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#i send my apologies
crimeronan · 10 months
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i've seen a couple people in the notes of this very good post about fictional polyamory by @thebibliosphere say things along the lines of "oh, i've been doing it wrong :(" or "how do i know if i did this right??" or "i should probably give up and start over, i wrote this badly :(" and. no!!!!
(i AM seeing far MORE people say "oh, this clarified and helped me so much, i think i know how to fix issues i've been having with my own story" which. YES!!!!)
listen. if you're a monogamous person who's writing a polyamorous relationship, and you've been focusing mainly on The Triad and All Three Together All The Time as the endgame, that's literally fine. that's a perfectly acceptable and strong starting point for your plotting, imo. you do not need to give up on a story that you've started like this.
but the things discussed in the post Can and Should improve your execution!
you can keep the same plot beats and overall relationship arc 100%. polyamorous relationships are infinite in their formations, every one is unique. "basically a monogamous romance but with three people" Does exist, as a relationship type. you're not hashtag Misrepresenting (TM) poly people with it
BUT i do think it will help to read up on some poly people talking about how their relationships Differ from monogamous ones.
so i have outlined some basic important concepts about polyamory.
MORE IMPORTANTLY though, i've broken down some questions that you can answer throughout the writing process to strengthen your individual dyad relationships, your individual characterization, & your characters' individual feelings/experiences. this is a writing resource have fun
future kitkat butting in to say i spent over two hours writing this and it definitely needs a readmore. it is also NOT comprehensive. but everything should be pretty simple to follow! feel free to reblog if you find it helpful yourself or just want to reward me for how gotdan long this took KSLDKFJKDL.
i've grabbed quick links for a couple of the important concepts, some have SEO pitches in them but the info largely seems to be good. (if i missed anything Egregiously Gross on these sites i should be able to update the links with better ones later, since they're under the readmore.)
sidenote: this is NOT meant to be overwhelming, despite the length. if you can't read all of this, that's Okay. you do not need to give up on your writing.
here we go:
compersion!
compersion is a BIG thing in a lot of polyamorous relationships. it's joy derived from seeing two (or more) of your partners happy together, or joy derived from seeing your partner happy with someone else.
compersion is really important as a concept because it highlights that every individual relationship within a polycule is different -- and that that's a GOOD thing. it's sort of the inverse of jealousy.
by the "inverse of jealousy," i mean that instead of feeling left out and upset and possessive, you feel happy/joyous/content.
i can use personal experience as an example: it's a Relief for me when my partners receive joy/support/sex/romance/etc that i can't (or prefer not to) give them. and i love seeing my partners make each other laugh and be silly together.
it's 100% okay for a poly triad not to be together 100% of the time, it doesn't mean that the third member is being left out or not treated equally when two people do things alone together.
(i have individual dates with my partners all the time! PLUS larger 3-and-4-person date nights.)
if the third member DOES feel jealous or left out, then the polycule can have a conversation to figure out what needs/wants aren't being met, and solve that. this happens semi-regularly in my polycule, as it will happen in any relationship (including monogamous ones)! it's just part of being an adult, sometimes you have to talk about feelings.
metamours!
a metamour is someone who is dating your partner, but ISN'T dating you. this may not be relevant for people writing closed three-person romantic sexual triads, but it's a super helpful term to know.
the linked article also lists different types of metamour relationships with some fun phrasing i hadn't heard before. the tl;dr is: sometimes you'll be domestic cohabitation friends, sometimes you'll be buddies with your own friendship, sometimes you might not interact much outside of parties, every relationship is different.
there's no one-size-fits-all requirement for metamour relationships. sometimes polyamorous people will end up dating their metamour after a while (has happened to me), sometimes polyamorous people will break up with one partner for normal life reasons, but remain friendly metamours.
the goal of polyamory is NOT for EVERYONE to fall in love. it is 100% okay if this happens in your story, it happens in real life too! but it is also 100% okay for characters to be metamours without ever becoming "more than friends."
(sidenote: try to kill any internalized "more than" that you have when it comes to friendship. friends are just as important and special and vital as partners.)
of course there are a million ways for messiness to occur with metamours within a complex polycule, exactly like with close-knit platonic friend groups. however this post is not about that! there's enough "here's how polyamory can go wrong" stuff out there already, so i'm focusing on the positives here :)
open versus closed polyamorous relationships!
i'm struggling to find an online article that reflects my experience without directly contradicting at least SOME stuff. so i'll give a quick rundown
google has a bunch of conflicting definitions of open relationships and whether open relationships are different from polyamory. the general consensus seems to be that an open relationship prioritizes one partnership (often a marriage), but that each partner can have extraneous flings or long-term commitments (most often sexual in nature).
this is not typically how i use the term wrt polyamory. the poly concept is pretty simple. a closed polyamorous relationship is one with boundaries like a monogamous one. there are multiple partners in the polycule, but they are not interested in having anybody new join said polycule.
an open polyamorous relationship tends to be more flexible -- it just means that IF someone in the polycule develops mutual feelings for a new person, it's fine for them to become part of said polycule if they want to! the relationship/person is open to newcomers.
some groups will need to negotiate this all together, others will just go "haha, you kids have fun." just depends on the individuals!
with open AND closed polyamorous relationships, the most important thing is making sure that there's respectful communication and that everyone is on the same page. but there's no one-size-fits-all way to do that.
i wish i could give you guys a prescriptive "You Must Do It This Way" guide, but that's.... basically the opposite of what polyamory is about, HAHA.
feelings for multiple people!
i was gonna tack this on to the previous section but decided it warranted its own lil bit.
a defining feature (....i'm told?) of monogamous relationships is that a monogamous person only has feelings for One individual at a time. they only want a relationship with one individual at a time. or, if they DO have feelings for multiple people simultaneously, they're still only comfortable dating one person at a time & being exclusive with that one person.
this is perfectly fine!
the poly experience is generally different from this. but once again..... polyamorous people all have different individual perspectives on this.
for me, i have never been able to draw hard boxes around romantic vs sexual vs platonic relationships, & i love many people at once. my personal polycule lacks many strict definitions beyond "these are my chosen people, i want to forge a life with them indefinitely, whatever shape that life takes"
some poly people feel explicit romantic or sexual attraction to multiple people at once, some poly people feel almost no romantic or sexual attraction at all. i'd say that MOST poly people feel different things for different partners, which is not a bad thing!
some poly people are even monogamous-leaning -- they have just chosen one romantic partner who is themselves part of a larger polycule. (so this monogamous-leaning person has at least one metamour!)
or alternatively, they might have one romantic partner AND a qpr, or other ways of defining relationships. (this is a factor in my own polycule!)
i made this its own point because if you're writing a straightforward triad, this is unlikely to come up in the story itself -- but it's worth thinking about how your characters develop/handle feelings outside of their partnerships.
like, is this sort of a soulmateship, 'these are the only ones for me' type deal? in which they won't fall in love with anyone else, and can be fairly certain of that?
that's pretty close to typical monogamous standards but you Can make it work. just be thoughtful with it
alternatively, can you see any of these characters falling in love Again after the happily-ever-after? and how would the triad approach it, if so? what would they all need to talk about beforehand, and what feelings would everybody have about the situation?
it's worth considering these questions even if the hypothetical will never feature in your actual canon, because knowing the answers to these questions will help you understand all of the individuals & their relationship(s) MUCH better.
i've been typing this for nearly two hours and there's a lot more i COULD say because... there's just a lot to say. i'll close out with some quick questions that you can ask yourself when developing the dyad dynamics within your triad
first, take a page and create a separate section for each individual dyad. then answer these questions for every pair:
how does each pair act when alone?
how do they act differently alone compared to when they're with their third partner?
are there any elements of this dyad (romantic, sexual, financial, domestic, etc) that these two people DON'T have with the third partner?
if so, what are they?
are there any boundaries or hard limits within this dyad that aren't shared with the third partner?
if so, what are they?
partner 3 goes out of town alone for a few weeks. what are the remaining two doing in their absence?
(doesn't have to be anything special, it's just to get a sense of how the two interact on a day-by-day basis without the third there)
what is something that each partner in the dyad admires about the other -- that they DON'T necessarily see in the third partner?
what problem do These Two Specifically need to solve in the story before their relationship will work?
how is that problem DIFFERENT from the problems being solved within the other two dyads?
doing this for ALL THREE dyads is VITAL imo. that way, you develop complex and nuanced and different relationships that all have unique dynamics.
those questions should be enough to get you started, i hope
then After you've charted the differences in relationships, you can start to jot down similarities in the overarching triad. what does one person admire in Both of their partners? what are activities that all three like to do together? what are boundaries or discussions that all three share?
but the main goal is to figure out how to Differentiate each relationship!
a polycule is only as strong as the individual relationships within it. if two people are struggling with their own relationship, adding a third person won't fix that.
(UNLESS the third person is the catalyst for those two to, like, Actually Communicate And Work Their Shit Out. i just mean that the old adage of "maybe if we just add a third-" works about as well to fix a miserable non-communicative marriage as, uh, "maybe if we have a baby-")
AND FINALLY.
if you're not sure whether your poly romance reads organically to poly people, you can hire a sensitivity reader with poly experience. if you can't afford that, you can read up on polyamorous resources like a glossary of terms & articles actually written by poly people. (and stories written by poly people!)
you can also just.... ask poly people questions, if they're open to it. i like talking about polyamory and my own relationships so you're welcome to send asks if u want, i just can't guarantee i'll answer bc my energy levels fluctuate a lot and i don't always have time.
polyamorous people are in an uphill battle for positive representation right now & so the LAST thing i want to see is authors giving up on their stories bc they're worried about getting things Wrong. well-meaning and positive stories that treat this kind of love as normal, healthy, & aspirational are So So So Needed. even if you guys end up with some funky-feeling details.
seriously, if you're monogamous then you probably don't have a full idea of Just How Nasty a lot of people can get about polyamory. i wish it DIDN'T mean so much for you guys to want to write nice stories about us, but it does mean a lot. and it means a lot that you want to do it WELL.
in conclusion. this is not a prescriptive guide, it's just a way to raise questions. and also, you all are doing FINE.
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unclewaynemunson · 9 months
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I definitely think it takes Eddie a while to accept that Steve changed. He remembers what he was like in high school.
When Steve asks him out, for whatever reason, Eddie says yes. But he’s determined not to fall in love, because deep down Harrington’s still a dick. But he’s cute, and Eddie can smile and play pretend.
But then! Steve goes full happy relationship mode, he tells Robin (obv), introduces Eddie to the other adults as his bf, and is just generally being sweet.
MY SWEET ANON I HOPE YOU'LL STILL SEE THIS!!!
I'm so sorry it took me ages to answer this one! But I really loved the idea of this (the good ol' steddie + misunderstanding about what they mean to each other with a dash of terrible communication skills my beloved) so i wanted to give it my proper attention, which i didn't have enough time for over the past few months. Buuut the words have finally found their way to my keyboard so here is the first part of what probably will turn into a 3-part ficlet, I hope it's something like what you had in mind when you sent this ask to me <3
---
Eddie has been acting weird all day. Maybe Steve is too much of a romantic, but he can't help it: he wanted to celebrate this day. Exactly a month ago, he asked Eddie out. And it's been good. They've spent a lot of time together. They've been on lots of dates, spent plenty of nights together... But today, things are different, somehow. Eddie is different. He turned Steve down for a dinner date, he didn't stop by Family Video during lunchtime, and when Steve shows up at the trailer to surprise him with flowers, he merely frowns and pulls back from their kiss before it can even properly get started.
'Everything alright?' Steve asks, trying to catch his boyfriend's gaze – which isn't exactly easy with how Eddie is turning away from him to not-so-gently put the flowers down in a corner of the trailer's living room.
'Yeah, sure,' Eddie mumbles, not really looking at him. 'It's just – I didn't really expect to see you today. We didn't have plans.'
Steve chuckles, trying to get the tension out of his chest. 'Didn't know I was expected to schedule an appointment before coming here.' He tries to play it off as a joke, but the tone of his voice doesn't really want to cooperate.
Eddie finally turns back towards him and Steve catches the end of an eye-roll.
'I'm just not feeling too great today, alright?' It sounds a bit stiff and Steve pauses. He wonders if he did something wrong, if he somehow invaded Eddie's space – even though he has showed up at the trailer on countless evenings in the past month.
'What's wrong?'
'Nothing,' Eddie answers, a little bit too fast. 'I told you, I'm not feeling so well.'
And now that he can see his face properly, Steve notices that Eddie is indeed looking paler than usual.
'Hey, don't worry about it,' he says. 'I can stay to take care of you, if you want to. We don't have to do anything. You can go to bed early and I'll keep you company. I can make you some soup, read to you... You could've just told me you're not feeling good, you know. I would've picked up some fruit on my way over here and stopped by the library for you.'
'You don't have to do any of that, Steve.'
Steve tries to ignore the fact that it's been ages since Eddie has last called him by his official first name. He doesn't like the sound of it.
'But I want to,' he says instead. He takes a step towards Eddie, lifts his arms to wrap them around him – but Eddie swats his arms away before he can properly embrace him.
'Don't.' He sounds cold and detached, so different from how he usually sounds. 'Don't act like this is something it isn't.'
'Like this is something –' Steve echoes, completely caught off-guard by this turn of events. 'Like what?'
'Jesus Christ, you really don't know when to stop, do you?'
'What?' He takes a stumbling step backwards, driven away by the force in Eddie's words.
'We're not – like that,' Eddie stutters out. 'We're just fucking around, aren't we? So you don't need to pretend. You don't need to bring me flowers. You don't need to take care of me when I'm sick. You don't owe me anything, alright? You can go home.'
Steve takes another step backwards, until his back collides with the door of the trailer. He blindly grabs the door handle behind him.
'Alright,' he says, trying desperately not to let his voice tremble audibly. 'I hear you, loud and clear. I'll – I'll leave you alone, then.'
Read pt2 here (Edit: it's actually 5 parts now. You can read the whole thing on ao3 here)
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10thmusemoon · 5 months
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Zhangmen-Sidxiong and Sid Jiu should not exist, yet I love them deeply. May MXTX strike me down for my sinful hand.
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little-pup-pip · 3 months
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hai ! im requesting gender neutral bee board ! with deco paci and 6-9 age !
( hope it okay to send 2 requests !)
- @wittllle-bee
Here you go!!
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choccy-sippy · 9 months
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Have a crumb from my brain before I disappear for the next few weeks to do con prep
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imo Luis in man bun is superior that's all folks ( Also sorry about the tiny & shitty hand writting)
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ash-and-starlight · 27 days
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relapsed
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feelo-fick · 5 months
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WELCOME TO PHIO'S EXTREMELY SELF INDULGENT AU HOUR!!!
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"Oh, FINALLY, another visitor! It's so quiet in here, it's unnerving..."
This AU was meant to be posted on halloween but eh.... Happy Thanksgiving? HAHAHHA
still dont have a name for it, but basically, back in october i was suddenly hit with the need to have a halloween au, so now we have ghost-ified prismo and vampire/witch-ified scarab :D ( although didnt finish the scarab reference spread in time because uh, school and i lost motivation unfortunately )
au synopsis and rambling below the cut!!
the premise of this au is simple : scarab is a real estate agent whos known for his manners ( never barges in, always waits to be invited! though it is a little weird how he keeps asking to be let inside even if they already agreed that he was going to come over... ) and efficiency at his job - that is, convincing people to buy high-end housing for a good price. although his social skills need some... work, his ability to persuade people isnt something to be laughed at.
unfortunately for him, persuading the higher-ups is a completely different story - which he learned the hard way after flunking something big for the company. they dont choose to fire him, no. instead, they put him through a trial, assigning him to sell their most unprofitable property : the mansion in a small town locally known for being haunted by an "evil spirit". if scarab manages to sell it (for good profit) within six months, he is excused and is able to go on with his job. if not... well, best not to think about it, yes? after all, he'll succeed with ease - all he has to do is dispel any worries about some fake "ghost" that only exists as a result of filthy rumors. maybe clean up the place. not too hard, right?
meanwhile, stuck inside said mansion is an extremely bored prismo. hes been hangin around this place for like... how many years now? forty? a hundred? meh, all the same, lately the place has been quieter than usual. i mean- of course people dont just walk into a creepy mansion every day, but there would usually be at least a few bold kids or vloggers coming in now and then for him to entertain but even then they wouldn't stay long ( for obvious reasons ). and now, just some unbound spirits or dumb animals would pass by and thats about it. a guy can only entertain himself for so long, yknow?
that is, until today. when some posh-looking business man entered the premises and started snooping around ( whats the deal with that, by the way?? ). must be prismo's lucky day!! this is the perfect chance to pull out all the stops and play the FUNNIEST prank ever! hah!
... oh. looks like things've gotten a little out of hand.
WOOT WOOT WOOTTTTTTTTTTT!!! im so so happy to finish this because ohhhhh my god this has taken ages for no reason other than the fact that ive been really dragging myself to make presentable art JSNDJSJXNSJX.... i realize that i have never worked in real estate ( or at all ) which means i have probably fucked something up but uhh um ill deal with the backlash later :"D im also realizing how many odd unanswered bits and bobs this au is going to have in the future, which... i am ignoring for the most part for now, but there are SOME things that i DO have figured out like ghost lore... but thats for another time, for now i leave you with this >:)
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transmasccofee · 7 months
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dude if someone fucked with Kusuo and actually managed to hurt him I just know Kuusuke would eradicate them in an instant. Have you seen the way he talks about Kusuo and humanity. He would not be stoppable.
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moodyseal · 7 months
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MEG IS ONE OF APOLLO'S KIDS AND IT'S NOT UP FOR DEBATE 😤☀️🌺🤰🏹👬👨‍❤‍💋‍👨
PERIOD she's his honorary kid/younger sister and that's a fact
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Tfw your father makes you mortal and forces you to serve a menace of a girl thinking it'd be the worst punishment ever but instead you come out of the experience with a renewed sense of self and another child
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jademint2581 · 3 months
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formosusiniquis · 8 months
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I've decided the perfect Stobin au is a psych au/fusion. I don't know if I'll ever clear my plate enough to write it so let me share some world building highlights I dreamt of last night:
Steve, with his people reading skills and his ADHD brain that holds on to strange bits of information forever, accidentally convinces the Hawkins police force that he's psychic.
Robin plays his (thematic) straight man. Trading off antics and helping to fill in the gaps in Steve's knowledge base/memory
This only even happens because the temp agency placed Robin at a separate job from Steve, tragic, and he had too much time on his hands to get a crush on the local dinner guy
The local dinner guy who gets framed for a crime he didn't commit, and when Steve goes in just to provide a character witness he gets accused of being an accomplice. Somehow between this point and being released Steve convinces them he's psychic -- it's important to note even Steve is unclear on how this happens
When Robin finds out Steve has already decided they can solve this. And self employment is pretty much the only way to make sure they can work together forever and no one can separate them
Through the power of gossip, audacity, and actually doing some investigative work. Stobin do of course solve the crime
More general lore thoughts: this is an aged up au so that Steve wouldn't have to have a strained tough love relationship with his dad ala actual psych sure you could use Hopper in place of Henry but I think it's more fun to shove a newly graduated Dustin into just some kind of generic science lab. Who needs a dad for advice when you have six kids?
Every eligible lady in Hawkins is obsessed with Robin and her private eye drip, can an au that doesn't exist have a running gag?
Most crucially, regardless of any boy or girl crushes, this is an au about stobin getting into antics. Steve tapping in to his inner theater kid while Robin nods sagely in the back. Robin asking the most uncomfortable question a person has ever asked another human while Steve smiles and gaslights them into believing its acceptable. Steve and Robin paying themselves to hang out all day and yeah maybe along the way they solve a murder if they're up to it, who knows they've got a lot planned
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wowa-bublord · 20 days
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sorry to ask immediately. I'm just ecstatic at the fact that you do requests. take your time doing it, and don't feel preassured!! but! this funny little thing but with Zack would make my year
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Shinras orders to their battalion 😭😭
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Hot take but I think what we saw in chapter 13 was necessary.
I don't think a lot of people realize how important it is for Araki to portray what he did, even if it extremely difficult to take in. Let me explain.
Araki has discussed about topics like racial and class disparity through both Steel Ball Run and Jojolion, but JOJOLands is different because the discussions are now very direct. We had Chapter 1 open up with police brutality and Chapter 13 open with intense bullying; both acts were committed by people of higher social standing/power and seemingly White (or white passing) and both are harming a dark-skinned queer individual. Not only that, remember that Hawai'i is an island stolen and colonized by the US and many indigenous individuals who were supposed to live and maintain kapu are being forced to endure housing problems, loss of culture, etc. due to gentrification and exploitation of its lands. 2020 was when we saw global protest towards the deaths of George Floyd and Breonna Taylor due to police brutality, which has spread as far as Japan in terms of demonstrations and rallies. Araki has made it clear that he tries to take real world experience into his writing, and this is no different. He is also no stranger to portraying law enforcement throughout his parts without glorifying or downplaying their behavior.
As a mutual of mine (who themselves identify as a black GNC individual based in US) has put it, those who identify or even appear as Black while identifying as trans-femme or women are subjected to some of the worse kinds of oppression possible in America. Queer women of Color are one of the most susceptible to sexual violence-- especially when they are young, and the darkness of their skin really plays into it. This is transmisogynoir; it is a hard pill to swallow and acknowledge, even if it feels excessive, and its a multilayer of oppression that connects a person's racial identity, gender, and sexuality as targets of discrimination. It's the fact that one is POC, a woman, AND queer that makes one a target--- not just one or the other. You can’t turn a blind eye to this because it happen constantly throughout America's history and American society even today, but you can't simply water it down or downplay it. In fact, many victims of transmisogynoir have no choice but to downplay their experiences because of their Black identities or because they appear too dark to be taken seriously; when they, especially if they are Black, try to hold people in power accountable, these individuals are suddenly labeled aggressive, indignant, etc. and they are further discriminated for attempting to speak up. Dragona downplaying the bullying isn't them just trying to avoid further conflict but a reflection of how many who were in similar situations like Dragona are forced to simply forgive and forget the trauma they have to endure. To downplay it ourselves is reinforcing the narrative that individuals like Dragona in real life should remain silent and endure their harassment rather than rightfully protect themselves and others from it.
Another thing to add is that the way Japan portrays and treats the LGBTQ community, particularly the trans community. In Japan, the process to legally change your gender is complicated and requires a lot of steps that include, but not limited to, being diagnosed with gender identity disorder, proving you have no kids/guardianships, and sterilization. This causes a lot of individuals to be forced to quickly transition as a means of getting their gender recognized, which takes away the time to let them explore at their own pace, and this is due to how the process can lead to hindering career and life opportunities that wouldn't be hindered had they already transitioned or stayed closeted. Many Japanese trans individuals unable to go through the process quickly either remain closeted or move away from Japan to transition at their own pace. So, as a result, the trans community and its struggles is not as noticed compared to outside of Japan. Another thing to add is that the trans community in Japanese media is often portrayed as comedic relief or a gag. Oftentimes, the trans character or character who diverts from gender conformity (i.e cross-dressing, acting more flamboyant) is the butt of the jokes. Some thing to note is that, when Dragona was first introduced, a lot of people thought that Araki put Dragona in simply for comedic purposes. I had people joke about how Dragona is just there because they believed Araki is trolling. Not only that, the racial issues that Japan has often results in jokes towards non-Japanese individuals in media, especially if they are of darker skin color.
So, Araki putting Dragona in these difficult situations is also meant to subvert expectations that his Japanese, and possibly Western, audience may be expecting. The expectation was to laugh and toss Dragona aside as a single-dimensional character, but Araki instead forced us to face the trauma through Dragona's experience head-on. We are made aware of Dragona's situation, how real and difficult the struggle is, and we end up emphasizing with it rather than laughing at it. Through this, we get a glimpse into real life experiences of trans POCs without it being downplayed and have it show how Dragona is a fleshed-out character with importance to the series. As some have put it, this chapter proved that Dragona isn't just a side character but arguably a complex individual on the same level of importance as Jodio. I don't think it would have been easy to have the same impact if another approach was taken.
While talking to others who identify as trans and/or GNC about their thoughts on the chapter, I was told by many of them that, while Dragona's experience hits close to home and was hard to digest, they appreciate seeing it being expressed and hope it will help other people understand their struggles. One noted how the introduction of Smooth Operators with the backstory as empowering, seeing the Stand as a symbol of surviving the trauma that comes with trans discrimination. I do find this a bit telling with how many people online who are against Araki's portrayal barely mention what trans/GNC people have said about it.
My main concern, as well as what I see people have rightfully critiqued, is the excessive trauma reinforcing the fetishization and violent voyeurism towards trans individuals; it also reinforces the problematic narrative that dysmorphia can only happen as a result of trauma and the trans experience can only be full of pain. There's also the issue that Dragona's experience also happened while they were under age and their harassment is similar to that of Lucy. It's a common trope in Western media to put marginalized people into these situations while upping the ante simply for clicks and pleasure, and even worse when the character portrayed is a minor. As I reiterate, it is a very uncomfortable chapter to read and I don't find it enjoyable at the slightest. Just because I understand why it is necessary doesn't mean I condone the approach done. I also understand Araki as a Japanese man can only relate and portray a queer American's experience to an extent. But, at the same time, the exposure was necessary because it gives us the awareness and a voice to trans people that is lacking within media even today. We need to be aware and acknowledge what our BIPOC trans community goes through as a means of being better humans--- and especially our younger community members. We need to make our society safer for them so they can thrive and have the respect they deserve. Oftentimes, that starts with how they are portrayed and how their experiences are portrayed. While it is still a journey and not every representation will be perfect, we can't simply toss it aside and bash those who try to show something realistic just because it is uncomfortable.
I only hope that Araki wrote Dragona and these scenes as a result of doing extensive research and reaching out to actual POC queer individuals, particularly transfemmes/women, to understand their experiences and have their blessings to use their words to shape Dragona. I feel like that would show that Araki was serious about discussing these issues through his characters rather than simply using Dragona's traumatic experience it for entertainment. I have higher expectations for Araki now, knowing that it may not be the last time he shows a character experience harassment and possibly have Dragona be harassed again, so I will keep my eyes open for this.
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marragurl · 18 days
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Look. This ain’t true. Like at all. This is so not the dynamic of this ship-
BUT
It’s fucking hilarious
So I made this on a google doc on my phone and I’m heading back to my sleep because of course, this came to me in a dream
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thebroccolination · 2 days
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THE EX-MORNING SERIES CONCEPT
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By now I think many people have heard that KristSingto’s upcoming series is an original script that was written for them. What we also have confirmed is that it was written about them.
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[source]
KRIST: This series was written by P'Backaof and directed by P'Lit where they created this script from the start deliberately for the two of us and they got information for the characters etc. from KristSingto directly. In the series, the name for P'Sing is Tamtawan, and my name is Phatapi. And Tamtawan Tamtawan and Phatapi are KristSingto themselves.
INTERVIEWER: Does that mean you play yourself?
KRIST: [laughing] Yes, we act as ourselves, so it's not difficult at all.
Today, Aof elaborated on his part on Twitter:
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[source: @backaof]
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[translation: @_beinglistener]
And Jojo added:
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[source: @jojotichakorn]
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[translation: @_beinglistener]
So, two gay men are the leading creative minds behind KristSingto’s comeback series. Time to study up on your KristSingto history, kids. \:D/
Long live sanctioned RPF. 🎉
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#krist perawat#singto prachaya#kristsingto#the ex morning#i’ve already seen the same tired ‘guess rent was due’ about krist and#i see on twitter when people link my thread about krist to people still insisting he’s homophobic#man’s rich#he works constantly#he even said it’s something he regrets now that his grandmother who raised him passed away#he worked so much he didn’t have as much time for his family—who he helps support#he is quite literally considered bl royalty#he has more queer people in his circle than straight#waa (gay) is his mentor#aof (gay) wrote this series and jojo (gay) thought up the concept so even professionally he's supported by queer people#you don’t have to like him#and you don’t have to admit to sending death threats to a stranger who doesn’t speak your language based on rumors you didn’t verify#just y’know#admit quietly to yourself alone in your head that you were wrong and you caused harm to a person who didn’t deserve it#plenty of actors use bl as a stepping stone to bigger jobs#he’s not one of them#he wanted to do bl for years but gmmtv told him he could only work with singto#so literally the only reason kit didn’t do bl until BMF was scheduling issues because singto wanted to study abroad#and singto couldn’t get a fixed date for it and then the pandemic messed with his plans even more#i’m glad to see more and more people are understanding who krist is recently#and even in the series they made pathapi’s controversy an impulsive act of anger#krist has said he used to struggle with being hotheaded#and one of his apologies for the igs was even something like ‘i acted without thinking of how it would look out of context’#he just wanted people to stop harassing him for his sexuality but the context isn’t in the igs#anyway my go-to when i’m too tired to talk about this is always this#if he had ever been homophobic thai people would be the ones leading the charge against him…but it’s interfans
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yuanology · 8 months
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Hey, i love your writing! Could you please write for
M!reader, a seemingly innocent guy, though appearances can be deceiving. Then there's Geto, who initially dropped subtle hints about having feelings for Reader. But frustration mounts as Geto's attempts go unnoticed, with Reader simply viewing their interactions as friendly. Eventually, Geto's patience wears thin, especially since Gojo and reader have been getting along well. As jealousy and frustration brew within Geto, he unknowingly directs it at reader through snarky and bratty comments. Reader, though patient, can only take so much. They finally snap, (Geto is surprised because reader is always so soft spoken and sweet) giving Geto a piece of their mind and putting him in his place.
Can i please be 👁️ anon?
welcome 👁️ anon! i forgot to actually write smut in this! so have a really long build-up and hopefully a part two in the future, holy shit. i am so sorry. (suguru's characterisation is also a bit weird here . i can't put a finger on it but my brain is not clicking rn. i am so sorry, 👁️ anon. i'll do better next time. please forgive me for this failure just this once.)
geto suguru was not an impatient man but you were an entirely different matter. you always had been.
there was something about you that drove your existence apart from all of the others— a steadiness in your presence, a constance in your friendship with him. you kept him grounded, an anchor and a light in the darkness that came with being a jujutsu sorcerer. had it not been for you, suguru thought he might have gone rogue so many times ago in the past.
"suguru."
ah, speak of the angel (yes, he knew that wasn't how the saying went, but you weren't the devil. how could you be, with your smile and your careful hands? you were an angel, sent from above to keep him from drowning), you slid into the seat next to him. as usual, you smiled at him, the corners of your eyes crinkling as you did, before you dug into your meal.
suguru let his gaze linger on you for a few short seconds before he turned his face to eat his meal, too.
lunch was a contented affair, filled with small talk and the occasional sound of your laughter. there was something domestic, suguru would like to think, about the way you stole his chicken and he snatched your meatballs in compensation. suguru could hardly think of a time he had ever been this comfortable with anyone but you. you had him lowering his guards without ever having to ask him at all, an inane talent he doubted you even noticed. but it was there, and you were a miracle worker that never failed to hold him through his worst and his best.
so, really, it shouldn't come as a surprise that suguru would have to share you with others, too.
specifically, one fucking annoying gojo satoru.
don't misunderstand him, he loved satoru. satoru was his best friend, his one and only, his steady companion. they had been through hell and back together, shoving each other to further heights and hauling one another out of the deepest pits. he cared for satoru, loved him in every way a man could love his best friend. suguru loved his friend.
but jesus christ, could satoru get on his nerves sometimes.
because the thing is. the thing is that satoru knew—he knew the way suguru looked at you, he knew the way suguru spoke about you, he knew the way suguru's heart beat and ached for you. satoru knew all about the depths of his affections for you, every single beautiful and ugly thing, because that was what you do with your best friend, right? you trust them.
backstabber, suguru thought bitterly, shoving a now-acrid tasting meatball into his mouth.
because there satoru was, his arms thrown around you in ways that suguru could never touch you, his jokes making you laugh in a way that left suguru feeling ripped between wanting to watch your smile and punch satoru in the face hard enough that he'd be bleeding for days for stealing that sight from you and leaving suguru nothing but the left-overs to pick after.
in spite of everything, suguru was hardly ever really envious of his best friend. yes, there were moments where he wished satoru would get off his high-horse and someone would knock some sense into him (and that responsibility, more often than not, fell on suguru's shoulders), but he was never really jealous of satoru. there was never a need for it, not when he knew the worst and the lows of being gojo satoru.
however, in that moment, watching satoru cling onto you and make you grin, suguru understood what it meant to truly be seething with jealousy. that should be me.
the rest of the day passed by in a hazy blur after that. suguru vaguely recollected leaving lunch early, reciting robotically that he had somewhere to be urgently and ignoring the knowing grin satoru shot his way or the downwards curl of your lips. he thought he might have given you the cold shoulder at some point or another, the words leaving his lips a little sharp and a little cruel, but he didn’t remember what he said. you might have recoiled, you might have not. suguru couldn’t remember.
(and he didn’t want to remember— he didn’t want to remember the way he had turned his face away when he heard the sound of your voice calling out his name. he didn’t want to remember the way his shoulders had knocked against yours a little too hard as you passed each other by in the hallways. he didn’t want to remember the way your face dropped when he took a seat on a table across the room from your usual one. he didn’t want to remember because if he did, then he would have to remember all the tiny ways he hurt you. papercuts still stung like a bitch, after all.)
then, one day became another, and another became a week, and a week became a month—
and the end of the month brought you.
a beautiful, brilliant, furious apparition of you—one that stormed up to him and, without warning or another word, grabbed him by the collar of his shirt and hauled him bodily after you. his feet dragged against the floor, his toes catching onto the heels of his own choes before he could struggle to right himself.
“what are you—” he began.
“shut up,” you interrupted him.
cleverly, suguru did.
he didn’t say a damn thing even as you slammed the door to your dormroom open, shoving him inside without another word. his lips parted in confusion when you began to lock the door behind you, but he still said nothing as you grabbed him by the wrist to direct him further into your room. he didn’t say a single word until you shoved him onto your bed, his back flat on the mattress.
“what?” he tried again.
“you’ll shut up and listen to me when i talk,” you said, your voice leaving no room for arguments. suddenly, you were looming over him, straddling his waist as your open palm pressed over his chest; right above his pounding heart. “do you understand?”
suguru swallowed thickly as he nodded. this was a side of you he hadn’t even known existed; rough and unafraid, your hands on him meant to firmly rule rather than to guide gently as you usually would. even in your anger, you had never been anything else but firm—steady and stubborn.
fuck, he thought wisely to himself. i'm in deep trouble.
but when your hand found the collar of his shirt, your fingers curling around the fabric of his shirt, he finds that he didn't mind it. not in the slightest.
because you had always been beautiful, but you were damningly ephemereal now, peering down at him with something burning carved into your irises; bold and brilliant, striking and inescapable. suguru had never felt so wonderfully trapped before, caught in your stare and unable to look away.
"satoru told me everything," you began, your assessing gaze never once leaving him. "i'm disappointed, suguru."
static clogged his head immediately, all thoughts clearing from his head into an unbearable haze. dirty little traitor. his throat felt tight, his heart stopping in his chest. excuses climbed up the back of his mouth, tasting like bile and the curses that he swallows, and every single little ugly thing that had ever crossed his mind. explanations defining his inner-most thoughts, apologies creasing into the space between his teeth. nothing came out, nothing but a strangled sound; caught between a whimper and a whine. weak, pathetic.
your head tilted at the noise, your gaze sharpening into something vicious. "you should have told me yourself," you said. "i never took you for a coward, suguru."
suguru couldn't help the weak, strangled thing that escaped his throat. he thought that it might have been a piece of his heart. "i'm sorry," he whispered, before he could think better of it.
the sigh that you let out was low, almost vicious in its nature. suguru hid his wince by turning his head, the side of his face half-buried into the sheets. before he could succeed, however, your hand caught his chin, forcing him to turn his gaze to meet your eyes once again.
"look at me when i'm talking to you, suguru." your voice sent a series of goosebumps rippling up his skin. he shuddered, trying to shake it off, but he couldn't when your grip on his face was firm. he still tried to nod a bit, wanting to appease you.
"i'm sorry," suguru rasped out once again.
"stop apologising."
all of a sudden, his forehead was flicked. the motion was so familiar in the face of such an unfamiliar circumstance that suguru couldn't help but blink, startled. for a moment, suguru couldn't think, couldn't do anything—much less suppress the faint smile that appeared on his lips. perhaps not much had changed after all. perhaps you could still have him as your friend, still care for him the way you cared for him before.
"so," he started slowly, "you're not angry at me?"
"i'm pissed at you," you told him bluntly.
before he could wilt, though, your grip on his chin became a gentle caress to his jaw, and suguru felt his whole world tilting upside down once again. your face was close to his, too close, and suguru felt like he couldn't breathe at the proximity.
"i am so, so angry at you, suguru. you should have told me everything sooner. i can't believe you made me wait so long just for this. all your attitude as of late, all your snark and sass, that was just a defence mechanism, wasn't it?" your voice was cutting as you picked apart his brain, dissecting all of his secret truths with all the precision of a surgeon's knife. "you got jealous—and instead of talking to me, you decided to push me away."
your voice was a low murmur, not meant to be anything seductive but still sending a sharp thrill up to suguru's monkey brain all the same. all he could think of was the curl of your smile—secretive, knowing, like you were in on some secret joke that he wasn't—and the way you were looking at him now—like a predator who had his hunt cornered—and how suguru couldn't do anything but take anything that you doled out.
fuck, that's so hot.
"i'm sorry," he said again, dutiful and polite.
and for a moment, simply a nanosecond, he caught a fissure in your exterior; that softness bleeding out for a moment before the cracks smoothened itself out. even so, that split-second was enough for suguru to realise oh. he's not actually angry at me. because all of this, he knew now, was part of the game that you were playing with him; a theatrical dramatic act to compensate for the weeks of silence you got from his end.
your head tilted slowly, dangerously, as if you're assessing him, and the newfound knowledge that you like were made a shiver run down his spine. because you wanted this, you wanted him too, even if you haven't said those words out loud. you craved him, and that single piece of knowledge was enough for suguru to feel like he was going to break himself apart and meld himself together until he fit all and every single one of your wishes; until he became perfect just for you.
suguru's smile was small, placating in the way he knew you hated it. "forgive me?" he asked, practically simpering.
you caught onto what he was trying to do—of course, you did, you always did—and you threw your head back in a sharp laugh. "i don't know, suguru." your smile was mean, dangerous, and suguru almost fainted on the spot. fuck. "do you think you deserve my forgiveness?"
all of suguru's bravado melted in that moment as he felt like a miserably delighted pile of limbs and bones and a beating heart that thumped and echoed and lived just for youyouyou. "no," he said, his voice coarse, rough with his own admission. his hand moved to rest on your knees, not reaching higher because he knew better than to touch you more at a time like this. he didn't deserve it yet. "but let me show you." let me deserve the taste of you, let me deserve to feel what it means to worship you.
your lips curled into a smirk, and suguru felt as if he was going to die right then and there. miraculously, he managed to stay alive just long enough to watch you crawl off of him, standing by the edge of the bed, your gaze still following him like you were going to eat him alive.
"hands and knees, suguru," you said. "you better earn it."
geto suguru was not an impatient man but in order to satisfy you, no time in the world was ever enough.
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