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#just to show that I'm referring to their characters in like. the franchise as a whole
descendant-of-truth · 9 months
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What I like about Rockman.exe is that. they push the notion that Netto is the wild card between the two so much, right, like he's the classic loud, reckless kid who jumps out of windows and runs into radiation on purpose. so, next to the sweet and mild-mannered Rockman, he's gotta be the crazy one of the two, right?
Except at every turn, Rockman proves time and again to be WAY more susceptible to unhinged behavior than Netto could ever be
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And to his credit, the stuff with Dark Rockman and the Cybeast forms were caused by external factors, even if it still adds to a narrative pattern that I'm very invested in. But the part in the manga where he tears a navi apart with his bare hands was 100% pure Rockman rage, and Netto has to be the one to tell him not to give in to it while he's strangling his evil double in the background
The best way I can think to explain it is that Netto is a consistent level of insane across the board regardless of the situation, while Rockman switches rapidly between the extremes of being Actually Normal and needing to be physically restrained to stop his bloodlust. And truly, who else is doing it like them
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goemon-fan · 2 months
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This was easily one of the best Lupin episodes
#there will be a rant in the tags that you can ignore#but it is so upsetting how modern/current lupin took away the depths of these characters and flimsily tries to restore their earlier depth#i'm one of those people who craves depth in what i watch and it's so difficult to like this franchise because it will be so close to doing#something interesting only to abandon it#this episode and part one as a whole was peak lupin in my opinion with each character having emotional depth yet flaws to overcome#yet modern lupin would have you believe that these characters don't desire to improve in any capacity#if we were to just focus on Goemon for example right here he shows depth with revealing hidden emotional maturity and empathy for Lupin by#comforting him and admitting he himself is afraid (which is a big deal for a character like him who is supposed to be unflinching)#but in modern lupin goemon will literally say that he's not afraid of anything and this is written without any hint of irony or depth#i'm okay with mindless entertainment and i understand that this is a series simply about stealing but the character assassination is so#disappointing#and when this series does try to be “deep” they pick the most triggering subject matter possible to depict to the point where it's#practically unwatchable (this is in reference to Part 4 and its constant SA plots as well as the rampant gratuitous child abuse plots#throughout the entire series)#i want so badly to love lupin the 3rd but it's a huge problem when fanfiction understands the characters better than the source material#lupin iii#lupin the third#lupin the 3rd#goemon ishikawa xiii#goemon#arsene lupin iii#jigen daisuke#daisuke jigen#fujiko mine#part 1
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t-u-i-t-c · 8 months
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Family to the End, Until the Day We Meet Again
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stabbystiletto · 2 years
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Okay might start sounding a lil crazy here lol BUT the more I think about it the more I think the short haired twin is Glenda and the long haired twin is Glen HEAR ME OUT:
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This clip from the trailer, we see someone running, not like a "oh shit I gotta get away from my crazy murder family" run but more of a "get the fuck back here bitch so I can murder you" predatory type of run. And judging from the pink car in the corner and the way the person is dressed I feel like it's safe to say it's one of the twins, and from the way they are running I think it's most likely Glenda.
It's pretty difficult to tell BUT it doesn't really look like they have long hair?? Like it doesn't look like they have any hair flowing behind them as they run, it looks like they have a very close to their head type of haircut. ALSO
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It's hard to tell but it looks like the twin on the left is wearing a purple jacket under their green thingy? Like you can see a jacket collar poking up from under it. Like these two clips could even be from the same day.
And I know the long haired twin is also wearing a purple jacket but 1) maybe they're matching cause they're twins or something and also 2) that jacket doesn't look as shiny?? Like it doesn't look to me like it's the same material as the running clip (which, hey, could be from a different day so trying to match it to an outfit could be pointless anyhow lolololol 😆😆😆)
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But that's an earring right?? Like a big ass earring like they're wearing in that other pic
GRANTED the long haired twin might also have earrings that we just can't see from behind their hair, but still.
My main point is that from the outfit and way they're running that's most likely Glenda, and it looks like they have very short hair.
I dunno but I think that would be pretty cool lololol 😆😆😆
Also Tiffany said last season that Glenda had exquisite taste and look at both of those twins and ask yourself honestly which one that describes more lolololol 😆😆😆😆😆
Like which one would be more likely to be described as 'stylish' or 'fashionable' lol
#also if that is glenda running i will feel so vindicated#because i have sketches of them in basically that exact outfit lolololol 😆😆😆😆😆🤣🤣🤣🤣🤣#also i wrote they and them so many times here just to refer to a single character and i can't even describe the good chemicals#that are flowing in my brain because of that lololol 😆😆😆#like it's not a head canon it's not a fan theory or preference it's CANON BITCHES 😆😆😆😆😆#THE NON BINARY MURDER TWINS ARE CANON 😆😆😆😆😆😁😁😁#like sure sure sure i get it things like 'subtext' and 'coding' all have their reasons and uses#like when the big bad producers won't let you write the characters the way you want#but the difference between 'it's not canonical but there's no evidence against it either' vs having#THE CHARACTER DRIVING UP WITH THEIR GODDAMN PRONOUNS ON THEIR LICENSE PLATE 😤😤😤🙌🙌🙌🙌🙌🙌🙌#it just feels amazing 😆😆😆#especially when you consider this is a low brow slasher franchise like they don't have to be this good to their fanbase#they don't have to be so inclusive they could've just diced up some folks and called it a day but they didnt#glen coulda just been a pacifist and that coulda been their schtick but they went nonbinary with it#they added a nonbinary character and then they doubled them lolololol 😆😆😆😆😆🙌🙌🙌🙌🙌🙌#an yeah i could be way off base with which twin is which lololol 😅😅😅#or maybe everything i said was hella obvious to everyone else and I'm the only one debating it lolololol 🤣🤣🤣😅😅😅#anyways this is my life now until this damn show starts lolololol 🤪🤪🤪🤡🤡🤡😆😆😆😆😆#also i fucking love their car lololololol it suits them both so well 😆😆😆😆😆😆🥰🥰🥰💖💕#i hope if there's more seasons or movies or remakes or reboots or whatever#and glen and glenda are in it again#i hope they have their car ☺️☺️☺️#the nonbinary-mobile#queermobile#whatever lololololol 😅😅😅😆😆😆#shitpost lol 😆#chucky#glen#glenda#this entire post and tags is pretty incoherent sorry bout it lololol 😆😆😆😅😅😅
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lizz-crimson · 9 months
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MK Characters Intro Banter With Monster Hunter Reader!
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In this scenario the Reader is a monster hunter from the Monster Hunter game franchise! I love, love, love MH, and I also love, love, love, MK! So why not bring them together!? Reader is gender neutral and is simply called 'hunter' in these.
Tags/warnings: Language, talk of violence (against people and animal-like monsters), Monster Hunter termanology and references, Reader is a funny monster hunting badass!
Characters: Liu Kang, Scorpion, Raiden, Johnny Cage.
Part 2 Part 3
Liu Kang
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You: "Y'know, I hunt dragons for a living."
Lui Kang: "Is that a threat, hunter?"
You: "Just a friendly heads up."
Liu Kang: "What are those blades made of?"
You: "My dual blades? These are made from the parts of Rathalos and Rathian I've hunted."
Liu Kang: "They are pulsing with both flame and poison..."
Liu Kang: "My dragon fire does not effect you nearly as much as others."
You: "These talismans aren't for show, Liu."
Liu Kang: "Let's see if I can't knock them off!"
You: "I'd love to see you get into a kick-off with a Seregios."
Liu Kang: "A Seregios? Another monster of yours?"
You: "Just imagine a golden parrot with knives for feathers. ...They also kick really hard."
Scorpion
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You: "Never thought I'd meet someone as angry as an Odogaron."
Scorpion: "My rage cannot ever be sated."
You: "I can't imagine how hard that is.."
Scorpion: "Have a taste of hellfire!"
You: "Please no, I've already hunted a Magnemalo today.. "
Scorpion: "I will prove a much bigger challenge."
You: "It feels odd fighting you."
Scorpion: "How so, hunter?"
You: "I only ever fight monsters. I feel I may go too hard on you."
Scorpion: "That longsword is impressive."
You: "Thanks! It's made from that Teostra you saw me hunting earlier!"
Scorpion: "You mean to tell me you successfully slayed that creature?!"
Raiden
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Raiden: "What are these Elder Dragons you speak of?"
You: "They are the scientifically unexplainable monsters that roam my world. I have fought and slain many."
Raiden: "Impressive. We could use your skills in defending Earthrealm."
You: "A Zinogre would be a good companion for you, Raiden."
Raiden: "I have no interest in pets."
You: "Not even a dragon dog with natural thunder abilities?"
Raiden: "I must admit, you are hard to strike with my lightening."
You: "I had to get good at dodging thunder attacks when a Kirin went berserk back home."
Raiden: "Your world has made you versatile indeed."
You: "Raiden, help me test out my new weapon!"
Raiden: "Are you welding an axe or a sword and shield?"
You: "Both, baby!"
Johnny Cage
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Johnny Cage: "Damn, you take hits like a tank!"
You: "Armor and food, Johnny. Armor and food."
Johnny Cage: "What are those cats feeding you!?"
You: "Ready to face the music, Johnny?"
Johnny Cage: "Wait, you mean that's not a hammer?!"
You: "I'm gonna play the Ninja Mime theme while bludgeoning you to the pavement!"
You: "No Johnny, you cannot pet the monster I captured."
Johnny Cage: "Why not? It's just a big turkey!"
You: "A Kulu-Ya-Ku is stronger than it looks!"
Johnny Cage: "You beat that poor thing to death!"
You: "Unfortunately, that Pukei-Pukei became to aggressive near my village. I had no choice."
Johnny Cage: "Well pookie-pookie didn't know what hit her.."
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Hope ya liked these! I keep saying I'm gonna post write stuff here but never do lol
Here's the monsters mentioned in these interactions for those curious! I put them in a lil collage in the order that they were mentioned!
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tleeaves · 16 days
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Folks going "WHAT they made a show about the Fallout franchise?? I've been hearing people say Bethesda messed it up, but I haven't watched it myself, so I'm going to trust the word of other people -- some of which also haven't finished watching it" is driving me insane.
Being a hard core fan of something obviously brings with it a lot of passionate feelings when adaptations come into play. Of course, there's going to be people going "but in 8 episodes of the first ever season they made, they didn't explore Theme C or D, didn't introduce factions E and F and G, and because the source company is notorious for its scams, we and everyone else who's a TRUE fan should hate it".
The Amazon Original series Fallout follows the videogame franchise of the same name. It is a labour of love and you can tell by the attention to detail, the writing, the sets, and YES THE THEMES ARGUE WITH THE WALL. It's clearly fan service. I mean, the very characterisation of Lucy is a deadringer for someone playing a Fallout game for the first time. She embodies the innocent player whose expectations drastically change in a game that breaks your heart over and over again. Of course, she's also the vessel through which we explore a lot of themes, but I'll get to that.
There're some folks arguing that the show retcons the games, and I gotta say... for a website practically built on fandom culture, why are we so violently against the idea of someone basing an adaptation on a franchise that so easily lends itself to new and interesting interpretations? But to be frank, a lot of what AO's Fallout is not that new. We have: naive Vault dweller, sexy traumatised ghoul that people who aren't cowards will thirst over, and pathetic guy from a militaristic faction. We also have: total atomic annihilation, and literally in-world references to the games' lore and worldbuilding constantly (the way I was shaking my sister over seeing Grognark the Barbarian, Sugar Bombs, Cram, Stimpaks, and bags of RadAway was ridiculous). Oh, and the Red Rocket?? Best pal Dogmeat? I'm definitely outing myself as specifically a Fallout 4 player, but that's not the point you should be taking away from this.
The details, the references, and the new characters -- this show is practically SCREAMING "hey look, we did this for the fans, we hope you love it as much as we do". Who cares that the characters are new, they still hold the essence of ones we used to know! And they're still interesting, so goddamn bloody interesting. Their arcs mean so much to the story, and they're told in a genuinely intriguing way. This isn't just any videogame adaptation, this was gold. This sits near Netflix's Arcane: League of Legends level in videogame adaptation. Both series create new plots out of familiar worlds.
Of course, those who've done the work have already figured out AO's Fallout is not a retcon anyway. But even if it was, that shouldn't take away from the fact that this show is actually good. Not even just good, it's great.
Were some references a little shoe-horned in to the themes by the end of the show, such as with "War never changes"? Yes, I thought so. But I love how even with a new plot and characters, they're actually still exploring the same themes and staying true to the games. I've seen folks argue otherwise, but I truly disagree. The way capitalism poisons our world, represented primarily through The American Dream and the atomic age of the 45-50s that promoted the nuclear family dynamic -- it's there. If you think it's glorifying it by leaning so heavily into in the adaptation, I feel like you're not seeing it from the right angle. It's like saying Of Mice And Men by John Steinbeck glorifies the American Dream, when both this book and the Fallout franchise are criticisms of it. If you think about it, the post-apocalyptic world of Fallout is a graveyard to the American Dream. This criticism comes from the plots that are built into every Fallout story that I know of. The Vaults are literally constructed to be their own horror story just by their mere existence, what they stand for, what happens in each of them. The whole entire show is about the preservation of the wrong things leading to fucked up worlds and people. The missions of the Vaults are time and again proven to be fruitless, unethical, plain wrong. Lucy is our brainwashed character who believed in the veritable cult she lived in before she found out the truth.
So then consider the Brotherhood of Steel. I really don't think it exists in the story to glorify the military. We see just how much the Brotherhood has brainwashed people like Max (also, anything ominously named something like "the Brotherhood" should raise eyebrows). Personally, I don't like Max, but I am intrigued by his characterisation. I thought the end of his arc was rushed the way he "came good" basically, but [SPOILERS] having him embraced as a knight in the Brotherhood at the end against his will -- finally getting something he always wanted -- and him grimly accepting it from all that we can tell? Him having that destiny forced upon him now that he's swaying? After he defected? If his storyline is meant to be a tragedy, it wouldn't surprise me, because Fallout is rife with tragedies anyway. And a tragedy would also be a criticism of the military. That's what Max's entire arc is. It goes from the microcosm focusing on the cycle of bullying between soldiers to the macro-environment where Max is being forced to continue a cycle of violence against humanity he doesn't want to anymore because a world driven to extremes forces him to choose it to survive (not to mention what a cult and no family would do to his psyche). Let's not forget what the Brotherhood's rules are: humankind is supreme. Mutants, ghouls, synths, and robots are abominations to be hated and destroyed. If you can't draw the parallels to the real world, you need to retake history and literature classes. The Brotherhood is also about preserving the wrong things, like the Vaults (like the Enclave, really). They just came about through different method. The Enclave is capitalism and twisted greed in a world where money barely exists anymore. The Brotherhood is, well, fascism plain and simple.
Are these the only factions in the Fallout franchise? Hell no. But if you're mad about that -- that they're the main ones explored, apart from the NCR -- I think you're missing the point. These themes, these reminders, are highly relevant in the current climate. In fact, I almost think they always will be relevant unless we undergo drastic change. On the surface-level, Fallout seems like the American ideal complete with guns blazing that guys in their basements jerk off to. Under that surface, is a mind-fuck story about almost the entire opposite: it's a deconstruction of American ideals that are held so closely by some, and the way that key notion of freedom gets twisted, and you're shooting a guy in-game because it's more merciful than what the world had in store for him.
I mean, the ghoul's a fucking cowboy from the wild west character he used to play in Hollywood glam and his wife was one of the people who helped blow up America in the name of capitalism and "peace". There are so many layers of this to explore, I'd need several days to try and keep track and go through it all.
The Amazon Prime show is a testament to the Fallout franchise. The message, the themes? They were not messed up or muddled or anything of the sort, in my opinion.
As for Todd Howard, that Bethesda guy, I'm sure there's perfectly valid reasons to hate him. I mean, I've hated people for a lot less valid reasons, and that's valid. We all got our feelings. But the show is about more than just him. My advice is to keep that in mind when you're judging it.
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shuttershocky · 5 months
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Do you have a dislike for media universes that "rewards" people for watching/reading all of it in general?
Or do you think there is one that executes that idea well?
I'm answering this 5 months late, but I'm pretty sure I still remember this ask being prompted by a post making fun of the MCU.
Do I dislike story universes that reward people for reading all of it? Not at all. I mean, I'm a fan of both Middle Earth and Star Wars, I fucking love big, big universes with plenty of stories in them. When they intersect in some small way it's a delight to me, I love those little personal winks from the author for having read their other works or recognizing the most obscure names only a nerd would know.
However, there's a difference between a little reference in a story meant for people who can connect the dots, and making something almost required reading for your enjoyment. It's the difference between an acknowledgement from the creators that you liked the setting enough to come back for a new yet familiar ride, and a company realizing they've found their cash cow and can't wait to milk it for all its got until it's dead.
And dead the cash cow will be, eventually. It's been said before that the reason why the Big Two of western comics have ceded more and more ground to manga over the years is that Spider-Man has 10 different starting points while Naruto starts with Volume#1. That's not just a funny joke. Onboarding new readers has genuinely been Marvel and DC's problem for decades, which is why it was both incredibly predictable yet shocking all the same that this is what the MCU turned itself into.
Sure, early on you could ask the audience to watch a couple movies before the big Avengers crossover, but now they've got all these TV shows on top of the movies that you have to watch in order to "catch up", and it's not even about the cool characters anymore. More and more of their fanbase is going to stop caring once the barrier of entry gets too high, and it's ridiculous to me that Marvel went this road with their movies when they know this is what happened to their comics first.
I mean, are you serious, their next big bad is Kang? I am not watching several TV shows and an Ant-Man movie that's somehow worse than the second one all to see how the currently left Avengers meet goddamn Kang the Conqueror. He's in both the TV shows and the movies, which means they're somehow giving Kang more buildup screentime than Thanos. Why? Either I've been extremely out of touch with Marvel comics or the MCU picked a wild choice to headline their next billion dollar franchise when Doctor Doom is actually available to them now and barely needs an introduction.
Sorry, got lost for a bit. Back on topic, yeah I know I know, all art right now exists under capitalism which means every setting that becomes a wider story universe is an author trying to milk their existing fanbase. Whenever a creator makes a thing that I like, and then announces they have a new thing set in the same setting as their first thing but isn't a direct sequel so they can keep gaining a new audience while keeping their existing one, I know I'm being suckered in.
Just, don't make it so blatant. And don't make it so hard. I am the exact target audience for these shenanigans and even I'm starting to feel like it's homework because it's all fucking required now.
If I, a lifelong Star Wars fan, want to watch the newest Star Wars thing, I have to see a hundred hours of other Star Wars media first. If I want to watch The Mandalorian Season 3, I can't just have seen Season 1 and 2, oh no, I have to also see The Book of Boba Fett too, because halfway through that show became The Mandalorian Season 2.5. Well I did see Boba Fett, and the combination of my dislike for turning it into required homework AND the show itself just being kinda dogshit meant I never touched season 3 of the Mandalorian. That show used to be so great because it wasn't tied down to any existing story arcs or characters, so it stood on its own and made for an amazing watch no matter how much Star Wars you've actually seen. And then it succeeded and so had to become the new spine for the entirety of Disney Star Wars afterward. Fuck. Now if I want to watch their latest show Ahsoka, I have to have seen the Clone Wars animated series AND Rebels, because the Rebels cast are in it too! I mean I did see Clone Wars and Rebels, but that still sucks!
That makes me worried now! Andor was also really fucking good and it stood on its own so hard you didn't even need to see Rogue One, the movie that introduced Cassian Andor in the first place. But now that season 1 was a success and everyone sang its praises, it certainly means season 2 is suddenly going to get real cramped with Ahsoka and Luke Skywalker and whatever guys are currently alive in its timeframe. Shit, they're probably gonna add Cal Kestis in season 2 of Andor. The Respawn Star Wars games are still doing their own thing which means it's time to connect to something else.
I hate what all this has become. It was fun to read the Silmarillion and see what kind of fuckery one family of elves got up to that eventually turned Sauron from minion to big evil eye parked next to evil mountain, but you didn't need to read all that before The Lord of the Rings. LOTR didn't assume you knew anything at all (and oh boy did Tolkien never miss an opportunity to explain shit).
Let me repeat. I am the target audience. I live for the ridiculously nerdy habit of reading things set in the same universe as other things and connecting all the dots. If /I/ feel like it's become homework, I can't imagine what the average person thinks of all this. Make it stop. Stop running everything I once loved into the ground in the name of endless profit. Star Wars was already doing this to itself before the Disney acquisition and yet it didn't feel this bad.
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ribbonetteart · 3 months
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Tribute to one of my favorite movies of all time + the franchise that has me in a death grip 💖
a bit late for Christmas but at least Valentine's day is around the corner ^^;;
Process below if that interests you:
AS I SAID EARLIER, I had been working on this piece as early as December of 2021 😱!!!
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This was the original sketch! I was inspired after learning about Blaze's own design inspiration coming from Takarazuka theater, as well as it being the Nutcracker season so this film was in bouncing around in my head.
and this was allllll the way back in 2021 ^^; I had put the idea to paper to capture the image in my head immediately. But the idea in my head was extravagant and beautiful and would certainly take time to complete, as well as the patience and skill to work with watercolor 😔 I've certainly done my share of watercolor, both physical and digital, but I still feel like my physical watercolor work is a fluke, and I was still a novice digital artist at the time of this sketch.
In short, I was confident my skill could live up to the vision.
So I would put this on the back burner. It wouldn't be ready in time for Christmas, and I could use this as an opportunity to hone that digital art experience so it could be ready next year!
2 Years Later...
It's December 5th. Fuck it. Let's crack this open again, I tell myself.
SO starting with the line art, it's actually 2 different brushes layered over one another.
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I also changed Sonic's expression to be more love struck-looking, because I'm a sucker for romance.
The image on the left is a watercolor line brush, while the right is a pencil brush. The reason I wanted a water color look was because I thought it would make the illustration look dreamy and fantastical, and I wanted that to extend to the line art as well. However, my usual lines on traditional usually veer more towards thick and cartoony from years of studying the Sonic art style, so I really felt like I was working against myself here. I had also asked friends for their input and they preferred the lines on the right as well. If my followers actually do read these blog posts, I'd love if you could comment which line art style you prefer drawing or looking at.
The happy medium was to just combine the 2. Here's a better look at that:
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I like it! I think it combines the solid line with the rustic water color grain. Best of both worlds :]
For the actual painting, The most notable thing I can say is that getting the right pastel-y color was VERY difficult to achieve for someone like me who often loves to use bright and saturated colors in her art. I feel like I really set myself up to do one of those "evil art style" or "opposite art style" challenges I've been seeing around. I had to repaint Sonic at one paint because the blue of his fur was WAY too saturated for the style I was going for:
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I started with painting Sonic and Blaze in first and then working on the background. I think that's probably the backwards way of doing it but one of the perks of digital art is you can do stuff any order you want when you have layers.
The background wasn't actually as difficult as I thought it would be. I wasn't going for any difficult perspective, and I was using a reference so that could be it. I'm usually averse to backgrounds but I really wanna tackle more of my weak points in art. I actually had way more fun than I was expecting, painting the sky and adding texture to the grass. I think I had the most fun rendering the water coming from the fountain (which you can't even see too well anyway, lol).
Funny enough, I had just about finished painting the characters and background by early January. So why am I posting this in February?
The Flowers...
In case you don't know. I love flowers. I love looking at them, I love learning about flower languages, I love drawing them. so seeing that my reference image showed flowers circling the fountain, I was excited! I was already having more fun than I expected to be, working against my usual style, rendering a background, so how could this be a pain in the ass?
Well, I am my own worst enemy 😞I couldn't exactly identify each flower offhand from this screenshot alone. The texture of the flowers is kinda grainy, since I don't think the animators were expecting viewers to look too closely at the set piece to use as reference for my lovingly crafted crossover fanart. If anyone has this in high quality though, please tell me.
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(I think I actually got this reference from a tumblr post but I can't find it on my blog for the life of me nor can I find it in the tags I'm so sorry)
I'm a huge stickler for details so I really wanted to be as "accurate" as possible in my illustration. I can hardly identify some of these flowers with confidence. I think there are roses in there? or tulips? I'm not sure if those yellow flowers are roses or some kinda petunia or if I'm way off.
I'm sure these details won't matter to most viewers but it was EATING AWAY AT ME. Eventually I decided to try drawing in flowers that might look similar to the ones in the reference. Or some based on their flower languages. I was certainly overthinking it ;;;; It led me to going "fuck it" and just throwing in whatever I wanted. There are no irises visible in that screenshot but I made it the centerpiece of the flower ring. Who give a shit.
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I made some guides for me to follow: The blue ring was so I could make sure the flowers make a half circular border around Sonic and Blaze. I was envisioning how it could look as like an icon or sticker or something, which is why it's framed this way. then the second guide is the sketch of the flowers I made. I always do line art and I'm not great at just improvising with color to paper, or color to screen in this case.
The rest of this process is then just working on each flower piece by piece (with the help of the mirror tool of course) with varying degrees of detail. Some flowers are more abstract than others, and I had debated if that would look jarring and disrupted any kind of harmony I was trying to maintain with the style parameters I set for myself. And then I decided I was overthinking it once again which is why this was taking me nearly 2 months to complete.
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At some point during this process, my wifi went out for a whole week! Of course, I could still work on this illustration offline, but I had a lot of tabs open with a bunch of reference images on there (plus I like to listen to music while I draw otherwise I lose focus and I had neglected to download a varied selection on my phone or laptop 😭 Learn from my mistakes).
The most tedious of this process was making each set of gladioluses a unique color.
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Was it worth it? You tell me! I think they're pretty, at least.
Along the way, I repainted the grass because it wasn't symmetrical (It didn't need to be but I had been using the mirror tool for a lot at this point and it was bugging me). I made other little final adjustments, like color adjusting the leaves on the flowers, lowering the flower ring border, and so on.
Ultimately, I'm extremely satisfied with the final product. I had my heart set on doing something like this for a long time. I had so much fun just experimenting throwing on color or not worrying about technical stuff. Of course, I did do what I usually do and overthink it at some points, but I'm working on it!
I've wanted to do an extremely indulgent AU illustration and other drawings for a Sonic x The Nutcracker story for a long while. I will be totally honest, I'm still a little embarrassed to share stuff like this, even after years of posting fan art online. It feels like the more self indulgent something is, the more people might judge me for it ^^; But I wanna practice what I preach and kill the thing inside me that cringes at my harmless attempts at joy and whimsy.
I would love to do some more drawings for this AU, but maybe post them around December when it would be more seasonally appropriate. I hope you'll stick around for it!
If you read this whole thing to the end, thank you. Whether you follow my blog or not, I hope you have a lovely day :3💝
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onesunofagun · 11 months
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The implications on Ganondorf and his background in TotK suggest some very interesting things to me.
First of all, like. I love him. He specifically did not disappoint me. His JP audio fucks so hard. I love his design. He's glorious.
And Hyrule as an imperialistic divine hegemony is not a new concept in the slightest, obviously, the Ganondorf corner of the fandom have known and discoursed about the potential story ramifications of those themes since OoT, but Fujibayashi really went ham on it in his run. (And look. Zelda is made in Japan. Framing a divine imperial authority as a good thing narratively is pretty par for the course JP nationalism, to be really blunt. It is what it is. Grain of salt.)
But I do appreciate that it revisited some OoT plot beats even if it... really drove that point home again in retrospect
I guess new fans are in for a treat unpacking that;;;
Anyway in the BG of that, I'm interested in the particular minutia of what was happening with this Ganondorf specifically to flavour his particular brand of 'fuck you'
And a few important points that give broader context to things are these and I'll put under a cut bc spoilers obviously--
Rauru's repeated 'invitations' to join Hyrule and benefit from their protection (presumably some advanced technological access or strong magical allies as part of that promise, which I believe is probably anti-monster focused within world context) which Ganondorf as a King has very much ignored (and good for him tbh).
Clearly, he has an interest in keeping Gerudo independent.
Ganondorf is acknowledged as a Hero to his people. Not only does this heavily resonate with the very particular themes of his actual character design and both its Buddhist reference and Samurai trope homages, but like-- we're actively shown an explanation for WHY he may be considered such.
Being who he is, he's already magically inclined with a kinship to monsters. We are unapologetically shown him in command of a Molduga Army. Trained Moldugas, under his command-- and not under specifically his mystical command, either, but musically conditioned. Trained to follow sound based command cues, which makes plentiful sense given Moldugas are sound sensitive and Ganondorf usually has musical inclinations. Plus it's Zelda franchise, magic command music is also very much a thing but--
Moldugas are, at least medicinally, very important resources. On a larger scale, they're also a very present threat to desert dwellers and travellers, and from the looks of it in much larger numbers, back then.
Given the context of everything, Ganondorf was a badass even before 'he took a magic relic and fucked up the Hyrulean Royal Family' as he tends to do. Sporting as ever, he fights Link one on one as just a Gerudo, also showing once again that he does in fact have some personal code of honour when it comes to fighting worthy opponents. But it gives us a yardstick of how capable he probably was even before he nabbed the tear.
Capable enough of tangling with most big uglies in the desert, such as Moldugas, which he has at least trained and at most maybe even raised.
Exemplified Power as he ever is, I'd like to point out that in this case, he's demonstrating a flipside of what Power looks like-- benevolence, protection, guardianship. Once again, we have the pieces that indeed he is capable of that and showing that to his own people. He also flexes the Molduga Army as a show of Gerudo and its own power.
To anyone other than Rauru, who is an incredibly powerful Sage already, a Molduga Army would have absolutely won the day, I think. The reaction of the other Gerudo is pretty telling.
Ganondorf's faction were deeply shaken by the display of Rauru's power. And as a guy that's been knocking on your King's door and saying 'you should come and bend knee to me' when Gan already has the worst problem in the sands sorted out?
Very understandable.
From their perspective -- what do they need protection from, exactly, if not Hyrule itself? Their monster problem is a non-issue. From the viewpoint of Gerudo loyal to Ganondorf, everything about this looks like a pressured threat.
Which comes back around, of course, to what Ganondorf plainly lays out to Rauru when he gains the tear-- this is because Rauru tried to control him. And yes, that's Ganondorf and his pride and his nature in full tilt too. He will not be pulled beneath anyone or anything.
But that's the point about that hubris on Rauru's part, he felt superior and he underestimated both Gerudo and Ganondorf-- as a warrior and a leader, and as somebody who was likely managing things very well on his own.
But I mentioned factions. This is something that should be made clear.
Pointed ears are, canonically, associated with faithfulness to Hylia and/or the worship of Hyrulean spirits. This gets debated all the time, but that's the fact of it. We have been shown again and again that humans from outside of Hyrule have round ears (as long ears are associated with hearing the voices of the gods; ie being open to them). Exposure to Hyrulean aligned divine elements can lend pointedness to previously totally round ears. We see this happen.
It has been doubled down upon that the ancient Gerudo (such as in oot and FSA, with FSA having the introduction of the floral association in Gerudo design and OoT heavily centering mirrors in their spiritual practices) worship different deities, whether derivatives of Din or Hylia or completely different myth. The Goddess of the Sands has been confirmed as a deity that Hyrule itself views as evil and false.
I generally interpret this to mean that part of the reason boils down to this-- Hyrule's main concern is that pointed ears are living lives closer to the gods, and therefore more insulated against corruption and demonic influences. Rather fittingly, their patron's foremost spiritual antagonist tends to find his reincarnation in unprotected, non-Hyrulean tribes who are 'open' to demons.
Now that may be another layer to what Rauru means when he says protection, also. Worshipping the 'right gods' affords certain protections (and certainly supports the security of Hyrule itself).
In SkSW, by the way, there's a really cool point of questioning early human society too-- the fire temple depicts demons and monsters and snakes quite a bit, and these were built in a time when I suspect the humans were mostly a large proto-people.
Sidenote: I think Hylia's faithful went to Skyloft and generally shook out to be the Hylians we know later, where some stayed on Earth to serve Hylia's plan and became Sheikah, many more people were transformed into demons in a reverse-Batreaux situation, and some humans just scattered far and wide to avoid conflict.
Anyway that temple depicts Bokoblins making hand signs and long story short, the overall motif and meaning of that temple shows demons offering to teach things, approaching humans with a different kind of enlightenment. Whoever built that temple was very much in a state of open spiritual and mystical curiosity.
Now the takeaway there is, ultimately, the ancient Gerudo very much seem to be descended from such a sect of people. They have their own gods, and they're not part of Hyrule proper, and they have round ears because of it.
Botw departed from that very clearly, but in doing so, also erased and replaced almost all traces of the ancient Gerudo deities with new Hylian analogues.
The Seven/Eight Heroines count as Hylianised deities, and I believe the reason for this-- first suspected in botw but I feel it's weightier after totk-- is that they represent tear holders / Hylia aligned Sages in the seven group (edit: and apparently a Hero in the Eighth) such as those in the decline timeline. They are functionally the reason that the Gerudo of modern day possess long ears-- even where they are selective in what they worship, they are still worshipping Hylia aligned aspects of Divine Hyrule.
And in case this wasn't absolutely irrefutable to me beforehand, the ancient Gerudo Sage from Rauru's time is both loyal to him, and possesses pointed ears under her camel mask.
I would also point out the Hylians of Rauru's time seem to have longer ears in general, probably owing to having a Zonai King, ostensibly a Hylia aligned Deity himself.
Ganondorf's ears are rounded, of course. He clearly doesn't believe in Hyrulean worship even in lip service, and it's little wonder why.
But following another beat of OoT, that ancient sage is a very obvious Nabooru type character. And, in much the same way, that suggests that even when Ganondorf was King of the Gerudo only, there may have already been factions splitting up amongst their people based on spiritual practices.
I don't think it's beyond the pale to speculate there may have been a mixture of Gerudo at the time who had both pointed ears and round, signalling the confusion from and conflict between their spiritual leaders.
It seems likely that a schism probably existed, regardless of ears, but that schism-- and the sage who may well have been leading it-- may have been caused by people who decided respond to those calls from Rauru and join Hyrule without their King.
Which gives a lot more context to why Ganondorf would be in the mood to send a giant Molduga shaped "back off" Rauru's way, also.
I take particular note that Ganondorf's destruction intentions are faced towards Hyrule and her allies, and specifically those who oppose him in that goal. And while I concur that his whole Red Inheritance party ran hard and may well have had a decent hand in frightening the bejeezus out of the Gerudo who were previously faithful to him-- maybe even inadvertently sent some running for camp Hyrule-- it seems he considers modern day Gerudo, fully converted to pro-Hyrulean status, to be traitors.
We have no idea what happened to the Gerudo who followed him, so that's really up in the air as to how messy that may have gotten.
Even the woman who plays to summon the Molduga has pointed ears though, so I tend to lean that his camp got converted to Heroine worship (or at least those with pointed ears mostly did if the mixed ear situation was happening).
But heck, it would not be the first time some Gerudo got ran outta dodge after a King went belly up.
Food for thought.
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sxs-kav · 22 days
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I saw Frozen Empire, so obviously I have to talk about it. Spoilers ahead.
Also disclaimer that these are my personal feelings, so if we disagree that's okay too!
So, overall I would rate the movie as good. Not my all time favorite in the franchise, I think that will always go to the original, but I enjoyed it. The story could have used a little work in some parts, but hey, nothing is perfect.
Favorite part of this whole movie: one Dr. Raymond Stantz, hands down. He is so cute as an old man-child whose enthusiasm hasn't waned the least bit over the years. Honestly, in Afterlife he seemed like he'd become cynical, but here his true nature really rang through. And I adore him being a mentor for Phoebe and the other younger characters, while also getting into mischief with them. That little sparkle in his eye when Phoebe asks "Aren't you retired?" No, Ray is never retired, he will always be ready to suit up.
I also loved in the police station when Phoebe was standing up to Dickless Peck, Ray had this face like he was so proud, like he could see Egon in her, memories of him saying "YOUR MOTHER!" 😆
The other thing I liked about the movie was the expansion of the Ghostbusters as a business, with the research lab. First off, I love that Winston, the one who didn't even believe in ghosts when he was hired, is now almost like the CEO of the company. But also, it opens up more possibilities for this new era and allows for more playing with the world building. Though I feel like it was a wasted opportunity to put in some easter eggs for TRGB. Unless the ghosts featured were in the (*shudder*) Q5 episodes, I didn't recognize any of them from the show. Then again, I guess they're newer ghosts so that wouldn't make sense, but maybe they could have been similar kinds of ghosts. Just as a small reference.
Other favorite parts include:
-The near-lesbian romance between Phoebe and Melody
-Ray smuggling the Mini Pufts from Oklahoma (because of course he would)
-Also just the Mini Pufts in general (why are they so violent?)
-The way Ray's face lit up when Peter came to the firehouse
-Peter being proud that Ray quit smoking
-Peter's unwavering faith that Ray's idea is good and will work, and saying they all trust him
-The library ghost (did they never go back to get her???)
-Gary saying the words to the theme song
-Janine in uniform!
-Slimer eating the pizza with the posesser ghost in it
Now, onto the areas that I felt were not as strong. First of all, I found it wild that Phoebe was being ousted by everyone without any kind of fight. She's the one that started the whole thing up again, she's got the passion, she's got the brains, she's got the glasses and the curls! Her mom says a grand total of NOTHING to defend her in Peck's office, and they all just accept that she can't be a Ghostbuster anymore. Yeah, they don't want to get sued, but it's just weird to me that they don't even seem like they feel that terrible that she got benched. Callie and Trevor are very callous about the whole thing. Only Gary seems like he gives a shit, and he's not even her dad. The way Phoebe's benching ended wasn't all that satisfying either. It would have been nice for the other three to maybe struggle a little without her, realize they need her to balance the team, and try to find a way to get her back. Winston was really the one that got Peck off their backs in the end, no thanks to anyone else (also, I'm pretty sure in that scene, someone in the crowd yells 'dickless' 😆).
Side note, I really don't like Callie's character that much. I think she's self-centered and doesn't seem to care about the kids' feelings unless the situation becomes dire. Maybe she does deep down, but mostly her attitude about everything stinks. Idk, I wouldn't care if she wasn't in the movie at all.
Anyway, back to the plot. I liked the idea of Phoebe's plotline. I wish they'd gone all the way and had her and Melody kiss, I really thought that was coming when she separated from her body. But I have an issue about that particular moment. The decision to suddenly put herself in the chamber like that seemed to come out of nowhere, at least I thought so. They made it like Melody was supposed to be the one tricking her into doing it, but she really never said anything to convince her. Phoebe just decided on her own to try it. I know she mentioned a couple of times wondering what it would feel like to be a ghost, but it wasn't a strong enough buildup to such a risky move. Honestly, when she asked Ray about him wanting to be a ghost, coupled with Winston saying Ray was going to get himself killed, I thought they were foreshadowing killing Ray (and thank God they didn't!).
They also hint at Phoebe specifically being the one that needs to be used but why? Anyone could have been tricked into the chamber and been controlled by Garaka for the chanting.
But moving on from that, the other issue I have is with the firemaster. He was a little too good at controling the fire after what, a couple of hours of practice? I think the character could still work, he could still be a quirky weird guy, but I think I would have made him more of a reluctant inheritor of his grandma's powers. Maybe he struggles with it at first and he figures he can sell the artifacts to Ray to get rid of the responsibility. Then later he can finally accept his fate to help beat Garaka when he starts believing in himself.
Those are the only major parts that I felt could have been tweaked. Besides that, I would have loved to see Slimer and Ray get a moment, just as a nod to their friendship in the show, but I guess they want to stick to one continuity. Of all the things they could have referenced from the show, though, it had to be the Junior GB 😆 It was just a throwaway line, but still, I don't want to remember they were a thing.
Tl;dr, the movie was good and there were a lot of parts I really enjoyed. For the parts that were weak, I'm confident there will be another in the future, so hopefully they'll keep improving.
Also, who the hell voted for Peck to be mayor? I bet he rigged the election.
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epicspheal · 11 months
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Where's My Sister's Purrloin!? A Hugh Analysis
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"Yeah… OK! Let's go get your Pokémon! There's something I have to do! And to do that, I need someone I can trust besides my partner Pokémon. A person I can trust! That's right! I'm talking about you! You seem like you've got good instincts!" <- Meeting Hugh outside of Aspertia City
Oh Hugh! Definitely one of the most misunderstood rivals. Also one of my favorites (also that seems to be a trend with the characters I like but that's a topic for another day). Hugh is our sole rival in BW2 and he's a rival with one of the most unique motivations for a rival character in the franchise.
Let's start by looking at Hugh's name which is rather straightforward. In all of the translations it's a homophone for the word Hue which is a major property of colors in color theory. He follows the naming conventions of Cheren and Bianca in that there all color themed which harks back to gens 1 and 2 where the main characters have color names (which makes sense as gen 5 was a bit of a soft reboot to the franchise in some respects). Of note his German, Spanish and French names of refer to the famous painter Henri Matisse who was known for his Fauvism style which opted for strong colors, again reinforcing the color symbolism. Interesting to note that Hugh as a given name that has mix of Irish and Germanic origin meaning "mind, intellect and spirit" with it actually being an anglicized version of Gaelic "Aodh" which means "fire". Hugh is certainly very intellectual, spirited and fiery especially when it comes to getting his revenge on Team Plasma and getting his sister's Purrloin back.
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Next to look at his team. Like many rivals, he gets a traditional starter, but it's one that he raised from an egg. One that's actually stronger than your starter on the type chart. But honestly I think his signature Pokemon (based on what we see in Pokemas) is his Bouffalant. Bouffalant is described in a few Pokedex entries as be wild and reckless charging at everything. Which is quite reminiscent of Hugh during much of the game when it comes to Team Plasma. Indeed when you take a look at the rest of his team members you'll see that often times Hugh opts for high-risk, high reward moves such as Wild Charge on his Eelektross and Bouffalant (which gives recoil), Giga Impact on his Unfezant (forces the user to not use any move after atacking, leaving it vulnerable), Fire Blast/Hydro Pump/Leaf Storm on his starter (high powered but not 100% accuracy).
Which when you look at his character overall, makes a lot of sense. He's very passionate but the passion veers into recklessness in many respects.
Hugh gets a lot of flak from the community for going on and on about his sister's Purrloin. But people do that forget this is his driving motivation. And also most Pokemon characters tend to repeat themselves (which is less a symptom of them being bad characters, but of the writers not knowing how to vary dialogue that gets the point across without being repetitive).
But yes Hugh's very unlike most rivals in that he really isn't concerned about the rivalry. It's not that Hugh is a jerk. He's very kind to the player and generally respectful of others outside of Team Plasma (to whom he does not show a lot of mercy to in the beginning). It's just his primary goal isn't besting the protagonist. Rosa/Nate just so happen to be friends that he challenges to see if they can keep up with him while he takes down Team Plasma. In many ways he expands on the role carved out by Silver, who also was more concerned strength for the sake of defying his father than dealing with the protagonist but just didn't mind antagonizing them when they crossed paths. And Gladion and Marnie also fall in this trend as being more concerned about a goal that's not just "I wanna be the very best, like no one ever was".
"You're a little worried? Are you KIDDING me?! Your Pokémon might be lost forever! Whatever! I'll look! ! Help out!" <- On Flocessy Ranch
This a line that sticks out to me as it occurs when the owners of the Floccessy Ranch lost their Herdier and Hugh is extremely upset…more upset than Herdier's actual owners. At this point in the story he hasn't revealed the whole bit about his sister's Purrloin but this line is good foreshadowing to the eventual reveal. He's seen the trauma first hand of a stolen Pokemon can do and it causes an immediate reaction
"Shut it! You guys are the worst! You talk about saving Pokémon, but you're just Pokémon thieves! Don't think I'll ever forgive you!" <- Meeting Team Plasma in Virbank
Now I know Pokemon isn't known for writing but I honestly feel like they were doing a good job in slowly revealing more about Hugh and his motivations as we continued to encounter him during the journey. Once again we're adding more to Hugh, that not only has he probably seen a Pokemon get stolen, but that Pokemon was stolen by Team Plasma. But more importantly you can see a major flaw of his. That he is struggling with forgiveness as we see that he constantly references not forgiving Team Plasma throughout the game
"Five years ago… Team Plasma stole my little sister's Purrloin. It had been given to her as a present. I was only a little kid… I couldn't do anything… So… So that's why I have to get stronger!" <- Nimbasa City
And here's the big reveal. Now what sticks out to me is how powerless he felt. Of course this is a common trope with young characters who have been in serious situations to feel powerless and become hellbent on getting stronger to the point it kind of blinds them in a way (cough Paulo cough). But it's nice to see this in Pokemon with Hugh. It fits into the underlying theme of BW2 that deals with progression and how the region of Unova as a whole progresses from the events two years prior.
Given that Hugh states that Purrloin was taken 5 years ago that means that Team Plasma had been starting their public operations 3 years prior to the events of the original Black and White Games (we know of course N had been groomed by Ghetsis to be king as a young child but this gives us confirmation of them starting more public operations earlier in the timeline). Hugh, his sister, and countless others in Unova had been suffering the loss of their Pokemon for half a decade and that's heartbreaking.
Hugh: "Wait! I just remembered. Clay… Why? What's the reason? Why have you forgiven Team Plasma?" Clay: "There's always room for folks to grow and change, ain't there? And, if ya only go after what ya think is right, ya might end up rejectin' all thoughts and opinions other than yer own. That's mighty dangerous." Hugh: "Hmph… Is that one of those compromises adults are supposed to make? Whatever! I'm gonna fight Team Plasma! Oh yeah, what were you wanting to show us?" <- Clay and Hugh after the player wins the Quake Badge from Clay
This exchange is really important as while Hugh at the moment isn't truly ready for forgiveness from Team Plasma…it's shows he's not so closeminded to the idea as if he were, he wouldn't have even asked Clay why he had forgiven them. He's still resistant to the idea of forgiving Team Plasma as we see in later moments he's vary wary of working with ex-Team Plasma members to fight off Neo Team Plasma, but all hope is not lost. This is an important first step in his overall growth.
"That's the ONLY Purrloin in the world that my late grandpa caught for my little sister!" <- On the Plasma Frigate for the second time
This is a huge line for me. I've seen one too many people joke over the years "It's just a Purrloin, LUL. Why can't he just go get another one for his sister" and it lowkey irks me. Like his late grandfather went out of his way to catch that Purrloin for his sister. That's special. And even if their grandpa was still alive, or if someone else had of caught it, it doesn't change the fact that Hugh's sister bonded with that Purrloin. That's not a bond you can simply replace. Who knows if another Purrloin and his sister would've bonded the same way. It shows a great deal of maturity on Hugh's part to understand what that Purrloin meant to his sister compared to those (both in-universe and out) who say it's just as easy as replacing the Pokemon with another one.
"Wh-what? Don't mess with me… That's someone else's Pokémon!" "Sorry… This situation is messing with my head… I just don't know what to do… I finally found my sister's Pokémon, but now it's glaring at me… Why?!" "… … Hey… … If we let Team Plasma do whatever we want… There'll be more sad Pokémon like Purrloin and Kyurem…" <- On the Plasma Frigate for the third time upon finding his sister's Purrloin
This is such a poignant moment in BW2 for me because Hugh finally finds his sister's Pokemon…only for it to glare at him because it's now used to being under the Shadow Triad's control. You can feel his hurt through his words because this was his goal. This moment. And now he's not even sure he can bring this Purrloin back to his sister. Give Hugh a hug because he deserves it.
"Thanks to you, I accomplished what I set out to do during my journey! I wish I could've shown you my little sister's huge smile! This is my thanks!" <- Victory Road
We get a chance to meet Hugh in Victory Road and we get to hear some good news. His sister and Purrloin have been reunited! It's really touching to see such a good ending for him and his family. Hugh's dialogue is also much more relaxed in Victory Road now that his mission is over. It's good to see him more at ease after him being so wound up the majority of the playthrough
"What? I heard that Team Plasma left many Pokémon behind when they fled. And I'm helping find their real Trainers… That aside… Since you're here, you should have a battle with me before you go!" <- In Driftveil for postgame rematches
And even better? Hugh's begun to forgive Team Plasma (well at least the part that was genuinely following N). This is a huge step forward for someone who was pushing Team Plasma grunts out the way earlier and being hellbent on vengeance. Hugh honestly has one of the most satisfying conclusions for a rival in my opinion. He gets his goal, he learns a valuable lesson in accepting that (some) people can change, and he doesn't have to feel inferior to the player who is constantly beating him.
But Hugh's not done there! When he arrives in Pokemas we get to see him featured in two prominent stories. The first one is Revel In Rivalry where he gets into beef with Bede. It shows that while he has grown he still is a bit quick tempered seeing how easily provoked by Bede he was. But he learns to calm down and come to a truce much faster than he did with Team Plasma (granted there were more dire circumstances there) showing how he had grown from his journey.
Then of course there's the Unova Villain arc where this time it's Hugh that has his partner Bouffalant stolen. And to make matters worse he's been captured alongside N. What I loved about the Unova Villain arc is the focus on Hugh's growth. Yes, he's still very hotheaded. But he's learned to trust and forgive seeing as how he figured out N's identity well before Ghetsis told him in an attempt to break the partnership the two had formed while in captivity. Pre-character development Hugh would've flipped his shit on N. But hearing him talk about the people who spoke so highly of N (referencing the fact that Hugh works with the good part of Team Plasma to get the stolen Pokemon back to their trainers) and him saying he trusts N shows how much he's grown. It's really heartwarming to see him and N team up against Ghetsis' sorry ass.
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So yeah, Hugh's a great character that I feel like needs more love in the fandom.
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amalgamasreal · 10 months
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On G-Witch and the "Giant Space Laser"
Seeing a bunch of new fans who's first experience with Gundam has been Witch from Mercury be either confused or even angry at the big laser:
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So I thought I'd take some time to explain the history of Space Lasers and Gundam and how every long time fan has basically had it on our bingo card since the show started. Note: I'm not including Victory's Keilas Guilie or G-Gundam's Statue of Liberty Cannon.
The first one was called the Solar Ray and it appeared in the original Mobile Suit Gundam in 1979, it was a converted colony from Side 3, and used by the Principality of Zeon during the One Year War:
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The second one appeared in 1985's Mobile Suit Zeta Gundam as the Colony Laser and it was called Gryps 2, it was created out of the husk of the colony of Side 7 and used by the Titan's during the Gryps War:
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The next time we'd see one was in 1996's After War Gundam X, an AU timeline which was almost a "What If?" universe of the original Universal Century timeline that asked the question "What if Char had succeeded during the counter attack?". The colony laser in question was created out of one the abandoned colonies left over during the 7th Space War. It also had one of the coolest destruction scenes in a show IMHO:
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2002's Mobile Suit Gundam SEED has not one, not two, but three different stand-in's for the old Colony Laser in the form of the the "Cyclops System", which was a powerful targeted array of microwave satellite weapons that vaporized all water it was pointed at, this included inside of human bodies. The effects in the show were graphic.
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The second from SEED was GENEIS or Gamma Emission by Nuclear Explosion Stimulate Inducing System, which was essentially a huge gamma ray cannon that used nuclear explosions as the fuel to generate the gamma ray bullets. Just like before the results of it firing are VERY GRAPHIC.
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Moving on to the third from SEED we have Requiem, which was a large cannon installed on the dark side of the Moon and used reflecting relay stations positioned around the Earth to hit targets with pin-point accuracy:
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Leaving SEED behind finally we move on to 2007's Gundam 00 and their Memento Mori system, which in a departure from previous superweapons in Gundam was mounted to the Earth's orbital ring and used by the Earth Sphere Federation organization A-Laws to destroy basically the entire Middle East. Silly fact: because it was mounted to a ring the first one had a conical field of fire which gave it a blind spot that they could sneak up on.
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Circling back to the Universal Century we have 2010's Gundam Unicorn trotting out Gryps 2 again, and in a scene that Witch From Mercury directly pays tribute to: a character face tanking the blast to save their friends and family:
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And now we're at today and Witch From Mercury has used the reference wonderfully.
I hope this explains a little bit of the history of these things and how they fit into the Gundam Franchise and how they don't come as a shock or surprise to the long time fans. Rather if anything it's like seeing an old friend back in the mix.
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Dispatch! (The Ossan's Love Episode)
And we're back!
NiNi and Ben bring our friend @twig-tea to the show to talk about the entire Ossan's Love series. We'll talk about the way this franchise evolves over time, the difficulties of comedy, what it means to love older queer men, and how this show tackles the complexities of family and masculinity.
Timestamps
The timestamps will now correspond with chapters on Spotify for easier navigation.
00:00:00 - Welcome 00:01:15 - Introduction and Some Context 00:06:25 - Ossan’s Love History and Summary 00:13:42 - The Characters 00:28:23 - Love or Dead and In The Sky 00:39:00 - Ossan’s Love Returns 00:45:33 - Final Thoughts and Ratings
The Conversation Transcripts!
Thanks to the continued efforts of @ginnymoonbeam as transcriber, and @lurkingshan as an editor and proofreader, we are able to bring you transcripts of the episodes.
We will endeavor to make the transcripts available when the episodes launch, and it is our goal to make them available for past episodes (Coming soon thanks to @wen-kexing-apologist). When transcripts are available, we will attach them to the episode post (like this one) and put the transcript behind a Read More cut to cut down on scrolling.
Please send our volunteers your thanks!
00:00:00 - Welcome
NiNi
Welcome to The Conversation About BL, aka The Brown Liquor Podcast.
Ben
And there it is. I’m Ben.
NiNi
I’m NiNi.
Ben
And we’re you’re drunk Caribbean uncle and auntie here sitting on the porch in the rocking chairs.
NiNi
Four times a year we pop in to talk about what’s going on in the BL world.
Ben
We shoot the shit about stories and all the drama going into them. I review from a queer media lens.
NiNi
And I review from a romance and drama lens.
Ben
So if you like cracked-out takes and really intense emotional analysis…
NiNi
If you like talking about artistry, industry, and the discourse…
Ben
And if you generally just love simping…
NiNi
There is a lot of simping on this podcast…
Ben
We are the show for you!
00:01:15 - Introduction and Some Context
Ben
And we're back! 
This week, we are covering all of Ossan's Love, from 2016 through 2024. We have brought on a special guest for this special episode as we're going to talk about the longest-running BL project. We have brought on our friend @twig-tea.
Twig
Hello.
NiNi
Hi, Twig. Welcome to the show.
Twig
Thank you so much for having me.
NiNi
New friend of the pod. Super excited to have you here. Twig is what we delightfully referred to as a ‘fandom old.’ I'm very excited to be having this conversation with two fandom olds in here, Twig and Ben, because, dear listeners, I have not had the time to watch Ossan's Love, so this is gonna be interesting. Ben and Twig are gonna school me.
Twig
We'll do our best.
Ben
This is going to be an interesting episode because we're going to be talking about a project that was somewhat overlooked by fandom, myself included, until the last couple of months. And I'm a little bit salty about it, and so I wanted to bring on somebody who has watched all of this in real time, and I thought that their perspective would be helpful. 
Twig, you are new to our listeners. Why don't you tell them a little bit about yourself in fandom and your history with queer cinema and BL?
Twig
I actually started on the GL side, which is a little bit different than I think a lot of folks in the BL fandom. I started with getting into Sailor Moon and got involved with a group of women who started Yuricon. The first Yuricon was held in Newark, NJ, in 2003 and I was the secretary. 
From there, there just wasn't enough GL content, and so I got into BL, too. I was really into Japanese manga, was part of a few scanlation groups, got oversaturated, stepped away, came back in 2016 to be shocked at the fact that a whole lot of the stuff that I used to watch was now made into live action. 
The YouTube algorithm in late 2016—early 2017—fed me Lovesick and I sort of went, “Hello. What's this?” Then watched Make it Right and was hooked on Thai BL. Tried to backfill as much as I could, so I watched Gray Rainbow, and Diary of Tootsies, and all this stuff that nobody talks about, really, anymore. 
One of the things about fandom at that time was that the way you found stuff was digging and a prayer, and random people making random lists, and it was very hard to tell how good those lists were. And so I managed that by watching everything and making my own opinions. And that is why I watched Ossan’s Love when it aired, or as soon as I could get my hands on it.
NiNi
So we're talking like real, real old school. We're talking about “Oh God, maybe some fansubber might help us out here.”
Twig
Fuckin’, like, Internet relay chat.
NiNi
IRC was my job back in the day.
Twig
Yes!
NiNi
I was talking about other things—not BL, but I was there.
Ben
Twig has sketchy as shit DVDs that were handed to her by a fan that have not great rip but really solid subs.
Twig
Bought in a mall parking lot with Mandarin subtitles that we used to watch with my friends who spoke Mandarin so they could translate for us in real time. It was hard. We used to walk uphill both ways back in the day.
Ben
A lot of folks who have been in this for a long time—we joked that we watched everything because we had to. You have done a better job of keeping track of what you've watched.
Twig
I wish I'd done better. I only really started tracking things in 2020. I did try to backfill the years before that, but I only really captured all of the major series. There was so many shorts, and things like that, I just couldn't do. But my spreadsheet has about 600 things on it, 606 as of today.
Ben
Incredible.
NiNi
I have been watching media overall—like seriously watching media—for…30 years…and I have not watched 606 of anything.
Ben
Nah, I believe her. It adds up. I engage with close to 100 BLs every year for the last 2-3 years.
NiNi
Clearly I'm not in these streets with y'all.
[Twig laughs]
Ben
I'm so glad Twig has showed up because it has given me permission to not watch so much.
NiNi
I bow down to you guys, because there was a point in time where, trying to keep up with week-to-week, I was watching something like eight shows at a time and I literally felt like my head was on fire. So, I don't know how you guys do it.
Ben
Practice. [laughs]
NiNi
We talked about this on the show, how last year I watched 50 things, maybe, for the whole year, and I felt like I was losing my mind. I usually watch like 15.
Ben
50 is good. Like, that's a really healthy number.
Twig
That is. That's pretty solid.
NiNi
As in five-zero? 
Ben
Yeah, no, that's great!
NiNi
A year?! 
Ben
Yeah! And we made a whole fucking show out of it! It’s good!
NiNi
Deep breaths. Okay, let's continue. Let's go on. [laughs]
00:06:25 - Ossan’s Love History and Summary
NiNi
Let's get into Ossan's Love. Ben, do the honors, tell us what is Ossan's Love about?
Ben
Actually, I want to do this one a little bit differently. 
NiNi, you have not engaged with Ossan's Love. The most you have is the fandom vibe on it from the periphery. What is your impression of Ossan's Love prior to all of us posting a lot about the new show?
NiNi
When you say periphery, I think you're being incredibly generous. There was one where they’re flight attendants maybe, or something to do with an airline. I am aware of that. And then there was something with a boss. There was a thing about a shower. There's some dirty jokes that go over my head because they're referential to this show. But in terms of my awareness of Ossan’s Love, it's honestly not much. 
Did I get any of those things correct by the way?
Twig
You totally did.
Ben
You did. I almost shouted “Dispatch” when you mentioned the airport. [Twig and Ben laugh] 
All right. So, I will give what I knew of Ossan's Love prior to earnestly engaging with it: Ossan's Love is a workplace-set drama in which a guy who works in an office is being pursued by a colleague of the same age as him and his boss—who is like 20-plus-odd years older than him. At the time when I didn't watch it, the fandom vibe on it was that it was fairly offensive, particularly around the old guy character. And, when it was hard to find this show, I was like, “Whatever, I'm not going to work that hard for a show that people seem really put off by.” I have had to make sure that I check if I am riding an old fandom opinion from prior to 2019 when it comes to older work, because those opinions are usually not informed by the lens that I use. And so I decided to engage with Ossan's Love properly. 
Before we start describing what the show is specifically, Twig, what do you remember about your experience watching the show in real time and the popular opinions about it?
Twig
So, the first thing is real time had really different meanings back then because we didn't have international distribution. It was sort of when things were fan subbed and when you could find them and knew they existed. So, I actually didn't get to watch the short until years after the original. So my first outing with Ossan’s Love was season one. 
At the time, it felt like if you liked it, you should be quiet about it, because the opinion was so negative that you would be shouted down if you said anything positive about it. So I just sort of stayed in my corner of enjoyment and tried not to think too hard about it.
Ben
That is unfortunately how I remember it being. It was not popular to say positive things about Ossan’s Love at the time. Even the fans of Ossan's Love seemed super ambivalent about the second season, which was an alternative universe.
Twig
Yeah. When Season 2 aired it was an even wider swing. The people who really loved Season 1 seemed to hate Season 2. I actually like Season 2 better than Season 1, so I was even more like, [laughs] “Okay, I guess I don't know what I'm talking about, guys, so I'm just gonna stay over here and let you all have your opinions over there.”
Ben
So our quick timeline: we have Ossan’s Love the TV special in 2016. We have Ossan’s Love the TV show airing during spring of 2018. They released the movie Ossan’s Love: Love or Dead —that went into theaters on August 23rd of 2019—and then a few months later, in November, they released Ossan’s Love: In The Sky. It's my understanding that Ossan’s Love Returns was originally supposed to air in, like, 2020-2021. They've returned to that project this year in 2024.
NiNi
I know they're going to be doing a Thai version of this coming up and they also have the Hong Kong version?
Twig
That's right. Yep. There was a Hong Kong version in I think 2021 or 2022.
NiNi
I love when they take a property and they remake it across cultures over and over again. I'm always intrigued to see how they turn out.
Ben
Have you watched the Hong Kong version, Twig?
Twig
I peeked at it. It's really true to season one in a lot of ways. I haven't actually watched it all the way through because I was like, “If I want to rewatch season one, I'll just rewatch season one.”
Ben
I feel like I have to watch it at some point. 
All right, so let's get into Ossan’s Love properly now: Ossan’s Love is about a 33 year old man named Haruta who is a slob. He is a hot mess of a man. He cannot take care of himself. He lives with his mom, and she does all the housework. She decides to bail on him and go run off with the hot new man she's with. And so he asks his colleague, whose name is Maki, to move in with him to help him out because Maki is very good at house chores. 
He learns accidentally that his boss, whose name is Kurasawa Musashi, has had a crush on him for a long time and also simultaneously learns that Maki has been crushing on him for a long time. Hijinks ensue as the two of them begin aggressively pursuing him, and he is not prepared for this sudden surge in gay activities.
Twig
One thing I add to your description, Ben, is it's a comedy.
Ben
So this is where things get a little bit complicated. Comedy is hard to do correctly, because a big part of comedy is playing with people's preconceptions of how an interaction should go. A lot of folks struggle with Japanese comedy because they're just not aware of the expectations for how an interaction should go, and so the humor is not landing on them, and this can happen even in your own culture. Like, if you showed a teenager today Airplane, many of the jokes in that movie would make no sense to them because they're missing some of the cultural context. Some of that exists with peoples engagement with Ossan's Love, I think.
Twig
I think that's right.
00:13:42 - The Characters 
Ben
The big part about Ossan's Love that impresses me is how the show gets better each time they come back. There are things that are kind of yikes in the short that are tweaked out in the first show. There are things that they retooled Haruta and Kurosawa over in the airport season. And then, in the most recent season, Ossan's Love Returns, they've shifted where the focus of their storytelling is after everything that's going on. So we are seeing the same characters, but they're dealing with much different dynamics. 
So, Ossan's Love Returns was a completely acceptable point for a lot of people to jump on, and I almost just jumped on. But, I like to know how we got here. So I was like, “I must watch all of this first!” [laughs]
NiNi
I was about to say on what point were you ever gonna just jump on without going back into the before times? You, sir, are a historian and a completionist.
Ben
Of course. And so I went back and watched. 
Twig, since you didn't have a lot of people to talk about Ossan's Love with at the time, how about you talk about your impressions of Haruta, Maki, and Kurosawa when you first engaged with it?
Twig
The thing that stuck with me is that, even in 2018, it felt a little more queer than a lot of the other stuff I was watching alongside it at the time. Haruta and Maki, and all of the characters, play into that in different ways. Haruta is an extremely frustrating character. I just wanted to reach through the screen and strangle him through most of season one, and I think that's partially intentional. 
Haruta is set up as the literal straight man. He's there to be what your average straight guy reaction might be when confronted with gayness, and everyone around him literally slaps him and tells him he's being an idiot. Delightful, but it doesn't make the character himself very likable at first. The fact that he grows on you anyway, even while he's being so frustrating, speaks to the other strengths in his character: his kindness, and the way he values his coworkers. And I think the later seasons did a really good job of picking up the things that made Haruta such a great character, and enforcing that in the character writing itself to make him more likable overall. 
I loved Kurosawa from jump. I think he's [laughs] incredible. He lives life on 11, and I think watching an older man step through some of the more standard romance tropes very clumsily but earnestly is incredibly charming. 
Maki is the competent character. He's also a self-actualized gay man. He at no point questions his sexuality at all, has no crisis about it. He knows who he is and what he's attracted to. And that was also really refreshing for BL at the time.
NiNi
Describing the kind of character that Kurosawa is made me think of Ben describing characters like Shin from Minato's Laundromat. When you tend to see these younger characters who are full on gung-ho chasing after the ones that they like, people like that. But they don't like the boss because they don't think their character should be doing that.
Twig
When I was first telling Ben about my opinions about the show, I said one of the things I struggle with is whether Kurosawa is telling the joke or is the joke. I think the more I have watched and rewatched, especially in later seasons, they do a really good job of him being a funny character and we're not laughing at him. He's not the butt of the joke, he's just funny. The people who would be turned off by an old guy hitting on a younger guy no matter what were turned off by that character and the ones who were sympathetic to older men also having romance in their lives were turned off by the idea that it was a comedy.
Ben
The comedy in the way Kurosawa pursues Haruta is about the age gap, not the fact that he's an old man. It's that he's at a different stage of his life. He's not fumbling to figure out stuff, he knows what he wants and his time is limited, so he's pursuing it determinately and also because he's older, he's behaving in line with his generation.
Like, if you don't have friends who are more than 10 years older than you, sometimes you're going to get weirded out by their cultural stuff. Like right now, I'm reaching the age gap with some of the kids I tutor, and I had to deal with all the various iterations on rizz and I don’t like it. 
[Twig and NiNi laugh]
I had an 8 year old call himself The Rizzler the other day and I almost pushed him down.
Twig 
Oh no.
NiNi
Oh my God.
Ben
I understand the concern around Kurosawa. But that is not what I think the show is doing, and even if it accidentally does it, that is not the show’s intent. Haruta is dealing with the sudden shift in his relationships with men who are important to him. Maki was just like his friend and colleague, who he was low-key mooching off of to do housework for him, and he has to deal with the fact that the only reason Maki is willing to put up with him is because Maki likes him. With Kurosawa, a big part of their relationship is the fact that he respects and admires him so much. The relationship between them is very paternal in a lot of ways?
Twig
A mentorship.
Ben
Yeah, he sees Kurosawa as a respected mentor and Kurosawa respects Haruta as well as a valued member of his team. A big part of the show is them sorting out the way that affection complicates some of these relationships, and we as the audience have to struggle with why these men like this man. Haruta is fucking useless in the household. He may be good at his job, but he is horrible at house related stuff. And so the question is why would anyone want him? 
And this is not rhetorical for the show. They really want you to grapple with this. The fact that Haruta is kind of repulsive as a romantic interest is something the show wants you to think about. You have to work to understand why so many people are into Haruta, and I think this gets better overtime.
Twig
They do a really good job with all of the women characters in this show, which was super rare for the time and still worth saying. His best friend Chizu also is terrible at housework, but she's a woman, and so she's struggling with the expectation that she get married and she keeps talking about how she needs to find somebody who does for her what Haruta’s men are willing to do for him. I just love putting those two characters side by side. And the silent question that's asked of the audience. That's like, why is this okay for Haruta, but not for Chizu.
Ben
It's not really subtle. As the show goes on, Maki won't really commit to Haruta because Haruta is ostensibly straight. Maki is hesitant about full committing because it's hard to be gay, like you got a lot to face as a gay person and he doesn't know that Haruta is going to stand up to all that. He's kind of a waffly type of dude. He's kind of a people pleaser who won't really stand up to anyone. This is kind of good for him as a salesperson. It's obvious why all their clients like Haruta. But it makes him kind of unreliable as a partner because you're not certain he's going to hold ground with you when the world is telling you that you shouldn't be together. 
The first season ends on a really cool note, ‘cause Maki and Haruta break up and Haruta just falls apart. And Kurosawa moves in with him for a while to help take care of him. For Kurosawa, it's a romantic thing, but it very much feels like someone’s parent going to take care of their kid. Haruta recognized where he failed with Maki, and he starts trying to help out with house stuff a little bit. But it's not like he suddenly becomes like a great housekeeper. I really liked that choice, that he starts putting in an effort but he's still horrible at it. 
Kurosawa ends up proposing to Haruta. Haruta has a hard time saying no to people, so he accepts. Also, he used a flash mob. It's hard to say no when someone flash mobs you.
NiNi
Pause. Pause for cause.
Twig
Michael Jackson-themed flash mob.
NiNi
Okay, not pausing. Unpausing. Go ahead.
Ben
Kurosawa is always at 11. He is an incredible character and like he and Haruta are going to get married and at the altar, Kurosawa is like. You need to go to him. You don't actually want to be here. And so Haruta runs to Maki and proposes to him at the end of the first season. 
And then there's just an incredible supporting cast in the show. I don't think we have time to talk about all of them properly, but. Haruta’s friend Chizu’s older brother Teppei runs a little bar diner that they often hang out at. He's so funny, always giving them weird gross food combinations to try out. They’re’s Maro, who's a member of their team who did not know Haruta’s given name for the years they worked together, there's Maika, who's kind of a nosy busybody at their work. She's a great source of comedy, ends up with Teppei. There's Takegawa, who's the second at their office in the first season, who is revealed to be Maki’s ex later. And he is intense as hell and becomes a complicating factor in the budding relationship between Haruta and Maki because he challenges Haruta. He's like, why is he putting this much effort into you? You suck! I really love the Takegawa character because he is a hot mess.
Twig
He just is so pained at Maki falling for a straight man. Something that is deeply relatable for anybody in queer spaces. [NiNi laughs] Like we have all been that person. Like, what are you doing to yourself?
Ben
I want to nod to Choko real quick. In the first season, Kurosawa has a wife of 30 years. Her name is Choko. Once his feelings for Haruta become known to Haruta, he decides he's going to pursue them and he tells this to his wife and they get divorced. She is understandably upset about this whole situation. But what's so great about it is, the show allows her to have a journey of figuring out what her life is going to be now that this information is out there. Like, she was hurt and upset at first, but then decides to support Kurosawa because this is her partner of 30 years and she understands him, so she ends up eventually supporting what he's trying to do with Haruta. And she ends up developing her own relationship with Maro. 
It's really cool in this show where there's this whole complicated thing about whether or not these three gay men are going to sort themselves out into various relationship configurations, they're also doing a pretty steep successful age gap romance between like a 30-something year old man and a woman approaching 60.
Twig
I love Choko's arc so much. It's the one thing that stayed with me the most. She is also allowed to be funny. She's silly and immature in the same ways that the male characters are. She's not perfect either. And I think that is super important that she's a complicated character. 
I think it's really important that this show talks about the ways in which homophobia and being in the closet hurts everyone, not just gay people. I think this show does a good job of at least alluding to the fact that the hurt that's caused by people having to live lies makes waves in communities.
NiNi
I like when they put that on older characters, as well. There's so much to unpack when you're talking about a life lived in the closet, emerging from a life lived in the closet later on in life. What you're gonna do with that life and how you're gonna treat it. From what you guys are saying about Kurosawa, it’s like he just decided to take life by the balls once he came out of the closet, and that's always something that I enjoy seeing.
Ben 
I guess, well, on some of the negatives. The humor is choppy in the first season. You do have to recalibrate as you're watching. It is very funny, but in ways that are unexpected. You will end up feeling a sense of revulsion in the show, particularly to season one Haruta. When I started going back to it, I had a difficult time with the first episode because I'm asking myself why would anyone want to fuck this man? [NiNi and Twig laugh] That is a real and valid reaction that you have to work with as you're watching the show. And so parts of it are a little bit difficult to watch in that regard. 
And Kurosawa is a huge character. You have to take time to get to know him and understand him and understand where his behaviors are coming from. And if you're not willing to do that work, the show is super off putting. 
Twig 
It is loud. You do have to allow your comedy ear to calibrate to its shouting. 
Ben 
However, I will say that if you want to see romance in BL about older characters, Ossan’s Love is right there. The entire drama is about 30-somethings and much older dealing with life and love. There is no wistful stuff about “things were easier when we were kids” in this show at all. It is very much grounded in the perspective and dramas that people in their 30s and 40s and 50s are dealing with in life and romance. 
Twig 
I feel like the one other thing that I always feel the need to call out about the first season is Haruta, because of what his character is struggling with, is physically uncomfortable with displays of affection, and particularly with kissing, in the first season. And that can be off putting too, but he makes it clear verbally that he's not actually against physical affection, he's just familiar with it? It is one of the things that the show does better later on.
00:28:23 - Love or Dead and In The Sky
Ben 
Let's talk about the movie! Ossan’s Love: Love or Dead. 
Twig 
[laughs] Every time I think about that title, it makes me laugh, ‘cause it's just so extra. 
NiNi 
I'm sorry, Love or Dead? 
Ben
Mhmm.
Twig 
Oh yeah. 
Ben 
The premise of this movie is at the end of season one, Haruta got an opportunity to go work in Shanghai for about six months, and the guys are going to be facing a separation for a bit. There's drama when Maki goes to pick up Haruta ‘cause he's found in a compromising position, and a big part of this is Maki still dealing with his anxiety around whether or not Haruta can be a partner to him. Maki gets selected to be part of this high-powered real estate team, and there's a bunch of drama that unfolds involving a partnership with a drug peddling organization and then we end on like an action note where they have to rescue Haruta from a burning building. 
Twig 
There are explosions. 
Ben 
Lots of explosions. 
NiNi 
This sounds… delightful. This sounds like exactly my kind of crack. 
Ben 
You should watch it sincerely. 
Twig 
It is delightful. 
Ben 
If you're not certain about Ossan’s Love, legit, watching Ossan’s Love: Love or Dead is not a terrible place to start. It's a two-hour outing that covers the basic ground of the franchise, has some really strong moments, and is super cracked out. 
What's so fun in it is, we talk about the retooling of the characters. In season one, Maki and Kurosawa beef a lot over Haruta and legit get into physical brawls over it. This is a feature of the entire franchise. These men scrap on the regular. There's this great moment when they're trying to rescue Haruta from this building where Kurosawa's role as their mentor comes through and he reads Maki about how he's always holding back in the relationship. That's what I think works for me the most in this franchise, the collective love that everyone has for each other. It's true that Kurosawa is not going to succeed as a romantic rival to Maki in this story, but that doesn't mean that he's not important to everyone and everything going on. And I really, truly love that. 
Twig 
His mentorship relationship with Maki really starts to flourish in the movie, the moment where Maki’s hanging off of a ledge and Kurosawa is helping him physically back onto the ledge so he doesn’t fall into the flames, but also verbally telling him what he needs to do to save his relationship. This movie is not subtle with its metaphors. But it's such a good moment where we realize that Kurosawa plays that role for Maki, too, of a mentor, and that he's willing to do it for the relationship, even at the same time as being a love rival. And it sets up the new season really well. 
Ben 
The movie matters to the timeline of the series. The movie is not just some sort of one off moment that occurs. The events of the movie are built into the characters, and it was the beginning of them retooling how these characters function. 
NiNi 
This sounds like a very experimental type of series, just the way that they do different things each time. While they are refining their central characters and the central storylines, they're also experimenting with style and tone, and a number of other things it feels like? 
Twig 
I think that's really true. One of the things about the movie that's really fun is it's the first instance of sports in the series. We get Justice playing basketball with Haruta and working his feelings out through basketball. 
Ben 
JUSTICE!!! [Twig and Ben laugh]
Twig 
Love and peace! And that becomes a huge part of the AU and also part of Ossan’s Love Returns that I think really adds to the experience. They try things out and then if it works, they pick it up and add and yes, and it, and then they pull out the things that didn't really work. I find that really interesting to watch happen. 
NiNi 
The concept of something being iterative like that in real time, it's not for everybody. 
Ben 
This series went on to do something super experimental where a couple of months after they released a continuation movie promising that these characters would get back together, they released an alternative universe season where only Haruta and Kurosawa were present from the original cast, and now we're at an airport dealing with a completely different set of characters and a slightly different dynamic. 
It also gave Twig and I our favorite bit. 
Twig
[laughs] Dispatch! 👍
Ben
Dispatch! 👍 Oh my God. It is so funny, every single time. 
NiNi 
Every time. 
Ben 
Every episode has at least two dispatch moments. [Twig laughs] It's so fucking funny. 
Twig 
Sometimes it's to end a conversation. Sometimes it's to greet somebody, sometimes it's to shut down a conversation, distract from someone saying something you don’t want them to say. 
Ben 
So in this particular season, Kurosawa is still a leader. He is the captain of a flight crew. Haruta is a new flight attendant who is joining this team. In this case, Kurosawa is not Haruta’s long-term mentor who has been harboring a crush on him. He develops his crush in real time. Haruta moves into company housing and there's a slightly older guy there who's got a crush on Haruta, but he won't say anything about it. And then there's the meanest twink who's ever existed in BL. 
NiNi 
I mean y'all just seem to be giving me multiple reasons to watch this show at this point, so. 
Ben 
So in the second season, there's far more complicated people in the Haruta stuff. There's Kaname who is the older mechanic who lives in the dorms, and he's got this huge crush on Haruta, but he'll never say anything about it. Naruse is causing fucking problems all the time, because every time he has relationship drama and people show up at their airport to fuck with him about it, he just starts kissing Haruta to make people go away. And then people throw drinks in Haruta’s face over it. Because Tanaka Kei is a master of physical comedy. 
Twig 
One of the staples of the series is what I call the Haruta reaction supercut, where they just have multiple cuts of Haruta’s face as it morphs into more and more absurd huh, no, whaaa faces. He does bend his body in ways that's like a cartoon falling over, it's pretty incredible. 
NiNi 
Ben knows that I love physical comedy. 
Twig 
Yoshida Kotaro has incredible physical comedy, too. 
Ben 
Like if you ever want to see an old man try and kill an aging twink [Twig laughs], this is the show for you. 
I get why people who liked the first show bounced off of this, because the rest of the cast is gone. The supporting cast is a really strong part of the Ossan’s Love experience, but I really like the AU season because I think it allowed them to retool Haruta and Kurosawa. And retool the relationship between them to make it more about their mentorship. They're building that relationship in the AU season ‘cause they don't know each other. 
Twig 
The thing that I really like about the AU setup is because Haruta is coming into a new environment, we get to see him build his network of people around him over the course of the season. Showing us what's likable about Haruta because he has to charm all these people around him in order to get friends and build a community, is a really important piece of the puzzle that allowed me to get to like that character a lot more, because he was charming me at the same time. 
Ben 
We get a lot of great moments in the season. Kurosawa has been a pilot for 30 years and he decides to retire and everyone is sad about it. I'm sad about it, Twig is crying about it. 
Twig 
Mmhm. 
Ben 
He ends up inviting the three guys who we've mentioned out to hang out in the park with him. He has this sumo tournament with them where he's basically giving them the last bit of advice he's going to give them and it is, one of the most intensely emotional man moments I have had in this genre. I was losing it and I was crying. I was hollering and screaming, messaging Twig like, “Wake up, I need to talk about this right now, I don't care what you're doing. Get up.” 
Truly, it is one of the best moments in TV about the relationships between men that I have ever experienced, and it is this hyper ridiculous sumo wrestling moment in a gay romance drama in the AU season that is technically not canon, and it was the moment from the series that lingers with me the most. 
Twig 
Even in the moment they're looking at each other like, is this happening? How is this happening? This isn't real. Nobody does this. Nobody calls each other to the side of the river with a note [laughs] to hold a wrestling competition in which we talk about our feelings. 
Ben 
But it works really well. I ended up really loving the way it allowed us to think about these two men and the relationship between them. We get to appreciate how important Kurosawa is to Haruta. 
Twig 
That sumo wrestling moment allows us to see Kurosawa's relationships with all of his subordinates. The way he's so firm and so gentle with Naruse, with like “soft landing,” meanwhile, throws Haruta out of the ring. 
Ben 
The way he talks to all of these men as specific to them, like his role as leader is strongest in the AU season. My primary concern for the Thai adaptation is who is playing Kurosawa, because this character is as important as the romantic leads. 
Twig 
I think it's more important. 
Ben 
I am with Twig. Who is going to match Yoshida Kotaro in Thailand? I need to know. 
Twig 
I'm eagerly awaiting that announcement. 
NiNi 
The answer is going to be Nu Surasak or Kob Songsit.
Ben 
I really hope it's good. 
00:39:00 - Ossan’s Love Returns
Ben
Ossan's Love Returns reunites the original cast after five years. Maki is returning from an extended stint in Singapore, and now he and Haruta are gonna start their cohabitating married life together. Maki is now part of the super team at headquarters, following up on the movie. Haruta is still on the streets with regular folk, ‘cause that's where he wants to be. Kurosawa has retired, I liked that follow up from the AU season. And now he's working as a housekeeper. Maki is working too much and Haruta is still bad at house, and so they hire a housekeeper, who ends up being Kurosawa [Twig laughs] who cannot hold back his feelings for Haruta and it becomes one of the ongoing dramas of the season. 
One of the things I enjoyed in this season is… they explore how to integrate Kurosawa into their lives long term. Haruta is serious about Maki and committed to their romance. Kurosawa is also extremely important to him and he treats him like a father figure. They explicitly have Choko talk to Kurosawa about how a lot of the ways he feels [laugh] about Maki are a lot of the ways a mother-in-law might feel about their daughter-in-law with the way they beef with each other. And when we say they beef with each other, I mean, these two men are legit fighting in their kitchen, like Kurosawa hits Maki in the head repeatedly with a frying pan. Maki legit throws Kurosawa through a door at one point and knocks it off the hinges. These two men, when they scrap with each other, are fighting for real and I love it every time.
NiNi
It's just like you all conspired to come into this recording booth today and just be like, okay, so you say this and I'll say that and between us we're gonna get her to watch this, because she likes this kind of stuff.
Ben
I didn't really have to work that hard. We're just legit talking about what the show was doing. We get a really great season of Maki and Haruta settling into what their life is going to look like. There's some introduced new characters in the season that we all had very complicated feelings about who I think end up fitting fine by the end. Most of the original cast comes back and there's like a really great bit of exploring what all these characters settling into their relationships that they got into in the first season in this one. 
So Haruta and Maki are now living together and figuring out what that is going to look like, who are they gonna be as a couple now that they're not doing long distance ‘cause they've basically been long distance between every outing. Which I think was a clever choice because it means that the characters’ relationship dynamic doesn't really move that much between outings. 
Choko is now living with Maro and Maro’s mom, and Choko is struggling because she's older than Maro's mom. She can't just treat this woman like her mother-in-law. And Maro doesn't know how to help because he's caught between his wife, who's way older than him, and his mom, who's confused and a little bit uncertain about this whole dynamic.
Twig
I also love that that's not the only thing we see Choko having worked through in the time we've been apart from her. She opened an archery range after her divorce, and sort of reinvented herself with this new life that she's actually thriving in.
Ben
They get new neighbors who are a bunch of weirdos.
Twig
[laughs] They're so weird. They're so weird.
Ben
These two are revealed to be members of, like, a public security division that maybe doesn't actually exist. Izumi ends up becoming obsessed with Haruta because he's a doppelganger for his dead lover who was killed in the line of duty, who is very, very different from Haruta. It was fun to see Tanaka Kei play a very different type of character in those flashbacks. I don't know that it entirely landed for me over the course of the season, but by the finale, which was fantastic, I was okay with them.
Twig
A large part of the way they were written is that they were a mystery for a large part of it, too. It's hard to bond with a character that you know nothing about and is intentionally opaque.
Ben
Chizu is trying to make it as a single mom and this reinforces one of the big themes of the season, that family is all the people who are going to show up for you all the time. She relies on Teppei and Maika to help, and she feels guilty about this and they tell her straight up, like, don't feel guilty. We are a family. You should rely on us. 
She had already made Haruta and Maki designated adults who can pick up her kid from the daycare. An important gay right of passage is your friend calling you and telling you I need you to go pick up my kid, and then you show up at said kindergarten to pick up a kid and they look at your ID and they go “oh you're allowed” and the kid runs to you and everybody goes, well, that makes sense. An important gay moment that everyone must experience.
Twig
One of the things that I love about this so much is that it picks up from a throw away line that Chizu says in the movie. She sort of brags that she's going to balance having a kid and her career. One of the things about the series is that it really feels like the people who are writing it love the whole series and are constantly thinking about how to call back in loving ways and how to pick up threads in loving ways. Something that she just sort of confidently stated she was going to do no problem in the movie becomes a whole plot in the following season.
Ben
There's a final arc in the season where Kurosawa has a health scare where we think he's going to die.
Twig
When we were talking about it, Ben, you said that it was an important moment for Maki and Haruta to confront the idea that Kurosawa won't always be around. And I was like, oh, that's why I don't like this part because I don't want to ever think about that. [Twig and Ben laugh]
Ben
The entire finale is this really great examination about the way this whole group of people are a family to each other.
Twig
It's not even just that it's happening, but they're explicit about it. They're having conversations about what is family? What are we to each other? How do we define our relationship? Where do those lines get drawn? And the answer is just sort of, yes.
Ben
There's an explicit line, like, what is Kurosawa to them? And then Maika comes over and hammers it home for the audience and is like, “There's no need to describe it. What matters is you all are going to be part of each other's lives forever.”
00:45:33 - Final Thoughts and Ratings
Ben
I don't think we talked about it as much. So, the first season is pretty light on kissing and intimacy between the male characters. Ossan's Love Returns is not! There's so much married intimacy between Haruta and Maki.
Twig
The casual intimacy in Ossan's Love Returns is constant, and it just feels very lived in? They're just constantly touching each other and having small kisses and teasing each other.
Ben
We got more of that today in the unexpected special spin-offs we're getting. I was like “ohh, I thought we were done. Oh, it's another cute little 20-minute office episode ending on the two of them making out next to the copier.” Love it.
NiNi
This is called Forbidden Gout Temps Nouveau. 
Twig
Mhmm.
NiNi
I have so many questions, but I feel like I should not ask those questions right now.
Ben
My general attitude is you don't need to watch all of Ossan's Love to enjoy parts of Ossan's Love. I think if you are interested in gay domesticity and complex family units, you can just watch Ossan's Love Returns right away.
NiNi
I'm watching it all. Eventually. I don't know when. There's a lot going on in the IRL space right now, but I'm gonna be watching the whole thing.
Twig
I feel like I should say something about the original short. It has a lot of the things that people found the hardest to swallow about season one. A lot of the stuff that they did originally they fixed or did better as they moved through. I would say the short is the thing to skip, of all of it, unless you're really curious about the journey of this franchise.
NiNi
I'm really fascinated by the idea of this as a reserve process of working through and refining the show in kind of a real time. I would like to see the whole thing just for that purpose. I'm a writer, so the way that this feels like multiple drafts, and you getting to actually see the multiple drafts to see why they might have decided to make a particular change in the next draft, or why they would have gone for an overhaul, or what would they have tweaked around the edges. I like the idea of looking at that.
Twig
It is not just the writing that they iterate. We haven't talked a lot about the visual effects that this show uses, but it has its own style. One of my favorites: it uses the bokeh effect, where the lighting in the background is blurred and sometimes takes shapes. It starts from the very beginning. You'll see the lights behind Kurosawa make little hearts while he's confessing to Haruta and Haruta’s has little like stop signs. [Ben laughs] And then they get bigger and bigger with that where Kurosawa’s hearts have little like heartbreak. They have– there’s little, like, zigzags in the hearts behind him when he gets rejected. Sometimes he'll be crying tear lights. That’s just one of the things that they play with in the different versions.
Ben
Naruse having that whole tantrum trying to get someone's attention for help? Then having that super cut of them screaming and then smash cutting to them just sitting at the table. There's like the courtroom audio stinger that dominates the first season that I fucking love [mimics the sound] thing that happens over the course of the whole season. It's so, so dramatic, and I'm like, “Is Judge Mathis gonna walk out? What is happening?”
Twig
Oh, and they do this thing where they hard cut to a visual metaphor like water leaking out of a water bottle or a pot boiling to represent the character’s emotions. There's so many visual moments. It's not just written well and acted well. It's also represented visually really well, and seeing how they experiment with that and how that changes. Like, the weird bobble heads we got in the AU season. I'm still not over those. I'm glad those didn't return.
Ben
It is not a perfect show. This is not a “Everybody was wrong. They should have watched all of this. Grab your pitchfork!” situation. This is not an easy show to love. If you can find your way to loving the show, I think it has been one of the most rewarding watches I've had in the genre since What Did You Eat Yesterday? 
Japanese BL is different from Thai BL. More experimental and weirder things are gonna happen over time if the series has a lot of leg in it, and Ossan's Love is one of those that has so much leg in it. Like the second season just ended, and I'd be okay if we don't see them again, but, I really hope we do.
Twig
Me too.
NiNi
All right, so let's get into ratings. I mean, is this the kind of thing that you rate? Instead of rating, let's rank. If you had to rank the different parts of the Ossan's Love franchise, how would you rank them? In terms of, for you, most enjoyable to probably the least enjoyable?
Ben
Well, the least enjoyable is the original special. It's the most rough and the hardest to swallow. I think the best season is the current one?
Twig
Yeah. I mean, for me, it's basically chronological order, I think. I struggle between the film and the AU ‘cause I like them for different reasons, and I struggled with them for different reasons. But I think Naruse tips it over there so that it stays ahead.
Ben
[Ben and Twig laugh] I love that mean twink!
Twig
He's just so great.
Ben
I don't know that I'd want to…rank them that way. I think each outing adds something to it. It's really a question of, do you like seeing people try to get together for the first time, or do you really like seeing people be together? For me, I'm very partial to Ossan's Love Returns because it's about gay life drama, which is what I’ve wanted for a while. And so I'm really fucking enjoying that.
Twig
Yeah, I love it when people have to figure out, “Now that we're in this relationship, how do we make this work?”
Ben
But I also love the AU season. I think the retooling of Haruta and Kurosawa is actually really helpful. I think taking a break from Maki is actually helpful for appreciating Haruta when you come back to them. I think you end up liking Haruta more by the time you get to Ossan's Love Returns and seeing the potential in him. The love people are trying to pour on to him in the current season is more accessible to me as a viewer because I got to spend time with Haruta growing to love him in the AU season.
Twig
I also just have affection for an entire season that seems to have basically been built off of like a throwaway reference to episode one, when Haruta says he's most attracted to stewardesses. And then, and also, like, maybe a pun because Kurosawa’s character is called bucho which means, like, manager essentially through all of the regular Ossan's Love stories. But in the AU he's kucho because he's a captain. And I think that's very funny.
Ben
In terms of my ratings, I'm looking at on MDL, I gave Ossan's Love and Ossan's Love Returns a 9. But I gave the AU season a 9.5. [Ben and Twig laugh] So, there's your answer.
Twig
There you go.
Ben
Twig, what did you rate the second season? I know ratings aren't always your thing, but did you give the second season a rating?
Twig
I didn't. If I was going to give it a rating. Ossan's Love Returns? Yeah, I’d give it a 9.
Ben
It's a 9 for me in that I think if you're into BL, you should watch the show, but I don't know that it is the most accessible show, so I don't want to give it a 10.
Twig
I think the thing about this show, too, is it's about multiple relationships. It's not just about Maki and Haruta, and I wouldn't even say their relationship dominates the story. So, to rank it against other BL as a romance narrative is quite difficult. It's about family and what that means in a queer context. Part of that is romance, but it's not even the biggest part? The family feels is what gets me about this series.
Ben
That's going to do it for Ossan's Love. We have succeeded at our mission. NiNi has agreed to watch the show. Twig and I got to unpack the entirety of this whole franchise. We have the benefit of knowing it gets better over time now, and so I don't begrudge people bouncing when they did in 2018. I think that in 2024, it is beneficial for people who care about the history of the genre to go back and properly engage with Ossan's Love. I genuinely think it is worth reconsidering your initial opinion. They… grow. Their characters are not static. What has occurred is taken seriously and what worked and didn't work is considered as they move forward.
NiNi
That is going to wrap us up on the Ossan's Love episode. Twig, it was so great having you on, and I hope you come back.
Twig
Thank you so much for having me. It was really fun.
NiNi
With that, we out. Say bye to the people, Twig.
Twig
Dispatch!👍
Ben
Dispatch! 👍
NiNi
At some point I'm going to find out what that means, and then I will be unstoppable. Say bye to the people, Ben.
Ben
Peace.
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silenzahra · 1 month
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How about 🍓 and 🍄?
In reference to this ask ✨
🍓 - I got into writing fanfiction when I was 13 thanks to three different media. The first one was a book called "El valle de los lobos" ("The valley of the wolves"), by Spain's most famous young adult fantasy author, Laura Gallego. The second, oddly enough, was the show "Lost" (which continues to be my favorite TV show to this day). And the third one was none other than Superstar Saga! 😁
Those three things, combined together, made me write what would eventually be my very first long fanfic, which, luckily, does not exist anymore 😅 Later on, I decided to try and write three different fics, one for each media, and that worked a bit better. The one I remember the most was the one based on Superstar Saga, since that was when the Mario Brothers started to resonate with me. Deep down, I was already feeling the brotherly love between them, so much that it inspired me, and it was thanks to this absolute gem of a game 🥹❤️💚
I've written more fanfics in other periods of my life (2013, when Dream Team came out), and most of it revolves around the Super Mario franchise because of how important it's always been to me. And it's Superstar Saga that I have to thank for igniting the flame for my very first fanfic with these brothers as main characters. Just one more reason to love it with all my heart 🥹 (not that it was necessary though 🤭)
🍄 - Oh, so a headcanon I've never shared, huh? 🤔 Well, there are a few that come to my mind, but I'm gonna keep one of them for my Luigi headcanon post 🤭 So I'll share one about Luaisy! 💚🧡
Luigi is a bookworm. That's something that many people headcanon and I firmly believe it too. He's an avid reader and lives intensely every book he reads. Daisy, on the other hand, prefers more lively activities, such as sports, kart racing or a good video game competition (usually with Mario, since they're both VERY competitive).
However, when she sees Luigi so engrossed in reading, Daisy begins to show some interest on it too. She asks him for book recommendations and reads them so she can discuss them with him, and also because she loves to see his moved and giddy little face when he finds out that she's read a book because of him and, thus, they can fangirl together. She finds him even cuter than usual!
Still, she always prefers to see him reading, totally engaged in the book and reacting to what's happening in the story without even noticing. Daisy loves watching him make faces, and also sneaking up on him and trying to read over his shoulder without him noticing.
But of course Luigi notices (she's not exactly the queen of stealth), so what he does is start reading aloud. Daisy listens to him attentively, but is unable to sit still at all. Whenever in the book there's a kiss or a gesture of affection between the characters, she imitates it immediately: she holds Luigi's face gently to slowly and sweetly kiss him, or intertwines her fingers with his, or caresses his cheek, or hugs him from behind, leaning over the back of the rocking chair (where he usually reads), so that he can continue reading.
Of course, Luigi has a hard time remembering what he was reading after such displays of affection. He shakes like jelly, but he'd be lying if he said he didn't enjoy sharing his passion for reading with his beloved flower princess 😌💚🧡
Inspiration for this headcanon came thanks to this beautiful image I found on my bookstagram account 📚
There you go! Perhaps @itsavee4117, @kelbreyworshipper and @bberetd would like to read this 🤭 Thank you so so much for asking, Anon! I've truly enjoyed these two questions! 🤩👏💖
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unresurgeance · 6 months
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I'm still impressed at how good a supposedly edgy show managed to pull off Rayman's whole character arc and actually bring him justice in the end more than Ubisoft could ever bother to do but there is one thing that stuck with me about his rendition.
And that's him talking about the children
I love that of all aspects they could reference about him they decided to actually keep the fact that he loves children and he just really really cares about them. Not just in the episode where the Council (or whatev's their name is) fires him - he literally makes shows for the kids, children buy gadgets with his face on, he is the mascot of children.
But in the moment he sees the future in the Frog's bubble and noticed how there are children embracing a shotgun he whispers, terrified "but they are children..." underlying just how wrong a vision like that actually is.
Those are children, they should be happy and playing, not embracing guns and fighting.
And for Rayman to say this, who's always been the most kid friendly videogame franchise in there, who canonically loves children - idk it just broke my heart
Maybe because I also got to play with Rayman the very first time when I was a child. He is my big bro, and was always there in some of the most difficult moments growing up.
So seeing how they actually kept this aspect of him, of him genuinely caring about children.
It broke me.
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arcanemadman · 7 months
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The Castlevania franchise feels like it's getting more and more divided since Netflixvania started and it's getting really bloody frustrating to the point that while watching Nocturne I've felt disquieted, and I think I've realised why that is.
It's the fucking DmC:Devil May Cry white hair fiasco all over again.
For those that don't know, when the DmC reboot was revealed people had a lot of criticism, including turning Dante from a cool but likeable hero into a foul mouthed smoker, the dumbing down of the gameplay, the antagonism towards the fanbase, and turning his iconic white hair black. Of all these criticism, only the hair colour change was given any attention, painting the fan base in a very negative light and side stepping the real issues people had by only focusing on the cherry rather than the whole sundae.
All this attention directed towards something that in the grand scheme of things is very minor but it gets all the attention while the bigger stuff is ignore.
Yes, there are people mad about the show for racist reasons and they shouldn't be listened to, but there are genuine complaints that are being swept up with that.
The character changes have a sort of domino effect on everything. Maria being a serious revolutionary is interesting, but I saw someone put it best that what made her special was the fact that she was a little girl in a world of classic horror that believed she was in a fairy tale and had the power to force that reality on everyone else. Netflix Maria is good, but lacks the charm of Maria.
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The second example is Juste. When I saw him I was very excited, but that was mainly because it was acknowledgement of the original canon than anything else. His magical prowess, the thing that makes him stand out among the Belmont linage, is mentioned and then brushed aside, and the worst ending of his game is what is taken as canon. And once Richter gets his magic back, Juste is gone. He feels like a plot point rather than the character. I sympathise with people who's favourite game was Harmony of Dissonance.
Annette was a compelling character with a well developed story, but anyone that says her original characterisation would never work are being disingenuous because they literally did that, except that did so with Tera. The connections to Richter and Maria, the damsel elements, the fact she gets turned into a vampire, all from Annette. Swapping them around wouldn't work for multiple reasons and I'm not going to say I can do better than people you get paid to write when I don't, but I feel I can say that if they had wanted to they could have done something closer to the original while still touching on the themes and narratives they wanted to.
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Olrox... honestly the only criticism I can really think of is the removal of any reference to Count Orlock.
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There's an elitism with both sides of the fanbase here. On the Netflix side, there's the feeling that since theirs is more popular that any criticism is because people are just nostalgic, and game fans feel that since theirs is the original foundation that anyone that doesn't agree with them is just a new fair-weather fan. And honestly, I'm more sympathetic to the game fans.
I've seen Netflixvania fans look at people complaining that the character have changed and go "yeah well the version you like sucks so you should just grow up" As if that's going to make everything better. And all the people complaining about the race changes or posting "WOKE?!?!?!" have poisoned the well for any actual discussion about this, not helped by the social media accounts deliberately stoking the flames in the mistaken belief that all publicity is good publicity, which raised the ire of nexflixvania creators. Unfortunately marketing can often be removed from the intentions of the creators.
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Yes, Netflixvania is a great show, with beautiful animation and great storytelling, but it's not perfect and as an adaptation is leaves a lot to be desired. And that's the crux of it! The show is good, really good! But it doesn't feel like an adaptation of Castlevania. It's just a bunch of little details that pile up to make it less of what the game fans liked about the series. It's more grimdark horror than classic horror. It's more crude than it is philosophical. It's more hopeless than it is hopeful. And regardless of what you individually think, that's what people have liked about Castlevania for almost 40 years.
Ultimately I just have to ask, why do people seem to assume that you can't make a faithful adaptation while also making it interesting? They're not mutually exclusive.
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