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#im running out of manga panels to use
mikareo · 1 month
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౨ৎ⋆ ˚。⋆ midnight love ⠀ ꒰ . . geto suguru x gn reader ꒱ . . . word count; 0.7k
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⊹ ⠀⠀ heartbreak is a cycle. over, and over, and over again.
contains; geto suguru x gn reader, angst, geto dumped you and you can't get over it, mentions abandonment and attachment issues, lots of reader insecurities, womp womp author's note; hey ! XD
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"you really can't be calling me at this hour anymore." suguru's voice is faint. he's likely just woken up from a deep slumber, probably dreaming of something far more interesting and attractive than you are, but that isn't a dream that you'd like to picture. he did this to you.
sometimes, he needs to see what your nightmares look like.
"i'm sorry, it's just that i've been thinking about everything again." clearing your throat, you can't help but notice that your voice can't stop shaking. get a grip of yourself. you're embarrassing. "i feel like we made a mistake. it's not crazy to try things again; we know what went wrong so let's just fix it this time. right? we can be even better this time around."
you know the hopefulness slipping from your tongue is something that suguru has grown to hate. he hates the guilt that it makes him feel. he hates the reminders of a time where he was so madly in love with you that he couldn't imagine sleeping through one of your sporadic phone calls in the middle of the night. he hates how it reminds him how hard you sobbed when he said those three little words. not 'i love you'...but 'let's break up'.
he hates that it makes him regret things.
so instead, he forces you to bottle it all up.
"i'm not interested anymore, i've told you that." the sound of your poorly mended heart shattering once more is far too familiar. "seriously, we crashed and burned so let's just leave it at that."
this is the third time he's said these words. the first being an hour after he dumped you over the phone, when you called him back amidst uncontrollable sobs and he didn't seem to care all that much. the second being a month after what would've been your first anniversary together, to which he was careless with your heart as you poured it out to him on his doorstep. now, the third, where it's been a whole three months since your untimely break up and your sleep has been lost to you for yet another night.
...and he still doesn't care.
he doesn't care about you.
he doesn't care at all.
why doesn't he care?
"suguru, please." it's pathetic to beg, but what else can you do? "i love you. i want to be with you and i'm willing to do anything to make it work. c'mon, work with me, here." just say yes. just say yes and maybe you'll smile again.
he takes a deep breath. you can count down the seconds until he exhales.
three.
you envision a scenario where he bolts from his bed, frantically grabs his jacket, and drives straight to your house. his hand hovers over the front door, ready to knock, when you fling it open and then fling yourself into his arms. suguru laughs at your eagerness, gently gripping your face beneath your jaw and kissing you tenderly. god, it's been so long since you felt his kisses. you could cry from the overwhelming happiness in your heart. the overwhelming joy that he never fails to make you feel when he's truly and completely in love with you, too.
two.
you recall one of your favorite dreams, one just a few nights ago, where suguru had never broken up with you in the first place. in fact, he thinks the mere thought is comically funny. he'd never ends things. you're the best thing that's ever happened to him and he never fails to tell you that at every hour of the day. he's the perfect boyfriend. he's the ideal husband. he's the man that you've been wishing for for your entire life...but he really is just that. he's a dream.
one.
"i don't love you anymore."
oh...
oh.
you wish this were a scenario. you wish you were sleeping. you wish he could've said anything other than those awful words, but this is reality. dreams don't reflect reality. dreams aren't real. his love for you isn't real. he doesn't love you. he doesn't want you. he doesn't need you. give up. give up. stop making a fool of yourself.
"but i love you."
pathetic.
you're pathetic.
the sigh he exhales is pitiful.
he's so obviously aware of how clingy you've become in your lonesome life that he's not even surprised by your behavior. he's not surprised by your confession. it's almost as if he expected it. he knows your flaws. he knows your stance on abandonment...on attachment...on absence. he knows you can't possibly function in a world without him...
...and he hangs up.
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⋆⋆⋆⠀ ⠀thank you for reading! reblogs are greatly appreciated!
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bitternanami · 2 months
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something i think is really interesting about dungeon meshi is the cast's respective views on food as the story progresses. the way many adventurers get through the dungeon is to eat when they Must, but mostly rely on healing magic to keep going when they're tired or beaten down. death is something you can buy your way out of, here.
having these lower stakes when it comes to running yourself too hard has made a lot of people in this setting kind of devalue food and what it does for you.
im not all the way through the manga yet, but so far i really like how it goes about debunking that mindset.
long post under the cut, cw explicit discussion of disordered eating. textual depiction of unhealthy methods of dealing with it. please be cautious!
it seems like to most folks, food is either a decadent luxury, like when the governor offers mr tance a feast as a show of power and wealth, (although he is the only one who actually eats in that scene as he talks about his ambitions);
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[id: the governor and mr. tance talk politics and hierarchies, while the governor eats from a bowl. mr. tance's meal is not visible behind a speech bubble.
"so you believe the sorceror is an elf?" he asks.
"i can't say with absolute certainty," mr. tance replies, "but the spells are not ones dwarves and humans typically use." /end id]
like the painted-royal feasts laios tries to partake in that never actually nourish him...
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[id: laios, fresh out of the living painting feast, surprisedly holding his grumbling stomach /end id]
or, to the working class, it's pretty much exclusively fuel. i'm thinking about the scene where kabru's party, ostensibly intended to be our view into how adventuring Typically goes for most people, is shown preparing to go to the dungeon by like. walking up to someone and ordering 'a weeks' worth of rations.' purely functional.
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[id: kabru enters a store, and the merchant says "welcome!"
kabru says "i need a week's worth of rations for six, and two days' worth of water."
"sure thing." the merchant then reaches behind him and grabs a large cube-shaped package, wrapped in nondescript cloth and tied in place. it thumps onto the counter in front of them both. /end id]
when kabru hands mickbell his food for the trip, he complains about how heavy it is on his back. it's a necessary liability.
we also see chilchuck, in an early chapter where there isn't much food to go around, grumbling about how he used to be better at not noticing when he was hungry. he's frustrated that he's more attuned to his bodily needs, now that he's starting to fill them with regularity.
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[id: chilchuck, the only one awake, sits in his bedroll and glares at the timekeeping-candle burning down in front of him while he listens to his stomach growl. moving to find his canteen and fill himself with water instead, he thinks to himself, "my stomach has gotten weaker. i used to be able to go two days without food." /end id]
(like im not even gonna lie this is a big mood. the healing process is really really annoying)
even laios, early on, working out the logistics of going back for falin, considers his expenses and ultimately the thing he decides to save money on is their food supply. like, even the guy most invested in eating as an experience kind of just assumes he will Figure It Out. its what hes eating, not how hes eating it that matters to him at that point.
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[id: marcille looks down at the ingredients they've gathered, the walking mushroom and the scorpion in an unappetizing heap on the ground, and asks laios "so how exactly do we eat them?"
he responds "let's just cook them, like normal." /end id]
but its here that senshi introduces the idea of food as art and as healing. its exciting and its fascinating for laios, getting to taste the creatures hes been reading about and fighting, but i dont think it would ever really help him feel full if not for this.
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[id: three panels of laios tasting the scorpion hotpot, looking stunned, and then excitedly telling senshi "delicious!"
senshi matches his energy, asking "isn't it? isn't it?" /end id]
pictured: guy who had resigned himself to kind of just doing his best rediscovers the joy in something tasting really fucking good
what they did last time isnt going to work. falin is gone, and constantly anesthetizing their pain and healing through their weakness is no longer a realistic option for the party. in order to make it through they must all relearn how to eat well, one by one and as a group over and over again, because its either that or nothing.
one of my favorite depictions of this idea thus far is when marcille is seriously low on health and mana, and both of these problems are mitigated by taking care of herself, and trying to get iron and protein
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[id: marcille, looking sickly, wakes to laios saying, "marcille, marcille, can you sit up? we've got something nice for you."
she watches senshi grill pieces of kelpie liver on a low fire, while laios ties a bib around her neck. /end id]
and drinking a bunch of dead water spirits. she gets the idea, she's supposed to get in nutrients and it'll help her feel better, but in aiming for the quick, inefficient fix, namely chugging that shit down like she heard it was good to Stay Hydrated and decided that would be the thing that fixes her,
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[id: marcille throws back a cup of boiled undine-water, her face red. laios asks, "do you really need to drink it that fast?"
she gasps out "...the magical energy stored in nature spirits is actually quite hard to absorb. even if you drink a lot, the majority of it is excreted without being absorbed," and takes another drink. "that's why i need to drink as much as i can."
laios says weakly "you'll get water poisoning," but marcille only stops when senshi puts a hand on her shoulder and says,
"it's easier to absorb nutrients if ye digest them with food. that's a fundamental rule of nutrition."
marcille says, "senshi..." contemplative
and he holds out a bowl of tentuclus and a thumbs up. "let's get cooking!" /end id]
she doesn't immediately realize the answer is that she needs more than that. she's been working hard. she needs care, and she needs nourishment.
once she gets that, though, she makes her boiled water into a stew, and she works to make that stew as good as she can, and everyone can have some.
because in dungeon meshi, to feed yourself or allow yourself to be fed is treated as performing a kindness for yourself. food is what propels you, but there is also an art and a joy inherent to the process of making it; in the way you feel when you've had enough to eat.
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[id: senshi watches as chilchuck and marcille eat and excitedly hash out plans.
"i've got a good feeling about this! maybe it'll work out!" chilchuck says
marcille responds, "well it's easier to feel optimistic on a full stomach!"
senshi smiles, proud. /end id]
^^^ i want to put this image on my wall
when you're working through disordered eating habits, you really do have to keep learning this shit. (in my experience, learning about cooking is one of the best ways to do so.)
i'll have to see if my thesis holds up as i continue, but i think one of the reasons the portrayal here resonates with me so hard is that ryoko kui puts most of her characters at eye level with me on this. they're all working at it, too. the text and i are both commiserating, and encouraging each other, 'have some more, you'll feel better.'
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batbabydamian · 8 months
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Batman and Robin (2023) #1 is out!! 🦇💕
Spoilers and lots of rambling below
Loved hopping in mid-mission with Bruce and Damian banter - the first issues of Damian's B&R 2009 and 2011 runs have Batman and Robin’s relationship on a rocky start, so it’s a refreshing change!
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Bruce rhyming with the pause like he’s really thinking about it LOL he's having fun!!
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"You roll your eyes just like your mother" SO CUUTE!! a nice way of relating Damian to Talia in a habit haha (would also be neat if Damian had some of his mom's physical features heehee...haha...) Also "it's just us here for a bit." Would anyone else from the batfam be staying there in the future? 🤔
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OKAY really want to delve into Damian cutting Bruce off here, since we're mostly in Bruce's POV atm.
Bruce saying that he's happy Damian chose to live with him seems to impose the idea Damian chose Bruce over Talia. From how Bruce thought Talia should "never claim Damian" i don't think that's something Damian wants to hear, especially after Damian already chose not to be on either of his parent's side!!
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Batman VS Robin (2022) #4
In the end of his Robin book, Damian says he's still figuring out who he is, so i'm wondering if he's conflicted about losing that independence of being able to carve a path of his own now that he's with Bruce again. Either way, Damian's (VERY CUTE!!) self insert AU story gives us a glimpse of his concerns about his parents and not getting to be a teenager 🥺
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ANYWAY. OBSESSED WITH THIS!! HIS COMIC THUMBNAILS!! THE RANDOM ANIME EYES IN THE CORNER!! WELCOME BACK ARTIST DAMIAN 😭
EXPRESSING HIMSELF THROUGH DRAWING FROM GORE/HORROR TO FAMILY/OBSERVATIONS TO EXPERIMENTING WITH MANGA/COMICS!! ALL SO VALID AND WONDERFUL 😭
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Damian quoting Alfred and probably cooking something he used to make for him?? i'm crying
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Detective Comics (2016) Annual #4
We've really gone from Damian just leaving a reminder for Bruce to restock the fridge to Damian cooking breakfast for the both of them 🥺
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THIS IS MY FAV PANEL IN THIS ENTIRE ISSUE LOL fav just eating well, cheeks full of food, so cute!! and Damian sounds like he's referring to when Bruce enrolled him to the school in Metropolis lol Though Bruce's reason was also to benefit Damian, he's better communicating that this time!
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Super Sons (2017) #10
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LOVE DAMIAN'S ROBIN MOBILE!! glad he's moved on from the batmobile and just got his own - it's very much the opposite too in how it's bright, open, and bulky where the batmobile's dark and sleek!
The last part of the issue showcases Di Meo's action! i was pretty worried about it, because when i first saw his interiors for DC VS Vampires (2021) i barely understood what was happening im so sorry sir 😭 Honestly, it was still jarring but much better! HUGE shoutout to their Letterer Steve Wands, because the SFX and dialogue placement improved the flow a lot!
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Final thoughts: GORGEOUS ART, FUN WRITING, I LOVE DAMIAN!! i'm analyzing way too much but i'm just so happy to have an ongoing with Damian again (with a writer that actually! likes him!) 😭 i also think Williamson's getting a better grasp on Damian's voice in this book compared to Robin, since Damian sounded more casual than normal there lol
My hopes are we get those fun stylized panels of Damian's art/comics where we get insight on his headspace similar to the shoujo panels from Robin!! Reunion of Damian and his pets!! And it's still early, but still holding out for Williamson to keep to his word on this!! 👀
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sneezemonster15 · 7 months
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I'd give you an analysis, but frankly from what I've seen from your own "analysis" you're not very good at reading
also if you'd be so kind to tag this as mha spoilers, or screenshot this ask and put it under a read more so i dont spoil anyone who's interested in reading mha. it'd be greatly appreciated
(also thanks for getting rid of anon, this time i will include pics !)
anyway, this is the "straight dude who is having a typical cutesy high school het romance with a girl in a taken for granted het world." you're talking about;
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also i wont lie, calling mha a het world when these are real dialogue is highkey stupid:
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and i know the topic at hand is s/n/s and bk/dk but lets pivot to tg/chk bc theyre more relevant to what im saying
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theres a lot to say but honestly, the manga speaks for itself :)
oh and also, you're right, bk/dk has no romantic subtext - it has romantic text. no subtlety needed! :) that is, if you have read the manga - my favourite example is this:
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and then shgrk then proceeds to kill bkg, who "dies" (sort of) thinking about izuku in his final moments:
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and then izk loses control when he sees bkg "dead" on the ground
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and these are from recent chapters! imagine the rest of the series, ey
well! that got long. i'd tackle your crappy assessment of deku's character, but then I'd be here all day!
anyways, if i were you, I'd reread mha and really really understand the text you're reading. you might end up seeing something you missed at first!
Aiyyo someone got triggered! Hehehe. Ah it was inevitable that the moment I talked about MHA and rejected shippy head canons from the show, some delusional hardcore shipper would get all up in arms. Sigh.
You think what you wrote is analysis? Hehehe.
So just some random panels and chapter covers from the manga prove Bakugou or Deku is gay? Lol. I have seen fans like you in Naruto fandom as well. But you are right, I am not as invested in MHA, because it just doesn't have the versatility and genius of Naruto and Shippuden, it is actually quite a straightforward story and I don't need to burn a lot of my braincells to 'get it'. Lol. I am not saying it's bad, but as compared to its contemporary mangas, it just isn't at par for my tastes. It's good for entertainment but it doesn't affect me like other mangas that it takes inspiration from. Some silly shipper telling me I can't read, I would tell you my credentials but nah, too much work for disproving silly ass headcanons.
Fans make comparisons between Naruto and BNHA because Horikoshi is inspired by Kishimoto, definitely some similarities are there, but it misses on the most crucial point. Naruto and Shippuden are love stories. BNHA is simply your typical shounen manga. Naruto and Shippuden use the narrative tool of subversion to tell a love story in the restrictive genre of shounen. It has multiple layers and you need presence of mind to see them. Naruto is gay and you see comphet in his character, his interest in Sakura looks superficial from the beginning and then in kage arc, it is concluded as a mere cover to run from confronting his dilemma, and closetedness. His character is consistently shown as having an internal fight, a dilemma. Sasuke is just on your face, he is clearly shown as having no interest in women, but with Naruto he is especially intimate on his own accord. Ya know, using random panels ain't gonna help, you need to establish it in the narrative. Headcanons are all nice to entertain when that's all you watch media for, shipping. But please to be showing more maturity and media comprehension when sending me an ask, I am not very sympathetic to gaslighters whose heads are filled with shippy shit and cheap self gratification. When I talk Naruto, I make comparisons with other clearly gay media, and point out the common tropes, it's a result of expansive research. Not just random panels that prove nothing. Little one, you need more than that to prove your theories. I have watched a wide range of media, including gay media, your ask is just representative of your ignorance and lack of knowledge about how storytelling and character building works. Heh. Or do you think BNHA has its own concept of homosexuality, its own private language that cannot be compared with how other media establishes homosexuality in a given universe? Yeah, solipsistic ideas like that cannot be taken seriously.
Conformity is one of the pillars Japanese society is built upon, so it's not surprising that Japanese media talks upon how anything that doesn't conform to the norms is rejected. Their media is representative of their society. Mha also touches upon that and there's no surprises there, but again, you need more than that to prove it in the course of plot building and narrative. Some random out of context panel about some character saying something about conformity proves your point? You need to SHOW it and not just tell. But where other mangas, great mangas, popular and critically well acclaimed mangas have explored this idea in detail, MHA is just touch and go. It doesn't entertain a balanced proper discourse on it. It is truly shounen in that sense. Again, I am not saying it is bad, it is just more age appropriate. Which is totally fine. Do you know how heteronormativity is established in the narrative? Like this. Show me where this happens in MHA. Lol. Sweetheart, if the writer had made any attempt to write this world as heteronormative, where gay characters face challenges, I would have seen it. But mha is just not that deep. Sorry to burst your bubble. But that's just a fact.
Seriously, you are going to give me the example of Toga? I haven't gone through the recent chapters yet. I have only watched the anime. But it is clear that, that girl is medically insane. Her idea of liking someone is to kill that person and drink their blood, for her own pleasure. She ain't a homosexual, more like hemosexual. Hahaha. Again, you gotta show me the trajectory of her character, start with the base and show me how it escalates, how does she learn better about herself, her own feelings, the world from her perspective. No character is isolated, any writer who is talented enough to write multimillion franchise knows that. Don't project your assumptions on the story and the characters, work with what you have and draw the meaning from what's given, not the other way round.
There is no doubt Izuku and Bakugou have a strong relationship, even if it is mostly rivalry. But one can see that Bakugou cares about Deku and vice versa. Before telling me how to read, perhaps you should have done it yourself. Lol, I see this type of behaviour a lot from typical silly shippy shippers. "What, did you just say my ship makes no sense? 🤬"
Read.
Do you even know what subtext or text is? Hahah. This is text and subtext. So just because Bakugou and Deku talk about their rivalry in their vulnerable moments, that the audience knows as congruent since we have already seen they have a hot and cold relationship but that they are friends nonetheless, that proves they love each other romantically? You obviously don't know how romance tropes work. The dynamic between two men who respect and admire each other is always shown with a lot of empathy in Japanese media. It is one of the founding pillars of shounen, a genre meant for teenaged boys. They are certainly closer to each other than they are with women they are interested in, but a lot of fans such as yourself misinterpret it as romantic, because headcanon goggles. No, you gotta have more than that. Where Naruto and Shippuden have it in truckloads, none of that in BNHA. Deku is heterosexual af. If he is so interested in Bakugou, how come he reacts the way he reacts to Uraraka? Where is his conflict? Where is his dilemma? His affection and romantic interest in Uraraka is genuine and sincere, not a cover to hide his more private feelings. Unlike in Naruto's case. Kishi uses clever narrative tricks and tools to tell his love story in shounen and he does it skillfully. His motives and intentions are clear as water. He uses inventive smokescreens and red herrings to escape from being too controversial and colour inside the borders of shounen, nothing like that in BNHA. To begin with, Horikoshi doesn't even delve into the sexualities of his characters, because his story is not about that. There's no context, no set up, nothing. His worldbuilding is simply conventional, by which I mean heteronormative, there's no talk about sexual orientation of characters. You see the usual shounen perviness by Mineta and Kaminari and typical straight girls going kawaai over good looking boys like Todoroki, what impression does that give? If Horikoshi wanted to establish his characters being gay, he would have set up the context mindfully and carefully, like Kishi did. Gay relationships and characters can't be shown so explicitly in shounen as that would jeopardize its distribution in the west. Reason? Censorship. That's why Kishi had to be so careful, his target audience might not get it, but the adults do. Well, unbiased adults do, at the very least. So the boys in bnha are gay just because? Because you want them to be? Storytelling and character building doesn't work like that.
Seriously everything you think works as 'analysis' isn't even valid. I honestly didn't even want to respond to this ask, given it's so surface level and ridiculously simple minded. Perhaps you are a tween or teen who thinks every time two boys or girls smile at each other or rescue each other, they are gay and in love. Lol, watch gay media. Like actually watch it and see where your arguments stand in the scheme of things. I will tell you, nowhere. Juvenile kiddy stuff. I won't entertain anymore asks like these, they are a waste of my time.
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bby-deerling · 2 months
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hi bby i’m the anon who reads your blog like the newspaper and i saw a tiktok comparison of how goofy and how much zoro used to laugh and im tearing up a little
i know that as you grow older you become jaded and you’re not the same before you turned 22(ish?) but poor zoro
giving him a steamy make out session in these trying times god bless zoro
i have much to say abt this topic, mainly that while zoro is a bit more serious post-timeskip, i think there's still definitely plenty of instances of him smiling and goofing around, but it is certainly less frequent than pre-timeskip. i think a lot of this is a consequence of the breakneck pacing of post-timeskip, with little to no downtime or filler between arcs where the crew can just... hang out and exist.
THAT BEING SAID god i just want to kiss him and make out with him when he's feeling run down (and i definitely think he is goofy behind closed doors with the crew just like he was pre-timeskip, it's just not shown on panel/screen as much bc oda has bigger fish to fry i.e. finishing the damn manga and tying up the thousands of loose ends he has lying around).
ALSO u've totally inspired me to do a cute drabble so tysm eeeee
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clay-tries-his-best · 9 months
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FIRE FORCE SPOILERS PROBABLY!!!
a praising (???) of Viktor Licht from a fan (im not good with words bare with me please)
ok i feel like im a little obligated to say why i like Viktor Licht from fire force so much considering not only do i have a full list of every chapter in the entire manga he appears in, am on my journey of making stickers of him, and draw him practically anytime i can. my teachers this year are going to see this guy on my work just a bit. (i am lying it's going to be a lot.)
okay, im like 99% sure he's autistic. and im autistic. the autism radar is going insane whenever i look at him. if you take a look at his character sheet, which is at the back of book 10, it says something next to his nickname section that just SCREAMS autism to me.
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in case you can't read it, it says, "i do understand common sense, whether or not i choose to use it." that sounds like what i, and many more autistic people have to do. i understand what's acceptable, and force myself to use it even if i think it's strange or unnecessary. also, hes only seen making direct eye contact with people he trusts, like shinra or joker. the rest of the time, he's staring, but not in the eyes of anyone. he's also very blunt with that he does. in his very first company 8 appearance in the beginning of book 7, he dives down to touch shinra's feet because he was interested in the adolla burst. in book 22 when they were in the nether, Viktor is running, turns a corner, and accidentally activated tamaki's lure. except it doesn't really bother him, because he's happy to see his company members, ignoring what he just did on accident.
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again, in this panel here, he's very open with what he's wanting to see when they're quite literally infiltrating haijima, despite being right beside the security guard. shinra even comments on this, but he seems to have thought that it was a totally okay thing to say. shortly after we are told that he's aware that haijima is planning to kill him, and just talks about it like it's a regular thing to have a major company want you dead.
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he also has a very active workspace, as shown here. yet, in the chapter before he's sent to the chinese peninsula, he knows exactly where his needed stuff is in the mess. that might be more of an adhd characteristic, but it seemed like a good point.
another highly regarded autistic trait is being incredibly fixated on one thing, wanting to spend all your time on it. Viktor's hyperfixation is science, and figuring out spontaneous human combustion. he's seen dedicating most of his life to figuring out why people go up in flame. it's said that autistic people excel in their chosen area of study, and of course, i think you can guess what his is.
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he also has trouble regulating his voice level, usually seeming to get louder when he's excited or very nervous, like when he yells on accident in the nether the second time when he realizes that he's going to be "roasted alive". he gets all giggly and excited when talking about science in the right panel (or bottom panel??), even when it's a serious topic. he does get feedback that this is a "weird" and "inappropriate" time to be excited. sound familiar, fellow autistics??? on the left (or top! again i have no idea) he's instinctively raising his voice at shinra, wanting to know about what happened to him in adolla.
i don't have the panel yet, but in book 10, shinra and sho are fighting in the nether, right? (this book is literally THE viktor licht autism book im telling you) he accidentally gets too close, smiling and laughing once he realizes, even saying "whoopsie daisy! i got so excited, i got too close for comfort!" during this whole fight, he's watching his friend get injured in the fight, and he's worried at times, yes, but when he's explaining sho's power, which is science based, he's smiling. he even messes (stims, really.) with his hair and gets sweaty, which are both common autistic responses. as he watches shinra and his brother fight, he notices that shinra could quite literally make a black hole in the middle of the room. and y'know what he does? giggles and smiles again, saying it would be "a scientist's dream" to witness a black hole. not sure that a regular scientist would want to die getting sucked into one, but okay.
i was looking through an "autistic traits in adults" list just to make sure i didn't miss anything, and woah boy. "makes unusual or strange facial expressions". cmon. it's stated from multiple people, mostly tamaki, that the faces licht makes are weird or strange. he also used his hands when he's talking quite usually, either touching his face or using them to express urgency. mostly his face, though. another stim maybe??
there's probably more y'know cause he's just all around an autistic guy, but that's my little analysis of his autism summarized. now that i think about it this is more of a "why he's autistic because i love his autism because it gives me someone to relate to" kind of thing but i can go into that now cause that's kind of a good idea.
OKAY so y'know i really do look up to Licht because he really just makes me smile everytime i see him in the manga. im a manga-only btw if that wasn't clear already. i own the emglish omnibus books which are 3-in-1s basically and i cannot tell you how overjoyed i was that Licht got on the cover of the fourth one. i admire him in so many ways because one, hes this scary guy in the beginning that even makes shinra turn away at the tryouts, all nervous. just for them to become besties later, saving each other's lives like 9 times. hes the type of guy that I just love so much, and not romantically either. i don't want to kiss him or anything, i just want to be his friend. ykwim. maybe. but yeah, he's my favorite and he'll always be my favorite and my c.ai chats with him will forever be positive.
i highly recommend fire force by atsushi ohkubo, and may Viktor Licht captivate you as being your favorite when he makes his grand entrance in book 7! :]
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chidoroki · 11 months
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182 Days of TPN - Day 60
Chapter 60: “Goldy Pond”
I love their faces so much. They certainly weren’t expecting the geezer to full on sprint right at the start of their journey. Dude is so quick he can barely stay in the panel.
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Can confirm that not all adults are not built the same way as Yuugo. Props to the duo for keeping up with him though regardless. They would no doubt run circles around me.
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I always enjoy seeing maps in stories, as they give us a better perspective on how different their world might be compared to ours. I know that’s the whole point of them, but it still fascinates me considering the pen’s map wasn’t as detailed as this one.
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Favorite arc, my beloved.
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I wish I had more to say about this panel, but it’s just a cool shot of her and I love it. Despite the hard journey ahead and the uncertainties of what’s at A08-63, she’s still smiling with positive energy the whole way.
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They really owe Gilda for that threat of hers. It’s putting a big stop to any of geezer’s plans to just kill the duo outright.
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I wonder though.. if one of the duo did die as a result of Yuugo refusing to help them when faced with wild demons, would people hate him as they do Isabella? It technically wasn’t her who killed all those kids. She walked them straight to their impending doom sure, but it’s not like she could’ve done much to prevent it either. Not with how much she valued her own life anyways. Albeit Yuugo’s negligence would still be for selfish reasons, he would’ve had more of a choice whether he wanted to save the kids or not. (lucky for us though, the only thing he kills are demons. and other adults).
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Ah hell, they might be my favorite trio (the GP trio might be next, followed by the wolfpack. im so sorry GF fullscore pfftt). It might be a weird time to say that, given the context of this page, but it’s what made me remember that little fact just now so whatever. I already love the dynamic between RE, so throw in someone like Yuugo, who shares many traits of them both (i.e. like Emma before his own GP trip/then like Ray after the lose of his family), and it’s just fun to see how they all interact with one another. Whether they clash ideas, share concerns or how their respect changes, I enjoy every moment they have.
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Favorite panel/moment:
Well, I do enjoy the little map here too, but OF COURSE MY FAVORITE IS THIS PANEL OF THE DUO, especially that Ray! (loved it so much I used it for a good five months last year as a pfp and only switched it up for various holidays.) No doubt one of my favorite panels of him out of the entire manga.
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This panel comes in at a close second though!
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strawberrycircuits · 10 months
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tell us about this npc...
sam localvoidcat i owe you my LIFE!!! i have a lot of meta analysis thoughts about her but i said pretty much all of it like 4 days ago for a bingo card ask game so uh. heres all of that. tldr: malon has a lot of potential as a character and theres something v interesting with her in that her and links storys run parallel which is sooo compelling but nintendo and the loz/oot fandom tends to reduce her to Link's Wife and nothing else (as for why they do that uuuh. twilight princess link is canonically the link from ocarina of time's descendant, which implies time had kids after majoras mask. tp link is a rancher (like malon) and knows eponas song at the start of the game without it having to be taught to them (eponas song was written by malons mother + malon teaches it to time + malon sings it in oot). insert its always sunny conspiracy board meme here. i was already fixated on her when i was little and i thought the malink thing was a lame theory for a while but then i thought abt them both a little too hard and now im here ig)
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ok time for me to go crazy insane. im gnna use this post to talk abt canon stuff and then im gnna use libras ask to talk abt my own headcanons LO)L!!!!
-shes described as very headstrong and driven and she very strongly believes in doing whats necessary even when its not what you want (which. the parallels man. vaguely gestures to all of the links) which conflicts with her father who doesnt rlly care as much as he should. and so shes kinda left to pick up all of the slack which is RIDICULOUS becauses shes LIKE 9 !!!!!!!!!!!!!!!!!!!! a child should not have to run a fucking farm and she def shouldnt be left alone in CASTLE TOWN to worry to death abt her father (bc she had to DRAG HIM there to do smthn he shouldve taken care of anyway)!!!!!! what the hell !!!!! me when the game about adults failing children contains adults failing children
-^and like. she is acutely aware that this is not normal. she is so overworked that she does not get to have friends her age (iirc she refers to epona being her "best friend" and epona is. a horse). where oot link is kind of like "woohoo adventure !!" up until zelda gets kidnapped and she pulls the sword (but theres inklings there before that. like having to leave kokiri forest and watching her dad die), malon Knows this isnt normal and that she is missing out on her own childhood. and YET!! she holds no contempt for her father. she knows that he is failing her and she loves him anyway. WHAT THE HELL !!!!!!!!!!!!!!!
-its also greatly suggested shes extremely isolated bc she works all the time and doesnt have time to play or be around people her age. + it doesnt help lon lon ranch is far from hyrule castle town + hyrule field is Fucking Dangerous so its not like she can easily cross it herself. Why did they mess up this girls life so bad!!!!!! (the answer is to parallel link. im insane)
-she had a trophy in one of the smash games that uses her 3DS model im so proud of her. sorry i love when nintendo acknowledges her even tangentially lol ⬇️ also she was referenced in smash ultimate i think idk
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-shes not just in ocarina of time!!! shes also present in the minish cap, oracles, and four swords adventures!!!!! why did she have multiple incarnations? who knows ! also i think she can die in fsa. sad
-shes in the manga and she gets kidnapped in like the 1st chapter and when link comes to save her shes like umm no youre ugly go away and meanwhile links like IM LITERALLY TRYING TO HELP YOU YOU ARE IN FUCKING DANGER!!!!!!!
-she also proceeds to fall in and out of love with link in the span of two pages. the manga is not very good sometimes i think. himekawa saw the dialogue line abt malon secretly waiting on a "knight in shining armor" to save her and ignored everything else abt her which sucks ass but is also very predictable for how himekawa writes. i will probably still redraw one of the panels from it anyway lol
-^btw the knight in shining armor thing is an interesting thing to note bc thats something she (malon) seems to be, like, ashamed of? maybe?? which imo feeds back into her whole thing of overworking herself while also understanding that its not okay or normal for her to be doing so. like. "no you cannot want for other things you have responsibilities (even though you undeniably do already)" but omg girl youre nine. except for seven years later when youre sixteen and even still. please take care of yourself please let urself relax and CONSIDER happiness i am begging yuo
-malon is so funny shes just a massive mario reference in game. when u go to the ranch u find Talon and Ingo respectively (talon is her dad ingo just works there) and they look like this. also she has a bowser pendant ?? literally whyd they do this lmao
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-one of oots minigames involves beating the horseriding record at lon lon ranch (set by malon at 50secs) and when u win she gives u a cow which she puts in ur house. the thing is that 1. links house is in kokiri forest and 2. links house is a treehouse with a ladder. which implies she SURVIVED THE LOST FUCKING WOODS (WHICH MOST EVERYONE CANNOT) and carried a goddamn COW up a LADDER. how fucking strong is she i love her
-shes gives u an item called the Weird Egg 🕺
-in BOTW you can find the ruins of lon lon ranch where she lived!!!!! :] its called "ranch ruins" on the map :P you can easily find more comparisons but believe me when i say they, like. put a weird amount of effort into getting this one as close to how it looked in oot as possible
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-shes also a reference to marin from links awakening but i did not play that so i cant speak on it </3
-its implied she never actually bothers to learn links name in the games. she only ever calls her fairy boy and thats it
-iirc during the child segments of the game she's taller than link but during the adult segments shes shorter. rip
-there is a single piece of dialogue that implies young link has a crush on her which is cute lmao
-so in oot she sings in the lon lon ranch theme (but its the n64 so it like. it sounds like a human voice but also not.) and twilight princess's hyrule field (night) theme uses the same singing effect which i am incredibly normal about forever and ever
-after the 7 year time skip, ingo gets the farm via ganondorf giving it to him (which he can do. apparently. this is a n64 game man leave me alone) and he kicks talon out. malon stays even though everything is considerably worse solely bc she wants to protect the animals, which is also why she was so insistent on keeping the farm running as a kid too.
-generally speaking malon is a very kindhearted and overwhelmingly understanding character and those traits are almost always at her own expense. she knows her dad is the reason shes as alone and stressed as she is, but she loves him anyway. she knows itd be best if she just left the farm once ingo takes over, but shes scared for what will happen to the animals so she stays somewhere that makes her sad and miserable instead. she wants to have friends her own age, but she understands how important keeping the ranch running is so she doesnt pursue it at either of the points in which we see her.
-i like to think things considerably change for her after ganondorf is neutralized prior/after majoras mask
-but thats for the headcanons post
so u may be thinking. Wow strawb this is kind of, like, nothing. why do you like this character. and you would be correct,
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peaterookie · 1 year
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Lupin III Chapter 40 Review
hi tumblr it's me day 2 let's see how long i can go for once again never take any of this seriously this is just for fun ok thanks
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this chapter starts out with a sussy looking man trying to escape out of prison!!! who the fuck is he????
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from the left bottom panel over there we can see that he's been caught by the police, who then escorts him in a car with two other people who seem to know him
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look at their faces thats very sus
then we switch to kid lupin in his mansion listening into the convo happening in the police's car it seems to be connected to the police's walkie talkie but suddenly! he is in shock and bolts out the house what did he hear in the walkie talkie?? and where is he going???
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well well well the walkie talkie speaks of the various prison escapees... and one of them, the man whom we saw escaping earlier WAS NONE OTHER THAN LUPIN II, HIS FATHER!!!!!!!!!!!
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i hate him so much anyways ahem ahem Lupin iii on the other hand runs out to a cemetery, which houses the gravestone of his father?? he is equally just as shocked to hear this chapter plot twist, his father whom he thought was dead was alive all along!?
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apparently it was arsene lupin that told him that his father was dead, we never get told why he did it, but i wonder maybe because a lupin who fails at his job is no longer a lupin in his eyes, so since lupin ii was captured and thrown in jail, he is nothing but dead to him it can also possibly explain why lupin iii got put in so much rigorous training at such a young age and become conditioned to pass on arsene's legacy because his son couldnt but enough with overanalyzing the plot, let's move on
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ANOTHER lady (i dont think its been the same one since this entire kid lupin series???) appears and says that she's known the truth for years now and i guess they just go back to the mansion ah yes ive learned that my father is actually alive lets not do anything about it nah jk hes probably trying to process everything poor kid
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going back to lupin ii's side, the police turns out to be one of his allies and gets them out of prison along with handing them guns n shit then one of his friends just shoots the police??? and lupin ii is reasonably pissed like wtf you killed the dude that worked with us then the guy reasons that the guy is still a cop and they still shouldnt trust ok whatever fine lets go with that then
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i cant bro is so angry apparently in this panel he says "HE WAS MY BEST CONTACT!" and im just wondering what he meant by that maybe its just tokyopop translation spouting bs again but it may just be something from the og manga im thinking maybe he was trying to monitor lupin iii? currently the plot isn't at the point where i can explain my idea though
now his next plan is to find lupin iii, whoom he claims is posing as a fake and his son was supposed to be dead???? shits getting wild
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theres so much shit to absorb in just these panels
the cityscape looks so fucking cool???? i want to draw like that…
LUPIN III IS JUST LYING ON HIS COUCH HOLDING A TV UP TO HIS FACE??? HES JUST USING IT AS AN IPAD HELP IF THAT ISNT THE FUNNIEST WAY TO WATCH TV EVER IDK WHAT IS
LUPIN II JUST FUCKING POPS OUT OF NOWHERE??? IS BRO FLOATING PYCAL STYLE????
anyways lupin iii gets attacked by them prison men! lupin iii sees his dad and hes like you're not my dad prove it to me then lupin ii is like you're not my son!
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then they like fight or something
lupin ii holds the woman earlier hostage and is about to rape her, then lupin iii says that they're surrounded by the police and hes about to get arrested anyway (this is so stupid) then lupin iii leaves thinking hell get arrested, and it turns out that the woman and lupin ii were just faking it and this was just a test for lupin iii
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Panel 1: "You can put your clothes on." "Oh, are we done now?" Panel 2: "He's not ready to take over the family business." "Well, at least tell him the truth, you owe him that much." Panel 3: "Not yet." "Not until he proves his worth."
the lupin family is just like a traditional asian family you better start burning at least 90 houses until you're allowed to eat dinner again then lupin ii retreats and dresses up as a police officer, he tricks the detective guy (from the earlier chapter) into thinking that he has escaped into the mountains
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then he hops on a motorcycle to escape, and oh? it seems like lupin iii already found out his plan and was camping in the sidecar to wait for him but unfortunately… his father rams him onto a tree.
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great job lupin ii great treatment of your son you havent seen in years :thumbsup: but this is the end of the kid lupin chapters! we will be resuming back to the monkey man tomorrow. (nevermind i have something else planned for tomorrow no chapter 41 til thursday) lupin ii will never been seen in the lupin manga for a long long time…
also i like how this chapter singlehandedly explains why motorcycles with sidecars are no longer a thing anymore today.
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everythingsinred · 7 months
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for the writers ask- 8, 14, and 16!! :) <3
thanks so much for asking ;-; <3
8) Do you take inspiration from real life? If so how do you incorporate it into your fics? sometimes... i take my experiences of universal feelings (like the things i do when im VERY happy or VERY sad and then apply them to characters). characters like natsume (like. loners. etc.) are characters i relate to a lot so i can cherry pick little experiences ive had and fashion them to fit them. i never use the specific way i was abused (tmi) in my writing ever but the feelings that come from it are pretty common after being hurt, so i like to use those. ig long story short i keep the emotional part of my own experiences but discard the specifics.
14) What is something you wrote in a fic that you are hoping readers picked up on but you don't know if they did? And/or, what is something that you were excited that readers did pick up on? im primarily thinking abt all things rancid and delicate rn bc i think that one garnered a lot of attention compared to my other ga fics and also since it was one i put a lot of artistic effort into...
anyway i was very lucky, especially for that fic, that i had a couple of readers who would comment long reviews, discussing p much everything that stood out to them or even quoting passages they liked, so i could see what people were paying special attention to. when im writing i like to do extended metaphors or running themes that keep threads connected. in atrad specifically, there was the heart thing, though that was pretty obvious.
i think in subjectives, i want to imply that theres feelings OTHER than hatred between natsume and mikan because. well. its a romance fic. so i was happy to see comments pointing out that, even tho there was nothing specifically alluding to it, my readers were noticing that there was smth more there! lovely <3
(not in a fic but i wrote a line once that was supposed to be a metaphor i was very proud of but when my mom read it she took it seriously and was like ???? THAT REALLY HAPPENED? and idk if its bc she just didnt catch on or if the metaphor wasnt as well-written as i would have liked.)
16) Do you have a method for getting characters to sound/feel in character? i rly wish i had a more concrete way to put this...
i think its really crucial to have an understanding of the character: what they want, what they fear, their relationships with others, etc--both in the fic and in canon. try to keep the important features that stand out in the characters so they resemble the canon version. (for mikan, for example, that tends to be her optimism, friendliness, and kindness, but also her quick temper and occasionally unreasonable nature and for natsume, his impatience with most people, tendency to be curt and evasive, disillusionment with life in general, etc.)
its key not to stray from those more staple characteristics, even in au, but they can be stretched to fit a role (and this is just keeping them in character from the canon. sometimes ooc is the goal).
sometimes ill just stare at actual art from the manga, like a panel of natsume or mikan or somebody, and think abt lines of dialogue or certain actions, and i'll ask myself if i can see that character saying that or doing that. usually this method just makes me feel rly weird abt writing abt them at all, tho, so its more of a control method rather than some critical part of my process.
yeah ig its just understanding the character in canon and how those traits are reflected in ur fic and keeping those key traits consistent.
thanks so much for asking these questions <3 talking abt writing is a surreal experience for me bc it sometimes feels like very little concrete thought is put into it but its fun to remove the process from abstract ideas so thank u!!!!
send me a fic writing ask if you would like!
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pixeljade · 8 months
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You know what. When i was in my teens and 20's i always had a mentality that older folks not seeing my pount of view was because they were old-fashioned and stagnated. But now that im in my 30's i can see thats not all that it was.
Like these days, I see a lot of extreme rashness in 20-somethings and teens, where they think they're right, despite their thinking being based less on logically looking at things and more pissed at the lack of change in the world. Which is like, completely understandable! Especially when you look at the current state of society. But simply because you're right that things NEED to change doesnt mean your change is CORRECT, if that makes sense?
That last reblog kinda illustrates it perfectly. Millenials like myself, when we were in our twenties, used that desperate need for change to build the modern social justice movement; but in retrospect we also fucked up in several ways. We focused too heavily on individual cases, and individual responsibility, and things like callout culture became the centerpiece rather than solidarity and accountibility. And now, the next generation is taking the next steps, making those same mistakes; policing folks' language rather than trying to build networks to tear down the root causes. But telling them that is often useless, because they hear us Millenials saying "hey. That shit doesnt matter in the long run" and think "This is just them disregarding my Youthful New Take Styles".
Another great example was talked about at a panel i went to at SPX, where everyone was talking about how they were led to queer spaces and discovering their own identities, through HIGHLY problematic media in the early 2000's. And thats a lot of what I'm looking at now, with recently rediscovering an old hard drive of genderbend and bodyswap manga I was into before coming out. Theres lots of gender essentialism in them (I rolled my eyes at the characters in Kashimashi saying "I have to be with a boy now that im a girl"), but at the same time, I'd never have come out if not for that. And a lot of the people building better representation these days have shit like that to thank too.
I'm rambling now, but I guess my point here is that there's definitely a presumptuousness amongst youth that I think teens and 20-somethings could do to recognize. You dont know as much as you think you do. This is not a statement that older folks know better inherently, we don't, but arguing over who's more correct is pointless. We should acknowledge our limitations as humans, and start comparing our perspectives to get a better idea of the full picture.
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sarahtheconjurer · 9 months
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@ghosttmachine tagged me in a get to know you meme thing (tyyy!!)! So. Here i am posting for oncce lez goooo
Last song:
Technical answer is post traumatic blues by corey taylor, bc ive been using the spotify dj thing and it keeps giving me metal that i o ly kinda like. The funner answer was rhe barbie movie ost since me and my friends literally just got back from it n my friend mariana had me play it in the car. Not rlly my thing was catchy (barbie movie was good btw! Posts abt it being like. Not the deepest critique of social issues and the like are correct but it was a fun time w a lot of heart + rlly great production value + honestly. Very funny. And i watched it w two of my best friends so :})
Currently reading:
For books:
When the Angels Left the Old Country
I haven't touched it in a hot sec, but its a queer, historical fantasy ya book based in jewish folklorex about an angel and a demon that leave europe, after a girl goes missing from the village they've set up shop in. It's very light and whimsical which is not my usual fare, but I'm enjoying it! Its very heartfelt and the two main leads have very good chemistry. And its always cool to see angel/demon lore outside the usual christian sphere.
For manga: steel ball run (part 7 of jojos bizarre adventure) its. A story about a cross continental horse race to find the body parts of jesus. Which is the most coherent way i can put it. Im rereading it w two of my friends rn and im enjoying it! It isnt my favorite part, but its up there, and features some of the best stuff in the series. This is. Also a story featuring a pair of ride or die protagonists with a very strong dynamic and chemistry (honestly, best 'set' of protags in the series) and so much comes from their bond. Its at the point in the series where it started getting a monthly release and it shows, w some rlly gorgeous art. Gyro and Diego are highlights artwise because the former doesnt have a stand he just. Has these steel balls he spins and throws around, so you get very dynamic shots of him just. Chucking them that the author uses in super creative ways to lead the eye and compose panels and the latter. Can turn himself and other things into dinosaurs. Have you ever seen a dinosaur ride a horse? Its fucking sick. It also has some interesting themes of american imperialism and christianity, of all things, which i think are done, well in some respects, esp given the authors track record. IT ALSO HAS SOME OF THE WORST STUFF IN THE SERIES THAT MAKES ME WANT TO KILL HIM W HAMMERS.
Currently watching:
Nothing in particular, but ive got a p big to watch list (Trigun, mob psycho, etc) and i just watched the barbie movie, like i said.
Current obsession:
Guess. Take a guess.
Jfc jojos bizarre adventure is holding me at gunpoint. Its not good its not bad (besides when it is) it its own tier of media. I forgot how much 15 year old me was obsessed w it and so i foolishly rewatched it thinking id be. Normal. I was wrong. God. I've never seen anything like it! It's so clearly a passion project from someone who's very eccentric and so it goes from absurd and stupid and comedic to circling right back to being very human and poignant. Like, it's about love! And familial trauma! And prevailing in the face of great tragedy! And also killing the president because jesus told you so! It's got a myriad of flaws from technical writing issues to genuinely tasteless/bigoted content, so its not some untouchable media, but ive been enjoying it a lot.
Part 5 and 8 are my favorites for very different reasons.
Part 5, Golden Wind, is abt a bunch of weird mobsters on a roadtrip through italy to kill their boss. It has a very charming supporting cast who are a sort of found family of societal rejects, brought together by this guy named Bruno who acts as a leader + mentor + sort of dad? To them. They're all surprisingly fleshed out characters, esp for this early on in the series, and their group dynamic, combined w some of the best fights in the entire show, really sell this part. The main character and main villain are. Not good. Sans a few aspects. Tho. Like i forget giorno is there half the time. (Giorno is my beloved stale cracker of a character but hes MY stale cracke, tho)
Part 8, Jojolion, is uh. Hm. It follows this amnesiac dude who wakes up in the dirt, as he tries to piece together the person he was. It's set in an au version of the town from part 4, w some characters being spins on old ones. Its the most recent part, and it shows. Its a lot better structured, paced, and developed compared to earlier parts. The mystery running through it has a lot of fun twists and turns, the themes are coherent, and the pace is slow, but not meandering. The supporting cast is fun (the lead's romantic interest is an actually decent jojo woman and they have a very cute relationship, and the family the main character is sort of adopted into are all fucking insane) but the real draw for me was the main character. Josuke (the second. Theres another josuke from an alternate universe in part 4, anyway) is probably my favorite jojo. I could go on about him, but compared to the others, he feels the most real? Theres this very grounded sense of frustration abt him as he tries and fails to piece together who he is, while everyone around him seems to have somethimg they need from him, or an idea of who he SHOULD be. He isnt a hero, he isnt even all that noble, hes just trying to find himself and if anyone out there loves him. He's blunt, one track minded, and is doing the jojo equivalent of spamming x to skip through all the dialogue bc hes not here for anyones shit beside his own. Jojolion somehow captures the feeling of being a weird, displaced pseudo adult trying to piece yourself together, while everything Keeps Fucking Happening. I love it so much. But by god does the ending suck hoooooly shit oh my god dude jesus christ. Fucking. I hate tohru i hate tohru i hate tohru fjcjendnxzlzm. Anyway jobin sweep
OTHER OBSESSIONS INCLUDE OCS AND DND.
Im currently running a csm tabletop n curse of strahd game, and am in a ravenloft game. They're all very different but i love them all.
Ravenloft game is a sort of sequel to the curse of strahd game i was in a while bsck
I play pageturn (kenku paladin) and coda (changeling flavored as fallen angel, bard). Ones a 13 year old w a kill drive going through a double crisis of faith while somehow being the heart of the group and the others a shapeshifting corrupted celestial, whos trying to find themself. we are currently exploring the fomain the latter was imprisoned in and have found the eye of vecna and. I am. Excited and concerned for what our wonderful dm has cooked up.
Chainsaw Man game is a high stakes office drama following the worst group of devil hunters youve ever seen. Its more episodic and light than my other games which is a nice change of pace, and i rlly like the energy our group brings to the table. I am always horrified and surprised by whatever new government supplied human rights violation they commit next! Every character is uniquely sad, while still maintaining the token csm dark comedy abt them. We are currently revisiting a mystery allll the way back from our first session and im stoked for some stuff i have planned.
Sippy Crew (curse of strahd game) is drawing to a close and ahh i could make a whole post abt how much these guys mean to me. Its been a joy dming for this group of freaks and watching as they come together not into a found family, but a group of distinctly doomed, but fiercely loyal individuals. They've had two pc deaths, even more close calls, and have lost so much, but they're pushing through like dandelions in concrete. Its genuinely the most emotionally invested ive been in a ttrpg, and am so excited, to see their journey come to a close, and will miss them dearly.
Both jojo and ttrrpgs have been a way to reconnect with friends i dont usually talk to as much, and strengthen the bonds of the friends that i do, which is why theyve hit so hard, haha.
anwyaY this turned out way longer than it needed to be bUt.
@turtleslothart @500sunstone you. Do this.
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diagonal-queen · 10 months
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dia entirely forgot it was thungo thursday until mayoi reminded her and she dropped everything to watch the ep. here are all her thoughts, live-documented, in chronological order (apologies for this):
NOT RANPO CHILLING LIKE SHIT'S SWEET WHEN THE CAR HE WAS IN JUST FUCKING CRASHED LMAOOOOO
ranpo is so small next to minoura. he's so tiny and cute i just wanna cuddle him sm (and yes i am a little taller than him- height means nothing to me. we all know where the rest of his inches went YKNOW WHAT IM SAYIN YA FEEL ME)
'the police of this nation are idiots' yes minoura you're absolutely correct but consider this: the police of every nation on god's green earth are idiots
isn't it amazing how it was written in this magical reality-bending book that nobody would believe in the agency's innocence and in a couple minutes worth of running his mouth, ranpo just...undid it?? for like hundreds of police officers??? the sheer power of this man
god i forgot just how fucking fantastic this intro is. tbh this is probably my favourite intro of all of them. the colours and imagery and the chaos of it all MWAH (also kishow voice mm)
bones. was this panel too hard to animate properly?? did you read the fucking manga bones?? do you HATE US BONES??????
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i could listen to ranpo talk for HOURS. literally hours, in a language i don't even speak, about anything he wanted, for hours, and i wouldn't get bored. his voice just...*kicks feet and giggles*
i missed you tecchou <3 please keep cooking for fukuchi. you're doing great sweaty xx
some loser: 'when do you suppose a life ends?' even bigger loser: 'when it becomes unable to adapt to change' fukuchi on his celestia ludenberg arc ok
IT'S BEEN LIKE ONE FUCKING WEEK AND THE UN IS ALREADY MAKING AN ANTI-TERRORIST GROUP??? THEY'RE FULLY READY TO FIND AND EXECUTE THE AGENCY MEMBERS IN UNDER A WEEK?? THE ICC LEGALLY CAN'T EVEN DETAIN CRIMINALS ON THEIR OWN IRL
i wish people reacted to seeing my posts on their dash the same way that the united nations reacted when fukuchi appeared onstage
congressmen will excuse mass shootings of gay ppl and then have shirtless fukuchi posters hanging above their beds where they half-heartedly fuck their wives and go to sleep before the thought of helping her also cum even crosses their mind
wait. *pauses and zooms in*. WAIT. YOU'RE TEL
YOU'RE TELLING ME THAT
TH
THAT ABRAHAM STOKER WAS THICC?????? THAT HE HAD A DUMPY???? THAT HE HAD SOME JUNK IN THAT TRUNK???? ALL THAT ASS INSIDE THOSE JEANS???? CURSE YOU FUKUCHI OUCHI FOR RIDDING THE WORLD OF BRAM'S CAKES
thinking about it, doesn't the decay of angels sound like a really cool name for an operatic metal band??
fukuchi: *enters room* ranpo: YOOOOOO STEPDAD GUESS WHO'S AN ENEMY OF STATE :DDDDDDD
fukuchi really is like 'you havent changed at all, boy' ranpo is literally eight years older than me. if he's a boy i'm primordial soup
fukuchi also said that ranpo's title of 'excellent detective' is self claimed. the thousands of people whose lives ranpo's probably saved must all be like 'say sike rn'
ranpo trusting fukuchi solely because the president said he trusts him. crying screaming throwing up ranpo GIVE ME ONE CHANCE (that's right guys we're back to this again)
fukuchi thinks he's hot shit cus he can jump high?? well my ocs can also do that fukuchi. sucks to be basic huh
IT'S NOT RANPO'S FAULT HE WAS BORN LATER AND THUS MET FUKUZAWA LATER??????? FUCK OFF FUKUCHI (also i love the way they're sitting they're all so silly mwehehehe)
omg ranpo also commented on the 'boy' thing lmaooo he and i are so good for each other <3 if only he'd give me a chance... </3
i wonder what portion of atsushi's budget goes towards emergency ramune. also imagine someone caring enough about you that they always keep one of your favourite snacks on you in case you get hungry or something. that's so cute i can't <3333
imagine coming up with a complex plan, twelve or so years in the making, to end the world, all because u asked ur friend out like thirty years ago and he said no T-T
fukuchi: *tilts neck* *minecraft skelly noise*
oh atsushi. i know other people won't like me saying this but you're so hot and i want to do the sex with you <3333333
wow bones. you've outdone yourself. this has to be the best fisheye yet- maybe even beating lucy's fisheye for how terrifying it is. i'm genuinely speechless
AKUTAGAWA
omg atsushi's speech on how loneliness is his biggest fear and how much he cares about his loved ones (kinnie moment), and the one thing he needs, truly needs right now is someone to fight alongside him to save all that he has to lose and the world as he knows it, and then akutagawa appears? soulmates. i mean it's not even like this is a surprise to me as someone who read the manga but, like, it's different when i'm watching it. soulmates. soulmates soulmates soulmates
and that's a wrap for tonight's edition of dia's thungo thursdays!! be sure to tune in for next week and see them cry tears of hopelessness and despair!!
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cassyapper · 2 years
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What are your thoughts on each JoJo opening? I'm asking bc I'm so hyped for the second stone ocean op
oh god anon you've opened the gates of hell this might get long
um to make a long story short: while i have my preferences for the music by itself, i do appreciate and respect all the openings to some degree. as for the visuals, i think they're almost all fucking brilliant and some in particular just make me completely insane (we'll get to that)
as for specifics:
sono chi no sadame
musically: I LOOOOOOOOOOOOOOOOOOOOVE TOMMY I LOVE THE JAZZ I LOVE THE FULL FUCKING ORCHESTRA IN THIS SONG I LOVEEEE THE MODERN GUITARS I LOVE THE CHORUS SO MUCH. THIS SONG IS THE FIRST THING I LOVED ABOUT JOJO. the way it escalates and decelerates GOD. this song is a fucking experience. it's so fucking perfect im not even kidding. "JOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOJO" lives in my fucking soul that shit echoed in my chest cavity and landed right the fuck in my heart and it never left.
visually: SOOOOOOOOOOOOOOOOOOO GOOD. NOTHING WILL EVER FUCKING BEAT THE BEGINNING WHERE THE FUTURE MAIN-VERSE JOJOS ARE FEATURED AND THEN IT SLAMS INTO THE TITLE AND THEN JONATHANNNNNNNNNNNN OH MY FUCKING GOD. AND HE IS SMILING.... the "animated manga" look for this intro came together so so so fucking well with all the panels and i love the homage paid to the og colors (like when erina had brown hair) just UEHHGHH.. it's so fucking good. also jonathan running up the stairs toward DIOOOOOO AND HOW IT'S REFERENCES WHEN JOTARO MAKES IT UP THE STAIRS IN THE END OF THE WORLD OP GOUGHOHUGHJF;JNJNJWJJ;NJNJNJNJKSENDNKSN;KDN;KS;NJDJNJDJD im actually gonna cry shut the hell up. oh my god
2. bloody stream
musically: literally could not be more perfect. coda has such a gorgeous and unique voice and it fits the blatant modern jazz of this intro SOOOOOOOO well fuck. such a good texture to it. the instruments are swanky and smooth and funky just like joseph and just kjNJDNJFJ;DJ;J. god. oh my god. it's so good. i would literally kill a man to hear this song for the first time again
visually: STUNNING. not as much like symbolism? but the colors and movement are just so GORGEOUS. it comes together SO WELL FUCK. the intro's justice for joseph is so good and also references his og color palette (the purple). UGH IT'S SO GOOD. the bits of suzi and smokey are so cute and lisa lisa is so fucking pretty in this intro. AND CAESAR AND JOSEPH'S DYNAMIC REPRESENTED VISUALLY...IT CAME OUT SO PERFECTLY...also i really fucking love the part where joseph screams with caesar's headband. haunting. UGH. so good
3. stand proud
musically: in the words of my friend maddie, this intro is so naruto-esque, but god dammit it's still so fun. i love jin's voice and the echoes in the chorus i love how fucking Final it feels and i would KILL and DIE for that fucking guitar oh my god. WRRR WRRR WRR WRRRRRRRRRRRRR WRRRRRRRRRRRRRR. god. it makes me so fundamentally sad btw the beginning riff just ehcoes in my soul and frankly makes me want to sob. i want to cry. i want to cry so bad jotaro please. it's so supposed to be fun and hype and epic but it makes me so nostalgic and wistful and ache and i dont know if that was intentional on the muscians' part but god fucking dammit if it isn't at least a few points in their favor because good. LORD.
visually: NOTHING. NOTHING. NOTHING WILL EVER MAKE ME NEED TO EAT DRYWALL AS BAD AS THIS INTRO. except the next one but we'll get to that. oh my god where do i even begin. the movement. the colors. the camera work. oh my god all the spins in this intro make me feel so excited it's like im on a rollercoast or some shit. please and the SYMBOLISM FUUUUUUUUUUCK. the part where jotaro's kneeling down and all his family are above him on his shoulders I HAVE NOT FUCKING KNOWN PEACE SINCE THAT DAY. oh my god an all the shots of the crusaders using their stands FUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUCK. it's so good. it'sssnsj;n;wn;kw ;sm nj;
4. sono chi no kioku (the end of the world)
musically: i wasn't a fan when i first heard this intro but now OHHhhdu;djod. i think bringing together all the op singers so far for this song was fucking genius. it's sjksjn IT WAS FUCKING GENIUS. oh my god it makes me so ill. it reminds me that part 3 was originally going to be called heritage for the future like nothing else. fuck. AND THE MUSIC GOES SO HARD THE GUITARIST PUT THEIR ENTIRE PUSSY INTO THIS SONG AND IT CAME OUT SOOOO GOOD. the fucking violins btw too oh my god. THE DRUMS. such a great sense of foreboding. so good. and the harmonies of the singers are so good. oh the way they each sing "crusaaadeeeeeeerrsss" ohhhh oh
visually: NOTHING AND I MEAN NOTHING HAS RUINED ME LIKE THE VISUALS FOR THIS INTRO. the clock gears and pendulums everywhere. the sand. the colors. all of the crusaders fighting so hard. THE LINE UPSSSSSSSSSSSS oh my god when they were in a row during the "ha ha ha HA" part and then on the last ha it turned into their stands FUCK OH MY GOD. the ghosts of his family following jotaro around AGAIN. dio watching and waiting. .... tick tock.... oh my god. oh my god. i mentioned this earlier but jotaro making it to the top of the stairs where Jonathan couldn't FUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUCK AND HOW IT . AND HOW IT. CAUSE JOTAOR INHEREITED JONATHAN'S BATTLE. SO LIKE. TEARS DOWN MY FACE. oh my god it was all perfect. do not get me fucking started on the scene where dio stops time and walks smugly past jotaro and IT NNSNKANSJKS;NJ;SNSDSNJSN AND HE TURNS AND GITHR SKJLSKJ ;S;JKSB;SKSK;S;NSJ ;KSBANA; ;im actually fucking isnane. ohbim sjks; toh j;ks sk; oh this intro has fucking ruined me
5. crazy noisy bizzare town
musically: SO FUCKING FUN!!!!!!!!!!!!! I LOVE LOVE LOVED THE RETURN OF THE JAZZ I LOVE HOW IT'S A REFERENCE TO JOSUKE BEING JOSEPH'S SON. it comes together so well i enjoy it so much it bangs so hard I LOVE LISTENING TO THIS INTRO. it always makes me have such a smile on my face. fuck the horns and drums fit together so perfectly and the singer's smooth and calming voice is just so good. this is the song you listen to on the bus to wake yourself up and get optimistic and ready for the day. it's so GOOD. fuck. even the edm version is fun but nothing beats the og
visually: i really missed the 3d openings so i was really disappointed when i started part 4 and saw it switched to 2d intros. HOWEVER the colors and movement in this op were still VERY reminiscent of the 3d style esp the bloody stream op and just god it's so good. it's SO fun to watch fuck. i love how apparent it is that josuke okuyasu and koichi are students i love how it's like "we're in this wacky little town together but it's our town (:" UGH SO CUTE. fuck. oh my god. AND THE LIKE WAY THE INTRO REPRESENTS THEIR STANDS AND HOW KOICHI HAS NOTHING THERE AT FIRST BUT THEN!!! ECHOES APPEARS AND POSES WITH HIM AHGHGHGKL sobbing. so good. fuck. also the shadows that haunt them... OUGH. so good
6. chase
musically: I KNOW THIS INTRO GETS A LOT OF HATE BUT I FUCKING LOVE IT SO MUCH. i love the raw and emotional tone of the singer i LOVE LOVE LOVE A GOOD GUITAR RIFF FUCK i would eat the sounds that electric guitar makes in this song if i could. AND I LOVED THE DRUMS i love how this song is so representative of josuke's fury at injustice. i love how the singer is almost like yelling in the end like "CHASECHASECHASE-E" AUGHH IT . i just think it does an amazing job of representing josuke's mindset during the kira chase especially when kira made it personal by killing shigechi
visually: I LOVE THE BEGINNING SEQUENCE WHERE THEYRE ALL SPINNING TOGETHER AND THEN IT FADES INTO A PHOTO GRAPH AND JUST !!!!!!!! FUCK EVERYTHING. i love the blue color palette in places. i love how we see flashes of kira and his stand and REIMIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII. fuck. oh my god and do not get me started on josuke screaming and reaching, reaching, reaching and the camera turns and we see killer queen's eye in kira's face FUCK. oh my god. actual fucking chills.
7. great days
musically: the horns and drums in this opening just make me want to cry to be quite honest with you. they're just so powerful and fun and it makes me want to jump up and go nuts. this whole song frankly gives me the vibe of a celebration happening in the summer at dusk and you're with the people you love and just having so much fun and it's beginning to cool off and you're all at a comfortable temp and just having so much fun and just existing to the fullest. it makes me so fucking happy. great days indeed king fuck you're so right. oh my god. the way that they didn't even have to edit the song btw for kira's time fuck, they just already had that in the song, and IT STILL SOUNDS SO GOOD. FUCK. makes me think about how you want to make that moment i was talking about earlier last forever. but god. GOD. LET THE VOICE OF LOVE TAKE YOU HIIIIIIIGHER. this song means so much to me and i think it's the fucking PERFECT WAY to end part 4. fuck
visually: SOOOOOOOOOOO FUN. the sequence where we were going through all those doors on rohan's porch were so fucking funny. THE LIKE?? SILHOUETTE WORK IN THIS OPENING IS SO GOOD AS WELL. LIKE JOSUKE'S WALK IN THE BEGINNING, JOTARO/ROHAN/YUKAKO/KOICHI/OKUYAU'S LIKE TURN AND POSE THING, SHINOBU WATCHING TV, HAYATO BOWING HIS HEAD AND TURNING INTO A SILHOUETTE, KIRA TURNING INTO A SILHOUETTE IN THE REWIND INTRO....JUST SO FUCKING GOOD. also the fucking. beginning when kira is smiling all smugly and he raises the detonator and clicks it UGH. so fucking good. ALSO REIMI AND THE END WHERE THEY ALL POINT UP AT THE SKY. FUUUUUUUUUUUUCK. THE FINAL GROUP PHOTO. im insane. so good
8. fighting gold
musically: i wasn't a fan at first of this one either. i did get used to it but it'll never be my favorite. i do love coda's voice though and i love the part right before the chorus sm
visually: i LOVED meeting all the team and their stands in the intro. like all of them just running and doing their thing and looking swag as hell. and the ABUNDANCE of symbolism in this intro. fuck it was so good. i also love how the colors were so fucky wucky almost the whole time, reminds me of cnbt. ugh. i enjoyed it
9. traitor's requiem
musically: eh. it did eventually grow on me but the chorus is the only part of the song i ever grew to full on like. i do like when it picked up and got like faster paced but it just kind was all over the place for me. also no jazz elements for any of the p5 intros. boo.
visually: the whole first part is unnecessary. i get they didn't rlly know what else to animate for it that wouldn't spoil anything but like. idk just half the visuals do literally nothing it's just recapping what we already know. and the like intro where the dude is kissing giorno/diavolo's hand. idk. it would've been fine if that was a shot but the amount of time it had dedicated to it was just. like come on. get on with it. once the intro gets started though it's very fun. twish (: i also love the crumbling of bricks and gio's whole sequence at the end with the stand arrow and shit. ugh so fun i wish the whole intro was like that
10. stone ocean
musically: SOOOOOOOOOOOOOOOOOOOO FUCKING GOOD. THOSE GUITAR RIFFS IN THE BEGINNING MAKE ME WANT TO FUCKING SOB. THEYRE SO DETERMINED BUT IT ALSO FEELS LIKE THEYRE BEING PINNED DOWN AND IT JUST OHHHHHHHH JOLYNE............ AND THE SINGER GOD. SHE DID SUCH AN AMAZING JOB. THE RAWNESS AND ANGER AND PREP UGHHHHHHHHHH. OH MY GOD AND THE BACKGROUND SINGERS TOOO. FUCK EVERYTHING, ONLY THIS INTRO EVER DO YOU UNDERSTAND. I LOVE HOW EVERYTHING IS LIKE. SPIKEY AND ROUGH AND UNPOLISHED IT'S NOT SMOOTH IT'S NOT GOING DOWN EASY IT'S CLAWING AND ANGRY AND WANTS A FUCKING FIGHT JUST LIKE JOLYNE OHHH FUCK IM INSANE AND ILL IM ACTUALLY GOING TO CRY. OHH FUCK AND THE DRUMS. THEYRE SO PERFECT. THEY COMPLEMENT THE GUITAR AND THEN THE SINGER PERFECTLY. OH AND THE BASS FUCK. FUCK. IT'S SO TASTEFUL. FUCKJJKCJNCJN im ;ksns;ks i cant get over it. im actually going to sob just thinking about it.
visually: when i saw that we returned to the 3d openings for stone ocean i quite fucking literally nearly passed out i cannot stress this enough. AND THEY DID NOT MISS THEY DID NOT DISAPPOINT. OH THE FUCKING. I LOVE THE SWINGING AROUND SCENES THAT WERE "ON PAUSE" IN THIS INTRO IT WAS SO GOOD. LIKE HERMES AND JOLYNE SITTING ON THE BUS AND GOING DOWN THE HALLWAY JUST OH MY GODDDDDDDDDDDDDDD. SO FUCKING GOD. oh i love the many palettes used in this intro and the fucking references to the manga volume covers (like jolyne hermes and foo all standing and posing) FUUUUUUUUUUCK. oh my god when jolyne is like kneeling in the water and she's handcuffed and crying before she gets ANGRY AND SHE BREAKS THE CUFFS AND STANDS WITH STONE FREE I ACTUALLY WAIIIIIIIIIIIILLLED WHEN I FIRST SAW THAT. AND THEN AT THE END WHEN WE SEE JOTAOR BEHIND HER AND SHE'S WALKING SO CONFIDENTLY BUT THEN SHE MEETS THE BARS OF THE PRISON AND THE BUTTERFLY GOES PAST HER AND SHE WATCHES BEFORE CLOSING HER EYES AND THEN GROWLING OHHHH FUCK. OH FUCK. I LOVE WOMEN I LOVE JOLYNE SHE'S SO FUCKING COOL SHE'S SO GOOD SHE DESERVES THE ENTIRE WORLD DO YOU FUCKING UNDERSTAND ME. ALSO DON'T GET ME STARTED ON ALL THE REFERENCES TO THE PREVIOUS PARTS. IM GOIGN TO FUCKING PASS OUT.
um and there's that. im so sorry for this word vomit and I'm even more sorry cause i am not gonna proof read it. but yeah these are my thgouths. god bless
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I never expected you guys to like demon Senjuro so much lol I’m really happy to see that like it was such a random impulse thought but the au has a lot of room for growth
In this post Im gonna establish a few things about what happened to Senjuro and Kyojuro in the events between Senjuro’s “death” and the pillar meeting. I will only cover their relationship and a little bit of Senjuro’s relationship with Tanjiro. The others can come at a different post cause this post is gonna be long lol so I put it under cut cause no one really wants a post to flood their dash
TW: Mentions of death (some are children), mentions of cannibalism (If you’ve seen even the first episode of demon slayer and had no problem, you’re fine with this post. This post is slightly not anime only friendly as I make references to an upper moon and I show a manga only panel as of posting this) Shnjuro gets really depressed but luckily there is no attempted suicide
Senjuro Rengoku
- His class was at the bottom floor and they were cleaning the school (I heard thats a thing in Japan if someone has a better idea on what they’re doing feel free to shoot an ask) when they got attacked
- In canon we dont know his age but I’m gonna guess like 12-14 but in the au he is 13 so he was 12 when he became a demon. A rogue demon attacked Senjuro’s class and Senjuro ran to get help and was fatally injured but still managed run to get help as he was given a nichirin sword and even if it didnt change color he must have known breathing techniques at the very least on a basic level and the demon was too preoccupied with some of the teachers and others trying to kill the demon, of course unaware of what it was except for Senjuro
- Upper moon 4 was sneaking around when he saw the all but dead body of Senjuro and demons really dont have standards for turning people into demons so when he noticed he was alive, turned him into a demon mostly so that if he did find any “evil people” (demon slayers) he could use him as his meat shield alongside his personalities
- When Senjuro woke up as a demon (cause even if he was a breath user he was very inexperienced so Hantengu had no problem making him a demon), he had no memory of his life as a human and looked around trying to find a human to satiate his hunger and saw a human in the distance with someone and began to run to them to satiate his hunger when he felt himself being held back. 
- The spirit of Ruka Rengoku gently held her son back and instructed him to not eat humans as that’s not something he should do and even if Senjuro couldn’t recognize the woman holding him back, he found himself obeying her and running to go to a place to hide from the sun
- From that moment on for a few day he would hop from place to place whether underneath homes, in caves or any place he could find to avoid being seen and to be shielded from the sun and found himself growing sleepy so in the cave he hid in, far away from the place he was last in, he closed his eyes and fell asleep for a year
- When he woke up, he had unwittingly burnt away Muzan’s control of him and was unsure on what to do when Ruka’s spirit appeared again telling him that he needs to find his way home. Senjuro wasn’t actually listening to a lot of what she said except one thing stuck to him. 
- “Senjuro”, he didn’t know what his name was as a demon but the name seem to stick to him and he figured this must be his name (he would of course be correct)
- When he found himself staying with the Kamaboko squad, having been spared despite being a demon due to him not having any form of aggression to them (something they all noticed due to his general demeanor and their enhanced sense) and Tanjiro could smell he hadnt eaten one human and he invited him to join them. He joined Nezuko in her box (she can grow really really tiny if she wants or is tired)
Reference: 
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Kny chapter 85
- He joined for two reasons: One, he was really scared of people and demon slayers especially so when Tanjiro offered him the chance to be able to be safe and hide he took it. Secondly, he wasn’t sure but the smile Tanjiro gave and his warm reassurance reminded of him of someone, when he thought hard he only saw blurry shadows and got a headache so didn’t try to push it
- Tanjiro did ask him in the wisteria house while Zenitsu was chatting with Nezuko and Inosuke was off being Inosuke about his past and Senjuro told him about his brief meetings with a woman with black hair and asks if they’ve met before as he feels familiar
- This is where he gets the idea that the woman with black hair (Ruka) is his mother and Tanjiro guesses that the person that he thinks is Tanjiro must be his father (right on the first part Tanjiro but wrong on the second lol, you tried)
- He wears a cyan yukata with a new hakama pants as the clothes he was previously wearing was the same bloodstained clothes he wore after turning into a demon and Tanjiro didnt want to leave him in that. Tanjiro thought to get him a gag but the idea made Senjuro uncomfortable so Tanjiro made him swear to never eat a single human
- In Mount Nagatumo, he was too scared to jump out to protect Tanjiro like Nezuko but when she gets sliced up he leaves the box to watch her while Tanjiro fights Rui, unfortunately he is caught in Rui’s webs like Nezuko and was saved from it by Nezuko flames (though it did burn him a fair bit, Nezuko would apologize to him for this later)
- Giyuu doesn’t kill Senjuro cause his resemblance to Kyojuro despite the different clothes and demon eyes is clear to anyone who can see and Shinobu also finds herself hesitating but shakes those feelings off as Kyojuro deserves better than to see his little brother as a demon. Luckily Giyuu stops him and Senjuro runs with Nezuko and Tanjiro but is later taken back to the demon slyer corps by a Kakushi who put him and Nezuko back in their box
- When Sanemi stabbed the box, he moved to try and protect Nezuko but the box was too cramped and they both got stabbed despite his efforts. Later when he tries to bait him with his marechi blood, he’s too focused on resisting the blood and on Nezuko who he had grown to see as a sister to care about the wide eyed looks the pillars were giving him.
Kyojuro Rengoku (I am so sorry in advance Kyojuro simps I put this man THROUGH IT)
- He had just finished a mission and was going to get another mission when a crow he hadn’t seen work in years came flying to him, obviously panicked telling him how Senjuro’s school was attacked and how no one can find Senjuro among the bodies. The crow was Shinjuro’s
- When he hears that, all the kakushi and other demon slayers present would say they had never seen the flame pillar run so frantically, he only stopped to apologize briefly if he bumped into someone while running but the only thing racing in his mind was his little brother who had no weapon to defend himself with. He forced the image of his brother being nothing but a corpse away only thinking about saving Senjuro
- When he reached the school, he forced himself to calm down. Panicking isn’t going to magically bring Senjuro to him so he needs to keep himself in check because with so many people dead, he’s not the only one concerned over the kids
- There were no survivors on the area that was attacked, the police were there investigating the deaths of the many children and teachers, Kyojuro had to spend time convincing the police he was with them and to be allowed to investigate as well
- With no survivors, he heard from the police that there was a blood trail when they got there and he went to find the trail, when he reached the end of it where there were no traces of Senjuro but since the people there were untrained civilians, Senjuro was the only possible person to have been there
- He spent multiple days searching, Mitsuri was at one point sent to check on him and it was clear he was pushing himself, as days passed by, his composure and bright demeanor were crumbling and he started latching onto any lead to at the very least find the body of Senjuro to take back home but it was becoming clear that he would never find it and a kakushi had to be the one to tell him that his body was likely eaten to the bone or eaten and discarded to either rot away or eaten by someone else
- Kyojuro took a week off, not just because of the grief he felt at that moment but because he needed to check on his father and make sure he would be okay, the man didn’t even face Kyojuro when he came in to visit, he forced himself to not cry in front of his father as he tried to talk to the man who couldn’t even say a word and just drank away even as his eldest son tried to talk to him
- Servants were hired to monitor Shinjuro by Kyojuro as he was concerned about his health both physically and mentally but he did notice how Shinjuro never resisted to being taken care of by the people he hired. They reported to him he could be heard muttering Senjuro’s name and even stares at his room for extended periods of time
- When he made his return, he apologized to the pillars for his behavior the past two weeks (even though no one blamed the man, some even said it was okay if he needed more time, they wouldn’t judge) but whenever he was told that he said he had to be strong to protect the weak so he could be someone that could stop families from ending up like his own
- He was far more determined in killing demons, demon attacks had become personal to him now, whenever he saw a demon eating people he found himself wondering what they must’ve thought in the afterlife as the demon desecrated their bodies
- In the pillar meeting, when he was informed of a swordsman who travelled with not one but two demons, he felt disgust as who knows how many humans they could eat. On the way to the meeting, he couldn’t help but notice Shinobu deliberately avoiding him a bit, Giyuu was doing the same but the man never really talked with them much to begin with
- When he saw Senjuro go out of the box with Nezuko, he felt the smile on his face drop and his heart practically sunk to the core of the earth as he saw the unmistakable hair of a Rengoku and the face was so clearly Senjuro’s despite his eyes having a black sclera and his iris and pupil becoming cat like, the pillars had all turned to see if the flame pillar was alright and he could hear Himejima mutter prayers and Mitsuri was on the verge of tears seeing Senjuro alive but as a demon
- He found himself going into denial until Tanjiro, who had been freed as Obanai left to comfort the distressed love pillar, ran and yelled Senjuro’s name and told him to resist his hunger
- “My sister and the other demon with us are different! They would never eat a human!”
- Senjuro was a good kid, he was innocent, kind and a bit on the timid side. He had helped raise him, he knew Senjuro would never want to harrm a fellow human even when threatened. 
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Better than when you found it -Part 2-
Part 1 Here
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-The Second Day: Saturday- 
Ekubo: Yawwwwn~~What are we doing today?
Reigen brushing teeth: There’s a DVD rental kiosk around the corner. Wanna check it out? 
Mob: Yes I’m here
Reigen: Wait, Mob what? (btw you have foam on your face.)
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Mob: Weren’t you asking me where I was?
Reigen: No?
Serizawa pops out: Did someone say movie?!
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Mob thinks: I keep hearing someone calling my name.
One unspecified adult: What movies are we getting?
Another unspecified adult: Lets go take a look at what they have.
--20 Minutes Later--
Unspecified Adult: Alright! What do we have? 
(It’s not specified who is speaking here, but based on the speech form it’s either Reigen or Ekubo, not Serizawa)
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Ekubo reads: The Hunger Games?
Someone else: We’ll that’s....
Mob: I’ve heard of it before.
Ekubo: Yeah?
Mob: Master told me about it. -He holds up a clothes hanger-
Mob puts the clothes hanger on his head: Yeah! Hunger Games!
Ekubo: Um....
Reigen: NO NO, That’s not it.
(Can someone explain this reference to me? I’ve never seen the Hunger games. I have no idea what this is about.)
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Somebody: Whatever. Lets try it. 
There is a loud scream from the TV. Serizawa is startled into dropping his tea tray. Ekubo covers Mob’s eyes. 
Reigen is pissed: WHO PICKED THIS VIOLENT FILM?! Take care of Mob!
Mob peeling Ekubo’s hands off his face: Um... I’m fine with it. I just.....I just feel like something is wrong. 
(He’s actually referring to the presence of the spirit in the apartment. He’s been talking about it since the first panel. The adults are having too much fun they forgot.)
Reigen: You.....You’re not likeing this violence are you?  hmmmmmm
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Reigen: Okay Mob! Listen up! I’m gonna teach you the right way to approach media like movies and TV.
You gotta put yourself in the shoes of the protagonist.
(I LOVE THE WAY THIS PANEL IS DRAWN. The framing of the panel is encouraging and mentorly, like a coach telling his player to go out there and do his best, ........except it’s Reigen...teaching Mob to watch movies.... He’s 14, I’m sure he’s seen movies before.)
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Reigen puts his hand on Mob’s shoulder: You think you can do it? 
Mob: um....
Reigen: Try it out! I guarantee you’ll get a different experience out of it.
Mob is watching intently while all three adults look bored. The room is filled with fighting sounds.
Mob: That looks like it hurts.
Reigen looks over at Mob and fails to notice the rustling behind him. 
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Reigen’s Phone Rings: Crap I forgot
Mob: Is it a client?
Reigen: Yeah
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Reigen: I’m just going to go on my own, it’ll be quick.
Ekubo: Are you gonna be okay on your own?
Reigen: Yeah it’s fine, It’s just an in-office consultation. I’ll be back at around noon.
Mob: Okay, see you later
Reigen: yep
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Ekubo: So.... what are we gonna do?
Serizawa: Ummmmm
(I like how Ekubo hangs out on top of Mobs head, the way he does all the time as a spirit.)
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Serizawa gets an idea looking at the microwave: How about we cook while waiting for Reigen to return?
Mob: That’s a good idea, he’d be hungry when he comes back Mob thinks: I don’t know how to cook though. 
Ekubo rolls up sleeves: Lets do it! It’s not like we’re busy. I’ll show you my signature dish!
Serizawa: Ekubo-kun...
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Ekubo: Alright lets divide up  the work.
Mob: Okay
Serizawa: ah! Yes!
They start cooking. Mob cuts himself chopping vegetables.
Serizawa: Ah! You’re bleeding!  Mob: Ow ow... Ekubo: You cut yourself AGAIN?!
They’re almost done.  Mob: Im hungry Ekubo making fried rice. Should we make something more than just this? Serizawa: Ah, we can add a salad!
It’s 12:42
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Reigen Returns: Ugh this place is so far from the office. I’m starving.
He’s jiggling the key in the lock: lock is acting up again. 
Huh?
(This is a callback to the beginning when he was working the lock, he told everyone to do things in pairs to avoid being possessed. He forgot and went off on his own.) Reigen gets possessed
The door clatters and he enters the apartment. 
Mob: ah! Master! Welcome back!
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Mob: Master?
Reigen: What have you guys busied yourself with? 
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Ekubo: Um.... what?
Serizawa: We made lunch
Mob: eh? ehhh?
Reigen:THIS is what you’ve decided to whittle away the last few hours on?
(This is so hard to translate, but it’s what I love about translating. His word choice here is saying that 1. they acted without permission. 2. they did something that wasted time, and resources and was ultimately unnecessary. 3. they’re screwing around like children.)
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Reigen: No one asked you to do this. Why you did is beyond me. 
Others: ?!
Reigen: I put a lot of effort into planning what foods to bring and what the meal plans were going to be.
(Reigen doesn’t normally have light colored eyes. That’s a nice touch.)
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Ekubo is looking at Mob
Mob: I....Im sorry
Ekubo remembers how eager mob wanted to cook for Reigen, how he cut him self trying. 
Serizawa: Mr. Reigen, this is very unlike you. Is something wrong?
Ekubo to Reigen:  I don’t like your tone.
Serizawa: Ekubo-kun!*
Ekubo: Look, I’m not sure what’s gotten into you but.......
Reigen: Hmm?
(*This wasn’t made all that clear in the manga, but Serizawa is ALWAYS very deferential around Reigen. He’s never direct with him, meekly suggests things rather than outright stating them. He doesn’t treat their relationship as that of equals, he’s the subordinate and he expresses this in the language he uses and the tone he takes. As opposed to Ekubo who is direct and not afraid to confront Reigen. Ekubo’s pronouns, word choice and tone expresses the belief that he is an equal if not better than the people around him.
Which is why Serizawa is shocked that Ekubo is so direct. Like, How could he just outright say “I dont like your tone” TO Reigen?)
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Reigen: got something to say? 
Ekubo: ....how dare you? What gives you the right?
Serizawa: ....?
Reigen: What gives YOU the right? It’s not YOUR body. It’s not like I asked you to possess this man. You did that yourself. 
Serizawa notices that there’s something on Reigen: Ekubo-kun w...wait!
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Ekubo: Bastard, if you don’t stop running your mouth....
Reigen smiles: Hmmm? Are you not an evil spirit? You REALLY think you live a normal human life again? 
(I love that panel with Reigen’s silent open-mouthed smile, he knows he’s won.  He’s gonna pull the trigger now.)
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Ekubo: ..... I see 
Mob: Eku~ Ekubo: I understand now. -He walks out and closes the door being him-
Mob stands at the door: Ekubo?
Serizawa: Ekubo-kun
(AAAHHH I LOVE HOW YOU DON’T SEE EKUBO’S EXPRESSION IN THE FIRST PANEL THERE)
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Reigen: Enough.... he’s so much trouble.
Mob is still at the door:..... Ekubo
Mob: When we were cooking, he said....
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Ekubo: He’s considerate in a way.... For an evil spirit like me, he treats me no different than anyone else around him.... that’s something. 
Mob: Eventhough Ekubo is an evil spirit, and a dangerously powerful one at that,... he’s an uncharacteristically a good person.
Mob opens the door and runs outside after him. 
TO BE CONTINUED
I like this part SO GODDAMN MUCH. Reigen is really good at reading people and knowing what to say. He can use his words to get people to feel how he wants them to, and the idea of him getting possessed and unleashing his ability on other people to destroy them is so goddamn cool. 
You’ve heard of Empaths. They are people that easily understand the emotions of others. But in psychology, there’s a lesser known personality type called a “Dark Empath” that can understand peoples feelings well but is also a sociopath that has no problems hurting other people.
Dark Empaths use their understanding of other people to hurt, defraud and other take advantage of others. These are people that convince others to commit suicide or charm people out of their life savings etc.
I wish there was more Dark Empath! Reigen fics. This is something I’ve not seen in Fanfiction, in fact, this comic is the only place I’ve seen it. It’s such an interesting concept. Like, if there were fics that cast him as a villan, then it’s perfectly in-character and logical for him to be a Dark Empath.
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