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#is this something y'all would read?
geekynightowl1997 · 4 months
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Eliot Spencer, Parker, and Hardison- all skittish children/teenagers that Nate finds on the street.
Nate finding them in an alley in Boston. Eliot protecting Parker and Hardison- the meanest glare on his face. Snarling at Nate and using his body to shield them from this strange man. All three of the children look haggard and starving- Parker and Hardison holding onto each other with one hand- while the other is gripping Eliot's dirty torn shirt. Eliot whose blue eyes are hard as a stone- challenging Nate to come closer.
Nate, who has no qualms about three dirty, grimy, and... is that blood? Children in an alleyway. With placated hands in the air- looking directly at Eliot. Honesty on his face- "Come home with me."
They don't. Nate leaves.
The next day- Nate comes back. Asks the same thing. Same response. He leaves after leaving a bag of food behind.
Their wild animals and to get them to trust him- he needs to be gentle. So he continues to do this every time he passes the alley.
Something changes, when one day the girl- Parker- comes to the opening. She's gnawing on her bottom lip fear in her eyes.
"Please!" She begs, "Their hurt!"
Then she it's like a waterfall of words. Parker is explaining how Hardison tried to get food- but was caught and Eli fought the shopkeeper off- but had gotten shot and it's infected and Hardison tried to go for the gun and- and- and...
Nate follows Parker to the end of the alleyway and Eliot looks sick. Hardison isn't looking any better. Parker is crying. She's begging Nate to help.
He does. He convinces the EMT's that they are his adopted kids that ran away for three days. Somehow they don't question him. They take Hardison and Eliot in. Nate tells the doctors to keep them in the same room. He knows how protective Eliot is.
Somehow- they survive.
...Okay. That's all I got. 🙃
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coquelicoq · 1 year
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if you're wondering what the big deal is about the louis-philippe sentence in les misérables, it is, in the original french, 760 words long. the subject of the sentence doesn't appear until 95% of the way through, at word #711; the main verb is word #712. the sentence contains 91 commas and 49 semicolons and is almost entirely a list of laudatory adjectival phrases describing the erstwhile king of france. this is perhaps especially notable because les mis is, shall we say, not known for being particularly gung-ho about the monarchy.
this sentence copied and pasted into Word takes up more than one page single-spaced. in the 1800-page folio classique edition, it is fully two and a half of those 1800 pages. that means that les mis is 0.14% this single sentence. more of les mis is made up of this sentence than earth's atmosphere is made up of carbon dioxide (0.04%). if the page count of les mis stayed the same but every sentence was the length of this one, les mis would consist of only 720 sentences total.
incidentally, guess who named hugo a peer of france 17 years before the publication of les mis?
#he also goes on for another six pages after this but by then he has remembered the existence of the full stop#the endnotes say that hugo 'se devait de faire [ce portrait] aussi favorable que possible à la personnalité de l'homme#qui avait favorisé sa carrière' (had to make this portrait as favorable as possible to the character of the man who had favored his career)#in fairness to hugo it's not like louis-philippe was alive to read this. so he wasn't just sucking up to get something out of it#he says at the end of the chapter that this description is 'entirely disinterested'. which like on the one hand i get#bc like i said louis-philippe was not in power and reading this. but otoh victor 'ancien pair de france' hugo u r not exactly unbiased. lol#les mis#lm 4.1.3#i just looked up the english translation and gasp! hapgood turned it into four separate sentences!!!!#so i think y'all who are reading it via les mis letters (which uses hapgood i think?) are gonna miss out on the full experience :/#my posts#linked to#syntax#idk if i got this across but the worst part is that the subject of the sentence - the beginning of the independent clause -#doesn't occur until the very end. so for the first 95% of the sentence you're just waiting for the bass to drop!!!#like reading it out loud you have to raise your pitch at the end of every dependent clause because you haven't gotten to the subject yet#AND THERE ARE SO MANY CLAUSES!! 49 SEMICOLONS PEOPLE!!! FORTY-NINE!!!!#victor hugo would be TERRIBLE as a hype man. he would take so long that the crowd would tear him to pieces with their fingernails#before louis-philippe could come out on stage. and then they'd be so mad at louis-philippe for inspiring him that they'd tear LP apart too#actually i think i'm using hype man wrong. i'm thinking of the guy that gets the crowd hyped up for the main guy before the main guy#makes an appearance. a hype man is the guy who makes interjections during a song. victor hugo would be bad at both of these#like just imagine the announcer at the beginning of a basketball game. and now...your starting lineup...at power forward...#and then he just says the 760-word louis-philippe sentence.#dead. murdered at the hands of the fans. microphone shoved down his trachea.
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starflungwaddledee · 2 months
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Oooo starstruck dee has little stars at the bottom of her feet! Are they just aesthetic or would they make imprints into the ground? (like pawprints)
exactly like that! though she's not the only one...
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edit: might need to add some additional dialogue to this to make it more clear, but a clarification in the interim; he knows about his own footprints. he's just surprised to see something similar already there when he knows he's only just landed. he lifts his own shoe to confirm that they're not identical (and also to reveal this to the viewer). seems his stoicism beat off the clarity in this one, sorry 😭
#meta knight#starstruck dee#have had this one sitting around for *months* while i bit my nails on posting it#and then i thought maybe i *shouldn't* during the shipaganza bc it's not a direct prompt; though i do think you can read it that way#and for ~Reasons~ i needed to post this one sooner rather than later so i had to bite the bullet.#though meta knight has understandably been the second most prompted. they do indeed have the Funnest Possible Dynamic for it#stoic guy and the bug eyed little Creature he doesn't really trust as far as he could throw her (long long way)#so just to clarify this one is NOT for the shipaganza but you can read it that way if you want to#this is just a canon scene between them from her storyline. this is just something they canonically share. starry eyed idiots.#also fwiw i think i probably picked up the shoe-patterns for the knights from postitnotes7#been a headcanon in the back of my mind for a long while but i'm pretty sure i osmosis'd it from their work#especially after drawing post's designs so much for the hnkss. i temporarily forgot how i used to draw their armour ngl#and also btw starstruck deetectives psspsps#i'm planning a much better post about this later (probably in march) but i'm going to start using this tag for Important Posts for y'all#🎀🔍#<- for the starstruck deetectives when there's something significant in the post.#i worry about making it 'too easy' but also want stuff to be accessible. it's just for fun? the OC lore game! ARG but it's just my oc.#that would be fun right? maybe? is that too indulgent? i could probably pull it off if folks were actually interested enough to participate#anyway!! go to bed starflung#also if you read this far: anon is open again! still open for shipaganza prompts but i'm not gonna be finished them in february 😂
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viperwhispered · 1 month
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Rest
Guess what? I've got more Jamil x reader for y'all. You can also find this on ao3. No warnings, just 866 words of kinda fluffy(?) caretaking stuff with gender-neutral reader.
At this point, you know Jamil’s schedule almost as well as he does. So, when you have the chance, you head to Scarabia’s kitchen, hoping to spend some time with Jamil while he and the other students prepare dinner. 
However, when you enter, it takes you but a moment to notice Jamil’s uncharacteristic fumbling and the tired look in his eyes. The way Jamil’s chopping the vegetables has you worried about him cutting himself with that knife he’s usually so adept with, and it seems it’s only force of habit that’s keeping him on track.
You frown, and when your eyes meet Jamil’s, you can already see him put his guard up.
So he knows what state he is in, huh? And still, here he is.
It seems Jamil is reading your thoughts, all of him telling you drop it before any words are even said.
At least he still lets you lean in and give a quick kiss to his cheek in greeting.
“Hello love. Do you still have a lot on your agenda for today?” you ask, keeping your tone low for at least some semblance of privacy in the busy kitchen.
“Nothing I can’t handle,” is the response you get.
Of course.
It takes a little more pestering before Jamil actually answers your question. Your lips purse. That list is far too long to your liking.
You take a moment to think, juggling your own plans and to-do list against the urgency of the things Jamil mentioned.
“Will Kalim be eating from that?” you ask, pointing at the food Jamil is preparing.
“Yes.”
“Alright, I won’t be touching that one, then. I’ve gotta do a few things but I’ll be back when you’re done here.”
“Don’t,” Jamil says with a glare, clearly aware of what you’re thinking.
Yet even his disapproving look doesn’t have the usual weight behind it.
“Yes. I will,” you say firmly, even as your heart curls inwards with another bout of concern.
Really, when did he get so tired?
And how did you not notice it earlier?
You leave the kitchen before Jamil can protest further, hurrying through the dorm corridors to find Kalim.
Soon you have an enthusiastic – and concerned – supporter for your plans. You have Kalim point out a few reliable Scarabia students to help with a few of the most urgent matters Jamil mentioned – cleaning up the common areas, delivering some paperwork to Crowley, preparing some dorm-wide notices – while you see to Kalim getting his school supplies in order for the following day. You even recruit a couple of third years to help Kalim with his homework.
You’ll see to the rest tomorrow – after all, you do also have a boyfriend to look after.
Your conversation over dinner can hardly be called anything else than an argument – despite Kalim’s best attempts at acting as a moderating force between you two. It is very tempting to ask Kalim to tell Jamil to take the rest of the day off – it’s not like Jamil would be willing to openly disobey a direct order. Still, you really don’t need to remind Jamil of his position on top of everything else that you’re already doing more or less against his wishes.
Eventually, however, Jamil’s had a square meal, the most urgent things on his to-do list are being taken care of, and you’ve managed to drag him to his bed.
“I really wish you wouldn’t push yourself so hard,” you murmur, your arms wrapped tightly around Jamil. You’re telling yourself you really do just want to cuddle, to offer some respite to Jamil. Still, there might also be a part of you worried that if you were to let go, he’d just jump up and get back to working himself to the bone.
Yet, for all his protestations, just the fact that you’ve gotten Jamil to lay down with you speaks volumes of his current exhaustion.
“I can’t just leave my duties, albi. You know this.”
“Making yourself too indispensable, is what you’re doing,” you protest.
Oh, you know it’s not so simple. Not with his background, not with all the expectations and assumptions.
But sometimes you really wish it would be.
Jamil merely scoffs in response to your words.
Still, it is undeniable that he is slowly beginning to relax in your arms, slowly bringing his head closer to yours. His eyes are starting to flutter, too.
“I will still need to help Kalim with his homework, at the very least.”
You wonder who he is trying to convince more, you or himself.
“Amin and Khalil are helping him. They’re basically top of their classes, aren’t they? I’m sure they’ve got it.”
Still, Jamil frowns.
You sigh. He really is not letting go, is he?
“Do you want me to go supervise?” you ask.
And leave you, unsaid yet hanging there right after your words.
“Don’t,” Jamil eventually says, the word barely more than a breath.
It seems he has accepted his fate.
You softly caress Jamil’s hair, listening to his softening breathing.
And when you wake up, wholly unaware of having been lulled to sleep in the first place, it’s to the lightest of touches from Jamil’s fingers.
Tagging @diodellet @twstgo @crystallizsch @jamilvapologist @jamilsimpno69 as per request If you'd like to be tagged for any future works, let me know!
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carefulfears · 9 months
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top 5 (or 10 if you have em) scully taking care of mulder moments <3
she said IF i have 10 😭😭😭
1/ sein und zeit
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i fear i have talked about this television scene more times than anyone has ever talked about a television scene....like. one, two, three, four, i was even foolishly invited onto a podcast to talk about it more...
my tags here:
she gets down on the Ground. there's something so primal about it. there's such a lack of pretense and sense of desperation about it. the way he hits the table. we so Rarely see him lash out like that. but it's just too much to Bear. like everything in him is just Breaking the only thing that he's even remotely been able to hold onto amidst all of the unbearable loss and trauma in his life has failed. he's fumbling around for anything that might make it better. that audries fic describing him in this moment as an 'addict out of a fix' with 'newborn anger.' “this is the world? this is it?” it's the way that he spends this whole ep cooking up some elaborate mythology about missing children and how they can be found and then the last shot of the episode is that wide shot of all of the children's graves. sometimes he's just wrong. the world is so much fucking darker and uglier sometimes than the way he sees it. and that's what is crashing down around him in this moment. and she's sitting in the wreckage holding him tight.
this is such brave, brave love. i keep thinking about CSM in the following episode, standing in scully's apartment, warning her. "allow him his ignorance, it's what gives him hope."
she doesn't know what will happen to him, to her, to them, when she breaks down the only method of coping that he has. his mother lost her bedrock too, and she didn't survive. from the moment scully enters, you can watch it break her. she does it anyway. she gets down on the ground, and she cries, and she holds him. god, it all just would've been so different, if there'd been just 1 person, 27 years ago.
(thinking about mulder reaching up to hold scully when missy died, and these tags asking: did anyone hold him, when it was his sister?)
i love the show's message on grief (and trauma), in that this is all that is necessary for "closure." there is no "Truth," (and there really isn't any closure, there's no "beyond" the sea). but it matters that someone knows. it matters that someone bears witness. it matters that someone tells you the truth, even when it fucking breaks their heart. sits in the destruction with you.
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the exhaustion in her voice the next morning, when she tells skinner, "it's been a hard night for him." she's still wearing her work clothes from the day before. she was up all night. she's tired, and she's scared, and she's sad. it's been a hard 7 years. it's been a hard 27 years.
it makes me tear up every time i see it, the way she blocks him in the doorway. she's not moving. this is just so scully. it's not even starbuck, it's just so scully. she would keep him in that apartment where she could cover him and control what touches him forever, if she could. (she can't, so you're not taking him anywhere without her. the way she looks her boss in the eye and tells him he better book her a flight too. brave love.)
2/ demons
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god, this one just makes me sad. this might be the one that makes me saddest. she's dying. she doesn't have it in her, anymore. i talked about this in my newsletter (and i wrote a fic about it once) but this is like...the only time where she never calls him out on what he's doing. she never yells. she never rolls her eyes. she never gets frustrated with him. she doesn't have it in her. she's dying. he will be alone. she won't be here the next time. what can she even do about it?
i always think about this post:
and you know she is thinking about how if she hadn’t been there he would’ve died. and how the next time he does something like this, she won’t have enough life left in her to keep them both alive. she might not even have enough left for herself. and she’ll give whatever she does have left to him, but it won’t be enough to save either of them. she’ll die cold and pale and he’ll burn himself out. and what can she do but hold him? who will he have when she’s gone? what will he do to himself? who will he call?
and these tags:
this is so cautious and tender and apologetic. sorry for all the pain he feels constantly. and sorry that nothing can ease it. and sorry that she is dying and leaving him like this.
she started writing to him as soon as she was diagnosed, begging. begging forgiveness, begging courage, begging grace. begging for him to not feel there was anything more he could've done, to not become the next cause he is lost in. for him to keep going, as she needs to know he's "out there."
but she's seen him hold a gun to himself too many times, and she knows he's coming down with her. and it's such a loss? this is a person she gave up everything, including her life, to follow, because she believed in him and what he wanted to do in the world that much. but things are different now. he won't survive this. he won't be "out there" saving the world.
what can she do? go to rhode island at 5am, wrap him up. stay quiet, stay still, but scream and thrash at anyone who's careless with him. sink down next to him, cover him, hold him. "maybe we need every answer in the world to survive a single question: how long do we have each other?" (x)
(also, her memento mori journal, in general. she sat in that hospital alone, for days, knowing she was going to die. and she wrote letter, after letter, after letter, to him. so that he would have something. so that he wouldn’t be left alone with nothing, again.)
3/ the end
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"as mulder appears. the look on his face is of a man who's seeing, smelling, and tasting the loss of everything he has worked for. it's the look of utter defeat. angle on scully at the door. she sees only mulder right now...she moves to him now. putting her arms around him, holding on to keep him from breaking. off this, we fade out. the end." (script)
i think so often about the script notes of this scene. the description of mulder, as absorbed in destruction. everything that he's worked for, literally reduced to (cigarette) ash. scully only focused on him.
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in the final angle of the season, you can really see how she's standing in front of him. her fingers clutching him. but when she first grabs him, it's so tentative. it almost feels like she's trying to see if he's still there, if he exists, if his work doesn't.
this is...the whole thing! there's a reason why this was "the end." the final image of this iteration of the series, before everything changes. this is what it is all about. it's mulder walking headfirst into the devastation of the world. drenched in loss. seeing it. smelling it. tasting it. surrounded by it. and it's scully knowing what he'll find even as he's still moving (this script note, from the hallway: "reverse on scully. returning the look. knowing what mulder is going to find. and what it will mean.")
following behind. eyes on him, while he takes in the ash. just holding on for dear life; trying to keep him close, whole.
(also, i love the moment before the fire, at his apartment, after diana was shot. the way scully tells skinner that he can reach her at mulder's if he needs her, because that's where she'll be. he doesn't even have a bed, or anywhere for her to stay!! she's not leaving him.)
4/ paper hearts
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oh, starbuck. we are really in it now.
paper hearts is an ahab and starbuck episode, yes. but mostly it's about grief. mostly it's about harsh awakenings. mostly it's about confrontation with fear, scully's included.
one of the most haunting moments of the series, to me, is when they speak to the father of the 14th victim, twenty-one years after his daughter went missing. and through tears, the father says, "i used to think...that missing was worse than dead, because...you never knew what happened. now that i know, i'm glad my wife's not here. she got luckier."
in that moment, as mulder looks over at the photos on the mantle, missing is not worse than dead. it is not worse than knowing. and later that day, in his first scene, roche calls it exactly as it is: "i understand you take this very personally, mulder."
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i've written about this scene in the hallway so many times, because it's truly the crux of this episode (my favorite episode).
from my newsletter:
There’s something so viscerally deep about this episode that’s hard to put into words, but to me, it is most palpable in the moment in the hallway when Mulder asks Scully if she believes that his sister was abducted by aliens. And you can see in his face that he knows the answer, and he’s challenging her to come out and say it. You can see in Scully’s that she would rather admit to anything else.
he's challenging her. he's taking their entire dynamic, and throwing it in her face. not to be cruel. not to disrupt. but just to say...so what now? isn't this what you believe?
i don't think that they've ever been so fragile, as in this hallway, honestly. they rarely threaten to break it all down. their entire lives are built on him walking up to tragedy and saying: it was aliens. it was XYZ. and her following behind saying: no. it was a killer, it was a man.
what does that mean? what is she really saying?
this episode is hard on scully. mulder has never been more haunted. there has never been a bigger reminder of what they are actually doing. they are not just chasing little green men, having adventures, studying sewer worms. they are trying to make sense of something that will never make sense. they are trying to find a "truth" that they do not want to know. they are living their lives in mourning, in bereavement, in remembrance, of a missing little girl, and scully is terrified that they'll find her. that it will be exactly like roche threatens. that missing is not worse than dead.
and there is no one else. there is no one else that even knows how haunted he is. how stuck he is, in that childhood bedroom, like he said all those years ago. how deeply sad it is.
it's all of the little things. it's the "you did good work, mulder" in the beginning. it's the way she asks if he's okay to go tell the 14th victim's family. it's way she exclaims "oh my god" when roche says that he just wants to see mulder's face, when he finds samantha's body. one of the few times that we ever see scully lose control, but she just stands up and screams, opens the door and wordlessly waits for mulder to get up and get out of there.
it's the way that she hears "help me, scully" and digs in the dirt, with her bare hands.
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(you can tell in his eyes here that he's been crying, and it really gets to me. there's so much that we don't see.)
in the end, they're back in the basement. nothing left but one scrap of tattered fabric, one more lost failure. it's over. she just comes down to check on him.
the progression of scully's face in this last scene is just unbelievably gut-wrenching to me. her smile, when she tells him to get some sleep, and he laughs. the way it disappears when he holds her, and can't see her anymore. with his mother, flashing that smile and hugging her was all that it took to convince her not to worry. when he repeats the same actions with scully, she looks like she could break.
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this post:
Episodes like this make me think how alone - not just lonely, but truly alone - Mulder was before her. Nobody lost sleep over him falling apart under the fist of decades old trauma. Nobody grappled with him, let him wrestle his grief against them, and still stayed. Nobody visited him in the hospital, flew to Alaska, lied for him, stayed by his bed for days straight without an extra change of clothes. Nobody else knew he was suffering or wanted to, knew it more than he knew. That end of Paper hearts where she tells him to get some sleep, he laughs at the ridiculousness of it, but also out of incredulity at having someone to wish for better on his behalf. The heartbroken look on her face as he’s laughing into her waist seems to be her coming to the same realisation; “Who looked after you before? How long did you feel like this on your own?”
she is heartbroken. there is so much grief, in being starbuck. there's grief in being needed. there's grief in following ghosts. there's grief in loving someone who is so encased in pain, in loss. he will not go home and get some sleep. a well-placed joke, that smile, a hug, does not convince her that he's okay. he hurts so much, for so long, and he has one person who knows it. and all they do is keep moving: closer and closer to that breaking point that she is so afraid of, and they can't stop.
5/ redux ii
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remember when dana scully lied on her death bed and looked up at mulder as he told her that he was not willing to jeopardize skinner to save himself, and she replied, "well, then, you have to lay it on me."
the way he smiles and shakes his head, chokes out "i can't...i can't do that." through tears...they are so kind to each other. all that she has left in the world is her reputation, and she says: take it. take it all. take everything.
she cries when he won't do it.
6/ herrenvolk
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okay, i wanna get into some slightly lighter ones, so y'all remember when she nearly fully knocked skinner into the wall, because mulder came in with a (checks notes) scratch on his face?
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this is just so scully.
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she is so panicked. she just wants to slow him down, to stand between him and the world for even one moment longer.
these tags:
she's almost begging him not to go in. the extent of her worry is heartbreaking. she loves him. it frightens her to know what awaits him.
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one of the biggest conflicts of scully's character is that she just cannot stop him, she cannot shield him, she cannot protect him. the way she leans up here, and pulls him to her shoulder. covers him with a blanket. this is what she can do.
there is so much grief in being starbuck!! in loving someone who walks blindly into a world that you do not trust. in following someone into the worst night of their life: over, over, over. years, years, years. in being first mate, holding the responsibility on your shoulders of having to steer in a safe direction, only having one to choose from.
(i also think it's really special, all of the little moments where she checks in. in the previous episode, in the hospital hallway, the way she says "are you okay?" so softly.
in paper clip, when she makes him stop, and says "no, wait, hold on a second...i don't think you've had time to process everything that you've been through."
remnants of the girl who told him she'll cover for him and he should just go get a beer, take some time for himself, after jersey. who suggested he talk to someone, when jerry lamana died. she's always wanted so much for him, but she understands more now. there's still room to pause, for a moment, before he carries on.)
7/ anasazi
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ladies, would you shoot your man with a gun, to keep him from endangering himself, while he was being laced with LSD, and then drag him across the country singlehandedly, while he was unconscious, despite him being twice your size? and this, too, is taking care.
the way she says, "i was certain they would have killed you, mulder." and the fear in her voice, his hand on her knee. (she is so young. she really doesn't know what to do, not as often as she seems like she does). the way he says, "thank you. thank you for taking care of me." they are so kind to each other. it'll break your fucking heart.
(i remember asking y'all a few weeks ago, if mulder and scully ever say "i'm sorry," if they ever apologize to each other. and we came up with a couple of times. i'll tell you what, though: not as often as they say "thank you.")
8/ fire
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girlbosses when they singlehandedly solve serial murders, to get their best friend's shitty ex away from them!!! okay, i put this one on here because we were talking about it yesterday, but scully really does handle the entire situation with phoebe so perfectly, and that's hard to do, when you're dealing with friends and abusers.
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trish, i loved this part of your post yesterday:
scully gives him the space to talk about it, never says too much but she says enough. her phrasing is SO important. she repeats what he just told her in a way that frames it as wrong.
she's a little rabid, lol. we can see it on her face when she's alone, or when mulder's not looking. but around him (around phoebe too) she's calm. she listens, she addresses what he tells her as bad, without pressing. when he tells her that she's off the case, that he doesn't want to expose her to what phoebe is doing, she asks one time: are you sure you don't want help?
he says yes, and she does it anyway. she catches that fucking murderer so that this woman can go home. just, like, an inspiration to us all.
trish's tweet:
really, truly, genuinely. scully solving the case in fire was the absolute best course of action she could have taken. get that woman out of here, an ocean away from mulder. (give him freedom, let him heal, teach him what real love feels like)
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(her eyes locked in on him here, phoebe behind her. the way that when phoebe leaves the room, scully says, "you alright?" instantly.)
meeting phoebe just a few months into their partnership made her so fucking crazy like...i make fun of her for being sick in the head in regards to everyone he meets (men and women alike) and never wanting anyone around him other than her but like, my god, can you blame her!!! he's such a gentle person and people are so cruel and it makes her eyes bug out of her head.
yeah, i really don't have much else to say here, you guys. she solved a murder herself, a case that she wasn't even supposed to be working, so that his old gf would go away and stop being mean to him. she doesn't play!!
(also! while we're on the subject of abusive exes, honorable mention to scully cornering diana into an empty room and telling her to "just think" about who mulder is, who he was when she met him, compared to where he is now. "and then try and stand there in front of me. look me in the eye. and tell me mulder wouldn't bust his ass trying to save you.")
9/ deadalive
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oh, you guys remember that time she raised him from the dead, right?
scully at 8 months pregnant, sitting in that hospital chair, holding his hand, for days. knowing he can’t feel it, knowing that there’s nothing that says he’ll ever wake up. that it’s impossible. that there is no science…yeah. she just sits there and holds his hand.
i love the moment when she finds out, and she comes barreling through that hallway. she hits skinner first, and starts yelling, “i want to see him. no, i need to see him,” slams her fists into his chest.
then she moves onto doggett. repeats, “i need to see him” through tears. and the way doggett says… “i know. but i wish you wouldn’t.”
she’s loved. they want to protect her, protect her image of mulder as she knew him. but they also both know she will fucking plow them down.
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i always think of this fic and feel so ill:
“I pulled you six feet out of the ground,” she whispers, dangerously low. “Because I couldn’t live without you. I gave birth to your child.”
she fed his fish while he was in a casket. she planned a funeral and decorated a nursery alone, at the same time. she ran herself ragged all over the country, trying to keep his work going. she raised him from the dead.
(i also feel that i can throw in here, as related, the time that she busted him out of prison and then abandoned everything in her entire life including her career, her family, and everything she owns, to go on the run from the law and live secretly in seedy motels for years to be with him.)
10/ fight the future
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there are too many contenders for my last spot, so i’m gonna keep it simple, and go with the most special movie moment. (of all movies).
from my newsletter:
“Mulder watches the spaceship as it flies overhead, his face glows with a heart-melting grin of childlike wonder and awe.”(x)
That’s exactly what it feels like to me, it’s an innocence and excitement that was so present in season one, that was all over him when he told Scully to come look in the second episode, but that’s rare to see in the later seasons. It’s rare to see at this point in their story, after all that’s happened. They are stranded in Antarctica, both of them injured, both of them freezing in the cold, and they are holding each other and gazing up at the sky. What a perfect thing in their big momentous feature, to bring it all back to what it started with.
there’s such a reverent sentimentality to it, in the simplicity. she had stopped breathing, a few minutes earlier. but when he passes out, she pulls herself up, and grabs onto him. keeps him alive, keeps them both alive, just by holding him close. that’s really the heart of it.
(also, i find it so moving that this film is the only time in the franchise that scully considers leaving, not working with him anymore, and it’s because she thinks she’s not good for him. that she’s holding him back. she never considers him as anything other than wanted, something worth believing in.)
some honorable mentions to: little green men, which i’ve written about here. (especially her secret-signaling him to their secret meet-up place, just to ask if he’s okay). the erlenmeyer flask, which i’ve talked about here. (she literally stops him in the street to tell him that she should have listened to him, and she’s sorry, because she should have trusted his instincts. that means so much, you guys). her telling colton she hopes he falls on his ass after he was making rude comments about mulder in squeeze, screaming at a serial killer that she’ll gas him into hell herself and no one will stop her, if mulder isn’t okay, in beyond the sea….she has threatened and shouted at and smacked around so many people for fucking with him, and this too is care!! (anger meaning you’re worth being angry over, etc etc)
how desperately she became frantic to find their son, after 17 years resigned to never ever looking for him, never ever endangering him that way…because she became convinced that it’s the only thing that would help mulder.
and how important samantha is to her. it matters. it matters, that sam is remembered. that someone else in the world knows. someone knows that they played baseball in the summers, that they fought over the television, that he’s looked for her in every room he’s ever been in. someone else cares about her; not as a white whale, not as a photo on a desk, as a little girl who broke her collarbone because she played on swings too hard. scully listened to her journal, and cried. listened to how much she suffered. how much she just wanted to see her big brother. (scully kept a journal like that, too, once. underwent those same tests. almost died at the hands of those same men. wrote her testimony to that same person.) it’s taking care of mulder, to love samantha. and she does.
#i got really really tired by the end but it is what it is#i want y'all to know#that i almost put 'trust no 1' on here#the way that she yells at doggett that she wants to see mulder 'SO BAD'#but in the end: writes to him that she just wants him to be okay even if she can't see him or hear from him#or even if he can't read what she sends him#and the way that she looks over at william in the stroller and puts her hand on his face#just like...that one semblance of mulder that she still has in her life and that she holds onto- in this baby#and he's growing up without his dad and she NEVER wanted that.#and mulder is writing to her that he just wants to come home to her and to will.#and how her voice shakes and she screams when she talks about how badly she just needs to see him. she feels so alone.#and there are only so many solar system onesies and star mobiles and lullabies from the florida woods that she can give#but ultimately she just wants him to be safe and alive and that's what she tells him and that's what she fights for with everyone else#but it's just so fucking unbearably sad and i couldnt do it after the first few i put on here ksjdfk#i would also say!! that her leaving him post-iwtb and their break-up was in a way taking care of him#getting the fuck out of that house. trying to save herself from that trap of grief.#then coming back when it was less haunted and he was healthier and it was able to be their home again#refusing to suffocate there just because he was. salvaging SOMETHING for him to come back to- and ALWAYS being available for that.#asks#sein und zeit#demons#the end#paper hearts#redux ii#herrenvolk#anasazi#fire#deadalive#ftf
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answrs · 1 month
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okay I know the immediate thought (for me, at least) was Lewis/Vivi/Arthur. which is fantastic too... but please consider my counterargument: Arthur/Lewis/Vivi
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Hey psst, you reading this
Do you like getting random compliments on your characters?
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wellhalesbells · 7 months
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top 9 books
tagged by @rosieposiepuddingnpie - thank you and curse you, this is my least favorite/favorite thing to do!
The Starless Sea, Erin Morgenstern (a book about the love of books and story-telling, another great example of this is Cloud Cuckoo Land, by Anthony Doerr but this edges it out just a little in my all time faves. Also consider this a stand-in for Erin Morgenstern's other gem: The Night Circus.)
The Secret History, by Donna Tartt (I always waffle between the dark academia vibes of this or the snowy Amsterdam/dry Las Vegas heat of The Goldfinch - they're both absolute perfection and have gay undertones so they bounce back and forth depending on the day.)
Middlesex, by Jeffrey Eugenides (you know how people use 'sweeping tale' to describe certain books? That's this one. It just whisks you away. I know everything there is to know about the Stephanides clan and I'm a better person for it.)
The Bedlam Stacks, by Natasha Pulley (Honestly, also consider this a stand-in for every Natasha Pulley book there is. Sometimes my favorite is The Half Life of Valery K, sometimes it's The Watchmaker of Filigree Street series, sometimes it's The Kingdoms; it's really whose yearning I'm vibing with the most that day: Valery and Shenkov? Thaniel and Mori? Merrick and Raphael? Joe and Kite? It varies.)
The Stand, by Stephen King (I also really want to put Holly in that spot, I just finished it and I haven't loved a Stephen King book like that since The Stand - the only reason I didn't is because Holly is, at least for now, the last book in a series that is a spin-off of a series and every other book in those series don't hit the level of Holly, at all.)
Anxious People, by Fredrik Backman (this can also act as a stand-in for A Man Called Ove as well since I love them both for the exact same reason - they believe in the best in people. They make you feel better about humanity in general.)
The House in the Cerulean Sea, by TJ Klune (I will also point out that I have yet to read a TJ Klune book I haven't loved and that is not an insignificant amount now. This one is an older queer love story with the added bonus of found family. It's magical and heart-full and kind)
Project Hail Mary, by Andy Weir (Also a big lover of The Martian but this has something extra special for me - the alien was unique and I cared so much about every character that even glanced across the pages.)
Vera Wong's Unsolicited Advice for Murderers, by Jesse Q. Sutanto (I laughed, I loved, I goggled at Vera's incredible ability to bring people together - a more motley crew of people there is not and yet somehow Vera not only makes it work, she makes them family <3)
Special shoutout to Lessons in Chemistry, by Bonnie Garmus, I read this semi-recently (within the last year) so I don't know if my gaga-ness with it will fade or not but right now I'm like: this should absolutely be on this list, I just don't know if that's gonna hold or not. The writing is absolutely gorgeous and the plot is perfect, I just don't know if it's top ten nine perfect, y'know? Also to S.A. Cosby - Razorblade Tears is literally hanging off the end of this list by its fingernails (also read everything else by him because it's all good!).
Ongoing series - that either aren't finished or that I haven't finished so they're not cemented yet (aka Maddie cheats so she can have more spots): The Thursday Murder Club series, by Richard Osman (it's up to four books now and they are absolute perfection - it's a series that believes the best in people, even its villains, no one is allowed to be one note and you never know who it's going to pick up and keep forever), The Monk & Robot series, by Becky Chambers (it's just such a quiet, peaceful little sci-fi series that loves its characters and tea), Empire of the Vampire, by Jay Kristoff (absolutely no notes on the first book, I was stressed out and ravenous), The Infernal War Saga, by Hailey Turner (pitch perfect first two books, I'm obsessed with everyone and, like, borderline too into Honovi and Blaine??), Legends & Lattes, by Travis Baldree (this book is kind and it's found family and it's Cozy High Fantasy, like, who even knew how badly I needed that?! - a prequel is due out next month!), The Expanse series, by James S.A. Corey (okay, I know this is done but I am only through book six, though so far absolutely every one has been perfect), The Amina al-Sirafi Series, by S.A. Chakraborty (the first book is so good, which I am zero percent surprised by because I five-starred my way all the way through The Daevabad Trilogy as well!), and the Susan Ryeland series, by Anthony Horowitz (these mysteries are absolutely right up my alley - because who's investigating them? An editor of the first book's murdered author. I hope he can manage to keep these going because they are so damn good!)
tagged: @andavs, @maichan808, @callunavulgari, @midnightisquiet, @bleep0bleep, @petals42, @emeraldawn, @melowdeee, @alocalband, also anyone else who wants to do this - i love seeing people's literature tastes!!
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withacapitalp · 1 year
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Here have a snippet of the next chapter for HTRAJ y'all :D I'm mid write and I'm vibin' with what I have so far
“He’s long gone, Eds. Can we go back inside now? It’s fucking freezing out here,” Gareth asked, rubbing at his bare arms and shivering as the frigid winter wind raced past them. Eddie could barely feel his own body, but he ignored both the cold and Gareth’s words, walking towards his van. 
Steve was there. He had to be. He had to be, or else Eddie was going to lose his mind worrying over what was probably nothing, and he might say something incredibly stupid when they actually found Steve, and that would ruin everything they had worked so hard to build.
Luckily for Eddie’s increasingly fragile heart and mind, he spotted a familiar pair of beat up old converse poking out, attached to dark wash jeans that he instantly recognized. Eddie practically melted in relief, jogging around to the other side, needing to see Steve’s face. 
He opened his mouth to spout off some stupid quip about dining and dashing, but he stopped short the second he saw Steve’s state. All of the relief instantly vanished, replaced by a bone deep dread that overtook Eddie’s entire being. 
Steve was sitting on the ground, his knees pulled close to his chest and his eyes staring firmly at the pavement. He was as still as a statue and just as silent, barely even blinking as he took shallow uneven breaths. Eddie could see him shaking from where he stood, trembling like a leaf in the wind as he continued to just stare at nothing. 
Something was wrong. 
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daydadahlias · 7 months
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you can't reclaim a word that's never been used against you
#if you've never been called fat before please dont use that word#as someone who has been called fat a lot in my life in very painful ways... y'all dont get it#and i dont want people within a hundred feet of a word they dont understand the connotation/power of#im really just sad and tired of seeing non-fat people call ashton fat. because it just Keeps happening a *lot* and i just like#cannot stomach it at this point. i mean i literally see it FREQUENTLY and now ive just seen some stuff about it on my dash tonight and like#it brings me to tears literally every single time i see it. and i *never* see fat people call ashton fat ever. it is *only* non-fat people#and it's because they just simply do not understand how that word feels. and i shouldn't necessarily fault people for it BC they dont get i#but people writing feeder fics about him?? and going out of their way to describe his body in a way they never would a thin person's...#and more than that. like. he's not *fat*???? that's just not the right word. sure he HAS fat. everyone does#but calling him fat pointblank is just like... i do not see the benefit in it. he's Big. he's Muscular. but he's not *fat*#and it makes me think that you dont know any fat people. when that word has only ever been used in a derogatory manner by the majority#i mean that is NOT a neutral word. at this point in history. and if you have never experienced the harm that it can bring i just#i mean i dont know why you *want* to be using it#so yeah uh saying my bit on that bc y'all know me#im a little blabber box chatter mouth#and it's just something that i see a lot of especially on ao3 and one of the primary reasons actually that#i dont really read new fics by authors i dont know#because the way people treat ashton's body is very different than how they treat others'#and it's usually not fat people creating that content SO!#please uh consider maybe the words you're using... and how they could affect others!#ok i have a lot of homework to do tonight so im gonna. hunker down and do that#and feel Not Good about my body because if you think *ashton irwin* is *fat* then#i dont really want to know what you think about an actual fat person
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aishathetaurus · 2 years
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I said this in a much longer post, but I wanted to dedicate a post to it... but a lot of y'all's hatred towards Luke is just racism. You're racist.
The show's refusal to address race and y'all's obsession with Nick being with June is having an effect on y'all. I mean, you were racist before ever seeing the show, probably, but the show's refusal to just say it outright isn't helping. Its touched on in the book, but not so much in the show or movie... I'll solely address the lack of understanding towards Luke's circumstances and just... leave the whole Osblaine thing alone.
In the book, the racism is just as clear as the misogny. JUST as clear. You barely see black people (and nonwhite people in general, but I'm talking about black people and the book actually touches specifically on black people as well) in this setting simply because in Gilead black people are not allowed unless their ovaries are promising. Black women didn't become handmaids. They were just killed or sent to the colonies, and if they were lucky maybe they'd get to be a Martha. Its silly and naive to think the gendered slavery or horrids stopped at just forcing women to be bastardized surrogates when there's room for so much more horrendous realities, whether it was shown on screen or not. This isn't something you had to read the book to get a grasp on. Its just... heavily implied either way. This isn't saying much because there were few, but most black women we've seen on screen at once is when we saw Unwomen...
Some of us have noticed the few times the show has hinted to how race is being handled and how it affects everything. To some of us, even without those hints, its obvious... The racism of it all is implied actually. Its so implied, it almost, doesn't need to said. However, to most of you? You're oblivious, so it should've been said. Over and over, actually.
Luke is doing the best he can in a system that was literally built to go against him. Even the current system, where the focus is mainly on women, is built against him despite the fact he's a man... he's still black. Imagine the fear of living as black man of America... Now take all the worst parts of America and put them into their own country... Now imagine the fear navigating that... Imagine what the level of fear does to you... Again, this isn't something you'd have to read the book to wrap your head around... There's a lot of pressure on Luke not only as a man, but as a black person and he's clearly just very very scared, as he should be.
With all things considered, he's doing great. He's been doing great this entire time. He didn't ruin anything this episode, nor has he ever. He did what needed to be done. He didn't need permission or extra context. He has never had the time or space to pause, consider context, and be gentle with his wrongdoers the way people like June or Serena has... This being a hard time for women, doesn't erase the reality of how black people are treated. In fact, with so much freedom to treat people however, it just heightens the racism towards black people. Again, not necessarily something you needed to read the book to grasp.
Either way, Serena is a literal war criminal and a serial rapist that stepped foot out of her allowed space. Whether he called or not, immigration was coming for her ass, and he did the right thing by speeding up the process.
After being kidnapped AGAIN... calling immigration and the police on the woman that helped enslave, imprison, and rape his wife was the only option... How do you see that and then still rage? What else was he supposed to do? What are your expectations of him? Not just in this episode or the last, but this whole time... What the hell was he supposed to do as a black man? Try to save her and stick out like a sore black thumb and end up getting himself and June killed?? He's not Nick. There was no helping her. The anger literally doesn't make sense and its getting to the point I have to assume its simply racism.
The inability to understand his circumstances... How harshly he's judged... yeah...
Luke was just as "useless" in the book and 1990's movie, yet its only when it comes to the show, where he's portrayed as a black man, do I see any commentary on how truly "worthless" he is. Its interesting.
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abalidoth · 6 months
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The Decommissioner (elevator pitch)
Dr. Ariadne Mason-Ruiz is surprised when an old friend reaches out with a job offer.
She's been taking time off after being forced out of her previous position of head of the math department; a chance to heal her burnout and spend time with her wife and kid has turned into restlessness. So when Nick tells her about an opportunity that would be perfect for her, with a branch of OSHA of all things, she's excited for a new opportunity, but a little confused what he could possibly want with a mathematician.
She's even more confused when he shows her Facility Echo. The abandoned remnants of a pseudogovernmental agency that sought to contain and secure the physics-defying products of cross-timeline contact, the facility is a ticking time bomb of anomalous entities and unsolved mysteries under the Cascade Mountains.
Ariadne's mission, if she chooses to accept it, is to shut down the facility and take its contents public within two years. She'll need a team, a plan, and a lot of coffee if she's going to get it done on schedule. But what is Nick hiding from her? What led to the downfall of the Bureau of Anomalous Threats? And who is that familiar woman she's seeing out the corner of her eyes?
---
The Decommissioner is a planned web serial in the New Weird genre. My inspirations for this story are largely Fringe, Control, and of course a deconstruction of the SCP project; and my desire to write something with a bit more of an ensemble focus than my previous works. I have no idea if it's going to be starting soon, or to be honest ever? But I've had a lot of interesting ideas for the cast and setting, and I hope I'll be able to bring you all along with me.
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uncanny-tranny · 10 months
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Could you describe your gender using words that are not typically used to describe one's gender?
The wave of exhilaration I got when I finally thought of a story I want to write after being burnt out for over five years, or maybe novels from the romantic movement or the decadent movement, for the latter it would primarily be the manner in which people spoke with each other in The Picture of Dorian Gray
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viperwhispered · 23 days
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Too Hard
Woop part 2 of the trip inside Jamil's head. Part 1 here.
The next time Jamil caught sight of you on campus, his first instinct was to turn around on his heel.
What a stupid thought to have because of you.
Besides, that would only make him more conspicuous, not less.
So, when your eyes met his, Jamil gave you a short nod in greeting. He would’ve left it at that and kept on his way, had you not walked up to him.
“Hi Jamil! How’s it going?” you said with that impossibly disarming smile of yours.
Why was it so difficult to look at you like he normally would? You had no right to make him feel so stiff, so unnatural.
On autopilot, Jamil exchanged a few pleasantries with you - those lessons from his parents had been instilled too deep in him for him to falter too badly in a simple exchange such as this. Still, Jamil quickly excused himself by telling you he still had to find Kalim before his next class.
Jamil didn’t miss the way your smile faltered. Had you hoped to get something out of him?
“Oh, okay. I’ll see you two later, then.”
Something about that irked him, though Jamil did not allow himself to dwell on it further.
His heart really had no business still racing as it did when he walked away, unaware of the frown on his face.
Just act normal. That’s all he needed to do.
After all, he had no time for dwelling in silly fancies.
If Jamil had been acutely aware of you before, it only seemed to worsen now that he was making a conscious effort to not act any differently with you. In fact, the harder he tried to keep you out, the more you invaded his thoughts, unsettling him.
The most innocuous words from you looped in his mind, and even the simplest actions caught his eye. For goodness's sake, he’d found himself staring at you while you were queueing up in the cafeteria the other day, not even doing anything other than standing around and looking bored!
For once, Jamil found himself grateful for all his duties. At least they provided him with something else to occupy himself with.
After all, if he was busy enough, it was difficult to think about those bright eyes of yours, your sweet laugh, or the way you bit your lip while thinking.
Still, sometimes it felt like no matter which way he turned, you were there, ready to throw him off-kilter. Not like it was his fault that often the most convenient route to class intersected with your daily routines. Or that your face seemed to jump out from any crowd, catching his attention.
Which certainly did not help his basketball performance. Jamil certainly did not recall you having such an interest in sports before, yet suddenly you were always there, distracting him. What had changed?
Could you possibly-
Jamil scoffed to himself, forcing his thoughts back on track for the nth time that day.
He picked up the tray of food and started taking it to Kalim. After dinner, he’d need to help Kalim with his homework, there were some housewarden tasks that would need dealing with, not to mention the preparations for the next-
Jamil froze in his tracks.
The voice he heard was quiet, but it was unmistakably you.
Really, it should not have come as such a surprise to him. You had become a rather frequent visitor to Scarabia, and Kalim often invited you to stay for meals. In fact, Jamil had started planning the dorm’s meal prep with your tastes and dietary restrictions in mind, just in case.
Jamil rounded the corner with strange exhilaration, his heart fluttering needlessly.
Yet, his mood evaporated when he saw you.
Why did you stop talking and look so guilty as soon as you caught sight of Jamil?
Jamil knew that look you gave to Kalim, had used it himself a thousand times. The one telling Kalim to keep quiet about something.
What could there possibly be that you would be comfortable sharing with Kalim, but not with him? That would give Kalim reason to sit so close to you, a comforting hand on your shoulder?
Jamil's mind raced with possibilities, yet could not settle for any single explanation.
He’d have to ask Kalim about it later.
Jamil gave you a short, polite greeting, his eyes lingering on you in an attempt to read what you were hiding.
“If I’d known you were coming over, I would’ve prepared something for you to eat as well,” Jamil said, already thinking about which parts of the dorm’s dinner to spruce up for you.
“Oh, no need, just figured I’d pop by. I’ll get out of your hair soon enough,” you said, something sheepish about your expression.
As expected, Kalim asked you to stay and dine with them, and with just a bit more persuasion you agreed - though not before telling Jamil that he should join you too and have himself a breather.
And since Kalim agreed with you, Jamil soon found himself sharing a meal with you and Kalim. Yet, even as he sat down with the food, his mind raced.
Had you been getting particularly close to Kalim lately? But surely Jamil would’ve noticed such a thing. Maybe someone from the dorm had been giving you trouble? But if that was the case, then surely you could let Jamil know about it, too. Unless for some reason you did not want to? But if it was something that concerned Kalim, then sooner or later it was bound to concern Jamil, too.
All the while, Kalim was talking to you about this and that, the latest topic being the animals kept on the Asim estate.
“I’ve got some pictures, let me show you!” Kalim said with an excited grin.
Only, a thorough patting of his pockets and a look around confirmed that Kalim’s phone was nowhere to be seen.
Jamil pinched the bridge of his nose. Where had Kalim left it this time?
Before Jamil even had the chance to say that he would handle it, Kalim sprinted off. Jamil hesitated for a moment, automatically halfway up from his seat, before he decided that leaving a guest unattended would be a worse offense than not helping out his master.
Jamil slumped back down with a sigh, mentally tracing the path Kalim took today, trying to recall the last time he saw Kalim handle his phone.
“Breathe. He’ll manage,” you said. There was the faintest of smiles on your lips, and Jamil could not decide if it was knowing or amused. Perhaps both.
Somehow, despite his frustration, Jamil’s own lips wanted to curl up too.
“Hmm. Maybe he will.”
Sure, Jamil could’ve called Kalim’s phone, to make it easier to find, but it was not that urgent, was it?
Jamil took another bite of his food, keeping an eye on you from the corner of his eye.
How was his mind so empty and so buzzing at the same time?
“You know-”
“So-”
You looked at each other, both just as surprised that the other had spoken up at the same time.
Even your surprised look was so-
“You first,” Jamil said. The way you bit your lip... Jamil had to raise a cup to his lips, slowly sipping his drink.
“Just… Feels like it’s been quite a while since I’ve seen you be still, you know. Or exchanged more than two words with you,” you said. You were attempting a light, joking tone, yet it was quite clear there was more to it.
“You say that like it would be unusual for me to be busy.”
He was not prepared for the way your soft sigh tugged at his heartstrings.
“No. It is not.”
You were both quiet after, poking at your meals. Normally, Jamil would’ve cherished such a moment of peace, yet this particular silence between you two was decidedly awkward.
Where was your usual chatter? Why weren’t you looking at him like you usually did?
“If you’re worried about me, don’t. I’m fine,” Jamil said, some softness creeping into his tone despite his best intentions.
“That's what Kalim said too,” you said. Yet the way you looked at Jamil made it clear you were still skeptical.
Wait.
Had you clammed up earlier because it had been Jamil you had been talking about with Kalim? That Kalim had comforted you about?
The thought twisted his stomach into knots.
Eta: you can find part 3 here. Hasdhfsdf the way I fought with that last scene I swear. I don't even want to know how many versions I went through, trying to figure out how to say what I wanted without rubbing it into your face or making it too veiled. The joys of trying to convey things through a limited pov. Hopefully it came out reasonably balanced in the end. Rip to all those sentences that were lovely on their own but didn’t work for the whole. Hopefully I can rehome y’all one day. I do have thoughts for part 3 and part x (might be some chapters between those two as well, who knows at this point), so maybe we'll see those at some point, too. Tag list: @colliope @crystallizsch @diodellet @jamilsimpno69 @jamilvapologist @twstgo If you'd like to be tagged for future works, let me know! (Just be aware that sometimes I do also write nsfw, though you can certainly ask to be tagged only for particular kinds of works.)
#twisted wonderland#jamil viper#twisted wonderland x reader#jamil viper x reader#ner writes#jamil definitely knows how to deal with his feels#also writing this is making me wonder how aware jamil is of his inner versus outer life#like he’s very aware of how he comes across because that’s what he’s been told to watch out for#but how well has he truly learned to understand himself and his own feelings wants etc?#(I mean as you can tell I’m assuming not very well)#originally this went to more of a “jamil hears just the wrong part of the conversation” route but#a) I kinda hate that trope especially when it’s dragged on beyond belief and#b) Kalim maybe doesn’t want to spill anyone’s secrets but he really is such an open book especially with Jamil so#also it’s not like jamil needs the extra help to catastrophize he already does that well enough on his own 🙃#tho then I went a little too far in the other direction and had to pull back#but let's just hope I didn't edit this to death by now#also also: since I seem to have a bit of a naming theme going on for this series#if I were to be the sort to go for the angst route what part would definitely be titled Too Late or something along those lines#also x3 but loved folks commenting on that part about reader being inoffensive in the first part#I certainly had fun writing that line#(and in general extra love to everyone who leaves comments on tags replies wherever always great to read those)#(and in general chat with y'all)
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ramshacklefey · 1 year
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For the last time:
Plot is the series of events that happen in a story.
Themes are what the story is actually about. The big ideas, the stuff that makes the story feel like a story rather than a random string of events. (Note: stories may have more than one theme. They may be very broad or very specific)
Motifs are the small things (images, words, situations, character archetypes, etc) repeated throughout the story that show you what the themes of the story are.
An Example, based on my One Braincell:
In My Hero Academia
The plot is that a boy is given a superpower because he wants to become a hero and save people from villains who use their powers for evil. He enrolls in a high school for aspiring heroes and becomes entangled in a generations-old conflict between those who wield the power he was given and an ancient evil.
One of the themes is that love and community are essential to someone's ability to be whole.
Some of the motifs that point to this theme are: characters with similar situations having radically different lives based on the presence or absence of someone to care for them, reaching out to someone (literal or metaphorical), small acts of kindness leading to significant changes, characters refusing support and failing because of it, and being seen by others.
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dmclemblems · 1 year
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I think your understand of Claude has been warped by DimiClaude fan fics. Claude doesn't like Rhea in Houses and wants her out of power and says as much at the beginning of Verdant Wind and you even gain support points with him if you ask him if he hopes Rhea is dead versus if he hopes Rhea is alive. Claude doesn't stop wanting Rhea deposed because he spent an extra year in the Academy.
lmfao bruh i have never once read a dimiclaude fic that involved rhea or even mentions rhea/how either of them feel about rhea, how are you gonna tell me my perception of him is warped by something i've never even read? don't go blaming people's enjoyed ships as a scapegoat just because you don't like someone's discussion about a character. that ship and my opinion of hopes claude/his feelings on absolutely anything have nothing to do with each other.
do you do that to everyone? assume you know what they read and what kind of fandom stuff they engage with? assume that people read fanfics and that somehow it makes them forget canon? 'cause it's pretty haughty.
have you read like, any of my posts/asks? i've pretty explicitly discussed that he doesn't like rhea or her in power. that's very different from personally murdering someone. i also never said his year at the academy had anything to do with his feelings toward rhea.
i don't even read that many fanfics so that's quite a bold faulty assumption. not sure what you thought assuming what i read was going to accomplish, and for that matter, i'm not sure what you thought insulting every dmcl writer out there was going to accomplish by implying they all write "warped" versions of him. what the fuck does dimitri have to do with claude's feelings about rhea?
surprise, nothing.
#literally like does anyone even PUT rhea in dmcl fanfics???#how is this person gonna tell me what i read and don't read like ???#it's pretty evident you A) don't know anything about me and B) have not even read discussions on my blog#fr y'all this is actually the kind of thing i've been talking about too regarding claude fans#how if you don't like him in hopes you automatically ''don't understand him'' and have a ''warped'' perception of him#looks like now ppl are taking to blaming ppl's personal favorite ships#like damn that is REACHING#what the literal f bomberoo does dmcl have to do with RHEA#do YOU read dmcl fics to know if rhea is there or not? bc if not then why are you assuming#firstly that they even exist which to my knowledge they do not and second that i read THAT much fanfiction#and third that fan portrayals within the dmcl fandom are ''warped'' and somehow have to do with rhea#it's really shitty to imply to someone that something they enjoy they enjoy /wrong/ over something#that you THINK exists or you THINK that someone does. but oh bc I don't agree with you you have to find something#totally irrelevant to the actual topic to blame that you know i enjoy#and imply that writers in the dmcl fandom write claude wrong and that somehow it's affected how i see him#i have no idea how claude's feelings toward rhea would even change or why they would change in a dmcl fic#literally how are you gonna assume you know what i read for one thing... but then purposely using#something i obviously enjoy as an excuse to say i don't understand claude is super rude#also really shitty to insult the intelligence of writers of a particular ship#please don't reply to this or send any more asks about this#DCE Ask
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