also kind of a shrewd political move to force Cybertron to dedicate a spot in the government for humans and thus grant humans a say on Cybertronian politics.
What I mean is that in a story/with an author like that of GOT, where the setting is grimmer and every character is morally ambiguous, I feel like Optimus would've had way more room to be an interesting and compelling character. Bc then instead of the story immediately screaming "ALL HAIL OPTIMUS DID YOU KNOW OP ANNEXING EARTH TO THE COUNCIL IS BASICALLY THE SAME AS MEGATRON ATTEMPTING TO GENOCIDE EARTH," Optimus could have been played around with more as a political figure making the shitty decisions in an effort to stop another genocide. Instead of just unilaterally condemning Optimus and immediately comparing him to fucking Megatron of all people, there could've been more focus on the politics of it with maybe some sort of theme of how "being a leader in war is an inherently unethical position where every decision you make will lead to death/conflict/hate."
Like idk I just think it would've been more interesting if the narrative spent less time going "zomg Optimus is totally a tyrant now" and instead went all in on exploring the political conflicts and how far politicians (Optimus now being one, since he's declaring wars and forcefully acting as an ambassador that no one asked for) can go on manipulation and forcing people's hands for the sake of an ultimately good cause. I mean, Windblade was doing shit like covering up for Chromia who killed people in a bombing, making backdoor deals with Starscream, and conspiring with Optimus to bypass Starscream/overthrow him as Cybertron's ruler somehow. The difference of course is that Windblade and exRID were written by two different authors with genre/thematic differences, but as a reader it is really disappointing to see two different political narratives where "a hero turned politician turning to morally gray/unethical methods to outmaneuver a deadly opponent" is treated as clever and heroic for one character, but tyrannical and worthy of ostracization of another character.
Like for God's sake this narrative where Optimus gets lambasted at every turn sometimes by people who work with/are literal tyrants/terrorists themselves is so fucking exhausting. I'd rather read a story that focused more on the idea of, well what Optimus did was unethical but on a political level it was actually advantageous in several ways. Then you could write a story that really dives into a view of like, idk... Does power inherently corrupt or is it just situations like war that allow leaders to seize power and become tyrannical? Are politics an inherently dirty field where the only way to beat your competition (and secure a decent future for the nation) is to become underhanded and manipulative yourself? Is it okay to bypass or work against rightfully elected officials when those officials are turning a blind eye to things like war and invasions and historic racism?
ExRID did somewhat touch on these themes to be fair, but I feel like in Optimus' case they were either poorly executed or just thrown away in favor of having every other character talk shit about him and how he's the worst person ever. Bc like goddammit, I do think Optimus' polarizing and sometimes bad decisions as a character DO make him skirt on the edge of tyranny and shouldn't be downplayed, but on the other hand, I feel like no one (fandom or in-universe) ever tangles with the OTHER side of the story, which is just... Would it have been unethical for Optimus to NOT have done anything? Cybertronians literally put a colony on Earth, injected Earth with alien technology and sleeper agents, used Earth as an incubating ground for dangerous elements like Ore-13, invaded Earth and killed 1 billion people-- after all the shit Cybertron did to Earth, is it not fair (even morally obligated) for Cybertronians to clean up their shit and help Earth defend itself against a crisis that Cybertronians caused? And if Cybertron's government/the individuals within are racist enough that they don't care about Earth, don't see it as their problem, and don't even see human life as meaningful since they don't live that wrong anyways... is it not, in a way, a good thing for Optimus to have overstepped his authority and forced diplomatic relationships between the two planets? So that humans had an actual political channel to go "fuck you, we're in your Council so you'd better ally with us" and so that Cybertron would be forced to go "welp can't write off these humans as Not Our Problem, guess we have to help them." Doesn't forcing Earth to be part of the Council in a way legitimize Optimus' fight to help Earth, since without a formal political office he's just a rogue general fighting an unauthorized war, but with the government involved, defending Earth now becomes a politically sanctioned act?
Like idk. I guess exRID and OP did get into some of this stuff, but as a whole it felt like the story underutilized its political elements and got bogged down in shit like pointless crossovers, and constantly pausing the narrative to have Side Character #2847 talk about how Optimus is a fascist, and having Optimus go on white guilt-esque monologues about how maybe all Cybertronians should die and are unworthy/unable to ever have a peaceful society because their society colonized other planets.
Just so much wasted potential honestly. ExRID/OP as written felt like it was going way too hard into "omg Cybertronians bad and Optimus is actually a tyrant" instead of just writing a complex story and letting readers come to their own conclusions. And also lambasting Optimus for doing things that other characters did (or characters who did even worse things), but letting those characters exist in peace while Optimus has to just be some allegory for colonialism that has to be torn down at every turn because that's Deep and Intellectual.
I just like the kinds of stories about politics that play around with the ethics of it all, like, "this politician is a shitty person but their policies actually prevented some sort of disaster from happening" or "this person did something illegal and defied the law but they did it because no one else was doing anything" or even "everyone hates this person for forcing them into a political deal they didn't want to be involved in, but the fact that they were all forced to become allies actually allowed them to cooperate and save themselves in a way they wouldn't have been able to alone" (which is pretty much literally how the annexing of Earth ended up going).
Like man I don't want to sit here being lectured/having my favorite character be lectured about how much tyranny is bad. I want my favorite character to do shitty things and then go "whoa that was shitty...but also kind of smart...but also caused a lot of problems...but also solved some other problems that could've turned awful if he hadn't forcefully resolved them."
#squiggposting#idw op love#it's less like i want OP to be framed as sympathetic or good and more like....#'yeah what he did was fucked up but it was also in many ways a good option'#like i wish we'd gotten a more politically interesting story where the goods and bads were explored#instead of it being almost unilaterally the characters all gasping and screaming any time OP#does something morally gray. even tho the entire universe is morally gray and he'#isnt even close to the worst person or political leader in it#like idk what it really comes down to is that a lot of the story felt more like#it was trying to make OP some embodiment of colonialism and how everything bad is on his shoulders#regardless of his personal actions just bc he'#s prime. it feels like it was some weird white guilt allegory pasted onto robots#instead of just writing a cool story about politics and moral grayness and how far one can go#before morally gray means turn into morally gray ends#i feel like under a different writer the story couldve been way more interesting#and it couldve even kept OP's whole tyranny arc thing but just been more well written#treating him as a character who MAY HAVE HAD POINTS ABOUT SOME THINGS#AND MIGHTVE BEEN THE ONLY PERSON WHO GAVE A DAMN ABOUT HUMANITY#AND CLEANING UP THE MISTAKES CYBERTRON CREATED THAT HARMED HUMANS TO THIS DAY#but nah instead of just letting OP's moral grayness stand on its own for reader to judge#he had to literally write in characters going 'zomg the Bots were the colonizers all along'#'[OP's leadership] is LITERALLY FASCISM' (actual dialogue btw)#ppl going surprisepika when OP decides to just kill the genocidal asshole from the golden age#like goddamn could you let OP breathe and be allowed to be morally gray#w/o having the whole story exist to make him some white guilt colonialism allegory that all the other characters scream at
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scamera-writes · 1 month
Text
Her. An Essay.
The spring air lies heavy in your lungs as you breathe in deeply, the bright smells assault your nose and waves of nostalgia roll off the hills. You know this is her favorite season so you’ve dressed prepared for the chill in the air.
It's a long walk to the meadow with a shovel in hand and wheelbarrow pushed in front of you, but you do it. When you get there, a girl smiles up at you from where she is playing in the grass.
You know her age, but do not say it. You know her name, but do not say it. You know her, but do not say it.
She says hello in that sweet mellow tone that sounds so foreign yet so similar and tastes like syrup on your tongue. Her eyes are wide and shining, but blissfully not tear stained- like your own- and her cheeks are round with a warm flush as her smile softens.
You do not meet her eyes, those same beautifully colored eyes that match yours, searching for a hint as to what you’re doing here. You gaze across the meadow instead but still catch a glimpse of her blue denim overalls and green shirt.
They match your own in a way.
You finally say hi back and take the shovel to the dirt under a beautifully perfect sycamore tree that arches into the sky; it rises before the two of you, right in the middle of the meadow. The dirt stains your clothes as you drop to your knees, using your hands more than the shovel to dig at the layered earth.
You hear soft footsteps behind you but don’t look up from your work. To your side you see the girl walk up to you again and she places a small flower behind your ear before grinning and moving to lay in the sun near you.
You pluck the flower out from behind your ear to examine it. A white petunia. A wistful familiarity to the flower washes over you and you tuck it back behind your ear before moving back to the freshly unearthed dirt.
You can feel her watching as you dig this pit, you hate the feeling of dirt under your fingernails. The mud cakes on your hands and crackles with every movement; it makes your skin crawl but you don’t give up now. After a small hole is dug, you grab the large stone and tools brought in the wheelbarrow and begin to carve. She sits next to you now, her smaller hands grip a rock in her own palms and she plays with it gently.
You carve a name you didn’t think you’d ever write again into the rock and place it at the top of the pit. She recognizes the name, tips her head smiling gently, and in an understanding manner she stands up.
And walks away. Around the back of the sycamore tree she disappears and then reappears.
She plucks a sycamore leaf off the ground when she´s visible again and looks up as you smile at her. She drops the leaf into the hole you've dug, then helps you repack the layers of sediment that you both know you’ll unearth again, in the future, to be intertwined together in the end.
But not now. Now, the earth is resealed and she smiles sweetly, laying a makeshift bouquet of petunias and poppies with a gentle hand.
You get up and hold a hand out for her, she doesn't look away from the earth you've both just moved and instead runs her hands over the top of the rocks again before sighing with a big smile. She gets up and grabs your hand, it's so much smaller and softer than yours yet you can still feel the dirt on both of your hands.
She grips your hand a little tighter, following your lead as you walk towards home, flower still tucked behind your ear you notice a matching flower behind her own. And you smile.
When you get closer to the house, her eyes are wide with soft recognition, a place so familiar to the both of you yet it feels cold and empty at the same time. You invite her inside again, it's been so long for you both, still the house is like an old friend, in a way. You hold open the door and she steps through.
She walks over to the dinner table and sits down at the far side, gesturing for you to sit on the other but you shake your head politely.
You aren't ready yet.
You ask if she’d like a drink, and she nods. You already know what she would like so you don’t have to wait for her to tell you. Passing over the tall glass with ice clinking in it feels like a ritual. You don't want to let go. You do. You sit down across from her.
You know what's coming next and it's hard. You know you have to accept it. Losing her again won't be easy but you know it's not permanent this time.
She takes small sips of her drink, smiling over to you but neither of you attempt to make small talk anymore, you both know how the interaction will end.
And it's not bittersweet. Neither of you are upset. She is content in a way you don’t think you quite understand yet. But you think you feel complete, whole and peaceful for possibly the first time in your life.
It's enjoyable to watch her glowing eyes look at you with respect and admiration, to be able to grow into what you did makes her heart beat with something adjacent to love.
And as you leave the house, knowing you will be reunited in the end, to be buried in love & hate, happiness & anger, and warmth & heartache. You know it's love. It's always been love.
For her.
-Her. An Essay. (By me)
Happy trans visibility day. This is an ode to the girl I was. We will be buried together in the end. I love you, take care.
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