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#its not like they're really talking at that point
karmaramen · 3 days
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the toshiro/laios fight tickles my brain. i relate to both of them and it makes me a lil sad seeing people hate toshiro with such vitriol.
like as an autistic poc one of the major ways i mask is emotional repression. and while im completely oblivious to some social cues, i'm keenly aware of others, to the point where i'll be bottling stuff up and stressed tf out by this weird balancing game!
i innately want to appease people, to the point of playing nice even when i'm uncomfortable. i genuinely want to get along with everyone, but sometimes that's impossible. my nature to try to help everyone can often contradict itself and twist into appearing two-faced or duplicitous.
toshiro doesn't hate laios, but they aren't as close as laios thought they were either. it's not clean cut one way or the other. they fight, they talk—and yeah—its on toshiro to speak up and not make assumptions. but they're able to come to a mutual understanding and i think that's really neat since i resonate with them and my own internal conflicts!
all this to say im gnawing on ryoko kui's writing. really cool stuff going on. the parallels foils and interactions between different characters are so tasty.
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Alrightyy saw Challengers for numero uno tonight and these are some thoughts/things that really got me the second time round!
*Thess are just my opinions the film can be read however anyone else wants
Okay so hear me out.. Tashi is such a dom, Art is such a sub and Patrick is such a switch and oooh it got me how at the beginning it felt like he was Arts dom, then he finds this girl he thinks is fantastic and maybe he thinks she could be the glue to bring him and Art and her all together BUT then it totally fricken backfires and instead he loses both. Art the little puppy he is starts wagging his tail in Zendayas direction and next thing ya know he's got a new owner and Patricks a thing of the past much to his palable distress. I mean christ boyos living in his car and starving, boys a mess since his lost his dom and sub poor boyo, so now various things I noticed some of which I feel back up my argument haha
Gosh theres so many little moments, Patricks thing for Art seems so obvious yet Art seems totally clueless.
1) Patrick is defos bi, not just because he just so is but also cause he matches with a guy on his dating app during his swiping.
2) The doubles match they play in the past? Gosh they're all over eachother! And Pats clearly in charge of that relationship and Art seems totally cool with that (for then anyways..)
3) When him and Art are watching Tashis game at the vert beginning Patrick grabs Arts leg in exhilaration. I mean he always seems to be touching or in the space of his boy for christs sake.
4) When Tashi mentions the fact Arts going to Stamford Patrick noticeably makes a face, you could say its because shes paying attention to Art instead of him or that hes upset because shes going to college instead of going profesh BUT I really didnt read it that way. To me it looked like he was upset Art was going to college, they've been together for years after all and now their splitting up, poor boyo.
5) When Zendaya asks if theres anything going on between then, Art laughs and says no BUT Patrick??? Science and he looks down, hell he wishes there was summat.
6) He taught Art to jerk off. Fucking hell.
7) There kiss man, all three of then and then just Art and Pat, just soo much chemistry.
8) When he reveals he slwpt with Zendaya to Art, and Arts smile drops. I think he's heartbroke at him sleeping with the girl he likes but I also see it as pain at being left out. These two people he's entwined with and now he's outside looking in. I also think If Patrick had seen that reaction he'd have seen a looot sooner that his relationship with Tashi might backfire greatly.
9) Patrick vsiting Stamford, first person he goes to see, his girlfriend maybe..? NOPE hes too busy chasing Art around the tennis court 😭
10) There's a ton of hot moments in this film. And the hottest? To me? That bloody stool grab with his foot. He wants Art close, he always bloody does! And the churros christ! And once again showing Art who's top so to speak, eating his churro, and telling him hes proud of his snakey behaviour. And that it makes his relationship with Zendaya hotter (I bloody bet it does) He never ever seems to show jealousy about Arts feelings for Zendaya, he points out thay he doesn't see him as competition to her not long after and I BET his doesn't. Cause I think he'd love it if Art was with him and Zendaya.
11) My God this bit gets be cause it gets echoed later. Him and Zendaya are making out and this girl who he's with and cares about is just talking bout his tennis game. And tbf what does he say?? "Weren't you gonna tell me bout Art" hells bells could you be more obvious?? And then the fight, he asks her if she's talking about tennis and her reply "I'm always talking about tennis" and I mention this cause it's gonna be relevant later.
12) The injury happens and everyone loses something. Zendaya has lost her career and ability to play tennis to her full potential. Art loses his best friend and Poor pathetic Patrick lost his bestfriend(and secret love) and his actual girlfriend all in one day!
From here on I cant guarantee my numbered points are in timeline order as the timline stated getting more out of sequence🤣
13) Zendaya and Art in the diner and after hearing Art and Pat dont talk no more saying she's a homewrecker after all. And what does Art say?? Zip. Nada. No denial just silence.
14) Okay lets talk that sauna scene. It was gloriously tragic. Patrick is clearly unaware why Art is THAT hostile towards him. I mean thinking of it from his point of view he'd have more reason to be angry considering the snakey girlfriend behaviour. But he never is angry at Art, not once no matter what he did. Of course we then discover Art is SO pissed cause he knows about Atlanta. Christ I bet pur stupid idiot boy Patrick thinks hes just being cleverly smug with that "when we were teenagers" line but idiot boyo your rubbing salt in the wounds 😭
15) still about the sauna, the naked trying to be top dog like old times but no no no, not anymore. Arts not his to be in charge of anymore. And the camera shows Art as higher while Patrick slouches nearby. Patrick asks him when he's so mad but doesn't get an answer. This scene was tragic to me, Patrick just seems hurt by Arts attitude. Art points out that they're no longer peers and I love this because thats the difference between the Zendaya/boys relationship and Arts and Pats. Pat may have been the dom so to speak with Art but he still saw them as peers. Zendaya doesn't. Thats the main difference in their relationships. Respect.
16) One of my fave damn parts of dialogue in the movie. (I really can't remember exact phrasing but this is how I rememeber it) Art is so sus of Pat, Pat asks him if he misses it, Art says he doesnt. And when Pat says he wasn't talking about tennis, Art says "Your always talking to me about tennis" and oof the punch to my gut that was. And it seemed to Patricks too! His face, this poor boy has twice been talking to the people he cares about, abou their relationship and they just say their talking about tennis, he cant catch a break😭
17) Pats reaction to Zendaya asking him to throw the game, is he offended for himself? Nopeee he's mad that she'd do that to Art. He says something along the lines of fucking him was one thing but to have Arts victory be a lie?? Gross, too far, too much of a betrayal.
18) For the third time, having just fucked Zendaya in the car and she just immediately brings up him throwing the match, like crimeny man this boy is probs sick of this game getting in the way of his relationships haha
19) Ooh that match point is glorious glorious cinema my friends. Patrick is so interesting in this whole match. Him deliberating on if he's gonna tell Art? So juicy and the way he did was fucking hilarious. That unspoken signal? Beauty.
20) Arts reaction? Wow oh wowww. The lad went through the five fricken stages of grief! The denial "fuck off!" the rage, throwing his racket, the bargaining, looking at Zendaya as if to say its not true (when she has no fucking clue what just happened). The depression, those sad sweaty tears 🥲 and then? That gorgeous smile, that acceptance. I think he felt catharsis, his marraige was clearly dysfunctional at this point and maybe knowing she cheated, knowing she'd threatened to leave if he lost, maybe that helped him let go of it. Ripped off the bandage, turned off life support, finally shake the pedestal he'd put his wife on( he compared her to jesus for christs sake). He made it through to the otherside and Patrick was there waiting for him with open arms ()iterally lol)
21) When Pat sees Arts smile? His own blossoms, clearly in relief and exaltation. I truly think he told him not to throw his game but to spur Art on. To finally unlock his potential. And to get the old Art he knew back and it bloody worked. That final back and forth, the pure energy, those sexual grunts all building up to a crescendo of a climax. Hooo boy
22) That goddamn brilliant leap in the air. Art is freed and flying, and Patrick doesn't hesitate he flings his racket to the floor because the thing that mattered to him most was never tennis. And he catches his boy with arms wide and then that embrace. They have finally come back together. It was beautiful. What does losing the match matter to Pat when he finally has his arms all over Art again just like he did in the beginning. We have come full circle.
Hahaha this is purely my own read into the movie and obvs mostly about the Patrick character and how I saw his actions. Now a few little bonus notes I noticed.
Nearly everything the boys eat/drink seems phallic, hotdogs, bananas, churros, even those drink bottles and cigarettes. Boyos are obsessed!
Zendaya on the rock at the beach was very little mermaid. Also in that scene when she said she wouldn't wanna get between em. Art said they didn't love together but Pat says "It's an open relationship" hecks you too obvious boy.
This movies so chock full of foreshadowing too, the story about Cat who got injured a week later. Patrick at Tashis party saying she'd have deals and a foundation which she does but via her relationship with Art instead just really cool script tbh
(Will probs add more when I remember em/see it for third time cause I am planning on that🤣🤣)
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dairy-farmer · 2 days
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Titans always liked to party. Even when everyone started their own lives, barely seeing each other, they always found time to throw a party once in awhile.
This party was the biggest one yet. After one of the massive threats to the universe was dealt with, some of the JL members stayed, almost all of the Titans and even the Outlaws. Dancing, games, chatting... After a few hours, there were only a small group left: bachelors, who wanted to get drunk. Hal didn't really care about an age gap, everyone left were adults. Dick was always game. Roy wanted Jason to let loose, so they both stayed.
At some point they started playing Truth or Dare, but they figured out fast that they were too drunk for any action, that's why only truth was left on the table. Questions soon turned into only sex relating. The most adventurous time. Just the best fuck. Best blowjob. Until one of them mentioned Tim's name. That's when they figured out, that all of them had sex with Tim and that all the best times they were talking about were with him.
!!!!!!!!!!!!!! yesss!!! they're all heavily buzzed and are slurring their speeches, too drunk to even think of getting up from where they're sprawled over the floor on cushions, couches, and assorted arm chairs. there are occasional bursts of giggles, some rolled eyes from hal and jason over the other two giggling like school girls over something. but its not like any of them have anywhere to be. no girlfriends, wives, or children expecting them home. and also being drunk and alone is sort of pathetic so at least together they're socializing and having a nice time while occasionally forcing one another to do humiliating shit until it's late and they're tired and have decided to just keep getting 'truth' out of each other while they wind down from the party and enjoy the company of each other and pretend they're not nearly as drunk as they feel.
dick is failing at it the worst and is nursing a trashcan in his lap while seated criss cross apple sauce on the floor. hal has managed to claim the entire length of the couch and has his head rested on one arm rest and ankles crossed on the other. roy is slouched with his elbows on his knees on a chair and drinking a slowly melting slurpy because he'd volunteered for a 7/11 run. jason has an icepack over his eyes and a can of ginger ale in one hand and pretending they're not all there while he...batmeditates the drunkness away.
things are civil and friendly, occasionally they all share a laugh at someone else's expense while plying truths out of each other. there's an unspoken brotherhood in bachelorhood that makes being open and honest while wasted so much easier and so much more...freeing. they don't have to worry about judgement, about hurting someone's feelings. when among kin you can finally admit that sure that girl you dated on and off for years kind of sucked at giving head and that the best blowjob of your life was at an executive's christmas party while out on the terrace of some hotel.
roy sighs about the sweetest tits he'd ever seen being on someone he had no business hooking up with.
hal commiserates with him admitting that despite his playboy ways, the best fuck of his life had been this barely legal little thing that he'd been waiting to get his hands on since they were sixteen and that hal also would have risked losing his balls if anyone in the league ever found out about it.
jason, from under his icepack, grunts out about how his sweet little pocket pussy had let him put the mouth of his fully loaded favorite gun into his fucked out little hole that was dripping with jason's mess.
hal gives an impressed whistle and jason lets out an, honest to god, wistful sigh about how he should've put a fucking ring on it.
they all give a shared shudder at that though. if there's one thing they all understand its that none of them are...husband material.
still that doesn't mean there aren't...longings for the position and its associated benefits.
dick gives a miserable groan into his trashcan and a wet gag where nothing comes up before miserably sniffling and asking them if they thought that tim would mind dick sabotaging his birth control so he'd have dick's baby so dick could have his not so secret desire to be a daddy to more than just the goldfish in his apartment.
and it's the mention of tim that sends them all back into their drunken reminiscing and bragging about conquests and the mental all stars roster they each have regarding their hookups.
of which tim seems to be the mvp of.
it's not shocking, not to them. if others had been in the room they probably would've been surprised that the most prude robin actually wasn't all that chaste. but they all knew exactly what tim did in his spare time (them). the only part that's surprising is finding out that they all have become intimately familiar the hot tight little cunt that milked their cocks like it was handmade by god to do it.
it's not long until that's all they're talking about.
hal closing his eyes and moaning about how cute and pink tim's tits were when they bounced as he rode him. jason about how tim was so obedient, letting him bend him all sorts of ways and positions and being such a champ and letting jason keep going even when he was passing out from exhaustion. dick is fully laid on the floor and mumbling about how nice and cold the hardwood is while talking about how tim's mouth always looked so cute stretched around his cock-that he didn't even have a gag reflex. roy is shamelessly hard on his chair and talking about how its a shame tim doesn't cross paths with him more often that roy would've loved a repeat, that jason and dick were fortunate to share a home with tim.
"i bet you've gotten some great pics" roy sighs.
and that's when the other three freeze for a moment because...pics?
and that's when roy shows them his phone where tim has sent roy pictures!!!! of tim's little hands cupping a tit in his bathroom mirror, of tim's finger pressed into his dripping baby cunt.
and hal has to fumble for the short 30 second clip in his phone of him slamming into tim and grunting as he cums as deep as he can get. jason claims tim has left countless pairs of panties in his apartment and that tim didn't let him record them fucking because he thought jason would shove it in bruce's face whenever he was angry at him (which jason absolutely would do) and dick whines about how his baby timmy never sends dick that kind of stuff!!! but would he? if dick asked would tim send him naked pictures of him in bed??
it goes without saying that tim is their favorite, the one they have the most fond memories of, the one that was their most memorable experience.
but that doesn't mean they don't all feel a bit competitive when they all text him to see who he'll respond to first.
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romanticintheory · 10 hours
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on my knees BEGGING for more price and civilian!reader. i just read it and i can’t stop thinking about all the cute itty bitty interactions- their date, their convos, maybe him meeting her surprisingly scary dog (currently in love thinking about COD men and K9s yknow?).
Like if there’s not a single supporter for this, i’m dead in a ditch somewhere
what it's like dating john price as a civilian.
john price x gn!reader
part 1
more fluff, more domesticity, me being down bad
a/n: KSAHDASDKJ im so glad u love them as much as i do!! hope this does them justice for u <3
-
the date went really well, thankfully. he showed up at your place ready to pick you up with the bouquet of flowers he knew you deserved. call him old-fashioned, but he was adamant on making sure you didn't have to lift a finger for anything.
hell, he even asked you why you were standing out there in the cold by yourself, saying, "i could have come to your door so you didn't have to freeze all the way out here, sweetheart!"
he held out his hand for you to take as he guided you down the stairs, opened your side of the door for the car, and always walked with you on the side closest to the street.
the movie was a cute action comedy. it was even funnier with john because he'd sometimes pipe up at the action sequences talking about how unrealistic some scenes were.
when you told john that the main character's actor, a built, older-looking man, was used to be your celebrity crush in high school, he couldn't help but let a chuckle rumble in his throat and ask, "got a type then, love?"
"yeah, probably do," you admitted shamelessly.
the dinner was just as nice as the movie: he took you out to a nice restaurant and hung onto every word you spoke. likewise, you couldn't take your eyes off him whenever he told you stories about him and his boys.
he wouldn't tell you stories about him doing his job, mostly because he didn't want to disturb you with what he's had to do. he did, however, happily tell you stories about the ridiculous things he's seen his task force get up to.
"they sound like a handful," you said warmly, "you sure they're not your kids?"
"no, but they certainly sound like it," he leaned just a little bit closer to hear you better over the chatter of the restaurant.
"i get that. i've got a handful at home, too." you paused to take a sip of your drink. "a little puppy."
"really? what's its name?"
when he takes you back home, he wordlessly walks you back to your door.
"would you like to meet beau, john?" you ask, hand hovering over the door you unlocked.
he opens his mouth to speak but gets interrupted by the sound of scratching and a dog panting on the other side of the door.
"well, only if he's okay with meeting me."
when you open the door, john is surprised to see a full-grown rottweiler launching at him at full speed. for a second, he saw his life flashing before his eyes before he realized the wagging of beau's tail.
"oh my god, i'm so sorry!" you call out immediately, "he's usually more polite around strangers. beau- beau get down!"
john only laughs at your panic and took your dog's friendliness as a sign to pet him. "'s alright, love. i trust you enough to know you wouldn't put me in harm's way."
he takes in beau's stature. from the looks of his larger-than-average size, he might be a guard dog for you. or maybe you just wanted company and decided to hone in on his scariness and bulk by adding that spiked collar.
"so, a puppy, huh?" he points outed humorously, locking eyes with you after realizing that your canine was, in fact, fully grown.
"hey, he's still a puppy to me!" you interject, kneeling down beside john's crouched figure to also show the rottweiler some affection.
"i see," he nods thoughtfully, turning his attention back to beau. "you're just as gorgeous as your owner, huh?"
your face is on fire again. "you flatter me, john."
"how does the saying go? it's not flattery if it's true?" he stands up much to the disappointment of beau and to take a step closer to you.
"you're too kind."
"jus' trying to treat you like how you deserve."
it's like he's trying to light you aflame on purpose. your embarrassment grows so much you have to cover the smile on your face with your hand. once your face has cooled down, you take a deep breath and let your hand fall down back to your side.
"thank you for tonight," you say quietly. "i had a really good time."
"glad to hear," he replies. "'m also happy to see beau likes me, too."
"well, we both have that in common, i guess."
"oh, who's doing the flattery, now?" john says playfully, his hands on his hips as you laugh softly at him.
"still you!" you insist.
"hm. maybe next time we can figure it out, yeah?" he proposes, a hopeful glint in his eye.
"next time? you already ready for a second date, price?"
oh, he was ready for more, but he didn't think you were ready to hear that.
"unless you're not," he tells you slowly, afraid of pressuring you into saying yes already.
sensing his worry, you reassure him with, "how could i not be?"
he relaxes at your admission and leans forward to give you a kiss on the cheek. "i've got your number. next week sound fine to you?"
"of course. whatever you like, soldier," you nodded, the lingering feeling of his lips on your cheek leaving a tingling sensation. if you were just a bit more confident, you would have kissed him then and there.
"i'll see you then, love."
he bends down to give beau a well-deserved goodbye pet before turning to leave, looking you in the eyes one last time before leaving for home.
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cripplecharacters · 3 days
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that has a supporting character with dwarfism, and he's really close with his older brother, who is pretty tall. would it be weird if i sometimes had the younger ask his older brother pick him up so he can reach things? its supposed to be a cute little quirk of theirs that shows their bond, but i'm worried it might come off as weird for some reason. also, do you guys could give me a couple more tips on writing a character with dwarfism, if you have any? thanks in advance! (2/2)
Hi! the guy who asked about less talkative autistic characters here. sorry about that! i was going for more of like... don't talk to a point where it wouldn't be considered "socially acceptable?" but i had a character limit so i couldn't really get my point across that well. now that i think about it, that would probably also be lumped into just, yknow, not being talkative too. anyways, i have another unrelated question! probably equally silly but w/e. i'm writing a slice-of-life story (1/2)
Hello lovely asker!
I just wanna say that because of the ask backlog and the rotation of mods I'm afraid I don't know what ask your talking about, but I'm sure it was simply just a question that was in good faith of curiosity which is what this blog is for 😊
And to answer your question, I'm curious with how old the younger brother is. I haven't been picked up since I was probably about five to help me reach something and even then I was getting yelled at for climbing counters and such. If the younger brother isn't a very young child I would avoid this.
Being picked up is a general no. if you wouldn't do it to anyone else don't do it to someone with dwarfism or any person with a disability. Unless it's under their explicit permission, or help with transferring (from say a mobility aid to a bed or another place etc) or life or death situation, it's almost always a no.
Instead using things like the broom handle to hit tall switches or they even have these things called a "Reacher Grabber" that makes grabbing high up things super easy. Stool also are a big help, the small collapsible ones are easy to carry and move, and certain placed handles help too. Tall people are an advantage I will say though. Having the older brother bring something down to the younger brother is fine. Also have the younger brother climb things and stack objects and use the environment around him so he can get what he wants. I assure you this is what most of us do a lot.
A few more writing tips I have would be:
Research different types of dwarfism and find out which one you want your character to have and how this will affect him. It doesn't have to be mentioned at all but you knowing what type will give you much more insight into building this character.
Don't be afraid to give them mobility aids. A lot of people with Dwarfism have them and use them because they help us and they're pretty common in the community. (Do plenty of research there too if they do have one!)
A joke once or twice, especially if the two characters are very very close, about his dwarfism is okay! Me and my friends joke about mine all the time but quantity control along with a joke in good taste and timing is very important.
The character getting frustrated with his disability is okay too! It happens to me a lot but usually I'll find a solution right after to the thing that frustrated me and that frustration is gone as quick as it came.
If he's having a long conversation or an eye-to-eye conversation with someone that's tall, have them sit down somewhere, get to eye-level (I wouldn't have them lean over to his height though). It really does start to hurt your neck and head after looking up at everyone for so long.
And lastly, I certainly use my height to my advantage in multiple different scenarios. Small hands and small containers or spaces are very compatible with one another. And even though I have to shop in the small teens or kids section for clothes or shoes, I will say certain things are made better for kids (for some reason). But I also know how to hem my own clothes and how to fix them! A lot of people with dwarfism make or modify their own clothes. I can't tell you the amount of times I've gotten discounts at buffets and restaurants because people just assume I'm a child and I'm not gonna protest the discount either so. There are many fun aspects to having dwarfism, I have more fun with it and get more laughs and community out of it than frustration or anything else.
I know there's many more little things that I'm forgetting right now but the dwarfism community could probably add a few things too. Good luck writing!
~ Mod Virus 🌸
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ordinaryschmuck · 19 hours
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What I Thought About The Owl House Pilot
Huh. Never thought I’d get to do this again, but oh well.
Salutations, random people on the internet! I’m an Ordinary Schmuck! I write stories and reviews and draw comics and cartoons.
And, above all else, I LOVE talking about The Owl House. I have an entire masterpost dedicated to talking about every single episode of the show and I’m halfway through a six-part review discussing everything that I love about it (Part Four's coming when it’s done. Let’s say…late June. Early July at the latest). I figured that after I’d finished that whole deal, I wouldn’t have anything left to talk about when it came to this series. Then, out of nowhere, the show’s original pilot leaked online…Sort of. It’s just an animatic with the show’s original voice cast voicing MOST of the lines, but it’s very much the pilot episode. It’s just not a finished product and I won’t share a link because I don’t think it’s exactly…legal. BUT I will at least share my thoughts about it because, well…Look at my blog. The Owl House has become the BIG THING that I obsess over for a reason and I love that I got to see what’s basically an alternate version of the show that I love. What do I mean?
Well, a pilot is MUCH different from a first episode. Where the first episode is meant to sell the show to the audience, a pilot is meant to sell it to a STUDIO. It can happen at any point of the story or act as the show’s first episode. Just as long as it shows off the characters, concepts, and tone, a studio can look at it, greenlight it, and allow the show to continue, BUT with some extra notes. Sometimes, those notes can change the rest of the series where others can keep the pilot good enough to stay canon. Some best examples off the top of my head are the pilots for Regular Show and Rick and Morty. You can tell that not much changed from the pilots of those shows and what was initially pitched, but there are clear changes in tone, animation, and even personality. Skips sounds a little more illiterate and Benson being more informed of the consequences of something as simple as rock, paper, scissors in the Regular Show pilot and Rick is noticeably more reckless and unprepared for situations in the Rick and Morty pilot. Nothing is set in stone with a pilot episode, even the ones that are canon. For the case of The Owl House, it’s pilot is no exception. A lot of it is just the same as “A Lying Witch and A Warden” at least in terms of plot and themes, but there are so many changes that show off what the series COULD HAVE been instead of what it was. How different? Well, let’s go through it all.
But real quick, I’m not going to do the “Like/Dislike” format I’ve done for previous reviews. Instead, I’m going to look through this pilot, note the changes it has, and share my thoughts on them. There’s also going to be a few spoilers to what happens in this pilot, so if you haven’t checked it out then I suggest giving it a watch wherever you can find it. It really is interesting to get a peak into what’s basically an alternate version of my favorite show.
With that said, let’s get into it.
Some Things Stayed the Same: Like I said, it’s basically an altered version of “A Lying Witch and A Warden.” The plot is that Eda uses Luz to get King back his “crown of power,” with some bits and pieces carrying over. Certain jokes that must have been too funny to get rid of, specific lines of dialogue that hit just the right notes, and some aspects of the characters’ personalities being just the same, proving that they're already perfect the way they are. It’s the changes, however, that makes for something more interesting. For one…
There’s More of an Emphasis on Comedy: As much as I love The Owl House, I’ll always admit that humor isn't its strong suit. It CAN be funny, really funny. But the jokes don’t land as well as something as Gravity Falls or Amphibia. I can say that a part of that could be because Dana Terrace wanted a more serious show, and we definitely get a sense of how serious it could be later in the series. Here, in the pilot, it definitely seems like there was more of an attempt to make the show comedic. King’s crown isn’t in a warden’s cell held within a magical barrier that only a human can get through. It’s in a Principal’s high school, locked in a human locker that Eda and King treat as something devious. Amity’s friends aren’t preppy mean girls who seem like they could cause conflict to Luz and her friends. They’re characters used for jokes who are amazed by Luz standing up to Lilith. There’s less of an edge and more of a lean towards cutesy fun, waiting until the very end to reveal something heavy. To me, it makes the pilot feel MORE like a Gravity Falls clone than the final product. Because while Gravity Falls has its serious moments, it makes it clear that it was a comedy first, both in the pilot and final product. Any moment of heart or drama was overshadowed by one hilarious joke after the other. Now, “A Lying Witch and A Warden” had a lot of jokes too, but there were also these moments that hinted at something more. You have the oppressive looking prison, the grand beam of light hiding human collectibles, a crazy chase from a threatening looking warden. And yes, the reveal that Warden Wrath was trying to go out with Eda was hilarious, but a warden who tortures a prisoner for speaking her truth gives a hint of how dark this world can be. Meanwhile, a principal sending a student to demon detention feels more like a joke, exaggerating how strict some principals can be.
And keep in mind, I’m not complaining about the pilot leaning more towards comedy. I actually laughed a lot more with it than I did with “A Lying Witch and A Warden.” I’m just trying to explain how the tone is definitely going for something different than the full series. It might have that darker twist in the end, but even that is nothing more than a surprise. I'll get into why later, but while it has darker implications, it doesn't detract from the fun times to be had. Not by much. From what I can gather from the pilot, it’s definitely going for a series with goofy, fun adventures with a bit of heart to it. It’s just missing that personal touch that’s in The Owl House. One good example of how?
There’s Not Even a MENTION of Camila: Before you say anything, this has nothing to do with me being Camila’s number one fan, to the point where I almost made a side-blog dedicated to her (I really should get on that, though…)
I bring up this change because Camila grounds the story in “A Lying Witch and A Warden.” She draws Luz close to reality and is the first thing that comes to Luz’s mind when in real danger, saying, “If I die, my mom will kill me!” More than that, though, Camila is the one real connection Luz has to the human realm. She has no friends nor adventures, but Luz always has Camila, with even the first episode hinting that. So when Luz starts getting herself into trouble or choosing to lie and stay in the Boiling Isles, it lets the audience get ready for the inevitable drama that could unfold when Luz finally tells Camila everything. By removing Camila, though, the anticipation of Luz telling her mom goes away with her. At least, it tells ME that there’s less of a worry about Luz basically running away from home. Either this version of the show is holding off from that for a future episode or that Luz and Camila’s relationship isn’t close enough where it matters. This is speculation, of course, but I still stand by that a sense of something personal with Luz is lost for the sake of having fun and epic fantasy adventures with entertaining characters. It’s still good and entertaining, and the pilot does offer something else that’s personal, but it’s not the same as The Owl House we all fell in love with. Though, it’s notable that our main cast stayed the same.
Luz, Eda, and King: Overall, I’d say that these three, personality wise, didn’t change much. King’s probably the least altered, being the exact same character he was in Season One aside from MAYBE having a design change (It’s hard to tell through storyboards). As for Luz and Eda, they’re more or less the same. There’s a BIG change with Eda (That I’ll get to later), but her devil-may-care attitude is very much the same, as well as her snark and soft nature towards Luz and King. It’s her magic that gets the real boost, being able to do more like teleport across the Isles and turn into a…softer version of the Owl Beast at will. It’s pretty cool to see the power that this alternate Owl Lady has. And then there’s Luz, who’s still the lovable weirdo we all know. Though, this version seems a lot more dim and I’m not really a fan. How does she mistakenly give a book report in geometry class? How did it take seeing Amity’s witch ears to realize that she belonged in the demon realm? Luz had her dumb moments in the show too, but not to this extent. There was still a sense of maturity and cognitive understanding that made Luz feel like someone that seemed weird but intelligent enough to think herself out of a situation. This Luz seems more weird and focused on using brute force on a problem. In a way, it makes Pilot!Luz more of an…emotionally driven Star Butterfly. A fun and capable character, but not the same kind I had made several posts and reviews talking about how much I love/personally connected to her. But, comparatively, I guess it IS the most minor change that could be done to this character. Now let’s move onto BIGGER changes.
The Boiling Isles: The look and feel of the Isles remains the same, but the fact that it’s more connected to the Human Realm is intriguing. From what I can tell, the Demon Realm treats traveling to the Human Realm like it’s going to a new country. You visit, make some memories, and, for some, send your children over to be a foreign exchange student of sorts. Except that racism seems to be encouraged in this regard as the demons and witches don’t see humans worth breathing the same air as them. And some think it’s more than okay to hunt down and kill if one human trespasses into their realm. And the reason for THAT is implied to be Belos’ doing. Er, I mean–*Checks the leaked pitch bible*--Emperor Pupa? Uh…I’ll just stick with Belos. 
And that’s extra fascinating to me because Belos being a witch hunter was a major twist that spoke VOLUMES of the kind of people he represents. To find out that this version is more anti-human makes me curious of what kind of angle the show would have taken. Would Belos have been your bare-bones fantasy villain or would the writers find a different way to tackle his symbolism? And is the reason why the Demon Realm is more open up to the Human Realm because he hopes witches and demons can report about their enemies for a possible invasion? There’s no way to know for sure because that version of the story will never come to be, but it’s interesting to think of all the things we COULD have gotten. The same goes for other characters.
Amity: To think, Amity was considered important enough to be included in the original pitch pilot alongside our main trio. It makes sense. Dana Terrace has gone on record in saying that Luz and Amity’s relationship was something she wanted from the get go, so it’s smart to establish it as quickly as possible. Though the route they take is definitely different. Instead of being enemies to lovers, Lumity, in the original pitch, went for the friends to lovers trope…kind of.
Luz, in this version, is someone so desperate for positive attention and respect that she latches onto the first person in school that was nice to her. Except that Amity was looking for some quiet and just so happened to look like she was supporting Luz when telling everyone to leave her alone. It was an act of kindness, but not one done in generosity. It still meant the world to Luz, though, making her go ALL IN with friendship. Only to be a little too forward and creeped Amity out to the point where she was polite enough to say “Thank you,” but you could see the desperation in her eyes to be anywhere but next to Luz. Yet Luz doesn’t see that. She’s still too focused that someone was actually nice to her that she blindly follows Amity into a new world just to return a weird looking passport. Because Amity’s Luz’s friend now and friends do nice things to each other. Only for Amity to accidentally reveal that she couldn’t care less for Luz and shatter her hopes and dreams in one fell swoop.
In a weird way, I’d say Luz and Amity are off on a better first impression here than in the original series. There’s no attempted dissections or witch’s duels. Just…Amity trying to be polite in Luz’s presence only to act like your typical mean girl when she THINKS Luz isn’t around. Tossing away the drawing is harsh for sure, but here’s the interesting thing: Amity didn’t know she was talking to Luz at that moment. She didn’t even get rid of the drawing until someone drew (haha) attention to it. If anything, it’s worth noting that Amity still kept the drawing on her. Almost like, despite being weirded out by Luz, Amity felt as though the drawing WAS cute and only got rid of it when she thought someone would question her for having it. Can’t have that Little Miss Perfect status shatter over something some human gave her.
Am I reaching as a Lumity shipper? Oh, most certainly yes. But we all know the inevitable conclusion between these two. We know where they’re headed. Dana has been pretty adamant about wanting it from the start and this pilot sets the groundwork well. Knowing where these two will end up, it’s easy to make connections and hypothesize what means what. Plus, look at the face of shock and amazement on Amity’s face when she sees Luz standing up to Lilith. That looks like a girl who’s…feeling things for this human weirdo. They’re not off to a ROARING start, but I can see how things could improve between Luz and Amity. And who knows, maybe this version of these two might end up dating sooner with how quickly they seem interested in each other. Again, am I reaching? Most definitely, but I went without any new Lumity content for over a year so LET ME REACH!
The point I’m trying to make is that this version of Amity definitely seems a lot more chill and polite at the start, even though it’s likely she still has issues of even being FRIENDS with a human. But not everyone starts off polite.
Lilith: Crazy to think that Lilith started out as…basically a one-off villain like Warden Wrath. At least, that’s what I gathered from the pilot. The pitch bible hints that there COULD be more to her, but at the same time she gets sent to a fire dimension and loses a hand. That’s one-off villain energy if I’ve ever seen it. But if she is meant to be something more, I would love to see what differences could come of her being the headmaster of Hexside instead of Bump and how she could either develop into someone better through Luz’s influence as a student or regress into someone worse as she makes Luz’s school life a living hell. Whatever could come from her, it was kind of fun seeing Lilith act as more of a threat with her…out of nowhere ability to turn into a bat monster. It’s a pretty cool design and I love that it was brought out due to Eda’s constant pestering, proving that Lilith is still the same insecure nut that I love. And it is pretty great that this pilot confirmed that Lilith really did dye her hair to look more serious. You CAN’T tell me that’s not why the Lilith we know ditched the curly red hair.
But that’s about it when it comes to changes towards characters and locations. Let’s talk about the potential differences in the ongoing story.
Luz Stays Trapped Instead of Choosing to Stay: I mean, technically she chose to stay by breaking that key for no reason, but that’s more of a consequence of not thinking things through. She didn’t NEED to break the key, Luz could have just as easily pulled it out. Instead, she kicked the dang thing, leaving herself trapped in this new world. And it’s here that I would like to once again point out how this makes Pilot!Luz different and what’s lost by not including Camila. The Luz WE know would have been more careful. She always felt like someone who fought smarter, not harder, even in that first episode. Luz didn’t fight Wrath head on, she rallied a prison riot that distracted him long enough for her to hit a firework ball into his mouth. She’s intelligent and resourceful, where this one…kind of is? It was smart to send Lilith to the fire dimension, but again, not a great plan to break the key. Plus, without Camila, this doesn’t feel like as big of a deal as it could have been. Camila was the first person in Luz’s mind as she destroyed the portal door in the Season One finale. In the pilot, with no Camila, it feels like a non-sacrifice or even that big of a deal. She’s stuck, sure, but Luz doesn’t really seem to care that much. She feels happy being with Eda and King and doesn’t seem to be in that big of a rush to get home. Plus, it’s not exactly complicated to get back. There was a whole line of portal doors in the beginning that Luz could potentially sneak through and there’s not yet an established cannon that makes it seem like getting a new key would be difficult or even complicated. Once more, it gives the impression that this version of The Owl House would be focused less on personal stakes and more like giving Luz that fantasy adventure she’s always been craving for. It would make for a fun show, but not the SAME show. However, it is worth noting that there could be some potential drama. Especially for one twist that was a JOLT to my system.
EDA WORKS FOR THE EMPEROR?!: WHAT?!
I’ll admit, I feel like the reason why this is so shocking is because of the Eda I know and the Emperor I learned to fear. I mean, Eda, the woman who would sooner eat her own fist before even CONSIDERING helping Belos, even before the witch hunter business, was originally meant to HELP him. Of all the changes that the series could have made, this was by far the biggest. Everything that I thought to be constant turned out to be a lie and I was NOT prepared for it!
But again, the reason why I got that big of a reaction is because it goes against everything I knew about Eda. If this was my first introduction to her, it’d be less of a shocking twist and more of a…hook. Like how Invincible’s first episode (Don’t watch if you’re a baby) ends with a character you THOUGHT you could trust doing this intensely dark thing. The rest of the season is leading you to figure out WHY this was done and how the other characters would react, making you want to see more as the show inevitably leads up to this big conclusion that changes everything you once knew. The same applies here, with the reveal making me wonder why Eda would do this, how long she’s been doing it, how it will affect her relationship with Luz, and whether or not it’d be an easy fix. And much like the ending of Invincible’s first episode (Seriously, NOT meant for babies), this hook makes me interested in wanting to see what comes next. Except I never will know because that came from a version of The Owl House that will never exist.
The pilot is interesting because it shows me what The Owl House COULD have been. I wouldn’t say that it’s better than what we got or even that it’s a better first impression than “A Lying Witch and A Warden.” It’s definitely FUNNIER, I’ll give it that, but it doesn’t make the original pitch better, it makes it different. Everything looks the same and sounds the same, but the overall feel of this pilot makes it something that would have had a different story, tone, and ideas on how to develop these characters. Would I have liked it? Absolutely. It seems like a fun time. But that doesn’t mean I like the show we got any less. This was more like…getting a peek into an alternate universe where a show I already love would have been vastly different. And after over a year without any new Owl House content aside from stuff that fans have made, this was a very pleasant surprise that leaves me excited for the NEW fan content that springs from all this.
But that’s enough talking about a show that could have been made. Time to get back to a series that came into existence and I still love so much. See you all then as you all milk this gift that the internet has given you.
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The Inevitability of the Fate of the New California Republic
I know I'm late to the discussion, but I have a Fallout show hot take - I like that the NCR, as we know it, is gone.
Why? Because Fallout: New Vegas essentially says that they're doomed to extinction.
Three of the major faction leaders (Benny, Mr. House, and Caesar) all point out flaws with the NCR. Caesar, however, has the most interesting take on the NCR. Now, I'm not saying I agree with Caesar about literally anything aside from what he says about the NCR, because, of all the characters in the game, he has the most well-thought-out critique of the NCR:
Do you want my opinion as a former citizen, or future conqueror? {shrug} Actually, my opinion's the same either way. As a young man I was taught to venerate {mocking slightly}President Tandi of Shady Sands. "The Founding Mother of the New California Republic." Did you know her Presidency lasted 52 years? And that her father, Aradesh, was the Republic's first President? Does that sound like democracy to you, or a hereditary dictatorship?
If the Courier points out that Tandi was, in fact, voted in to office every time, Caesar responds:
Because the council didn't dare oppose her. She was too popular. She had the people's love. So things ran smoothly, more or less. And as soon as she was gone, as soon as there really could be "democracy" - what happened then? Ever since losing its queen, the NCR has been weaker, more diffuse. Democracy has been its weakness, not its strength.
Finally, if the Courier asks how democracy is the NCR's weakness, Caesar says:
Greed runs rampant. The government is corrupt, accepting bribes from Brahmin barons and landowners, to the detriment of citizens. The NCR is a loose conglomerate of individuals looking out for themselves. It's lost virtue. No one cares about the collective, the greater good. It's not built to last. I'm just hastening the inevitable.
And the thing is, he's not wrong. Speak to Brahmin barons on the Strip, and they'll essentially tell you the same thing. NCR soldiers will complain about the lack of supplies. The Great Khans hate them because the NCR massacred their people at Bitter Springs (which none of the NCR characters particularly care to talk about). Kimball, the leader of the NCR forces, is a fucking dumbass who's military strategy is to amass all of his soldiers at a single point and he's so bad at managing things that he needs a fucking mailman to come in and save the day.
The NCR was running on borrowed time the moment Tandi died. The Fallout showrunners obviously played, and understood, New Vegas.
Thanks for coming to my TED talk. In summary, the NCR sucks, Independent Vegas is the best ending, and New Vegas fucking rules.
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pocketramblr · 4 months
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Absolutely love your writing for all the AU/5 headcanons asks. Can I ask: AU where Rei cheats on Endeavor with All Might? It happens after AM's injury, so she doesn't recognize him, and he ofc doesn't know that she's married in the first place, much less to whom
you make this very difficult for me by giving me a window of 6 and half years for them to have an affair and for every single moment of that window, Rei is institutionalized. how am i supposed to get them to meet, much less take their clothes off. ok. think. there are other fic writers who specialize in this kind of thing, surely. what would they do....
1- ok so. The fire alarm at the hospital goes off. Rei doesn't know if it's a drill or not, but she's been there for seven years and generally does not need a lot of support during something like this like other patients do, so the nurses wave her out and she stands around outside a bit waiting for the fire alarm to stop and them to go back in. (It isn't a drill, they wouldn't have evacuated everyone if it was, but Rei is on the other side of the building and facing away from seeing any smoke) (This smoke is from a villain attack that All Might is taking care of, though he's only got seconds left of his power to use that day. he quickly rushes off, deflating and stumbling out on the other side of the hospital. Where Rei is.)
2- Rei is like "huh that guy doesnt seem to be in good shape" and kinda waves attention at him, and a nurse who's passing out water to patients and keeping an eye on the road gives Toshinori some too, getting more concerned when he dazedly answers that he's All Might and coughs up blood, but the nurse figures he's concussed since he smells of smoke and must have been closer to the fight, and is just reeling from being able to see the number one hero in person. Then they get distracted and wave Toshi to wait nearby, where Rei offers to chill his water and asks if he's alright, if he breathed in any smoke.
3- They chat and then go back into the hospital as it's un-evacuated together, Rei hanging out in the lobby where he sits as the hospital staff focus on getting everyone else back to their rooms. It pays to be low priority sometimes. Eventually she tells him her name is Rei and that she's in room K18, if he ever wants to visit or call. She doesn't get to talk to anyone except doctors, family visitors, or other paitients, and most of them don't stay nearly as long as she does. It's been seven years, and she's very lonely. Toshinori is lonely too, and when he's out of time for a day and feeling useless with nothing to do, he likes to talk to a friend.
4- Rei has been in the hospital for eight years when it gets physical. At that point, Toshinori knows a bit about her family. She has kids, mentions visits from a son and daughter, and then quietly mentioned when her son turned seventeen- her daughter's already twenty. She's been there for so much of their lives. He asks if she's married, and she admits she isn't sure how to file for divorce in a hospital like she is, if she even can, if she wants to because she'd lose custody, if it matters when she's not raising them anyway. He doesn't ask much more, knows there is a dead child and a baby she says isn't safe with her there. Toshinori never called Nana 'mom' to her face while she was alive, and had a reason for it, and has a similar reason for not asking more, not asking for the other names when he gets Fuyumi and Natsuo's. Yes, the doctors and nurses all know Rei has a boyfriend who visits. they don't say anything. who would they even tell, anyway. I debated the humor of reusing the bit from candlelight shoto that Toshi and Rei could have a kid with a fire quirk, but yeah here? Rei ain't getting pregnant, absolutely not.
5- When Natsuo turns eighteen, Rei does actually file for divorce, or at least tries to get the ball rolling on that. Toshinori's trusted her that her marriage is over in all but name, but he's more at ease with it ended fully. Fuyumi is crushed but burying it all deep inside. Natsuo is like 'what are you talking about. divorce is the most normal possible outcome here.' But anyway, Rei also begins to bring up being discharged- something she never bothered with earlier, when it seemed like she'd never be able to go home while Shoto was there, and never would want to go back anyway. (Her parents are absolutely not an option either so where would she go once discharged? the hospital was her only security.) Toshinori then tells her at this point about his diagnosis, that he's supposed to be terminal, in a way. He doesn't have a lot of time he can give her. Rei says that's ok, she'll take what she can get. She moves in. Fuyumi still goes out to eat with her once a week, though Rei doesn't say she's moved in with a boyfriend, just says she's in a safe place and it's not Fuyumi's job to worry about it, please, let her do that, relax, be her daughter instead of a mother. Natsuo adds her to his cellphone plan and gets her one. Rei doesn't tell Toshinori her ex's identity. Toshinori doesn't tell her about OfA, though she does know he's mentoring a student for heroics and is very proud of him. (Toshinori is a secretary at Might Tower, he's a great mentor. Oh huh, he got a job position at UA at the same time as All Might, she wonders if they carpool.)
+1- OK THE REVEAL so the reveal is. Toshinori gets home from the SF. And Rei almost knocks him out by the door, eyes wide and panicked, asking if he's ok, if Shoto's ok. Toshinori is like "... young todoroki? yeah he's alright? i know his fight with young bakugo looked bad but- Rei???" And that's when it all clicks for him, he's having dozens of horrible realizations at once, all while Rei weeps over her youngest. Toshinori's been a hero for a very, very long time. He's felt hopeless, before. But even then, he's known what needs to be done, he just isn't able to do it. But now? he's at a complete loss with no idea what he should do.
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thedreadvampy · 1 year
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people seriously pretending EEAAO is overrated suddenly bc it swept awards? it swept awards largely because it is very very very good. I cried like someone who's just had a religious revelation BOTH times I watched it bc it touched something raw and real and beautiful but it was also just very, very funny. everyone's performance kills and the concept is creative and interesting and doesn't distract from the emotional core. you guys are just contrarian.
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daily-hanamura · 6 months
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#p4#p4g#persona 4#persona 4 golden#hanamura yosuke#yosuke hanamura#souyo#soooooooooo we gonna talk about how yosuke enthusiastically jumps in to tell yu that hes the same#so ive already talked a million times about how yu and yosuke's types are basically each other and that how their r/s is so defined by their#attraction to each others kindness and reliability and all that but im just#kanji's expression is sending me here LFMAO especially because kanji is low key the one that kind of points out their closeness the most#tatsumi “hey let me in on this conversation” kanji#tatsumi “whos your partner now!” kanji#1000% kanji knows they're into each other he knows they're flirting without realising they're flirting#like never ever forget kanji's own sensitivity to the people around him and HE KNOWS. WHATS. UP.#but also the way no one else except kanji intervenes lmao#lmao i think chie yukiko and their class president are just really used to what souyo are like together (embarrassing not-pda pda)#so theyre just ah business as usual theyre doing that thing again. this is minor. trivial in the grand scheme of everything else they do#its got nothing on them passing notes or the way yu turns around to smile at yosuke and yosuke smiles back and they just sit there smiling#at each other in absolute silence. their classmates know to just walk around them and leave them alone.#class prez knows if he has to tell one of them its their turn on duty its a lost cause. they'll make up for it later as they always do#but for now he knows he'll have to get the broom and sweep the classroom floor himself#ok i jest none of that is canon (is it) but thanks to the sample bias i have from this scene#i am on the floor laughcrying at how everyone at the tables just#watching souyo flirt shamelessly like ah theyre at it again. why did hanamura-kun even suggest a group date hes clearly already dating-#he's good with his queue
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jils-things · 25 days
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im gonna sleep soon but aaauuhguug bespren acquired + angry norton . hi milo @ttimecode
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spaciebabie · 1 year
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As a certified Springtrap simp, which backstory for William do you prefer: one where he was a good dad driven mad maybe by jealousy or the loss of his youngest child, or one where he was always an abusive narcisist that cared for nobody but himself?
i feel like the, "im evil so i must also abuse my creations and/or children" has been really overdone. like idk im just tired of seeing it personally. and the whole "haha!!! im craaaazy!!" thing we get in the comics also rubs me the wrong way b/c. thats not. how he's portrayed in the games at all. esp hearing him in sister location he feels like he would be a calm sort of madness. he seems like a rational guy. he doesnt talk like that. he doesnt act like that. it seems really contradictory
i feel like him being a good dad (or at the least caring deeply for his children) gives him more urgency and like,,,,makes sense w/what we're given. it aligns the most w/the theories we have asta why he started killing etc. i also just enjoy the tragedy of it. he started out as a good guy w/good intentions and then was twisted inta something unrecognizable b/c he was so focused on tryin ta reach his goal. personally my hc is that he was jelly of henry and then the death of crying child tipped him over the edge and started his whole killing thing. imo its better than, "hee hoo i was evil FOREVER!! im PURE evil and have always been EVIL!!!" like. okay. wheres the subsistence?? give him depth dammit
why would he build a robot for his daughter if he didnt love her. why would he tell crying child he would put him back together if he didnt love him (not really cemented as something he said, but i mean who else would say it?? certainly not michael he was a boy. i think as a fandom we assume its heavily implied). it makes the afton kid's deaths so much more impactful. the prospect of this man losing pieces of his life bit by bit and being driven insane by it is enthralling
i love a good chaotic descent. i love thinking abt him being consumed w/a need ta revive his own son becoming obsessed w/life and death as a result. oh the irony of loving your own kid so much you would take others children away from them, knowing how losing your own felt. and the twisting of emotions as he sees his son michael someone who he would've died for, try ta stop him. b/c hes not understanding, they need ta b together again. thats all hes tryin ta do. get his family back tagether. and all these fucking obstacles are in the way of his only goal. and the manifestation of hatred of his own son b/c of this. b/c hes getting in his way. like, talk abt juicy. i want that man ruined. it just adds a layer of psychological torture that i just adore. william fucking ruined everything. he ruined his own happy family, he ruined his own life, and if he actually mourns that? chefs kiss.
my thought is, why even have him have a family in the first place if they're just there ta demonstrate he's evil? seeing the afton family purely as a plot device, we already know afton killed kids. one can assume a person who kills kids is a bad person (maybe? see this is where the juiciness comes in w/him caring for his children. is it really bad from his perspective if hes trying ta save his kid? or is it noble?) so we dont need ta b demonstrated ta that hes a bad person again. if hes just pure evil from the get go it doesnt make sense ta me ta have the afton kids be prominent in the story (besides michael, but even then he could probably be replaced by one of the victims family members) when you could illustrate the same point by focusing on the kids hes killed and their families. why do the afton kids matter if he treats all children the same. why are we focusing so much on the afton family and what appear ta b major story beats in their story, especially since the children he has killed do not get as fleshed out as the aftons do. i feel like if his family wasnt important ta him we wouldnt hear abt it at all. you could achieve the same message by making him single and childless.
do u kno how many stories there are of "Righteous Child Of A Horrible Guy Who Hates Everything, Even Their Own Family, Goes Out Ta Stop Their Parent And Save The Day" there are? its b/c its too easy!!! its too easy for u ta assume that a character is the worst and has been the worst forever!!! its too easy ta assume that an evil character would abuse their family!!! its too easy ta assume an evil character wouldn't have traits besides jealousy, hatred and narcissism!!!!
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snekdood · 10 months
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bitches be like. i hate vegans so much that i’ve decided i like killing animals and its fine and i dont feel bad and animals dont have feelings and its fine and im cool subversive and different and edgy and like to post fucked up stuff to make vegans uncomfortable bc im just so cool
#you sound like every cishet republican man to me#you're not a Cool Subversive Leftist you're literally regressing by seeing animals as just objects of your pleasure and thats it lmao#im sorry but you dont just get to throw out all of veganism. it does infact have some roots in leftism.#you can sit there and cope with the fact you agree w some vegan talking point by calling it 'animal welfare' all you want#doesnt change the fact that a lot of those ideas in those circles were formed by vegans.#damn woooah vegans arent a monolith and dont all agree on the same shit woooahhh who knew#literally i have no idea how we even got to this point or how this would be surprising.#when i was on vegan twitter bitches were arguing all the fucking time within it. ur really gonna sit ther en tell me they're all secret#eco fash that hates native ppl and people who have to eat meat? ya sure???#you would think the individuals on tumblr- of all places- would understand how frustrating it would be to be grouped in with the worst#members of their community as if you represent them and are the sole spokesperson#you'd think they'd hate when someone jumps to conclusions about them based on their lifestyle#but naur. i think yall take it too personally. as if a vegan just being in a room is somehow trying to force you to be vegan.#literally grow tf up.#if a vegan being in the same room with you triggers feelings in you that you Have to stop eating meat- i really think thats a you problem#bud. homeboy hasnt even spoke to you leta lone look at you and apparently you feel this weird pressure now#idk man dont you think that pressure might be coming within?? maybe.... you do infact feel things and feel a lil guilty abt eating meat?#not telling you to stop... i still eat meat here n there. but at least im honest with myself about how it makes me feel to do it.#its infact normal to take a second to think about the loss someone made in exploitation to provide you with whatever.#if you can let yourself feel a lil guilt about buying a fast fashion thing you can sure as fuck finally extend your fuckin empathy to#animals and stop treating them like objects or toys.
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rotzaprachim · 1 year
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something something i have many thoughts on the deliciousness of jyn and cassian’s relationship being specifically about the... ambiguity, or if not the ambiguity, the places where it shirks and twists away from the modern hollywood play-by-numbers Movie Romance into something... earthier, messier, more human and intimate. like i don’t personally feel like we needed the kiss, or the infamous deleted wedding ending, as much as i would love to see it in the cut scenes, because i feel like what the movie provided us felt so much more true to character. because there is no kiss, no hollywood declaration of love, the audience has to look at the text as is and the body language and acting decisions and those are simply more insane than almost any other live action star wars couple 
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poicyss · 5 months
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p4nishers · 1 year
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"so is your son really the reason you don't date?" "it's like he's having an affair with his own wife, you don't think that's weird?" "seems like she's already back in yours" "christopher's pretty english teacher" "eddie, what would you say ana's love language is?" "hey, how was the big date?" "i thought i'd been single too long" "sounds pretty serious" "so what are you going to do?" "that's not how you talk about someone you're in love with" "is that enough?" "you could always ghost her" "okay so that's what this is, you suck at [dating]".
u see where i'm going with this?
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