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gffa · 4 years

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@ap-trash-compactor replied:

1/7 I wanna preface this by saying I agree with everything you’re saying here but I think there’s another layer to how Raffa’s story functions both textually and meta-textually, and to what it illustrates about how many people in the Galaxy /might/ perceive the Jedi, which I personally haven’t seen addressed yet. Sorry in advance if this is something you’ve heard/read/discussed ten million times already, but... 2/7 If you took Raffa’s story out of Star Wars and put it into a contemporary drama, changed the word “Jedi” to the word “police,” and made the particulars about a high-speed car chase? I think it would sound pretty believable. And I think this illustrates something Palpatine does through the mechanism of the Clone Wars to make the position of the Jedi especially vulnerable or precarious wrt to public opinion. 3/7 Even if every single Jedi engages w the power and authority of their military or police role only in the best intentioned, most good-faith way imaginable (which the Umbara arc tells us doesn’t always happen), any time you are in a role where you, even have without wanting or intending to, exercise the power of life and death other lives, you will cause pain and be a target for resentment. Someone will lose someone, and be angry. 4/7 No matter how good or how well-intentioned or how compassionate they are, during the Clone Wars the Jedi are forced into the role of a state authority exercising the power of life and death. They are not only a cultural minority during the Clone Wars. They are also a branch of the state, and in that role they sometimes either kill people, or are involved in events where people die and where, no matter their intentions, they are the face of the state and the voice of authority. 5/7 Many of the military and police actions shown in different episodes of this series leave destruction in their wake. The Jedi’s participation is barely by choice and almost never by preference— but if you are one of the Raffas of the galaxy and your parents just died, the distinction probably does not matter much. I think this is a corner Palpatine absolutely wanted to paint the Jedi into, because it absolutely serves his goals. 6/7 There are not many Jedi during the Clone Wars. Certainly there are not many compared to the problems they are trying to fix. I have no doubt Luminara tried her best, wanted a different outcome, and gave Raffa all the comfort she had the time and the opportunity to give... But if you are one of the Raffas of the galaxy and your only direct experience of the Jedi is like the one Raffa describes? You’re probably primed to consume all of Palpatine’s worst lies. 7/7 If you’re Palpatine, making the Jedi rush from violent crisis to violent crisis doesn’t just distract them from the fact that you’re a Sith Lord — it also makes the Jedi into the face of a lot of negative, hurtful interactions with the state, which is going to impact the way people see them.

I think you and I are very much on the same page! I have discussed this before (the public’s turning on the Jedi), but I’m always down for discussing it again! Especially when I love pretty much allllll of this. If you’re Palpatine, making the Jedi rush from violent crisis to violent crisis doesn’t just distract them from the fact that you’re a Sith Lord — it also makes the Jedi into the face of a lot of negative, hurtful interactions with the state, which is going to impact the way people see them. You are spot on with your summation, to the point it’s almost hard for me to respond with anything because I feel like all I can do is bang my fist on the table and go, “Yes! This is what I’ve been talking about!” Though, of course, there is a lot going on here that’s making it complicated. This post that you’re responding to is focused more specifically on the theme of unreliable narrators + the close associations this season has had with Revenge of the Sith (the moments that make us sit up and go, “Oh, that’s foreshadowing for stuff in ROTS!” like Padme’s pregnancy, Anakin’s advice to Rex, etc.), but there’s also what you’re talking about here--that it’s been a long-running theme in the GFFA that public sentiment turned against the Jedi and that the causes of that are fascinating. I said a bunch of times that Rafa’s hurt in this episode is valid, that there’s room for both the Jedi acting with honorable intentions and that people don’t trust them, don’t draw comfort from them, that these things are not mutually exclusive and you’re hitting on exactly why--because they were put into a situation where, if they’re not 100% perfect, then they’re going to fall off the pedestal they’ve been put onto. That any flaw they have will then get magnified a hundred times. Luminara seems to have made a point to go back and try to talk to Rafa, to tell her a phrase that is narratively meaningful within Star Wars on a meta level, like, that says to me that she has really good intentions! But that Rafa doesn’t draw any comfort from it, as a non-Force sensitive and someone who probably is left to the Republic’s shitty welfare services (which isn’t the Jedi’s jurisdiction, they’re not social workers and we can’t expect them to be), doesn’t undercut Luminara’s presumed good intentions, just as Luminara’s presumed good intentions don’t undercut Rafa’s hurt. And that it’s understandable--because, as the Maul arc in season 5 says, the Jedi aren’t doing the things that they used to do, that crime is flourishing because they’re being so busy with this war they’ve been drafted into. Even Star Wars: Propaganda makes it clear that public sentiment turned against the Jedi because of a cultural absence, rather than anything they actively did. This is all by design from Palpatine, that he’s keeping them so busy putting out tire fires on Ryloth (who were being slaughtered by the Separatists), on Mon Calamari (who were being enslaved by the Separatists), on Kiros (who were being kidnapped and taken into the resumed Zygerrian slave empire), that they don’t have time to do the things they used to, like take care of a lot of the criminal elements or the outreach programs that we see hinted at in the supplementary material. The Jedi had to make a choice between fighting in a war where entire worlds were being enslaved, that there were only so many of them and they were dying, that they died in droves on Geonosis in Attack of the Clones and they’re dying every day in the war, that they were literally one out of six billion in the galaxy at their height, and that they had a million expectations placed on them. They have very little political capital/power, yet they’re expected to solve all the problems in ways that will last. They’re expected to police the Underworld, but also not police the Underworld because then they’re restricting people. They’re expected to be social workers. They’re expected to fight and die in a war that the public itself refuses to stand up in. And when they don’t live up to those impossible perfections, they’re torn down. This is not to set aside that of course there are instances of people like Trace and Rafa, where the destruction wreaked by chasing down someone like Ziro is going to sometimes cause people to get hurt and, honestly, I don’t feel like Rafa really blamed Luminara for that, given the acknowledgement of the crowded platform she was trying to avoid. But if she had? That, too, would have been reasonable and understandable! That it doesn’t matter if the Jedi were doing literally everything they could, that doesn’t mean there’s not also room for Rafa’s hurt. And that, even if I think there was absolutely nothing that Luminara could say that would have given Rafa comfort, that doesn’t make Rafa’s hurt/viewpoint any less empathizable. My blog tends to focus on the Jedi side of things because those are the characters I’m interested in, not because they’re the only element that matters. In the meta we’re responding to, a lot of the focus is on Luminara and the Jedi because that’s my jam, that’s the part I thrive on, but we’re definitely in agreement that Rafa’s feelings are not wrong and it’s not hard to see where they come from! I do take issue with the idea of--whether it’s true or not, we can all argue about it all day long, but it doesn’t matter if it’s true or not--that if the Jedi are remote and distant from the galaxy, that that narratively is approved of how they then “kind of brought their downfall (aka, violent genocide) on themselves”. That’s something I’ve seen skirted around in commentary from the creators and I’m wary of it leaking into the narrative in a more substantial way. But that’s an entirely separate issue from the fact that anti-Jedi sentiments exist in the narrative and that they led to the Jedi Purge/Jedi genocide. As part of the propaganda and manipulations Palpatine did, yes, absolutely, that is one of the most fascinating things! And that doesn’t mean that there’s not validity to those feelings, even if they’re rooted in propaganda and manipulation! But that, just as there’s room for Rafa’s hurt despite Luminara’s intentions, there’s room for the Jedi’s good intentions despite the public’s hurt and/or mistrust. My thing is that I tend to look at why the Jedi act the way they do and I usually come away with empathy for how they got into the situations they did. Like, take their alignment with the Republic, which was an organization with corruption down to the roots by the time of the Twilight of the Republic, that that association absolutely led to their downfall/genocide. But what else could they do? Being part of the Republic in that way allowed them to actually help people, to have negotiating power, to form treaties that would be honored even when they were no longer on a given planet. If they weren’t under the jurisdiction of the Senate, they could not have helped as many people as they did, especially because how would they even be able to afford starship fuel or housing costs? Would they charge people for their services? That’s a disaster waiting to happen! There’s room for both “the best option for the Jedi was to be part of the Republic and try to improve the system from the inside, which is what they did” AND “the being part of the Republic is what ultimately fucked them”, those things are both true! but if you are one of the Raffas of the galaxy and your parents just died, the distinction probably does not matter much. I think this is a corner Palpatine absolutely wanted to paint the Jedi into, because it absolutely serves his goals. Spot on! I have fun looking at what Luminara’s intentions likely were and what the context of the structure of the show entails, that Rafa’s character doesn’t have to be a reliable narrator to be valuable (and I say this as someone who actually really loves the unreliable narrators of SW, which honestly is almost literally every single character, very few are ones you can take at face value without seeing the circumstances for yourself), but to Rafa it doesn’t really matter what Luminara did or didn’t say, because that’s not what she was looking for or what she got out of that conversation. I can’t say I would act differently in her position! And that’s exactly what Palpatine did. He pulled the Jedi in so many different directions, made them responsible for things that literally no group could possibly have survived with public sentiment intact, and even if the Jedi had been literally perfect (which they weren’t), it wouldn’t have mattered, given that the entire point of the prequels is that you gotta choose between Shitty Option A and Shitty Option B. It’s the galaxy’s worst ever version of, “Which would you rather?” except its real and you have to play the game, because not playing gets you fucked over even faster, like it did with Mandalore.

#rafa martez #jedi order #meta #tcw spoilers #long post

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arofili · 3 years

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Worldbuilding Exchange Letter 2021

Hello lovely creator, thanks for creating for me in the Worldbuilding Exchange! I’m very excited and grateful for whatever you create for me <3

This letter will restate my DNWs, list my likes, give you a brief rundown of my canon preferences, and then dive into specific prompts for each of my requests.

I’ll warn you upfront that I tend to ramble, so feel free to skip prompts that don’t interest you and/or use ctrl+F to search for whatever it is you want to write for.

My requests are divided by fandom, and in the case of the Silm + Middle-earth Legendarium, by topic too, so hopefully that will be helpful for you! Also, my TAZ request is waaay down at the bottom, so if that’s what you’re here for, just go to the bottom of the page.

Housekeeping:

DNWs:

Non-con

Unrequested dub-con

Abusive/Neglectful parenting (especially wrt Fëanor)

Sibling incest, parent-child incest (cousin pairings are fine)

Unhappy/Unhopeful endings (unless otherwise specified)

Jealousy/Possessiveness

Cheating

Character or ship bashing

Hanahaki/any scenario where unrequited love is physically damaging

Soulmates, especially soulmate AUs (soul bonds are OK, if there is choice involved)

Porn without plot (Porn with plot is fine!)

Food involved in sex

Unrequested Modern AU

Non-trans mpreg

If you’re writing a slash ship where the characters are/were married to/involved with someone outside the ship, please don’t have the character(s) hate their spouse or not have been actually in love with them (the one exception is Finrod; I’m fine with him and Amarië not having been actually in love, but please don’t do this for anyone else, especially not Fëanor)

Hobbit/LOTR-specific DNWs:

The concept of a dwarven “One”

Any Fíli pairing

Alfrid

Legolas or Gimli paired with anyone other than each other

no smut for these fandoms, please

Silm-specific DNWs:

Evil/irredeemable/incel Maeglin

Elwing bashing

Fëanorian bashing

Over the top Fëanorian apologism (they did bad stuff; it was at least partially their fault. you don’t have to address that, necessarily, but don’t rewrite the story to claim they were blameless)

Fingon with a wife

Fingon or Maedhros ships that don’t take Russingon into account (polyamory, an open relationship, Mae with someone after Finno dies or vice versa for an AU, them with other people while they’re separated on the Ice/in Angband - all of these scenarios are fine, but in the end I need them to be with each other first and foremost)

Dark!Maedhros

Elvish re-embodiment after death being an actual, literal rebirth that requires the characters to have a second childhood; I much prefer them being granted a new hröa in their prime (feel free to explore what “in their prime” means, though, especially wrt scarred and disabled elves)

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Likes:

(these might not all apply to worldbuilding, but they might give you a place to start from!)

Gen fic

Found family

Family dynamics

Loving families, even when things get complicated

Friendship, intense/important platonic relationships

Relationships that defy categorization

Queerplatonic relationships

Polyamory

Queer headcanons (especially aromantic-spectrum headcanons)

Trans/nonbinary headcanons (genderbending is also fine, but I prefer trans/nb hcs)

Angst with a happy ending

Gray morality

Explorations of magic

Most tropes

Fanon and fandom tropes

Deconstruction/Inversion of fanon and fandom tropes

Interspecies relationships

Peredhil

Secret relationships

Secret relationships coming to light

Secret kids (especially secret peredhil!)

Giving ships OC kids

OCs interacting with canon characters

Confessions of love

First times

Hurt/comfort

Redemption, forgiveness, mercy

Ironic foreshadowing

Canon divergence AUs/X Lives AUs

Politics and scheming

Resolving conflicting canonical details

Historical/Narrative bias affecting what is and isn’t “canon” (to an extent; changing motivations, consequences, etc is great, but please don’t ignore canon entirely)

Elrond & Elros having complicated relationships with both their bio and adoptive parents

Names fitting the time period (Quenya names in Valinor, please; if this is difficult for you, that’s okay, no pressure, but I do strongly prefer it)

Names having a lot of thought put behind them (does the character go back to their original Quenya name upon rebirth? or do they keep their Sindarin name? or come up with something else entirely? do they hate their new Sindarin name and resent having to use it, or do they embrace it? As long as you put some thought into it, I’m sure I’ll like whatever you decide!)

Author’s notes where you explain your thought process, if you want; I love hearing how the story took shape!

~~~

Preferences re: Canon:

LaCE compliance is always completely optional (except if you’re choosing a prompt that is specifically about LaCE, lol). If you do want to include it, that’s great, but if you just want the characters to fuck without having that be an issue, go for it. I love explorations of LaCE that take into account the exceptions, boundaries, definitions, etc; I also love takes that emphasize that they are Laws and Customs, not biological imperatives.

I’m not picky about my Amrod deaths. He can die at either Losgar or Sirion (or, hell, some other time/place if you make it interesting enough!), whatever works best for the story. I do like Lightly Toasted Amrod, aka he almost burns to death at Losgar but survives/gets rescued at the last minute.

Gil-galad theories are all very fun. Please don’t make him the son of Fingon and a wife; if he’s Fingon’s son, I want Maedhros to be involved at least a little bit (adoption or trans mpreg are both fine in this scenario). Otherwise, I don’t have a particular preference, though if it’s not really relevant I usually default to the son of Orodreth (who is in turn the son of Angrod). Also, I’ve requested “Origins of Gil-galad”; there’s more information on him in that section.

Honestly, when it comes to theories and headcanons, my rule of thumb is “convince me”! I’m down for whatever, for the most part, as long as you can justify it :)

~~~

For all of these, “suggested characters” pulls from the list of characters I requested with that signup, but if you’ve got an idea involving other characters then go for it! And in the end, all characters are just suggestions, this exchange is more about the worldbuilding :)

~~~

The Hobbit (Book)

Adventuring Hobbits Before Bilbo: Who were they? Did they ever come back, or was Bilbo assumed dead because of precedent? Were they all Tooks, or did some other hobbits tag along on adventures, too? Suggested Character(s): Belladonna Took

Dragon Magic & Dragon-hunting: Talk to me about dragons! I’m interested in dragons & dwarves, especially in relation to the first time dwarves were driven from Erebor and into the North and the War of the Dwarves and Dragons. What kinds of dragons set their sights on the mountain? How old was Smaug when all that was happening; did he learn anything from the failures of his kin? Who were the dragon-hunting dwarves who fought in that war? Suggested Character(s): Smaug, Original Dwarf Character

Dwarven Craft and Magic: Enchanted weapons, enchanted armor, runes and spells...all so interesting! Borrowing from the movies a bit, did Kíli’s runestone from Dís have any magic power? What’s the deal with the Arkenstone’s thrall? How do elf and dwarf magics intersect when it comes to objects like Bilbo’s mithril coat? Suggested Character(s): Dís, Frerin, Thorin, Original Dwarf Character (perhaps a craftsdwarf?)

Dwarves and Gender: We need more dwarf women! And I’d love any takes on nonbinary dwarves and/or dwarf-specific genders. Were there female dwarves in the Company that Bilbo mistook for male dwarves? Are dwarven women really only a third of the population? If dwarf men and women are very similar in appearance, how do they differentiate between them, or do they differentiate at all? If you included something about dwarvish braiding styles indicating gender, class, marital status, I would be delighted. Suggested Character(s): Dís, Frerin, Thorin, Original Dwarf Character; in this case I’d prefer a focus on canon characters, but OCs interacting with them would be marvelous, especially people like Dís’ spouse.

The Black Arrow: Bard’s little pep talk to his arrow has always intrigued me. I’d love to see your take on the origins of the Black Arrow. Does it really come from Erebor, and if so, who made it? How did Bard and his forefathers come to acquire it? (I like the movie version that ties it into Girion’s attempt to kill Smaug, so feel free to incorporate that if you feel like it.) Is the arrow enchanted? (Perhaps that could be tied to the Dwarven Craft and Magic tag!) Suggested Character(s): Bard, Original Character from Dale, Original Dwarf Character

The Stone Giants & Were-worms: I don’t have many thoughts on these guys except “neat! tell me more!” I’m fascinated by the creatures Tolkien only gives us a passing mention of; if you feel like it, maybe you could combine these tags with some of the creatures in the LOTR tagset (crebain, cold drakes, Watcher in the Water, Mearas, Kine of Araw, etc...I didn’t sign up with all those tags, but it would be neat to hear about them anyway!)

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The Lord of the Rings (Books)

Cold-drakes and Fire-drakes & Crebain & The Watcher in the Water: Like with the Stone Giants and the Were-worms, I just think they’re neat and I’d love to hear your take on their origins and how they affect the history of Middle-earth. Feel free to combine this with other creature-related requests. Suggested Character(s): Scatha

Ghosts and Hauntings: Barrow-wights? Nazgûl victims? Just your crotchety old hobbit neighbor who still holds a grudge about losing the biggest pumpkin contest despite having been dead for 20 years? There’s a lot of potential for stories here; maybe you could combine a ghost story with some other prompt to add a murder mystery or haunting plot to a relationship you’re exploring!

Dwarf-Elf Relations: I don’t believe All Dwarves and All Elves hated each other! We have famous elf-dwarf friendships across the ages, and really it was just the Sindar vs. the Broadbeams/Firebeards that had the feud. Still, Legolas (a Sinda) and Gimli (raised among Broadbeams and Firebeards in the Blue Mountains) are caught up in that, so their friendship is quite remarkable! I’d love interrogations of how that feud continued across centuries and discussions of what really went down in Menegroth, perhaps with one of the Durins having an elf friend at some point in the past that sheds light on how Legolas and Gimli can get along. (I am here for any and all Gimli and Legolas combinations; I love them as friends, I love them as boyfriends or husbands, I love them as queerplatonic partners, I love them as anything in between! Do whatever you’d like with them!) Suggested Character(s): Gimli, Legolas, Original Elf Character, Any of Durins 1-7

Elvish and Mannish settlements in post-Ring War Ithilien: How do Legolas and Faramir get along, both living in Ithilien after the war? What do Legolas’ people think about being neighbors with a bunch of Men? Faramir and Imrahil were Aragorn’s chief commanders after the war, and Legolas expressed admiration for Imrahil; I imagine Imrahil visited his nephew in Ithilien, so what are the interactions of those three like? I’d love to see an exploration of Silvan elves and their culture here, with Legolas leaning into his Silvan heritage and maybe some Silvan OCs who have spent their whole lives in Mirkwood up until now and have never met Men before now! Suggested Character(s): Faramir, Legolas, Imrahil, Original Elf Character

Relations between the Dúnedain and Rivendell: Talk to me about the Grey Company, or Elladan and Elrohir fighting alongside their distant kin, or Rangers taking breaks in Imladris, how the Rangers think of Aragorn who was raised among elves, etc. I’d love an outsider POV here, such as an OC observing the oddities of a canon character. Suggested Character(s): Original Elf Character, Original Ranger of the North

The Glittering Caves of Aglarond: More Gimli and Legolas stuff - but with a focus on Gimli this time :) Gimli as a lord in his own right, Gimli who takes elves on tours of his dwarf-kingdom and weirds out his people (is it just Legolas, or does he take any Silvan elves with him, or like...his elvish in-laws??), Gimli as a craftsman... Or, alternatively, you could explore the caves before Gimli gets to work on them, what the Rohirrim thought of them and how they were created - by natural processes, or by magic, or a mixture of both? Did Aulë make them for the dwarves to find, perhaps? Suggested Character(s): Gimli, Legolas

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The Hobbit (Movies)

Dragonsickness/Goldsickness: The parallel to mental illness in the movies was really interesting. I’d love to see lingering effects of the goldsickness on Thorin after the Battle (Everyone Lives AU, probably), or an AU where Fíli or Kíli inherit the throne of Erebor and are afflicted by it as well. Or, sticking to canon, how did Fíli and Kíli and the rest of the Company deal with Thorin falling into madness? Were the other dwarves affected by the thrall of the gold? Bard and Thranduil were observers of Thorin’s madness; what did they think of him? Did Thranduil remember Thrór under dragonsickness? Or, since movie!Thranduil is a far cry from book!Thranduil when it comes to going to war over jewels, was he affected by the dragonsickness even from a distance? Was Bard? Suggested Character(s): Thorin, Fíli, Kíli, Bard the Bowman, Thranduil

Dwarves who "choose craft"/Aromantic-Spectrum and Asexual-Spectrum Dwarves: This is pulling more from the books than the movies, but I didn’t have enough nomination slots to include any book nominations, so it went here, lol. Anyway: as I’m sure you can tell from my tumblr url, I headcanon Fíli as aromantic, and I love seeing that in fanworks! It’s really wonderful that Tolkien mentioned that many dwarves choose their craft over marriage, and I’d love to see an exploration of that aspect of dwarvish culture, and how Fíli fits into it. It seems to be fairly common/accepted, but are there different cultural pressures around marriage for the crown prince? How does Fíli figure out he’s aromantic? If aro and ace dwarves are expected to be choosing a craft over romance and sex, what’s Fíli’s craft? Or does he not have one, and people judge him for that? The “choose craft” language I use is very much inspired by this post and the Neo-Khuzdul word “bijebtorva” :) Suggested Character(s): Fíli, Original Character(s)

Governance and Politics in Mirkwood: How did Thranduil and Oropher come to power in the Greenwood? I hate the “lowly Silvan elf” line from the movie; can you somehow justify that with worldbuilding, or show how it’s not accurate? Is Legolas half-Silvan like is implied in the LOTR books? Who are Thranduil’s advisors? Is Tauriel really the only one who dislikes and defies Thranduil’s isolationist policies? Is Mirkwood very patriarchal, and is Tauriel’s appointment to Captain of the Guard something she faced opposition or competition for? Are the Sindar elite colonizers, or did they integrate into Silvan society? How does the average Silvan elf feel about their king, or do they not even think about him? Suggested Character(s): Thranduil, Tauriel, Original Character(s)

Poetry and prophecy: Bard uncovers that tapestry that turns a song from the book into a somewhat ominous prophecy; there’s a lot of discussion of fate and signs from the thrush at the door to the last light of Durin’s Day; Thranduil has seen enough in his thousands of years to have had time to brush up against a prophecy or two. What do these three believe about fate and prophecy? Are any of them prophets in their own right? How does poetry/music lend power to prophecy? (Bonus points if you tie it back into the Ainulindalë...) Suggested Character(s): Bard the Bowman, Thorin, Thranduil

Poisons and antidotes: I love Kíli/Tauriel and the scene where she heals his wound...but the worldbuilding around morgul poison and athelas is a little murky. It’s a decent parallel to Frodo’s condition in the LOTR movies, but it’s confusing lore-wise. Can you make sense of it? If Tauriel is a warrior, where did she learn healing? (In my own headcanons, her foster family are healers, which is how she learned those skills even though she’s primarily a warrior - but feel free to take it in whatever direction you’d like!) Suggested Character(s): Tauriel, Kíli, Original Character(s)

Rebuilding Erebor & Relations between Dwarves + Elves + Men: (I’d prefer an Everyone Lives AU for this situation.) How do Thorin and his Company put Erebor back together again? What are the renovation projects like? How long does it take Dís and the rest of the Longbeards to arrive in Erebor and help out? How long does Dáin stay to help his cousin? I would love to see some politics both internally within the Longbeard dwarves and externally as they relate to Mirkwood and Dale. Smaug’s corpse is just lying in the Long Lake...how do the dwarves feel about their old enemy’s body so close by? Do some Men want to re-establish Lake-town, and demand help from the dwarves who flushed the dragon out of the mountain? Do the dwarves want to harvest Smaug’s corpse for resources? (He’s probably got gold and jewels stuck in his scales, and dragon-skin/scales is probably a good raw material for crafting things.) What’s the process of Bard becoming King of Dale? Does he face any opposition? I love the idea of Hilda Bianca challenging him for leadership, or maybe insisting on some kind of democracy/representation in Dale! And if she doesn’t get her way, maybe it’s her leading some people back to Esgaroth and founding a democracy there that would make the old Master roll in his watery grave... How do Bard and Thranduil and Thorin reconcile after the battle? Does Thorin pay up like he said he would? Does Tauriel hang around, or does she go somewhere else? Are any elves inspired by her, or is she a total outcast? If you choose to explore the Kíli/Tauriel relationship, how does that affect politics between Erebor and Mirkwood? Suggested Character(s): Thorin, Fíli, Kíli, Bard the Bowman, Hilda Bianca, Thranduil, Tauriel, Original Character(s)

Tauriel's fate after the Battle of the Five Armies: This is for exploring what happened to Tauriel in canon. Does she wander the world and explore new places? How long does she mourn Kíli? What does she do with the runestone? Does she return to Mirkwood, and if so, how does she manage to get back into Thranduil’s good graces? There are a million different ways to take this, I’d love to see your take on her! Suggested Character(s): Tauriel, Thranduil, Original Character(s)

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The Silmarillion: Magic & Spirits

Houseless Elves: Why did they refuse the call of Mandos? Do Avari even go to Mandos? Can Melkor and Sauron ensnare these spirits for their necromantic purposes? If the call of Mandos is refused once, does that bar them from listening in the future? What kinds of ghosts are haunting Middle-earth in the First Age? What kinds of ghosts haunt Aman? Suggested Character(s): Original Character(s), Melkor

Magic as a connection to the Music/the Song: Magic isn’t always the best-explained in Tolkien’s universe, but what we do know is the incredible power of the Music. How do the Maiar and Valar, who are not technically beings of Arda, interact with the world? How do elves and men (and dwarves! and orcs!) tap into the Song and manipulate it to their benefit (or detriment)? I have the headcanon that Elemmírë, the elf who sung the Aldudénië, is a priestess of Varda; what was the power of that mourning song, and how was it received by her patron Vala? Suggested Character(s): Elemmírë, Varda, Melian, Melkor, Original Character(s)

Nature Spirits: These holes in Tolkien’s worldbuilding are fascinating to me. What role do nature spirits play? How many are there? I’m thinking particularly of river spirits, like the River-woman and Goldberry, but there are probably also mountain spirits and water spirits and-and-and... Are they Maiar? Lesser beings? What do the Maiar we know of think about them? Gandalf seems the kind to listen to them and learn their stories, but perhaps Melian sees them more as servants in protecting her realm... Suggested Character(s): Melian, Original Character(s)

The Shadow-shapes in the hills above Cuiviénen: What were these shapes? Melkor’s prototypical monsters, Maiar who didn’t know how to interact with the Children, something else entirely? What did the original elves believe about them? Did they fear them, did they try to appease them, did they try to confront them? I headcanon that Elemmírë is an Unbegotten elf, so perhaps she lost friends to the Shadows, or thought she did. If the Shadows did take elves, was it out of malice or curiosity or a desire to protect them from whatever Melkor was planning? Suggested Character(s): Melkor, Elemmírë, Original Character(s)

The Void: Melkor spends a whole lot of time here. Does he have any company? Something or someone he makes to pass the time with? Do the Valar (like Manwë or Námo or Varda or Nienna) visit him there? What is the nature of the Void, is it pure emptiness or chaotic magic or a nightmare machine? Is Melkor being punished or is he being contained? And where are the boundaries of the Void? Varda rules the heavens; does her realm bleed into Melkor’s prison? Suggested Character(s): Melkor, Varda, Original Character(s)

~~~

The Silmarillion: Elven Relationships

Note: This request deals with relationships, and while I’m open to pretty much anything, please keep in mind my DNWs. Exploring these topics using canon relationships is a safe bet; I adore Maedhros/Fingon so having a look at them through this lens would be amazing; I have Aredhel as a character request here, and I see her as aromantic (“to none was her heart’s love given”) so while showing her in a relationship is fine, I’d love it if you could take her lack of romantic feelings into account; if you have a question about another ship, you can check to see what I’ve written and/or send me anon message! Additionally, a lot of these talk about soul bonds, which I’m very interested in, but one of my DNWs is soulmates. To me the concepts are very different things; it’s the destiny and inevitability and universal assumption of romance that really squick me out about soulmates. Soul bonds, on the other hand, have an aspect of choice to them that I really dig. So, please don’t make characters Fated For One Another, but please do explore what joining souls is like!

Laws & Customs of the Eldar: Boy do I have a lot of feelings about LaCE—and I’m always intrigued by other people’s feelings, too! I’d love to see an exploration of how these laws and customs came to be, which parts of the rules around marriage and children and re-embodiment are social constructs and which are innate to the fëa and hröa, and/or relationships that defy the norms. If your take on the laws is hetero/cisnormative, how does that affect queer elves? If your take is free of bigotry, what are the flexibilities around queerness, including asexuality and aromanticism? Laws and customs and rules always have loopholes and exceptions, so what do elves who don’t fit into the expected relationship mold do about these norms? Suggested Character(s): Aredhel, Maedhros, Fingon, Elrond, Any Unbegotten Elf Character(s)

Arranged Marriages among the Eldar: Russingon arranged marriage AU?? Orrrr....Maedhros or Fingon are politically engaged to someone else, and they have to deal with the ramifications of that? (Please don’t have them actually go through with the marriage if you go that route; I’m not interested in a story with Fingon having a wife, even if she’s a beard.) If elves (usually) only love once, and by declaration of the Valar can only marry once (Finwë being the somewhat disastrous exception), how is an arranged marriage justified within the cultural emphasis on these bonds? Are they more like arranged romances, people pushing their children together in hopes that they’ll fall in love? Or is it a stricter rule about “you do what’s best for this family”? (Note: Bad/cruel parenting is one of my major DNWs, so if you’re going that route, please don’t make the parent uncaring or malicious. Stubborn and narrow-minded is fine, as is the genuine belief that this is what’s best for the child, but ideally they’ll learn from their mistakes or perhaps everything will be interrupted and derailed by Canon Events. This is especially important wrt to Fëanor.) Suggested Character(s): Maedhros, Fingon

Creation/Discovery of soul bonds: How do soul bonds work on a metaphysical level? Can they be broken? Do they have to be nurtured and maintained? What’s long-distance communication like? Heck, what’s short-distance communication like, is it like talking in your mind or sharing your feelings or more abstract than that? Can elves form soul bonds with mortals? And most importantly—how did elves figure out they could soul bond with one another?? I can imagine that would be quite a shock when they’re discovering sex and then suddenly they’re inside each other’s minds! Suggested Character(s): Any Unbegotten Elf Character(s)

Non-romantic/sexual soul bonds: I’m good with practically any relationship here. Explore sibling bonds, twin bonds, parent-child bonds, queerplatonic bonds, found family bonds, adoption bonds, the bond between a Vala and their Maia...any kind of soul bond that is familial or platonic or chosen without regard to romance! (Feel free to take a canon romantic relationship and turn it queerplatonic, I live for that shit!) How are these bonds formed outside of sex? What are the rituals and ceremonies around forming them? Is it a public or private thing? Are non-romantic soul bonds taken seriously, or are they seen as less important than marriage bonds? Since elven parents literally give part of their soul in the creation of the child, is that parent-child bond innate? Suggested Character(s): Aredhel, Any Unbegotten Elf Character(s)

Elven adoption: I nominated this with Kidnap Dads in mind (if you go that route I love fluff for them as well as more nuanced/complicated takes on the situation, but whatever you do don’t make M&M cruel, and please include Maedhros as a parental figure alongside Maglor)...but hey, it could work for Fingon (and Maedhros) adopting Gil-galad! What are traditions around elven adoption? Are there soul bonds created between the adoptive parents and children? Was adoption even a thing in Aman, or is it only practiced in Middle-earth? Did elves adopt mortals and vice versa? Is adoption extended to found family other than a parent-child situation? How is adoption viewed by elvish society, especially if inheritance/succession is a concern? Suggested Character(s): Maedhros, Fingon, Elros Tar-Minyatur, Elrond

~~~

The Silmarillion: Noldorin Politics

Original Fëanorian follower(s) who turned on their lords at Sirion: Okay, this is a character tag, but I’m absolutely obsessed with this line: “For the sons of Fëanor that yet lived came down suddenly upon the exiles of Gondolin and the remnant of Doriath, and destroyed them. In that battle some of their people stood aside, and some few rebelled and were slain upon the other part aiding Elwing against their own lords (for such was the sorrow and confusion in the hearts of the Eldar in those days).” Who were these people who followed the Fëanorians into exile, into a Kinslaying, through the burning of the ships, through 30 years of Maglor as a king-regent incapable of treating with the Nolofinwëans, through the scattering of their lords and the harsh conditions of the North, through the Bragollach and the Nírnaeth and a “wild and woodland life” and the Second Kinslaying (where some of them went as far as to abandon children in the winter woods to die because they thought it was what their lord/s would want), through isolation and hatred from every other elven group, through the plan to attack a refugee camp—through ALL OF THAT, and THEN they turn on their lords at Sirion??? Why betray your lords NOW? And the people who DID keep following them after that (after kidnapping children!!!), what were they thinking?? — I firmly believe that Maedhros has many escapees from Angband in his service who are ride or die for him and whose morality was somewhat warped by Angband, but what about Maglor’s followers? Caranthir’s? Ambarussa’s? Even Celegorm and Curufin’s?? There’s just SO MUCH potential for story here, I’m dying to read about them!

Noldorin lines of succession: Was It Sexist Or Was It Not: The Eternal Question aka Why Didn’t Idril Become High Queen After Turgon? Also, what does “eldest of the house of Finwë, and not the least wise” even MEAN, Maedhros?? How did Gil-galad come to power? I find it hard to believe he became king immediately after Gondolin fell; was it a wartime power grab? A battlefield promotion? How did the kingship get established in the first place? Why was Finwë chosen to go with Oromë to Aman? Was Maglor ever really king, or did he only rule as a regent for the missing Maedhros? Suggested Character(s): Finwë, Gil-galad, Maglor

Origins of Gil-galad: I am always so interested in takes on Gil-galad’s parentage. My favorites are Russingon baby Gil (through trans mpreg or adoption, both are good) and secret peredhel Gil (probably an Aegnor/Andreth baby adopted by Orodreth), but I also love Finduilas Is Gil-galad and honestly, any situation is fascinating here—just convince me! A possible way to explore this is through Outsider POV; some noble or historian trying to figure out just what the heck is up with Gil-galad. His parentage being confusing in-canon is so fun!! Suggested Character(s): Gil-galad, Original Nobility of the Noldor

Maglor's Kingship between Maedhros' capture and rescue: Was Maglor ever really king? Did he give up on Maedhros early on, or did he cling to the hope that he still lived? Did his brothers turn to him for support, or did they connive to take responsibility from him? The rift between the Noldor wasn’t healed until Maedhros’ rescue; did Maglor try to cooperate with Fingolfin, or did he keep his people isolated? Was he relieved when Maedhros came back and took responsibility, or was he resentful to lose his power? How does this situation (and Maglor not going to rescue Maedhros) affect M&M’s relationship later on? Suggested Character(s): Maglor, Original Fëanorian follower(s)..., Curufin, Caranthir

Dwarf-Elf relations in the First Age & Dwarf-kingdoms: Dwarf-friends!!! Yes!!! I love elves and dwarves being buds (or partners if you’d like to go that route!) <3 IIRC, Curufin learned Khuzdul, and I’m sure Celebrimbor did too; Caranthir was supposedly rude to the dwarves, but what if that’s just his (and their!) love language? How did relations between the Sindar and the dwarves sour over time? Maedhros was friends with Azaghâl; how did that relationship begin? How did Finrod’s contract with the dwarves blossom into a real friendship? Eöl was also buddies with the dwarves; did he ever bump into Curufin or Caranthir while at a trade festival or something? And the dwarf kingdoms of the First Age are fascinating on their own, too; what was the political structure like? Did the dwarves bring items from the other side of the mountains into Beleriand? How did the petty-dwarves get exiled? What happened to Nogrod and Belegost in the War of Wrath, and were they ever re-established after the sinking of Beleriand? Suggested Character(s): Curufin, Caranthir

Guilds and Noble Houses of Tirion: Give me a Tirion political drama! Finwë trying to appease his lords and craftseldar? Indis integrating into Noldorin society and making connections with the noble houses? Arranged marriage situation between Nolofinwë and Anairë? The younger princes running amok and causing chaos in their elders’ carefully-laid plans and delicately balanced alliances? Suggested Character(s): Finwë, Indis, Original Nobility of the Noldor, Curufin, Caranthir, Maglor

Roles and Responsibilities in the Noldorin Royal Family: There were oodles of princes in Valinor. What did they all do? How did they get the followers who came with them to Middle-earth? Were they free to pursue their own crafts, or did they have responsibilities to the common people? How did this change in Middle-earth when suddenly everyone was in danger and had more pressing needs? What is it like being a re-embodied royal in a society that’s adapted to life without you? Suggested Character(s): Finwë, Indis, Maglor, Curufin, Caranthir, Gil-galad

Fashion as Political Statement: This is an excuse to request Color Coding Politics. Fëanorian red! Nolofinwëan blue! Findis wearing Aggressively Neutral White! Lalwen in orange? Arafinwë in yellow? Finwë in an amazing technicolor dream-coat...or more likely just red, showing his bias once more? Art of this would be absolutely fantastic. I have lots of headcanons about color politics; feel free to ask me about them if you choose this option. Suggested Character(s): Curufin, Caranthir, Gil-galad, Finwë

~~~

The Silmarillion: Trauma & Religion

War of Wrath: For a war that took so long and had such wide-reaching repercussions, we really don’t have very many details about this. It’s free real estate, basically! I have my favorite characters (Maedhros, Maglor, Elrond, Elros, Gil-galad...) that you could use to explore this time period, but literally anyone who’s alive at this point is fair game. And OCs! What do the Noldor and Vanyar (and Telerin sailors) feel about the War and interacting with the war-weary exiles and Sindar and Men of late-stage Beleriand? What kind of culture shock/culture clash is there? Were re-embodied exiles permitted to return to Middle-earth, or were they barred from going to war again? Suggested Character(s): Original Noldorin Character, Original Vanyarin Character

Trauma after the War of Wrath for elves and humans & Exiles adjusting to life in the Undying Lands post War of Wrath & Dealing with psychological trauma in Valinor: Trauma was commonplace in Beleriand, but not so much in Valinor. What’s it like for exiles who sail West to be in a society that doesn’t know how to support them? Are the Valar having to learn how to deal with the trauma of living elves super quickly, or are they reticent to change? How do the exiles interact with their re-embodied kin? What do the Vanyar and other Amanyar think of these elves who have been so deeply hurt? What kinds of treatises on psychology are penned by scholars with little to no previous experience? What is therapy like in Valinor? Do the exiles get together for support groups since no one else understands them? Or did the trauma of the Darkening and the First Kinslaying wake up the Amanyar and get their act together before then; are the exiles surprised by the structures already in place to support them? And what about Avari who have been dying steadily all this time from accidents and incidents in Middle-earth? If they’ve been re-embodied, how do they engage with the Eldar who have similar traumas? Suggested Character(s): Estë, Finrod, Maeglin, Original Noldorin Character, Original Vanyarin Character, Rúmil, Any Avarin Elf Character(s)

Worship of the Valar and Religion & Avarin religious culture: Do the Vanyar really worship the Valar, or do they seem them as hyper-powerful neighbors? What are priests and priestesses like in a world where the gods walk among you? How does each kindred of the elves interact with the Valar? Are Maiar viewed as equal worshippers/servants or as deities in their own right? Do the Avari even know about or acknowledge the Valar? Do they worship the stars, or simply Eru? Suggested Character(s): Pengolodh, Rúmil, Any Avarin Elf Character(s)

~~~

Middle-earth Legendarium: Magic & Spirits

Afterlives: This is pretty vague, but I think it’s referring to the various kinds of afterlife. What are the Halls of Mandos like? What happens to spirits who don’t go to Mandos? Do Men pass through Mandos on the way to Beyond? What happens to Men? Are they reincarnated in the more traditional understanding of the word, do they go to some other realm similar to Arda, are they just endlessly partying it up with Eru? Do dwarves really go to the Halls, or is that just a superstition? And of course, what about orcs? Suggested Character(s): Námo

Fate of orc souls after death: Yeah, really, what about orcs? If the orcs were originally elves twisted into Morgoth’s servants, are their spirits still elven? Are they reborn as they once were, elven despite their life as an orc? What about orcs who are many generations removed from their elvish ancestors? Do they have fëar? Can orcs be rehabilitated? I refuse to accept that all orcs are inherently evil; but what does everyone believe in-universe? Suggested Character(s): Námo, Original Orc Character(s)

Foresight and Prophecy and Doom: I’m honestly not sure if this fanon or canon, but Finarfin and his line having foresight through Indis is a wonderful concept and I’d love an exploration of that. How accurate is foresight? Can fate be circumvented? Are prophecies like the Doom of the Noldor self-fulfilling, or are they warnings about possible futures, or are they curses upon people? If you have a high Doom upon you, does that end with your death, or does it follow you to Mandos and beyond? Suggested Character(s): Námo, Finarfin

Songs and Words of Power: Rap battles with Sauron! ...joking aside, song as magic is just fascinating to me. How does this connect to the Ainulindalë and the Song of the World? The elves named themselves Quendi, the Speakers; how do they view the power of words and their ability to change the world around them? Can music be used as a force of destruction or a weapon (battle bard Maglor)? Can it be used to manipulate someone’s mind (Sauron)? Suggested Character(s): Maglor, Sauron

Stars and Starlight: “All light is sacred to the Eldar...but wood-elves love best the light of the stars.” Okay, sorry for being a Hobbit movie apologist on main, but I do love Tauriel! How do elves view starlight? Is it holy, or are the stars more like their friends and guides? Did the Avari choose to remain in Middle-earth partially because of their love for the stars, which were drowned out by the light of the Trees? How does Eärendil feel about being a star; does he feel blasphemous or holy? What legends and superstitions are there among Avari and Men and others who don’t know the origins of Gil-Estel about the new star in the sky? Suggested Character(s): Morwë, Eärendil

The Unseen Realm: This is the in-between world where Frodo goes when he wears the ring, the world that the Nazgûl in their half-life inhabit. Are Ainur able to slip into this realm at will? Did Gandalf walk invisible in Gondolin? How does Sauron manipulate this realm to his purposes? Is this where elves go if they fade? (I don’t usually like Maglor fading, but it could be an interesting way to explore this...) Suggested Character(s): Námo, Sauron, Nazgûl, Maglor

Magical Artefacts & Magical Communications: Palantíri! Galadriel’s mirror! Ósanwë! All sorts of cool ways to talk with magic. Do the Rings of Power enable long-distance ósanwë? Did the Silmarils contain pieces of Fëanor’s soul? What other marvelous magical creations were there that didn’t make it into the Legendarium we know? Suggested Character(s): Sauron, Maglor, Eärendil

~~~

Middle-earth Legendarium: Politics & Lore

Feudalism between Eldar and Edain: We have Edain entering into the service of Noldorin lords (Bëor and Finrod, Hador and Fingolfin, Amlach and Maedhros) and land being given to Men by elves (or not, in Haleth’s case)...how far did this feudal relationship extend? Were the Edain mostly autonomous or were they very much bound to their elven lords? Were there common elves who paid tribute to Edain lords? Can any relationship between elves and Men truly be equal if this is the way they originated? Fealty kink? Suggested Character(s): Curufin, Original Elf Character

Fourth Age Tirion: What’s Tirion like with a bunch of dead people walking around living again, and a bunch of weird legends now imposing in daily life? What’s the first meeting of Rúmil and Pengolodh like—who geeks out over whom? Are the Fëanorians back yet? Is the average elf even really aware of all the nonsense that happened in Middle-earth, or are they extremely unimpressed with King So-and-So of a square of land that’s now underwater trying to cut them in line at the coffee shop? Suggested Character(s): Original Elf Character, Pengolodh, Rúmil of Tirion, Celebrimbor, Elrond, Galadriel

Relationship between Noldor and Dwarves: See “Dwarf-Elf relations in the First Age & Dwarf-kingdoms” in my Silm request for a starting point...but also, was Elrond’s Last Homely House open to dwarves? How did Galadriel come to respect the dwarves, especially after her Sindar kin grew to hate them? Suggested Character(s): Curufin, Celebrimbor, Elrond, Galadriel

Timekeeping between the Death of the Two Trees and the Rise of the Sun and Moon: Tolkien’s math drives me ABSOLUTELY INSANE. His timelines are contradictory, I get headaches just thinking about the length of elf pregnancy, what does aging mean for an immortal species, WHY ARE TREE YEARS LIKE THAT and WHAT IS A YÉN? Please try and make sense of this for me, I beg of thee. I’m especially interested in the time period between the Death of the Trees and the Rise of the Sun and Moon. Did the Noldor wander the Helcaraxë for 3 years or 30? How long was Maitimo in Angband? Did the Sindar even realize something was different? How did people start calculating Sun years? When was the calendar of the First Age adopted? Who did all this math? Is there an in-universe explanation for these contradictions? Do people fight over math? Do the Ainur experience time the same way the Children do? Did some Noldo genius come up with a timekeeping system that worked with the Moon, only for the Sun to come along and muck it up? Suggested Character(s): Pengolodh, Rúmil of Tirion, Original Elf Character, Fëanor - really any scholarly character, tbh!

Treatment of Angband's Escaped Thralls: Which kinds of escapees choose to go to Himring with Maedhros the Tall, and which choose to go to Gondolin and the House of the Hammer of Wrath? Was Rôg an escapee too? Can Maedhros really tell who’s been turned by the Enemy? Does Thingol have the right of it in turning away thralls from Doriath? (If he even does that, I’m now researching this and I’m not sure it’s actually canon...) What was it like for Maedhros and Gwindor to readjust to elven society? Did Elrond grow up surrounded by Fëanorian followers who escaped Angband, and is that where he learned healing? Suggested Character(s): Original Elf Character, Elrond

In-universe authorial bias in historical texts: All of the Legendarium is a history, which means there’s bound to be unreliable narrators. Was Maeglin really as evil as the story says? What gets left out of the narrative? What gets lost in translation? Who lives, who dies, who tells your story? Suggested Character(s): Pengolodh, Rúmil of Tirion

Trade in Middle-earth: What was trade like in First Age Beleriand? What about Second Age trade between Númenor and the mainland? Was Ost-in-Edhil a trade hub? After Sauron returned and traveling became dangerous, what intrepid traders braved the wilds for the sake of goods and money? How was currency developed around the world? Suggested Character(s): Curufin, Celebrimbor, Elrond, Galadriel

Orcs Surviving the Wars: Again, I don’t believe that all orcs are irredeemably, inherently evil. Were they persecuted and stamped out after the Ring War, or did some escape and adapt to a life without a harsh overlord? What’s orc agriculture like? Would Elrond take a chance on rehabilitating an orc in Rivendell? What if orcs were more complicated all along, and it’s the histories that simplified them to cardboard-cutout villains? Suggested Character(s): Original Elf Character, Pengolodh, Celebrimbor, Elrond, Galadriel

~~~

The Adventure Zone: Balance

My only non-Tolkien request, oops. Don’t think I’m not as interested in this request, though; I’m the only one who nominated for it, so I picked my very favorite concepts and I’d love to see what you do with them!

Angus McDonald’s Grandfather: This guy’s name was lost to time, and he loves silverware, and he has a grandson, and that’s pretty much all we know about him. Was he involved in the Relic Wars somehow? Did his name get eaten by the Voidfish? I imagine he’s a rather eccentric fellow; how much of that did he pass on to Angus? Is he even real, or was Angus lying to Tres Horny Boys about his destination?

Any Wonderland Adventurer(s): I’d love to see what happens to the other people who go to Wonderland before our boys. Do they all die? How many get what they want and get out? Do any of them have weaker moral compasses than THB and agree to advertise for Edward and Lydia? What if Edward or Lydia fell in love with an adventurer and trapped them there? What kinds of things do people sacrifice to the Wheel? We know about the Escape Game and the Healing Game; what about the Recovery Game? How long has Wonderland been around? How has it evolved over time? What was it like before Edward and Lydia got ahold of the Animus Bell? How did they get ahold of it? (Personally I think Barry just gave it to them...but did he have to go through the trials first?)

Differences within species between the Two-Sunned World and Faerun: I love the fanon that Two-Sun elves are juuust a little different from Faerun elves...like Taako’s echolocation, for example. But what if this applies to the other species like gnomes and dwarves and even humans? How are the Seven Birds just a liiiitle off from everyone else around them? Also, Cat Elves. This is an excuse for Two-Sun Cat Elves. GIVE TAAKO A TAIL. (I mean, or not, do what you want, but I’d love to see that, lol.) Suggested Character(s): Any Member(s) of the IPRE, Original Character(s)

Reclaimers before Tres Horny Boys: Who were the other Reclaimers? Who did Lucretia trust to carry out this dangerous mission? How did they all each, inevitably fail? What if Magic Brian was a Reclaimer gone wrong? What was the last straw for Lucretia, the last failure that made her scheme to get her boys back? And the other Reclaimers weren’t officially disbanded right away; how did they feel about the new guys in town, and losing their jobs to these doofuses? Suggested Character(s): Lucretia, Original Character(s)

The Relic Wars: There were wars about the Relics!!! Wars!! That everyone forgot!! Wars where people that THB knew died!! And then we never get into this in canon! It drives me nuts! I would love to see an exploration of this chaotic time period, what the IPRE did to mitigate the damage, which relics were obvious and terrifying and which were secret and terrifying, etc... I’ve written a bit about Relic War-era Hurloane, but what were the other NPCs doing? (Or Hurley and Sloane too, I’d love to see your take on them too!) When Lucretia wiped everyone’s memories, what was lost? (I suspect Angus’ Grandfather got caught up in that...) How did those missing memories lead people to the Bureau of Balance? Suggested Character(s): Lucretia, Any Member(s) of the IPRE, Angus McDonald’s Grandfather

The Robot World's crystal post-Story and Song: The IPRE promised to return the Robot World’s crystal if they ever managed to defeat the Hunger...and we know they can plane hop from the casino liveshow...so, did they ever return the crystal? How did that go down? How does the Robot World rebuild itself? And if we’re going into it being the (K)nights Arc’s setting, are there other characters than Troth that we might recognize? Suggested Character(s): Magnus Burnsides, Lucretia, Any Member(s) of the IPRE

Worlds that survived the Hunger: In the worlds where the IPRE found the Light of Creation before the Hunger arrived, what was it like for the people there who had to endure the Hunger’s attack? What was the scope of the destruction? How did they rebuild afterward? Does uniting against a common enemy bring the people of the world together and create more Tesseralia-like societies? How many people knew about the IPRE, and what did they think about them? When they hear the Story and Song, what’s the reaction? If they didn’t know about the IPRE what myths do they create to explain the Hunger? Suggested Character(s): Lucretia, Original Character(s)

~~~

Alright, that’s the end of my prompts/requests! Thanks for reading this far, and whatever you end up writing for me I am super excited to read it!! And if you have questions or ideas or something, my askbox is open and I have anon messages on, I’d love to talk! Thank you again for creating for me, you are the best! <3

#tmi anna #worldbuilding exchange #exchange letter

3 notes · View notes

merrybandofmurderers · 3 years

Note

how are you so racist and ignorant while masquerading as woke??? you writing about mage rights doesnt make you an activist. and your shitty tropes and gross consumption and creepy portrayals and enjoyment of stuff from other culturs and brown paper dolls is nasty. whhy dont you actually do the work instead of pretending? cuz people of color are countin on you and your fake wokeness is gonna hurt them

first of all, i think i’ve written like one? maybe two things? about “mage rights”. like, yes i’m invested in the mage storyline due to the way bioware handles them with their awkward oppression metaphor and i’ve reblogged plenty of posts about it, but also mages aren’t like, real. i’ve definitely written more on behalf of the shitty handling of bioware’s elves and generally poor handling of their queer characters and characters of color and vivienne specifically (and i definitely reblog stuff by fans of color about bioware’s racism)

(if this is about my defense of anders, i’ve read posts by several muslim fans of late and i realized i’ve probably reblogged posts/made comments that were islamophobic or bordering on it; i will go through my blog to delete/fix the posts i can find)

second, in regards to shitty tropes, gross consumption, and creepy portrayals: is this about the fic i write? the fic/art i reblog? is this becuz of something i ship (fenders? adoribull? pavellan? varricass?)? is this because i like enemies-to-lovers and heavy angst? becuz i like age differences and exploring power dynamics? because i like grappling with the darker side of things like consent and trauma? specifics would be helpful

wrt my pavellan fic specifically, there were problems in early versions in dealing with racial issues and there was an instance of criticism i didn’t handle well, i admit; i’ve since fixed those to the best of my ability. i have been guilty of reblogging questionable art/edits of fenris and sten; i’ve gone through my blog and deleted those i could find. i avoid content that makes light of abuse or rape

third, i’m afraid i don’t know what you mean but “enjoyment of stuff from other cultures.” did i use an inappropriate pic for an edit? something culturally appropriative in a picrew? i will go back and look, but a starting point would be helpful

fourth, brown paper dolls. all right. so look. i have 60+ characters (90 something including kids). i know for most ppl in fandom, they have 1-3 characters that get the most attention, that the creators are most invested in, and in many cases are a personal representation in some way. that is not how it works for me

my characters are racially (and gender/sexually diverse) because thedas is diverse. making characters is by far my favorite part of story writing, and honestly if this were a novel with sixty ocs and they were all white, it would be weird (in fact i have seen ppl called out for making “too many” white ocs). i have characters from all over thedas with different backgrounds. pieces of myself go into my characters but none of them are a representation of me. i’ve never hidden my race or used my characters of color as a mouthpiece

i’ve also never worked under the illusion that my characters of color will ever be as authentic or deep as those made by creators of color. i put in a lot of effort to flesh them out and avoid relying on stereotypes (which is something i’ve had to improve on over time, i admit) and i like sharing them with my followers, but i know there will always be a level of authenticity i can’t provide, and i’ve always done my best to support creators of color because of that

i know there are some character designs i didnt put too much thought into and i’m presently working on fixing that. i need to work on finding more accurate faceclaims and i’ve closed that page until i’ve done so. i have a lot of ocs, and i simply cannot give them all equal attention at once. if a character seems shallow its becuz i havent found the time/spoons to talk about them or its ruminating in my mental headspace until i can focus on it

if there is something egregious i have overlooked, again, i would deeply appreciate a starting point

lastly, this is the second message to this effect i have received. i don’t know if it’s by the same person, but since i received the last one i have been trying, and it’s distressing to know that hasn’t shown. i don’t know what words to use to express how hard i am trying. i thought i was being aware, i thought i was rectifying my problems, i know i can’t catch everything but i thought i was doing everything i could

look, i know it’s not anyone’s job to educate me, but since you have taken the time to contact me about this, it would be vastly helpful if you could give me something, anything specific, as a starting point. i’ve thought so much about this, i thought i’d identified the problems, and i thought my actions showed that. but if they haven’t, then obviously i am missing something and i need help. if you could give me that, i would deeply appreciate it

EDIT: also pls no one comment on this unless you are a poc

#ask #anonymous #you know what one thing i do need to do better on is calling out whitewashing i will start doing that #also for a while i was tagging shitty fandom stuff as 'fandom bullshit'#i thought it evident the 'bullshit' referred to the bigotry being called out #but i realized it could come across as trivializing the matter so i've since changed that tag to 'da fandom'#since my efforts haveapparently not been enough i dont know how else to express my genuine desire to change than to ask for help

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diepower · 4 years

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THE MEGA RP PLOTTING SHEET / MEME.

First and foremost, recall that no one is perfect, we all had witnessed some plotting once which did not went too well, be it because of us or our partner. So here have this, which may help for future plotting. It’s a lot! Yes, but perhaps give your partners some insight? Anyway BOLD what fully applies, italicize if only somewhat.

MUN NAME: Kaiman AGE: 27 CONTACT: IM, ask, discord

CHARACTER(S): Meninas McAllon, Orihime Inoue, Retsu Unohana, Mashiro Kuna, Tier Harribel, Charlotte Chuuhlhourne

CURRENT FANDOM(S): That I write in? It’s gonna be Bleach, OVW (super selectively im just here for one person), ASOIAF (barely- literally when the mood strikes and that one is private also). I have a lot of current interests in general though.

BLEACH FANDOM(S) YOU HAVE AN AU FOR: While I don’t have anything fully established... I’ve been working with an ASOIAF au (for Harribel & Unohana specifically, though I’m considering it with other characters too), A Dorohedoro AU (for Unohana and Orihime), as well as a Persona AU (more specifically 2&3) for Orihime. I’ve also got a number of post-canon AUs or continuities for all my characters as well!

MY LANGUAGE(S): English, super basic Spanish, barest ASL, fairly good French

THEMES I’M INTERESTED IN FOR RP: FANTASY / SCIENCE FICTION / HORROR / WESTERN / ROMANCE / THRILLER / MYSTERY / DYSTOPIA / ADVENTURE / MODERN / EROTIC / CRIME / MYTHOLOGY / CLASSIC / HISTORY / RENAISSANCE / MEDIEVAL / ANCIENT / WAR / FAMILY / POLITICS / RELIGION / SCHOOL / ADULTHOOD / CHILDHOOD / APOCALYPTIC / GODS / SPORT / MUSIC / SCIENCE / FIGHTS / ANGST / SMUT / DRAMA

PREFERRED THREAD LENGTH: ONE-LINER / 1 PARA / 2 PARA / 3+ / NOVELLA (2para is a sweet spot but it really doesn’t matter to me)

ASKS CAN BE SEND BY: MUTUALS / NON-MUTUALS / PERSONALS / ANONS.

CAN ASKS BE CONTINUED?: YES / NO ONLY BY MUTUALS?: YES / NO

PREFERRED THREAD TYPE: CRACK / CASUAL NOTHING TOO DEEP / SERIOUS / DEEP AS HECK.

IS REALISM / RESEARCH IMPORTANT FOR YOU IN CERTAIN THEMES?: YES / NO.

ARE YOU ATM OPEN FOR NEW PLOTS?: YES / NO / DEPENDS.

DO YOU HANDLE YOUR DRAFT / ASK - COUNT WELL?: YES / NO / SOMEWHAT. (i let them build up too often but some of yall are too quick to reply jkglfjdgsd)

HOW LONG DO YOU USUALLY TAKE TO REPLY?: 24H / 1 WEEK / 2 WEEKS / 3+ / MONTHS / YEARS / DEPENDS ON MOOD AND INSPIRATION, AND IF I’M BUSY

I’M OKAY WITH INTERACTING: ORIGINAL CHARACTERS / A RELATIVE OF MY CHARACTER (AN OC) / DUPLICATES / MY FANDOM / CROSSOVERS / MULTI-MUSES / SELF-INSERTS / PEOPLE WITH NO AU VERSE FOR MY FANDOM / CANON-DIVERGENT PORTRAYALS / AU-VERSIONS (italicized are okay, but under really specific circumstances)

DO YOU POST MORE IC OR OOC?: IC / OOC.

ARE YOU SELECTIVE WITH FOLLOWING OTHERS?: YES / NO / DEPENDS

BEST WAYS TO APPROACH YOU FOR RP/PLOTTING: I’m pretty anal about plotting in that I often refuse to RP unless it’s been plotted or I liked a starter call. And in the case of the latter, I’ll still hop into DMs to plot further depending on where the thread takes us. That said, the best way to reach me is through IMs or Discord (available on request). The only time I turn down plots is if I feel like it would put my character in an OOC situation, and I especially dislike my character being one-sidedly used as a tool to further another character’s development without anything being reciprocated (this happens often especially wrt my healer characters)

WHAT EXPECTATIONS DO YOU HOLD TOWARDS YOUR PLOTTING PARTNER: Communication is really important to me, especially with regards to comfort regarding certain plot elements, and approaching other in-character situations that might have multiple different solutions. I think it’s important that both characters involved get the same amount of development out of writing a thread, and I really hate the idea of being imbalanced as far as that goes (more on that below). That said, I’m always perfectly down to spitball plot ideas and tweak/refine other concepts because I really do enjoy plotting, it’s just super important to me that things are communicated clearly. I get extremely distressed and frustrated IRL if people just kinda throw stuff at me, and it often kills my muse.

WHEN YOU NOTICE THE PLOTTING IS RATHER ONE-SIDED, WHAT DO YOU DO?: I make an active effort to come up with plots that are engaging and beneficial fairly equally to both parties. I mentioned this above, but especially in the case of writing my healer characters, I have a huge disdain for characters being used as tools to further development while getting nothing substantial in return. That said, I try to be very aware of this in terms of a potential writing partner being on the receiving end. IMO it feels like shit, but I definitely don’t want to make someone else feel that way either. That said, so long as stuff is plotted out clearly and me and the writer are both okay with it, then it’s fine. COMMUNICATION IS KEY, BASICALLY.

HOW DO YOU USUALLY PLOT WITH OTHERS, DO YOU GIVE INPUT OR LEAVE MOST WORK TOWARDS YOUR PARTNER?: I kinda just like to throw spaghetti at the wall and whatever sticks, I’m down to fly with. I have a lot of ideas, but again, I like to give my partners the option of doing whatever they’re comfortable with, and h aving equal contribution opportunities.

WHEN A PARTNER DROPS THE THREAD, DO YOU WISH TO KNOW?: YES / NO / DEPENDS.

- AND WHY?: Everyone has their own circumstances, I really don’t mind. If it’s one I’ve been especially looking forward to, I might be bummed, but it’s no skin off my nose really.

WHAT COULD POSSIBLY LEAD YOU TO DROP A THREAD?: I don’t typically drop threads or abandon them during their writing. The only thing that would make me do so is offensive content, or huge plot elements being introduced that makes my character ooc and wasn’t previously discussed during plotting.

WILL YOU TELL YOUR PARTNER?: YES / NO / DEPENDS.

IS COMMUNICATION IN THE RPC IMPORTANT TO YOU? YES / NO.

-AND WHY?: I already feel like I need to take a lot of extra steps to understand others and be understood, and that isn’t something often reciprocated. In my experience, just honest communication is the quickest solution to issues that crop up during writing. For those who HAVE actually had me reach out to them in this way, I really do try to be polite and respectful while being straightforward so the situation can be resolved without any hurt feelings.

ARE YOU OKAY WITH ABSOLUTE HONESTY, EVEN IF IT MAY MEANS HEARING SOMETHING NEGATIVE ABOUT YOU AND/OR PORTRAYAL?: As long as it’s constructive, and not merely negativity, I welcome it. After all, I can’t fix a huge flaw in my writing without having an alternative solution. I’m open to accepting feedback and critique, especially wrt Meninas since my portrayal is quite a large departure from popular fanon perception (from those who choose to pay attention to her, lol), but I also thrive on suggested remedies and solutions to issues in my writing.

DO YOU THINK YOU CAN HANDLE SUCH SITUATION IN A MATURE WAY? YES / NO.

WHY DO YOU RP AGAIN, IS THERE A GOAL?: I like to tell stories, and I like to tell narratives that take root in emotional expression and how those feelings can act as a vehicle to the storytelling. I want to move people through feeling, because it can be a powerful experience. I use a lot of inspiration from themes in my other favorite series, as well as inspiration from my own personal experiences as well. I tend to pick characters who have one or two traits in common with myself, whether those be negative or positive. I’m very excited to share all the things I have planned for Meninas, as she’s certainly my most ambitious project to date.

WISHLIST, BE IT PLOTS OR SCENARIOS: For Meninas specifically, I want to interact with Squad 11 and Squad 9 during the CFYOW verse I have planned. Hisagi specifically would be interesting because of the clash of ideals, in addition to being the only other living person to be able to relate to the horror of being under Pepe’s thrall. I’d also like to steal Ikkaku’s bankai, and have more fight scenes. Lastly, Meninas doesn’t do much of anything in CFYOW, so more interactions with Mayuri and Squad 12 would be cool.

THEMES I WON’T EVER RP / EXPLORE: I don’t mind briefly referencing darker themes in my writing, especially wrt my own personal experiences, but I want to be very clear that I refuse to write at length or romanticize these themes. I refuse to write anything involving rape, homophobia, transphobia, racism, pedophilia, etc, with this in mind.

WHAT TYPE OF STARTERS DO YOU PREFER / DISLIKE, CAN’T WORK WITH?: Unless previously discussed, I struggle with starters that have a character pushing mine away. If the situation is super OOC for my character to be in, or frankly too mundane. In Meninas’ case, most domestic stuff is a snoozefest for me (but I LOVE this for other characters).

WHAT TYPE OF CHARACTERS CATCH YOUR INTEREST THE MOST?: *saoirse ronan voice* Women. UHHH but no, for real... I like fleshing out female characters quite a bit. Personality types are varied, but I like characters who have some level of nuance to their emotional expression whether it’s an internal or external struggle. I like powerful women too, and the exploration of “strength” as a theme (esp at the intersection of the theme of “femininity” and its expressions) whether this is external strength or internal fortitude. I think I play a wide variety of characters who have vastly different thoughts, beliefs, and forms of expression, but I try to find something in common with who I portray to act as a touch stone. I also like characters who have themes of “justice” and nuanced morality.

WHAT TYPE OF CHARACTERS CATCH YOUR INTEREST THE LEAST?: 99% of male characters. And I also hate tsunderes gjklsdjfd

WHAT ARE YOUR STRONG ASPECTS AS RP PARTNER?: I really like my writing style especially wrt using emotion to set a cinematic scene and overall tone. I think I’m really strong with conveying emotion, especially with things that are often unspoken. I try to communicate with partners clearly and establish rapports. I love writing headcanons and have a TON of plot ideas as well.

WHAT ARE YOUR WEAK ASPECTS AS RP PARTNER?: Oh I’m the slowest replier on the planet and I’m apparently intimidating lol

DO YOU RP SMUT?: YES / NO / DEPENDS.

DO YOU PREFER TO GO INTO DETAIL?: YES / NO / DEPENDS (i prefer to go into detail about sensations, rather than the actual acts as it comes off stifled and weirdly technical)

ARE YOU OKAY WITH BLACK CURTAIN?: YES / NO

- WHEN DO YOU RP SMUT? MORE OUT OF FUN OR CHARACTER DEVELOPMENT?: Honestly I just do what Meninas tells me.

- ANYTHING YOU WOULD NOT WANT TO RP THERE?: Kink stuff is weird territory for me, absolutely gotta be discussed in private and comfort levels clearly established.

ARE SHIPS IMPORTANT TO YOU?: YES / NO. Relationships in general rule, and while I do have a romantic ship that plays a large part in Meninas’ plot, the romance comes secondary to the plot itself. I really enjoy writing and developing romances, but more than that I like establishing connections. I love the relationships I’ve got planned with Giselle, Candice, Liltotto, and Bambietta because there are going to be a LOT of drastically different things that inform my portrayal of Meninas coming from these relationships (both positive and negative, but ultimately places of growth).

WOULD YOU SAY YOUR BLOG IS SHIP-FOCUSED?: YES / NO. Like I said, plot comes first. And especially in the case of Meninas, she has a lot of self exploration and reflection to do before she can engage in a healthy relationship or address any feelings of romance. I do place a large focus on the formation of her relationships and how they shape the way she relates to other people and grows as a person, but I am extremely sensitive to making sure I’m not writing a female character who’s entire development is dependent on a romance with a male character- perish the thought lol.

DO YOU USE READ MORE?: YES / NO / SOMETIMES WHEN I WRITE LONG STUFF.

ARE YOU: MULTI-SHIP / SINGLE-SHIP / DUAL-SHIP — MULTIVERSE / Singleverse.

WHAT DO YOU LOVE TO EXPLORE THE MOST IN YOUR SHIPS?: For Meninas, it’s a matter of her acknowledging, understanding, and accepting that she can be worth more than how useful she is to others. She had a series of traumatizing and character defining experiences regarding love, romance, and personal worth that strongly shaped the way she perceives her relationships to others and her emotional expression. Trust is another huge factor for me, Meninas needs to be around someone she believes in. Strength is another aspect. She likes someone who challenges her, keeps her on her toes, and is sturdy like physically. Because she’ll break you. THAT SAID- Meninas tends to be open wrt her body, but closed off when it comes to her heart. Hate to see it, love to write it.

ARE YOU OKAY WITH PRE-ESTABLISHED RELATIONSHIPS?: YES / NO. As long as the premise makes sense. I like relationships to have some matter of significance and planning, especially because of how I’ve written the way Meninas picks and chooses who to get close to in Silbern depending on what suits her interests. Genuine friendship is a weird thing for Meninas, as most of her relationships are formed out of convenience. If you aren’t useful to Meninas’ schemeing, then she has no interest in dealing with you beyond platitudes and keeping up appearances and will interact with you as such.

► SECTION ABOUT YOUR MUSE.

- WHAT COULD POSSIBLY MAKE YOUR MUSE INTERESTING TOWARDS OTHERS, WHY SHOULD THEY RP WITH THIS PARTICULAR CHARACTER OF YOURS NOW, WHAT POSSIBLE PLOTS DO THEY OFFER?: WE LOVE DUPLICITOUS WOMEN! No, but at the core of my Meninas characterization, the sentiment is “Everything is not as it appears” even down to the relationships she has with others. Meninas’ entire personality is constructed as a survival tactic from an early age (in addition to being a way to make herself more useful as a tool to others, and thus seen as having more worth in general), and as a result, she hasn’t really allowed herself to live life as a fully realized person. Her plots generally offer silent rebellion, playing a role in regards to her self presentation, chaotic mean girl level bullshit, and cool fights/training. Also you get to interact with a big buff lady. That said about her personality, it depends on the verse. CFYOW Meninas will be more unhinged, while post-CFYOW Meninas will be more honest and rowdy.

- WITH WHAT TYPE OF MUSES DO YOU USUALLY STRUGGLE TO RP WITH?: Muses who are standoffish or disengage right at the start. Meninas doesn’t interact with people without a certain purpose, so if they aren’t interested, she’s not going to be either.

- WHAT DO THEY DESIRE, IS THEIR GOAL?: Revenge, strength, redefining what “power” means in terms of how the world works. She wants to see the Shinigami dead for their role in her parents deaths, and feels the same about Yhwach.

- WHAT CATCHES THEIR INTEREST FIRST WHEN MEETING SOMEONE NEW?: Ability, potential threat, perceived strength, where loyalty lies; how potentially useful you can be to her.

- WHAT DO THEY VALUE IN A PERSON?: Strength both in a physical sense, but also in belief and convictions. Honesty, and understanding the flaws of the world they live in.

- WHAT THEMES DO THEY LIKE TALKING ABOUT?: Fighting, beauty, freedom, abolishing Quincy classism based on blood purity, music, fashion, blacksmithing.

- WHICH THEMES BORE THEM?: Blind loyalty to Yhwach, talking about the horrors of war as if it doesn’t concern them, Bambietta, Quincy supremacy,

- DID THEY EVER WENT THROUGH SOMETHING TRAUMATIC?: Her parents were killed in the first Quincy war and she was left abandoned and grew up literally fighting for her life and living on the streets. She often likens fighting pits to the bowels of Hell (and I often play with the ironic theme of crawling out of hell to appear as an angel or something divine). She is consumed by a quest for revenge, and strongly believes her ends will justify the means taken to fulfill her ideal. As a direct result of these experiences, her emotional health and maturity is severely affected, and she doesn’t view herself as a person worthy or capable of feeling as much as a tool who, in the right hands, can be utilized to bring about the revenge she craves.

- WHAT COULD LEAD TO AN INSTANT KILL?: (1) Men who feel non-consensually entitled to her body. That said, she’s done a fairly excellent job at maintaining control and an unassuming threatening nature despite the widely known understanding of her Schrift ability and how it augments. (2) Someone touching her Quincy cross, as it’s her most precious and private item. (3) Anyone who dares get in the way of her plans that can’t be manipulated in some other useful aspect.

- IS THERE SOMEONE /-THING THEY HATE?: Meninas hates Yhwach, and the Shinigami most predominately, but she also harbors disgust for Hollows as an instinct. That said, her young life was spent detached from Quincy culture (in addition to being a Gemischt and the inherent isolation that comes with that status), so despite her early induction into the Wandenreich ranks, Meninas does not harbor the same Quincy nationalism and loyalty that others of her race do. They’re a means to an end, and just happen to help her become stronger.

IS YOUR MUSE EASY TO APPROACH?: YES / NO. - Best ways to approach them?: She comes off as easy to approach, but if you want genuine Meninas I’m sorry the number you’re trying to reach has been disconnected. Goodbye!

SOMETHING YOU MAY STILL WANT TO POINT OUT ABOUT YOUR MUSE?: Everything I’ve written about her is based in headcanon! I’ve got both a lengthy biography as well as headcanons gathered in the sidebar links on my blog.

CONGRATS!!! You managed it, now tag your mutuals! ♥

TAGGED BY: @bazzardburner TAGGING: i think this has made its rounds so steal it!

#MEME / ANSWERED #HANDS OF THE DIVINE ; A SELF MADE CREATION / HEADCANON #ok take 2 dont delete all my bolded shit pls

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liesyousoldme · 4 years

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eddie’s asthma/anxiety & the meds he takes:

he doesn’t actually have asthma - it’s psychosomatic and usually interpreted to be panic attacks (though technically mr keene tells him he does have asthma, but it’s “not in his lungs, it’s in his head”). but as an adult he’s at the point that he literally uses his aspirator whenever he’s nervous so i personally believe it’s anxiety mimicking what he thinks an asthma attack would feel like (which wrt breathing can be similar to a panic attack).

i think he anxieties related to specific things, and that it was induced by his mom’s behavior. his mom’s fears definitely affect him and he becomes afraid of disease and sickness because he thinks he’s more susceptible to getting sick and his mom plants all these ideas in his head about the different diseases he could catch or the different ways he could get hurt and die. his internalized homophobia presents itself as fear of disease and fear of going to hell, but i don’t know that i’d consider him to actually have GAD. he’s more anxious than the average person but i think it’s due to his circumstances, not any anxiety disorder.

in the book as a kid he doesn’t actually take pills, it’s just his inhaler. his mom tells him he’s frail and delicate and takes him to the “mergency room” for things constantly but the only placebo he actually has is his inhaler.

he forgets that it’s a placebo though so when he tells myra as an adult that he has asthma he believes it’s true. for the most part as an adult he’s just majorly an anxious hypochondriac - constantly taking over the counter meds for the tiniest things, going to the doctor because he sneezed, believes he can easily get sick. at one point as an adult back in derry he actually admits to himself if he had remembered his asthma wasn’t real he never would’ve married myra, never would have been so unhappy or have a suitcase full of pills.

speaking of his pills: they’re actually listed in the book. his opening chapter starts with him emptying his medicine cabinet into his bag and after he gets through like four shelves of OTC meds and then you get to his last shelf:

“the bottom shelf is almost deserted, but the stuff which is here means serious business - you could cruise on this stuff, okay. On this stuff you could fly higher than Ben Hanscom’s jet and crash harder than Thurman Munson’s.”

he has Valium, which is a benzodiazepine and helps with anxiety. same drug class as xanax. You can get this prescribed say, before you have to go in for a procedure to keep you from getting freaked out

he has Percodan, which is a combo of aspirin and oxycodone.

he has Elavil, which is also known as amitryptilene. it’s a tricyclic antidepressant. however, it’s popular to abuse bc in high doses it causes a euphoric and sedating effect.

he has Darvon Complex, which is a narcotic i believe? it’s been removed from the market bc it has serious side effects to the heart

and then he has a tin of 6 quaaludes. highly addictive sedative that was popularly abused before being taken off the market. known for being incredibly addicting and having terrible withdrawal symptoms

he seems to be a little more conservative with taking them (especially the stronger ones) as compared to OTC medications. like, as an adult he takes excedrin or aspirin usually and only reaches for a pain pill when he gets his arm broken. it’s never said how he got the scripts or how often he uses them but my interpretation is that he uses them more for his anxiety than anything else, particularly the sedatives, but he uses the physical symptoms of anxiety as an excuse for needing them (muscle aches, headaches, insomnia, etc) but he recognizes they’re strong so i personally don’t believe he’s just popping prescription pills left and right (especially the quaaludes - he only has 6 and he even specifies them as being the strongest thing he owns; if he were using regularly he wouldn’t have just 6 hidden away in a tin).

i think it would be an issue for him as an adult to recognize he’s not taking medication because he’s Sick, he’s taking it because he’s Anxious. i have a feeling he would take the sedatives most often because anxiety can cause a lot of sleep disturbance. he’d maybe pop a valium (and then more over time, perhaps, as he builds up a tolerance) to help fall asleep. maybe an elavil on the weekend after a particularly shitty week. pain pills sparingly - like i mentioned, when his arm has the phantom pain he takes excedrin. when he has a headache he takes aspirin. he doesn’t pop a pain pill until his arm is literally snapped in half and that’s the only time we ever see him take a prescription pill in the course of the novel. i think he likely saves them for when he really needs them.

there is the theory that says eddie abuses these scripts a lot more than this (to what degree is debatable) because IT actually taunts him about how taking pills and drinking can be dangerous and because he specifically points out that these are meds that can get you high.

over time i’ve thought about this and have come to form my own opinion: eddie rationalizes most of his prescription med use. “i need this because i’m in pain” and “i need this because i can’t sleep.” part of him knows he shouldn’t be taking the valium every night, but he still rationalizes it away. he knows he shouldn’t use elavil to sleep a weekend away, but he tells himself everybody does things like that when they need to relax. he’s fine, it’s not hurting him, and maybe he shouldn’t do it but people shouldn’t drink and they do that! people shouldn’t smoke and they do that! besides, he takes care of his health in every other way, so it’s fine. but IT still recognizes the little voice in the back of his mind that knows it’s dangerous, especially when you mix any of them or take them with alcohol (which we don’t know his normal alcohol habits but he does drink in the library as an adult). so IT uses this fear that eddie tries his best to ignore against him.

so i think eddie would likely have some trouble getting off the valium, and he’d probably crave the elavil when he’s really stressed (not in a physical dependency way, just emotionally/mentally), and if he gets hurt he’d probably really want a pain pill, but i don’t think he has an impossible mountain to climb. the worst of it would be getting off the valium, which he probably would have a physical dependency on after taking it pretty regularly.

#ek meta #it meta #this actually has some new writing based on updated opinions

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somarysueme · 5 years

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WicDiv Thoughts, some overly personal

stiiiiiillllll can’t really put together my feelings about the end and epilogue. I will say that I liked the ending and epilogue more than I expected to*, and the longer I sit on it, I find more things to like about it.

(* Except for everything about Baal and Mini)

That said, there’s still that huge, unpleasant gap between what I wanted/expected this comic was supposed to be, and what it actually intended/was. I wrote this post after 43 (the “everyone does the thing” chapter), using bits of a half-written reaction to 39 ("Laura did the thing” chapter) to talk about that gap. I decided to sit on it til everything was said and done Just In Case, but I mostly still agree with what I’d written.

So Here Are My Thoughts

The full pantheon abdicating! This is basically where I expected us to go. Since 39 it seems like the natural place for the story to be headed. Laura’s revelations, along with the Daddy Forgive Us special made it clear that the only way out of the game was not to play it. I was kinda luke warm on that concept, but it made sense for where the story was at that point. I was waiting to see how it actually played out before getting fussy about it.

I give him a C for execution here. Maybe a C+.

I thought Dio’s moment was great. Jon’s was beautiful. Inanna’s I definitely could have gotten behind if he’d actually gotten to have any of that arc on the page instead of getting put on a bus 30 chapters ago.

The rest range from “meh” to “yikes.”

I could have liked this, I wanted to like this. Given how much “OKAY” has been miles more thoughtful than Mothering Invention, I was genuinely hoping to like this. I would have loved to see these kids find something more important than godhood to live for. But that’s not what we got.

We did get them realizing that being a god is not worth dying for. Which is good! And essential! And basically the central conceit of this comic!

But.

But...

I really wanted to see our cast value their lives period. And while there was some of that, there was far more of seeing them be humbled. We saw them beaten down until they had no choice but to admit they Were Not Special (or at least, were not as special as they thought). I was hoping for them to find a capacity to value their lives because their lives have value whether or not they are special, but instead it was a story about being humbled, and I guess to me, I just can’t see that what young queer artists need is help being humbled. They need help being valued as people, they need the internal presence of self to command that value be respected, and they need the external support to give them a fighting chance at that. And not to be That Fan, but that fighting chance doesn’t come from individual actions. It comes from worker solidarity and respect for labor as labor. It just doesn’t work for me to have a series around the exploitation and consumption of young talent and leave anything material about money and labor practices out of the material.

(McKelvie’s My (6000 F) pantheon has unionized joke, but unironically.)

Anyway this comic was all about Don’t Let This Happen To You. And that’s a good start, but I was hoping for it to be so much more than that. It could be that this is me looking at WicDiv and wanting it to say something broader about specialness and creativity and mental illness and exploitation.

(There’s a lot to be unpacked wrt presenting itself as a story about the whole world through all of human history, while also intending to be psuedoautobiographical for a very specific set of circumstances. But that’s not this post.)

It’s weird because like, Fandemonium already delivered masterfully on Laura learning to value herself outside of godhood. Laura’s last pre-apoptheosis soliloquy about “I can’t save any of them, but I can still help them” was one of those wham moments that really cemented this book’s place in my heart. Living through Fandemonium and realizing that the gods were people, and needed actual love and support from people who cared about them as people, and that just being a decent friend is something worth living for, fuck!! That’s good shit!! That’s fucking excellent!!

And for the rest of WicDiv’s run, I was always waiting for the story to get back to that place, but it never really did.

(ETA AFTER 45 IS OUT: ok fine I fucking love that Laura saved Luci. Big Gay Hero Girl drags naughty non-devil out of hell and they kiss, fucking A+. But “can’t save but CAN help” is still something I wish the comic had followed up on more. The friendship thing got touched on a little bit too, but never in a way I found as satisfying as Fandemonium.)

So anyway Luci going Full Diva. Her future is this and her future is nothing.

The longer I chew on it, the more I like it, and the more it seems like the inevitable place for Elanor Rigby’s story to go. It’s a good continuation from where we last saw her have any scrap of agency, but also frustrating in that “the lat time we saw her have any scrap of agency” was basically the entire comic ago. It was jarring to have her go from [One Sassy Line Per Issue] to [Maybe I’m The Final Boss]. Her story suffered deeply suffered from all the time she spent off screen. But despite all that, I’m very much really looking forward to whatever the fuck Laura Wilson’s going to do about this.

I’m trying not to get my hopes up for Talk Her Down ending. It seems perfectly in line with this series to end with the moral of “sometimes, no matter how kind or brave or caring you are, people you love pick their addictions over living.” That’s a song I’ve already heard live and in person, and I don’t really want or need to hear anyone else’s studio cover.

Uh final thought on 43 is.... Minanke DOES seem to count herself as part of the 12, which still lines up with my Emily Was Also A Fake God theory (Fauxmaterasu theory? Nokami hypothesis? Amaterasuspicion?) but it does seem unlikely to actually be a Thing between now and the epilogue. shrug.

(ETA AGAIN: I had to write out my feelings on 39 and Laura’s own abdication (unpotheosis?) to properly respond to 43. So here’s a draft of another unpublished post that I fleshed out.)

I have extremely mixed feelings about chapter 39.

First Feeling: thank fuck the pregnancy plot is over.

Second feeling: establishing abdication as an option established a nice overarching shape to this book. Things have felt directionless for many chapters, but this does make it seem like we are back on some kind of track.

Third Feeling: kinda liking abdication as a general direction for endgame. For most of the series, I was hoping the whole that there actually was Something Important about the recurrence, but since it's clear now that it’s basically all lies, I like this this angle well enough.

Strongest Feeling: hell fucking yes to Laura’s shaved head.

(Tangential Feeling: buzzing your own head is good and you should think about doing it. Doing it for catharsis in a moment of crisis is A-OK, but I did it once just because I felt like it and it was fucking great. banishing your high maintenance hair does not cure depression, but it does give you back an hour of personal upkeep every day and the fuzzy head is wonderful to touch.)

Contrary to most of the fandom, though, I absolutely loathed Laura’s monologue here, and the context that it puts around her not-choice. There’s a lot of shitty Hot Takes out there about how mental illness and addition and creation intersect. A lot of people will suggest that being unhealthy makes you a better artist, and what’s more that being a better artist is worth being unhealthy. This series is unambiguously and steadfastly against that message, which is one of the absolute best and most important things about it! I don’t want to diminish that.

But that all said, seeing Laura alone in the dark describing “an addicts moment of clarity” was... jesus it was all kinds of personally painful and upsetting. It hurt real bad, and not in the way I though I had agreed to be hurt. And I’m not sure how to spell out why.

I have thousands and thousands of words on why it struck such a sour cord in me, but a lions share can be summed up with “fuck absolutely every story where a Troubled Girl just needed to get traumatized/humiliated/humbled enough to Realize How Bad She Was Being.” Double fuck this one in particular for showing the girl getting over addiction/mental illness by literally sitting alone in the dark thinking about how much she fucked up. That story is tired, and cruel, and dangerous, and thank Christ I encountered this comic at 30 and not 19 because I would have swallowed it down with all the other poison that Helpful Adults fed me.

But yeah though, her shaved look is fucking adorable as shit. Neither she nor Britany made any hair mistakes.

ETA ULTIMATE: That last bit is the one thing in this post I don’t quite still stand by. By the end, it’s clear that the above wasn’t at all the story this book was trying to tell at all. I thought WicDiv was trying to tell some Epic Truths, Hard-Facts-About-Human-Nature shit. But despite the sweeping setup (All Across The World and Through All Of History) the book was using a complex allegory for a very specific situation (Selling Your Soul and Name and Life To Creative-Industrial Machines), and that made it muddy.

(Insert Principal Skinner meme here “Am I out of touch? Was I simply interrogating the text from the wrong perspective? No, it’s the original creators who are wrong!”)

I’m from a family of mentally ill, addiction-prone, recovering-Catholic artists. Laura is in my blood. Half the people I love are Laura. I have Laura’s painting on my wall and her books on my shelf. I’ve sat with Laura’s mother a few years after Laura’s death, as her father now slowly dying in the next room, and listened to her music for the first time. (It was good. It was really good. And I never even knew.)

These experiences colored my read, but how could they not?

I do now, I think, understand what Gillen was trying to say- the addiction he was talking about was to stardom, the attention and accolades, and free pass to make your own shit be everyone else’s problem. I understand now that the “art” that the gods made was always supposed to be Not Real Art, that there was no true “message” from their songs- all noise, no signal. It was never about Laura’s art, or even Laura as an artist. And that was unpleasant to reconcile.

Because when you're Laura, or Elanor, or any of them, life doesn’t have to grant your ill-advised wish before it fucks your head and kills you. Sometimes you fight as hard as you can with every fiber of your being and you’re still in Hell. Sometimes you’re doing all the Meetings and self-reflection and therapy you can manage and you’re still a Destroyer. But the shit you create while you’re down there is worthy of creating. What you do with your too-short, too-fucked time matters. A fucked up life was still worth living because it was your life to live. And... I guess, from the story presented in Faust Act and Fandemonium, I sort of thought that this was what WicDiv was supposed to be talking about. I thought it was going to be about doing something good even when life is fucking you. But instead it is a cautionary tale that that suggests you could have stopped getting fucked at any time if you had just gotten over yourself and said the magic words.

We spent half the comic watching Laura drag herself through the mud. Half the comic was focused on Her Mistakes, when so little of her circumstances were actually her fault. “Punish Ophelia until she gets over herself” is not at all what WicDiv meant to be about. I imagine the creators would be aghast to hear that’s what I got out of it. But the text is what the text is. While it is intended (and successful!) at being many other very good things, this one really bad thing is still part of that mix, and that sucks.

Maybe I should have picked up on the discrepancy between my read and the intent sooner. Probably I should have just done myself a favor and stop reading once I did.

2016, 2017 while my life was going a bit to shit, this comic was exactly what I needed. Being in the fandom made my life better and helped me meet cool new friends and get through some of the hardest shit to happen to me since I was a kid. Then in 2018, it slid into source of frustration and soured promise. Now at the end I have no idea if I liked it or not.

But that’s fine, now that it’s done. The ink is dry, the ritual is over. It’s just a comic book now. Some pictures I still love and some words I don’t always agree with. A lot of noise, arguable amounts of signal, but not a song I want to play on loop anymore.

I have no real conclusion to draw here. I respect at how firmly WicDiv rejects dark and unhealthy parts of being a professional creator- especially unhealthy things that are generally just accepted as Common Wisdom. I don’t think it took enough care in spelling out what it was rejecting, though, and I do think it was remiss in not finding good healthy things to embrace as an alternative.

All of the above notwithstanding, I have to give it credit for delivering almost exactly what I wanted in terms of lesbian nonsense. That ain’t nothing.

I give this series ?????/∞ and am happy to be safely clear of Kieron Gillen’s Wild Ride

#wicdiv #wicdiv spoilers #somewhat negative #its a mixed bag tbh

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ongoingaccident-deleted · 5 years

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hi i want to hear about your characters!!! Anything about anyone whatever you want to tell!!! :)

ahhhhhhh (´•̥̥̥-•̥̥̥`) arsy have i ever said how much i love you because it’s a Lot

i’m very sorry this has taken me so long it’s been a busy few days orz

got carried away so here’s the obligatory cut

okay so the first thing that comes to mind (cause it’s part of something i’m working on rn wink wink) is Evelyne and her brothers + sister would send each other coded letters (maybe coded is the wrong word, but they were at least to some degree not spelling out everything that happened) with information that the others could use to get a leg up in their job. they’d also help get rid of people (non-lethally! …at least mostly) who were threatening the others or obstructing the Empire in any way. it very quickly became well-known that you did not fuck with the Antonius family unless you wanted to probably end up in jail or socially ruined.

this is part of the reason that she fakes her own death when she leaves the Irregulars, cause she knows that if her siblings find out, they might understand her motives but definitely wouldn’t let her join up with the dominion and would also try to keep tabs on her which she doesn’t want at that point in time. they eventually reunite and have fun wholesome family time together again! :D so yeah they’re basically the fantasy mob. i actually like to think that imperial society is pretty cutthroat wrt people trying to vie for power, and they just have the advantage of having all five of them on a team.

aeliana (the oldest and i guess technically the matriarch of the family after their parents die) is actually one of the best of them at playing imperial politics, in large part because she seems very unassuming and a lot of people are willing to open up to her. she inevitably will betray their trust in the worst way, but most of the time she’s not the one taking advantage of the information so a lot of people don’t put two and two together. (and the ones that do are already ruined, so.) since i started writing this i decided i love her and made her in the pts. so. here’s she.

:D (relatedly, the pts letting me use every single dye and outfit style in the game is ahhhhh and also the red from scalebreaker is just… i love, going to learn vet dungeons just to get it)

two of her brothers (Augustine and Gaius) are in the military, and the third one (Junius) is a priest of the eight. between the five of them, they have a pretty good idea of what’s going on all over the empire (what’s left of it anyway) and are just. Power Siblings. the more i write about them the more excited i get!!! i like them and they’re starting to develop as characters and it makes me happy :D

okay and now for something completely different

aralyn is my altmer oblivion db assassin! she’s baby, and by that i mean she’s just as likely to stab you as she is to say hello. more likely, probably. i’ve touched on the her past but i’m gonna elaborate on it some more :) SO aralyn is the youngest of two daughters to a pair of worm cult parents. her older sister’s name is Elanoviel, and they’re very close for a long time. their parents never do anything to them specifically, but they’re both definitely some degree of afraid of them. and neither one of them has any idea how to like… interact with other people because they’ve only ever been around their parents who kill people and then perform experiments with

and then Ela disappears, and Ara has a really hard time with it because she’s now alone and her parents think she has some knowledge of what happened to Ela, but she doesn’t :( she stops speaking entirely, which frustrates them to no end and only furthers their belief that she’s hiding something. this goes on for a while, and she’s just kind of… breaking. eventually this leads to her stealing one of her parents’ knives when they’re distracted with a, uh, patient and killing both of them because she can’t stand the thought of being trapped alone with them any longer. she actually does break down after that and weeps until she falls asleep because she’s just… overcome with emotion.

lucien is the first person who isn’t either her family or a corpse that she ever meets, and she greets him by attempting to bite him and then, when that fails, claw his eyes out. she is both a. untrained and b. not particularly strong, so he has no issues pinning her until she calms down. she respects him for that b/c she respects strength even if she doesn’t quite like and/or trust him. he realizes that she might not be a good killer yet, but she is good at hiding and probably could be a good assassin with the right training.

so he sends her to kill rufioh and decides to train her some if she can manage the kill without being arrested because this is my canon and i am in charge of how it goes. she manages and he brings her back to the sanctuary, where she finds (gasp!) her sister, who a. knew how to read and b. found one of their parents books that mentioned something about the dark brotherhood coming for you if you killed an innocent. so she ran away, killed the first person she saw, and used the brotherhood to escape. ara is definitely bitter for a while, but they eventually become friends again. meanwhile, she’s become very fond of lucien, who she spends a decent amount of time with as he teaches her to be like… a person, which she’s never had the chance to do. so it’s kind of wholesome in between the indiscriminate murder. :)

asdghfj i got a little lot carried away but i hope you enjoyed and thank you for the ask and

#ask #yesiwasinthechessclub #thank you so much <333 #receiving this ask made my week you have no idea #aralyn #evelyne antonius #i'll have to see how far i get with evie's stuff #it's a lot of fun #but it's real short rn #abuse mention #or implied #but better safe than sorry #i love both of them #i wanna write more for ara cause she's precious #even if she like... can't interact #without trying to bite someone #this is kind of a mess but i hope you enjoy anyway :)

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curioussubjects · 5 years

Text

Non-jittery Thoughts on 15.01

Alright, had some time too calm the hell down, so I could have thoughts beyond a keysmash and a crying emoji. Chances are, too, that I’ll have more to say once I sit down with the episode again. Had to get these initial reactions/musings out of the way first.

This episode did a bang up job setting up the personal plot points for tfw. I’m super excited to see where this is going: Dean’s hell trauma revisited, Sam’s wound and its connection to his own darkness, Cas still struggling with belonging, Dean and Cas’s continuous wrongfootedness coming to a head. It’s going to be a killer of a season emotionally, and I am Here. For. It.

Full disclosure: the biggest chunk is destiel related. In my defense, Dabb & co. didn’t have to enable me, but here we are.

More thoughts under the cut.

General Thoughts:

My hype was not squashed! We got a really strong season opener and I’m so happy about it. Sure, we got running ghosts. But overall the episode was incredible; just a solid SPN episode all around. A+ job and kudos to all involved ♥♥♥

The new title card is gorgeous and full of meta potential goodness. See this post for more on that; op hit it on the head I think. For additional analysis, there’s this post from different op that is killer.

Opening sequence with tfw fighting zombie ghosts and running for shelter? Amazing. Showstopping. Breathtaking.

Dean’s grief over Jack that’s embroiled in his grief for Mary. Just. “He was our kid.” That’s some complicated shit right there.

Gotta love all the tidbits hinting at what is to come during 15.a, at the very least, if not the larger goal of the season. Reading y’all’s thoughts on the episode has been great so far, and I can’t wait to see what else crops up this week.

On Sam: Currently, Sam’s role in the more interesting aspects of the plot continue to not quite match Dean’s, which has been a problem for a while. I’m seriously hoping that changes some with Eileen’s return, Rowena coming in with some banter maybe next week, and whatever weird curse Sam got with that bullet wound. I’m loving the potential and I’m loving the prospect of having Sam brought back to the center of the plot. I missed some more emotional involvement from him this episode, too, but that should be addressed once things calm down and Sam and Dean can debrief. However, we got peak Sam in a crisis and it’s always a treat to see him do his job. Bless. Him telling the clown to shut up made my night. I love him so much.

On Belphegor: First off, Alex did such a fantastic job. I giggled a ridiculous amount. Instantly invested in the character as bringer of shenanigans. Was not disappointed. Quick deliciously meta tidbits about Belphegor, some of which may not feature in the show, but are still *chef’s kiss* (x):

Moabite deity responsible for fertility and sexual power (in case the ep wasn’t clear on that lmao)

was worshiped in the form of a phallus (so glad that made it to canon jfc)

is a fallen angel??? hello???

he’s the demonic embodiment of sloth, BUT specifically negligence and apathy (i am screaming isnt negligence the whole ordeal with dean and cas atm...and apathy was the problem with jack’s soulessness)

rules misogyny and licentious men (yeah ok no wonder he was a fan of younger dean oof)

the juiciest: emerged from hell to investigate marriage among humans (and is conveniently in the peanut gallery of dean and cas’s fight. funny how that happens. hilarious, even.)

apparently after living as a man to experience sexual pleasure he was appalled and fled back to hell where sex between men and women wasn’t a thing i’m??? what?? (yet in the show he seemed ok with hot dudes ayy)

I’m glad my “horny on main” observation turned out to be so on point jesus. Can’t help but wonder how long he’s gonna stick around. His outside perspective is amusing, at the very least. However, the fact that he barely interacted with Sam, but was a lot interested in Dean as well as Cas (though to a lesser extent) makes me think that he’s doing more than just deus exing them out of zombies and ghosts or offering hell exposition. Seems like he going to expose SOME OTHER STUFF. ABOUT DEAN (AND CAS?). He is the “Lord of Opening” after all. And isn’t using their words and being honest the thing we’re all waiting for wrt to DeanCas?? There’s some opening up that is necessary posthaste. Listen, I know I’ve been saying they need a marriage counselor, but this is not what I had in mind. Pretty on brand, though, I guess lol

I’m also really interested about the coding work the character is doing in continuing to queer Dean’s characterization. Belphegor being himself associated with (male) sexuality, and the show clearly focusing on his attraction to humans of the man variety. I wouldn’t even call it subtextual at this point as Belphegor’s interaction with Dean in the car to was really overt. My hopes that the show might actually be explicit about Dean’s bisexuality is uhhhh getting high again *confetti.* Should also maybe at least note that using a demon to do this is probs not like the best strategy, but at least said demon was 1. not skeevy and 2. mostly sympathetic to the audience.

This is all assuming, ofc, that Belphegor is not catfishing tfw (there’s precedence, after all -- and kudos to anon and op for the timely observations).

On Dean & Cas: I think it’s really damn telling that so much space was given to their relationship as like the most important thing going on with their characters? Obviously they have individual issues to deal with (their own struggles with Chuck, revisiting Dean’s stint in hell....which btw also eventually involves Cas too so *hands*), but my sweet baby jesus the validation feels good. Onwards.

We actually have a weird amount to unpack here because, as others have said, the tension between them is coming from more than just Mary and Jack -- though Mary and Jack are absolutely the main stressors atm as well as emblematic of problems they’ve had for a long long time.

I’m gonna start with Dean because boy do I love that dumbass; I want to shake him. So we have Dean: he’s grieving Mary, he’s angry, he’s scared, he’s lashing out. It’s a Thursday. We know he’s angry with Cas because he blames him for Mary’s death, even if indirectly. You know what that reminds me of? Dean hating Jack for causing Cas’s death, even though it wasn’t directly Jack’s fault. More importantly, though, both the loss of Mary and the loss of Cas were caused by the same catalyst: Cas going off on his own to solve a problem instead of asking Dean (and Sam, but really, mostly Dean) for help. Like, it’s the one thing Dean has very clearly expressed that Cas needs to stop doing (hi 12x19). It’s the same mistake Cas has been making for years. There was a false sense of security there during seasons 13 and most of 14, but alas. Again, here we have Dean losing someone because Cas couldn’t just come ask him for help. Like. It makes sense, and it’s understandable, despite Dean’s coping mechanisms being shit. In short, Dean’s actual problem with Cas is less that Mary is dead and more that Cas refuses to learn his lesson wrt them being stronger as a unit rather than doing their own thing and putting themselves and others in unnecessary danger.

Meanwhile, we have a continuation of Cas just being really sad and heartbroken because not only is Jack dead, but he’s once again unsure about his standing with Dean. He wants to protect his family, he wants to protect Dean, he wants to come back with a win; once more, he goes off on his own to do it and it blows up in his face somehow. As much as I loved Cas getting mad at the end of last season, I get why he’s somewhat subdued again. He has his guilt and grief and doubt to deal with. He doesn’t want to be mad at Dean probably about as much as he doesn’t want Dean to be mad at him. So far I’m not yet seeing the return of the spark we got when Cas was defending Jack last season, but I’m sure Dean walking out rattled him beyond the hurt. I wanna see what else happens to make him leave “in a huff” (a bit of spec on this further down). That said, what I’m most excited about is seeing how Cas gets reintegrated into the family -- pretty sure that’s universal lol.

The juiciest part now, though: I was all about the interplay of distance and care that we saw between them; let’s pause here for a quick sec to appreciate how that same interplay has been such a central part of Dean and Cas’s relationship since always like ugh. So much of the larger plot points in the show have also been situations that kept them from being truly partners as well as being constant interruptions on their ability to USE THEIR FRIGGIN’ WORDS AAAACK. We give Sam a lot of flack, but everything has awful timing in this show. We’ve had moments of honesty and vulnerability, but they’re always always cut short before we actually get somewhere; before they arrive at a place where they can talk about their issues. If the “are you ok” scene isn’t a perfect microcosm of that idk what is /sigh

So, yeah, the “Are you ok” scene oooh boy. I wasn’t as excited as some of you at this scene being an example that Dean still cared, as that was never a doubt I had in my mind (it was definitely a yes omg just talk jesus moments nevertheless). Dean couldn’t possibly just turn that shit off, no matter how much he thinks he’s done with Cas. Like, please. What we do have is Dean indulging on his own need to know that Cas is, at least, immediately fine. Triage, if you will. Him walking off before Cas can either elaborate, or, most likely, tell him about Sam, is peak Dean passive-aggressiveness. The meltdown I had in the tags of a gifset of the scene is still relevant:

#cas's little sigh of idk relief???#like he's so sad and physically fine but he's SO SAD and heartbroken#and here's dean finally not just being cold to him and ASKING ABOUT HIS WELLBEING#look at cas's face in tht second gif my heart#you can see him gd relax too i cant#and dean has his fucking check in during a break in the chaos face#im so mad#jdhakjsdfhklsd#and then dean just.........walks away and doesnt actually debrief or help or none of the things he would do#and cas is just...there all vulnerable and upset right before he clams up at the demon's quip#but it doesnt even last look at his damn face as he leaves IM SO#somebody hug him#skldjfhklsajdfa#he needs a dean hug#but noooo dean is being a jackass#this is awful#im not ok#i hate it when they fight#im over it that's enough drama dabb i take back everything i said about loving pain

I’ll definitely have more thoughts on this once we have whatever emotional payload next week.

All in all, I’m not actually concerned about the future of their relationship. They’ve been through much, they’ll be fine. I am, though, tickled that we’ll see these key problems in their relationship reach a point where they have to be dealt with. Also: I can’t wait for the catharsis that Cas leaving is bound to elicit. Both for us, the viewers, and the characters. Besides, Dean needs to go to a corner and have a think about his behavior and if pushing Cas away is really what he wants. And then maybe finally we can get that sweet sweet resolution of an affirmation about Cas’s place in Dean’s life. And in turn an affirmation that Cas does trust their family unit enough to depend on them.

I think we got a good set up in this episode leading into whatever drama we get in the coming weeks. The tension was up to 11. Love it. Hate it. Personally, I think the empty deal might be what does sets off Cas walking out. Somehow, the deal is not a secret anymore. We have here another instance of Cas making a super important decision that affects The Family on his own and then keeping it a secret (to protect Sam and Dean, a pattern). Dean can be angry and think Cas is dead to him all he wants, he will blow tf up when he learns about this deal. Sam isn’t gonna be thrilled either, though he’s more likely to make puppy eyes of sadness and Disappointment than yell at Cas. Seriously, though, I can just see Dean saying some bullshit because he’s just so done and here goes Cas potentially dying again, which in turn will probably piss Cas off. Etc etc. Cue the violins.

tl;dr: if episode 1 is any indication, we’re in for a wild fucking ride, kiddos. hold onto your butts!!!

#supernatural #spn #destiel #deancas #spn spoilers #spn15 #spn meta #my stuff #ok thoughts still a little jittery #but my brain is so hyped i needed to let these go into the ether #before i could sit down and write any sort of coherent argument #gosh i do love this show so much

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irninfidel · 4 years

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right so ! beforan culling. i have a lot of thoughts on this subject, but i’ll try not to infodump too heavily. for the most part, i’m going to be referring to the sorts of things kankri specifically experienced -- however, i feel like none of these are out of the ordinary for culling. that is, not every culled troll had these same experiences, but no one would hear this and think “that isn’t normal.” i’m also going to touch briefly on how i think culling is viewed by beforus at large, based on what we see in canon. alright sorry for the presentation style introduction but let’s just get into this

( heavy warnings for emotional abuse / manipulation and ableism ! )

so ! my biggest thing w kankri is (as mentioned on my rules page) i truly feel it’s a huge disservice to his character to assume beforan culling is anything other than a form of abuse. this is, imo, implied in canon, but as far as i’m concerned, it’s been long since confirmed. the main basis of my interpretation is that “taking care of mutants” really just means treating the mutant like a child regardless of how old the mutant is, how their mind works, etc.

kankri wasn’t allowed to really do anything without permission? he was always being watched over, if not by his cullers then by a babysitter of sorts. the babysitters were rarely much older than he was, but because they weren’t mutants or disabled, beforan culture viewed them as infinitely more mature. kankri couldn’t enter certain rooms in his cullers’ house, he couldn’t go outside without someone essentially holding his hand, he wasn’t allowed to lock doors under any circumstance in case he got hurt -- that sort of thing.

should he decide he did want to do something himself, he’d get guilt-tripped and manipulated to the moon and back. i always compare it to tangled’s mother knows best -- yk, the whole “you need me, look at you, the world will eat you up alive.” whenever he did get hurt (which was rarely), his cullers would say (and believe) that it was because he did sm on his own. as he got older and began to realize how unfair this treatment was, he would begin to argue that he could do things himself. this led to an inability to ask for help when he did need it -- every time he messed something up or needed sm, his cullers would use it as “proof” that he needs to be culled. he heavily internalized this belief and spent most of his game (and his afterlife) insisting that he doesn’t need help out of fear that they’ll cull him otherwise.

he had no real bodily autonomy -- since i hc that his mutation is expressed throughout his physiology (ex. blunter teeth, etc), he got pretty used to people (his cullers, their friends, etc) touching him -- examining his teeth, cooing over how things like blushing and tearing up presented, etc. this leads to his general disdain for being touched -- like, just being touched makes him uncomfortable, but as we see in canon, if it’s an even vaguely parental touch (ex. cleaning sm off his face, ruffling his hair, etc), he gets very upset.

i think the final major thing to establish is that kankri grew up being told he was incapable of consenting to quadrants. like, i imagine that to be a somewhat widespread concept in beforus, at least wrt culled trolls -- culled trolls are never told to be celibate, but should they ever have a crush, it’s treated in much the same way you’d treat a kindergartner having a crush on their teacher. it’s adorable, you’ll tell other adults about it and laugh, but it doesn’t mean anything. kankri copes with this by deciding he’ll be celibate of his own volition, which eventually morphs into deciding that he works better if he isn’t thinking about things like relationships.

so basically all of kankri’s character is attributed to all that ! on one hand, he has a holier-than-thou personality because he feels that if he ever admits to being “less than” aside from mentioning weaknesses he had in the past, he’ll be culled again. he’s also very socially driven and genuinely empathetic as a result. on the other hand, he is quite naive and gullible, and also generally “childish” from an emotional standpoint, as he never had much opportunity to mature in such a way.

i...think that’s all the major issues? so let’s talk abt others! kankri says that latula is the only person of her blood caste and above that doesn’t treat him as though they wanted to cull him. regardless of if they were actually genuinely coddling him, he felt that they were, so i imagine the tendency to think “oh, i need to help this mutant” is sm that a lot of beforan trolls have, be that an instinctual thing or a trained response. kankri likely gets it worse because he was culled -- i feel like he def tried to keep that a secret as long as he could, but everyone finds out soon after entering the medium, solely bc he has so much trouble adjusting.

part of his desire to rebel against everything porrim says is a response to her tendency to mother him. like, i don’t think her behavior is intentional or anything, but he absolutely doesn’t want to do anything that might encourage her to continue this behavior. he feels that there’s a thin line between “caring” and “taking care of”, and he’s not going to put up with the latter. almost all of his behavior revolves around a fear of being thought of as incapable again and an intense desire to avoid that.

okay okay there’s a good description! if you have any questions etc please don’t hesitate, i’m truly in my element when i’m analyzing kankri’s backstory dfksjf

#fair warning this got LONG #k.ankri boy i love youuuuubleh #levi speaks. ⟼ driven as [redacted].#study. ⟼ a mess of a story i’m ashamed to tell.#abuse //#ableism //

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weightlessribbons · 5 years

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The politics of RWBY and its faunus subplot

I love RWBY but every time I think about its politics it gives me a goddamn migraine

disgustingly long post below

So the main conflict of the story is the mostly apolitical struggle against the Grimm, and the largest subplot is the WF arc and the theme of anti-faunus racism

But the show has nearly nothing to say on the subject. Its message is almost utterly vacant.

We have Blake at the start of the show disillusioned with the only civil rights organization in existence, which is also a genocidal terrorist operation (🤔🤔🤔), and is left directionless and without a real idea of what to do.[1] Oobleck asks her how her being a huntress will solve the racism thing and she can't answer him. Okay, that's something: we could have a character arc about her finding direction and deciding to Do Something to Solve Racism.

But when she gives her speech at the end of the WF arc, in Menagerie like four volumes later, she still doesn't know what to do about racism! She scarcely mentions racism at all; all she says with any conviction is that the faunus population in general fails to denounce Adam’s WF. It reminds me of similar rhetoric with regard to Muslims in the US: if you're not loud enough in your denunciations, it's your own fault if people lump you in with the terrorists. Never mind that such demands are never made in good faith and minorities are lumped in with the terrorists anyway. If you're being discriminated against, it's your fault for not being a good enough citizen, and if you were just of better moral character you wouldn't be marginalized. That's all in the way of a plan Blake offers: just be a good person, and the humans will give you your rights!

So that's the message: racism is bad. Also, murdering innocent civilians is bad. Be a good person.

So what does "being a good person" mean?

Well, we can guess. A theme prominent here is forgiveness: Blake forgives Ilia. Implicit: the faunus should forgive the humans.[2]

That's it: forgiveness. Not, you know, any sort of political organization, or any sort of demands for justice, or any overthrow or even reform of corrupt institutions. Just keep playing the game and things will get better. Also, be willing to risk your life for others, and for the unity of the Society, even if they hate you. It’s not fair, but it’s the only way things get better.[3][4]

But is it, really?

We see a similar theme earlier, in V3. At the end of the volume we have narration by Salem to the effect of "unity" and "trust" being the greatest strengths of humanity. The obvious reading is, then, that unity and trust are Good. The Best, in fact. But what does that mean, exactly?

Cinder's monologue gives us an idea. According to her, the people have placed too much faith in their public institutions. Their "guardians" are authoritarian, secretive, and fallible.

There it is, then. The text is clear: distrust of powerful public institutions only helps the forces of evil.[5] (Also, the only people expressing such distrust are foreign chaos agents bent on destroying our freedoms.)

If "you should trust the authorities” seems to contradict the racism theme mentioned earlier, it actually doesn't. Racism in RWBY is never portrayed as an institutional or systemic issue; it's usually called "hatred". This allows for the text to acknowledge racism as an important issue that is a problem of character, rather than of power[6], and therefore attempts to address it should not destabilize existing power structures.

It’s no surprise, then, that racism, an ostensibly major theme, receives such scant attention. There's Weiss being racist, and Cardin being racist, the two things that receive more than a couple of lines on the topic. There's Blake's WF exposition that actually says very little about racism at all. There's a blink-and-you-miss-it "No Faunus" sign in a Mistral bar. There's Menagerie, some kind of faunus reservation, the nature of which is so vague it’s hard to say anything at all about it[7]. We get little attention to of (say) hiring or housing discrimination, or any other systemic racism; these are issues entirely foreign to the elite paramilitary children with whom the narrative is most concerned[8]. Again, racism presented as a character flaw, rather than a systemic issue of unjust power dynamics.

You can tell what a narrative cares about by what it emphasizes. The racism theme in the Vale arc is chiefly flavor for the hordes of faceless WF goons; the text doesn’t say anything worthwhile about racism itself. In the Mistral/Menagerie arc, the narrative is not about overcoming racism but about the recuperation of marginalized communities into the existing power structure in the name of unity and forgiveness.

What is lacking, I think, is any substantive or satisfying notion of justice. The text doesn’t give us any answer as to what should be done about racism, other than Be a Good Person, and that’s because racial justice simply isn’t that important to the narrative. Before solving a problem you must name it, and the text doesn’t. We have an entire racism/terrorism arc that manages to say nearly nothing on racism at all, because, as Blake says, the answer to the question of justice is complicated, and the text just doesn’t have the time.

[1]One funny thing to look at is Blake’s expository monologue to Sun in V1 about how the WF “turned dark”. The WF performed “organized attacks” by vandalizing discriminatory businesses and expropriating goods from corporations using “faunus labor”(does this mean slavery? or employees? that would be weird). It’s strange that these would be the things that forced her to leave; property crimes aren’t really a big deal compared to the killing of civilians depicted in the black trailer, which she for some reason doesn’t bring up. She says that it was working, and that human fear brought equality, but that such equality was bad since it wasn’t out of respect (and therefore would be fleeting). This is incredible in two ways. First: a government and populace that actually feared the WF would not bring equality, but rapid extermination (of the WF, that is). Fear doesn’t actually help unless you have power, and the WF seem to have no base of material or popular support and no praxis except insurrectionist violence[A]. Second: if it were somehow actually working, then why did Blake leave? What was the purpose of all this action, if not to attain power by making yourself a credible threat? Did you become a liberal out of nowhere? That she talks about property crime and “fear” instead of the killing of civilians is baffling.

[2]Yes, I know that Blake wants them to specifically go to Haven and physically stop the WF. Yes, stopping a terrorist attack is good, even if these civilians aren't at all fit for purpose. But this doesn't itself help to stop racism, which is why I didn't mention it specifically above.

[3]This mirrors the confrontation between Yang and Raven wrt Salem and the relic.

[4]We do learn later that Blake wants a “new” WF. This means, presumably, that the WF will go back to peaceful protest. But that doesn’t come up in her speech, and no mention, of course, of how it would help them in achieving their goals, or even what those goals are, specifically, other than ending “hatred” in general. March to End Racism. What a visionary.

[5]Also, distrust, anger, and other “negative emotions” attract the Grimm. That’s like metaphysical tone policing right there.

[6]There’s backstory of faunus having been enslaved which would count as systemic racism, but it doesn’t come up later or really affect anything on-screen, and the text doesn’t portray it at enough length or depth to characterize it as such.

[7]Menagerie being crappy must be understood within a wider context: why live in Menagerie, if it sucks, instead of where everyone else lives? Not much attention given to why this happens (other than perhaps “individuals are racist”). And does Menagerie being crappy actually have any consequences? Like economically, or socially? We don’t see them.

[8]The times where it seems the text might make a systemic critique are Adam’s backstory and Atlas in general. Adam’s trauma isn’t really remarked upon; he’s not a sympathetic figure. We don’t know much about Atlas since that’s for next season, but limiting your systemic critique to the one racist place seems a bad way to do things. We’ll have to see how it goes.

[A] Also, it’s not clear when the WF moved from “property crime” to “kill all humans”(which is comically over-the-top), and no one remarks on it. It gives one the sense that the narrative sees property crime and genocide as equally objectionable.

[ADDENDUM] Some might object by way of noting that RWBY hasn’t taken us to Atlas yet, where the racism lives, and that the WF arc wasn’t primarily about racism, but terrorism, so one shouldn’t expect the theme of racism to be addressed before Atlas. The problem is, though, that the WF was ostensibly founded as a civil rights organization; you cannot meaningfully conclude an arc on the WF without addressing racism. For example, at the end of V5 says that she wants to build a “new” WF. What does this mean? We never find out, because it’s not that important.

#rwby #if you enjoyed this content consider subscribing to my Patreon #which you can find on my linkedin page

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dredshirtroberts · 5 years

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Best buckle up buttercupz cause this bout to get splodie

Everything will be under a cut because there is high probability this gets TMI really fuckin’ quick and y’all don’t need that in your lives unless you really give that much of a shit about my bedroom activities.

As those who have been with me previously know, this is all stream of consciousness and also apparently my brain has forgotten most spelling rules so if shit starts not looking like words, it’s not you i promise.

I honestly don’t know where to start with this one. I’ve got...a lot of things to go over.

So. If you’ve been following my adventures as of late, I decided to follow a whim and go with a guy I barely know up to Pittsburgh to help him get all his shit out of his old apartment and bring it back down this way close to where I live.

Things to note about this guy: I met him...uh...2??? weeks ago??? on Bumble which is Tinder but less shitty (but still kinda shitty).

Uh...maybe backing up even more???

*headdesk* oh damn this is a lot hang on.

So. End of April I finally ended things for good with my long term boyfriend. Teal deer, things did not go smoothly there and shit ended badly when I was finally able to move out at the beginning of May. There were like...2ish weeks where we were broke up and I was still living with him.

I’ve had some pretty whacked out emotional responses to this upheaval. I legitimately thought he was the man I would spend the rest of my life with. I wanted that. But he was abusive and not willing to take responsibility for his part in the end of our relationship. So that sucked, but I apparently hadn’t loved him in ages so that part was less painful. I have been far more broken up about losing my two boys in the end of the relationship. I legitimately feel like I’ve lost my children and that fucking sucks and no one fucking understands cause 1) they’re cats and 2) no one i know has done this and had to leave their babies, they usually got to keep their babies. and that’s fucking...

ANYWAY.

About a month? ish ago? I decide fuck it I think I can handle brief and casual attachments so I can have regular sex for the first time in YEARS. cause of course we move in together and the well dries up completely so like, that was not fun. Have a high sex drive and apparently he did not. Anyway, having fun meeting dudes, casual sex and figuring out how to navigate single life and hookup culture.

There are a couple guys who are prospective long term candidates but like...idek if that’s what I want out of any of this??? because I’m still healing? and trying to keep my feet up underneath me in more than a few ways. I’m also trying to keep my trauma on the DL cause it’s really fucking easy for people to take advantage of me and my issues - it’s kind of how I keep getting into shit relationship situations.

So, like. Tinder and Bumble are fun because I forget that it’s meant to be for meeting people? I just like being super shallow and “sorting” my choices into “yeah I could see having a connection with that one” and “absolutely the fuck not”. I’m 27 and kind of a terrible person on the inside. I overcompensate by being a fucking kindness deathray so i think there’s balance maybe.

Dude comes across my bumble and the fun thing with bumble is if you’re showing as W4M on there, you get to initiate contact. Which is terrifying at first until you realize you literally only have to say hi. So yeah, dude is hella cute, profile doesn’t suck, I swipe like (right, I think?). It’s a match! I open with a simple hi. basic chitchat, whatever.

we go out for a date to a location close by that I actually trust because oh hey he’s moving down this way and has good taste in bars. Food and drinks are had. Take him back to mine cause like, he’s fuckin GORGEOUS. and funny. and smart.

And he’s like “yeah I’ll spend the night, but I won’t fuck you til we’re sobered up.” Which, i mean, be still my beating heart, yeah? (I WARNED you this was going to be TMI y’all. if this is already too much I totes get it, it’s likely not going to be any better further on). So we go to sleep, and maybe I have a hard time sleepign but I’ve *had* a hard time sleeping. We wake up, do the sexing, and then he buys me coffee. Like, not only did he pay for the entire date the night before, tell me he will not have sex with me while there’s a chance i might be drunk, is just fucking...amazing in bed, but he BUYS ME COFFEE.

So like, alright, this is one I’ll keep around for a while cause I’m doing casual shit, yeah? nothing serious, nothing with attachments. no strings. just free food and sex.

Oh and did I mention he’s a cuddler???? but like? a cuddler that cuddles the way I like cuddling???? do you *know* how hard it is to find that??? I’m apparently very specific in my cuddle preferences.

So whatever, we exchange numbers (which I do not do with people from these apps until I’m comfortable with them). He’s also got multiple girls he’s seeing right now and that’s totally chill and like, it’s clear nothing’s going to go quickly here, just fun.

Talking - he’s very clever and does the sentence making doing well. He and one of the other girls he’s seeing goes up to P-burgh to begin the great migration, he calls me while he’s out there, and he’s got some shit going on in his life and I’m like, that’s some drama you’ve got there. It’s shitty for you, hope it gets better, yeah? They come back down, and he drops by to hang out and grab some of the shit he left at mines. He’s waiting to get into his new place nearby, and he needs a place to stash his stuff and I have a relatively safely located appartment so I’m like. I think I got a corner for some shit. Then he’s like “hey, wanna go to [area he’s moving to where his parents also live]” and I’m like, sure. I’m down for a quick road trip.

we’re out that way and he’s like “Hey there’s this park this way and there’s a lodge or whatever I think you’ll like” and I”m like, “k I like parks!” and as we travel out and he’s telling me about it I’m realizing this is not like...slide and swingset park, this is national park style stuff. And I’m like ‘Oh shiiiit I know where we’re going he’s right I do like it!’ we get out there and it’s rainy but we hike a little for s&gs, and then he’s like let’s go inside and all the sudden we’re getting a room for the night???? and this is not your momma’s motor-hotel on the side of the road, this is a kinda swanky lodge and i’m like???? okay???? wish i’d known or i’da packed better for an overnight???

so like...yeah I have a great time, it’s beautiful out there. Like...idk if any of you are familiar with the Blue Ridge Mountains, but the fuckin’...the Parkway y’all. Is one of my favorite places to be and this is right the fuck there and it’s great. The weather’s nice, the food is delicious, clearly I enjoy the company, I have a blast.

We stay the night, get up in the morning and head back to mine and we chill for a minute and I change clothes cause eww i’m wearing clothes I’ve hiked in. I get comfy and ready for a nice day chillin at home. And he’s like “So. Wanna come up to Pittsburgh with me?” I’m now I’m familiar with his planning methods which are none. So i figure it’s a quick overnight, maybe 2 nights and I’m like “Fuck it, sure.” I pack a little better but I’m wearing my contacts and I’m like “I can totally sleep in these a couple nights and be fine” and I just kinda...am in his car on a 7+hr drive to Pennsylvania.

And he’s really easy to get along with. Of course for some reason my period just shows up 3 weeks early out of fucking nowhere which put a little damper on shit but I didn’t have to worry because we weren’t only spending a couple nights up there. We spent nearly a week up there for...reeaassoonnnns?????

I wait til day 3 and I’m like “So...uh, idk if you know this but I had no idea we’d be up here this long or i’d have brought another outfit? and some toiletries?” And he is like... “Um...I didn’t mean to like, abduct you or anything. do you need me to take you back???” To which I respond that all I want is an idea of how long he’s planning on being up there so i can best make adjustments where necessary and that the only date I *have* to be back for is my sister’s bday which is Friday.

This is all fine and we work it out, but I realize that he doesn’t do “planning” apparently. So I get really good at being proactive with trying to figure out what his expectations are.

He’s your typical 28yo white cishet dude. You know what I’m talking about, so some of the stuff I expressed concerns with, I am trying to temper with the fact that he’s literally just as dumb about the world as my dad is and my dad’s a decent person - an idiot about how the world actually works but a decent person.

And like? It’s really annoying being near him because he does everything the way I specifically like it? And I never said a damn thing??? because I don’t talk about my particular eccentricities wrt my preferences in how i like being touched/shown affection/cuddled? So he wouldn’t know???

Really fucking annoying cause I’m trying very hard to make it so my heart doesn’t take over when I’m really trying hard to be chill and casual and clearly he is just wanting to be casual and shit but then he says things? and it’s like...so off-handed and flip but gives my heart the flutters because?? maybe there’s more than just a small potential?

I get real tetchy on my period and put up with a lot less, i was also less than properly medicated so that did not help, but like...I never got to the point I used to get to with my exes where I just...couldn’t handle being around them or their normal ass selves. This guy does things that are annoying sure, and I had less patience for it than normal and then like 2 seconds later he’s literally out of one of my romantic fantasies about how i would like the perfect guy to treat me? and be around me?

*sigh*

Anyway, I had a great time in Pittsburgh cause I’d never been and he found my weakness because I’m a ho for some museums and art and shit and he took me to the carnegie mellon museums and let me just wander around like a doof with my jaw on the floor the whole time. Also we did some other stuff and he took me to Fallingwater which was like an hour or so away from P-burgh but was soooo cooooool.

Oh and I didn’t even mention the real kicker in all of this. He *gets* what i’m going through because he’s been in my shoes previously and it’s fucking mindblowing so he knows what to say and how to do the nice? and like???

IT’S NOT FUCKING FAIR I’M NOT READY FOR THIS SHIT HEART. YOU GOTTA LEAVE ME BE AND LET ME JUST APPRECIATE THAT HE’S PRETTY OKAY???

I hate the universe. Thanks tho, U-girl. I know you got my back.

so. That’s what’s been going on. Got back home safely, he’s got his own place like 30mins to an hour away, easier access to the other girls he’s seeing right now, and I have time to properly process and catalog my thoughts before I see him again.

Cause I’m gonna. He’s *damn* good in bed.

#life post #no really there's a lot of TMI in here #read at your own risk #ya girl's a disaster panda still but at least i'm chill about it rn

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