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#it makes a lot of things make more sense
rigelmejo · 2 years
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chinese reading notes:
my reading skill is funny (to me) because like. if reading sort of focusing on individual words, like when i read knowing i’m going to look words up (so reading intensively), it feels like i don’t know as much as compared with
when i’m reading extensively, particularly when i play audio (so i can’t stop or pause), when i comprehend things JUST FINE that if i read slower with word lookup i’d be ‘stumbling’.
i think part of this odd contradiction with reading skill, is when i read extensively like i must when audio is playing, i just take the context+hanzi i know+unknown-hanzi-radicals and then make a guess of any unknowns which is usually perfectly close to the real meaning. i have to make the guess instantly so i just rely on what i recognize. Like when i heard “effervescent” or “macabre” something in an english audiobook, i STILL as an adult am not sure on the exact definition, but based on how i heard it in the audiobook or when reading i can guess what it means good enough. 
So like. When I’m reading chinese extensively, which listening alongside audio requires of me, i do the same process in my brain. i see the equivalent of “luminescent” and like with english i just guess based on what i’ve got instantly and move on. Which is a good skill frankly to be able to also do in chinese as in my other reading languages. But, when I slow myself down and MAKE myself look up words, i suddenly am no longer seeing sentences as a ‘whole’ and start using word lookup for lots of individual words i could have figured out from context. On the upside, this word lookup is likely helping increase my mental information of said words. On the downside, it slows me down a lot, and perhaps i should go back to my old rule of “only 5-10 word lookups per chapter” so i don’t pause so much unless its a word i actually could use direct full definition help for.
I’ve been reading dmbj 1, and of course intensively reading it with Readibu (like most things this month). And for the first 3 chapters i’d say that was useful, as dmbj has some genre-specific unknown words (miners lamp, shovels, tomb, bury, engraving, scroll, mummy etc) that were useful to know the Specific Definition for and then repeatedly look up and drill initially so I’d know them quickly. But now that I’m at chapter 11? I noticed that when I extensively read it with the audio playing, i got through the chapter faster and had no problem following the plot. Whereas I know when I extensively read chapter 10 i stopped a bunch to look up words, and now i know i was probably mostly looking up words i’m now familiar enough to grasp in context i was just leaning on word-lookup as a crutch. 
Will i keep leaning on the crutch? Not sure. Like srs flashcards, or Listening Reading Method (when doing both steps 2 and 3), i think repeatedly looking up unknown and ‘foggy’ words as i read does do the repetitive-definition exposure that tends to get words learned quickly. So while repeated-word-lookup of words i’d learn eventually anyway through context slows down reading speed, it does probably allow me to pick up these words Faster than picking the words up only through extensive reading. (On the flipside though, if you’re also doing a lot of reading, a decent amount of extensive reading really really HELPS ones ability to comprehend full sentences whether u know what’s in them or not, so some extensive reading is always good).
I am trying to do a balance right now of extensive to intensive, so that I’m at least Sometimes picking up words the same way i did in english reading. I’m currently extensively reading 梦幻小公主 1, which is perfect for this. It feels a LOT like reading in middle school in english felt for me - lots of words i know, and lots of new fantasy/description words i don’t know but can guess really easily. I also needed to add some fantasy reading anyway - eventually i need to grasp horror (i already have a good vocab for this), crime (decent vocab but i need more police/legal vocab), supernatural (i already have good vocab), fantasy/xianxia (i know basic terms but need more), wuxia (i know basic but need more), and business (need a lot more) genre vocabulary. I’m also extensively reading 镇魂 while listening to the audiobook (who knows how long i’ll stick to it/if i’ll finish ToT), which is a good ‘harder’ novel for me to do other extensive reading in. 
completely unrelated:
nothing like seeing japanese again to remind me how utterly grateful i am for how hanzi work. i learned during studying chinese that i’m actually quite an auditory learner. as in, i tend to remember sounds well and sounds help me remember things, audio learning materials seem to work well for me etc. So with hanzi, usually hanzi only have 1 pronunciation (or a couple in some particular cases which at least for the de/di have to do with grammar function), and that pronunciation usually is tied to a radical in the hanzi. Now that I’ve learned the basic hanzi and gotten farther, i realize how i learn a VAST majority of new hanzi is “oh those radicals! its pronounced X! now i’ll listen to the audio real quick, remember X=this word meaning, and the water radical hints its moisture cool got it!” I remember 搂, 握, 提,抬, 拉 this way - hand radical so it has to do with hand-related verb movements, the other half is the pinyin so i just remember oh lou=X meaning if i see it with a hand radical. Idk if i’m explaining well, but basically sound is a huge way i remember hanzi and their meaning. I see new hanzi and for me the radical/portion related to sound IS the sound ‘spelling’ to me. So its kind of like how i recognize english words but a bit different? like i see “lumi” in english and know that spelling means “light”. Well for hanzi i see the pronunciation portion and know okay i remember that spelling+hand radical = X word. So for me hanzi start looking like word-pieces, which are just as easy to start recognizing as they were in english.
Meanwhile, with japanese, the kanji are truly my weakest point to remember. Remembering the meanings is NOT hard, because so many meanings vaguely transfer from hanzi to kanji or are close enough i can relate the new japanese meaning to the kanji fairly easily. What is hard, is the pronunciation. So many kanji have several pronunciations, and i am used to relating a portion of pronunciation to the radical/portion of the character. with kanji i can’t do that, i might see the same ‘sound’ radical in 3 kanji but they aren’t pronounced the same! And of course i’ll see a SINGLE kanji, and on it’s own it will have a few pronunciations. i never realized my hurdle back when i started japanese years ago wasn’t actually kanji meaning remembering. My hurdle was actually “brain likes to associate ONE sound to one symbol” and kanji do not do that. 
In my brain hanzi are a bit like english in that a portion of it (the sound portion) just is ‘spelling/pronunciation’ in my mind, and then the other portion is a hint of wtf the sound means (which in a way is nicer than english which does not always hint wtf the word means within the word). Kanji don’t seem to have any inherent “this is the pronunciation obviously” component, and i think for me that confuses the hell out of me. Which is even further complicated by the fact kanji change pronunciation representation depending on both words, and conjugations attached at the end. 
Anyway, as a result of my brain getting hung up on kanji pronunciation: my japanese reading-only skills are evolving fairly well (thanks hanzi-near-cognate transfer ToT), and my listening-only skills improve fairly expectedly (yay). But the combination of being able to know the pronunciation of what i read? Is VERY limited to only words i know well through listening. Because i need to know the word SO well that i remember the pronunciation and just match it up to the “symbol kanji-conjugated hiragana” reading chunk. Hence my study has been heavily leaning toward listening to japanese for the past year. Because the stronger my listening foundation, the better my kanji pronunciation. But without the listening foundation in a word, the kanji words keep fucking confusing me - their meaning is easy enough to remember, but their pronunciation (and therefore the specific word they represent) is so hard for me to figure out.  
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inkskinned · 8 months
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i love when words fit right. seize was always supposed to be that word, and so was jester. tuesday isn't quite right but thursday should be thursday, that's a good word for it. daisy has the perfect shape to it, almost like you're laughing when you say it; and tulip is correct most of the time. while keynote is fun to say, it's super wrong - i think they have to change the label for that one. but fox is spot-on.
most words are just, like, good enough, even if what they are describing is lovely. the night sky is a fine term for it but it isn't perfect the way november is the correct term for that month.
it's not just in english because in spanish the phrase eso si que es is correct, it should be that. sometimes other languages are also better than the english words, like how blue is sloped too far downwards but azul is perfect and hangs in the air like glitter. while butterfly is sweet, i think probably papillion is more correct, although for some butterflies féileacán is much better. year is fine but bliain is better. sometimes multiple languages got it right though, like how jueves and Πέμπτη are also the right names for thursday. maybe we as a species are just really good at naming thursdays.
and if we were really bored and had a moment and a picnic to split we could all sit down for a moment and sort out all the words that exist and find all the perfect words in every language. i would show you that while i like the word tree (it makes you smile to say it), i think arbor is correct. you could teach me from your language what words fit the right way, and that would be very exciting (exciting is not correct, it's just fine).
i think probably this is what was happening at the tower of babel, before the languages all got shifted across the world and smudged by the hand of god. by the way, hand isn't quite right, but i do like that the word god is only 3 letters, and that it is shaped like it is reflecting into itself, and that it kind of makes your mouth move into an echoing chapel when you cluck it. but the word god could also fit really well with a coathanger, and i can't explain that. i think donut has (weirdly) the same shape as a toothbrush, but we really got bagel right and i am really grateful for that.
grateful is close, but not like thunder. hopefully one day i am going to figure out how to shape the way i love my friends into a little ceramic (ceramic is very good, almost perfect) pot and when they hold it they can feel the weight of my care for them. they can put a plant in there. maybe a daisy.
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molinaskies · 8 months
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An interesting “side effect” of the canonization of the “classic era” meaning “younger era” is that the classic era now reads as “cute fun times” before the core cast became teenagers/tweens and things got super, super complicated.
Because the characters are “younger,” there’s an air of “little rascal innocence” to everything they do now. The new releases like Mania and Superstars now feel like little throwbacks to the young heroes just learning how to work together and make a difference in the world.
I don’t think this is a bad thing at all.
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moowithmidnight · 15 days
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The thing that’s so special to me about Emily Prentiss being lesbian is that she’d be a specific type of lesbian the media is sorely missing.
This is a very middle-aged woman with multiple sexual experiences with men that significantly impact who she is as a character (pregnant at 15, seducing Ian). Like they are canon, and undeniably formative experiences for her personality and how she interacts with other people/the team.
Having her realize her sexuality now would not only be such an incredibly story arc, it would also be representing so many lesbians who don’t get that type of representation.
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ruporas · 1 year
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drank too much
[ID: Digital Art of Vash and Wolfwood from Trigun Maximum. Vash’s body is turned slightly away from the viewer as he holds a staggering Wolfwood by his shoulder. He has one foot ahead of the other, the foot in the back used to stabilize himself from tipping over. Wolfwood is tethering into Vash, his weight pressed into him with his arms wrapped around Vash’s waist and his face is hidden away as he leans against Vash’s shoulder. Vash’s expression can be seen, his eyes wide and mouth tight-lipped, and his face is flushed red. A speech bubble comes out from Wolfwood, saying a drawled “Spikeyyy...”. The background are desaturated pastels of blue and green, showing night time, as they stand in the middle of an empty street that is also lit by the moon not depicted. Yellow light is seen coming from the inside of a saloon. End ID]
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mintcakeart · 4 months
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I saw this and went full brainrot fugue state, so have some Stobin+Kas!Eddie, as a treat
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sysig · 4 months
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Ah, childhood memories (Patreon)
#Doodles#UT#Handplates#Sans#Gaster#Having such clear external-view memories of what happened when they were young would probably give Sans a lot of ammunition lol#Not that they'd know any different - their poor memories honestly :( - but having such clear memories in places would have to be weird#Most people have childhood amnesia to an extent! Tho it's hard to say when that would've applied to them anyway with their sped-up growth#Not to mention the trauma#And it's possible that doesn't apply to Monsters to begin with lol - but it's all a moot point anyway since these are their only memories!#It's sad to think of how much of themselves are missing forever since Gaster didn't experience them :(#This is what happens when you get behind on your work >:0#I really wonder what their lack of memories/restoration of memories would do for their like/dislike of certain things!#Like how Papyrus says that sitting with Sans in his lap makes a lot of sense as to why it was so familiar and comforting#But also that knowing makes it sad as well :( Knowing recolours their understanding and interpretation!#Knowing Why makes things make sense but does it actually Help? It's a tough question - certainly it hurts in the moment#The little things Gaster has infected for them and for himself ♥ Like taking notes! Like chess and sweets and spaghetti and lab coats#And dark sweaters and cigarette smoke and hugs and intelligence - how many pieces of all of them have A Feeling attached#How many more have A Memory - and even more than that A Memory Lost and unrecoverable ughhh ♥#But the little things they can hold on to hehe <3 Like pinging Gaster for what they all know and remember#Why does he even keep coming over if he knows the reception he'll get? Lol#Feels particularly self-loathing and goes to get bullied as penance pfft
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houseswife · 5 months
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something I love about hilson is that (at least within the show), nobody ever tried that “they have a brotherly bond” BS. because pretty much every queercoded pairing from that era has said something along the lines of “you’re like a brother to me”. but not them!! they were always like “yeah I’m violently attracted to you and think we should fuck…./srs.” yes they were repressed but at least they were REAL about it
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jakeperalta · 6 months
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you're losing me being written in 2021 surprised me a bit but didn't like totally shock me or make me reevaluate the whole album really. we already have hits different and the great war telling the story of a relationship that hits a breaking point before choosing to try again together and if anything it makes more sense to me as something that informs the backdrop but was written a while before the album was assembled
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years later someone buys the plot, turns on the lights and is suddenly worshipped as a sun god by a bunch of puppets falling apart at the seams
pov you break into the spooky abandoned Playfellow Studios building for shits and giggles
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#lore tidbit! the plot is not available for purchase#the building is only Technically abandoned. its still very much Owned private property!#actually ive been thinking about the Other side of this au. the people's perspective#cause in this au at least they all Knew the puppets were alive#many employees - especially the ones working 'closest' to the puppets - put up a huge fight when the show got canceled#but it was either Disassemble (kill) Them or Lock Them Away#and honestly? killing the neighbors would've been somewhat of a mercy#but the employees had no way of knowing just how Bad things would get#wh lights out au#scribble salad#and i mean. the building's electricity bill remains paid.#the employees that felt really bad kept it paid over the years - devoting a bit of their income each to it#thinking the puppets would a) be awake & b) be able to figure it out#yeah that's actually a lil fun tragic tidbit as well - if any of the puppets had found the breaker....#or found it and Messed with it a lil... flipped the right switch...#they would've gotten the lights back on no problem#but yeah anyway ive been Thinking about the employees' side of things a lot#might tie that in with act two. it'd make sense considering the shit that happens#well either they'd help the puppets out or they'd get shoved into one of the sinkholes by barnaby. so.#bc if we're talkin seriously here. the puppets are more likely to kill a person than worship them for any reason#they'd go full 'THREAT!! THREAT!! ELIMINATE THE THREAT!!! WE'RE NOT LOSING ANYONE ELSE!!!' mode
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powdermelonkeg · 2 months
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Theory that solves(?) "founding of Hyrule" timeline inconsistencies:
Origin of Hyrule no. 1: Skyward Sword. Zelda, Link, and the Skylians settle the surface world at the game's conclusion. Notably, their dress looks nothing like the Zonai era.
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Origin of Hyrule no. 2: Tears of the Kingdom. Rauru and Sonia are the king and queen who founded Hyrule. Notably, Zonai mechanisms and architecture greatly resemble the pre-Skyward-Sword-era Lanayru mining tech and symbolism, though Skyward Sword's art direction is more cartoony than TotK, so that has to be taken into account.
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That's where it gets cyclical. If TotK's forgotten era came first, then:
Zonai influence should be ALL OVER Skyloft
The Gerudo should not exist, because they're (implied to be) descended from Groose, a Skylian; at the very least, there should have been a whole Gerudo culture in the Sky
Where did the Secret Stones go?
We should have seen Zeldra flying around in the sky, let alone Dinraal, Farosh, and Naydra
But if Skyward Sword came before all things Zonai, then:
The Lanayru Mining Facility (assuming it to be Zonai in origin) should not exist
Hyrule should have already been founded by Rauru's time
Of the two, Skyward Sword being first on the wild surface makes more sense. But if that's the case, there are even more questions:
Where did the Secret Stones come from? Are we to believe that Hylia gave them to the Zonai, since the Golden Trio have already left the Triforce and departed?
What about the Zonai themselves? They supposedly descended from the heavens. Were they just up so high that the Skylians couldn't find them? Did Hylia cleave the ground twice? Did they spontaneously appear up there like mice in grain bins?
Why is there a whole Temple of Time with bells that Rauru, one of two of the LAST of his species, woke up and went to sleep to? In fact, why is there an entire kingdom's worth of structures already built before the Sky Reckoning?
My solution:
The Zonai did exist pre-Skyward Sword, and did descend down from the sky ages ago. They built the Lanayru Mining Facility, utilizing the power of Timeshift Stones in their work. This is not Rauru and Mineru's era.
The Zonai are among the people that stay behind to fight Demise alongside Hylia, while the Skylians were sent up to Skyloft. The people of the Surface are entrusted with the Secret Stones as weapons against Demise, with the caveat that they keep them hidden. That's why they're called Secret Stones despite being well-known to Ganondorf in TotK, it was PARAMOUNT that Demise not know he could get any stronger.
The war ends. Just about every civilization is obliterated by it. The Zonai retreat as far from Demise's seal as they can to lick their wounds. They take the sages' Secret Stones with them, so as to not be caught unawares and lose them to Demise when he eventually reemerges.
Skyward Sword.
The evil is defeated, the Skylians come down to the Surface. That's the signal that it's safe to return now. Shortly after the Skylians officially start to settle, the Zonai, who know how things work, help them build a proper civilization.
Time passes. The Surface is officially a bunch of scattered clans with varying degrees of territory. People are content, though nothing is particularly efficient. The Skylians take on Zonai fashion and building styles as generations pass. The Zonai themselves dwindle.
Rauru, married to the leader of the Hylians, looks to unite the scattered clans under one banner in the name of prosperity and shared resources, idolizing the pre-Skyward era where the gods walked the land. He and Sonia officially name the place Hyrule, and any clan that signs treaty with them is considered within its borders. Mineru, meanwhile, has made her first construct models based on the Lanayru Mine Robots of old, which add to the appeal of joining Hyrule as its subkingdom territories.
Tears of the Kingdom, Zelda's first 12 memories.
Between the Master Sword going back in time and Zeldra's ascent, Zelda and Mineru get to work with as many constructs as possible to protect the Sky Isles they plan to send upwards. They need a TON of Zonaite, and recycling is a priority, leading to the gachapon machines.
Zelda knows enough about her kingdom that she knows where the land is particularly rich is where the people of her time settled, and Zonaite is shown to enrich soil greatly. This is why all the old Zonaite mines are underneath the towns in modern Hyrule, despite changing geography through other eras, and Tarrey Town's new-ness.
Zelda ascends.
The secretive Sheikah clan, having seen the Blood Moon's rise when the Demon King took power, realize that Demise isn't, in fact, all gone. They decide this means that their job serving Hylia isn't truly done, and return to help the fledgling kingdom as best they can. They bring the knowledge of the Master Sword of Skyward Sword days with them.
Ganondorf first shakes the seal he's under without form, leading to the first Calamity and the initial rise of Calamity Ganon. This is 10k years before BotW. This is also the first documented use of the Master Sword to seal the Demon King away, recorded in the tapestry.
The Sheikah are forced to abandon their technology. The Yiga/Sheikah split happens.
Literally all the rest of Hyrulean History happens after this.
Breath of the Wild.
Tears of the Kingdom.
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inkskinned · 1 year
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the rise of AI art isn't surprising to us. for our entire lives, the attitude towards our skills has always been - that's not a real thing. it has been consistently, repeatedly devalued.
people treat art - all forms of it - as if it could exist by accident, by rote. they don't understand how much art is in the world. someone designed your home. someone designed the sign inside of your local grocery store. when you quote a character or line from something in media, that's a line a real person wrote.
"i could do that." sure, but you didn't. there's this joke where a plumber comes over to a house and twists a single knob. charges the guy 10k. the guy, furious, asks how the hell the bill is so high. the plumber says - "turning the knob was a dollar. the knowledge is the rest of the money."
the trouble is that nobody believes artists have knowledge. that we actively study. that we work hard, beyond doing our scales and occasionally writing a poem. the trouble is that unless you are already framed in a museum or have a book on a shelf or some kind of product, you aren't really an artist. hell, because of where i post my work, i'll never be considered a poet.
the thing that makes you an artist is choice. the thing that makes all art is choice. AI art is the fetid belief that art is instead an equation. that it must answer a specific question. Even with machine learning, AI cannot make a choice the way we can - because the choices we make have always been personal, complicated. our skills cannot be confined to "prompt and execution." what we are "solving" isn't just a system of numbers - it is how we process our entire existence. it isn't just "2 and 2 is 4", it's staring hard at the numbers and making the four into an alligator. it's rearranging the letters to say ow and it is the ugly drawing we make in the margin.
at some point, you will be able to write something by feeding my work into a machine. it will be perfectly legible and even might sound like me. but a machine doesn't understand why i do these things. it can be taught preferences, habits, statistical probability. it doesn't know why certain vowels sound good to me. it doesn't know the private rules i keep. it doesn't know how to keep evolving.
"but i want something to exist that doesn't exist yet." great. i'm glad you feel creative. go ahead and pay a fucking artist for it.
this is all saying something we all already knew. the sad fucking truth: we have to die to remind you. only when we're gone do we suddenly finally fucking mean something to you. artists are not replicable. we each genuinely have a skill, talent, and process that makes us unique. and there's actual quiet power in everything we do.
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zevranunderstander · 11 days
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number #1 tactic that people use to not sound as racist as they are when they talk to black people: 'uhh so you AMERICANS need to stop pretending everything is about YOU. why should i know this im not from the us :/' (= is talking about like. a phenomenally internationally well-known black artist)
#myposts#kendrick lamar#drake#i updated it from 'white europeans' to 'people' because some people pointed out that 'gringo' is probably more south american lingo#but the point i wanted to make is like. there is this subset of european people (quite a lot of them)#who try to deflect by saying them not knowing these things isn't because of an active lack of disinterest in black culture and influences#and like. them not knowing who a certain black person is is never an educational failing on their side of any sorts#but instead are pretending that like. they are by virtue of being european always correctly educated on What History And Art Is Important#like. 2 months back that one post pretending that 'us europeans dont need to know all your AMERICAN writers 🙄' talking about james baldwin?#like just because that person didnt know who james baldwin was#they immediately were mad at the implication that They Didn't Know Someone Of Cultural Significance#and twisted it into 'well he cant be that important by virtue of me not knowing him'#like completely ignoring that the european school system also has. race problems and also ignoring that he lived and wrote in France too#but like. its this really racist defence mechanism of like. 'well you stupid americans always make everything about yourselves'#i hope i make sense i didnt think this would blow up lol#and like some people in the notes of that post were so smug about not knowing who Kendrick Lamar is#bc to them thats like 'oh im too cultured to be listening to rap of any sorts' like completely dismissing his music as kind of second class#by virtue of it being rap and black music and him not being in the White Mainstream as much as other musicians#(i mean hes still like 24th most listened artist worldwide but you get what i mean)
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entranova · 9 months
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Dang. Finn has been fully messed up since Jake died, hasn't he?
Like the way he's all "let's go on an adventure!!" and " it's no probs, I love fixing people :D" like s i r...
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solarmorrigan · 5 months
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For the dialogue prompt, how about “What happened doesn’t change anything” for either Steddie or Newmann?
Thank you!
Hello hello hello I finally have something for you! I chose Steddie for this one, since I was on a roll. I hope this suits!
[post-S2 Steddie AU; CW: Outing, transphobia, some internalized transphobia; soft ending guaranteed, though]
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When he sees Hagan meandering over towards them in the parking lot after school, his queen bee tagalong, Perkins, in tow, Eddie knows nothing good is going to follow. The way he feels Steve shift beside him says that he suspects much the same. The rest of the Hellfire guys, all gathered around Eddie’s van, talking and joking before heading home, have fallen silent.
It’s a small consolation that Hagan isn’t trailing Hargrove; since putting Steve in the hospital (briefly, Steve always interjects) last November, Hargrove has mostly given him—and the members of the Hellfire Club, once Steve had been taken into their fold—a fairly wide berth. Hagan, however, has had no compunctions about hassling Steve whenever he gets a bug up his ass about something, and he’s only become nastier since he started toadying for Hargrove.
So Eddie expects trouble, but he hadn’t expected–
Hagan starts small, crowing about how Steve has finally found his rightful place: among the freaks. Steve doesn’t give anything away, no displeasure, no anger, just bored indifference – the same mask he’s always hidden behind (the one Eddie had learned pretty quickly to see past, once he knew what to look for). But Hagan pushes.
“I guess the freaks already have a king,” Hagan snipes, cutting a glance at Eddie, “but I’m sure he needs a lady to rule by his side, right, Stevie?”
It seems like an unoriginal sort of dig—calling Steve a girl, how creative—except Steve goes pale. The mask slips, showing wide and frightened eyes for just a moment, but for Hagan, who’s known Steve for years, it’s long enough. He knows he’s hit something good.
“Do all your new little friends know, Stevie-boy? What makes you fit right in with them?” Hagan glances around the group, apparently enjoying the fact that if looks could kill, he’d be dead four times over. Then he leans in and practically spits at Steve, “Do they know that they got into your pants, you’d be less of a King Steve and more of a Queen Stacy?”
And that does it – shatters Steve’s mask so thoroughly that he actually takes a step back, staring at Hagan with a kind of disbelieving betrayal frozen on his face.
The full meaning of the words hits Eddie about three seconds before Hagan hits the side of the van, one of Eddie’s hands fisted in the front of his t-shirt and the other held firm at the base of his throat – not hurting, exactly, but heavily implying that he could.
Eddie doesn’t even have to reach for one of the many theatrical voices he uses to rile people up or cow them into submission; he’s so thoroughly taken by a type of rage he hasn’t let himself give into in a long time that his tone comes out perfectly threatening all on its own.
“If you ever repeat what you just said to another person, I will find out, and I will make your life a living hell,” he hisses.
Somewhere behind him, someone—it might be Jeff, though Eddie isn’t sure—clears their throat, and when Eddie tosses a glance over his shoulder, he finds the rest of Hellfire standing firm at his back (even tiny underclassman Gareth, with his arms crossed and the meanest look on his face the poor kid can muster).
“Ah, my apologies,” Eddie says as he faces front again, flashing a manic little grin, “we will find out. And we’ll ruin your life, Hagan. Same goes for your girlfriend.”
Perkins, who had been standing off to the side as the snickering peanut gallery right up until Eddie had pinned Hagan to the side of the van, makes a choked noise of offense that goes entirely ignored.
“Tell me you understand, Tommy-boy.” Eddie punctuates the command with a flex of his fingers near Hagan’s throat, until Hagan reluctantly nods, and Eddie releases him. “Glad we’re in agreement.”
Hagan and Perkins hightail it the other side of the parking lot, leaving them be with nothing more than a nasty look from Perkins, but no one is much in the mood to chat after that. No one really knows what to say – except Steve, who offers a quiet thanks to the rest of the guys and, having caught a ride in with Eddie that morning, then asks to be taken home.
Even with the radio playing quietly as Eddie drives, the atmosphere in the van feels silent and stifling.
Asking Steve if he’s alright feels like kind of a ridiculous move. Eddie wouldn’t be alright if he was in Steve’s position – hell, Eddie’s not alright. He’s pissed. But from the way Steve is sitting rigidly in the passenger seat, staring out the window like Eddie is driving him to his execution, Eddie’s anger—even on his behalf—isn’t what he needs right now.
Slowly, Eddie forces himself to let it go (for now, at least for now) and follow the familiar roads home.
It feels perfectly natural to simply head back to his place, where they’d been planning to go before that shitshow of a confrontation, though the surprise on Steve’s face when they pull up to the trailer says that he’d thought otherwise.
“You could’ve just taken me back to my house. I wouldn’t– I’d get it,” he says, and Eddie frowns at him.
“Did you want to go back to your house? We can hang out there if you want, I just figured…” Eddie tilts his head regarding him carefully. “You seem more comfortable here.”
Steve stares at him for a long moment, blank and uncertain, before he breaks back into motion with a shrug. “Okay,” he says, moving to get out of the van.
They head inside and nod a quick hello to Wayne, who looks like he’s just woken up in preparation for his shift, and then they go straight back to Eddie’s room. Eddie’s bag goes on the desk, but Steve’s goes by the door. Eddie sits down on the bed (admittedly one of the few places to sit, but also an invitation for Steve to come sit next to him) but Steve – Steve hesitates before leaning up against the wall, by the door with his bag, arms crossed and gaze cast towards the floor.
He looks ready to run at any moment, and Eddie sighs. This thing between them is new – so new that they’ve been afraid to put a label to it, dancing around each other uncertainly for months before sharing their first kiss barely a month ago. They’ve spent almost every available moment since with their hands on each other in some way or another, though Steve has been a bit skittish about moving past making out (Eddie had thought that maybe it was the unfamiliarity of being with another guy, but he thinks he might have a better understanding of the picture now).
Eddie doesn’t want to break things by pushing too hard, but somehow, he thinks leaving it unaddressed would be worse.
“Look, we don’t have to talk about it,” he says, watching Steve, though Steve still isn’t looking back, “but if you want to…”
Steve shrugs. “I wasn’t hiding it from you,” he says, finally glancing up at Eddie. “I mean, I was, but not– I was going to tell you.”
“You don’t owe me any kind of explanation,” Eddie says.
“You would’ve found out eventually, either way.” Steve lets out a sound that suggests he may have been trying to laugh. “But it was – I should’ve been the one to tell you. That was – that was mine to tell.”
A little bit of Eddie breaks as Steve’s voice does. He’s almost vibrating with the desire to hold and to reassure, to go over to where Steve is standing, still propped against the wall, practically curling in on himself (trying to make himself smaller), but he’s not sure how well it would be received. He tries words, instead.
“Steve, I’m so sorry–”
“That was the one thing,” Steve snaps, anger tearing across his tone, “the one thing Tommy would never touch, the one thing that was off limits, even he knew– and he just–” As quickly as it had come, the anger goes, taking Steve’s energy with it. He presses the heels of his palms into his eyes and lets his hands slide down to cover his face; when he speaks again, he sounds small. “I wasn’t ready.”
Eddie couldn’t keep himself from crossing the room if he’d tried – though isn’t trying, after that. He’s up off the bed and into Steve’s space before he’s even realized, and it’s probably only his proximity that allows him to hear what Steve says next.
“I’m not ready for things to change between us.”
“Steve,” Eddie says, low and careful, “what happened doesn’t change anything.”
Steve pulls his hands away from his face with a derisive little huff of a laugh. His cheeks are red and his eyes are bright; he’s not crying, but it looks like a near thing.
“It’s – like, I get it. You’re fully into guys, and I’m…” He waves his hands down at himself, sharp and frustrated. “Most people wouldn’t call me a real guy, if they knew.”
“Since when am I most people?” Eddie asks. “You say you’re a guy, you’re a real guy, fucking end of. Anyone who thinks otherwise can fuck off.”
Steve scoffs, rolling his eyes, clearly trying to hold back a much more emotional reaction, and Eddie chances resting his hands on Steve’s shoulders. Steve doesn’t move away, even eases a little into the touch when Eddie starts circling his thumbs at the skin right where his shirt collar ends.
“You don’t have to believe me right now,” Eddie says softly. “But I like you, Steve. I like you, andI’m gonna stick around and prove it to you.”
Something about the declaration makes Steve’s eyes snap right to Eddie’s, searching, anxious and cautiously hopeful, and Eddie lets him look. Whatever he’s after, maybe he finds it, because he uncurls from himself a little after that, just enough to lean in for a hesitant kiss that becomes much more certain when Eddie himself doesn’t hold back.
Eddie pulls Steve back over to the bed after that, poking and prodding him around until they’re both settled, Eddie’s back to the pillows and Steve’s back to Eddie’s chest (Steve’s never said as much, but Eddie’s gathered that this is one of his favorite positions to cuddle in; he doubts if Steve’s spent much time being the little spoon).
“Tell me something else,” Eddie says, once he’s got his arms wrapped securely around Steve’s waist.
“What?” Steve asks.
“Tell me something that you want me to know.” Eddie leans forward to press a kiss to Steve’s temple. “Anything.”
For a moment, Steve is quiet, thinking as he traces absent patterns over Eddie’s forearms. “I could tell you why I picked Steve,” he says finally.
“If you want to, I’d love to hear it,” Eddie says.
“It wasn’t because it was sort of close to my… old name. That was actually kind of a coincidence.” Steve lets his head fall back against Eddie’s shoulder, the tension that’s been wound through him for the last hour finally starting to ease. “Steven was my grandad’s name.”
“Yeah?” Eddie prompts softly.
“Yeah. My mom’s dad. I used to spend a lot of time over at his house when I was a kid. Before he died. I kind of got the feeling he liked me more than my parents did.” Eddie gives Steve a squeeze around the middle. “But he used to tell me all these stories about fighting in World War II. Probably not very age-appropriate, now that I think about it, but at the time I really ate it up.
“He didn’t really, like… glorify it, I don’t think? He just kind of told me what happened, good or bad, and whatever the story was, I always thought he sounded, y’know – strong and brave. And when I wanted to pick a new name…” Steve shrugs against Eddie. “I kind of hoped he wouldn’t mind sharing his with me.”
“Bet he’d be honored,” Eddie says, giving Steve another little squeeze.
“Some days I’m not so sure,” Steve says quietly.
“Well I am. I’ll just have to stick around and prove that to you, too,” Eddie says decisively.
Briefly, Steve’s hands tighten where they rest on Eddie’s arms. “I like the sound of that,” he says, and Eddie turns so he can press another kiss to the side of Steve’s head.
“Good,” he says. “Me too.”
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cacw · 1 month
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meet your maker
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