I think Grian's flavour of clinginess and inability to be separated from Mumbo is my favorite thing ever, because it's basically all built up around the fact that he needs to be ruining Mumbo's day every waking moment of his life or he goes a little bit stir crazy
He needs his proper dose of pestering this one guy he imprinted onto super hard half a decade ago or else he'll get malnourished and die
If Mumbo isn't either exasperatedly repairing whatever redstone Grian ruined or being dragged along by him to cause even greater problems then Grian crumples in on himself and implodes
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Will takes up more space in Mike's mind when he takes up more space in the shot, and would you look at that...
Before "the heart":
After:
As Mike turns initially the camera actually even pans with Mike and goes off of Will and is a closer shot, so they had a fine transition out of that interaction there, but when it cuts back it's in a wider angle and Will is back in the shot.
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if sasuke was the main character then he probably would've been a LOT more sympathised with than he is now (which is to say rarely). like the narrative wouldn't even need to change to show his pains or 'his side of the story', bc it does that plenty. it's just that he is not the main character. and idk what it is about our human minds but we tend to sympathise with main characters automatically (unless ofc you go off the rockers insane and do something like obliterate almost everyone from the planet *cough* eren yeager *cough*)
an instance that comes to my mind where this does happen is with lelouch from code geass. while i don't agree with his character motivations, people generally do sympathise with him as he is the mc and as viewers we know he isn't inherently evil. sasuke's goal towards the end is slightly similar but ofc people love to hate him so they don't even try to understand where he is coming from.
my point is, most people while engaging with the naruto story don't read between the lines and so don't see how traumatised and in pain sasuke is and hence don't understand his character motivations. heck, they don't understand a single bit about him and so they automatically hate him, as he is supposedly going against the main character's goals.
which is really sad given all that he has been through.
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whenever i see the bonding moment scene i know we're not just being delusional. the other klance scenes can be written off as friendship moments unintentionally being gay but this one?? there is no excuse. it so fucking unnecessary - why are they holding hands why does lance have this fond expression on his face and why did jeremy shada say that line like that.... why does it feel so intimate... the scene lasts about ten whole seconds but it's gayer than all gay netflix dramas combined. the conclusion is that klance makes me ill
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Yeah, people like to think that (adult) Jason’s snarky, cutting, and unapologetic post crisis characterization and the (mostly) “watered down”, docile personality he’s had from N52/rebirth onwards are irreconcilable, and that the shift was just an editorial decision with the intent of marketing him as a “likeable” hero.
While that last part might be true, have they considered that textually it makes perfect sense that being consistently in contact with an abuser just does that to a person. Wears them down until they feel like nothing but a husk, without any discernible direction or opinions of their own. If it isn’t completely burnt out yet, they (consciously or unconsciously) suppress that part of themselves that thinks independently either for self-preservation or to keep the peace. Considering anyone, even “mentally strong” people could fall victim to mental abuse, it’s actually pretty realistic imo.
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while I'm thinking about analysing the moomin stories today, the subject of teety-woo's identity in "the spring tune" is one of my favourite themes in the novels.
it's definitely not a stretch to suggest the outline of that story was inspired by tove jansson's struggles as a creative and a public figure. teety-woo serves as a stand-in for the countless fans who looked to her for inspiration, maybe validation, and her reasonable discomfort with being lauded as some sort of all-knowing idol because of it.
snufkin, as her sort of mouthpiece, sets a boundary that he's just another person in the world who happens to create art and shouldn't be looked to as a role-model. he's flawed, irritable, and a little-self-centred (arguably, through this interaction, sympathetically so). he doesn't have all the answers nor the stamina to help people who are practical strangers, and reminds teety-woo that "you'll never be free if you admire someone too much". a sentiment snukfin understands, not just because of his guilt over moomintroll's admiration of him as well, but also his Own admiration of moomintroll. (earlier, when trying to craft his tune, he imagines going back to moominvalley and playing it for him, and how he'd say that "it's a good one"). it's a message that's especially resonant in a world with an increasing problem with parasocial interaction.
but although that's an important lesson to take from the novel, snufkin Does in fact leave an impact on teety-woo. he's the one to give teety-woo his name, which finally gives him a solid identity - and once teety-woo understands his identity, he almost immediately becomes independent and stops needing snufkin's attention and approval. the message I get from this story is that, while we shouldn't treat other people - regardless of fame - as infallible figures to project ourselves and rely on to solve our problems, it's human nature to "scaffold" from others you admire.
snufkin's role in teety-woo's life was a positive one, but teety-woo needed to learn how to be his own person separate from the idealised version of him. it's impossible to exist without being an influence or source of inspiration to someone. it may not always be easy or what we want but, that's how it is.
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kink has really widened my view of what I consider "sex" and nothing makes that more obvious than when I see takes like "someone using a vibrator on you isn't sex". like 1. what is it then? and 2. getting called a good boy can be sex if you want it to be.
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