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#i wrote all the lyrics
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I'M CRAVING SOME FRESHMAN RICH PINING OVER JAKE, DO YOU THINK YOU COULD FEED MY BRAIN?
OH FUCK YEAH BROSKI
i can do that.
It began with a pack of bright red little sticky notes and a bad idea.
Rich had gotten the sticky notes by swiping them off his 70 year old English teacher, Mrs Barrison. It's not like she would've minded. Every single one of Rich's English teachers loved him, Mrs Barrison included.
He got the bad idea from a song he'd been listening to recently.
"Leaving little sticky notes in your locker
hoping you'll come and find them
knowing I'll never tell ya'
how you throw me off my rocker,"
It wasn't Rich's usual style of angst and edginess but when you're a 14 year old boy with an unattainable crush you're not going to be listening to My Chemical Romance you're going to be listening to a soft indie band while daydreaming about talking to your crush.
Rich's said unattainable crush was none other than Jake Dillinger, a fellow Freshman and the most popular lowerclassman in Middleborough High.
Not only was he at the top of the food chain while Rich was at the bottom, Jake was straight. Which meant that Rich had a zero percent chance. Not even zero, it was closer to a negative fifty percent chance. Not only was Jake straight (and also the most perfect guy in the universe due to him being funny, kind, charismatic, etc) but Rich was the least datable kid in the school. Minus those two boys who everyone was sure were dating each other but that's not the point. The point was, Rich was a small, english-nerd, dnd player, and overall loser who had a crush on the embodiment of Apollo.
And if Jake was Apollo, than Rich was Icarus and he was about to drown.
The moment when the wax began to melt on Rich's wings that were made by hope and naivety was when he slipped the first red sticky note into Jake's locker.
I love your new pin
If anyone noticed the blushing boy slipping a piece of paper into a locker than no one asked.
And if anyone noticed that when a certain Jake Dillinger folded up a tiny red sticky note and put it into his pocket then no one asked.
That was just the first of many many sticky notes that Rich would send Jake.
Your hair is really cute today.
Did you know that there's a species of lizard where there's no males because they all died because of cancer and the way this all-female species of lizards reproduces is by cloning themselves? Because now you do. PS you should wear green more often
Ya like jazz?
Rich would slip a sticky note into Jake's locker at the end of every school day for two months before he got a reply on a tiny red sticky note, the exact same shade as the one's he used.
I don't really listen to music so I don't know any jazz. any recommendations? I feel like you have great music taste.
Oh my god! Rich thought to himself, tiny butterflies in his stomach washing out the usual shame he felt about his crush on Jake. He replied! And oh my god he's so nice! And he said he thinks I have good music taste!
Rich was feeling the sun in his hair and stopped feeling the sense of dread at the ocean below him.
Ella Fitzgerald and Nina Simone. They're so cool.
Thus began a chain of notes dropped into lockers and tiny red stick notes stuck onto lockers.
It was the last week before school was let out. Rich took a breath and his shaky hand dropped the final red sticky note.
hi, good job with surviving through your first year of high school. this is my final note. i have two things to say as my last words to you. the first thing is to listen to the song sticky notes in your locker you'll see why. the second thing is that you shouldn't look for me. you'll just be dissapointed. bye <3
And if anyone noticed the tears from the boy dropping a tiny red sticky note into a locker as he finally hit the ocean below then no one asked.
And if anyone noticed the most popular freshman in the school cover his mouth in a gasp that was the precursor to many tears as his hands gripped a tiny red sticky note then no one asked.
"Handing you sticky notes at your locker
knowing you'll go and read them
loving you out and open
not just in the corners of your locker,"
Jake listened to the song over and over, muffling silent tears over the sun he never got to reach for. The sun he only ever saw from deep beneath the waves.
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cowboycannibalism · 1 month
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Bullet with Butterfly Wings, Smashing Pumpkins// Saw 2004// Caged Rat, Soul Asylum// The Jig Is Up, Ice Nine Kills// Rats!Rats!Rats!, Deftones// Hatchet, Movements
I know there's heavy association of Adam with the dog motif (which I love) but I swear I've heard Bullet with Butterfly Wings on the radio way too many times during the last month while thinking about Saw for it to be a coincidence
Rats symbolize impoverishment, disease, the lowest of low.
"He's not a cop. He's a bottom feeder, just like you."
Jigsaw calls him angry and apathetic, and we'll be honest here, he is on the surface. He calls his apartment a shithole, he knows his job is shitty but it keeps him fed, and he's just dragging himself through life because he's pretty much already convinced himself this is as good as its going to get.
But here's the other thing about rats: they will do anything to try to survive. Sometimes, that means just doing what they've been conditioned to do by the world around them.
Have you ever seen a rat backed into a corner? or stuck in a trap? they will scream and thrash violently to try and free themselves.
From the moment he wakes up in the tub, Adam is moving. Throughout the movie, he has a hard time staying still, trying to escape, trying to survive. He is loud and frantic. Even though he is pessimistic about life, he wants to live.
also, to swing back around to the Smashing Pumpkins lyrics in particular, I thought a lot about how Adam mentions his ex, thinking he was "too angry." If you've dug into that song a little, it's interpreted in a lot of ways but a common one is oppression and being stuck in a situation/world where you're aware of escape but incapable of it. Adam knows he should appreciate life more, but what's the point when he lives the way that he does and nothing seems to ever get better? Anger feels like the only option and honestly sometimes it is.
(not to get too political or whatever, but if we never get angry enough to do anything, nothing will ever change. Don't let anyone tell you that emotions don't belong in politics/social issues because that's a fucking stupid take.)
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fishsticksart · 9 months
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Francesca - Hozier
If someone asked me at the end, I'll tell them put me back in it
[Francesca, Hozier // The Ghosts of Paolo and Francesca Appear to Dante and Virgil, Ary Scheffer // Francesca, Hozier // Canto V, Inferno, Dante Alighieri // Francesca (Official Video), Hozier // Francesca, Hozier // Ship on Stormy Seas, Ivan Aivazovsky // Francesca, Hozier // Canto V, Inferno, Dante Alighieri // Paolo and Francesca, Mosè Bianchi // Francesca, Hozier // Paolo and Francesca da Rimini, Gustave Doré // Before Romeo and Juliet, Paolo and Francesca Were Literature’s Star-Crossed Lovers, John-Paul Heil // Paolo and Francesca, Frank Dicksee // Francesca i Paolo, Ludwik Wiesiołowski // Before Romeo and Juliet, Paolo and Francesca Were Literature’s Star-Crossed Lovers, John-Paul Heil // Paolo and Francesca da Rimini, Dante Gabriel Rossetti // Francesca, Hozier // Francesca (Later with Jools Holland), Hozier on BBC Music // Canto V, Inferno, Dante Alighieri // tumblr user @handgf // The Kiss, Auguste Rodin // Paolo e Francesca, or Morte di Paolo e Francesca, Gaetano Previati // Hozier // Hozier // Hozier]
#web weaving#web weave#web weavings#webweaving#hozier webweaving#hozier#hozier lyrics#francesca#francesca hozier#francesca da rimini#dantes inferno#paolo and francesca#you have no idea how insane this song makes me#first of all MY NAME IS LITERALLY FRANCESCA#LIKE HOZIER WROTE A SONG WITH MY NAME AND NOW I GET TO HEAR MY NAME IN INTERVIEWS???#AND MY NAME WRITTEN IN HIS HANDWRITING?? HELLO INSANE#and then my second thought was when i realized since it was dantes inferno themed album it was probably in reference to ->#-> francesca da rimini and ding ding ding i was right#and i knew this cause im a complete nerd who reads Smithsonian articles for fun and there was one article about francesca and paolo#and thats actually where some of the art in this came from cause i went back to that article today#and i forgot that part about Tchaikovsky but it's actually really touching and fitting i felt like#its so cool how much art has been inspired by francesca and paolo for so long#and i just had to make this and i loved it cause its such an aching touching song that descends beauty#and the quotes from the inferno itself with francesca speaking were so beautiful#wow im such a nerd but i love it#shoutout to hozier once again for giving francesca and all francescas out there the recognition they deserve#OH AND ALSO I HAD TO PUT IN A CLASSIC Ivan Aivazovsky PAINTING#CAUSE THATS THE ONE THAT PEOPLE MISTAKE FOR GATHERING STORM BUT ITS DIFFERNT!!!!!!!!!!!!#CAUSE THIS ONE IS MORE ANGRY AND TURBULENT AND OMINOUS#WHICH DEFINETLY FITS THE STORM AND HURRICANE LYRIC I FEEL LIKE IDK I LOVE COMBINING MY NERDY ARTSY INTERESTS
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francy-sketches · 9 months
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youtube
Hiiiii guess who finished her pmv. finally. um enjoy :3
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inoreuct · 4 months
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drink from me
a sherry-laced conversation about thirst and running away. zosan | 2k | hurt/comfort
Being a coward isn’t as easy as one might think.
It’s juxtaposition in its own right; cowardice is, as defined, a lack of bravery— And yet Sanji supposes it takes bravery to be able to ditch everything you stand for. To turn tail and run. Bravery to bear upon your shoulders the disappointment of everybody who had ever believed in you. 
He sighs deeply, tilting the bottle in his hand so that the dregs of liquor slosh within. This is why he doesn’t drink.
It’s relatively easy most days. To lock his past behind a set of double doors, bar the handles with a padlock and chain so he can pretend that everything he’s running from isn’t just three paces behind, snapping at his heels, starved and ready to eat him up whole. Alcohol slots the key back into place and twists it without his permission. Twists his heart until it aches.
He doesn’t know why he’d started. The bottle of sherry had sat, nondescript and guileless and half-full on the galley table after the night’s dessert, and Sanji had paused before he’d slowly wrapped his fingers around the neck of it and let his nails scrape against the dark glass.
The cork had popped almost too easily and here he is now, taffrail digging into his forearms as he takes a long drag from his cigarette and lets bitter smoke fill his lungs full to bursting. Blood orange coats the back of his tongue, cloyingly sweet, thick on the roof of his mouth— He’d made a layered trifle with cacao nibs and caramelised cream that had been slathered between slabs of boozy vanilla sponge, and the aftertaste clings to his teeth. Sanji peers down as what’s left of the sherry glimmers vaguely inside the bottle and fights the urge to chug the rest. 
He could, if he really wanted to. He hardly drinks but it certainly doesn’t mean he can’t. 
A soft scrape against wood catches his attention, barely perceptible. He fights to keep his spine from stiffening, fights to maintain his loose-limbed, easy demeanor; the liquid warmth in his veins helps some but not enough, and he’s halfway through another drag when near-silent footsteps stop just behind him. 
Zoro’s haori shifts in the wind, palm loosely wrapped around the end of Wado’s hilt where she’s strapped alone to his hip. “Was wondering where you went,” he says easily, looking out over the ocean. 
Sanji scoffs. It burns his throat more than the sherry did. “For someone built like that, you’re surprisingly quiet, marimo.”
The immediate urge to kick himself is something new. He rarely feels it— It appears often, don’t get him wrong, he just. Ignores it. It’s a little more difficult tonight. Built like that. The noise that escapes him is mirthless. What’s that even supposed to mean, huh? Alcohol’s always made him snappy and he does feel bad for once — But he’s tired, and the chores won’t do themselves. 
“Make it quick, would you?” he mutters when Zoro still hasn’t replied, low and quiet in the still evening air as he curves down to dig the heel of his palm into his temple. “My spice jars are still all over the counter, and I have to mop the floor before I wash the dishes—”
“It’s done.” 
Sanji blinks, before his eyes narrow and he turns his head to look at Zoro properly. “The dishes?”
“Everything.” The swordsman huffs when Sanji gives him a dubious look, gaze flicking over and away again as he rolls his eye. “Luffy asked me to clean up the galley. Said you needed a break.”
Well. The cook exhales, measured, and buries his face into the crook of his elbow. Taps his cig so that ash doesn’t fall into his hair where he’s holding it aloft above his head. “Tell him thanks, but I don’t.”
He clocks it out of his peripheral vision when Zoro smirks and waves a hand to gesture to his cigarette and his slouch and the glass bottle dangling against wood. “What’s this, then?”
I don’t know. Shop’s closed, please fuck off and come back tomorrow morning. 
The other words that sit at the tip of Sanji’s tongue are far more scathing. He feels them, bites them back viciously before he can burn anyone other than himself. “If there’s a single thing out of place in there I’m gonna—”
“Kick my ass, I know, I know.” Zoro chuckles under his breath. “Don’t you get tired of saying the same things over and over again?”
“Maybe I wouldn’t have to if you didn’t constantly choose to be selectively deaf, moss-for-brains.”
The swordsman huffs another soft laugh, and conversation peters out after that. Sanji feels an itch building at the base of his skull, flickering just under his skin; it’s making him restless. He taps the bottle against the rail just to fill the silence. Zoro reaches a hand out and Sanji gives it to him easily, unthinkingly, watching and pretending he isn’t as the swordsman thumbs over the faded paper label that’s peeling at the corner. 
Zoro’s hands are scarred, he notes. He knows this, of course, but he never gets tired of letting his gaze drift over tan skin and old scars, thin slivers of pearly tissue painted silver in the moonlight. A breeze ruffles his hair as Zoro finally drinks, and he’s distantly surprised to see that it’s a measured sip and not a swig like what it usually would have been. 
Fucking hell. Sanji’s inhale shudders when he pushes himself up and stands straight, now-free hand wrapping around lacquered wood as he finishes his cigarette and tosses the butt over the side. He needs to stop thinking. He’s paying too much attention. There’s a pressure building behind his forehead and Zoro is an overwhelming presence beside him, unavoidable, stoic and staunch as ever, perfect posture, perfect honour, a sentinel with a pure white sword like some sort of— of hero from a storybook. Perfect perfect perfect.
It’s all building like a scream behind his lips, a river at a bottleneck, and he clenches his jaw to keep it in. Grits his teeth until he hears them creak because what would happen if he opened his mouth? Nothing good, he’s sure. Nothing anyone needs.
Sanji nearly startles when the bottle taps against his elbow. “Talk to me.”
“Nothing to say,” he replies immediately, taking a careless gulp and holding in a cough. 
Zoro’s slow exhale feels like it shifts the wind itself. Their ship creaks gently. “You always have something to say, curls.”
“Look, you—” He cuts himself off, tempering his breath. “I’m tired, alright? So can you just get to the point?” Fuck, he needs another cigarette. 
Maybe that’s the problem. He knows he’s the problem, sure, but Sanji suspects that he’s been running for so long that he’s forgotten how to walk. It’s grown into him like weeds wound through his ribs, the way he sees poison in water that’s perfectly clean, the way peace makes him more anxious than chaos does. He needs to stop running. He doesn’t know how. 
Zoro pries the sherry from his fingers and it’s only then that he relaxes the death grip he’d unintentionally had, a shudder slipping over his shoulders. Zoro holds the bottle loosely between his scarred fingers and doesn’t drink.
The silence thickens. Static crackles within his bones.
Sanji doesn’t know why he starts talking. Doesn’t know why it feels like a dam breaking in his chest, but his mouth is open, and the words are emptying out. “I’m tired of looking over my shoulder for something that isn’t there. Luffy gave me something to run towards, for once, but—”
He doesn’t know how to say it’s not enough without sounding ungrateful, without being greedy. “Sometimes I think I could… consume every one of the Blues, and still want more,” he allows. “Need more.” His fingers lace together, and Sanji dips his head with a wry smile even as he looks at the endless expanse of sky in front of them. “I’m afraid I’ll drink the world and still come up dry.”
There is a thirst in him. Something different than what had wracked him for a month on that barren rock. Hunger he can handle; he eats just enough to stave it off and goes about his day. This, though— Sanji can’t help the way it buzzes in the back of his head and keeps him wound up like a coil of electrical wire. He kneads dough and whisks egg whites just to have something to do with his hands. He defaults to his usual barbs when he’s feeling ungrounded so he can kid himself into thinking he possesses some semblance of normality. His shoulders ache as he stares out over the sea and wonders what it’s like to hold so much and still, still, be so achingly empty.
The winds change, carding cool fingers through his hair. 
“Drink from me,” Zoro says, and Sanji’s breath catches between his teeth.
His head snaps up to find Zoro already looking at him, face unreadable, elbows on the taffrail and bottle cupped in his hands. The swordsman looks serene, Sanji thinks. Gaze trained straight ahead, ever clear of his objectives as Wado gleams at his side, starlight in an ivory sheath. 
“Drink from me,” he repeats. The words are solemn as they always are in moments like these, the liminal space just after dusk but before true night, as his eyes shift over to Sanji and lock in place. “I won’t let you go thirsty again.” 
Sanji’s mouth dries. It’s hard not to feel pinned as Zoro looks at him; the weight of his gaze is almost physically tangible, like a familiar green coat settling over his shoulders. That’s the thing about Zoro— For all Sanji jokes about him having plant life in his skull, the swordsman has a penchant for dropping absolutely earth-shaking statements without even seeming to think about them at all. The cook swallows once, twice, tries to find his words as his lips part and loses them as soon as he takes his next breath.
He doesn’t know if he’ll ever stop feeling like a ticking time bomb. But as Zoro’s lashes flutter and he looks away, Sanji feels something in him settle. The relentless buzz that always seems to sit just beneath his skin soothes out into a quiet hum. 
Maybe part of it’s how Zoro’s scarred and still perfect. Untouchable. Sanji couldn’t hurt him even if he tried, even if he blows apart.
His fingers wrap, unthinking, around the neck of the bottle as it’s pushed back into his hand, the pressure of Zoro’s touch lingering until he’s sure that Sanji has a good grip. The swordsman’s boots brush softly across the planks as he turns to leave and he’s halfway to the stairs before Sanji speaks.
“Marimo.”
He knows Zoro turns without even looking. “Hm?”
“Did Luffy really ask you to clean up the galley?”
A pause, before Zoro starts walking again. “Get some sleep, cook. I’ll take the rest of your watch.”
The silence he leaves in his wake is honey-thick. First watch is Sanji’s shift, it always is— He cleans up the galley and stays awake until Zoro comes to take over. 
(The galley is clean. His watch is covered. His mind is quiet.
For once, he can’t find himself another reason to stay.)
 
The sherry holds no evidence of them ever having shared it. Sanji lifts the tinted glass and there’s no trace of Zoro, no proof that his mouth had ever been where Sanji’s is— None of the candied orange and rosemary from the duck they’d had for dinner, gamey and blood-sweet.
I won’t let you go thirsty again.
Sanji tastes it still, gentle in the back of his throat as he drains the bottle.
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chasingfictions · 7 months
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JENNY OWEN YOUNGS - "AVALANCHE" x SPUFFY - "FOOL FOR LOVE"
What I know is that I’m good At getting on then getting right back off the hook Making plans for someone else But every book I’ve ever held re-writes itself I get worn out on my favorite cycle Where I do something dumb and try to survive it
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yellowvixen · 9 months
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wait actually i'm posting this. infinite's theme and find your flame are direct parallels
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like. gestures to this entire thing LOOK!!!
the meanings of the songs are obviously different, infinite's theme is like "we're alone and you're going to lose" whereas find your flame is more "i'm with my friends and we're going to win" so there's that alone vs together thing
and then of course we have infinite himself who wants to destroy the world and he uses a phantom sun at one point. and sonic fights the end (a "moon") (which wants to destroy the world) while he's super (when he's bright and burning like the sun) like do you SEE!!!! sun and moon. am i making sense
not to mention the phantom ruby's power looks similar to cyberspace, red glitches and all. listen i'm not insane about this (i am)
i am almost definitely grasping at straws but like. you see it right. there's parallels here
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starchaserdreams · 7 months
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I just went to the Taylor Swift concert movie and in the credits there's a girl with "you drew stars around my scars" written in her arm and y'all let me tell you that was a wild way to learn where that quote comes from
I've always just thought it was a wolfstar quote, didn't know the Taylor Swift connection. And I had to act all normal in the movie theater around my very normal friends and not scream WOLFSTAR WOLFSTAR WOLFSTAR at the top of my lungs
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spitinsideme · 3 months
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They say you can tell a lot bout an artist by the way they draw themselves how do you draw yourself spitzy if you don’t mind me asking?
i have had limr one lther person ask me to draw myself so bere !!! me .. im just a happy jolly gay girl honestly with a los4r fashion sense im nkt too special i am literally rvery gay girl whos a loser boyfriend
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stuckinapril · 2 months
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listening to all the demos victoria monet did for ariana grande is insane bc how did this woman have it in her to sit on all this material and not be frustrated about it
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plan-3-tmars · 3 months
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Is this what Happiness is?
- hey so I haven't seen an interpretation of the bar scenes in Half that I fully agree with, so I wanted to throw my own two cents out there into the void and pray that it makes sense !!!
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so, in the bar scenes in Half we see what I interpret as a hangout with old friends (or, hangout with old friend + his wife.) These scenes used to be the biggest piece of evidence for the cheater theory, but now that that's been debunked by the man himself, I have a new way of looking at them
~ before I go any further, I just wanted to say that I'll be calling the brown-haired woman whiskey for simplicity's sake
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In this scene, Kazui turns to look at Whiskey, saying the lyrics:
"laughing together, side by side, this distance in our relationship is misleading me, is this what happiness is?"
With my guess (cuz that's really what it is there's no evidence for it) that Whiskey is the Bartender's wife i think this scene is Kazui being conflicted with what he's been told is true, that marrying Hinako is "true love", versus what he feels is true, that marrying Hinako has brought distance into their relationship.
He looks at Whiskey, a woman happily married, and wonders why his relationship with Hinako isn't like that.
~ shout out to @prisoner-000 for the following screenshot
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in this post he points out that Hinako and Kazui's rings are silver in Cat, not gold like they were in Half, yet Bartender's ring colour stays the same.
For the sake of this writing I'm going to go with the first meaning they put out, that Bartender's ring is gold because his marriage is genuine.
But wait!! I hear you ask. This is Half and Kazui's ring is still gold in Half!! EXACTLY MY FRIEND!!
Kazui's ring IS still gold in Half because at the time of these scenes he's still fooling himself that this relationship is good, that he will eventually garner real romantic feelings for Hianko.
"laughing together, side by side, this distance in our relationship is misleading me, is this what happiness is?"
Remember this lyric that plays during the Whiskey -> Hinako scene. You know what other scene in Half this lyric reminds me of?
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laughing together, side by side,
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this distance in our relationship is misleading me,
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is this what happiness is?
He's beginning to doubt if what he believes is true, he's beginning to believe the feelings telling him something's wrong (and remember, the scene right after this one is when he confesses (?) his secret to Hinako) ARE infact true, and that maybe the logic he's been following for so long has a couple holes in it.
I think these scenes are meant to show Kazui gradually realising that his relationship with Hinako will not work out. It just won't, no matter how hard he tries.
He's able to laugh together and talk with Whiskey because she's his friend, yet he can't do the same with his own wife? Even though, according to his gold ring, their relationship is supposed to be real and true and genuine?
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eightdoctor · 9 months
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i think i hauve covid
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emily-mooon · 2 months
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So honey take me by the hand, and we can sign some papers
Forget the invitations, floral arrangements, and breadmakers!
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fanonical · 3 months
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if you write a fanfic for a musical and don't have all the dialogue be rhymes/lyrics then you are a coward
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melit0n · 4 months
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EUCLID ANALYSIS.
Told you guys it was coming, didn't I? I apologise that this has taken a bit longer than expected, my mental health hit me like a bullet train, but I do hope it's sufficient.
Part one -> You're already here!
Part two -> Line by line analysis part 1
Part three -> Line by line analysis part 2
Part four -> Musical/intrumental notes
Part five -> The Night in Sleep Token
Part six -> Conclusion
Please note this is a general analysis. Although I do go into theories, both my own and others, this is just general thoughts. Also note when I speak of Vessel, I mean Vessel as a character, not the person, unless I specifically state so.
Tagline: @rilllvri @a-s-levynn @fivewholeminutes @euclidsvessel @tonguetyd @moonchild-in-blue @kkarmatic @branches-in-a-flood
+ Some people were worried about spam liking/reblogging the last time I did one of these big analysis posts, and I want to say please don't worry about that! I get happy when I see the same users pop up liking and reblogging my work, because it means you're interested in this enough to go through the whole thing. Feel completely free to add your own thoughts, correct any errors I've made etc. As per usual, my DMs are completely open to anybody wanting to discuss ST <3
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Let's start off with the basics. ‘Euclid’ is the anglicised version of the Greek name Eukleídes (Εὐκλείδης), mainly known via the ancient Greek mathematician Euclid of Alexandria, who is seen as the ‘father of geometry’, and most famous for his work on symmetry. Its general definition is something or someone who is renowned and or glorious (A) and the lesser known definition is something that is a copy of the same (B) (taken from Euclid’s ideas on symmetry), which we’ll come back to in a bit.
However, there is another Euclid in history that we’ll be referencing; Euclid of Megara. This Euclid, similar to our mathematician, was an ancient Greek Socratic (having been a pupil of Socrates) philosopher. I’ll be taking part of a text out of his Wikipedia article since his ideas have been explained thoroughly there.
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(we'll be coming back to him soon)
First off, this is an incredibly interesting choice of name for a song. Outside of someone's maths and philosophy class, this name doesn't exist to most, so the fact it's been chosen at all is intriguing.
Vessel has shown time and time again he enjoys sometimes elaborate references in his art, an example being chemistry and biology in TPWBYT (most notable would probably be ‘Telomeres’), so, I think it would be easy to say that, whether it be a reference to Euclid the Mathematician or Euclid the philosopher, that said reference is understood and intended by Vessel.
So, let's start with our mathematician, shall we?
What I find interesting about Euclid of Alexandria is that his life and existence outside of his work on geometry is almost completely unknown. There's almost nothing known of him, as a person, other than where he spent half of his career (Alexandria; Egypt, hence his title), where he may have studied (Platonic academy) and a general idea of when he lived (around 300BC). What is known about this insanely famous man who created the foundations of symmetry is incredibly barebones. People take Euclid at face value for his work, just like Vessel (both as an artist, and a character).
Further, we, as listeners, don't have much of an understanding of who Vessel is other than being a mouthpiece of a deity known as Sleep, someone once human now grasping at the threads of humanity and someone sharing some of his struggles in life (both with Sleep and unknown people). Like Euclid, he is barebones, we take him at face value; a vessel. He is both a mouthpiece for Sleep, a mouthpiece for his own emotions (obviously) and a mouthpiece for us. His experiences transcend being just his, due to his anonymity, therefore allowing us to connect and express our own experiences. It's music for the sake of music; expression.
Now, having talked through Euclid as a person, it's time to talk about Euclid and his symmetry. Symmetry in shapes is 'reflections, rotations, translations, and combinations of these basic operations. Under an isometric transformation, a geometric object is said to be symmetric if, after transformation, the object is indistinguishable from the object before the transformation- a copy of the same’. So, of course, this means shapes like squares, rectangles, parallelograms and circles. Circles are a representation of infinity, wholeness, unity and loops. What does Euclid do? Loop itself (starts and ends with B major, which also happens to be the same chord that TNDNBTG starts with), and loops the three albums together, musically and lyrically.
Now, onto Euclid of Megara.
Euclid was born in Megara, Athens and was a follower of Socrates (sneaking into Athens to hear him speak, and he was also present during his death). He is most known for his philosophy that good is the knowledge of simply being and that the opposite of good does not exist, aka evil. The Good is described to be a perfect, eternal, and changeless Form, existing outside space and time. A form of Heaven without a God.
This idea could be linked lore-wise with Sleep Token; Sleep could, in a way, be The Good literally. Bliss. Further, with the idea that there is no actual opposite of good, then how can anything be bad? How can Sleep, as a deity, have bad intentions if there is no actual evil?
So far, with these two notable figures in mind, we can perceive Euclid as one of two ways (and there are more ways to come). Euclid can be seen as quite literally being a form of symmetry; a parallel that Vessel lays his life on because it brings all of the produced albums, all of his stories, together. Or, we can think of Euclid as Vessel. This brings me to @euclidsvessel's post on their theory on Euclid; what if Euclid was Vessel’s name before he became a vessel?
The theory that Euclid could be Vessel’s old name is not only extremely insightful, but very plausible as well. They explained their points very well in their original post, and I don't want to repeat what they’ve already said, so I do implore you to go read that! It's not detrimental to needing to understand this post, but I highly recommend it. Despite this, I am here to both support their argument and bring my own comparison. Take a look at the cover art for Euclid:
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Let me repeat the lesser-known definition of Euclid; a copy of the same. A clone. A replacement. Held in the right hand is the decapitated head of Vessel's old (2nd gen.) mask. Specifically, the one that covers his mouth; the version that relinquishes the most amount of humanity. The album art is a representation of change portrayed in a symbolically gory way. Beheading, depending on the era you’re working from, symbolises both vengeance as well as a form of purification. By cutting off the head, you remove any ‘unholy’ thoughts. It's also among one of the most horrific and humiliating ways of killing someone (since it was typically done publicly, and sometimes the heads were placed on spikes of battlements as a warning).
Furthermore, there's a theory that's popped up a couple of times, lore-wise, that Vessel is not the first person to be turned into a vessel of Sleep, and he certainly won't be the last. So, considering the literal album art illustrates a replacement of Vessel, I’d say that theory is pretty much confirmed. In conclusion, the album art can either be interpreted as how Vessel will eventually be discarded and replaced by another vessel, or how Vessel himself will change, for better or for worse; clawing out of his own skin to become “someone new”.
So, to compare the idea of Euclid being Vessel’s old name, and to create the third perception of what or rather, who, Euclid is, what if Euclid will be the eventual replacement for Vessel?
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redrobin-detective · 2 years
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how quickly the glamour fades
 “What do you think the Captain does in his down time?” Wally asked, squirting a large amount of cheese whiz onto a cracker and eating it. He was still getting used to being the Flash, being in the Justice League alongside his uncle’s friends. They’d helped him grow as a hero and a person over the years and now he was one of them.
“I don’t know, Cap is always working,” Hal said, taking a bit of his pizza. “The guy never quits I’m telling you. If he’s not here, he’s putting out fires in the jungle or fighting space-magic-tentacle monsters or working with an apron at the soup kitchen. I don’t think he knows the meaning of ‘down time’.”
“We all have to take a break sometimes, even gods,” Wonder Woman said with a raised eye brow. She didn’t technically chastise him but Hal’s shoulder crept up to his ears anyway. “Marvel is the personification of the Gods’ will on Earth. He may not require physical rest I’m sure he must take moments to collect himself but it is, surely, none of our business.”
“I didn’t mean any disrespect,” Wally said hastily. “I’m still new here, trying to figure everything and everyone out with these big shoes to fill.” He cleared his throat and glanced over at the door Captain Marvel had exited out of a few minutes earlier. “I don’t know Marvel well, he was just a reserve member when I first met him and now we’ve moved into big leagues pretty much at the same time. I guess I’m trying to get to know my fellow newbie, he seems like a really nice guy, someone you’d want to talk to outside of work.”
“Yeah good luck with that,” Hal snorted and preemptively winced from the force of Diana’s glare. “What? Look, I love the big cheese as much as the next guy but he’s hard to pin down! He’ll smile and chat up here at the Watchtower no prob but he won’t go out for a drink, he won’t attend any of Bruce’s fancy parties. Barry used to practically beg the guy to come over and have some of Iris’ cooking and he turned him down every time.” A brief moment of silence as Hal coped with the sudden, casual mention of his best friend. “He’s friendly but not sociable.”
“Perhaps he needs time alone, away from all this,” J’onn said, walking in to stand by Diana. Without being asked, she reached into the cabinet and pulled out his favorite cookies. It could have been telepathy or simply years of love and experience. “As you mentioned, he spends much of his time battling the evils of the world, both the grand and the mundane. He may need solitude to cope.”
“Isolation doesn’t heal anything,” Wally grumbled, playing idly with the cheese whiz can. “The Titans taught me that there’s strength in community. I won’t begrudge the man some alone time but,” he sighed and set the can down. “I don’t know, he smiles like Dick does sometimes, when he’s keeping all the hurt inside. I think he could probably use someone to talk to.”
“He’s a god or something, it’s not like we can relate to him,” Hal sighed. “I’m with ya, Kid. I’d be over the moon if Cap ever decided to hang out after the battle was done but he’s just not that kinda guy.”
“Your kindness is appreciated, Wally but Marvel is entitled to his privacy. Should he ever need that listening ear you suggested, he of course knows he can come to us.” Diana smiled. Wally smiled back but still didn’t feel completely settled. There was something about Captain Marvel that never felt right, like he was only seeing a funhouse mirror version. His smiles were too perfect, his lines so cheesy, almost practiced. In a way, he almost didn’t feel real and that the real person was hiding behind this perfect cardboard cut out they all knew.
“Yeah, okay,” he frowned before perking back up. “Did you guys catch the game last nigh-”
“Don’t get me started squirt my team looked like they were sleepwalking, not playing.”
Hundreds of thousands of miles away in Fawcett City, a boy was cold and he was hungry.
“Achoo!” Billy Batson sneezed. “Ugh either someone’s talking ‘bout me or I’m coming down something.” He sniffled, wiping his nose on his threadbare sweater sleeve. “I don’t even know which is worse.”
It had been warm on the Watchtower when Bill, well Marvel, had finally left. The halls had been crowded and there’d been plenty of food and company. It would’ve been nice to stay but that wasn’t the way things worked. Cap didn’t need food to stay full or heat to keep him warm. He enjoyed the conversation but it felt so empty with the large wall he had to keep around his other life. It was safer this way, for him and for them.
The weather was turning cold and the shelters would have stopped giving out food by this late hour. Another night spent shivering and another night without a meal.
“It’s fine, you’re fine,” Billy chattered to himself as he slowly made his way back to the abandoned apartment he’d been sleeping in. “They don’t need to know about this, won’t care about another homeless kid. You’re lucky you get to know them as Marvel, you’re lucky to have Marvel.” He squeezed his eyes shut to fight back tears. It was an honor, a blessing to have the power to help people but oh did it hurt sometimes.
He wished he had someone to talk to about this but all he had was Tawney and the empty throne of the Wizard. There was the League but he couldn’t risk it, Marvel’s good standing was the only way they let him be active without giving away any details. They wouldn’t listen to him anyway, if they knew who their powerhouse really was. The illusion was hard to keep up sometimes but it was all he had.
All the way home, he hummed a tune he’d heard Black Canary humming while doling out portions of pizza and thought of the way Wonder Women’s gentle strong arms had felt around his shoulders and the sound of Lantern’s loud laughter and imagined that he wasn’t alone.
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