when you make a three page comic about writing a fic instead of actually writing the fic hashtag writer problems
this is the evolution of writers talking to the characters in the author notes lol
translations under the cut:
page 1:
epon: Hey, Ichimatsu...
ichi: Ah?
e: What do you want...next?
i: ...eh?
e: I mean, you just graduated [context: the latest update of the silence purrs was chapter 21], but that's not the end, right? There's other stuff you want?
i: 'stuff i want'...?
i: nnnn...
i: cats...
e: There are already four.
i: Oh, that's right. ...then...
i: ...I can't think of anything else...
e: Seriously...it's fine if you have cats and s*x, huh...
i: Yeah. (❁´◡`❁)
e: (❁´◡`❁) That's really all you need to be happy, huh...how un-greedy and sweet 💜
e: Unfortunately, we can't just let it end like this.
i: Eh?
e: Listen up, we've only got the "ki" and "sho" part of the story! [context: first two story beats in a 4 beat classification system] How are you going to get us to "ten" and "ketsu"?!
i: Eh?! Why would you ask me—aren't you the writer?? It's your job to think of that stuff isn't it?
e: That's true, but I need you to give me a certain amount of direction! Ok? It's ok if it's simple! Like, is there a kind of date you've always wanted to try, or?
i: nn~....
e: Do you really need to think so hard?! Anything goes! Even if it's pervy!
page 2:
i: Then...maybe...going to a cat cafe together...or something...
e: I've already planned something like that.
i: You said it was fine if it was simple?! (If you've already got plans don't ask!)
i: Fine, then why don't you focus on something about the reader character instead of me? Isn't their job going to come up later?
e: The reader's job, huh...um...
i: What do you mean, um?
e: I mean that sounds like I might run into a lot of things I need to research, and that sounds annoying~
i: Isn't that just you making work for yourself?
i: Sheesh. What did you even come to ask me in the first place?
e: Well, if we look at it broadly, where do you want to end up, ultimately? Living together? Confessing your love? Or should we leave all that up in the air and just end it on the "yeah they probably wound up doing those things" vibe? You're not ready for marriage, right? You wanna get a job?
i: Eh? What's up with those options? It's kind of a lot of pressure...
e: Well I mean, it's a romcom after all...>_>
i: B-but weren't all those options part of the "rom"? What about the "com"?
e: Oh, that...
e: I've mostly asked those guys to take care of that part.
e: So all you have to do is be lovey-dovey ;)
i: EH—?!
i: No no no no—! That's embarrassing!! Let's just stop—!
e: What, no we can't! We can't just end the story right here! You're super popular, Ichimatsu!
i: W-why...is everyone stupid?
e: That's not it.
e: It's because you're cute. :)
i: . . . ?
i: n...there's no way that's true...anyone who thinks that must have something wrong with them....they're definitely stupid...
e: You're as mean to your fans as ever, I see.
i: But I mean...why would they want trash like me...
e: Because you're cute.
i: But WHY would they think that?!
e: Hmmm...
e: I think it's about your heart.
page 3:
e: I mean, you're definitely a dark, violent, cynical spoiled baby of a NEET, but—
e: —on the other hand, sometimes you're really kind, or considerate, and your smile is really cute, and you have a surprising amount of common sense, so you really do have a bunch of good points. Plus, the darkness is pretty relatable. (The modern world is pretty scary, you know....)
e: So, let's work together to think of a story that everyone will like. Leave the romantic stuff to me. Can you think of anything to develop the plot from here?
i: ...
i: But...don't you think there isn't enough of a break?
e: A "break"?
i: I mean, it's me. If we're going to do anything more than we've already done, I'm...gonna need some time to recover. I can't change that fast, you know.
e: Hmm...is that so...(should we try changing focus then?)
e: Wait, that just brings us right back to the reader's job again!
i: Then go with that, please.
e: *sigh* Now I'm tired somehow...
i: ...
i: ...do you wanna...give it up? I mean, it's just a story about me—
e: NO.
e: I vow...
e: to make you happy!!
i: ?!
i: W-w-w-what's with that phrasing, what is this, a proposal?! It's not, so don't say embarrassing things like that—!!
e: (Sorry, sorry (❁´◡`❁))
//end translation
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[Image description: A series of images depicting a song-based comic about Stanley and Stanford Pines from Gravity Falls.
Image 1: The top panel shows Stan, a grey-haired older man in a suit, breaking out of handcuffs in an interrogation room. Lyrics to the left read "They tried the handcuffs, but they won't lock."
The bottom panel shows Ford, a similar man with less grey in his hair, wearing a sweater and jacket. He has a shock collar on that emits blue electricity. Lyrics to the right read "electrical courses, but they won't shock."
Image 2: The top panel shows Ford holding a gun, looking behind him and running. There is a "Wanted" poster of him, on the wall beside him. Lyrics to the left read "You pulled the fire alarm."
The bottom panel shows Stan holding a suitcase of money, looking behind him and running. Behind him is a police car with its lights on, and a cop laying on the sidewalk. Lyrics to the right read "You tried punching a cop."
At the bottom of the image, six busts of Stan and Ford show them aging over thirty years. Lyrics above them read "You're just too tired to stop."
Image 3: An all-black background. White text shows the lyrics "You old pine box." Below is a white outline of a coffin.
Image 4: The left panel shows Stan in a basement, looking down at a journal with his head in his hands. The top of his head is breaking open, and flower pot shards drift away. A plant with a few leaves grows out of his head. Lyrics atop the panel read "You old pine box, with your head full of rocks, sharp like a cracked flower pot."
The right panel shows Ford at a cooking fire, drawing plans for a weapon called a "quantum destabilizer" as he glances suspiciously behind him. Eyeballs with bat wings fly out of an open portion of his head. Lyrics atop the panel read "You old paper head, on your skull full of bats, there's no percentage in that."
Image 5: The top panel shows a younger Ford in the foreground clutching a journal. Behind him, Fiddleford, a man wearing circle glasses and a cultist robe, is walking away from Ford. Further back is Caryn Pines, a dark-haired woman reaching out to Ford. In the very back is Filbrick Pines, a man with sunglasses and a mustache. Lyrics to the right read "They called relations, but they declined. They called the fanclub, but they'd resigned."
The bottom panel shows a younger Stan in the foreground with a grim look on his face. He is walking away from a crashed car on fire in the background. Lyrics to the left read "Left your car in a field and some questions behind."
Image 6: A night view of the second stories of some buildings. In the middle building, Caryn is leaning outside the right-hand window. She has grey in her hair, and is smoking a cigarette and looking up at the stars. Text in the sky reads "Your mom thinks you're out of your mind."
End ID.]
Song: They Might Be Giants - Old Pine Box. Again, I recommend reading with the song playing!
Another year, another Gravity Falls lyric comic, because I am always in my feelings about it!! I could froth at the mouth for ages about Stan and Ford being more similar than they might think - self-isolating, determined, desperate - but instead I drew this.
This is another one I had cooking in the back of my head for, probably, years, because my brain makes so many connections between TMBG songs and GF. I hope you like it!!
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Saw the ask about magical boys and your wish for magical trans kids: may I introduce you to Zoe from Sleepless Domain webcomic? She is one of the main secondary characters and she's super sweet and tries her best! (If you haven't read Sleepless Domain, try it out! It has a ton of fun concepts, pain and suffering, world cold girlfriends soft, parents know what is going on but are powerless to step in and have to let their kids fight, three mysterious gals, wholesome team(s) and survivor's guilt~
I love Sleepless Domain! I've actually backed both of its kickstarters. It's easily one of my favorite post-Madoka magical girl stories out there and I'd also highly recommend it to anyone who's looking for a good story in general.
Also imo CubeWatermelon is REALLY good at compositions. Seriously, if you like comics and can appreciate a good set of panels, check out her work (note that the first two chapters had their art made by a different artist, but Cube has done the art for the rest of the comic). I reread the comic once every few months just to study her pages. Like, take note how often she doesn't chicken out and will just make sure that excellent establishing shots and good backgrounds are included-- you never feel lost reading her work and always know where everyone is. The flow and movement are really good too. Fight scenes can be really hard to portray but you can easily tell what folks are doing.
I know that sounds like the bare minimum but you'd be surprised by how many comics out there really struggle with making sure that the reader, like. actually knows what's going on. Finding an artist that prioritizes clarity is a nice treat. I'm also always impressed at how much character and personality she can pack into a page. Off the top of my head, stuff like Tessa's room being full of her own merchandise:
Anyways yeah, Sleepless Domain is amazing and anyone who likes magical girl stuff should read it.
Edit: All that and I forgot to link the comic. Derp.
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