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#if I am not interested in the majority of the characters I'm not gonna have a good time
coquelicoq · 2 years
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the mdzs/cql fandom is such a hoot. each of us is convinced that *we* know what canon is and all those dummies who disagree with us are just making shit up, while they're stewing away thinking the same thing about us. and half the time we aren't even talking about the same fucking canon!!! whenever i see someone say something bonkers about a character i'm just like "i assume they are talking about one of the *checks notes* six versions of this creative property that i have not watched/heard/read" and i go about my day. instead of being incensed that people are being wrong on the internet i can just gently pity them for having a canon that seems less cool than my canon.
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musical-chick-13 · 2 years
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I’m sorry, not to be Bitter™ about the G/o/T fandom again, but like...I genuinely cannot imagine watching this show (or reading the books it’s based on) if you really ONLY care about one (or two?) characters and hate the rest. There are so many characters in this thing, and if you despise the vast majority of them, then wouldn’t watching/reading the series be just...a miserable experience? Because if you only like one (1) character maybe two if we’re lucky, that character is going to get comparatively little screen/page time, especially in a sprawling and involved work like this. What are you doing for 80-90% of the story, just suffering? Why would you do that to yourself???
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regicidal-optimism · 3 months
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You've been reblogging more stuff about female characters getting ignored by fandoms recently and I would be really curious to hear your full views on the topic.
The thing is that... look. I get it. Many fandoms do not have very many women in their canon, many of those women are treated pretty poorly by the canon or aren't given as much depth as their male peers, and if you're at all picky the pickings are kind of slim (I would love to be a fan of c!Niki, if I were able to watch six-hour vods, which I am not). It is not wrong that most works with large fandoms are really, really sexist, and the problem is not just in the fanbase!
But come the fuck on. It is not an accident that the DSMP and the MCU and BNHA, all of which are vast-majority male and the female characters are treated terribly, are megafandoms, and Revolutionary Girl Utena is eligible for yuletide. It is not wrong that if you want to see more female-character-focused fanwork you should go to Sailor Moon and not The Untamed, but it is also kind of missing the point to say that and not look at the difference in size between those fandoms. People can say "it's because the male characters are so often more interesting and have more meaningful interactions," and like, sometimes that's even true, I will be the first to tell you that quackbur has more to it than tinarose, but please compare the Clint/Coulson tag to the Utena/Anthy tag and look me in the eye and tell me that's the only thing driving the trend. With a straight face.
And even more there's a thing where— so, I was a mod in the @ao3topshipsbracket bracket. And femslash ships, once they were in the bracket, did really well. Like, absurdly well, like 80% of the f/f ships entered got to the top 16, and the last one was against blackbonnet which was never gonna lose in round 1. You might notice something about that number, though, which is that there were only five of them entered total, because people love to vote for femslash but they absolutely will not write it. And they won't say anything about it either! I was watching the activity feed the entire tournament, and I can tell you, for all of the "let's go lesbians" that populated our notes, nobody would say anything that was actually about the specific characters who made up their ship. I learned a lot about Naruto fandom, modding that bracket; I still know nothing about CW Supergirl, because the only thing anyone would say about it is "it has women in it". Because women are interchangeable. Because women are avatars of Being A Good Feminist. Because clicking a button is easy, and actually thinking about any specific woman and her traits and her internality is hard.
The thing is that guilt over misogyny does not actually fix misogyny. It gets you a lot of people who vote for women in polls, and who say "he's like a woman to me" about their male faves but notably don't have any canonically female characters they talk about, and who say that the only thing they care about in a fic is if it has women in it but will not ever actually say anything about any specific woman, and who never shut up about yuri but apparently yuri is everything and anything except women who have feelings about one another.
I'm tired! I'm very tired. I want people to actually give a shit about specific women and their specific traits, which do not begin and end with "woman". And, also, to stop treating women exclusively as the wingmen, advice-givers, mom figures, and accessories of men.
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mishacakes · 7 months
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how do you connect to your character? like how do get to know them so well? how do you pick out their likes, dislikes, habits and those itty bitty bits about them? I've been struggling to do that for sooo many of my ocs, and i'm also at a lost of how to design them. like i once had a clear idea of what kind of character they are, but i wanted to change them a bit, make them a little better, and i feel like I've lost that character and that character i'm working on doesn't exists, no matter how much i loved them and enjoyed writing an drawing them. this has happened with every single character i made and it just makes me think that i may not be cut out for drawing or writing characters. i look up to you so i thought of asking you for help
sry for the long rant idk wat im doing
HELLO HELLO THANK YOU FOR ASKING!! So basically I took this question and turned it into a 1.6k word essay on writing characters and how I like to do it, so, uh, hope you enjoy!! and hope it helps!
OK!! character writing. How do you do it? or, well, how do I do it. I’ve got a few methods that help me out the most and are the most fun for me to think about. Here’s my big secret, if it’s not fun I don’t do it. I’m not here to do homework I’m waaayyyy out of school. I’m a legal adult. I pay my taxes. I’m not gonna do something that doesn’t give my brain the good fun juice. Anyways. My methods are: symbols, archetypes, and character inspiration. I use all these to figure out the CORE of a character, their very beating heart, and most importantly, what haunts them. Everything about a character, in my opinion, comes from this core and their ghost. Their habits, their fears, their joys, their coping mechanisms. So long as you have a clear grasp on their heart, you won’t go astray. Let’s dive into it! The characters I’m going to be using to describe how I use these methods are Alice and others characters from my webcomic—namely Edith, Hatter, and Rougina—and Tomiko (you know her you love her, catgirl supreme).
Symbols! I love using symbols, they’re something that can describe a character through metaphor, even without going into detail about their whole backstory and habits. Tomiko’s symbols are lanterns (specifically light), cats, ghosts/yokai, shapeshifting, and gold. They all work to further her character as a rough around the edges monster cat with a heart of gold, who uses shapeshifting as a method (both literally and metaphorically) to mold herself into what others need her to be. Alice’s symbols are hearts, eyes, and flesh in general. Try picking one general symbol (the ocean, the forest, the city), and see how specific you can get from there. Or pick a god or goddess that resonates with your character and see what symbols are used for them. Rougina (the antagonist in my webcomic) is a war goddess fallen from grace, and is symbolized with land and volcanoes, so I’ve used volcanic plants to evoke her. Personally I also love going through the tarot for symbols, assigning a tarot card to characters (of the major arcana) is a fun exercise. Which leads us nicely into our next method:
Archetypes! The tarot deck’s Major Arcana is pretty much only archetypes. The Empress as the Mother. The Magician as the Wise Mentor. The Tower as The Worst Thing That Could Possibly Happen Oh Jesus Shit. These can help a lot with who your character is. I’m extremely storytelling oriented, so it helps me knowing What Role a character serves in the story they inhabit. Another thing I love in archetypes in the Zodiac. Yes, I am an astrology bitch. The whole reason I love talking about my methods is my Sag rising, I love giving my wisdoms. But astrology can be used for writing, and not just for excusing and not reflecting on shit behavior (can’t help being a gemini!). The zodiac is FILLED WITH ARCHETYPES!!! From elements to how they function! The four elements (you A:TLA bitches know this), and three modalities. If you’re interested please watch Eugene’s Rank King video, it’s very informative on the signs. Also many symbols! For example, Alice is a Taurus—May 4, Alice Liddell’s birthday—so she’s pretty stubborn while also loving creature comforts. Tomiko’s birthday is August 23, making her a Virgo, so she likes being precise in her work. More archetypes you can look for are DnD classes! I love using that to design costumes. One of Edith’s recent costumes is very wizard inspired, since that’s the class I see her having as she’s very studious and driven. Heck, all of Alice and the Nightmare is derived from the character archetypes of the Alice in Wonderland characters! Rougina is specifically the Red Queen, NOT the Queen of Hearts!! The confusion started with the 1951 Disney animated movie when the two characters were merged!! Lewis Carroll himself said the two were different! The Queen of Hearts is an “embodiment of ungovernable passion” and the Red Queen is “the concentrated essence of all governesses”!! GOD!!! Tim Burton meet me in the fucking pit you’ll pay for your alice crimes. anyways.
Archetypes help a lot in costumes too, figuring out what kind of fashion they’d like to wear. You can start broad and get more specific with it (like going from a wizard type character to a wizard character with steampunk themes). Fashion is just an extent of character. What are they comfy in? Are they confident in their body? What colors do they like? Bright high fashion or simple dark sweaters? Ryoko Kui is a master of character design I HIGHLY HIGHLY recommend checking out her work.
Another method I like using, specifically for Alice and the Nightmare characters, is what I call the “three trait method”. When I was in middle school we did a production of Alice in Wonderland (I was the White Knight), and too many girls auditioned for Alice. So the director’s solution was to split the character into three parts, and assigning each part to an actor. Her temper, her intelligence, and her innocence, all used in different scenes. Now I use that to think about my own Alice character, except with “polite, temper, and curious”. Edith’s keywords are “nervous, tactical, and intelligent”. Hatter’s are “kind, enthusiastic, and intuitive”. Using keywords can help figure out how they’d react in a situation, what side of them would shine the brightest. Hatter’s want to help everyone is his kindness, but overstepping his bounds can be attributed to his enthusiasm. Edith can know what path to take in a pinch, but her nervousness can freeze her in place. Reading the source material helps a lot with Alice characters too, which brings us to our final point:
Character inspiration!! The art of taking things you like and shoving them into your own characters and stories. DISCLAIMER THO!!! If you take things without really EXAMINING what about them you like, WHY you like them, and how you’d like to evoke that same love in the things you make, the interpretations can come off as shallow. (for more on this subject, watch HBomberguy’s RWBY video essay, specifically the section on “anime homework”)
Tomiko’s biggest inspirations are Izutsumi from Dungeon Meshi, April Ludgate from Parks and Rec, Power and from Chainsawman, San from Princess Mononoke, and Mei from LMK. It’s a good cocktail of aloof, biting, vicious, weird, fierce, loving, and bright. Figuring out what I love about the characters and what I want to write in a character like that helps a lot in writing Tomiko. It’s also really fun in a sense for screenshot redraws and memes.
Music is also a HUUUUUUGE source of inspiration for me, I love making playlists. And even as playlists can change as characters grow and change, having a couple of core songs still helps me ground to that character’s center. For Tomiko it’s “Make Them Gold” by CHVRCHES, and “Nice Girl” by Ashnikko. Alice’s is “Headlock” by Imogen Heap and “Demons” by Hayley Kiyoko, Edith’s is “Warrior” by Kimbra, and Hatter’s is “Dementia” by Owl City.
Ok, we’ve gotten though symbols, archetypes, and made a couple of banger playlists. Next is something that can help write your character, the Big Lie. The thing that keeps them up at night. Their biggest fear, their ghost, what haunts them. What’s holding them back from their goals? What do they need to overcome? That can be as central to their theme as any symbolism. For Tomiko it’s the lie that her emotions don’t matter, only what she can do to be of service to her mother. Her arc is about overcoming her dismissing her own emotions and learning to not run away from the people who she truly cares for. Alice dismisses the literal ghost that is haunting her believing that that will let her have a normal life. Edith pushes down abilities that come naturally to her for fear that she’ll be exiled, not just from society, but the world. Rougina believes she must burden the world’s problems on her own shoulders with no one’s help. The outer character and the inner ghost can reflect, mirror, and inform each other.
Now, listen, sometimes characters are hard to get to know! Tomiko was lol. Quinn was for a looong time. And in times like this, I just, let them be. I listen to some music to get inspired, and let them tell me about themselves when they feel like it. And they will, it just take a little while. And a few dozen quick exploration drawings. But they come through. Also, try not to get bogged down with habits and little details of their character, keep their core in mind, what their heart is. Start broad and get specific. That way, if you feel like you’ve lost your way or the character feels different to you, recenter yourself at their heart and go from there. Or, if you find that their center no longer fits, don’t be afraid to change it! Characters are meant to be fun! First and foremost!! I make characters cause I like writing and storytelling, and drawing little comic for fun and me time. Sometimes characters stick around, sometimes they fall by the wayside. You really have to find what sparks joy, and chase your bliss!
So as long as you have your character’s essence in your hands, and you WANT to keep working on them and drawing them, there’s really no wrong way to go. This whole essay I’ve given is just a set of tools that works for ME, and I HIGHLY encourage you to find stuff that works for you! I really really hope that all this has made sense and isn’t just the ramblings of a madman. Good luck and happy charactering!!
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storm-driver · 30 days
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hi, i have feelings about cartoon nostalgia and the audience perception of them 20 years on
this is gonna read hyper-specific, but bear with me
i refuse to credit butch hartman for the way danny phantom came out during it's first two seasons, at least outside of the initial pitch and the idea of the protagonist having white hair. i know the majority of enthusiasts for this show are more than aware of hartman's antics at this point. these anctics, i won't get into. other people are far more suited to explain that stuff vs me, a random guy on the internet. but there's very specific topics that i don't often see get brought up in detail, like the production and staff behind this show.
i'll get into it below the cut so as not to clutter your dashboard. but if you're not familiar with the actual production history of danny phantom, this might be interesting to read.
it's common knowledge these days that stephen silver is the one who developed the design for danny based on hartman's original rough sketches. the similarity between each drawing is apparent, but you can see clear as day which design was gonna be more apt for animation and overall audience allure back in 2003.
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he also did character designs for hartman's other poster child, Fairly Oddparents. the trend is similar, though far from a huge concern. character design overhauls happen all the time in media production. designs might be too complicated for animation, so they get stripped down. or maybe things aren't complex enough and more nuance needs to be added. that's normal stuff, and i am not dunking on hartman for not nailing danny's design right out the gate. i'm pointing this out in case you've ever looked at butch hartman's recent work and wondered "how are these done by the same artist?"
the answer is they weren't. hartman had to adapt to stephen silver's conceptual designs in order to work on the storyboards. take from that what you will.
onto the actual writing.
butch barely wrote a single episode for this show's first two seasons.
steve marmel helped write at least 28 episodes of the original two seasons, with writers like sib ventress and marty isenberg bringing a good amount of episodes to the table, as well.
butch hartman is credited primarily for directing and storyboarding this show. the episode pitch and writing was by other people almost entirely. the ONLY episodes in the first two seasons that hartman is credited with having written are mystery meat, one of a kind and splitting images. and he's credited with co-writing these episodes alongside steve marmel and mark banker. ie, he did not write these episodes on his own. and allegedly, butch hartman had a tendency to be credited as a writer for an episode, even if he only wrote a few lines of dialogue. again, take from that what you will.
past that in season 3, he wrote infinite realms, torrent of terror, forever phantom, urban jungle, and ofc, phantom planet. which a lot of people know, these episodes in particular weren't the most enjoyable, nor was the overall direction of them very good.
a director's job is to make sure that the overall tone, feel, and message of the show is being kept consistent with intent. that means meeting with producers, who are the ones managing the, y'know, producing part of the whole project. it may sound like the director is the one heading the project if it's their job to keep things in check. which, i will not deny, hartman must've put in a good deal of work to make the show come out as well as it did.
but pile that with some of the off things per episode. the mean-spirited way that characters tend to be taught lessons, the voice direction getting a drastic change in season 3 (you can hear it explicitly with david kaufman suddenly going for higher pitches instead of the usual one he's done so far). there's really only one consistent motif in the entire show's OST. which isn't a bash against the music producer. it's a concern that the director of the show never asked him to change things up, and ONLY stuck to this one motif.
to briefly touch on the mean-spirited thing. there's multiple instances in the show where danny or someone else is seen fighting back against whatever has given them trouble, or they're taking matters into their own hands to ensure they won't be hurt ahead of time. and repeatedly, the show likes to kick these characters back down for trying to stand up. it's a trend in all of butch hartman's shows, and it's treated more like comedy than anything else. it's up to audience perception on how to view it. but for me personally, it starts to feel like an overused gag and turns into something more malevolent after seeing it overused almost every single episode.
okay besides that, i actually wanna look at specific examples of episodes that steve marmel wrote for. again, this is the guy who's more or less responsible for the show's serialization.
the complete list of episodes is as follows:
Mystery Meat, Parental Bonding, One of a Kind, Attack of the Killer Garage Sale, Splitting Images, What You Want, Bitter Reunions, Prisoners of Love, My Brother's Keeper, Shades of Gray, Fanning the Flames, Teacher of the Year, Fright Night, 13(Thirteen), Public Enemies, Memory Blank, Reign Storm, The Ultimate Enemy, The Fright Before Christmas, Secret Weapons, Flirting with Disaster, Micro Management , Kindred Spirits, and Reality Trip.
multiple episodes listed here are from the first season, which a lot of people consider the show's best. and of the handful listed for season 2, he wrote all of the hour-long specials.
i would be here for hours talking about how steve marmel tackles all of these characters and concepts significantly better than hartman does in season 3. but that's a topic best praised elsewhere. point is, if you watched any of these episodes and thought to yourself "wow, that was actually kinda clever," steve marmel is more or less the guy responsible.
butch hartman was in charge of direction, but that does not give him exclusive credit for every single line of dialogue or plot beat. there could be a LOT we just don't know because people on production staff don't want to comment. but the writing consistency taking a dive off the board by season 3, which is the same season that steve marmel departed from the project due to conflicting direction in the story? you might deduce that butch hartman was not the prized writer and artist behind this otherwise beloved cartoon.
to dredge up an easier-to-tackle target, season 3.
my criticisms are 18-year old echoes at this point, you've heard them all. from otherwise pointless episodes that don't develop the characters or world, to completely out-of-touch writing (looking at you, phantom planet) that juxtaposes the characters with everything we've been told about them so far. it became a slog of a season that didn't have any build-up to it's finale. the occasional gem of an episode like frightmare helped in some aspects. or the promise for something later with d-stabilized. but it all gets swept under the rug thanks to a rushed finale with poor build-up, bad writing direction for the characters, and most importantly, an unlasting effect on the viewer. (or a negative lasting effect, which is arguably worse)
for a season that knew it was on its last leg before inevitably needing to give up, there's seldom few episodes dedicated to advancing an overall narrative, and thus give a slimmer of hope for a satisfying conclusion. instead, the show goes all in with villain-of-the-week stories, and even the returning villains are hardly taken seriously or given more to do besides just being there.
of course, we know the reason steve marmel had left the project was because hartman wanted the show not to taken a more story-focused drive. it almost starts to feel like spite that kept the show so horribly grounded, letting it become stagnant before eventually being forgettable.
all this is in service of letting people know, it really wasn't butch hartman that made the show, not alone. death of the author and all that nonsense aside, he pitched the concept. and it takes a lot of love and dedication to make a concept something you can physically see and adore. don't let him swath in all the credit. recognize the others who made the work you can still enjoy.
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wind-up-thancred · 8 months
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bit of thancred character musing under the cut that im gonna try to approximate from a 6am discord rambling into something i can actually post. both SHB and EW spoilers included
i saw some folks talking on twt about how guilt seems to be a very important factor in his life and i agree. i think a lot of major parts of his character and arcs have been due to guilt over something he did (or didnt even really do, re: the whole goobue rampage situation). it's driven him to work his ass off after louisoix which lead to him getting possessed... but its probably also what motivated him to do better for ryne after being forced to look his fuckups directly in the eye instead of just wallowing about them. but i think, at the same time, he doesnt really seem to, like... actually be proud of himself for a lot of the stuff he's done in order to work off that guilt? the biggest giveaway for that being the line in endwalker on the ragnarok where he talks about his "good deeds" cynically and seems to insist that they were never really that impactful in the first place. that they'll just go to dust when he dies.
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in shb, during the ahm areng segment, not only does he talk down on himself in general, but also puts down his attempts to help OG minfilia back in the pre-ARR days... when i'm pretty sure she never even blamed him for the goobue rampage in the first place.
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it's all a little bit sad to me, tbh. i've seen some people reason that, because he was only able to escape poverty due to louisoix seeing potential in his thieving skills, he's essentially internalized the idea that he's only really worth keeping around by ANYONE if he's actively being productive, either helping others or trying to fix whatever fuckups he feels he's made. i think that would explain a lot of this
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note the "few positive traits" line, which to me comes across as "i was only picked up out of childhood poverty because he thought my skills were useful." though i don't really know how much of that mentality he's managed to work past by post endwalker. he IS able to go off on his own, and mentions that he trusts the scions to keep themselves safe now... but as i ranted about before, the short story points out that he's only really content to rest briefly before he feels obligated again to seek out unrest to try and help, specifically mentioning minfilia again. also, a couple times during the story, notably post ARR after his possession, mid SHB after he's wounded in a fight with sineaters, and post SHB after he passes out due to the weakening soul-body bond, he seems to dislike even having to rest for medical reasons
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it's a pretty interesting part of his character to me. idk if the writers specifically had his rigorous upbringing in mind when they wrote these parts of his character, but to me it would make a lot of sense as an explanation for why he's so averse to rest and why he carries so much guilt and why he's so passionate about keeping the folks around him safe. that's kinda been his whole reason for life since he was a kid-- using his skills for the benefit of others. to him, doing anything other than that would be a waste, it seems.
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idk. funny guy makes my heart hurt. yes i had all these dialogue screencaps saved and on hand. yes i am a little insane. what of it
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radawayghoul · 20 days
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So here's my idea babes...
i'm sorry for tagging this in the cooper howard/ghoul section y'all, i just don't want anyone to miss it, plz just keep scrolling if you hate me for it xxxxx
You are one of Lee's best friends and have been since you started the previous school year (the one immediately before the show starts). Y'all met when you started as a TA for Amanda/Ms. Snodgrass' English class. After your TA position ended, you wound up taking an upper level English teacher position when one of the old teachers left. You will be one of the only other of Lee's supporters outside of Neal and this allows y'all to grow closer and for you to be his person to lean on.
The fic would take place over the course of the show with minor details changed here and there to include you. I will likely be taking some liberties with ending as well. If you haven't watched the show, that is completely fine because I'm gonna be changing some shit anyway lol.
It will be slow burn. Like...ultra slow burn because Lee IS a married man, after all. It'll mainnnllyyy be your character lusting after Lee/being a supportive best friend for a majority of the fic until Lee & Christine's divorce. I KNOWWW we'd all absolutely love for it to be us in Christine's position without the divorce BUT, this will make it more interesting for me to write.
I am in no way shape or form condoning cheating or anything of the sort but we all know how Lee is so IF a kiss or two slips in there, blame Lee, NOT ME lololol.
Okay, let me know what y'all think of my idea and pleeasseee give me ideas if you have anything to add!! Love youuuu xxx
Artie x
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fernsnailz · 8 months
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take this ask as a free ticket to freely hate on elemental (WE SUPPORT THE HATER GRIND WOOO)
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ok so to preface. i have only seen elemental once. it was in theaters. i did NOT pay money to see it (my friend worked at the theater and we got in for free). we also saw it in 3D (would not recommend). i chugged a canned margarita beforehand (WOULD NOT RECOMMEND). i sobered up halfway through the movie and had a terrible time. needless to say i am not a fan of elemental (2023)
below is an edited version of the review/rant i sent to the group chat afterwards. BE WARNED IT'S REALLY LONG.
much later edit: personally i think i did a very bad job of critiquing this movie in this ask, and some of the opinions i expressed below are some pretty bad faith takes. i still think this movie is worthy of criticism, but not in this form and not from a guy who chugged a margarita before seeing it.
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ok so the big point of discussion with elemental i've seen is usually around the allegory it uses to portray its themes of race, immigration, and prejudice. generally speaking, it's my opinion that trying to portray concepts of this weight and depth with an allegory or metaphor is already a terrible idea*. this isn't stuff that you can make simpler to understand by portraying minorities as fire people or predator animals or whatever great new idea disney is cooking up next, because this isn't stuff that can just be MADE simpler. if anything, allegory makes discussion about race more complicated because you have to explore why racism and prejudice, an inherently illogical belief, exists within said allegorical world. usually said fictional explanation just seems to justify prejudice - for example, the allegory in zootopia is straight up DANGEROUS to compare to real world racism because predators, aka zootopia's minorities, literally used to hunt and eat prey animals (the majority). with this in mind, elemental is already off to a bad start since disney has a bad history with allegories of this kind.
(*EDIT: this is gonna eat me alive if i don't clarify this because i realized too late that i spoke WAY too generally here. to clarify, i'm mostly talking about creating an entire allegorical world that lacks humans here - allegory can be a very powerful way to portray a human experience, and i don't want it to seem like i'm arguing that allegory and metaphor can't be used at all to create a powerful story about race and prejudice. for example, here's a short film that i really like called OverWeight. it's about losing one's culture and identity, and that theme is explored entirely through a bag of luggage. and it's really good! just want to clarify that i'm not advocating for only extreme realism and a lack of magic here, but instead against using huge, non-human allegorical worlds that replace these human experiences. thx bye)
thankfully, elemental never got as bad a zootopia in its portrayal of prejudice (at least in my opinion), but that's not saying much. it mostly just feels kinda confused - as far as i know, fire people are supposed to serve as a sort of "immigrant everyman" allegory which is. not how that works. immigrants of different races and ethnicities are going to have different struggles and experiences, and trying to boil everything down into four different elements that fit every kind of person under an allegorical umbrella is over complicating everything again through a veil of simplicity. it's almost like all of this would be fixed if they just told a story about real human people instead of turning them into water and fire people but i mean WHAT DO I FUCKING KNOW!!!!
oh also the worldbuilding of elemental is. kinda ass. to further explain: fire people are the only immigrant characters really explored in depth, and a good amount of the worldbuilding around them is actually pretty interesting. they have their own language that the characters speak every now and then, they have their own foods, customs, and culture that you can definitely tell a decent amount of thought was put into. which i liked! and then you learn that the country they come from is literally called Fire Land. just Fire Land. i doubled over when they said that because compared to everything else, it’s so out of left field and just. GAHH. it really reeks of "exec in the disney board room wanted to make part of the movie about prejudice easier to understand for The Kiddies" and i hate it. god.
this is consistent throughout the film, a lot of genuinely interesting worldbuilding is intermingled with surface level, bottom of the barrel ideas that just feel. so confusing. like a big theme the movie centers around is gentrification and how the city (called “Element City,” by the way (SCREAMS)) is not built with fire people in mind. i like this concept a lot and they show this in some interesting ways! a main conflict centers about how water is flooding ember's home, and there are multiple moments where high-action scenes are revolved around ember just navigating the city and trying to avoid water, something that most of the city’s residents wouldn’t have issue with. i thought that was really good! it was something that, surprisingly, was very relatable! and then the movie goes full zootopia and just like. has one of the characters call the fire girl a slur (the slur was “fireball”) which, reasonably makes ember mad, but then the character that did the slurring faces NO narrative repercussions for her actions because. ???????????????? i don't know??? you would think that a movie that turns issues of class and race into a fun cutesy little allegory would at least take the time to go "hey kids! let's not call minorities slurs" but instead the Slur Woman ends up helping ember and wade on their shitty little romantic sidequest and never once seems to express any remorse. cool! great!!!! WHO'S IDEA WAS THIS???????
by the way who fucking wrote this who put all these element puns in here. there are so many element puns in the movie i want to eat the writers of elemental. i’m mostly made of carbon but i do not walk around like “wow what a long workday we have fellow coworkers, i guess we have to CARBON diem, amirite?” please kill me
the varying quality in the worldbuilding and allegory of elemental just goes to show that this movie would have likely worked better if it focused on humans on earth rather than elements residing in a confusing elemental world - previous pixar works like bao and turning red show that pixar movies that focus on real experiences told from a human perspective with a magical realism twist can work really well! the allegory of elemental makes its characters and experiences feel distant, i spent more time trying to understand the world of the movie than the characters and their struggle. that could be a me problem, but the world was so goddamn broken in the first place that i felt like i COULDN’T focus on anything else. idk can we just tell like actual stories about actual marginalized people without turning them into The Trope of the Week i’m so tired
and by the way. i do not like the character designs in this movie one bit. ember looks like if you asked a middle schooler to design a fire woman. "ohhhhh we're pixar and we have to give all of our woman characters a pencil thin waist and big feminine eyes and skinny little legs" i want to explode.
ok we're getting into just batshit insane rant territory here now. so with that in mind I FUCKING HATE WADE. from the moment he appeared on that screen i knew i had it out for that motherfucker. the first thing he does is start crying over a situation that HE CAN SOLVE. he’s a city inspector that gets caught in the flood overtaking ember’s home, and the FIRST thing he does is start writing up violations he sees in the basement of ember’s family home. and then. he has the audacity to CRY ABOUT IT because it’s sooooooo tragic that her dad’s shop is going to be shut down because of HIM. the movie frames the water people as overly emotional because they cry alot (because they’re made out of water, of course!!! isn't that so funny!!!!!!!), but wade’s actions make it clear that those tears are FAKE because he does NOTHING to help ember in the first scene they meet. then, only after ember explains to him that there’s LITERALLY NO OTHER WAY her family can survive if the shop is shut down, does wade agree to help her out. kill me
oh btw wade being very emotional and crying a lot is NOT a bad thing and imo most modern stories need more emotional male characters. but. elemental treats wade's crying mostly as a running gag more than anything. which just kinda doubles around to being misogynistic again
wade continues to be a fucking nuisance to my psyche, even after leaving that theater. i did not enjoy the romance between ember and wade because i hated 50% of that duo. ember was ok i liked her enough bUT I WANTED TO KILL WADE. they try to spin him like “ohhhhh hes a little bit clumsy and goofy and a little bit dorky ahah don’t you like him?” as if that doesn’t describe most of the male love interests in every movie released after 1990. the two sit on a beach where ember is on the verge of a meltdown because they haven’t been able to save her dad’s shop, and one of the things wade says to comfort her is “i think you’re beautiful like this tho uwu” HUH????????? who tf is trying to make moves while someone is having an anxiety attack i SWEAR to god. i want to use wade as bong water i hate him so much
and then. ember gives him some glass that she sculpted to look like a flower she likes. it’s a nice sculpture. later in the movie, wade is like “hey ember i have something for you” and then just. gives her the sculpture back. and they treat it like he gave her a gift of his own like bro SHE gave that to YOU WHAT ARE YOU TALKING ABOUT????
the one act wade does for ember before the big climax revolves around taking her to see some underwater flowers - it’s a nice sequence, but it’s not a gift that’s exclusively from him. they have to get the cloud lady that called ember a slur to help make an underwater bubble to contain ember. fucking. come ONNNNN
wade dies in the climax of the movie. straight up he evaporates from heat and they’re like “awww he’s gone :(“ and they manage to bring him back but i really wish he stayed dead. would have been worth it if he died. but no. there's so. many weird little things in this movie that make my blood run a little too hot. can the genre of kindergarten racism movies please stop here. i am begging i can't do this again please
completely forgot to mention this at the beginning: my friends and i refer to elemental as "The Movie of All Time" because the concept of "element people" or general element-based characters is such a common story trope within young animators and storytellers (at least in our experiences). the number of pitches we've seen about "this character is made of water/has water abilities and this one's made of fire/has fire abilities and they need to find a way to work together/it's a love story!!!" is uncountable. we could not believe this movie was a real pixar production when it was first announced we thought it was a joke
in conclusion. i wish i had another canned margarita halfway through elemental. might have been bearable that way
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chuuyasfanboy · 7 months
Text
Just had some random thoughts so pulled up an old blog I never used and am now deciding to write fics! I've had this stuck in my head for two days now but like- Skk as parents... enjoy <3
Wrote three sections! One with Chuuya, one with Dazai, and ofc them together. It can be read from either adopted or blood perspective, I hope? Kind of scattered, I was just goin for it guys
Iffff you liked this, please req something! I'm having major bsd brainrot and I need ideas...
Soukoku as Parents Platonic x Gn!Child!Reader
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The SILLIEST father EVER guys.
For actual years he was fully under the impression he HATED all kids with a passion. I mean guys look at how badly he treated Aku-
Well then he had you and things changed
It's just something about you being his kid, not a subordinate or random kid on the street
He's your dedicated apologist
In fact, he encourages your mischief!
When you were younger, it was a lot harder to handle you. He even found himself on his last fuse sometimes. Usually, he left Atsushi or Yosano to deal with you
He didn't want to revert to old habits and accidentally traumatize you :(
When he can handle himself, though, he's only halfway controlling you-
He's right along with you in the heinous activities half of the time
Hiding Ranpo's candy (for as long as it lasts), misplacing Kunikida's glasses, hell you two have probably snuck into the infirmary and changed the sheets to something very colorful and very childishly wolf themed...
He's not really a mature dad, nonono. But he's doing his best
He fully supports all of your wildest interests, even tries out some of the more entertaining ones
He struggles to act excited when you're younger and all your interests are very out of his range, but as you grow older he's actually a bit intrigued by them sometimes
Best birthday gift ideas, too. He's very creative when he wants to be.
He also has way more money than he should be ALLOWED to have
For your Sweet Sixteen, he most definitely got you an obsessively large custom pinata of your favorite character...
He makes sure EVERYBODY gets you gifts, because you are his world and thus you must be everybody else's as well
He really does try to keep you out of work, and especially away from his suicide biz
Maybe HE doesnt have a reason to live, but he certainly doesnt want you picking up those thoughts, because he knows you have a real big destiny to live up to someday
I mean, what would the world be without you?
When you hit the age of 13 though, its really hard to hide anything from you
You're so scary when you grow up! And you're way too smart!!4
Did you get that from him? oops...
Now, he doesnt have any plans of living that long, but if you do grow big and strong and smart one day, and you join the ADA, he's definitely got some favoritism.
Surprisingly, Fukuzawa actually gives you your first few proper missions with him
(Because he knows Dazai will not be letting any harm come to you, he trusts Dazai with his life and he knows you trust Dazai even more)
If you have different plans for adulthood though, he's still so supportive
If you go to uni, you're going to have to show him off
Why?
Because, guys, he's a dilf
Nobody's gonna be mean to the kid with a dilf father, they all want him
He jokes about it constantly
But rest assured, stupid and immature uni kids are NOT his type, no matter how nice the ones his age look
He's got his eyes set on that waitress and at least four other men at the moment
If you go straight into the workplace instead of uni, he's going to use his connections to get you a good job early!
Fukuzawa has a good way with words and Dazai himself is a pretty good reference contact
Just tell them he's your teacher, or something
It's not like they'll know his hobbies, he's wayyyy too big a mystery for that
Overall: 7/10 dad
A little rough around the edges, but he's trying hard to improve himself for you
And he's trying hard to give you the best life he can offer
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Did I say Dazai was a dilf?
I lied out of my ass.
Chuuya is the real dilf here
But we'll get to that later! (Just know he has plenty of men and women at his feet and they're definitely being way too nice to you because they want him so bad guys)
You're SO SO SO SO spoiled.
UNREASONABLY so
So bad you might even be a little bit of a brat growing up
It's fine, not toward him, he almost never says no to you so theres no need
There's absolutely no amount of money that can't be spent on you.
Luxury clothes, professionally cooked dinners, fancy rooms, home staff, the whole works
Despite all that though, he's insistent you go to a public/private school
He's not tutoring you, wont even hire one
It's not because he CAN'T, it's because he KNOWS how important it is for you to get your sense of independence early
Sure, you'll always have financial support, even if he dies (Trust fund babyyyyy)
But thats not what's actually important to your future
You need social skills, you need friends, you need and education and the taste of disappointment
Dont worry, though, he's not sending you unprepared
You're not eating school lunches unless you want to (but fuck why would you?)
He's sending you to school with top notch food every day
And clothes
And supplies
Plus, you'll have a tutor at the ready for anything you need a little extra help in
But for the most part he keeps as far as he can out of that section of your life
You friends are yours, not his
He's polite when they have sleepovers, and he's more than willing to host parties and hangouts
But he doesn't try too hard to impress them, and he doesn't talk to them unless its related to you
Because as much as he loves being around kids (a real big father he wants to adopt everybody he sees)
He doesn't want to impose on any boundaries YOU may have
As a side note though, he's still very observant of your relationships with them
If he overhears any manipulation, or shit talking (about you or not), he's not going to let it sit and exist
If it comes to it, he will contact the parents (And holy fuck they are TERRIFIED i mean imagine a publicly known MAFIA EXECUTIVE contacting you to tell your kid fucked with his ABSOLUTELY NOT GUYS)
If you're into any extracurriculars, he is ALWAYS there
Even if he's overseas on a mission, he has some lower rank attend and clears his schedule so he can watch through a call
Also guys, he practically funds your school?
Your teachers are terrified to cross you because if they do there will be NO SALARY
You complain about anything that happened? He's fixing it up in any way he can
You are his ANGEL, NOTHING will ruin your day as long as he can prevent it.
When you grow up, your options are very clear in his eyes
Either you go to uni and live independent of the mafia, or you inherit his spot when he dies
If you go for neither, he may be a bit shocked, but he'll hesitantly step back
He'll see how it goes, but he's not very confident at first
If it goes well? Fuck, great! He's always in your corner rooting for you
If it doesn't go so well, you always have him as a backup
He'll always be there to take you back with open arms and give you a second, third, fourth, fifth, etc chance. Always
If you do join the mafia, there will be no low rank experience for you
You're straight to the upper ranks. At first, you'll probably be in a position similar to Akutagawa under Dazai or how he was under Koyo
Direct subordinate, his apprentice, his prodigy
And when he dies, you're next in line for his exec spot
There's not even a worry about your skillset, he knows he's trained you well, ability or no ability.
Finally, back to the dilf topic I've mentioned at the beginning
If you go to uni, he has the same problem Dazai had, but WORSE
Fuck guys, he swears he tries to keep out of your friendships, but suddenly everyone's adults and they wont leave him alone.
It's at this point he stops hosting your events (except birthdays) and separates himself
No way is he getting involved with crazy college kids, no way
Overall: 9/10 father
He's a bit absent in your social circle, but he's your dad and thats that
He screams support from the stands and that's really the best you can ask for in a dad <3
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theyre so pathetic together-
theyre all the entertainment you need growing up
constant bickering (lovingly)
they dont involve you in all that
it comes with them both being in seperate factions, but they BOTH work very hard to keep you out of the professional lives
you're their kid, they dont want you in any of the doublesided danger that could get you in
you're probably a secret to everyone except the ADA and the other mafia
And your existence is on a need-to-know basis for everybody else
Dazai is the more present figure in your life, simply because Chuuya has to be a bit more distant
It's the nature of his line of work, anyone he's seen with is a target, and he doesn't want that to be you
He will be at your schooling events still, though. He will be YELLING AND SHOUTING in the stands
Into sports? Every time theres an unfair play he will cuss the living daylights out of the ref
And they just have to let him because theres nothing they can really do about
Dazais the same way, but with less scare factor and way less vigor
After games, he's going to complain WITH you about how lame the whole thing was if you lost, how everything was judged unfairly
They may not get along the best together, but they love each other and especially love you, so they're improving for you
Read: Chuuya is making them improve for you
Dazai thinks hes the victim in all this!
But oh well, if Chuuya makes him apologize when they argue in front of you, he will
When you're all grown up, they both encourage you to find your own path
You've got the chance, thanks to them, and they dont want you involved in their little wars
It's not like you can join any sides, because who would want to be against your dad :(
So really your only choice is moving out, maybe even away-
If you really do want into their business, they both insist you join the ADA
It's safer there for you, and Chuuya would rather have to order his men to not under any circumstances EVER hurt you, than have to watch someone he can't control put you in danger
Plus, he knows Dazai will keep you in the safest position possible
Overall: 7/10 together
They're a nightmare at dinner, and Dazai is sleeping on the couch almost every night
But they adore you and every move you make, so there's no way you're feeling unloved at all
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absolutebl · 5 days
Text
This Week in BL - Well... at lease we have Wandee & Stand-in?
Organized, in each category, with ones I'm enjoying most at the top.
May 2024 Wk 4
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Ongoing Series - Thai
Wandee Godday (Sat YT) ep 4 of 12 - The geept is strong with this one AKA Yak CAN flirt. Wandee now knows he isn’t the only one with a crush on someone else. AND YET they are SO DAMN CUTE together. I do wonder sometime if Yak is running a counter con with Dee pretending to have a crush on Taem. Meanwhile, mad props on the HPV vax public service! Good for them!!! Now that's my kind of product placement. I do have a feeling the sad bit with these two is gonna be VERY sad and last longer than we like. 
My Stand-In (Thai Fri iQIYI) ep 5 of 12 eps - It’s a riveting show. Pleasant? No. Riveting? Yes. Tiny crumbs for Ming’s assistant. Joe is best boy. That is all. I LOVE this show.
We Are (Weds iQIYI) ep 8 of 16 - TOO MANY SOUND EFFECTS. Omg get your fingers off those buttons you computer wanking sound dude (you know it’s a dude) what tf do you think this is? Lovely Writer? Also, they left ALL their drinks! Can you not walk and drink at the same time in a BL? Meanwhile not much happened that hadn’t already happened AKA bit of a filler ep. That said, the friendship group stuff is glorious!!! Also this brand of super gentle flirting suits PondPhuwin better than any of their prior rolls. It reminds me of how much I think they suit a historical. There is a gentle dignity to these two. 
Only Boo! (Sun YouTube) ep 7 of 12 - I love how kindly the turn down was. But most of the dancing stuff was dull. I don’t know I just find the actor playing Kang pretty vacant of appeal I guess. 
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Ongoing Series - Not Thai
At 25:00 in Akasaka AKA 25 Ji Akasaka de (Japan Thurs Gaga) ep 6 of 10 - As is not uncommon with JBL I’m being to get frustrated with Yuki the Uke. Sigh. I’m probably gonna stay that way for several episodes given the pacing of this show. 
Living With Him AKA Kare no Iru Seikatsu (Japan Thurs Gaga) ep 7 of 10 - Also frustrating. Willful misunderstanding. We got us some running of the gays but boy is this drawn out. 
Blossom Campus (Korea Thurs Gaga & iQIYI) ep 3-4 of 6 - The puppy is a bit too much sunshine innocent for me. And the professor is a bit creepy. I don't know, I'm not loving this one like I want to.
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It's airing but...
You Made My Day (Thai YT) ep 1 of 5 - mini series staring the I Will Knock You couple Tar & Bom, started but I couldn't find it. I also didn't try very hard.
The Time of Fever AKA Unintentional Love Story 2 (Korea movie) trailer released to Korean theaters 5/25. HoTae & DongHee, side couple from Unintentional Love Story are back! Same actors, same character names. I love them. I NEED TO SEE THIS. How?
OMG Vampire (Thai Sun ????) ep 2 of 10 - yeah I can't find it.
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In case you missed it
Crossing my fandoms moment, major Kpop blog ran the following: OMEGA X Hangyeom Talks Jazz For Two, Brotherhood, And More With KpopStarz
Tis the season of remakes? Both Addicted Heroin (August, my love!) and My Love Mix-Up (G4!) are coming from Thailand. I am very excited to see both. I love a Thai remake, often more than the original.
Next Week Looks Like This:
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Upcoming BLs for 2024 are listed here. This list is not kept updated, so please leave a comment if you know something new or RP with additions.
May Releases
VBL (Taiwan) is releasing 4 'Special Episode' epilogues to their 4 2023 shows every Friday this month on Gagaoolala, Viki & Viu. Not sure on search terms or how to find these. (Or, frankly, if we need them.)
5/10 – You Are Mine
5/17 – VIP Only
5/24 – Stay By My Side
5/31 – Anti Reset
5/28 My Biker 2 (Thai movie YT?) - trailer
5/30 Knock Knock Boys (Thai Thurs WeTV & Gaga) - I do love Best and I'm interested in seeing him in a new pairing. That said, I'm not wild about Seng. Still, this looks like a chaotic pulpy mess, I'm looking forward to wallowing in it one way or another.
5/31 The Time of Huannan (Taiwan movie) - May not be BL
THIS WEEK’S BEST MOMENTS
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All Wandee Gooday.
Icky no longer allows screen shots or there would have been a bunch from Stand-in.
(Last week)
Streaming services are listed by how I (usually) watch, which is with a USA based IP, and often offset by a day because time zones are a pain.
The tag BLigade: @doorajar @solitaryandwandering @my-rose-tinted-glasses @babymbbatinygirl @babymbbatinygirl @isisanna-blog @mmastertheone @pickletrip @aliceisathome @urikawa-miyuki @tokillamonger @sunflower-positiiivity
@rocketturtle4 @blglplus @anythinggoesintheshire @everlightly @renafire @mestizashinrin @bl-bam-beyond @small-dark-and-delicious @saezurumurmurs
Sigh, Tumblr in it's infinate wisdom doesn't like too many tags.
There's these tricks, remember:
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nerdy-prude · 7 months
Text
‼️SPOILERS FOR HATCHETFIELD LORE AHEAD ‼️
Let me introduce you to what I like to call The Lords in Black theory
Notice how in NPMD during The Summoning each of our remaining main characters are told something by a lord in black.
Blinky says: 'We've been watching you, Gracie. Someones been a naughty girl'
Tinky says: 'Oh boy! A Spankoffski! I'm gonna have the whole set in my toy box!'
Nibbly says: 'Stephanie, yum yum!'
Now, as we already know, Hannah is kinda like 'The chosen one' of the Hatchetfield universe. She plays a major part in BF, from the very begining she hates Wiggly. Wiggly on the other hand, is kinda like the leader of his brothers.
In Yellowjacket Hannah is fighting Pokey but she can't defeat her until Lex, a powerfull, MAJOR CHARACTER and her own sister shows up.
It seems as if all of the brothers are somehow connected to one of these major characters. All of these characters are important parts of the story and have shown to be powerful in some way. With Lex and Hannah their power is more clear since they have the gift, but think about it, we don't really know that many people who have had the Black book, even less good people who have had it.
But there is one very much good character who has had and used the Black book. Miss Holloway, everyones favorite witch lady who in every universe fights Wilbur Cross, the guy who has been described as the ultimate bad.
Now some of you might be thinking: "Okay, well that doesn't yet prove anything. There should be bigger evidence if they were actually connected. Their stories should be tied together" Well, funny you should say that! Lets take a deeper dive, shall we?
Wiggly-Hannah
Both are the 'leaders'with the most power. Hannah and Wiggly says to her: "We just keep running into each other, don't we Hannah"
Pokey-Lex
In Yellowjackect it was made very clear that Otho was incredibly powerfull and no one could defeat him. Lex did just that. Also, I am not trying to say any of the brothers are more powerfull than others (well, maybe expect Wiggly) but the thing is, we know that there is a world where Pokey wins. We know his powers. We also know Lex' powers. It would make sense that out off all of them Lex would be connected to her.
Tinky-Peter
Tinky hates Ted with a burning passion, that is why he trapped him. It makes sense that he would be after his brother too. Also kinda unrelated and doesn't prove much but it would be funny that when Peter says: "I have been waiting for what feels like five ducking years and I still haven't gotten my hot chocolate" would have more meaning than just a funny bit. Almost as if he could feel that in another universe five years agohe ordered a hot chocolate and never got it. Like he could sense TIME and SPACE differently?
Nibbly-Stephanie
Whose dad has had the Black book? Oh right, Stephs! And what did mayor Solomon Lauter say abou the black book again? Wasn't it something like: " ...It comes with a price, a terrible price" and "No! I am not touching that book ever again"?
And who has a major part in organaizing the Honey Queen festival? That's right, the mayor! Who has shown multiple rimes they will do anything to keep getting elected? Who has shown to be interested in power? Who has shown to be 'Hungry'?
What if he cast a spell and Nibbly wanted her daughter as a sacrafice? What if he then gave something else. Something that made him bury the book. It might have worked for a while. But Stephanies fate was already sealed. Nibbly still wanted to have Steph tho, he tought she'd be yummy.
Blinky-Grace
Ahh, Grace, Grace, Grace...
I have to admit, she was more of a mystery to me but lets SEE what we can FIND. (Laughs in Jigglypuff)
Grace is the perfect Christian girl. She never does anything wrong! But then she just snaps? She very quickly comes up with a plan on how to hide a body. Then at the end she goes after 'the souls of the pervs'. But to everyone around her she still looks like an innocent young girl. Makes you wonder what else she has hidden. Makes you wonder about the other alternative universes. Maybe Blinky was referring to many different Grace Chasities. He ment the many different things Grace has done bc of her faith and hidden from anyone elses eyes. Only problem for her is that you can't hide anthing from Blinky.
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callmearcturus · 21 days
Text
Paradise Killer is 6 dollars on Steam until May 16 and I am here to hard sell you all on it because it's one of the best games I've ever played.
I'm gonna go beyond giving you a bunch of punchy keywords and telling you it's queer as hell and making meme-y jokes, and I'm going to actually tell you what this game is.
So top-level, WHAT IS PARADISE KILLER?
Mechanically, Paradise Killer is an open-world murder mystery. There is zero combat but a lot of exploration of a very unique location. The majority of your time is going to be walking about Paradise 24, looking for people to discuss the case with and for clues that are scattered around the world.
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One of the most interesting concepts in Paradise Killer that is both mechanical and narrative is deciding What Is Your Truth? What Is A Truth And What Is A Fact? From the moment you start the game proper, you can turn 180 degrees and begin the trial and decide who the killer is, before talking to anyone about the case.
For example, getting into the actual crime scene takes a lot of puzzle solving to unlock the sealed room where the victims were killed. But maybe instead of examining the crime scene, you talk to everyone on the island and think you have a good idea of what happened.
Meaning: It is perfectly valid to decide you have the answer to the mystery and just go complete the trial whenever you personally are ready. YOU decide when this ends.
Which frankly I think is a cool-as-fuck concept. Also, I fully believe if three different people find EVERY CLUE and talk to EVERY SUSPECT and hear EVERY PIECE OF EVIDENCE.... they might decide on three different truths entirely. And THAT to me is ingenious mechanical design I have not seen anywhere else in a video game.
Okay let's stop burying the lede and talk about the world of Paradise Killer.
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The non-batshit version:
Paradise Killer takes place on a big, beautiful island, the 24th Paradise. The architecture is a delightful mix of black obsidian obelisks, brutalist monuments, opal crystals to slumbering alien gods, garden paths, luxury yachts, and a whole lot of gold and neon.
Neo-occultist urban residential vaporwave-core. If you are like me, you will be taking a lot of screenshots. My wallpaper on my computer is Paradise Killer.
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Your interactions with the cast are done in visual novel-style, though I feel I have to shout out this isn't your stock Ren'py UI experience. Every single aspect of the way the game looks compounds the vibes even further.
And the characters are infuckingcredible.
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(Notice the different font? This game has A FUCKTON OF ACCESSIBILITY OPTIONS, including dyslexic font options.)
Sammy Day Break, born under the sign of Shadow Zero, is the local distillery and bartender for the Syndicate. Talk to him about what's unique about the whiskey he's made on Paradise 24, or about the good old days of the Syndicate.
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Is Doctor Doom Jazz, born under the sign of Cosmic Deceit, really that carefree about what happened? Is his willingness to rekindle his fling with Lady Love Dies just a diversion to hide something? Well, he's one of the most cooperative witnesses on the Island.
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Crimson Acid has been through a helluva lot since the last time she saw Love Dies. Blessed by the gods with her stunning rack (of horns! OF HORNS!), she's become quite the idol now. So why is she also an information broker? And can you figure out what her true feelings for Love Dies are?
Between all of these conversations, you can explore the island and collect RELICS and BLOOD CRYSTALS (the local currency) and CITY POP SONGS.
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Okay so the Slightly Batshit Version:
Shinji: The Syndicate worships alien gods who want to drown the world in war and blood. Lady Love Dies: I don't see how that makes us the bad guys.
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You are LADY LOVE DIES, born under the sign KISS ME TO THE MOON, the INVESTIGATION FREAK. She was exiled to the Idle Lands several cycles ago for falling prey to the seduction of the god Damned Harmony and endangering the entire Syndicate. Only now, with the death of the Council on the eve of Paradise 25, is Love Dies summoned back to solve the murder.
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The Syndicate are a group of functionally immortal humans from all across history who are trying to create the perfect bubble of reality, their utopic Paradise where they can safely revive their dead gods. They were granted many powers and boons by their first god, Silent Goat, and hope through rescuing more gods they will grow in power.
How do you create a bubble of reality to do all this totally ethical shit? Easy! You abduct a bunch of normie humans to live on your island to use as a mass sacrifice to generate energy to fuel the creation of each Paradise. If only the outsiders would stop getting in the way!
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Paradise Killer's world is delightfully out of its goddamn mind and half of the fun of the game is just picking up little nuggets of information about each member of the Syndicate, the gods, why each Paradise failed (there was an outbreak of vampirism that took out like three of the Paradises???), and just the way this universe works.
Okay this post is already too long but I'm begging you all to give Paradise Killer a chance. It's gorgeous, it's funny, it's mechanically really interesting, it's chill as hell, it has an incredible soundtrack,
and you should try it.
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I'LL SEE YOU IN A PERFECT 25 . . .
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Text
I came to terms with the fact I am actively anti cat king/edwin and I have to talk about it I'm sorry
Like, you ship whatever you want fr!! I just have a lot of thoughts about this
The Cat King is a very interesting character. Really, I like him and I find him consistent in his actions. That is precisely why I don't see what he feels for Edwin as anything close to being in love, and I don't think he even means to be.
He cares, sure, and he's kinda obsessed with getting his prey (affectionately), but that's it. He wouldn't go too far for Edwin and he doesn't. "I'll be waiting for him when he gets out of hell" while someone else is getting him out of hell. Also, knowing that Esther is going to literally torture Edwin forever and not risking his lives to give a warning — which of course, why would he? He just got killed for trying to help, he's not about to do it again. And I don't think it's wrong of him! Because you don't risk your life for a crush!!
(well, except if you're Monty. He actually was about to risk his life for Edwin, trying to get him out of the forest. Just putting this out there)
So I mean, I get the appeal. The sexual tension, the power balance. Man, I actually love how that changes during the season and how Edwin has the upper hand in the end and knows it. It's a very nice dynamic that they have and I get having fun exploring it.
But I was flabbergasted to see people wishing it was endgame, wow. Not trying to be shady, I genuinely did not EXPECT THAT from so many people.
And I wasn't even going to talk about the problematic parts of their relationship (the coersion, the mind tricks, etc), because I've had my share of problematic ships, this is pretty tamed in comparison, lol. But I think it's important that people understand that it's problematic, and then if they decide to keep shipping it anyway, that's cool.
There's a final major point, which everyone already knows, but I'm gonna say it: you can't fall in love with someone like Charles and expect anyone else to beat that. No one will.
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majimasleftasscheek · 10 months
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Have you played Yakuza 6 yet? If so ya got any kazumaji head canons based off the events of the game?
I absolutely love your ideas for them and I am beyond upset that Majima was barley in the game. Or even mentioned that much.
They did the boi dirty in this game, I swear.
*clenches my ass hard enough to shit diamonds*
oh I have OPINIONS about 6 I'll tell you that but it is good fodder for the kazumaji agenda 👀 I'mma be kinda rambly in this but I promise it all ties together kdjfjkldfkldf
so we all know Kiryu goes off to find Haruka and because I'm a big fan of dadjima, I can only imagine Kiryu lets him know while he's stuck in jail and Majima's just like WHAT
so Kiryu does a lot of self reflection but acting upon it is another matter. I can see Majima chastising him, saying she ran away cuz that's all Kiryu ever does (part of him is still pissy about him leaving in y3) and she's never had a healthy role model other than the king of hypocrisy. Kiryu would go on about how it's just to protect people yada yada but Majima would be like my guy, you left a bunch of kids in the care of your daughter who should not be parenting for you. you refuse any and all help because you think you can do it all on your own. you left me with Daigo who you said I wouldn't be babysitting AND YET—
I just want Majima to absolutely rail into him about how self serving he's acted despite better intentions. like of course Haruka ran away, look how much pressure she was under, what she went through in the idol bizz (maybe I'm a loser but I did not like Haruka's part in y5 that shit icked me), what you (Kiryu) do every time you feel like a burden to people. how naïve it was to think any part of Kiryu's past would leave him behind just because he wanted it to. how his lone wolf thing impedes on everybody else. how in 5 he literally says he needs to stop running from his past and he does it anyway. this game FRUSTRATES ME rrhrrhhrhrr KIRYU FRUSTRATES ME ACK. but also I have a thing for Majima just being angry at him, to actually lash out and spew all those feelings of being left behind or being refused to let help because Kiryu's stubborn. how he let himself be used all those years to help Kiryu out just because he asked and now once again Kiryu's off on his own, never changing his tune about how he doesn't wanna rely on people. Majima's not perfect either and frankly he communicates like shit too but I just want that RAGE to get out and explore how Kiryu would hear him but never listen. makes it all the more tragic when he finds out Kiryu "died."
*tho I must note, as much as it does irritate me, 6 makes sense entirely for Kiryu's character lol. nothing he does in it surprises me in the slightest so while I'm not a fan of the story, it's pretty fitting for him since he's the downfall of his own story half the time. and it's not so simple as just saying Kiryu's to blame. he's constantly forced to deal with shit just as much as he wants to be left alone. he struggles and he tries hard I'll give him that. I don't think he's a bad person for what he aimed to do in 6 but he's not infallible either. and sometimes it's just par for the course. like how he makes the compromise at the end of the game to disappear so his family can be at peace all the while in his history, he's had major problems doing what he's told - never truly disappearing anyway, going about whatever's gonna happen in gaiden. could you imagine if Haruka caught wind that some resting bitch face motherfucker is beating the shit outta armies somewhere? could you imagine her finding out that Kiryu left again?
honestly I think his character is really interesting cuz of this. he has good intentions and I feel like to him there's some expectation that people should understand this, that people should accept his choices. I think it's fun to explore how others react to that - how it's in a way offensive, that Kiryu thinks he knows what's best and how to handle it as if he has all the power and say. how pissed people feel about him shoving them away for the sake of their safety, etc. I don't think he'd listen to Majima tbh but I think it's important that someone unafraid of Kiryu's dumbassery would lay it out how it is to him in a way that cuts, more so than Haruka, Date or like Akiyama could.
ANYWAY, Majima's mad at him lol but can't really do anything atm due to the surrounding circumstances. I like to think he's got some of the Majima family watching out for Kiryu and Haruka if they happened to see them. Nishida at least cuz ain't no one gonna arrest a cutie patootie like him. it's not much but it's a little peace of mind. Majima knows Kiryu's reckless as all hell so he's worried and doubly annoyed that Kiryu doesn't care (about his own safety or that other people are concerned for him).
so since Majima has a fat 5 minutes in the whole game, there's not much to say about his involvement overall (other than oopsie stuck in jail) but I've had some thoughts about what all the jimas³ are doing in the meantime.
all the jimas are grouped together because I said so even tho realistically they'd prolly be separated lol. Daigo and Saejima are handling things well enough but Majima's bouncing off the walls in boredom and nothing irks him more than being stuck in one spot while Kiryu's out probably getting hit over the head with a stop sign and refusing medical attention. Daigo's losing his mind but he can agree Kiryu's bullheaded and talking about that keeps Majima distracted. Saejima does his part in trying to get Majima's mind off things now that they have all the time in the world to catch up on whatever.
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time passes and I'm rewriting the part in 6 where they show up at the end cuz I live in a fantasy world.
Kiryu "dies" and suddenly the three of them are released early, no doubt knowing his death had something to do with it. Daigo gets Kiryu's letter and Majima makes some joke about Kiryu's literacy but a quick scan of the letter makes Daigo's face drop. he reads it and Majima doesn't think it's real. he doesn't know how to feel. even Saejima is in disbelief. but the letter is vague. it's conjecture written by Kiryu of his own death so there's a chance he's fine. Kiryu's fine, he's always fine. he's been shot and stabbed a million times, he's fine.
but it's not long till it's confirmed by Date. Daigo's skeptical cuz his inner punkass doesn't trust cops. Saejima's on the same page but Majima's in full denial whilst also believing it to be true. his reaction is immediate and violent. he wants something to be done, he wants revenge but Daigo wants to follow Kiryu's wish to avoid war. Majima's so outraged he frankly couldn't give less of a shit about Kiryu's wishes so it's up to Saejima to wrangle him back *insert a dramatic fight here.* Majima gets his ass beat and he's just a mess. things move fast though - the fate of the clan is up in the air and he just couldn't care. but Daigo needs him and for that he pulls it together, just barely.
fast forward to when the jimas go into hiding. they get set up in a lil safehouse via Nick Ogata. I like to see it as a basic bitch type of place, very out of the way, very ignorable but the inside is nice enough. they have to stay cooped up as much as possible and it drives Majima insane. he's fidgety, always pacing. Saejima tries to calm him down and it works for a time until Majima falls into another slump and repeats.
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they took a few things with them that they could, mostly small stuff, some clothes and the like. Majima brought along a few of Kiryu's things, namely some pocket cars and a shirt. he wears it often, being very against washing it. Daigo's too stressed to notice but Saejima watches Majima just break down into someone he doesn't know. he's tired, closed off, guilt ridden. Saejima starts to think this is who Majima was after getting out of the Hole. a shell of a person taking blame for things out of his control. losing the will to care for himself as some sort of self imposed punishment for not doing more. seething in silence in the powerlessness.
his beard grows scraggly, his hair is unkept and the circles under his eye grows darker everyday. his behavior mimics his Sotenbori days where everything was for Saejima, all he could think about was Saejima, how he failed him, how if he tried hard enough he could see him again. it's not the case with Kiryu though. he didn't even get to see the body himself.
he's always on his phone reliving memories through photos and conversations. he freaks out when anyone touches the pocket cars and eventually the shirt gets worn out. he's spiraling while the others look on, unsure how to deal with someone whose entire personality revolves around having a fake one.
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Saejima takes initiative. maybe he's seen Majima like this before or maybe he hasn't. doesn't matter because he gives Majima a bit of tough love, telling him to get a grip. telling him that Kiryu wouldn't want to see him like this and, under his breath, he needs him in better shape so they can beat the shit outta whoever was responsible. it's not easy of course. it takes Majima awhile to learn how to live again and frankly he doesn't want to talk about Kiryu but Saejima forces him to - to get comfortable with mentioning him, enjoying the memories they had. letting him know it's okay to be vulnerable. it's not a kind or pleasant recovery but it's there. it's helping.
and perhaps some time under supervision, he goes to see Haruka and meets Haruto for the first time. he tries to keep a strong façade for her but she can see right through him and gets one of those rare moments where he's just quiet. where he's real. she catches him up on things and it's a rough one for the both of them, especially since he has to keep the visit short. she doesn't bother asking him where he's going afterward but he promises to keep in touch and that he does. she sends him a lot of photos and videos of the family and he backseat-parents Yuta whenever possible. Haruka's never been a fan of always having Kiryu at arms length but this arrangement helps her deal with the long distance since there's effort on both ends to stay close.
Majima's not used to having others around to help him cope but he eases into it decently enough without the Tojo Clan on his shoulders. he even gets along better with Daigo who has time now to focus more on himself and the grunge within his soul. he's a silly lil dork and that charm reminds him of Kiryu but in a way that doesn't send him spiraling. he starts to see all reminders of Kiryu in a more hopeful light, one that brings back his energy. for most of their home confinement, Majima wouldn't even go out as Goromi since half his confidence came from Kiryu's support. but now and then, with Saejima and Daigo backing him, he can tiptoe a bit back into his fav dresses, ones that Kiryu gave him, ones that hurt to put on because of the baggage they carry. he doesn't even have his wigs anymore so he assembles what he can, how he can into something he knows Kiryu would have called pretty regardless. it stills hurts but it helps.
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but, he'll always dip back into the pain of it all. missing intimacy and things taken for granted. he regrets his last words with Kiryu were criticisms knowing he's not perfect himself. maybe he's faced with realizations that he can't survive without certain people, that his attachment issues are brought to the forefront for everyone to see. it's ugly and embarrassing and for the first time in a long time he feels very seen. death's always been a reality for him and he's never cared much for it in regards to himself but losing someone so close, so suddenly? without closure or goodbyes? he's forced to deal with the frailty and mortality of someone he thought was invincible.
and it scares him.
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they-stare-i-ship · 5 months
Text
I finished reading the atlas paradox
and now you're subjected to my SPOILERY thoughts.
Parisa Kamali: I love Parisa, I have loved her since the first book. I LIKE HER SO MUCH she's funny she's mean she's cool she's kind. She's incredibly powerful. She's so interesting and I really enjoyed how she slowly became "her royal softness". Whenever we have her pov it's so fun. I love how she's not scared of Atlas and how she challenged him. I can't wait to see what she does in the next book. I'm actually excited to see how Dalton has changed and how she reacts to them in the next book. Her relationship with Nico makes me so feel so nice. I also need her to be kiss Reina sometime in the next book.
Nico de Varona: he's been my annoying lil baby since the first book. I loved how he became more fleshed out in this book. I loved how lonely he got, his relationship with Reina and Tristan really intrigues me. HE'S SUCH A CHILD sometimes and I love him for it. Obviously I have spent the two books insane bc I knew he was in love with Gideon, I just knew it and they're just *chef's kiss* also speaking of his relationship with people, I think him and Libby will be stunning as besties, I truly cannot perceive them as romantic. They act so sibling like or even just asshole bestie like.
Reina Mori: when we started with this series I actually had more hopes from her. I feel like she didn't do much (especially in book 2) and my girl really doesn't understand communication. If she just talked to people sigh. But honestly her God thing, I am down. Go off, I'm excited to see her go off the rails bc people didn't talk to her the way she could have understood. I am low-key in love with how funny the duo of Reina and Callum is, tbh. I also get major ace vibes from her.
Libby Rhodes: honestly she was my second least favourite amount the six when we started. She desperately needed the corruption arc we got in the later half of the book. I think I will like her a lot more now. Her crush on belen was stunning to read. I can't wait for Libby to fuck shit up, literally fuck everyone up. And I genuinely truly deeply want her relationship with Nico to just be friendship. Friendships are equally as important and the fact that the universe made them parallel to eachother is my favourite thing.
Callum Nova: honestly I didn't really like him much during the first book, he was fine but we had more interesting characters. BUT DAMN CALLUM NOVA POST HEARTBREAK?? ~~ exquisite ~~ he's so fucking funny and hopeless and sad and pathetic. he is so desperate for love and so upset that he was denied it. He's my pathetic lil meow meow. Also I would LOVE to see him use his powers more in the future. As we keep learning about it, I keep loving him. Also I need Tristan to beg Callum to take him back.
Tristan Caine: actually I didn't enjoy his povs at all in the first book, I couldn't wait for them to be over. He is still my least favourite among the six but in the second book he was more interesting and fun. I'm a lil anxious of how Atlas is gonna use him and his powers. I don't care much of him but I want him to beg Callum or regret it for the rest of his existence. Also I hate LibbyTristan as a romantic permanent thing, they can fuck around and have fun but pls end at that.
Gideon Drake: I have loved him since day 1. He was the softer kinder balance to Nico's aggressive and abrasiveness. He is so interesting, his origin and his powers. I spent both the book wishing we had more of him. Now that we are out of the library maybe he'll get to play a more active role in the book. I am obsessed with Gideon (bc Nico is obsessed with Gideon) I love the tidbits we learn about Gideon like how Libby always liked him more or how max travelled with him for the rescue of the "prince". I want Gideon to have everything he wants, that's all.
Atlas Blakeley: I have been thinking of Giancarlo Esposito as Atlas the entire time. There's no explanation it's just vibes
Ezra: I'm glad he's dead 💖
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ego-meliorem-esse · 3 months
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Staying alive for centuries, if not millennia, and enduring trauma that spans for generations is bound to transform even saints into rats. Day-to-day life in the middle-ages was batshit dystopian (especially in Europe). I'm of the belief that older nations (think england, france, china, india) are far more rat-like and cynical than their much younger counterparts who have witnessed far less war, strife, prejudice and just aren't as burnt out as them (with some major exceptions). Mega bonus points if the youngins received some form of parental care, even if it's not perfect (like zee, australia, alfred).
I love how you emphasize that "Arthur is not a good man". But in his defense, I think none of the oldies are good men. There are personifications that predate Arthur by many millennia (e.g. India, China). To them, Arthur looks like a teenager. They lost power to a pasty little rat completely drunk on power, and so a part of them knows their colonization wouldn't last, so they endure it with an air of haughty annoyance and impatience, I'd like to think. They're still working against Arthur, but there's no seething rage as one might expect. They master the stiff upper lip far, far better than Arthur. Which I imagine makes him envious. I know you don't talk about India or China, but I think their personal interactions with Arthur would be extremely fascinating, be it in the 19th century or present-day. sorry for the long rant, luv your blog
👆👆👆👆👆👆👆👆👆
(I am so sorry i took a millenia to answer this but i always wnated to give a structured and thought out oppinion but never had the time in the last few months to sit down and think.
Having said that Im gonna answer as many older asks as i possibly can. Im sorry once again and your mind is a palace decorated with interesting and fascinating ideas)
So many have come before him. Too many died not having been recorded by the watchfull eye of history.
Arthur is not the oldest of the oldies. He is young compared to someone like China or Syria.
To start off with i think China is the most interesting Helltalia character there is. Just the years and cultures and dynasties and changing political systems and rise to power and fall and rise and again and again. The splitting and putting back together the regions. The innovation and influence. Ahvdnajxbnzksbx
So much creative liberty there and so much to learn and look into.
None of these nations, old or young are good or bad. They also are. In a way that a sparrow is bad for crop growth and good for locust population control.
"Arthur is not a good man" is not a general idea. They are Arthurs own words, about himself. He does not believe himself to be a good man. But then again, there are few nations who think of themselves as 'good' or 'righteous'. Years come and years pass. Now multiply that by a few thousant times. Good decisions lead to bad concequences and bad decisions lead to good ones. Good ideas are good until there are better ones pointing out the horrors of the past ideas. If you try to protect yourself and your family and damn another are you a bad person? Or are you a bad person if you damn your own family to save others? 'Good' is different for every nation. It just so happens that Arthur does not consider who he is to be righteous or benevolent. He has made decisions that damned his own soldiers for the sake of his own blood, his children. But he has sacrificed the lives of his progenies to advance himself and his empire. Its not the fact that he sacrificed his children or soldiers that he thinks make him bad, but he believes his hypocracy to be the thing that makes him "not a good man".
I think the older countries like China, Syria, ancient Rome and Egypt, Norte-Chico, Aksum (etc etc) didnt have what younger nations today got. At least not as frequently and directly. Alfred got a father willing to burn down villages and string up reverends to make sure his son didnt see the hangmans knot ever again. His brother and sister and their weird and tall french brother got to live a life as vomfotable as possible for them at that particular time growing up. They didnt see the world change. They were born into it already having shifted. That goes for other younger nationfolk. Some had harder lives than others but the world was connected and integrated to a certain degree when they were born. Loneliness is the main topic of the ancient nation personifications. If you asked a human in a town or village a few thousand years ago what the characteristics of his nation was he would respond with loneliness and reclusivity. So few knew eachother and fewer interacted regularly. A nation born is a nation doomed or abandoned by their parent nation if they had one. If by death or otherwise.
So what i think really set appart the oldies from the noobs are the inreactions they have with eachother. Old nations have learned and expect the sort of "stiff upper lip" you mentioned more than newer nations. If thats even possible. They grew up lonely, and and to a certain degree every nation is lonely, but the ancient world saw too much. So they stay even more lonely.
As ive mentioned, China is such an interesting character to me. He is very smart and he has lived through double the shit these old Europeans have. The oppium wars is something i studied recently and i kept thinking of how Yao would see all of this: "the gall of that young man to come to my shores and demand to do proper business while pointing a loaded gun to my head".
And after a few more decades he sees this European powerhouse get knocked down by none other than the mans very own bastard boy. As a human man, Yao finds comfort and amusment in that. The irony is rich and plentiful. The revenge tastes sweet.
But as a nation, that is extremly scary. The higherarchy is changing, so that means he has to change. And if he has to change that means old wounds will be reopen and new ones will take their place beside the old ones. And he does change. He adapts and tries to understand. Lots of new wounds are reddening his clothes. Lots of new wounds are reddening the clothes of others. In that change, there is loneliness. He keeps it to himself. Saving face is what he knows how to do. Just as most nations do.
Yao has long ago decided to drop the words good/bad from his personal lexicon. The concept of good is noble but not advantageous when it comes to their kind. Nations are purely bad in some situations, yet they are entirely good in others.
Anyyywayyyyy, im rambling too much at this point. I might do more hcs on China, but i think i should stop here for now. This isnt coherent or logical so lemme stop myself from further embarassment lol
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