인생은 한번이야 [Life is once] by Leellamarz was released!
01. 일어나 보니
02. 거리에서 (Feat. ASH ISLAND)
03. 한 개도 몰라 (Feat. meenoi)
04. 좋은 사람
05. 러시안 룰렛 (Feat. Street Baby)
06. 나쁜 X (Feat. CHANGMO)
07. 불평불만
08. 20대
09. 이쁜 여자가 좋더라 (Feat. Gist, Jayci yucca)
10. 랩스타
11. 가면무도회 (Feat. 식케이 (Sik-K))
12. 삶이라는 게
Most tracks are produced by Toil. It's a comfy indie album that goes well with the fall <3
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Yes, Greece still exists, we didn't all die 2000 years ago. Yes, people speak Greek. You people are so fucking stupid for real. So many of you claim to love ancient shit but can't even acknowledge the actual living culture of the people whose mythology and classics you romanticize. You keep leaving annoying comments about how you just forget Greek people still exist, thinking you're being quirky because you love ancient stuff soooo much that you forgot about the people it came from. You think about it so little you don't even realize that an actual Greek person has to read this shit, making it clear how little you actually care about the culture beyond the romanticized (and westernized) mythology. Don't claim you love Greece, don't use our mythology anymore if you can't acknowledge that we're still around without making it about how little you think about us. It's mind boggling that you'd think a Greek person would read this and think you're anything but obnoxious. Explode.
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One of my biggest nitpicks in fiction concerns the feeding of babies. Mothers dying during/shortly after childbirth or the baby being separated form the mother shortly after birth is pretty common in fiction. It is/was also common enough in real life, which is why I think a lot of writers/readers don't think too hard about this. however. Historically, the only reason the vast majority of babies survived being separated from their mother was because there was at least one other woman around to breastfeed them. Before modern formula, yes, people did use other substitutes, but they were rarely, if ever, nutritionally sufficient.
Newborns can't eat adult food. They can't really survive on animal milk. If your story takes place in a world before/without formula, a baby separated from its mother is going to either be nursed by someone else, or starve.
It doesn't have to be a huge plot point, but idk at least don't explicitly describe the situation as excluding the possibility of a wetnurse. "The father or the great grandmother or the neighbor man or the older sibling took and raised the baby completely alone in a cave for a year." Nope. That baby is dead I'm sorry. "The baby was kidnapped shortly after birth by a wizard and hidden away in a secret tower" um quick question was the wizard lactating? "The mother refused to see or touch her child after birth so the baby was left to the care of the ailing grandfather" the grandfather who made the necessary arrangements with women in the neighborhood, right? right? OR THAT GREAT OFFENDER "A newborn baby was left on the doorstep and they brought it in and took care of it no issues" What Are You Going to Feed That Baby. Hello?
Like. It's not impossible, but arrangements are going to have to be made. There are some logistics.
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Big fan of when a character's grief/trauma/guilt manifests as physical symptoms. Big fan of characters keeping things so tight inside them that it makes them sick. Big fan of when the line blurs between a character's mental trauma and physical illness until it's hard to tell which is which anymore.
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when florence and the machine said "I find that happiness is an extremely uneventful subject" and when romeo x juliet said "a simple life with you would be paradise" and johnathan coulton said "it's okay, I like you in glasses" and everything everywhere all at once said "in another life I would have really liked just doing laundry and taxes with you"
(edit: I made a longer thing with more examples here)
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Leellamarz - Boys Like Girls (Feat. Gist, Jayci yucca)
Boys Like Girls (Feat. Gist, Jayci yucca) · Leellamarz · Gist · Jayci Yucca
Life is Once
℗ 2023 AMBITION MUSIK
Released on: 2023-10-26
Lyricist: Leellamarz, Gist, Jayci yucca
Composer: TOIL, Leellamarz, Gist, Jayci yucca
Arranger: TOIL
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
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losing my actual mind rn
i had this interaction in the dropout discord (i am the first and third person). short. simple. i only got the first year bc of a discount + a gift card i had, so i was planning on using this person's suggestion.
then, i got this.
oh my god!! how nice!! how sweet!!! how thoughtful!! i gave them my email and they sent over a subscription, i thanked them profusely. i was very grateful, very touched.
hours and hours later i was still thinking about it and i recalled how, in the email id gotten about it, it said "tao yang sent you a subscription" and id seen that and thought "oh haha like the tao yang" and then moved on
but now, thinking back, i was like.... theres no way, so i googled tao yang.
......
TAO YANG BOUGHT ME A FUCKING ANNUAL DROPOUT SUBSCRIPTION
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