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nyerusnova · 9 months

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Glad to see that Tim being a giant Dick Grayson fanboy is finally being highlighted again, and sparking more discussion especially on their early relationship! (Please gimme more!!! I love them so much, augh!)

Probably as a result of that surge, there seems to be reciprocal chatter on the topic of how young Tim actually felt towards Jason, too. It's honestly pretty interesting, because it's more nuanced than it appears at first glance.

Which means it's very fun to dissect! ✨

There's a degree of subjectivity to keep in mind, because readers are going to have different interpretations of the same scenes, or will pull from entirely different scenes than one another to form their individual view on this topic. That's just how it is in comic book fandom, for many things! Regardless, in this case... if the scale ranges from the extreme of "Jason was Tim's Robin" to the other extreme of "Tim actually hated Jason [as Robin] or thought he was a loser that got himself killed" — the actual truth is closer to the middle, as is often the case.

At least, in my opinion.

Mainly I want to focus on those relatively early days with this post, to highlight Tim's initial(-ish) feelings towards his heroes, and touch on the point at which they really begin to change. This turned into a very long post, though. Brevity is beyond my skill, so grab snacks and water lol. Transcripts for each image will be posted at the very end under the cut.

So, the two storylines I want to cover are "Rite of Passage," which is rolls into "Identity Crisis." (NOT to be confused with the major crossover event "Identity Crisis™" which came years later, and is where Jack Drake dies.... But it sure is an interesting coincidence that Tim deals with the loss of each parent in two similarly named stories!) These take place before Tim is even Robin, and I'll be considering them as one arc for this post.

Detective Comics vol. 1 #618 (July, 1990) -- Pages 1 & 2

"When Gotham needed him, he was there. When the Batman needed him, he was there. He was a hero."

"One day, I'll be as good as Jason. One day I'll wear the suit."

To start off, we have this opening from "Rite of Passage." Tim is still in training here, mainly helping Bruce with minor stuff from the cave. His parents are off traveling, alive and well as of these next few pages. He's still bright-eyed and full of wonder. An extraordinarily weird but ultimately innocent kid.

So his view on Jason is positive and fairly simple: a hero, and someone to look up to as Robin. Clearly, Tim here doesn't think Jason was deficient in his role, either as a protector of Gotham or as Batman's trusted partner.

Moreover, Tim already held Dick in very high regard because he was amazingly skilled before he became Robin. To Tim, that's not something he'll ever be able to achieve. Meanwhile, Jason wasn't like that. He was a regular kid without crazy acrobatic training since practically birth. Yet he still went on to be a hero—which is obviously motivational for Tim who finds himself in similar shoes.

It's true that Tim only ever knew or thought of Jason as Robin, and idolized him in that regard. But that's kind of all that mattered to him at that point, because he was this kid who was utterly star-struck by his heroes. Even if he's technically aware of their shortcomings as people, it's overshadowed by the hero-worship.

It was kind of the same with Bruce as Batman at first. (Which was still enough for Tim to risk life and limb to help his beloved hero, before Bruce even knew his name.) Dick was the only one Tim had any sort of "personal" relationship with beforehand, so there is an extra level of attachment—and hence why it was the nidus for his obsession with Batman. Yet even then, it wasn't like he actually knew anything about Dick as a person until later. Until then, Tim's ideas of him were all he had, too. With Jason, Tim just didn't get to know him at any point before his return (oof), apart from what he heard over the years secondhand (also oof).

Ultimately, it's the loss of innocence—along with the ricocheting bullet that is the unresolved guilt of those around him—that begins to change Tim's perception. Not just of Jason, but of things in general.

Batman vol. 1 #455 (Oct., 1990) -- Page 13

"I know why they do it now. Why they put on the suits, and the masks, and go out into the night. They're angry, they're full of rage. They want to hit back."

Losing his mother was a major shift for Tim, obviously. This is right after the previous storyline, and Tim's had the worst week or two of his life (so far). His monologue here is a reference to what happened to both Dick and Jason. The unbearable pain of loss, the rage masking the grief underneath. And importantly, that he feels both of them were justified in their anger. (And Bruce too, indirectly.)

The major theme of the aptly named "Identity Crisis" is to mirror aspects of Dick and Jason and Tim's lives—to show how they converged onto the same tragic road. It's something that Tim notices early in the story, and was frightened by. Now, horrifically, it's become a part of him as well. His parents are gone, and he was entirely helpless to do anything about it. Dick was the same way, Jason was the same way. The cycle is repeated.

In particular, the part about him wanting to go to Haiti for revenge—for his mother—sort of struck me as being an intentional parallel to Jason and Ethiopia. It's a bit of a stretch, especially in isolation, so others may see it differently (e.g. the angry ramblings of a grieving child that does sound like something anyone might say). But it always stuck out to me because of how much Tim is compared directly to Jason in this arc. More on that below.

It's not something I can really give an accurate feel of because it's a lot of subtle things that begin to add up, so I'd encourage folks to read this arc themselves to see what I mean. (Or maybe you'll still disagree which is fine too lol.) Again, many things are in reference to both Dick and Jason in relation to Tim, but it's weighted more on Jason's side.

Batman vol. 1 #455 (Oct., 1990) -- Page 18

"You think my anger will boil over, the way Jason's did. I can assure you, it won't!"

Tim's grief has begun to pull away the veil of idealism that enshrouded his heroes in his mind. It doesn't apply only to Jason, but to the rest of them. Plus add the fact that Tim's keenly aware that he's being managed, even if the adults around him are careful to not outright say certain things. He still knows.

Bruce, Dick, and Alfred are all worried about Tim potentially turning into "another Jason." They (and mainly Bruce) caution Tim to not ignore his emotions, but they're still concerned that he may be overly eager to prove himself in order to cope, and could get hurt or killed as a result. While they aren't wrong for their caution—especially at how unsettlingly similar all the circumstances are—they aren't very subtle about the elephant in the room.

Imagine how that would affect Tim's perception of his predecessor, especially when he's in the midst of a traumatic event he hasn't had time to fully process. The negative association is pretty much inevitable.

Tim's known from day one that he's walking in Jason's shadow, and now it's become inescapable. Tim went from seeing Jason as a goal to reach, to feeling that unless he surpasses him, he wasn't going to be taken seriously by anyone. However, as of this arc, Tim doesn't even fully come to that point yet.

Batman vol. 1 #456 (Nov., 1990) -- Pages 14 & 15

"Drop-outs don't make it. And dead heroes are no use to anyone!"

It's really easy to take away "Tim totally thought Jason got himself killed" as the main thing here, but I think that's missing the forest for the trees.

First some context: Bruce has gone out on a mission to get Scarecrow, and expressly forbade Tim from doing any shenanigans. Meanwhile, Tim is grappling with wanting to prove himself and trying to help Bruce from the cave, all while trying to deal with his emotions. At some point, he falls asleep and ends up having like... exhaustion-grief hallucinations of Dick!Robin and Jason!Robin who confusingly caution yet encourage him. The main theme of this part is facing your fears.

Depending on how you want to interpret the intent of Jason's dialogue here, you could go several ways with it. Ranging from "writer's feelings towards Jason" to "a peek into Tim's mind as his fears manifest as visions of his heroes" or some mixture thereof.

Though Tim argues with Bruce that Batman needs a Robin, we're shown that Tim is understandably scared of joining Batman's "war." He's still not willing to let Bruce go it alone, though, and that's something he feels more strongly than his fear.

Meanwhile, hallucination!Jason's warnings are a lamentation of what happened to him in a way, but it actually exactly describes Tim's current situation even more so. Unlike Jason, Tim is under-trained, under-experienced, doesn't even have a suit of his own yet. But like Jason, he can't sit by and do nothing while someone he cares about is in danger. Tim knows that if he goes out there, he will probably get himself killed, and it will be his own fault. So he's about to disobey Batman's orders, and fly right into danger. If that got Jason killed, then Tim—who is in a way worse position experience-wise—has every chance of ending up the same.

Like... it's about Jason, but it's also about Tim. It's Tim's worst fears made manifest, via the representation of why he is even here in the first place (Jason's death).

That's my theory anyway, but perhaps this is an overly charitable reading of this scene on my end. (Not that I think that makes me wrong lol.) However given that Grant wrote both parts of this arc, and the beginning of which is especially favorable towards Jason, it certainly is something to ponder. I have a lot of thoughts on it I can't expand on here tbh but perhaps that'll be another post.

Anyway, returning to the point of the similarities vs differences between Tim and Jason: since this is the arc that solidified Tim as the next Robin in comic continuity, it makes sense that the writers really pushed the comparisons between the two of them, specifically. (Even though Dick was pretty similar, as going against Batman's orders is the Robin thing to do, it's not his shoes Tim is directly filling.) So making Tim's "debut" story arc mirror Jason's "swansong" is an obvious narrative choice.

To drive home the parallels, I wanted to include this panel from just a few pages prior to the "daydream":

Batman vol. 1 #456 (Nov., 1990) -- Page 9

"The suit is magic."

That so distressingly close to Jason's famous "being Robin gives me magic" line (Batman #385, page 6). Given all the previous context, it's hard for me to just dismiss it as pure coincidence. Even if it is, the point still stands. Tim is shown having the some of the same heartbreakingly naive views as Jason once did, right in front of Jason's memorial, just as he's about to go and run off into the night against orders.

I think that speaks for itself. There's a lot to take away from it, if you so choose. Especially given the context of that specific Jason arc.

Alright, back to the main course:

So in the end, Tim actually goes out in civvies and a ski mask because if he fails, then at least he wouldn't bring shame to Robin's legacy™. When he gets fear gassed saving Batman, it's once again both Dick and Jason that he hallucinates encouraging him to push past his fear. (Shout out to the fact that he's literally more afraid of tarnishing the legacy of Batman & Robin than he is of dying.... I'm sure this will not be a recurring thing for him in the future.)

Tim's ideology is shown to be similar to Jason's, and the actions Tim ultimately takes are similar to Jason's... but the outcome is different. And it really isn't just "Tim succeeded where Jason failed." At least, that's not what I took away from this. Rather, Tim had no reason to succeed any more than he had to fail, just that he did. Luck combined with caution because he knew what happened to his predecessor, and the fact that Batman was there to finish the job all made the difference.

You could say (and I know some will) that it's just classic Jason character assassination and the writers trying to implore readers that this new kid is different we promise pls don't hate us look how much better he is! But in this case, that feels like it undermines the whole point of this story. It doesn't fit with what the characters actually say.

Thus, we return to the question of how Tim felt towards his predecessor. And the answer is different from where we started, because Tim is different. Not that different though. Because even though at this point Tim—like all the adults around him—has probably attributed Jason "going off on his own" being what led to his death, Tim still thought of him as a hero to look up to. It's about Robin, first and foremost, yes. But Tim is fully aware of the people who made that suit mean what it does, because it's all intertwined.

Batman vol. 1 #457 (Dec., 1990) -- Page 20

"I mean--Dick made it into a symbol the whole world knows. Jason gave his life for it."

Even further, Tim thinks of it in terms of Jason having given his life for what he believed in, for the legacy that now falls to Tim. There's a sense of gravitas there. He's afraid of failing both the Robins who came before him.

Ultimately do I think Tim adored and loved Jason on the same level as Dick or something? No. It's not comparable. (Dick was like part of some of Tim's earliest memories and everything! They have a really unique bond ok.) Yet Tim was also far from thinking poorly of Jason so early on. Frankly, it seems that Tim thought of Jason as a noble hero and a cautionary tale. Yes he took risks and sometimes went too far, generally stuff that Tim doesn't want to repeat and all that. At the same time, Tim still saw him as someone whose legacy and memory was worth honoring.

It's complicated, which is why I like it so much—because it feels real. Having conflicting feelings towards someone is... so human. Especially someone you never got to know, yet who plays such an integral role in your life via the shadow of their death. How can you feel anything but complicated towards them?

It has to be said that, yes, Tim's views—even before Jason's return—change over the years. He becomes more jaded as a person and is surrounded by people who are even more jaded than him... and who often mention Jason as the "failed Robin." It's something that's hung over Tim's head all the damn time. The curse of the Robin mantle.

So it shouldn't come as a surprise that Tim's idea of him becomes more akin to "sounds like a skill issue" as the years go by. All bets are off after Jason's return, and the Titans Tower Incident™. At that point it's firmly "I am better than you, loser" lmao.

And... that's all without getting too into things like authorial intent and general "moods" of different DC writers towards Jason at a given point. Or retcons that played a role in his characterization and how other characters talk about him, depending on what "era" you're reading. That's way beyond the scope of this post though!

TLDR; even though young Tim Drake was obsessed with Dick Grayson as Robin, he still looked up to Jason Todd as well. He didn't think of Jason as a cringefail loser until later. :)

(image dialogue transcripts under cut ↓)

Dialogue Transcript for Image 1 (Detective Comics vol. 1 #618 -- Page 1):

Narration box (Tim): When Gotham needed him, he was there. When the Batman needed him, he was there. He was a hero.

Dialogue Transcript for Image 2 (Detective Comics vol. 1 #618 -- Page 2):

(Scene continued from previous page)

Narration box: But he was nothing special, really. Just a boy, who was taught--trained--brought to his full potential by someone who knew how. Just a boy... like me. I know I can do it. I know I can. One day I'll be as good as Jason. One day I'll wear the suit. One day I'll be a hero.

Dialogue Transcript for Image 3 (Batman vol. 1 #455 -- Page 13):

Tim: I hate him! I hate him! I know why they do it now. Why they put on the suits, and the masks, and go out into the night. They're angry. Full of rage. They want to hit back. They want to fill the hole that's burning inside them.

Bruce: There's more to it than that, son. Much more.

Tim: I know. It's just--I feel--like going to Haiti myself and strangling that creep with my bare hands!

Bruce: The Obeah Man will spend the rest of his life in a prison hospital. He's history. Forget him! But don't fight against your anger. It's natural. Accept it. Live with it. One day it'll be your friend.

Dialogue Transcript for Image 4 (Batman vol. 1 #455 -- Panels from page 18):

Tim: Because you think my mother's death has upset me too much. Well, it did. But I've taken your words to heart. I can cope. You think my anger will boil over, the way Jason's did. I can assure you, it won't. But that doesn't make any difference, does it? Why can't you have a little faith in me?

Dialogue Transcript for Image 5 (Batman vol. 1 #456 -- Page 14):

Narration box (Tim): Blast it! My head's starting to swim. I'm about ready to give up. I almost wish I'd never heard of Batman and Robin!

Vision Dick: Heroes never give up, Tim.

Vision Jason: You know that.

Tim: Dick--! Jason Todd!

Vision Dick: You're training to fight in a war, Tim. It'll last all your life. No matter what, you have to go on fighting.

Vision Jason: Drop-outs don't make it. And dead heroes are no use to anyone! I thought I knew better than Batman. I thought I could run before I could walk. I killed myself, Tim. Because I couldn't wait. Because I couldn't think it through.

Dialogue Transcript for Image 6 (Batman vol. 1 #456 -- Page 15):

(Scene continued from previous page)

Vision Dick: Think, Tim. Concentrate!

Vision Jason: You can do it.

Both: You can do it!

Tim, waking up: What--? Robin...?

Narration box (Tim): I must have been daydreaming. They're right, though. There's a solution to everything. I can find it! So here I go again... Whim. Caprice. Doing something without forethought.

Dialogue Transcript for Image 7 (Batman vol. 1 #456 -- Panel from page 9):

Narration box (Tim): The suit is magic. It gives you power. It hides your weakness. It makes you give it everything you've got. It makes you a hero. If only I could!

Dialogue Transcript for Image 8 (Batman vol. 1 #457 -- Page 20):

Bruce: Are you afraid of it?

Tim: No. It isn't fear. It's more... the suit carries so much history. I mean--Dick made it into a symbol the whole world knows. Jason gave his life for it. Failing them--what they fought so hard to build--that's what worries me!

Bruce: I appreciate that, Tim. That costume weighs a whole lot more than any symbol should... and I'd be failing you if I expected you to bear that weight. So... let me know what you think.

Narration box: A mask has a double edged, he said. It hides your own anxiety as it strikes fear into your enemy.

#tim drake #jason todd #dcu #dc comcis #batfamily #meta #I'm so sorry this post got out of hand fr #it was meant to be a quick drabble with some comic panels and instead i just...... kept going #this post is specifically for my one (1) bestie who cares and the like 2 ppl who might be as insane as me about Timmy #idk why I'm like this im just obsessed with Tim's relationship with early Batfam & co lately???#late 80 and early 90s comics my beloveds......#anyway if this gets more than 5 notes i'll be shocked and scared lol #nyerus.txt #text post #long post

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shadowtriovibes · 11 months

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hello lovely ☺️ how abouuuut #26 for the shadow trio?

"please… say something.” [sebastian x mc x ominis]

—

It had been approximately three months since you and Sebastian had started making Ominis’ life a living hell.

To be exact, it had been two months, three weeks, and four days. But it’s not as if he’s counting, of course. Because if he were counting, that would be utterly pathetic, and Ominis Gaunt is not some pathetic fool mooning over his best friend’s girlfriend.

…Except that he might be.

Because approximately three months ago, you and Sebastian had shown up at breakfast with mussed hair and wrinkled clothes and eagerly broke the news to Ominis that you’d confessed your feelings for each other the very night before.

(You hadn’t needed to tell him that you’d been holed up in the Room of Requirement ever since, because Sebastian hadn’t come back to the dormitory that night.)

“We want you to be the first to know,” you had told him softly, reaching for his hand.

Ominis had sharply drawn his hand back. “W-well, um. I suppose… congratulations are in order.”

He didn’t see how you’d frowned and hunched in on yourself disappointedly, or how Sebastian had blushed guiltily and opened his mouth as if to explain further before thinking better of it and staying silent.

Ominis had simply poked at his breakfast, unsure why the most obvious thing in the world – the two of you making things official, finally admitting that you’re mad about each other – had made him feel like he was going to be sick.

It took a few more weeks to figure it out, but by the time Ominis realized that he was in love with you too, it was much too late to say anything. A gentleman never would, especially not with how happy Sebastian seems to make you.

Then it took another month for him to recognize that the possessive, jealous feelings he felt whenever you coaxed Sebastian away from spending time with him weren’t exactly indicative of a platonic friendship, either.

So Ominis remains silent whenever the two of you murmur sweet nothings to each other during your shared lectures, or when he catches you snogging when you’re supposed to be studying by the fire in the common room, or even when you both slip away after dinner and don’t resurface until Sebastian sneaks back into the seventh-year boys’ dormitory with all the grace of a drunken Graphorn.

He could endure it, he thought.

…Except that lately, you and Sebastian seem to be determined to flaunt your happiness whenever possible. Just last week Sebastian had invited him to Hogsmeade for an afternoon that made him feel like a pitiful third wheel, and you’ve offered up the Room of Requirement multiple times for “extra Charms practice,” as if he’d even dare let himself in without knocking – thrice.

It eventually comes to a head when he comes back to the dormitory after his last class of the day to grab an extra bottle of ink for his dictation quill and hears moaning the second he opens the door.

“Merlin’s beard!” he exclaims, lingering awkwardly in the doorway. “This is a shared space, Sebastian.”

“We thought you had class,” he calls out lazily.

You’re giggling softly and he hears the sound of rustling sheets. He can’t decide if he’s never hated being blind more than in this moment, or if he’s never appreciated it so greatly.

“I did,” he hisses. “But I ran out of ink. Also, it’s the middle of the afternoon. Do the two of you have any decency?”

“Not so much, no,” Sebastian drawls.

“We’re sorry, Ominis,” you offer, but it doesn’t sound like you’re particularly apologetic.

He curses under his breath and aggressively aims his wand toward his corner of the room, hoping to avoid having to visualize how your bodies are intertwined. (As though he isn’t already picturing it in his mind, he thinks ruefully.)

“I’ll just get some ink and then I’ll be going,” he mumbles.

But before he can pull out his spare bottle from his desk, you hesitantly offer, “If you want, you could stay.”

He very nearly drops his wand. “Wh-what?”

“I said, you could stay here with us,” you repeat.

You carefully climb out of Sebastian’s bed and cross the room to where Ominis is standing completely frozen. The pale red light pulsing at the end of his wand glances off your bare skin.

Merlin, you’re naked, he thinks.

“Ominis, we’ve been trying to talk to you about this for ages,” you tell him softly.

This time when you reach for his hand, he lets you take it – mostly out of shock, mind you.

“Sebastian and I, we’ve been thinking…” you start. “Since you and I first met, it’s always been the three of us, and it hasn’t felt right without you these past few months.”

Ominis frowns. “What are you suggesting?”

“I’m suggesting you might be a bit daft,” Sebastian says casually. “We’ve tried bringing you to Hogsmeade for Butterbeers to loosen you up, inviting you up to the Room of Requirement for a little ‘practice,’ but nothing seems to be getting through to you.”

“I’ve been insisting for weeks that we needed to be more direct with you, but Sebastian wanted to take things slow,” you say ruefully. “...Obviously it didn’t seem to be working, so letting you ‘catch’ us seems to have done the trick.”

Ominis is completely lost.

“We want you, Ominis,” you finally tell him. “We want this relationship to be the three of us, in every way.”

“That’s… that’s preposterous,” Ominis breathes. “That’s not even… three people in a relationship together, it’s – it’s untoward. Deviant, even.”

“Why?” you ask softly, lifting his hand to press it against your bare hip. “Why can’t it be sincere? We love you, Ominis. We have for a long time.

I love you too, he wants to say.

But what you’re suggesting… It’s beyond inappropriate. He’s not sure he’s ever heard of a relationship like this, shared equally by three lovers. It doesn’t seem possible, or even imaginable.

…Except he does imagine it. Merlin, he’s imagined it so many times, until he felt like his depraved thoughts must surely be the work of some scheming succubus.

“Please, say something,” you plead, your voice barely above a whisper.

“Ominis,” Sebastian calls out from the bed. “We’re not complete without you.”

He whines softly and lets his head tip forward – a clear demonstration of surrender. He’s only a man, and he can only protest so much when the girl for whom he’d quickly fallen head over heels and the boy he’d gradually come to adore over many years of friendship are calling him to their bed.

You gently take his other hand to slip his wand from his grasp and rest it on his desk. Then you press his free hand to your waist and nose along his sharp cheekbone until he lets you press a tender kiss to his lips. He assumes you’ve deduced that he’s never been touched like this before, judging by how gingerly you’re guiding his hands as he explores the curves of your body.

You’re so warm, he thinks. You’re entirely softness and warmth beneath his fingertips – so different from the other body in the room, defined by firm muscles and faded dueling scars that Ominis has visualized many times but never touched.

“Come to bed,” you whisper against his mouth.

“S’not a very big bed,” he mumbles back.

“Fair point,” Sebastian agrees, and even though Ominis can’t see it, he knows he’s sporting that ever-present cocky grin. “But I think we can make do just this once.”

#bestie this took SO LONG for me to get to i'm sorry #i blame the wedding stuff #hogwarts legacy #hogwarts legacy fic #shadow trio #sebastian x mc x ominis #sebastian sallow #ominis gaunt #mini fic #i mean... this one's not so mini LMAO

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