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#just me rambling at this point honestly
knight-princess · 1 year
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Someone goes, “Oh you like Willow (2022)? But it’s trash!” and inside me there are two wolves raccoons: one clutching the poster and going, “But Willow is really good it’s beautifully acted and visually stunning and it’s heartfelt and funny and it isn’t trash!” And the other snarling and going “Well maybe I LIKE the trash!”
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crystallizsch · 3 months
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i really like how canonically yuu is genuinely supportive of grim wanting to be a great mage. if i recall correctly, even character voice lines point this out. and it seems like yuu dotes on grim a lot and defends him too??? yuu even encourages grim's ambitions whenever he declares wanting to be a great mage. and also when he does that boss-henchhuman dynamic. i mean yeah you can interpret it as yuu saying that being condescending and sarcastic as if they're talking to a child saying "when i grow up i want to be famous!" but like. i really think they're genuine when mc loves grim in their own way.
even if grim is usually a menace, he's become like family to yuu.
and i'm pretty sure grim feels the same way.
think about it this way. despite all the mess, all the unpredictability, the danger, and all the drama being in nrc. what's always the constant? yuu goes home at the end of the day to the ramshackle dorm (basically their home at this point considering they slowly but surely fix it up over time) and with who? “the great mage” grim. as the sole outcasts in that academy, they both sleep soundly knowing they will always have each other at the end of the day.
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ventique18 · 4 months
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🐉🌸♀️ With him being the kind of husband whose neverending favorite story to brag about to every new person he meets is how much of a miraculous fate it was that he was born much much later than he should have, just in time to attend NRC the same time as you did. You who stumbled upon a world that isn't yours, stayed at an abandoned dorm he in particular happened to frequent, and went outside for fresh air at the exact same moment he was passing by. He wouldn't get tired of how amazed he was that he found his princess in a school full of men, of all places. If that isn't fate, then what is?
And that's just the prequel to a long, long talk of him just reminiscing your time together at NRC with astonishing detail. He goes through it every holiday. Every Halloween. Every New Year's. Every birthday. Basically every opportunity he gets. It comes to a point where your children finish his sentences for him. It comes to a point where novels and plays and movies get made with your love story as the blueprint.
Your story gets so dramaticized and embellished that it barely resembles your memories anymore. And honestly? You prefer it that way. Nobody else but you and him will know what exactly happened between you two, and it will remain a precious memory-- a sort of secret, that the two of you will look back on fondly for the rest of your days.
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solarpunkani · 1 year
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"Oh no, someone's attracted to the aesthetics of my -punk movement but doesn't know the praxis and history behind it like I do--"
OK. Tell them. Make it a teaching moment. Everyone who's in your movement learned the background from somewhere at some point, maybe this is that point for that person. Give them a jumping off point that they can dive into later.
"Oh but I shouldn't be responsible for teaching baby -punks about the history and the how-tos and--"
OK. Then don't tell them. You don't have to be responsible for teaching people with a budding interest in your group the ins and outs and how-tos. That's fair and valid! It can be a lot of work. Someone else will handle it
"But I'm annoyed that they would try to claim to be part of/be interested in my community without knowing all the details that I know after being in it for months/years/decades, they're dumb, they're posers, they're--"
OK. Then don't engage with them, if it's that bad. Maybe someone else will come around and tell them the history, maybe they'll pick it up on their own, maybe they'll just enjoy the fashion elements for awhile.
"But they shouldn't claim to be part of the -punk community if they don't know the--"
I feel like we have a few options here. People can either talk to them, share the history, share the values, share the praxis. Or they can just chase off anyone who even thinks about dipping a toe in their community, and then wonder why it's dying off later down the line.
I dunno, maybe I'm too naive and patient or whatever. But if people are entering your -punk spaces without knowing The Rundown of what you feel they need to know, maybe being nice about it and informing people instead of immediately assuming stupidity and malicious intent could help you make a new friend. Even the loudest voices in a space had to learn from somewhere, and not everyone has the luxury of being in the space as the History was Happening--whether it's an age thing or a not being aware of the space thing. Or maybe I just don't see what the big deal is behind people hating people who like the aesthetic of something and don't know the behind the scenes history about it yet.
Because I believe in the word 'yet.' No one comes into this world knowing everything about everything, and we're all constantly learning new things. I'm not gonna degrade someone and call them a poser for not knowing what I know. Because if it were me, interested in a scene but getting chased out and called a poser? I wouldn't hit the books and study up, I'd go 'that fuckin sucks, those people sucked' and then avoid anyone and anything having to do with it.
So chase people off and call them posers if you want. But if your community starts dwindling, don't be fucking shocked.
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oikyskau · 1 year
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seeing kenji muto, the director of trigun stampede, reading an article about the portrayal of women in media made me want to take a little bit of a closer look at the women in trigun and as i was rambling about this earlier to my partner, they told me to write it down LMAO
as most of us know, in a lot of fiction, women are mostly characterised through common tropes, leading to a lack of complexity and a one-dimensional portrayal: as the doting wife, the femme fatale, the mistress, or the virgin. Their role only amounts to an Other, an extension of the male hero. they’re either the whore or the madonna.
for female characters in anime that usually means they’re either the sexy femme fatale, big badonkers and all to be gazed at, the mother, the helpless damsel in distress, or the child (yet, still sexualised despite the fact that it is a literal child); they’re portrayed through the way they are being perceived by men and mostly sexualised beyond belief. 
tristamp doesn’t do any of that.
in fact, the female characters in stampede achieve something that you don’t often see in anime: they are people. and stampede makes that clear in its very first episode by decidedly not going the route that you would usually take with the female characters they introduce:
of course, the biggest example here would be meryl, who i’d argue is the biggest driver of the plot, despite the fact that the plot of stampede is technically determined by vash - vash is an entirely passive character, he doesn’t make things happen, things happen to him and they mostly happen to him because of meryl. she’s the one who unties him, she drags them to the city, she makes them stay with him after ep3, she drives over wolfwood (rip my man), she stops for them to find rollo, she makes them follow the steamer.. you get it. she does all of this, despite being introduced as the newbie, the innocent person who would usually be the damsel in distress, who is helpless and shy and easily manipulated and who will probs be sexualised in her role as the “virgin” (sexually naive young girl who just doesn’t get all this adult sexuality yet hehe) 
but she’s not – she wears a non-sexualised outfit, she only gets called out for being a newbie, or for being small height-wise by wolfwood, but not for being a “girl”, she determines the action despite the fact that she does have a mentor figure and is therefore still in a position of a student – she still isnt an extension of roberto, vash, or anyone
in fact, the other characters – Rosa, Elendira, Luida, Rem – all take up roles that would in other media be portrayed in very specific ways: Rosa could just be a pregnant mother, who is also a divorcee, Elendira could be an innocent child beholden to her caretaker, Luida could be the loving motherlike figure and rem the Madonna figure, symbolising all the virtues a woman should aspire to have. – Rosa is a leader, her pregnancy is mentioned one single time and never made a bigger part of her character, Elendira is young but powerful, making choices by herself that are not inherently based on any kind of innocence, Luida doesn’t coddle Vash or prioritise him over her own work and mission (which also serves to inspire another woman, meryl!!), and rem is also just a non-perfect person, with secrets and questionable morality
none of these women are judged on the basis of their gender, none of them experience gender-based violence, none of them are made into a joke, none of them are sexualised (or desexualised – if you compare them to the male characters, who also do not ever make jokes about sexual promiscuity or similar stuff), they have different body types (rem has a very pronounced chest, and yet stampede doesn’t ever focus on it or give her cleavage) – note also that when presented with the perfect opportunity to call a female character a “bitch”, they chose to go with a “witch” instead, in both original japanese and english dub
their femininity is not used as a weapon against them, nor are stereotypical hypermasculine elements used to define characters’ positive traits (vash not being our traditionally hypermasculine hero for example) - the only time we see a semblance of gender-based violence is, you guessed it, at the very end, when knives forcefully takes control and bodily autonomy away from vash and inseminates the plants against their will (also interesting to note that knives, as the character that does exhibit that kind of violence, is the only character to be shown incredibly buff and all muscle) 
the women in tristamp are written for women, with the goal to be women that we can recognise, that represent the women that we are and know
anyways, i love all women in tristamp and have not once felt uncomfortable or said “oh look, a panty shot” and honestly i just find that pretty neat
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thesherrinfordfacility · 10 months
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Good Omens S2 + Onion Headlines (Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Aziraphale Special | Crowley Special)
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+ bonus
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ask-the-rag-dolly · 14 days
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// okay but actually knowing that the ending isn't totally tragic makes it way less scary to get involved. Certain "bad ends" can be terrible for people with past experience, so knowing that eventually it will get better is relieving to say the least.
yeah i do actually have phase 2's ending planned out and i'll say that it's a lot more positive and hopeful . i mean it's not a happily ever after or something but we'll see some character development
i guess i'm throwing out all of these reassurances because - i think it's apparent already but phase 2 will have considerably darker topics ( trauma , identity crises and whatever 00 has going on to be specific ) , and i fully believe that the message i'm going for will be shattered if it ends badly . she'll be alright /genuine .
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kastlequill · 9 months
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hey, so we all are in agreement that if price, gaz, ghost, or soap die in mw3, we’re going to collectively ignore it ever happened right? great, glad we had this talk!
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thatonefandomjumper · 2 years
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I feel like a big part of Heroes of Olympus was influenced by audience reaction. 
I don’t think I’m grasping at straws here. I genuinely just don’t get why some decisions were made if this wasn’t the case.
The plot of the books themselves has always felt very muddled to me and that’s why it always feels like it’s supposed to be a story about characters and relationships, but it just kind of isn’t. Sure, on a surface level, yes, and we get some very lovely character dynamics, but it also feels slightly artificial in a way? The plot was built first and the characters thrown into it, but there wasn’t much thought given too how the characters should be with each other. Even the romantic ones.
Though I feel that I could tie this idea into pretty much every part of the books, there are two things that I personally think of the most while discussing this idea.
For one, there’s Octavian’s entire character.
I have always been confused as to what exactly Riordan wanted from Octavian. He really feels like a plot device most times, made solely for the purpose of stirring conflict between the Greeks and Romans. He as an individual never really mattered. Now, there are some very cool people on this website that have managed to squeeze a decent character out of the scenes we got, but with the way he was written, that in itself is a challenge, as post SoN, it feels like the only intent behind his character was to make him as unlikable as possible. He really was a real character in SoN, despite weird decisions here and there (The killing Gwen scene for example was purely to establish that the doors of death weren't working, and to make Octavian unlikable, but Octavian himself really didn’t have any motive for the killing. It benefitted him in no way.)
In SoN, Octavian is manipulative and well spoken, but after that, he is portrayed as some sort of dim witted idiot, clouded by his desire for personal glory.
The only way I can rationalize this shift in character is in the truly visceral reaction the then fanbase had to his character. They loathed him, taking not a second to rationalize his actions, but simply hate. It also made it so Octavian became the but of a lot of jokes. Those jokes characterizing him as his idiot and megalomaniac that it he shown as in Mark of Athena, House of Hades and Blood of Olympus.
I always suspected Octavian was supposed to serve some sort of grander purpose, or his role in HoO was supposed to be at least a little more dignified or dare I say sympathetic, but there really was no turning back with how hated he was, making Riordan embrace it rather than giving him actual human qualities.
Then on the other hand, there’s also Leo and his relationship with romance in general.
I’ve touched upon it in my Caleo essay (That I kind of wanna redo with more points and evidence to back up my claims, because I am unhappy with certain aspects but I still stand by all I said) that Leo is a character that was written in such a way that getting a romantic partner before resolving certain things would actively detriment the development of his character, including healing from his trauma. The way he was written was just not meant for romance and I will take this to my grave. I’m not saying there was no room for romance, but the way they went about it was... very bad. (A girlfriend will fix my problems. That is his mindset. But he doesn’t grow out of it. Instead he gets a girlfriend. A girlfriend that he treats as a fix to his problems when she is not. A girlfriend that is bad to and for him in so many ways.)
But it is very interesting to note, that especially after Mark of Athena, the speculations and demands for Leo’s future girlfriend went absolutely crazy. I can’t speak from experience but from the tweets from Riordan and fanarts from that time that I've seen it was at least to the point that he took active notice of it. 
Besides Nico and Reyna, there weren’t really any other characters just lying around to pair Leo monogamously up with (I doubt Riordan be willing to make any characters besides Nico explicitly queer at the time and then in the next book he decided to pick up one of the background characters and said, you will do, when pairing Nico up with someone. )
There are many more examples I could go into. The universe suffered in many ways from this. Sure, it’s not the only problem that were detrimental. I believe Riordan had a plan from the beginning with all the main plot points of the series, but I feel he didn’t exactly know where he was going with the characters besides the basics. Don’t get me wrong, I love all the HoO characters. That is why I spend so much time talking and thinking about them, but the issues with the series and characters are so many that it’s borderline ridiculous.
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mrsketchydude · 6 months
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OKAY HEAR ME OUT I JUST THOUGHT OF SOMETHING This might be kind of obvious but, as always, I like to share my thoughts so that maybe others can share theirs too. It's really interesting how Vash is called "The Humanoid Typhoon", right? Like a straightforward name, a human-looking person who causes destruction wherever he goes, we get that. BUT hear me out, why don't they just call him the Human Typhoon..?
The majority of the people on No Man's Land don't know he's a plant so obviously that can't be the excuse. And I doubt Nightow was like "Well it would be confusing to call him the Human Typhoon when he's not really human" like cmon be real here for a second, he could've easily done that, there is WAY more confusing stuff in Trigun then calling a non-human character a human. I'm bringing in examples from Stampede because it's what I can recall quickly so sorry I cant bring up specific examples from the manga and the 98 anime, maybe later. Well, I mean, when you think about it, most people don't really see this 'Vash the Stampede' guy as a human. We LITERALLY have a whole scene with Meryl poking fun at people for making him out to be this wacky character and not as an actual human. Like she said in the eng dub:
"Real people aren't such caricatures. He's a man, not a monster."
The people of No Man's Land don't view 'Vash the Stampede' as a human. He's basically like an urban legend to them. A rumor you hear about amongst folk sitting on their front porches in the evening. A scary story older siblings tell younger siblings that if they don't behave the Humanoid Typhoon will come and get them. Even Rollo had heard of Vash being talked about this way. He said, after Vash was surprised the kid had heard of him,(again in the eng dub):
"Well, yeah, you're super famous. You're the real-life Humanoid Typhoon, everybody knows you!" "I heard something else, too! You're a walking disaster, a demon who wreaks havoc wherever he goes."
Even in the manga and 98 anime after the JuLai incident, they talk about him like he's this weird cryptid going around causing mayhem and destruction. He's destroyed two whole cities and put a hole in the moon. It would be hard for any human to believe something was capable of this unless they met him in person and saw what he is capable of.
Idk it was just something that literally struck me while I was eating dinner and I typed this up real quick after finishing my meal so sorry if this seems a little messy.
As always, I appreciate the attention to detail when it comes to the writing in Trigun. While this may seem like a small and insignificant thing, I really love how even the smallest of things seem to carry information throughout the story. Just makes it all the more special to me :,)
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anonymouscreampuff · 7 months
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if you don't think they can still work, that honestly sounds like a you problem
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the magnus archives au, where everything is the same, except the unknowing starts with a fucked up version of the muppet show theme song
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solarpunkani · 8 months
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Am I legally allowed to say that
“Solarpunk started as an aesthetic/literary movement so stop getting pissy when you see a lot of aesthetic/literary stuff in the tags and convos people have about it.”
And
“Solarpunk has and continues to rapidly evolve to include much more than aesthetics and thats great and valid and awesome expanding our aesthetic ideals into tangible work we can do for a better future and better now is fantastic.”
And
“With that being said, you don’t have to diss on the people who post mostly aesthetic stuff, and you don’t have to try and act like solarpunk was Always a Political/Radical Action Movement and had no history as an aesthetic/literary genre in order for your actions to be Valid.”
Are all points that can and should coexist?
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anonyhex · 6 months
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I was like "oh I should research this pleasure dom thing to make sure I'm doing it right" and next thing I know I'm driving myself crazy going through a "sex menu" for Wyll and Astarion to figure out what Astarion would actually WANT that Wyll would be comfy with and wondering about the dynamics of like "wait ok so if this is right after the end of the game and I'm assuming this is Duke Wyll ending, where are they staying? Wyll's dad's house?? That's awkward! Is Astarion going to be dealing with the headache of trying to prove he should be the owner of the Szarr estate and then going through all the work it would take to SELL the damn thing so they can get a place without Wyll's dad fucking with their sex life? Are Ulder and Astarion going to be having constant arguments and driving Wyll up the wall? WILL HE EVER ACTUALLY GET TO FUCK HIS FIANCE WITHOUT THE FAMILY DRAMA AND POLITICS DRIVING HIM INSANE?" (I have still not beaten the game. I should probably beat the game if I want to go more in depth than "idek there's a forest nearby they can fuck in")
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bonetrousledbones · 2 months
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i know that this is a weirdly common paradox that happens in this fandom but folks i cannot overstate how much of a punch in the throat it was to come across a post saying "hiiii in canon frisk and chara are nb but in this au they're boys ^.^", finding what looks like their main blog since just blocking the au's sideblog is useless, and immediately seeing this in their pinned post
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sol-insidious · 6 months
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“Din Djarin’s identity as a Mandalorian will always be central to his character, and his devotion to his orthodox religion, warrior’s creed, and its chivalrous code of honor is a truly noble one.”
and
“Din Djarin’s devotion to his creed has fundamentally isolated him from love, his role as The Tribe’s breadwinner was as unsustainable as it gave him purpose, and the fierceness of his faith stems from unprocessed trauma and the guilt he feels as an orphan and a foundling. His views on what it means to be a Mandalorian were narrow until he met others who didn’t conform to his own creed, and in this, his status as an voluntary oathbreaker is equally as integral to his character.”
…are both takes that co-exist in my mind.
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