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#like could we have been given more fleshing out of her character? sure. do we actually NEED it? no
spacedlexi · 3 months
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speaking of fucked up overly hated female twdg characters i find it Super Interesting how people will say carver was the best villain in the whole series, but when lilly is literally just a successful carver (iron fist leader of a community turning children into soldiers) suddenly shes a bad/lame villain for some reason 🤔
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thankskenpenders · 5 months
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There’s been some discussions on Twitter recently about if Blaze’s dimension is worth keeping around and expanding on or if it should be ignored/merged with Sonic’s world thanks to a Bumblekast clip. What are your thoughts on Blaze’s dimension as a story-telling hurdle/ alternate setting? I personally feel like it wouldn’t make a difference if Blaze was a princess from another dimension or a princess from the other side of the world, it would just be easier for her to show up if she wasn’t from another dimension, but I also think it’s be neat to expand on Blaze’s world as a parallel to Sonic’s.
I think there's a whole cottage industry of Sonic fans who just like to take things Ian says out of context so they can rile people up on Twitter, and the fandom falls for it every time, and it's extremely tiring
But also I think Ian is right
This isn't something I've really shared, but I actually have a document where I've kept ideas for what I would do with a hypothetical modern reboot of Archie Sonic where I'm allowed to start from scratch and change anything I want. (I might share some of this someday, perhaps with some character designs, but for now it's just a thing for me. It's not like I'm gonna do a comic or anything.) For Blaze, I immediately decided that all of the elements from the Sol Dimension should be merged with the regular Mobius. I would just say that Sonic and friends have all their adventures on one hemisphere of the planet, and Blaze is from the other. I mean, the Sol Dimension already has a heavy Australia/Oceania vibe. It'd be really easy. This way, there would still be some level of separation, and Blaze would still have her own territory where she gets to be the main hero, but it'd be WAY easier to actually use those elements. Characters can just show up on whatever part of the planet they need to be on for any given story
For some reason people seem to think that Blaze being from a separate dimension isn't a storytelling hurdle at all, and I really don't know what franchise they're following, because it sure as hell isn't the version of Sonic I know. Yes, in theory it could be as simple as just using a warp ring to hop over to the Sol Dimension whenever. There are ways to write around it. I'd love to see that happen so that we could flesh out Blaze's world some more. Give Blaze some more allies and villains of her own! Give her more to do over there, and more reasons for Sonic and co. to visit! But clearly Sega isn't down with that, considering the Sol Dimension has only ever been in one game and, what, two issues of the IDW comics for maybe ten pages total? Sega's just sitting on it, and it's impossible not to see the fact that it's a whole separate dimension as the reason.
Even if we were getting more stories about traveling to and from the Sol Dimension, it'd still be a hassle. You want to use the Chaotix in a story in the Sol Dimension? Wanna use Marine or Johnny or whoever in a story set on the main world? Well, you'd better think up an airtight excuse for why those characters are traveling between the dimensions and pray that Sega approves of it. And right now that seems to be one hell of an obstacle, given how little we see of the Sol Dimension even though I know damn well Ian and Evan would love to explore it more. It's gotten to the point that Blaze is now on an endless "vacation" on Sonic's Earth so that they can actually use her in stories. People have been acting like merging the worlds would completely take away everything that makes Blaze special as a character, when it would just make all of her personal story stuff infinitely easier to work with than it is right now.
"Oh but what about the Sol Emeralds?" There's no reason the Sol Emeralds couldn't exist on the same planet as the Chaos Emeralds. We've already got other magic rocks like the Time Stones, the Phantom Ruby, and the Warp Topaz. "But what about Eggman Nega?" I could not give less of a shit about what happens to Eggman Nega and Sega doesn't even use him anymore, but also he's already supposed to be from Silver's future, not the Sol Dimension. "But what about the plot of Sonic Rush where the whole point was that they had to stop the worlds from being merged because they thought it was a bad thing?" Yes, because Sonic has always been a series that treated canon as sacred an immutable, and Sega would never do something that contradicted a game from almost 20 years ago
Anyway, all of this is a moot point. It's not like this is going to happen. Ian just brought up the possibility on the BumbleKast as an "if I could change literally anything" type deal. Sega is not going to do this. He is allowed to have his own opinions on Sonic things without fans having to take it personally and scream and cry about it. You don't have to agree with him on everything. I've certainly had points I disagree with him on! It's fine! That's normal! He's only human. Yes, Ian is on the Lore Team, but he's just one voice in the room. He's not even the boss of that team. If Ian could get whatever he wanted, we'd have seen the Freedom Fighters and Sticks by now
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spacecowboyhotch · 2 months
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The Dead Horse
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summary: santi brings you back to reality.
pairing: fem!black!reader x santi garcia
contents: angst & fluff— happy ending, canon typical violence, blood, gore, ptsd, depression, feelings of hopelessness, friends to lovers, kissing
wc: 2,419
an: this has been sitting in my drafts for a while now bc of nerves, but always wanted to write Santi with a black love interest. planning to dip my toe into that pool more in the future 🥰
oscar issac characters masterlist
You don’t know how long you’ve been sitting here like this. It could be minutes, hours, even days. In these four walls beneath the shower’s spray, there is nothing that matters. Not even you, not anymore. And while you’re usually the first to be cheery, to tell each of the guys that the work they do— the work you all do together— doesn’t compromise the goodness you see in their hearts, you’re having a hard time believing that right now.
Not with what you’d done. It was to survive, and while you’ve come to terms with how scary you could be in the past you thought it stayed there.
In the past.
Tonight had proven to you that you could always access that piece of you. That terrifying piece that was a killing machine. The emphasis doesn’t lie in efficiency, but in ruthlessness. You had shown no mercy, the switch for empathy and compassion turned off as soon as your hindbrain decided that it was fight or flight. Dormantly thirsty, lurking in the shadows waiting for its time, it chose to fight. But you had gone a step too far—like always— because of your lack of control.
You were messy, enjoying the cutting of thick flesh, the warmth of the blood as it sprayed you. The copper smell, so familiar and embarrassingly comforting, though you didn’t have the mind to think that now, not when you were exposing the pink underbelly of a corpse.
Santi’s been pacing the hallway since you all made it back to the safe house. He’d tried to chat you up on the way home with no success. You wouldn’t meet his eye, and when he drew nearer to catch your gaze it was empty. It chilled his blood. He wasn’t sure of what exactly happened in that room you’d gotten ambushed in but he’d seen the aftermath. Recalling the image of standing over one too many dead bodies, a gleam in your eye had made his stomach curl. He’d smoothed his hand over your knee and left it at that, trying his best to banish all the red and pink and white.
It’s been an hour since you’d stumbled into the bathroom. He can hear the shower still going when he puts his ear to the door and sighs, a mix of frustrated and concerned. He’s not sure what to do– he’s never had to take care of you before. He’s always been grateful for that given all the fondness he has for you bubbling just beneath. Any acknowledgement could jeopardize too much– missions, the dynamic of the team, and most importantly your friendship.
“You alright in there?” He calls softly through the door.
He’s met with silence. He rolls his neck, cursing beneath his breath as his mind goes back and forth, trying to decide what to do.
“Just go in there and check on her,” Frankie says from behind him, causing the other man to flinch. “Didn’t mean to scare you. You alright?”
“I’m fine,” Santi assures Frankie, leaning against the wall to face the man. He nods at the door. “She could be naked.”
Frankie snorts, shrugging. “She’s seen all of us at least half naked and well, Benny—“
Santi quickly cuts him off, trying to keep the sour jealousy out of his voice. He knows that there’s nothing going on between you and Benny, that Benny is as much of a flirt as he is but sillier and less concerned with his image. “But we haven’t seen her. I don’t— I’m a dog but I’m a respectful one.”
“If she’s gonna get help from anybody on this it’d be you. She trusts you man.”
Santi looks at him like he’s grown two heads but feels a little warm, “She trusts all of us, kind of a prerequisite of living and working with a group of men.”
“It's different with you. You should hear the way she talks about you when you’re not around.”
Santi almost lets himself think about it. Almost lets himself dream a little. Almost.
“Or see the way she looks at you when you’re not looking. Like a lost fucking puppy,” Benny pipes in, breezing down through the hallway between the two of them.
“Don’t sound so concerned, Benjamin,” Santi calls after the man, mouth quirking into a grin.
“Don’t look so smug, Santiago,” Frankie teases.
“I’m not smug,” He denies. He decides to go in, okay with being kicked out by you if it means that Frankie will be gone, done poking and prodding at what the man must know is his heart.
“Good luck.”
Santi murmurs a quiet thanks before slowly entering the bathroom, shutting the door behind him. He stands, frozen in place for several moments as he digests the sight of you. It's heartbreaking. His chest goes tight, and he curses softly again. What could he do for you? He’d do anything, but he’s just not sure what. He feels helpless seeing you like this. He could burn this entire city, burn anyone who would look at you wrong. Hell, he’d burn the entire world if it meant some warmth would come back into your eyes.
You’re curled up, your arms resting atop your knees, head resting to stare forward. Your curly hair that usually frames your face is completely soaked like the rest of you, flat and sticking to your face in various places. He knows that your eyes are unseeing, that you’re so incredibly removed from yourself because you make no indication that he’s stepped into the room.
“I’m gonna come sit beside you, okay? That’s it. No words,” Despite his words he stays where he is for a handful of seconds, hoping to get some sort of answer from you. You don’t speak a word, don’t utter or sound or so much as look in his direction. But you do shift slowly, making more room for him underneath the water.
“Fuck, it’s freezing,” He grits out, drawing close enough to you that your shoulders rest flush against each other.
He gazes over at you, noticing the way the water glimmers on your brown skin. The way its collected on your dark eyelashes. If these were different circumstances maybe for just a handful of seconds he’d let himself get lost in your beauty. But then you acknowledge him– sort of. You hum softly and the leaning of your head on his shoulder. It's a good sign and he relaxes beside you.
“Do you want me to shut it off?” He asks gently, reaching out to take your hands into his. Your fingers are cold as ice, and he rubs at them in a futile attempt to generate some heat.
“No, please. No,” You beg hoarsely, suddenly springing to life. You grip at his hands desperately, eyes wide with panic as you finally meet his gaze.
“Alright, hush, cariño, I’ve got you. C’mere, baby,” He shushes you, pulling you into his arms and flush against him.
At little more present in the moment, you feel the chill registering. You curl up, tucking your face into the crook of his neck. There’s still some warmth in his skin and you press into it, letting the sound of his steady breath lull you back into a dissociative state.
Santi holds you for an undetermined amount of time. He runs his hands up your back, over the crown of your hair, feeling the difference of how your curls feel when wet. His hand drifts to your chin, and he leans away, tipping your head up.
“Honey, you’ve gotta talk to me,” He whispers.
Your dark eyes have a little more life to them, but that’s only amplified the sadness they hold. “Santi, I can’t. I can’t. Don’t make me, please.”
“I have to, you can’t stay like this. We’ve got to get it out in the open.”
“Like you do?” You challenge– your voice distinctly unkind, harder than he’s ever heard it before. His brow furrows and guilt blossoms inside of you. “I’m sorry. I’m sorry, I shouldn’t have. This just fucking sucks, Santiago. Its all wrong again.”
“Tell me what’s wrong and we’ll fix it.”
“There’s no way we can fix it. I’m just broken. I’ll always be haunted by her. She’ll always be here, waiting for an opportunity for that.”
“You preach that shit to me and the guys. Day in and day out. Every mission, and you don’t believe it?”
“I do— I did. I believe it for you. For them. You’re good people, Santi. Good men, all of you. You take care of me.”
“You take care of us, honey. Fish hangs on your every word. Will too. Benny is well— Benjamin.”
“And you?”
He shrugs, “You know I gave into this a long time ago. Before we even met. No other way for me to be.”
“Do you believe me?”
“I try to. I want to. There are parts of me too that I don’t like. I want them gone. I rip them up and bury them but they always come back to haunt me. I don’t think that means I’m not trying to be better, but it means I’ll never be the man I want to be.”
You frown at him, concerned, “Santi—“
“It’s okay. I accepted that after the first tour. Sometimes you gotta let the horse be dead.”
“Do you think my horse is dead?”
There’s no room for his ego, no room for hiding when he hears the blatant fear in your question.
He rests his head back against the wall, murmuring, “I think you’re the sweetest thing this earth has to offer.”
“You think so?”
“Bouncing around with your curls, and your sweet little smile. Kicking Benny’s ass with grace while you’ve got a cake in the oven. You should see yourself with Frankie’s little girl.”
“Seems like you watch me a lot,” You suggest softly.
“I watch you all the time,” He admits, but there’s no shame in his voice. In fact you can see resolve in his eyes, and possessiveness. A chill runs down your spine and it’s not from the water. Santi mistakes it for that anyway. “Let me turn this off for us?”
He’s still asking. Still checking in with you though there’s much more light in your eyes.
“Yeah, okay.”
Santi leans up and turns off the shower, letting out a sigh of relief. He runs his hands over your wet curls, pushing them away from your forehead. His thumbs swipe your cold cheeks, brushing away some of the water droplets.
Without that steady sound of the shower, sheets cascading down on you, you both are feeling a little more exposed.
“I came in here to make sure you were alright, not spill my fucking guts. I just had to take care of you,” He says, his voice uncharacteristically hesitant.
“You can always take it back,” You say teasingly, though most of you expect him to bite at your offer.
He’s said much more in these last few minutes than he ever has to you— Santi’s a sweet guy under all his charm, but he never lets you see below the surface. Not until now, when letting you in seemed like the only way to get you out.
It takes more effort than he expects to pull himself away from you. He leans back against the shower wall, nimble fingers lacing together in his lap. “And lose you?”
“You could never lose me, Santi,” You murmur, reaching out to grab one of his hands.
Your eyes roam him, a little in disbelief at what’s happening right now. But yes, it is Santiago Garcia sitting next to you. With his dark brown eyes, his sharp jaw dappled with stubble, his salt and pepper hair looking much darker and curlier than usual due to the water.
“Yeah?” Santi asks, eyes glued to where yours sits atop his. He traces slowly over the sight of you two linked together, admiring how soft and rich your skin looks even after sitting in a shower for so long.
He’s a goner isn’t he?
“Yeah.”
There are butterflies in his stomach. Butterflies, sweat slicking his palms despite the fact that he’s soaked through his clothes and down to the bone. He realizes in this moment that he’s not just a goner. No— he loves you. He knew that he was harboring some kind of feelings for you, but when your eyes meet his— earnest and tender— he can only think one thing: I love you.
His eyes hungrily drop to your full mouth, and another shiver runs down your spine. “Let me kiss you.”
You nod, squeezing his hand that’s still in yours.
“I need to hear you say it. You have to say it for me, so I can believe it.”
“I want you to kiss me, Santiago. Please.”
He’s on you then. All over you. His hands move quickly, guiding you back into his lap before one loops around your torso and holds you close. The other cups your jaw, angling it back so that he can press his mouth to yours. You’re breathless before the space between you is closed, chest heaving at how sure and firm his hands are. He kisses you. Kisses and kisses you, like his life depends on it. Like you’re lost and the only thing that will guide you home is his insistent tongue.
Your hands slip and slide against the fabric of his wet shirt before you give up, raising them to tentatively cup his face so that you can have leverage.
“That’s it honey, kiss me back. Take what you want to. Whatever you need,” He encourages between kisses.
Take you do. You squirm in his lap until he lets you shift and straddle him. It had started with him leading you, consuming you but now it’s your turn to surround him. Santi gives in, sighing into your mouth as your tongue goes on the hunt for his. You kiss him. Kiss him and kiss him until your mouth aches. When you pull away his is flushed pink, newly wet. You run your thumb over his lips before wiping your own mouth.
He looks up at you like hang the moon. His eyes are soft and hazy, pink mouth pulling up into a smirk. There’s the Santi you know. The Santi you love. But even now, he’s softer and sweeter, gathering you close again.
“What do you need now, sweetheart? What can I do to make it better?”
“You.”
“I’m yours.”
santi taglist: @jitterbugs927, @theconsultingdoctor10, @tanzthompson, @clairevoyanceee, @moonmalice, @tiffanypooh, @dearvirtualdiary-blog1, @marc-spectorr, @xbellaxcarolinax, @toracainz, @mccn-bcys, @missdictatorme, @whatthefishh
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autismprotocol · 6 days
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TMAG Theory Board Update (EP 11-12)
Hi guys sorry about the late posting I've just started a new quarter of college and its been pretty hectic. also got into my school design BFA program so pretty stoked about that! Anyways lets get into the Episode Breakdowns because even though not a lot of lore related things happened I still have a lot to talk about
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For the breakdown I'll separate each by episode in sequential order
What Happened in Episode 11: Marked
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Celias Rude Awakening- we jump right into the weirdness straight away with Celia waking up on the side of the interstate. she indicates that this is not a weird occurrence and ends the scene by telling someone named Jack that she's "on her way." If you remember episode 8 after Celia and Sam talk to Gerry and Gertrude, she mentions stuff about wanting help with her own mystery. When Sam asks about it she says she's looking into Time travel, other dimentions and teleportation. Many people have theorized that maybe Celia is just a super heavy sleepwalker, but I think the she teleports random places out of nowhere. This could be a side effect of her reality hopping if this Celia is originally from The archives universe.
As for the identity of Jack I'm not quite sure about that yet. I cross referenced the name Jack with past episodes of TMA. The only thing that came up was Jack Barnabas from the statement about dating Agnes Montague (aka an avatar of the desolation and Jesus-like figure for the cult of the lightless flame) So Unless Celia is secretly Agnes of Agnes reincarnated , I can't find any way to link Barnabas to Celia. (if anyone has a theory feel free to send it my way.)
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Sam Lore- this one is pretty minor story-wise but I thought it was interesting. Before the statement for the episode is presented we get some classic Sam and Alice Banter ™ most of it is pretty lighthearted but I noticed Sam mention something that could indicate he might be an amputee.
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These could not mean anything and I find it weird that it hasn't been mentioned until now but thought it was kind of cool and I will probably be drawing sam with a prothetic leg in the future cause I really like this head-canon. It also begs to question if he is missing a leg. it might have anything to do with his past as a Magnus institute test subject but then again could just be a fun character detail added by Jonny and/or Alex .
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The Statement- Getting into the statement we get another Ink5oul appearance. Also possible Ink5oul identifying as she/they. (and lets be honest being a fear avatar is pretty non binary core). I found this Episode gave me a feeling of a hybrid between the Vast, Buried and the Flesh some people are theorizing that is might be a new entity called the Deep but I think that the fear of the ocean could easily apply to the vast or buried. Not much to say about this story though pretty standard Magnus horror that also gave us a hint to what Ink5oul's goal could be/which entity they serve.
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Post Bonzo- Gwen has a debrief with Lena after her first Externals Liason assignment and her meeting with Mr. Bonzo. Undoubtedly Gwen is still pretty shaken from her encounter, even arriving late to work due to sleeplessness. Gwen is able to ask Lena a few questions mainly she wanted to know who's name was written on the letter given to Bonzo
Lena is largely unhelpful but tells Gwen she should have worked it out by now and if not to pay close attention to the case load for the next couple of days. before the latest episode my guess was Klaus because that is the only person mentioned so far that the OIAR intends to kill. but more on that later
Marked- Now were getting to my favorite thing about this episode. This episode title can have two meanings. The first is the more literal interpretation. Tattoos are marking of the body and the case this episode was all about tattoos so easily a good name would be marked. But I believe this is a red herring meant to misguide listeners who have not consumed all 200 episodes of TMA because if you know the world of Magnus Archives the term Marked takes on a entirely different meaning.
In TMA the term marked is used to indicate that somebody has been influenced by one or more or the fears and are one their way to becoming an Avatar. I think this could be a coded way to tell the audience someone in the OIAR has been marked. I have two potential candidates
Alice Dyer- Alice has been having dreams about the Institute after her and Sam's adventure into the ruins. also she mentions feeling like someone's watching her (common to people influenced or fed upon by the Ceaseless Watcher/The Eye) My guess if she is marked it would be by the Eye.
Gwendolyn Bouchard: Probably the most likely culprit. The main way an entitly tends to mark people is through encounters with other avatars. Gwen has just had an encounter with Mr Bonzo last episode who I strongly believe must be an avatar of some sort.
What Happened in Episode 12: Getting Off
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Aww Sam!!- Sam asked Celia out and it was adorably awkward. not much to say I just loved this interaction and I'm longing for a new Magnus brand office romance hopefully is wont be an agonizing slowburn that ends tragically like a certain pair of morons from Archives (I love you Jon and Martin but Jesus christ)
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It's Bonzo time bitches!!- Probably one of the most gruesome Magnus statement I've ever listened to (good work Alex) Mr Bonzo completely annihilated some poor dude at his bachelor party. Based on the date of the Incident the I can confidently say that whoever Baz (the groom) was he was our mystery person the OIAR sent Mr Bonzo to get rid of. Along with some of the bloodiest imagery we learned a few things about Bonzo. The most interesting detail is that Bonzo has to be summoned by playing his theme song I think the CD of his theme song acts somewhat like the tapes did in TMA by materialising out of nowhere. Also fun fact you know that torn seam that is right down Bonzo's middle? that is actually is his mouth lined with rows sharp teeth so I guess I know that now (so fun) Moral of the story dont f*ck with Mr. Bonzo
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Alice knows something: Theres been this recurring audio glitch throughout TMAGP thatnks to a few extremly observent fans we have started to relize that these glitches are not at all random and are actually letting the audience know when a character is lying (i actually reposted somones deepdive into all the istances of this glitch so far if you guys are intrested in knowing more) why i bring this up now is becuase since we know when any charater is lying we also know when they are being truthful if there is no glitch when they say somthing and at the end of this episode this interaction occurs
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Alice goes ahead and makes a joke about this to annoy Gwen but the fact theres no audio glitch when she says "I know" means she does actually know who is behind the OIAR and is activly refusing to share it with Gwen or the others. What do you know Alice!?
and that's about it im already loving these next batch of episodes and am so excited to learn more (ERROR has to show up somtime )
thanks to everyone who resonded the poll on the last update I will continue to include drawings into the breakdown even if it takes me a little bit of time to post. anyways I wrote this all in one sitting and I'm about ready to pass out so thanks again and the ask box and comments are always open for discussion and theory crafting.
-Echo
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aphroditeslover11 · 6 months
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Hi what do you think about a Neil Lewis with a actress reader? Like they met before and he has already a crush on her and then he watch movie and see her ?
Another tought (not q request just something in my head) so I'm from Göttingen, an we have here q tradition if someone has his PhD they have to kiss the Statue of the goose Maid ( "Gänseliesel") he is not common with this tradition and so when reader ask him when he is planning do the kiss he assumed she wanna that he kiss her
I hope this is something along the lines of what you were thinking of. I’m not at my best at the moment so I’m sorry if there are any glaring errors. I hadn’t written for Neil before, but he’s actually very fun! Thanks for your request. Also, that is a fabulous tradition, it might get slotted into one of my other Oppie requests, I’m not sure yet though as it’s in the idea phase at the moment.
A Surprise Encounter
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A/N: the classic films mentioned are all free on BBC iPlayer, go and give them a watch! I also have no idea where the store is, so I made it up.
Neil was absolutely beside himself when the invite arrived in the post. A new film that he couldn’t wait to see was premiering soon, it was low budget but contained a few big names who had decided that they wanted to promote the more independent side of the industry. He had been asked to attend an event aiming to promote smaller video shops like his rather than the huge, commercial ones that were taking over. When he read that you and the director alone were going to be on the panel he felt like he had never been luckier, finally a chance to meet his favourite actress in the flesh. Although he did admire your talents, he’d be lying if he didn’t admit that he also found you wildly attractive.
The next few weeks were spent planning everything. He rewatched a few of your films so that he could ask some decent questions of you at the press event and reading every article that he could on the making of your new one, a biopic of Julie d’Aubigny. He went out and bought a new suit for the occasion, had his hair cut. As far as he was concerned, there were going to be no disasters, not when he was going to meet one of his idols.
~
The day of the event had finally come. All of the invitees, including Neil, had been piled into an auditorium where they had been given an early viewing of the film, then being moved into a press room with rows of chairs set out in front of a platform. He was happy with his seat, about half way back in the crowd, not too conspicuous but with a good view of the stage. The previous hubbub died down as soon as the panel made their way up, the director taking his place, yet Neil’s eyes were fixed on you. Your hair was down and curly, framing your face, and that smile that everyone always talked about. You were wearing black heels a red dress that dipped down just enough to give a small view of your cleavage. He was transfixed.
Questions started being asked, the general types of how you had enjoyed working with the rest of the cast and what you had taken away from playing your character, some conversations were had about wanting to make sure that the smaller side of the film and cinema industry wasn’t dwarfed in the future. For some reason, all of the eyes in the room suddenly focused on Neil, it was only then that he realised that he had drifted off, his arm leaned on the armrest of his chair in such a way that you had thought he was asking a question.
“Uh, the gentleman in the blue suit there, do you have a question?” The sentence was coming from you, quickly drawing him out of his reverie.
“Um.. yes,” he never was much good at thinking on his feet. “I know that you’re promoting this film today, but do you feel as if classic cinema has been forgotten. My shop specialises in older, more hard to find movies and… well, yeah,” he trailed off. He was like a deer in the headlights, speaking as if he was full of terror. A few people around him were scoffing and hiding their laughter. Great, he had embarrassed himself in front of you.
“Actually, I do think that we’ve forgotten about classic cinema. Not only the thrillers and comedies, but for me the least talked about are the romance films. I grew up on Astaire and Rogers musicals, I know some people don’t like them and find them a bit politically incorrect know, but they still have a special place in my heart. If you think about their influence on modern cinema, we wouldn’t have ‘Sleepless In Seattle’ if it hadn’t been for a 1939 film ‘Love Affair”. What was your name?” Why the hell did you want to know who he was?
“Neil Lewis.”
“And where’s your shop?”
“California, its called Gumshoe Video.”
“I’ll pop in next time I’m in town, maybe you could give me some recommendations.” And that was the end of that conversation.
~
About three weeks later everything had returned to normal. Neil was back to running the store and the gang were still practically living there. It was a completely normal day when Lucien, who had been manning the counter, came around to the back to find him.
“Neil, you might want to come inside, there’s a customer asking for you.”
“Can’t you handle it?” He just wanted a bit of time to himself, making is response more huffy than he had intended.
“Trust me, you want to come and see this.”
He followed Lucien back into the shop, only to be caught in shock as he saw you standing there in front of him, dressed a lot more casually than the last time he saw you, but still with your hair down in its beautiful curls. He never thought that you would actually make true on what you had said, but here you were.
“Is there anything that I can help you with Miss y/l/n?”
“I came by to see if you had any suggestions for me, you know, classic films like you said you specialised in.” You actually seemed a bit nervous, though he had no idea why. “And please, call me y/n.”
“Right, y/n,” it just felt so right when he said it. “What kind of thing are you looking for, any genres in mind?”
“I always love a romance movie, the press don’t know yet but I left my boyfriend last month after he cheated on me. I’m down here to get away from it all, so a romance to take my mind off everything would be good, yeah.” He could see the sadness behind your eyes as you explained.
“He must have been an idiot then,” he said, immediately regretting it and walking past the stunned Lucien towards the romance section, beckoning for you to follow.
“So, you said that you liked Astaire and Rogers, but have you ever seen ‘The Sky’s The Limit’?”
“I don’t think I have, no.” He reached out for the dvd, showing you the front of the case.
“It’s Fred Astaire and Joan Leslie, came out in 1943. A musical about a fighter pilot who falls in love with a girl who wants to make it as a journalist, sounds like the sort of thing you might be looking for.”
“I think I’ll take that then, sounds perfect.” Something lit up inside him, you were smiling and it was because of something that he had done.
“Right, I’ll go and sort out a membership card so that you can rent it then, do you have any ID on you. Driver’s licence or something?” You followed him over to the till, rooting around in your bag to find what he had asked for. He busied himself, quickly handing over the card and the movie.
“What do I owe you?” you asked, reaching for your purse.
“Nothing, it’s on the house.”
“Are you sure, because…”
“Yeah, in return for having me at that panel a few weeks back. It was amazing.”
“Well, in that case can I pay you back in another way?”
“What do you mean?”
“Maybe we could watch the film together?”
“That sounds like a fair means of payment, I think I’ll accept.” You slipped him your number, telling him to call when he was free before walking out of the store, Neil wondering what the fuck had just happened.
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meltthefrozenheart · 5 months
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FROZEN 3 and FROZEN 4 are both in development, and I can't wait!
The news sounded odd to me initially, I didn't expect anything like this from Disney Animation, but it became immediatly appealing the moment I realized the GREAT potential a double feature could have for the franchise, most importantly when Bob Iger specified “Jenn Lee, who created Frozen, the original Frozen, and Frozen 2 is hard at work with her team at Disney Animation on not one but actually two stories.”, which would mean:
More time to enstablish new elements, new characters, time to explore new lore and new places without the risk to rush everything;
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A bigger story that can help flesh out our protagonists in their new roles, their new wants and changes they might face, considering how the F2 ending brought many new possibilities;
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A narrative context where the new crysis (whatever it might be) could be explored even better, also allowing to maintain things in a complex prespective just as the Frozen movies like to do, where the matter of "good and evil" not at the center, and things are first of all deeply personal for the characters
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It seems to me that Jennifer Lee always wanted to delve deeper into things, this is why the Broadway Musical was a perfect opportunity for her and the Lopez to expand the characters and flesh out things in the story, also adding new elements that would've been useful for F2.
And when they worked on Frozen 2, they built it as the "second part" of the story, reconnecting almost all the aspects of the sequel to the 1st movie, and the story was clearly meant to be BIGGER and longer compared to what we ended up having because of numerous issues and rewrites. J. Lee and C. Buck didn't want to introduce something that would feel just as "a new adventure", and more about the actual characters evolving, see what they left unresolved, breaking the "Happy ending" scenario of F1, which also led them to NOT give the new human characters (Mattias and the Northuldra) the same relevance given to Spirits of Nature, in order to remain focused on Elsa, Anna and the rest of the gang.
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Now, Lee will most likely not direct or write these two new movies, but she is still directly involved, because it's both part of her job as CCO of Walt Disney Animation Studio and because Frozen is her (and Chris Buck) baby. It will be curious to discover with what idea Marc Smith came out with, but the fact he worked on the 1st Frozen as a storyboard artist and the became Director of Story for Frozen 2 says a lot about him and why Lee trusts him so much, and I'm sure they will follow the approach used with the 2nd movie and carry it on with 3 and 4. Numerous sagas used the two-parter approach, like the books adaptations of Harry Potter, Twilight and Hunger Games series, or more "original cases" like Pirates of the Carribeans or what we are getting now with the animated Spiderverse movies (Across and Beyond). But I think the best similarity (and probably what led to this ambitious choice) is with Avengers Infinity War/Endgame, where the BIG FINALE gets developed in two movies.
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markantonys · 8 months
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episode 5 thoughts!
heartbroken by no mat, but i was expecting it since min wasn't credited for this episode on imdb, and there was so much other amazing stuff going on, so i can cope. i do think they must be gearing up for a mat-heavy episode soon because his content has been so sparse thus far! we also didn't have lan this episode, which i'm good with since he got so much last week.
(minor imdb casting spoiler: ayoola isn't listed for ep6, so i'm guessing we may have no perrin next week. they definitely do have a lot of different groups to juggle! but IF mat & lan soon join the cairhien crew, we could condense things)
also sad at not much elayne, but again, the remaining episodes will probably be pretty big for her! same with egwene, that storyline didn't progress as fast as i'd thought it would in this episode, but OOF the preview for next week looks like A Lot!!
back to the beginning! falme looks SO COOL!!! and the opening scene with the seanchan was fantastic, it showed off so many different aspects of their culture in just a few minutes (namely their various Ceremonial Things and ideas of who's allowed to speak to whom)
lanfear just whispering "bitch" the second she revives killed me djkfjg what an icon. and we get confirmation that it is indeed the True Power that she used to revive herself.
Lanfear Unleashed is SO much fun oh my god, i love seeing her in full forsaken mode
moiraine telling rand that he can't sleep because lanfear will get him, girl don't tell him that he's going to internalize it and not sleep for the next 6 seasons. this season is really Wheel Of Time Origins: Rand's Various Emotional, Mental, and Physical Health Problems
elyas saying the ef5 aren't perrin's pack HOW DARE!!! i feel like they're making elyas even more standoffish/human-averse than he was in the books, which makes for an interesting dynamic and contributes to perrin's sense that his human & wolf sides can't coexist.
but hopper follows perrin!!!! the goodest boy!!!!!
AVIENDHA IS HERE!!!!!!!!!!!!!!!! SHE'S EVERYTHING!!!!! although ngl her fake accent does sound a bit Fake to me lmao but i'm sure i'll get used to it after a few more scenes
hot dain bornhald is also here! he kinda compels me and i'm furious about it. if whitecloak why hot? in all seriousness, i can see already from his intro episode + the basics of his book story that he has the potential to be quite an interesting character if fleshed out more and given more screentime compared to what he had in the books, sort of a liandrin-and-alanna-like Main Secondary Whitecloak for us to follow
also he totally wants to fuck perrin you can't change my mind. buying him drinks and giving him a Cute Nickname, boy you ain't subtle! and then aviendha briefly hits on perrin later and also perrin stops her from killing dain. wake up babe, insane new WOT polycule just dropped djkfjfg
OB!!!! FREAKING!!!! SESSED!!!!!!!! with verin's detective subplot!!!! it is SO much fun, it delivers a ton of great exposition (namely about the black ajah), and it gives us a bigger peek into the brown ajah than the books ever did. i love this squad!! also katie leung was probably my first Girl Crush (not that i was aware of it) when i was like 8 so i was thrilled to see her show up here, god bless
AND MOST IMPORTANTLY, IT GAVE US CONFIRMATION THAT GAWYN EXISTS IN SHOWVERSE!!!!!! AAAAAAAAAAAAHHHHH when i tell you i came extremely close both to screaming and to falling off my bed!!!! i'd been hoping for a gawyn namedrop all season but having it here was SO unexpected! my current theory is that he'll be introduced in caemlyn next season along with elaida and galad, and all 3 of them will head to tar valon to look for elayne because they're worried after not hearing from her for a long time.
also now i want a fic where the wondergirls actually do get special permission from mommy morgase to leave the tower just so that they can attend gawyn's birthday party
anyway, someday gawyn and egwene are going to kiss with tongue onscreen and haters can die mad about it <3 oooh now i have a brand-new meetcute for them to look forward to since they didn't meet at the tower!
liandrin & nynaeve's convo in the ways was so good! they continue to do amazing work with that relationship and liandrin's character. AND WHEN SHE SUBTLY FREED THE GIRLS RIGHT BEFORE LEAVING HOLY SHIT i gasped!!!!! the LAYERS they have given this character!!! because yes she serves the dark BUT she still feels loyalty to her sisters (as seen in s1 too when she appeared genuinely upset over kerene's death) and can't stomach the thought of any of them, even the light-serving ones, being collared!
suroth saying with her whole chest "oh sure you're a forsaken but you're not even of the blood soooooo" god grant me her confidence. also another great illustration of the insane heights to which seanchan high blood take their superiority complexes. good god, what's tuon gonna be like?!
avi's fight scene was just as amazing as i'd been hoping and expecting!! 10/10 no notes. can't wait to see what she can do when she has weapons at her disposal!
and later avi tells us that she is out in the wetlands Looking For Her Man (that she doesn't yet know is Her Man) <33
moiraine saying "get rand some nice new clothes" and barthanes immediately offering to dress him, Sugar Baby Rand lives on! also, anvaere and barthanes definitely thought rand was moiraine's sugar baby after they cleared the warder possibility, you can't change my mind
also also, barthanes is so surprisingly sweet! i wonder if he'll still be a darkfriend, or if anvaere will be instead
lanfear making ishy dream about caressing rand's face in bed is something i will go insane thinking about every day until i die. like oh my god i don't even know where to START with unpacking that, so i won't even try djfkjg
like for real, they ALL BUT made it explicitly canon that ishy had/has a crush on LTT/rand LMAO it's what we deserve
and we get forsaken namedrops! moghedien, graendal, and "the boys." it could be that semirhage did still make it and lanfear just chose not to go on and on listing every single one (slash the writers wanted to give themselves some leeway in specifically naming forsaken in case they don't get enough seasons to deal with all of them), or it could be that one of the statues from last season was actually a man and/or stepin's statues aren't accurate, and we've got 5 men instead of 4 (in which case i'd imagine ishy, asmodean, sammael, demandred, and rahvin)
i'm gonna have to watch this ishy & lanfear scene again to pick up more because i was FAR too distracted by the initial homoeroticism to keep focusing lmao
aww i'm kinda sad not to get elayne & nynaeve hiding out in falme completely on their own, but for their sakes it's nice they've found (been found by) some Real Adults to help!
LANFEAR'S OUTFIT IN THE END SCENE LMAO this season really just went off the WALLS with horniness and kinkiness, and i am here for it. it's what rj would've wanted
now that moiraine and rand are indeed staying in cairhien after all, i really think we might get a cauthor reunion next episode!!!! fingers crossed!!!!
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jamiesfootball · 8 months
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What are your thoughts on Ted? Is it good he went home?
These are two separate answers but I'm gonna try to combine them into one thought bubble (bear with me).
My short answer regarding Ted's ending is that you can't create a fully fleshed out character for 2-3 seasons and then in the final hour decide he was Mary Poppins all along. The Mary Poppins is meant to be strange, not-quite of normal ilk. She's the static character who leads the change in others, the one who inspires. You don't usually see the inner thoughts and workings of a static character.
From the very first time the audience meets Ted, we understand that this is not a static character because he is literally one of our starting POVs. We see his uncertainty about flying across the globe to go teach a sport he doesn't understand. We see him turning to Beard for reassurance. We see him stick his hand out where it isn't wanted while he tries to find common ground with people in a new country. We see the beginnings of a panic attack at the press conference.
That is is episode one. He is not a static character. He is not a strange and unusual person impossible to understand. He is inspiring, yes, but that is because of his humanity- his kindness.
He is not a Mary Poppins.
Ted is at his most interesting when he is a complicated, struggling, but ultimately kind man who tries his best to show genuine empathy and compassion towards others. The fact that this same trait doubles as a flaw is equally intriguing.
Ted can reassure Sam that Jamie won't be coming back, or Ted can reach out to Jamie when he's struggling and ask him to come back. Both are acts of kindness. He can not do both.
Ted can show Rebecca empathy and understanding for her trying to sabotage Richmond, but it ties his hands on being honest to Jamie about why he was sent away in the first place.
In trying to balance kindness, Ted struggles to be direct. He struggles to come right out and tell people how he's feeling about situations. Despite encouraging other people to talk about their feelings, he dances around his own and avoids awkward confrontations. I think that is the flaw that Ted most needed to explore. At the same time, I hesitate to say he could have learned too much given how he was struggling to process his own trauma with his dad and how it effected his relationships with those around him. (Put a pin here, I'll be back for it in a later.)
Pivoting back to Ted's purpose in the narrative, unfortunately as the show ran through season three, it became too near-sighted on The Message and in turn lost sight of making sure the characters had fulfilling interactions with each other. This especially becomes apparent when it comes to Ted, whose motto in season one is 'be curious not judgemental.' I maintain that season three was a low point for Ted emotionally, and if I were to assign a reason in-universe as to why Ted seemed so off from his usual self, it would be that in his depression, he no longer had the energy to realize he wasn't being curious. One indication of this would be how many times Ted casts assumptions on people in season three, compared to his hey-do-you-think conversational openers from earlier seasons. Some examples would include:
-never trying to figure out what makes Zava tick (this is a big one to me. I think season one Ted would have been all over trying to crack Zava like a nut)
-assuming he already knows why Jamie is upset about Zava joining the team and brushing it off
-assuming that Dr Jacob would propose + assuming that Michelle would say yes instead of trying to ferret out whether
-his assumptions about Henry being bullied (the knee-jerk reaction as a parent to protect your kid is understandable, the lack of delving into the situation and why it happened are more what I mean here)
-his whole conversation with Jamie about his dad. Other people in more succinct words have pointed out how it feels like he fully projected what he needed to hear onto Jamie's situation, and I think that's fairly accurate. This was not a 'talk to me and tell me what's going on so I can better understand how i need to help you' conversation. This was a 'oh that's whats going on? how about you do this? that work? alright then' talk.
So the finale struts back around and Ted has made a decision. He's going home. And it's meant to feel like closure. They play the Cat Stevens song and it's supposed to feel like Ted has finally made a step in the right direction (which is certainly one take on those lyrics but I digress). He's going back home. He's going to be with his son. He's letting go of the damage his father leaving did to him. He's giving up on something and he's finally okay with that. He left Richmond better than he found it and that's what matters.
Everyone else can cry but he's not crying. He's finally with Henry again.
So here's my two cents. And this is definitely just my opinion but-
THAT'S FUCKING STUPID.
Because the only way that Henry OR Richmond exists is in a false dichotomy wherein the two cannot possibly coincide, despite the fact that there are MANY KIDS' SHOWS ABOUT CHILDREN MOVING TO NEW LOCATIONS EVEN NEW COUNTRIES because that is a NORMAL THING THAT HAPPENS IN THE NORMAL WORLD ALL THE TIME.
Like holy shit that is. That is just the plot of a Disney channel show. 'My dad the football coach moved to england to coach the other football.' That is just the plot of a Disney channel original movie with a $300 budget that magically gets a sequel. Is that what I'm supposed to say 'oh no, that could never happen' over? Because I"m already watching a TV show. You can put a show in another show- I'm fine with that.
Remember that pin above? Time to pull it out. Because you know what would have been a more narratively satisfying conclusion?
If Ted had actually asked Henry and Michelle if they'd liked to move to London to be closer to him. If he had actually expressed his fucking need to have both his Kansas family and his Richmond family close to him. Maybe they would have said no, maybe they would have said yes, but you know what? It would have at least opened the door to the discussion about what Ted might need as a person moving forward, whichever way the chips fell. At least he would have done the one thing we didn't see him do all show:
Ask for something for himself. Because he wants it. Not for the good of his family, or the team, or anyone else. Just for Ted.
I am not saying his son isn't the most important thing in his life. I am saying as a goddamn adult person, you can NOT mold your life around your kids. You can't. Full stop. It is not healthy. You put your kid's needs above your own, but as a parent your needs have to come second. You have to take care of your own emotional health so that you have the bandwidth to give them support. You have to set the example of what healthy boundaries and taking care of yourself looks like.
Could Ted make new social connections back in Kansas? Well that's the thing isn't it- season one Ted could have. Easily. Season three Ted? The one who's checked out and looks tired all the time and isn't even following his own motto anymore and didn't even cry like he'd miss his friends when he was leaving? I'm not sure about that Ted. I'm worried about that Ted. I'm worried he's going to put himself in a situation where for the next 9 years of his life his only priority is going to be keeping Henry happy by giving Henry the attention he never got from his own father. And after that? Henry's an adult. Henry has to go live his own life.
And Henry's going to be able to tell, by the way, if his dad is struggling. Whatever Ted's emotional health is like, Henry is going to pick up on it. This isn't a one way road. Kids notice.
Ted untangled himself enough to admit that what he wants is to be close to Henry. I commend that. But then he decided that there was only one way to do that, and he didn't look any further than that. The narrative didn't look any further than that. For a show that itself raises the topic of mental health, it feels tone-deaf to pretend that Ted moving away from his entire support group is a happy ending. He doesn't even have Beard!
So to summarize: what do I think about Ted? I think he's a fascinating character. I think he has a genuine kindness to him that is rare. I think he is flawed, and a little bent up on the inside, and he's got a lot of issues to work through. And I think the show did him a disservice by painting him going back to Kansas as a sign that everything was going to be okay.
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kckt88 · 6 months
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Harrenhal and the Rivers Part II
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Summary:
Spurned by Prince Aemond, Alys resorts to other methods to get what she wants.
Will she succeed?
Warning(s): Non-con touching, Anger, Violence, Swearing, Prophetic Visions, Mentions of child loss, Character death.
Word Count: 984.
Disclaimer: I do not own any of the House of The Dragon or Fire & Blood characters nor do I claim to own them. I do not own any of the images used.
Comments, likes, and reblogs are very much appreciated.
Alys was getting very frustrated.
Her repeated attempts to seduce Prince Aemond were failing quite miserably.
The Prince was completely entranced and gripped by the deep love and adoration that he held for his wife.
A man of honour and duty through and through, she could almost respect that, but time was rapidly running out.
Aemond was making plans with his garrison of soldiers to return to Kings Landing.
Back to the waiting arms of his wife and their young son.
She needed to act and fast. Her visions of a son with silver hair wearing the conqueror’s crown, were fading rapidly with each passing day.
As Aemond made his plans, Alys quickly uncorked the vial she clasped in her hand and poured it into the Prince’s wine.
The potion would soon take effect.
All Alys had to do was watch and wait.
Eventually the Prince excused himself and retired to his chambers for the night.
Alys had to be careful, this was her only chance, he need only spend inside her once for his seed to take.
Giving herself a moment, Alys hovered by the ashen door and took a deep breath.
It was now or never. 
The Prince was laid on the bed, his eye closed. The sapphire that replaced his other eye shimmered eerily in the low candlelight.
He was beautiful in a way that Alys had never seen before. His high cheek bones and sharp jaw gave him an almost ethereal look.
He had truly been blessed by the gods.
The simple black cotton shirt the Prince was wearing had been left on but unfastened.
No doubt in his haste to get to bed, the Prince had given up on removing it.
Alys gently caressed the sleeping Prince and smiled as she ran a singular finger along the smooth hard planes of the Prince's pale skin.
He was a skilled swords man, yet his skin bared the marks of his rigorous training sessions.
Little scars adorned the Prince's body, yet it only added to the allure of such a creature as this. 
Alys smiled slightly as she moved to unlace his leather breeches.
However, the young Princes’ amethyst eye snaped open and he lurched forward grabbing a handful of Alys’ dark curly hair.
“Do you think me a fool my lady” snarled Aemond viciously.
“My Prince. I do not understand. How did you-?” gasped Alys trying to prize herself away from Aemond’s vice like grip.
“I saw you slip your little concoction into my wine. Tell me my lady what was your intention”.
“I simply wished to satisfy your desires for the flesh” replied Alys desperately.
“I have a wife who’s more than capable” quipped Aemond as he moved to sit on the edge of the bed, his hand still twisted around Alys’ dark hair.
“But your wife is not here. Tell me my prince are you not tempted?” whispered Alys her voice low and sweet.
“No” snapped Aemond.
“But surely-“
“What you told me before. Was that a lie?” asked Aemond.
“No, I told you the truth” exclaimed Alys.
“I don’t believe a word you say. You stooped so low as to use the memory of my dead son against me, all so you could lure me into your fucking bed” shouted Aemond.
“My Prince I-“
“I am not your fucking Prince. Do you understand” roared Aemond.
“A-Apologise” stammered Alys.
“I spared your life, and this is how you repay me, by manipulating me all so you could birth a bastard” retorted Aemond.
“All the babes I had before were stillborn. I-I just wanted to be a mother”.
“Why me?” asked Aemond.
“You are a Targaryen; the blood of old Valyria runs through your veins” explained Alys.
“What about Daemon. He spent enough time here. Did you not tempt him with your lies”.
“He-We indulged in pleasures of the flesh, but his seed didn’t take,” said Alys.
“-And your so sure mine would?”
“Yes. I saw it in the flames” sniffed Alys.
“You disgust me. I should have beheaded you when I first arrived” growled Aemond.
“I will do as you wish without complaint,” said Alys.
“Anything-” questioned Aemond, his eye narrowing.
“Yes, my Prince. Anything” whispered Alys.
“Hm”
Aemond lunged off the bed with Alys still within his grasp.
“My Prince. Where are you taking me?”
“I will never betray my wife in such a manner, I am blood of the dragon, and your cheap tricks don’t work on me witch” said Aemond.
“Please” begged Alys.
“On your knees” commanded Aemond as he released his hold on Alys.
Alys fell to her knees and whimpered as she saw the Princes great dragon Vhagar looming over her.
The dragon snarled ferociously, her razor sharp teeth caked in the dried blood of whatever she'd feasted upon previously.
“Apologise. I beg you. I saw him in the flames, a boy with silver hair wearing the conquerors cr-“
“Dracarys” shouted Aemond.
Alys screamed as she was quickly incinerated by Vhagar’s flames.
Aemond watched wordlessly as the witches burning body collapsed to the ground.
Flakes of her skin flew from her body like leaves as a gust of wind moved through the air.
Suddenly the roar of another dragon echoed across the dark starry sky.
Vhagar lifted her head and answered with an equally load roar of her own.
Aemond quickly looked towards the sky, as three dragons circled the ruins of Harrenhal before landing with a ground shaking thud.
Aemond's hands curled into fists as he took a cautious step closer to Vhagar, pausing only when he saw the other dragon's silver haired rider.
“Vaera” exclaimed Aemond as he spotted his wife helping Rhaegar to climb down the membrane of Cannibals wing.
“Daddy” shouted Rhaegar loudly as he ran towards Aemond as fast as he could and jumped in his father’s arms.
“What’s happened?” asked Aemond as he held Rhaegar close to his body.
“Kings Landing has fallen”.
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carigm · 1 year
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Today Millie had a fan panel in which she answered that her ideal ending would be Mike and El getting married and Will being happy and confessing to Mike (lol) and ofc the Stranger Things fandom kicked up the old Byler vs Mlvn war once again, regardless of the fact she doesn’t write the show. But I want to break down some points here about things I’ve been noticing today, but also for a while and that I think need to be discussed. Keep reading if you want.
I’ve seen a lot of hostility towards Byler and Bylers on Twitter lately, saying we’re delusional and don’t know what we’re talking about. This always seems to be the go to argument even tho it’s all in the narrative. Today it got really bad after Millie’s comments and even people that were merely disagreeing with her opinions got called everything from delusional to misogynistic.
IF the Duffers suddenly decided to ignore everything they’ve carefully crafted and put into their narrative that doesn’t make anyone delusional, it just makes them terrible writers. Who would be doing a great disservice to all three characters involved in the love triangle.
There’s been an insurgence (on Twitter) of so called “Will stans” who seem to be completely fine with the idea of mlvn being endgame because “Will can just get another boyfriend” Not only is this insulting to what the writers have already established for Will’s character but it’s also a defense and endorsement of the worst kind of lazy/bad writing that could graze our screens.
The Duffers CHOSE to tie Will’s character arc to Mike’s and El’s.
How do you expect them to undo that and create a well fleshed out character that’s deserving of Will, in 8 episodes that we know are not just gonna be dedicated to Will’s supposed love interest, because there’s a shit ton of stuff to resolve?
If this was the route the Duffers were going for, they could’ve clearly given Will a love interest last season (like with Robin) or two seasons ago (like with Dustin) And yet somehow, people think it would be totally okay for Will to get the most meaningless romance of all time as the writers ignore the same story they’ve created.
Another point I’ve been seeing a lot from these people is “Mike won’t come out. Let it go. He’s just a very unlikable character” What does that say about the quality of the writing and content you’re willing to consume then? You’re okay with characters being poorly written? And please someone explain to me how Mike’s actions, especially in S4, make any sense unless he likes Will.
The more people try to simplify this story the more plot holes and inconsistencies it creates.
The funny thing is that a lot of these “Will stans” used to be Bylers themselves but are so deathly afraid it won’t be endgame that they’ve started to use the same rhetoric mlvns use every day to justify what would be atrocious writing.
And this next thing might be controversial but I think it needs to be said.
So many people on Twitter have hit those who disagree with Millie’s opinion today with “y’all are misinterpreting Millie’s words” and let me tell you, no one has. She’s been saying the same stuff for forever and quite frankly she’s never had a coherent thought about Will. Which is fine, at the end of the day that’s not the character she plays. However, I haven’t forgotten how last year (at another panel) she was asked about Byler and said it was just a reflection of Finn and Noah’s friendship and that was what people were seeing…
Whatever the fuck that means, I guess.
Again, I’m not taking her answer today too seriously cause truth be told she’s been saying some version of this since she was around twelve, and has even at times said she was joking about it. If a wedding were actually happening she wouldn’t be able to say it cause I’d literally be a spoiler, even if she doesn’t have the scripts yet or doesn’t know I’m sure there’s things that would be off limits for any actor to say at this point.
But this defense squad that formed today begging for us to not misconstrue her words because “she really cares about Will’s character” is laughable.
Her answers regarding the topic of the love triangle have been anything but nuanced. If she doesn’t want to get into it or address it, that’s fine. It’s her choice.
But of course, mlvn stans are gonna take her answers seriously, as well as those who are now “Will stans” who basically ship mlvn too.
And to me there’s a fundamental flaw regarding the ship wars in this fandom, which these people don’t seem to grasp. At this point, it isn’t so much about “which ship is better” but “which outcome isn’t violently homophobic”
That’s it.
I don’t care how much you ship mlvn, this is the undisputed truth here.
But when your lead actors act like it’s not a big deal, it’s no surprise the fandom doesn’t give a shit.
I can only hope the Duffers were smart enough to see reason and were able to write the only outcome that won’t set television back around 10 years or so.
And hopefully one day, when S5 is out, we can get a more in depth and honest conversation with the actors about all of this.
As for me, I’m gonna lay low and not give much of a fuck until we start getting those Reddit leaks, which were very much accurate for last season. I’ll take a peak at those, and depending on what they look like, I’ll stay around or dip completely.
If you read all of this, thank you.
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mushroom-madness · 1 year
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🍄 Round 1: Match 25 🍄
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🍄 Vote for your Favorite Fungi! 🍄
Descriptions Below ⬇️
Zommoth
“Zommoth is an optional/hidden boss in Bug Fables, fought at the end of the Leif's Request side story. It is also a cordyceps fungus inside a moth host and Leif (whom we also submitted) refers to it as their sibling. It was an experiment to see if bugs could be given magic by infecting them with the parasitic fungi, and the result was This Beast (affectionate). There are other cordyceps in the same laboratory it's found in, but Zommoth is the strongest and the most notable by a large margin. Very little is known about it as a person but it's stated to be a "guardian" figure and implied that it was protecting the lab and the other zombies in it. We are emotionally attached to it. Also, its color scheme is the nonbinary flag.” - Submission 47
“Oh boy, do we LOVE this fungus! Zommoth is a cordyceps beast and immortality experiment made in search of the power of the Everlasting Sapling, a thing said to bring eternal life. Unfortunately, as it often is with this sort of things, they the fungus and they the moth were both quite displeased with being involuntarily used for the sake of roaches chasing immortality. It killed everything in the lab and proceeded to take it over with their many, many fungal siblings.
Technically speaking, Zommoth is a blend of both the fungus and its moth host, now twisted beyond recognition and unable to separate even if they wanted to, but we do think it still counts. It's at least 50% fungus. Probably more, it doesn't seem to have had much use for most of those moth bits. It is loving sibling to many undead fungal hybrid abominations, and its hobbies include screaming, firing lasers at people who intrude into its lab, and crawling out of the water like a beast from a horror flick. We believe it deserves to compete, and also to win.” - Submission 52
“Oh yeah this thing is a fungus isn't it. Positively overflowing with cordyceps. Honestly kinda forgot about it for this but saw my mutual bring it up and I figured it would need the support. It sure is a Phucking Phungus” - Submission 68
“A zombie moth full of Cordyceps fungus, the result of a horrific experiment. “Sibling” to Leif, as in created through the same unethical project, if you read my last submission.” - Submission 105
Bug Fables Wiki
Room
“Room is a giant radiation-mutated mushroom and the partner of Lou (the smartest person in Laketown City) (a genius teenage girl) who often carries her on their shoulder and stuff and is the brawn to her brains. Also this is my way of saying listen to Join the Party campaign 2, it's D&D reskinned for a modern day superhero setting and hey. Mushrooms play a big part in the plot ;)” - Submission 58
No Wiki Available. Sorry Room, I’ve been trying to flesh out character descriptions so everyone has about the same amount included in the posts in an effort to create a fair vote and include links for everyone since I started including links for some. But I just. Couldn’t find anything other than the submitter’s description. Only image I could find too.
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conflictofthemind · 25 days
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Not saying this means anything especially since TBSOAS (the book) only came out in 2020, more of a “hey this is weird” post but:
I’ve always thought these two looked / were similar as two wavy blond haired blue eyed men, and it definitely helps that they both premiered (in the case of film Corio) within one year of each other . But there’s like, more than that? And some of it is very strange?
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First off, they are two characters who since the start of their chronological stories teeter between ‘good’ and ‘evil’ with a lot of forces in their life, including their evil scientist mentor, pushing them towards the dark side by use of manipulation tactics. Henry is much more of a direct victim to this than Corio is though, and the latter also does have more good influences in his life.
“Fueled with the terror of becoming Prey, see how quickly we become Predator?” - Dr. Gaul
“I could restore balance to a broken world… a predator, but for good” - Henry Creel / 001
Also, can I mention how both TBOSAS and TFS are set in the same exact time period? The Hunger Games uses retro futurism since the entire story is set centuries from now, but the era is clearly inspired by the late 50s to early 60s, especially given that it takes place 60 years before the main series.
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Now here’s the actual weird part that had me making this post.
Both of their origin stories center on a romance with a female co-lead that ends with them killing her (heavy question mark). That’s not the weird part. It’s the way that the plots of both of these origin stories and said female characters are based off of old European folk-songs that were popular in Appalachia. TFS is based off of ‘The Tale of Barbara Allen’ and TBOSAS is based off of ‘The Ballad of Lucy Gray’ - Stranger Things just bothered to change her name to Patty Newby. Barbara Allen (Patty) appears as a covey sister of Lucy Gray in TBSOAS. Naturally, both of these characters are singers which plays a role in their respective stories.
I just have to say, it’s a very obscure source of inspiration to happen twice like this. There is a little part of me that thinks Kate Trefry and the writing crew on TFS might have been fans of The Hunger Games. But who knows.
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Suzanne Collins wrote the TBOSAS prequel to answer the question of ‘nature vs nurture’ and how much choice villains have in becoming their future selves - which is the exact same question that is actively being posed by Stranger Things in regards to Henry.
And then how I got started on this line of thinking again today - the older adult versions of these characters both kidnap the respective sweet boy love interests and hijack them against the main characters. For strategic reasons and, in the case of Peeta, emotionally torturing the main character so she gives up. Will and Peeta are just both so similar as characters; soft and sensitive, traumatized, painters, both the poor underdogs with (seemingly) unrequited love for the protagonist though Mike isn’t really the protagonist.
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I’m not sure if there’s actual inspiration being taken here. I typically assume not on the basis that I’m someone who can find connections between any pieces of media I enjoy. But the whole Appalachian folktale angle of it all is strange to me.
While I don’t think Henry was conceived with this in mind, it’s possible the inspiration sprang up during the further fleshing out of his backstory and into writing The First Shadow. Maybe it will even have an impact on the final season.
One of the things I liked about TBOSAS was the theme of the past coming back to haunt Snow in the future through Katniss and the music Lucy Gray created living on through her. If this was in any way inspiration, I’d love to see Vecna haunted by how similar Will is to him and especially the ways that he is different and able to do better.
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ettuleo · 1 year
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I lied. I don’t like sex. Put your clothes back on. I’m gonna explain how releasing multiple seasons a year ruined voltron: legendary defenders
this was originally a twitter thread but it is truly how i feel about the entire series as a whole. all this to say these are my own thoughts and opinions.
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typically a show takes at least a year or so in production; making sure story lines make sense, characters are able to be developed instead of being flat (which happened to a lot of voltron characters ;-; but the characters are amazing) and to smooth out any wrinkle or hiccups. 
In doing 8 seasons in two years the writers were not given the ample amount of time to smooth out the wrinkles and to give us a fully fleshed out piece of work. Take for example Bojack Horseman. The show ran from 2014 to 2020 and it only had six seasons. in these six seasons tho the writers were able to tell an amply dark story but also giving us in depth backgrounds of the characters and we watched the characters grow and change (for better or for worse). the writers were given time to be able to tell that story and is why Bojack is highly praised. 
the voltron writers were not given the same treatment, instead they were rushed to give us 8 seasons in such a short time (this isnt taking account the poor animation team which was probably being worked to the bone bc its no joke animating tbh). 
Instead of characters that we see grow and change over the seasons, there was only like one person to have a charcter arc (pidge) and the character was hated on because of it. 
Like Lance got barely ANY character arc, he stayed the same throughout the entire show and we really never saw him grow and realize his own potential and no longer be insecure and feel like the seventh wheel of voltron. 
this can also explain why adam was introduced and killed off so quickly, there was just not enough time to even give shiro a proper backstory episode to show him making the decision to go to kerberos. 
Each of the seasons were also short and have little episodes because of the rush. I mean we saw lotor get a redemption arc and then it suddenly is thrown away so that haggar can be redeemed which made zero sense for her character.
if the writers and animators and the rest of the team were given rest time in between the seasons we would of seen an entirely different show (now that can also be false but im sticking to it could of been better) we could of seen each character grow and change and even get backstories for everyone.
i would of loved to see more garrison days of everyone and to see allura's life before Altea was destroyed (plus we could of gotten more fun filler episodes like monsters and mana where we see the characters personalities better).
people hated season eight and rightfully so, i cannot blame them. For lance to go back to farming with his family in cuba which has extremely racist undertones and for allura (the only black character) to be killed off does not also look good either.
allura didnt even have to die and for her to sacrifice herself just doesnt feel right. i understand fully that the show was EXTREMELY popular and the demand to get more episodes was at an all time high, but it was absolutely foolish and borderline amateur hour to rush production.
which is crazy because some of these show runners worked on amazing shows like avatar and korra. i know a lot of people who loved voltron feel betrayed by the eighth season and stopped participating in the fandom overall because of the betrayal they felt.
i feel like now a lot of times we as a fandom forget about this bc its been a few years since the finale and a lot of us rather use our own headcanons and fanon rather than the actual canon because it gave us nothing at all except for amazing characters.
okay to end this rant, the show feels half baked due to the way the production was rushed to get out these eight seasons in two years. if the writers were given the time (which honestly the show would probs still be going on now as we speak in the year of our gods 2022), the show could have lived up to its actual potential instead of being a dumpster fire (i use that lovingly but also not) we would of seen growth and change in characters and a lot of things we hated would of never of happened potentially. 
so yeah, thats my rant on the destruction of voltron. thanks for coming to my ted talk
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smokestarrules · 4 months
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hi! i wanted to ask u a question abt gwitch if that’s okay. during That episode 17, before miorine does the cruel/idiotic betrayal breakup she tells guel that she’s the same as him and also doesn’t want to lose her precious things. obviously she meant suletta but i was always confused, bc she’s still going thru with the backstabbing and pushing her away so she IS losing her precious thing unlike guel who with this deal is preserving his precious thing which is jeturk company by partnering w her. so they’re not the same in that sense OR did she mean 2 other ways: that she doesn’t want to lose the precious suletta she knows and loves to prospera’s manipulations that’ll turn her into a murderer, or that she means it like suletta will surely die on this path if it continues and she doesn’t want to lose her literally.
sorry this got long but i’m v curious how u interpreted that, like she said that and then goes and gives up her precious thing- unless it was the latter reasons i mentioned. also i’m realizing now it sounds like i hate miorine, i don’t, i get what she did and im nuetral/like her character but i never got the catharsis and resolution from that act bc of the rushed ending, and now i have this unresolved frustration and anger towards her that pops up sometimes when i think abt the 2nd cour.
i rly rly wish they’d gotten to talk abt this more during their reunion than just the one line “pulling u away from ur mom, it was all a mistake” like i desperately needed the words im sorry. i KNOW she probably said it offscreen but maaaan, i know u like this trope but break your heart to save them gets under my skin so badly i just want to shake the character!
this got long again i’m so sorry for the rambling, like i said i’ve got baggage from ep17 that imo didn’t pay off well enough to justify doing that. i still ship sulemio tho and am so happy they’re married, it just breaks my heart that we didn’t get more episodes to unpack that miorine acted exactly like her father. have a good day! thanks for reading all this if u did
To me it was both of the reasons you yourself mentioned: Miorine weighed her options, and ultimately decided that Suletta would be worse off if she didn't cut ties with her in the worst possible way. As a result, Suletta would be taken out of the most dangerous areas (re: Prospera also giving her up, as was the deal) and she wouldn't be further corrupted by Prospera either.
There just really wasn't any good decision to make. I love that episode because I think it's incredibly good character development for Miorine to be able to make that choice; she's always been somewhat of a selfish character and that's been shown alongside her protection of Suletta, so obviously this is a huge decision for her no matter what.
I would have also loved to see an apology, but unfortunately it's pretty clear that the tail end of the show was pretty rushed and while the scene we did get of their reunion was done incredibly well, there's a few things that they simply ran out of time for. In the end, I think I would have loved a true season 2 where they could flesh everything out more slowly and thoroughly, but I am happy with what we were ultimately given. You are absolutely valid to have some misgivings about how it all went down.
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catbountry · 5 months
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Hi, I'm the one who made the Respawn of the Dead page on Fanlore. I'm sorry about the misinformation about you being an admin and it's fixed to be accurate now to say you were just a mod.
And I'm sorry about not disclosing that you've since distanced yourself from that site. Thats now in there too. I respect you as a fic writer both for your fic (loved the TF2 Harlan Ellison and Steven King-inspired ones) and because it's impressive that you've kept your username for so long. I think that literally everyone who's been online long enough can theoretically be "canceled" on the Internet if everything they've ever done was connected to only one pseud, including myself. Fandom's honestly a minefield that doesn't take to cultural changes at all. The culture of, say, 4chan, Tf2chan, those things, it's so different compared to today. Same with Kiwifarms when it was just known for being the CWCwiki. One day, the culture of social media will be just like those, and I think being able to own up to who you were then to compare with how you are now, as a better person, is a respectable skill to have.
I don't know everything you've done, (I know some of the Vade thing and some of what's on the receipt blog,) but it seems some Fannish people just see "Kiwifarms" and think you're supporting the site as it is currently, which wasn't what it was back in the 2010s. I tried to be very neutral since I figured TF2 Tumblr/Twitter would find my article first, but now it's more positive on you and your body of work on there. I'm sorry that the article brought up old wounds, hopefully all misinfo on it is fixed now.
Wow, I actually wasn't sure if I'd get a response. Thank you for being so considerate, for enjoying my fic, and being so understanding. I used the same pseud for years because, well, I'm proud of Respawn of the Dead, warts and all. I don't want to distance myself from it and I'm okay with it being my legacy. Also I'm just absolutely lousy at hiding myself. If I changed my name, people would figure out it's me, so I don't really bother.
If you don't mind, just for the sake of fandom oral history, I'd like to expand upon the period of Medic being a Nazi in fandom. This might be interesting to you as somebody interested in TF2 fandom lore.
Medic being a Nazi was assumed by a lot of fans, due to him fitting a bunch of "Nazi mad scientist" tropes. This remained the case until fans went to Valve's headquarters and straight up asked an employee if he was, to which they were told "no." And then people stopped writing Nazi Medic (for the most part) because it wasn't canon. People still made art but again, we did not know the horrors that the future had in store for us.
It really is wild to think how drastically things have shifted politically online since the late 2000's, when nobody could have predicted that being a Nazi would be anything but the most fringe of fringe, and these people would be regarded as internet sideshows to be gawked at and trolled. Also, Respawn of the Dead was written around the time Inglorious Basterds came out, so there were a lot of sexy Nazis or repentant Nazis in certain fandoms at the time.
There was a TF2 fic, I believe it was called Do No Harm, that legit had Medic working in a concentration camp in a position where he felt like he had to work there or he'd be shot, and he ate human flesh given to him by an evil, Aryan Nazi OC. I don't know if the author distanced herself from the work, because she did re-work it to make it into an original novel that she sold on Amazon. I absolutely could not see anything written like this now that wasn't some kind of dogwhistle, but the author was pretty progressive, actually. So much so we had a fight while I was in my anti-SJW phase and she did not appreciate me bringing up the things she wrote about that emphasized the humanity of a Nazi character, who in all fairness, did deflect in her story. I'm sure she's probably put a lot more distance between herself and that story in the years since, given the way things have gone since Trump's presidency. I wouldn't know, though, since we don't talk, and haven't in nearly a decade.
The person who wrote that is probably forgotten by anybody who wasn't in the fandom at the time, even though she was known for this fic and it was praised almost universally when it was being updated. But she was not the only one doing this. I cannot emphasize enough just how far in the past Nazis felt to us. At the time, being a Nazi was a stupid way of thinking that would never come back outside of attention-hungry edgelords co-opting its imagery, especially in America, an allied nation that loves using Nazis as villains in its media. If you told any of us in 2009 that fascism and white nationalism would make a comeback in America, we would not have believed you unless you were counting neoconservatives and evangelical white Christians as Nazis, and while I think a lot of those people are now pretty much that nowadays, back then it would have been a little bit of a stretch. But the thing is, the white supremacy on an institutional level was always there. We didn't really notice it until it started being pointing out, and at the same time, a bunch of fuckin' white nationalists and neo-Nazis just started popping up all over the place because someone with blue hair and pronouns told them a video game character having her titties out was bad or something. I'm still not entirely sure how that escalated that quickly, but Jesus Christ. It's a shame "clown world" got used mostly by right-wing people online because the label feels pretty apt and also applies to them a lot more. There is something deeply pathetic but also kind of hilarious about filming yourself letting a gas stove burn, or shooting cases of beer to own the libs.
I think most people that used TF2chan are pretty progressive now, a lot of them have come out as some flavor of queer, and the use of "-fag" as a suffix is frowned upon in the official TF2chan Discord server as being incredibly childish and cringey. We were all young adults but clearly we had a lot of growing up to do. I think it is important to point out that a lot of this edgelord shit done at the time, while hurtful and not cool, was done by a lot of people who hadn't figured out who they were yet, and weren't really bad people. Dr. Tanner, who was actually the first person to write a TF2 longfic and beat Respawn of the Dead by at least a few months with the first version of The Lessons (which is gone now), got cited by name in an interview with an old TF2chan user for being really racist, sexist, homophobic and transphobic, only to completely turn around once he came out as trans. I think a lot of this behavior kind of functioned as a shield, because there was still a separation between the internet and real life. Now, there's more people on the internet with less websites people visit, and fandom spaces where everyone is an adult are harder to find. Everything is very politically charged now. The right-wing is further to the right than it was even when I was a teenager and a young adult during Bush's presidency, which given that we got into two forever wars under his administration, is insane to think about. It doesn't feel real, but it is.
So yeah, that's why nobody writes or draws Medic as a Nazi anymore, and that's a good thing. Sorry for the tl;dr.
If you have any questions about old TF2chan and TF2 fandom, I'd be happy to answer them.
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dragynkeep · 6 months
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Oh boy! Time to be RWDE again!
Volume 1:
Why is Glynda set up with every possible anime trope of being Ruby’s mentor, yet she gets shafted?
Who thought two minutes and forty seconds is an episode? No, that’s a clip. A short.
Speaking of episode length (or lack thereof), what is up with this pacing…
So…team RWBY aren’t going to ever speak to each other? Why not assign them to different teams?
Borrowing from Young Justice, Weiss could lead the team until Ruby is mature enough to handle the role. Why yes, I do think Weiss has the head to be a leader, or at the very least, try to be a leader and fail, teaching her how to be a better team player. Character Arcs 101.
You had Weiss having a internal dialogue (great! Do that!) and then drop it to never use it on her or any other character. That’s a staple of anime, geniuses.
-we’re not copying Soul Eater down to the school layout, we swear- Uh huh. Sure.
Why is Ruby giving Jaune advice she doesn’t know herself??? How did she learn/know that???
Also PS- While Emerald’s redemption is something RT did, it could have been pulled earlier in Volume 2 or Volume 5, but that requires actual good writing and planning.
So many points, so little time with this show fr.
1:
RWBY just hates women. Like I'm not even joking, this show hates women despite being a female-led show. Glynda was given the oppotunity to be this figure for not just Ruby, but the team as a whole, but every chance she gets is given to the male teachers for no reason.
Professor Port was the one to lecture Weiss about being a good teammate and to not allow her ego to blind her to her own shortcomings, even if that scene is dogshit in retrospect. Professor Oobleck was the one to challenge Team RWBY's ideals around being Huntresses, to the point where we got depth into his character on why he wanted to be a Huntsman.
Even when Yang had lost her arm and needed guidance, Port and Oobleck were there with Tai for that arc. Glynda never gets a chance to even talk properly with our main team, or even flesh herself out as a character to the point that the most we got is from the AA game.
2.
The reason why V1 was like 20 episodes long. The episodes were like five minutes long and would've done better just shoving the parts together. It also meant that the pacing was really slow because we'd be waiting a week for a continuation only to have another five minute long episode.
3.
Interteam relationship outside the partnerships have always been an issue tbh. It's just more egrigious now because it's been like ten years and Ruby/Blake are barely friends, let alone close enough that Blake would admire Ruby like she said she does. Classic told =/= shown.
4.
I think the whole leadership issues with Weiss and Ruby were concluded far too quickly, they could barely be counted as arcs. Weiss has justified issues with Ruby not taking Beacon or her role as their leader seriously, but rather than that being built up more and having the two actually grow together, they just get lectured at and immediately change.
5.
Unpopular opinion but I hate the inner monologue used in anime and I'm glad RWBY doesn't go into it all that much outside of that one time with Weiss. The issue rises because they don't ever let the watchers in on what these characters are thinking or feeling, and even contradict themselves over the volumes.
6.
The advice Ruby gave to Jaune is honestly bad advice? A leader isn't someone who puts the team before themselves, that just opens up for the burnout and idiolising the leader, which is exactly what happened to Ruby in the later volumes. But they didn't show that the advice she gave them was not meant to be something taken seriously.
If they even remember what Ruby told him when they can't even keep track what happen in the volume before.
7.
The whole thing with Emerald's redemption is that she really wasn't given much to flesh out. She started the show straight up ignoring Cinder's orders to go out of her way to be more evil and violent, murdering a minority who ran from an organisation she has no part of. Only for the show to try and paint her later as a lost soul who doesn't realise how bad Cinder is for her.
Nevermind the actual redemption doesn't have her face consequences for the fact that she murdered countless people without much care and only ever pulled sad faces rather than, you know, having actual character to push her redemption.
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