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#lots of family drama
naffeclipse · 11 months
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Chapter 2: Burn
FNAF Detective!Sun & Detective!Moon & Bounty Hunter!Eclipse x Vigilante!Reader (SFW)
Eclipse stands in the hallway outside of his brothers’ apartment, and he holds you close. Blood drips onto the carpet, slipping off of your dangling arm. His coat covers your injuries but not the colorless fragility seeping deeper into your body with every passing moment. Your eyes lay closed. Your head slumps heavily against his arm, barely propped up, but you breathe. He won’t let you slip away from him.
Word Count: 1,900~ Warnings: Blood, injury, and obsessive behavior.
A/N: Due to the recent Bounty Hunter!Eclipse brainrot, I expanded on the prompt in Chapter 4 of Heavenly Bodies in Case Files and this is the aftermath! I also added that chapter to the beginning of this work to keep it organized and allow the story to flow together.
Rambling aside, BH!Clip is gonna have some growth, and you, dear reader, are blissfully unconscious for the time being. This ended up being more of a family drama, but that's not without the focal point of the vigilante. Anyways, get to reading and enjoy!
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Chapters: 46/? Fandom: Marvel Cinematic Universe Rating: Mature Warnings: No Archive Warnings Apply Relationships: Darcy Lewis/Brock Rumlow Characters: Darcy Lewis, Brock Rumlow Additional Tags: Tumblr Prompts, writing prompts Series: Part 66 of Taserbones Tumblr Prompts & Tiny (Adorkable) Fics Summary:
A second series of short fics and Taserbones tumblr prompts. Send me a prompt at @YesPumpkinDoodlesThings on tumblr.
Chapter 46: Sometime Nemesis
Anonymous asked: I think it could be really fun to see witch Darcy get cursed somehow. Maybe with a bad luck/accident spell so it’s still a little funny, and Brock has to freak out about a piano falling on her, or slipping on banana peels or etc.
I made it a sequel to Bad Habits.
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mikibagels · 8 days
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Perpetually doomed siblings my beloved
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The more tragic and irredeemable the better.
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homoqueerjewhobbit · 1 month
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I'm allowed to make this joke, but I love that Jewish death rituals are like:
"Pfeh, for what should I spend $12,000 on a big fekakte box they see only for five minutes before they cover it with dirt?"
"Don't waste my good suit what might fit my nephew Lev if the bum should ever even try to get a real job!"
"Embalming? Don't mind me, I'll rot in the dark."
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captaincolorblob · 2 years
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Everyday i think about this screenboard scene that got semi-scrapped from Donnie vs Witch Town, like it just explains so much about Donnie as a character and i’m very sad we didnt get to see it entirely
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#rottmnt#rise of the teenage mutant ninja turtles#rise donnie#like it just reveals that donnie has thought his only use to the team is being usefull via his tech#and feared he might get replaced or wasnt needed anymore#and instead of talking about it he bottled it up and it turned into aggression towards magic#like god we need to use this angst potentional more#cause it explains /why/ donnie was so stoneset on using his tech instead of mystic magic and kept saying how its better#and why his tech is usually gadgets or things that help him and/or his family#he thought thats all he's good for#apologies if i keep repeating things i'm a sucker for donnie angst and this makes me go wild#listen donnie vs witch town is not a high ranked episode on the tier list for me that scene next to the fight scene was the only part#i enjoyed a lot#and i wish they kept the entire screenboard in cause it explains a lot about donnies character and gives some drama#dia rambles#edit cause this post gained way more notes then i ever had or imagined i would ever have::#i am flattered and virtually high-fiveing every one of you folk that said they liked my tags#i was unsure if i should even put the ramble there cause i wasnt sure if people were even gonna read it#so if means the world to me seeing people in the notes having the same reaction towards the screenboard and liking my ramble in the tags#HOWEVER i would greatly apprichiate everyone who copypasted my tags to at least credit me#some have given credit and i'm gratefull for y'all and i understand that maybe theres still the glitch for mobile users and you can always#edit your rb#I'm not mad or upset at anyone i would just really prefer it if people at least prev tagged me#ALSO SIDE NOTE to all the folk that said they'd maybe draw/animate/write smth with this a) i put the link to the full screenboard in a rb#and b) please tag/dm me or send me an ask to inform me cause i would LOVE to see it
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astarlightmonbebe · 2 months
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dohan is really out here living in a high stakes thriller while jihan and ajeong try out an enemies to lover romcom
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a-dauntless-daffodil · 2 months
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Something about how Fire & Ice give up on going after Pearl directly, and instead both arrow in on dissing Marina-
Something about, Pearl having no shame at all, outright telling Frye right off that Off the Hook is here to “take control” and then literally talking over Frye’s turn. Frye’s snarking on how Pearl isn’t the boss here and no one’s cheering for her, ignored. How she goes after both Frye and Shiver asking where Frye’s big friend is to help her pass this test, moving right on to saying they’re both just goons making a mess anyway, little fish who should stay in they're bowl, but
that seems to give Frye the idea of hitting back with the “who’s backing you? Imaginary friends?” line… like Marina doesn’t even count as a music partner- or a friend?
Pearl literally yaps about Marina being divine, one of a kind, voice so fine, big mind- raps the lines off her cuff and the heart that's proudly pinned there
And Frye and Shiver go TARGET DETECTED. They lock onto Marina.
Shiver doesn’t bother trying to needle Marina about Pearl, the way their partners were each doing- if Pearl has no shame then at least she DOES still have a weakness, a soft spot, a thing she openly cares about- something they can try riling her up over
(problem: Pearl actually has all the confidence in Marina as a musician, partner, and performer. She's WATCHED Marina be all those things for YEARS now)
In the end Frye and Shiver just rile up the gay feels. Because Marina’s been living with a rapper who LOVES hyping her up even when they’re not on stage- Pearl who said she’d cut a fish for Marina. And if you don’t come to Inkopolis with a lot of self confidence, well then getting some from your girlfriend is fine too  
But it’s cute that Pearl’s still so obvious about being Marina's no. 1 fan that Fire & Ice thought they could use it against her XD
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thecruellestmonth · 7 months
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HISTORY MADE: Bruce Wayne Says "I Love You" to Jason Todd for the first time EVER
It is an historic occasion! In Batman (2016) #138 by writer Chip Zdarsky, Bruce Wayne says "I love you" to his son Jason Todd for the first time in forty (40) years of comics publication. In fact, Bruce says it not just once, but two (2) whole times!
This is also the first time that any of Jason's oddly long series of parents has been depicted saying "I love you" to him.
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We do so love an involved parent who openly communicates his feelings about his child. Truly, nobody can shatter expectations like BATMAN!
Now every time someone says "I love you" to Jason, we all can look back at this milestone moment. A first only happens once, and this is now and forever Bruce's first "I love you" to Jason in comics history.
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lauraneedstochill · 1 year
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I won’t fall for someone who can’t misbehave
summary: Aemond is betrothed to the sweetest girl in the Seven Kingdoms. She is smiley, soft and kind-hearted. Until she isn’t. (or, alternatively: “No one took your side when you were a kid. But I’m doing it now.”) pairing: Aemond Targaryen and F!Reader (her House is not specified) words: 9000 +
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warnings: slow (!) burn, attempted harassment, Aemond is in pain 70% of the time (headache and all that) and has no clue how to act around someone he’s in love with. author's note: I’m working on 3 fics at the moment, and it’s taking forever to finish (yay for my poor time management skills!), so I whipped up something short(er). Rhaenyra is the queen here but I barely mention the blacks (not out of spite, I just thought it wouldn’t add anything to the story). also, I don’t think women would be allowed to misbehave like that... I don’t care ;)
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Aemond knew of the preplanned betrothal even though everyone around him was ridiculously mysterious about the subject matter. He’s been made aware of the upcoming visit of some noble family, and the preparations were quite extensive. Then he overheard Baela telling Jace that the expected guests will bring their daughter. The middle one. It wasn’t very hard for Aemond to put two and two together. His wedding was long overdue, and Alicent was eager for him to make his choice. But he dreaded the mere thought of it.
Aemond’s never been very good at courting women, but mostly due to the lack of trying. He’s used to them looking at him with fear and suspicion as if he’s some kind of wild animal ready to attack at any minute. Getting sidelong glances did hurt him growing up, but with time Aemond learned to benefit from it, using his fearsome image as a shield. No one ever dared to try and break it to see what was underneath. But now he is faced with the inevitable change that’s approaching his life at the speed of a storm wave. To him, taking off the eyepatch won’t be nearly as excruciating as giving into the vulnerability of letting someone in, opening up to someone. He’s never been afraid of much but that? That was terrifying.
The anticipation made Aemond nervous. He knew he should probably ask around and try to gain any information about his soon-to-be wife, but it felt wrong. Not knowing felt even worse. No matter how good of a fighter he was, fighting the uncertainty seemed like a challenge. Aemond spent his nights tossing and turning, wrapped up in blankets as insomnia was clinging to his body. He tried to busy himself with training, but his usual easy victories brought him no satisfaction. He’s been winning for so long maybe it was time for him to lose. Except not to his training partners but to a stranger, who in time will get a permanent place in his life.
His rides with Vhagar, which usually brought him peace, now had the opposite effect. The old dragon acted annoyed and disgruntled for no reason, huffing and grumbling at every turn as if she could sense his own frustration. You can’t tame your emotions yet I’m supposed to listen to your commands? Silly boy. If Vhagar could speak, she would probably tell him that, Aemond thought. And he blamed himself even more.
Somewhere in the midst of it all, the headache came back. As usual, it started with a feeling of pounding heaviness in the back of his head, which then spread further: into his temples, forehead and down the hateful scar. Within a couple of days, the pain gets so bad, he has to grit his teeth to keep a straight face, and he's barely able to shove a few bits of food down his throat. But it’s a topic he never brings up, it’s a humiliating secret that’s just between him and his mother. When he lost his eye, for the first month the pain was close to unbearable. The maester kept telling him that it was caused by the healing of skin tissues and assured that the intolerable feeling would go away. It never did. His scar was something he learned to cover up, and the bright red stripe faded slightly with time, but the pain lingered. Aemond opted to think that it only contributed to him becoming more resilient, yet that argument didn’t withstand the test of time. The pain receded for some short periods, but then it would always come back, and he could never get used to that, no matter how hard he tried.
He can only hope it will get better by the time the guests arrive. But the gods seem deaf to his prayers, and the night before the event he doesn’t get a wink of sleep. He goes through his day in a daze, skipping the training session to hide in the library instead, although he can’t bring himself to focus and read more than a single page. When the time comes for him to walk into the dining hall, it’s the last thing he wants to do but he forces himself to go. Festive ornaments, tables laden with the finest dishes, bright-colored clothing of everyone around him blend and blur into each other. He takes deep breaths and counts his steps, gathering all his strength to sit down and not wince at the movement.
All it takes is one look at him for Alicent to understand what’s going on.
“Aemond,” she approaches him, whispering. “What’s wrong? Is it the headache again?”
Aemond doesn’t want to admit it, but he lacks the energy to deny it either so he just nods. She gives him a regretful look, gently squeezing his shoulder.
“Should I call for the maester? Maybe he will be able to come up with something to ease the pain.”
“I don’t think we have time to fuss over me,” he declines with a pain-stained voice. “I was under the impression that we’re expecting someone to join us today.”
Alicent sighs. She knows better than to fight his stubbornness, but she hates how helpless it makes her feel. Aemond hates that feeling, too.
“Please don’t tell me you require motivation,” Aegon’s voice is loud as it is but right now it sounds deafening, and Aemond sharply exhales. His brother flops on a nearby chair, bringing his ignorant attitude with him.
“Undoubtedly you’ve interacted with women before,” he chuckles, completely unaware of Aemond’s suffering. “Try not to scare her with your creepy stare, and maybe she won’t run away.”
Alicent briefly closes her eyes in annoyance. She glances around, making sure not to attract any attention, and then grabs Aegon by the chin, forcing him to look at her.
“Enough with pestering, I need you to behave yourself,” her voice is tinged with irritation. “Just for one evening. Can you do that?”
Aegon’s body stiffens up, the smug look disappearing from his face.
“As you wish, mother,” he mutters, and she lets go of him. Alicent shoots another glance at Aemond before leaving. Aegon gives his brother a side-eye but says nothing.
Aemond is exhausted, anxiety bubbling in his chest, and he thinks he has a few more minutes to compose himself yet that time passes in the blink of an eye. Before he knows it, the guards at the door make the announcement, and he sees a group of unfamiliar faces. None of them are of his age, though, and for a moment that realization brings him some comfort. But then he notices a female figure in the distance as she’s approaching the entrance.
When she walks in, the music goes quiet, and Aemond hears people gasping. It seems like every man in the room has his gaze on her. And she certainly is a sight for sore eyes. She moves with a gracious pace, the silky fabric of her dress flowing downward with every step. It’s not too revealing, but it hugs her body in all the right places. Her hair is up, and he can see the waves of her collarbones peaking through. A half-smile is plastered on her face, but she doesn’t seem to be nervous. If he was to take a guess, he would've said she was tired. But she won’t let it show, keeping her head high and being seemingly unaware of the attention she got. Maybe she’s used to it just like he is, Aemond thinks. Although people usually glare at him for a completely different reason.
“Someone is about to get a piece of cake,” Aegon elbows him lightly, his voice low.
“Someone needs to shut up,” Aemond snarls, earning a laugh from his brother. That catches her attention, and her gaze lands on Aemond. When their eyes meet, her face softens, smile growing wider. He tries his best to force a wan smile in return, but his stomach turns in discomfort. He can already imagine how people will react: a stunning woman like her with a man like him, what a tragedy. That thought stings, his anxiety growing stronger. The headache gets worse, and he tightens his grip on a cup of wine that he hasn’t even tasted yet. Aemond can’t help but wonder if she knew she would have to marry him. If it does bother her as much as it bothers him.
The members of her family are greeted as guests, with no mention of a possible betrothal. Her name is the only one he catches — and then silently repeats it a few times. Y/N, Y/N, Y/N, the sound of it breaking through his clouded mind. She’s seated next to him, as expected, and he notes that her dress compliments her eye color. Aemond is thinking of a way to start a conversation, but she beats him to it:
“You gave us such a warm welcome, but I must admit, I am surprised by the scale of it. I hope it wasn’t too much of an inconvenience?”
When her words reach his ears, the buzzing in his head stops, and Aemond turns to her, astonished by his own reaction. It’s not the naivety of her question, nor the friendly tone of it. It’s just her voice. Melodic and mellow, it feels soothing among the loud noises they’re surrounded with.
“I assure you, your family was simply welcomed with the respect you deserve,” he answers pensively. His throat is sore, but he can’t steel himself to take a sip of wine, afraid that it will make him sick. He wants her to speak again.
Aemond asks about her family, letting her lead the conversation. She is easy to talk to and she gives just the right amount of information before jumping to another topic. At any other time, he would’ve really enjoyed the flow of it, yet now he is growing weary. The headache is still there, but her voice does bring him some relief. That is until she abruptly stops.
“Are you feeling alright?” she sounds worried, and the same emotion is written on her face. Aemond tries to blink away his exhaustion. 
“I apologize if I’m not exactly the best at keeping you company. It’s been a long day,” he knows he should’ve come up with a better excuse. He feels like he can hardly function at this point.
She keeps her attention on him for a few more seconds. Then she moves her eyes to the other end of the table, where her family is seated. She makes eye contact with her father and gives him a big yawn. It’s obviously and comically fake but it works: her family finds an excuse to leave earlier. Aemond knows that now he also got a chance to escape soon after. He feels a pang of guilt knowing that he’s the reason their conversation was cut short, but she doesn’t make a big deal out of it.
“We shall continue on the morrow when we are both well rested,” she smiles reassuringly at him before leaving.
Aemond seriously doubts that he’ll get any rest as his head feels like it’s gripped in an iron vise again. The next morning he drags himself out of bed later than usual, the pain now dull but present nonetheless. He sits with his face in his hands, breathing in and out, until he’s almost numb. The almost leaves a sour feeling in his mouth — or maybe it’s the nausea, he doesn’t know nor does he care. He’s been handling this for years, he can survive another day.
Aemond decides that since he is to be wed, he should make an effort for it to work. He thinks about his duty, his mother, about Y/N, who traveled all the way to King’s Landing for a man she’s never met before. Aemond thinks of everyone but himself because there’s only so much he can do without draining himself completely.
He missed the breakfast already but hopes to find Y/N within the perimeter of the castle and rushes out of the bedroom. He’s passing by Helaena’s chambers when he hears someone laughing. And it’s not his sister. Aemond debates if he can deal with kids right now, but chooses to give it a chance and quietly walks in. Helaena has embroidery in her hands but seems more focused on a sight in front of her, and he follows her gaze. Y/N is sitting on the floor with her back to the door, Jaehaerys and Jaehaera are on either side of her, their cheeks plump and pink, tiny fingers grabbing her dress. She’s reading to them, and it’s a tale they’ve heard many times before, yet the kids are listening attentively, occasionally making noises of excitement. Aemond doesn’t need to speak gibberish to know that they are fascinated by the melody of her voice and the playful tone she uses to make the story more engaging. He leans on the door frame, his body relaxing at the sound. Jaehaera puts her head on Y/N’s shoulder and eagerly turns the page, making her laugh again.
“You are an impatient little thing,” Y/N giggles.
“That she is,” Helaena agrees, and when Y/N turns to her, she is surprised to see that Aemond joined them.
“Pardon me, I didn’t hear you coming in,” she stands up in a hurry, both kids are instantly glued to her. “Your sister was kind enough to keep me company.”
“I asked her to come by after breakfast, and they haven’t left her side ever since,” Helaena explains, sounding very pleased.
“Would you mind if I steal this new friend of yours?” Aemond asks while keeping his eye on Y/N, waiting for her reaction. Her face flushes but he sees no indication of discontent. Aemond grudgingly admits to himself that it brings him something akin to joy. But it fades, absorbed by his numbness.
“Make sure to be on time for dinner,” his sister nods, calling for the nanny to take the kids.
It takes a little bit of persuasion but eventually Jaehaerys and Jaehaera let Y/N go, and she follows Aemond out of the room. She mentions that Helaena wanted to show her the library, and Aemond agrees to take her there. Along the way, he strikes up a conversation in attempt to compensate for their last one. As she’s telling him about her morning, her voice seeps into his mind like honey, and Aemond tries to concentrate to take the right turns and not trip on the stairs.
When they walk into the library, she pauses, looking around in awe. This woman makes men turn around after her, yet she is so easily impressed by the simplest things, Aemond thinks. The prince wonders if she can ever be impressed by him.
“This is where you study?” she is admiring endless rows of shelves, and Aemond gives her an affirmative “hmm”.
“How many of these have you read?”
“Quiet a few,” he is modest as ever, and she shoots him a curious look.
“I wonder what are your preferred subjects.”
“History and philosophy,” he doesn’t mean to sound so terse, but whatever interactions with women he’s had before, that experience obviously didn't turn him into a lady’s man.
“Would you be so kind to share your favorite books with me?” when she glances at him, there is a sparkle in her eyes. It looks like she’s actually interested to know more, as if she does want to know him. His immediate response, however, is to distance himself, and he takes a step back.
“I am afraid there are not enough hours in the day to name them all,” Aemond opposes, hands clasped behind his back.
“Please, take pity on me, I need something to help me pass the time,” she presses the matter further but does so very gently. “Name just a couple.”
He gives into her pleading tone and reluctantly agrees but they don’t stop at just a couple. They end up spending the day roaming in the library, lost in the labyrinth of shelves and books. She’s never too pushy with her questions, she’s making small jokes, she doesn't take offense at his cold demeanor. Behind his mask of feigned indifference, Aemond feels like someone is hammering at his left temple, and the pain echoes through his whole body. But he doesn’t dare to leave her hanging for the second day in a row.
The prince is too preoccupied with his internal struggle to notice that she's growing worried about him again, and by the time they come back for dinner, her face expresses an alarming concern.
“I must apologize if I tired you out with my relentless chatting,” she says, almost whispering, when they are seated.
“You did not, no need to fret,” Aemond states. I must apologize that you are to marry a man who can’t curb the pain that’s spilling out of him, he thinks.
Food is tasteless in his mouth. She is sitting on his right, and Aemond’s body can’t adjust to the foreign feeling of someone being in his close proximity. He is so accustomed to being on his own, he doesn't know how to unlearn that.
Throughout the whole dinner, Aemond can feel his mother’s gaze on him. Later that evening, when a maid brings him a cup filled with the milk of the poppy, he decides against taking it. He regrets it the very next day.
When Aemond tries to lift his head off the pillow, he feels like his skull is full of rocks. They’re rolling from side to side as the pain rumbles, and for a few minutes he can't hear anything else around him. That’s why, when Aemond opens his eye, he’s startled at the sight of his mother standing in the doorway.
“I did knock but got no response,” she gives him a look that’s a mix of concern and suspicion. She suspects that he’s unwell again and it concerns her. He wishes she never knew of that burden of his.
Aemond moves up in his bed, clenching his jaw. He knows his mother well enough to realize she must’ve had a reason for this early visit. Alicent proves him right when she speaks.
“The queen went into labor a couple of hours ago.”
He absentmindedly hums, not knowing how to react. His mother continues, with a hint of hesitance.
“There will be a feast when the baby is born. We thought... Rhaenyra and I, we thought it would also make for an occasion to do the announcement. About your betrothal.”
Her words come as no surprise to Aemond. It is what’s expected of him, it’s about his duty and his responsibilities, but this time he doesn’t want to think of that. He wants to be left alone, to drown in the layers of blankets, to go back to his short-lived slumber.
“The day Y/N arrived, I asked the queen to postpone the announcement. To give you some time to get to know each other,” Alicent takes a few steps towards his bed. “It seems like you’re getting along quite well?”
“I could think of no better woman than her,” Aemond admits and it is true. What he doesn’t say is that he can also think of a dozen other men who would be more deserving of her, more than he is.
Alicent catches the discreet sadness in his words but doesn’t know what caused it. She eyes her son with undisguised empathy.
“Her father implied that she is content with the betrothal, too. I thought you’d be happy to know,” Alicent gives him a lax smile. “I shall let you go back to sleep,” she adds and leaves.
Aemond knows he’ll get no sleep now. He repeats the well-known routine of deep breaths with the minimum movements, scraping up the remains of his strength before leaving the room. He goes straight to Y/N’s chambers, wondering if his mother visited her, too, and how that visit went.
To his surprise, she is nowhere to be found. A maid informs him that she left the room a few hours ago. He can’t find her in the library and she isn’t in Helaena’s chambers, either. He searches for her in the courtyard and then goes back to roam through the corridors, peering into every room on his way. He’s lost in his thoughts until he hears Y/N calling his name. Aemond turns around — and there she is, at the other end of the hall.
“I’ve been looking for you,” she skips towards the prince, beaming. He could never imagine anyone being this happy at the sight of him. She stops when they are only a couple of meters apart, her smile glowing.
“We must’ve passed each other, because I’ve been looking for you, too,” he confesses. She seems very pleased with herself though he isn’t sure why.
“I think the weather calls for a walk,” she blithely suggests. “Would you like to accompany me?” — as the words leave her mouth, she reaches out a hand to him. For a moment Aemond is looking at her baffled, and then hesitantly takes her hand. Her skin is soft, fingers warm, and she intertwines them with his own. That gesture comes so naturally as if they’ve done it before, yet Aemond clearly hasn’t. The feeling of holding someone’s hand is unusual to him. But it seems enjoyable.
By the time they get to the garden, Aemond finds that her hand fits perfectly in his. He is blushing profusely. He also notices that his headache receded a little and he can’t help but think that she was the reason for that.
“Your mother came to me this morning,” she informs him as they are walking hand in hand. “I assume she talked to you, too?”
“She did,” Aemond confirms. “Am I right to guess we had the same conversation?”
“Well, mine was about uniting two great Houses,” she mimics a man’s voice, and Aemond grasps that Otto was there as well. “Your grandfather gave a very convincing speech.”
“He had a lot of practice while being the Hand of the King. Maybe he misses having an audience,” the prince chuckles and she laughs.
Aemond holds a pause and then adds. “Forgive me if I’m being too blunt but I wonder if the conversation was of unpleasant nature to you.”
“It was not,” she slows her steps. “I know what’s expected of me and I will perform my duty. But if I’m being honest...,” she turns to him, and the tenderness of her gaze tugs at his heart. “I am glad that it’s you,” Aemond feels a flare of an unknown emotion deep in his chest. “We’ll make a pretty good team. Wouldn’t you agree?”
Aemond lets out a breath he didn’t know he was holding. He looks down at their hands and then back at her.
“It seems so,” he tells her, a slight smile in the corner of his lips. There is a moment of comfortable silence as they make a short stop in the shade of the trees.
“But I shall give you a warning,” she says with a mischievous grin. “My siblings take any celebration very seriously. Every single relative of ours will come to the wedding, and most of them won’t shy away from enjoying a cup of wine... Or two.”
“Can any of them outdrink Aegon?” he jokes, and she bursts into laughter.
Aemond gets carried away by their conversation once again, losing track of time. While she’s listing her relatives, adding innocuous remarks about each of them, the prince is enthralled by the warmth that radiates off her. Her presence alone calms the storm of his insecurities, lulling his fears to sleep. She does that so effortlessly, it’s almost intimidating. But there’s a certain thrill to it, too — the thrill of being close to her, sharing laughs and stories, and Aemond clings to that feeling.
He enjoys the moment while it lasts; until his headache predictably creeps up on him a few hours later. He can’t tell if she senses that something is wrong but she’s the one to suggest returning to the castle. Aemond gladly accepts it.
On the way back they are greeted by one of the guards who notifies them that the queen gave birth to a girl. She lightly squeezes Aemond’s hand.
“Tomorrow is a big day then,” — and the prince knows exactly what she means. The fragile bond that they only started to get the hang of will soon become public knowledge. It won’t be their secret anymore but rather an over-discussed gossip.
“There is still time for you to plan an escape,” Aemond jests half-heartedly.
She looks puzzled for a second, but then shakes her head.
“Only if you’re planning one. We are in this together, remember?” her thumb brushes over his. “It’s all about teamwork.”
Aemond savors the last fleeting minutes of their day. He barely touches the food at dinner, the pain in his head intensifying but he pushes through. When the time comes for them to part, he doesn’t want to. That feeling is alien to him and the prince is clueless about its nature. But he knows that with her any misery will be bearable.
When Aemond walks into his chambers, he notices a little jar on the bed table. It’s the one that the maester used to bring him the ointments in, and the prince sighs. The maester doesn’t grasp the extent of the problem but occasionally would suggest a thing or two to help with the pain. They’ve tried using cold packs, then the warm ones, tried massaging his temples, then drinking cinnamon tea, then adding some ginger that’s known as a remedy for reducing inflammation... Nothing has worked so far.
But he should make an effort.
Aemond barely glances inside the jar and tosses away a piece of paper with the instructions scribbled on it. The prince already knows it all too well: he applies a thick layer of whatever that concoction is on his scar, involuntarily wincing at the cooling sensation. It smells of herbs and feels oily but absorbs into the skin pretty fast.
For some reason, his mind goes back to his mother’s words — “I thought you'd be happy to know.” Aemond is unsure what happiness means. The happiest day of his life is forever chained with the worst one, smeared with blood and pain that he's been carrying through the years.
But now that he met Y/N, he questions if there’s more to life than what he's been through so far.
While he is laying in bed, Aemond wonders if can consider her his friend. If she will ever be more than just a friend to him.
And then, before he knows it, the prince is fast asleep. He wakes up feeling like a new man. At first, he mistakes that feeling for the remnants of his dreams that he was enveloped with at night. He shakes off his drowsiness and looks at the ceiling, catching a glint of sunlight that seeped through the curtains. That's when Aemond realizes that the pain is gone.
He sits up, bewildered, waiting for any sign of discomfort yet nothing happens. He waits for a couple of minutes — and then for up to thirty, but his head is clear and doesn’t ache at all. His eye shifts to the jar on the bed table, and Aemond makes a note to extend his gratitude to the maester later. Suddenly the upcoming festivities don't seem so torturous anymore.
He doesn’t get a chance to see her throughout the day as everyone is preparing for the feast. When Aemond walks into the hall of the Iron Throne, he takes in the decorated surroundings. Unlike the last time he was here, now he wants to remember every detail, knowing that this evening would be of great importance.
The room fills with people, but Aemond patiently waits for her alone. He spots her the second she steps in. Her dress is violet, the material bright and luminous, and it puts her into the spotlight yet again since she's the only one wearing that color. As soon as she takes her place at the table next to Aemond, her hand finds his. He's getting used to that way too fast. It’s hard not to.
The first round of toasts goes to honor Visenya, the newborn daughter of the Queen. Rhaenyra willingly tolerates the sweet talk, generous with her smiles and appreciation. At some point, when the timing seems right or maybe when her cheeks are already aching, she gives a nod to Alicent, and Aemond knows what it means. As she starts her speech, he ruefully releases Y/N’s hand.
But right when they are standing up, with everyone around cheering and staring, she lightly presses her body against his, and Aemond feels how tense her back is. That’s when it dawns on him that she’s well aware of the attention but she doesn’t really like it. Instinctively, he puts his fingers on her waist, his touch respectful and delicate. She breathes out and briefly rests the back of her head against his shoulder. For a moment it feels like it’s just the two of them.
That feeling doesn't go away.
Usually, he’s not the one to take part in dancing, but he does so for her. Aemond feels out of practice and he can’t tell if that's what makes his head spin or if he’s getting tipsy from the intimacy of their dance. Her moves are elegant, well-rehearsed, her body follows the rhythm of the music with ease. He doesn’t remember when was the last time that silly activity brought him so much elation. Did it ever?
Time flows by in a blur, and they eventually take a pause after going into a fit of giggles at the sight of Lord Velaryon trying to improvise a move and failing, only to amuse his loving wife. Y/N suggests going out for a while and Aemond is keen on following her but then his mother catches up to them, her hand and her gaze are on him in an instant, pulling him away.
“Aemond, you’ve been dancing,” she can’t hide her bewilderment, a timid smile on her face.
“Should I not? Seems like a suitable occasion,” Aemond chaffs with a tilt of his head.
“It is, indeed,” she doesn’t let him go just yet, and he discerns the hidden meaning of her words, the apprehension she fails to conceal. Aemond wants to grant her some respite, at least for the rest of the day, so he tells her with plain-spoken sincerity:
“I can assure you, this isn’t a cause for your distress.”
But then he quickly finds a cause for his when he doesn’t see Y/N around. He goes searching for her in the crowd, then leaves the room altogether, coming out into the hallway.
Aemond hears her before he sees her — and she isn’t alone. It takes no effort to recognize the second voice, which belongs to no other than Jason Lannister. As the prince rounds the corner, they come into sight, and Aemond has a very bad feeling.
He missed the start of their dialogue, and the look on her face is unreadable. She’s oblivious to Aemond’s presence and he decides to watch them. He tells himself that he’ll never allow her to get into trouble. There is something very tempting in having a chance to save her from anything; as if he feels the need to prove himself to her. He tries not to entertain that thought.
“... It’s not too late to change that, don’t you think,” Ser Lannister purrs, his tone sickly sweet but arrogant.
“It is. Which I have no regrets about, ser,” when she talks to him there's not a hint of friendliness in her voice.
“Your approach may be short-sighted. The proposition of mine wasn’t of a frivolous kind,” he’s circling her, the manner of his movement is borderline predatory.
“I believe you will soon find a lady to welcome your advances but I would very much prefer to drop this conversation,” she recapitulates.
Aemond tenses up, feeling like this is the moment for him to step in. Then he looks at her and realizes that something is off. Her face expression changes — but it’s not a look of fear. By the rising of her chest, he detects that her breathing sped up, eyes are shooting daggers at the man in front of her. She’s looking, for the lack of a better word, positively furious.
But Ser Lannister, apparently, is not very good at reading signs as he comes improperly close to her.
“I can be very persuasive,” his fingers fall on her back — and then go lower. “I think you should appreciate the attention while I’m this generous and...”
He doesn’t finish his sentence. In about two seconds his face is suddenly slammed into the nearby wall, the hand he put on her is now twisted behind his back. Y/N uses her free hand to push right between his shoulder blades, pressing him into the stony surface.
To say that Aemond is shocked would be an understatement.
Right at this moment, she looks like a different person. This side of her he’s not acquainted with but it only adds to her appeal. The change is barely perceptible: she’s still maintaining her posture, keeping up the face of a woman who knows her worth. But Aemond catches a flaming spark of defiance that threatens to shutter her restraint. He can sense her anger from far away despite her doing her best to contain it.
“I do not know what kind of attention you are used to, but you’re forgetting your manners. Next time you dare lay your hand on me, I will not hesitate to break it,” her voice doesn’t lose its usual softness, but now has an added layer to it. It sounds sharper, bolder. It sounds like she’s not afraid of anything.
She lets Ser Lannister go, taking a few steps back and smoothing her dress. He is frozen at first, but then slowly turns to her.
“You didn’t... You did not just do that,” there’s a visible red mark on his cheek that will undoubtedly turn into a bruise.
“Did what, ser?” her tone is laced with coldness.
The man looks at her in disbelief, his face is a parade of emotions — from shock to annoyance to anger.
“You will not get away with this,” he scowls, nettled.
“You are telling me that you’re considering letting everyone know you were overpowered by a woman? Sounds hard to believe,” she seems unfazed.
His mouth opens and closes a few times before he roars:
“You, insidious wre—!”
This time Aemond is the one to interrupt the man. “I suggest you watch your tone when speaking to my betrothed.”
She flinches at his voice, turning to face him, and Aemond slackens his pace a little.
“Shouldn’t she watch hers? She’s talking to a lord,” Ser Lannister exclaims lamely, his arrogance instantly toned down a notch.
“And I see no wrongdoing on her part. Care to explain what got you into this situation?”
“It was a... a simple misunderstanding,” his excuse is so pathetic that it makes the prince sneer.
“And what was the matter in question?” Aemond comes closer to the man which makes ser Lannister evidently uncomfortable. He carefully contemplates his next move.
“I only wanted to extend my congratulations on her betrothal,” the man fakes a smile. “Mayhaps I expressed myself poorly.”
“You should opt to choose your words more wisely next time,” Aemond looks down on him. “Perhaps you are needed somewhere else?”
“I shall rejoin the celebration then,” ser Lannister eagerly agrees and bows out way too quickly.
Aemond can barely wait for the man to get out of sight before turning to her. Even though the prince witnessed the whole thing, he can’t stop himself from asking:
“Did he harm you?”
“He didn’t get a chance,” she mumbles, avoiding his gaze. She looks so embarrassed, he wants to offer her some comfort but isn’t sure how.
"Dare I say we’ve got enough interactions for one evening?" Aemond tries to lighten the mood yet she only offers him a half-hearted smile.
“I will escort you to your chambers,” the prince suggests, and before she can argue he adds, “I know you can stand up for yourself if needed. But I insist.”
She doesn’t move an inch.
“...You are not mad at me?” she’s looking at him with doe-eyed sincerity, clearly upset. Aemond is mad at himself.
“I am thinking about cutting his arm off,” he says under his breath, but she catches it.
“Aemond, there’s no need!” she gasps and he sees a glimpse of a smile on her lips.
“I will have to disagree,” he starts but then she grasps his elbow and Aemond’s hand — finally — clings to her again.
“I don’t want you to get in trouble because of me,” she confesses. 
“And I don’t want you to get hurt,” his fingers caress her arm through the lace material. Her cheeks heat up and Aemond finds it adorable.
“I think I... I was the one who did some damage,” she complains.
“You must imagine my surprise,” Aemond drawls, teasing.
“Oh, Gods,” a quiet groan leaves her mouth. “That was not very ladylike of me.”
She covers her face with the other hand, her grip on his arm loosening. Aemond dithers before gently brushing her palm away from her face.
“You did the right thing and you have nothing to be ashamed of,” he enunciates each word. “He only sets an example of unseemly behavior.”
“I’m afraid I wasn’t too far off,” she remarks, her voice relenting.
“Hmm, you are certainly not to be truffled with,” he retorts, earning a faint laugh from her as they start walking, arm in arm.
“May I inquire how did you... master that very handy skill?” Aemond ventures to ask. That image of her — brave and unapologetic in her anger — will be forever engraved in his memory. Aemond is apprehensive about voicing his curiosity, uncertain of her reaction but when she answers:
“My father taught me that,” her tone is surprisingly impish.
“And how did you manage to talk him into it?”
“Talking didn’t help much, actually,” she grins. “And then I broke my brother’s nose and my father decided he should find a way to guide my enthusiasm.”
“How old were you?”
“Nine,” she looks so satisfied with herself, Aemond can’t hold back a small laugh.
She joins him and they fall into the comfort of each other’s company. But then her smile wilts.
“There was a time when I was the youngest child and my siblings... They weren’t very nice back then,” she blurts out. Aemond feels his heart sinking.
“What did they do?”
“Oh, it wasn’t that bad, honestly, they were only teasing. It’s just um,” she’s looking for the right words or maybe for an acceptable explanation, but there isn’t any. “It was very tiresome mostly. I could never understand the reason for them being mean.”
Aemond is yet to tell her the story of him losing his eye, and the memory pops back into his head in a flash. He knows exactly what she feels, his own sense of helplessness fresh in his memory. And it still stings the same, and Aemond loathes that.
While he revisits the past, unwillingly slowing his pace, she spots the change in his demeanor within seconds. She sees his facial features congealing, his fingers clenching, and she comes to the only conclusion she can make.
“Is it the headache?” her voice is suddenly quiet, and Aemond comes to an abrupt stop. The question catches him off guard, words stuck in his throat and his mouth agape. He doesn’t know how to react nor does he understand how could she possibly know that.
She is quick to clear up his confusion. “I noticed not long after we met and then your mother confirmed my suspicions. I am sorry that I didn’t ask you directly, I thought... I didn't want to sound intrusive,” she explains coyly.
“By asking about my health?” he finds his voice again. “I am to become your husband, you are free to ask such questions.”
“We’ve only known each other for about a day back then. Surely, you’re allowed to take more time than that to open up to someone,” she kindly points out.
A day. Up until now the only person who’s known about his pain was his mother, and for years no one else ever questioned his well-being. And it took her a day to notice that something was wrong.
“Did the ointment help?” she asks hopefully. For a second he thinks he heard her wrong but the shadow of concern on her face tells him otherwise.
“That was your doing?” he can’t hide his amazement, and it elicits a laugh from her, sonorous and dulcet. Aemond likes the sound of it, he really does.
“I’ve been fortunate to obtain the knowledge required,” she informs him.
“And what kind of witchcraft is it?”
“It is not,” she playfully elbows him. “It was something my grandsire taught me. He used to have an ache of a similar nature. No one could understand the cause of it, and it only got worse with age. But my grandmother refused to sit idly by and one day she found a way to ease his pain,” she has a dreamy expression on her face but it melts into a wistful one. He guesses that both of her grandparents passed away.
“After her death, he wouldn’t let anyone help him. It took me months to persuade him and eventually he let me on her secret,” her smile is bittersweet. “Then he died, and I never thought the recipe would come in handy ever again.”
Aemond hates seeing her wallow in sadness. He puts his palm on top of her hand in an attempt to offer some consolation. If there was a way to free her of that grief, to take at least some of it upon himself, he would’ve done it in a heartbeat. But his touch is enough to bring back the cheerfulness in her voice.
“I should mention that your maester did help, too, although he was reluctant at first,” she reveals.
"And I presume that it also took some convincing?" Aemond thinks of the maester’s face that always looks like he is surrounded by imbeciles.
“I shamelessly boosted his ego,” she wrinkles her nose. “Told him there was no way anyone would ever be as skilled as he is, and that my attempt was merely a gesture of goodwill.”
“But it wasn’t just that,” Aemond cordially protests.
They already reached her chambers but he doesn’t want to let go of her hand. He wants to tell her that meeting her was like taking a breath of fresh air after being held underwater, like finding a source of light in the pitch darkness of the night or feeling the warmth in the dead of winter. Aemond wants her to know that she’s been a saving grace for him, but he’s somehow at a loss for words, his thoughts jumbling together.
“It was way more than that and I...,” never in his life had he gotten this tongue-tied and flustered. Yet she treats him with the same kindness and with no sign of prejudice, listening closely and keeping her eyes on him. Her gaze is disarming enough to make him say the first thing that comes to mind.
“I must admit, you exceeded my expectations,” Aemond breathes out.
It immediately feels like the worst, the dullest choice of words possible, and he wants to sink into the ground right this second. But then he sees her natural smile, genuine and bright, blossoming on her face again.
“I am glad to be of service, my prince,” she murmurs the last part, and his heart skips a bit.
He didn’t register the moment she came a bit closer, but she isn’t shying away from shortening the distance. There’s something enamoring about her trusting nature but that’s not what draws him in. For the first time, he experiences an unfamiliar feeling that tightens his chest, makes his breathing rapid. His gaze slips over her face, down from her radiant eyes to her smile, framed by the lips that look as soft as freshly bloomed flowers. The feeling melts into an urge — he only needs to take a step, to lean his head forward just a bit and...
Aemond inhales deeply. He thinks they are in no rush, he thinks it would’ve been disrespectful and naive. He’s mostly afraid to misread the situation, to scare her away.
But he wants to make his intentions clear. Aemond runs his thumb over her knuckles, brushing them one by one. And then he takes her hand to his lips, planting a kiss on it. He allows himself just this flicker of bravery before straightening up and releasing her hand. When he looks at her, her gaze is directed at him already. It feels like a particular question is hanging in the air; they let it dissolve for now.
“I shall bid you goodnight,” her eyes linger on him for a second before she turns away.
As Aemond watches her go, he is certain he wants them to be more than just friends. Lucerys’s name day comes in a about month, and by that time Aemond’s routine has changed drastically. It might look the same: he wakes up with the sun, flies with Vhagar, he trains regularly, he spends his free time reading — except now Y/N is a part of his every activity.
She’s never nosy or clingy; he is the one seeking her company at all times. She’s an early riser, too, and they are always the first ones at the breakfast table: he asks her about her dreams, they make plans, they poke fun at Aegon, who is perpetually sleepy, and she can effortlessly hold any other conversation with his family which only makes him ever so pleased.
She watches him train with genuine curiosity, she never looks away nor flinches, even when he gets too competitive and rough. Her attention is flattering — and it’s all on him, and it feels unusual at first, but becomes empowering and he bathes in it.
When he takes her to meet Vhagar, she is terribly nervous. Aemond jokes that meeting his old dragon will pose no challenge after she handled Ser Lannister. It gives her enough confidence to pat Vhagar’s snout as the beast observes her calmly. Aemond assures her that the dragon will never go against his wishes. What he wants to say is that Vhagar senses how he feels about her.
They spend evenings in the library, both absorbed in reading but always sitting close by, their arms and shoulders coming into contact more often than not. He sometimes can’t help but get distracted which leads to him forgetting about his book, instead secretly watching her, his glance full of adoration.
For a while, he’s oblivious to how inseparable they’ve become until Helaena tells him one day, while Y/N is playing with Jaehaerys and Jaehaera in his sister’s chambers. When Helaena mentions it ever so nonchalantly — “You two seem joined at the hip!”, it startles him. But that moment doesn’t turn into an awkward one — instead, Aemond realizes that he's not scared anymore.
“I will steal her away from time to time,” Helaena says, as cheery as ever.
“Bold of you to assume I will let you,” he chuckles, his gaze not leaving his betrothed.
“I think she’ll have the last word,” his sister retorts with a cunning smile.
Aemond doesn’t think twice before admitting. “She will never say no.”
“My point exactly.” The Queen plans a great hunt to celebrate her secondborn son, and a feast is being held in no time. Aemond detests those pompous events yet Y/N seems too enthusiastic about the idea, and he begrudgingly agrees to participate. He has no wish to burden her with his weighted resentment toward Luke but, as usual, she sees right through him. She asks him if he has any reservations about the upcoming celebration, and that’s when he decides to tell her. Aemond doesn’t want her to pity him nor does he want to upset her so he keeps the story brief: he claimed the dragon, his siblings didn’t like it, things escalated way too quickly and they haven’t been on good terms ever since. 
She heeds his every word, then bluntly asks. “Must you really go?”
He ponders before answering with a sigh. “It would be rude not to. I should pay my respect.”
“I wish he had the courtesy to do the same for you,” she frowns.
“It would be a little too late for an apology,” Aemond shrugs even though her caring tone moves him deeply.
“I still think you deserve one,” she says like it’s the most obvious, logical thing in the world. He wonders how obvious the reddening of his cheeks is.
“I do not wish to dwell in the past when so many great things lay ahead of me,” and he only means her. Having a future with her is his greatest blessing.
She bestows him with her softest smile. “I guess we should make the best out of the situation we are in. Maybe you will have some fun hunting.” Aemond doesn’t know what was her definition of fun, but his definitely doesn’t involve babysitting Aegon. Yet that’s what he ends up doing as they get separated from the group of hunters and his brother gets so drunk, he can barely stay in the saddle. He babbles and whines and Aemond is on the verge of praying for a miracle when the two of them finally stumble upon a boar. The younger prince catches the animal without a struggle.
“Oh, must be good to be a boar. Wild and free!” Aegon grumbles on their way back to the camp.
“I just slit his throat. I doubt you would want to switch places with him.”
“I didn’t say I want to switch places,” he shakes his head so vigorously, he almost falls down. Aemond moves his horse closer, grabbing Aegon by the shoulder to steady him.
“Although switching places with you sounds tempting,” he sneers.
“And why would you ever want that?” Aemond raised his brow questioningly.
“You got yourself a pretty wife-to-be,” Aegon chants and whistles.
“Are you asking for me to tie you to that boar? That can be arranged,” Aemond deadpans.
“ 'tis won’t be necessary,” Aegon's quick to object. “Whatever she sees in you, those qualities are not in my possession,” his frown turns into a grin and he winks at his brother.
Aemond lightly chuckles. “You’ll get no argument from me.” Leaving her is not an easy task for Aemond but coming back to her might be the second-best thing in the entire world. And the first one, obviously, is being with her.
When they return to the camp, he helps Aegon down, impatiently looking around, and as his eye lands on her, his breathing hitches.
She’s standing next to the hunting tent, surrounded by a group of ladies, Helaena by her side and they’re both laughing as his sister unsuccessfully tries to finish her sentence. Y/N has a violet in her hair, strands of it falling down her shoulders, her smile bright against the fading evening sun. She helps Helaena to articulate whatever she's talking about, the ladies around them cackling.
Aemond admires his betrothed from afar, savoring the moment.
It amuses him that her softness is a choice, that she chooses to be open-minded and kind, even though the world around her is armed to the teeth, and she does know how to fight back. And yet, that’s not what motivates her. Instead, she’s an image of benevolence and generosity, always understanding and forgiving, hence why people are so naturally drawn to her. And he is no exception.
Aemond gets distracted when a couple of servants approach him and he instructs them to take the boar’s carcass away.
“You had a successful hunt, dear prince,” when Aemond hears the question, he rolls his eye. Turning around, he sees Tyland Lannister with a smile so forged his face might crack in half.
“As usual,” Aemond answers indifferently. “Never took you for a hunter.”
“I cannot appreciate cruelty,” Lannister forces out. “And I am afraid I will not be able to negotiate my way out of a bear’s grip. So I am here merely to control my brother’s primal impulses.”
The mentioning of Jason makes Aemond cautious.
“Developing some self-control may be beneficial for him,” the prince mutters.
Tyland goes blanch white, taking the hint. “I was wondering if I should address the delicate issue of my brother’s sympathy toward your—”
“You should not,” Aemond cuts him off. “Would be better to address his manners but it’s the thing you must sort out amongst yourselves,” with that, he turns away to find Y/N again.
Except she isn’t there.
The ladies moved closer to the tent but she and Helaena are the only ones missing. It takes him a second to realize that the women look alarmed, glancing at the tent. Or rather inside of it.
Aemond all but runs there, going over the worst scenarios in his head. When he gets in and sees Y/N in the company of Ser Lannister, he thinks he’s never been angrier in his life. If Aemond was a dragon, the lord would’ve been burned to a pulp as of right now.
Jason keeps his distance and his face expresses nothing but regret yet it looks like it’s already too late as she is glaring at him with a sharp glint in her eyes. And in the next moment, she loses her temper.
“...What am I missing exactly?” she asks Jason, her voice unexpectedly loud, and it draws the attention of some nearby men. She doesn’t care.
“You’ve been eager to win me over, but I am yet to find a single reason why would any woman find your company endearing,” she takes a step toward the lord and he shrivels under the weight of her words.
“Is it the winery that your servants built for you? Is it your herd of fine horses? You talk so much about your stable, one may think your betrothed is to marry a stallion,” her smile is mirthless. Aemond hears a faint groan behind his back and recognizes Tyland’s scared tone.
“But what are your accomplishments?” the tent gets deadly quiet as she continues. “Do you consider your persevering courtship to be one of them? Or your harassing of my parents, my relatives and even my maids with your never-ending propositions, no matter how many times were they all rejected? Or mayhaps ambushing me in the hallway counts as an achievement for you?”
Out of the corner of his eye, Aemond sees Helaena and Aegon, both looking stunned. Pretty much everyone around him has the same expression at the sight of Y/N. The prince, on the other hand, has never been more proud of anyone.
She looks at Jason as if she wants to bore a hole in him, her voice getting lower but harsher.
“You want to know what prince Aemond did? None of the above.”
Aemond feels his heart freeze at the mention of his name. She is yet to see him but when she speaks, it feels like she’s seen enough.
“The man I am about to marry has been nothing but kind, respectful and loving, fulfilling my every wish, granting me the comfort of his company and his loyalty. The man with the sharpest mind and the kindest heart — both of which you’re clearly lacking,” she casts Jason a disdainful glance. “So from where I am standing, it looks like I’m the luckiest woman in the Seven Kingdoms.”
When she feels a hand on her waist, she isn’t surprised and welcomes the touch with no hesitation, knowing full well who is standing beside her. She swiftly turns to Aemond, their eyes locking.
“I would like it if we left earlier, my prince.”
“As you wish,” Aemond wishes he could marry her right now.
Disregarding everyone’s attention, he leads her out and asks the coachman to fetch their carriage. When they are away from prying eyes, her confidence wavers a little. It only fuels Aemond’s ire.
“Give me just a second,” he can’t help himself.
Aemond goes back to the tent — and right to the Lannisters, one of them is already scolding the other. Tyland stops his lecturing when he notices Aemond, but the prince doesn’t let him make a sound.
“That was the second time your brother couldn’t hold his tongue,” Aemond ignores Jason and walks up close to the other man. “If you care about his well-being in the slightest, make sure there will be no third time.”
“Aemond, let us not make another scene. You must think how that will look like...”
Aemond stares Tyland dead in the eyes and promises:
“I will gut him like a boar. Imagine how that will look like.”
Without saying another word, the prince storms off.
Y/N already got into the carriage, fidgeting with the hem of the dress as she falls deep into her thoughts.
“Ser Lannister will not bother you anymore,” Aemond says, sitting next to her.
“I sure hope so,” she mumbles, looking down at the wrinkled fabric.
“Whatever he said, you should not let it get to you. I do appreciate the gesture,” way more than he cares to admit, “but there’s no need to go through the trouble of standing up for me,” Aemond barely finishes the sentence when she retorts:
“I will.”
She looks at him, her eyes burning with blazing certainty.
“No one took your side when you were a kid. But I’m doing it now,” she states as her palm covers his, the touch is as warming as her glance.
Aemond thinks he is the luckiest man in the Seven Kingdoms. He runs out of luck so fast, he must’ve jinxed it. They are nearing the castle when the pain on the back of his head stings so unexpectedly, he winces, his eyebrows furrowing. She notices it immediately and insists he should take a rest when they arrive.
“Mayhaps you have some of the ointment left?” she wonders, leading him to his chambers. Aemond rarely allows people to coddle him but he accepts her care freely. He is also aware that the near-miraculous balm that she makes is long gone because he hasn't had a headache in a while.
When she finds out, she looks devastated.
“It must steep for a few hours, I can’t make it right away,” her enthusiasm brittles. She glances at him in a dither, mulling over something, while he lights the fireplace.
“There is another way that I know of,” she slowly suggests. “But you will need to lie down."
“Quite a vulnerable position you want to put me in,” Aemond lightheartedly jests but brings himself at her disposal with no second thoughts.
She sits on his bed right next to him, the bend of her hips an inch away from his arm.
“Close your eye,” she asks calmly and he obliges.
Aemond senses that she leans over him and he struggles not to hold his breath at the realization of how close she is. Then he feels the tips of her fingers on his face, the touch is so light and gentle, it makes him shiver. The pattern of her movements first contours his face, then goes up to his forehead, then slowly glides onto his temples. She massages them delicately in a circular motion.
“It was probably all the noise that caused this,” she presumes.
“Or maybe the fact that the man makes my blood boil,” Aemond says, although his anger is completely gone by now.
“He is pissed I didn't choose him,” she laughs quietly.
“Choose him?” her words peak his interest. “You had a choice in the matter?”
“My father said he would hate it if I marry someone I didn’t like,” her thumbs are following the lines of his cheekbones, then run under his chin, then all the way up to his hairline, right next to his ears.
“May I ask what was your decision process?” Aemond selects his words very carefully. What he really wants to ask is why would anyone pick him, out of all people.
“I’ve heard you claimed the biggest dragon in the world at the age of ten,” he can’t see her smile but he can hear it. “That was impressive enough.”
Aemond takes a peek at her through his lashes. “That can’t be the only thing you’ve heard.”
“I can distinguish valuable information from pointless rumors,” she notes imperturbably.
“I bet those rumors included the stories of me being the scariest man in the realm...”
Her fingers cover his mouth and he stumbles.
“I decided I would be the judge of that,” she says firmly.
“And what is your verdict?” he can't stop himself from asking, his pulse speeding up.
She doesn’t think for a second.
“All the people who were spreading those vile tales clearly have never met you. There isn’t a single bad thing I can think of when it comes to you.”
Aemond shouldn’t take it to heart but that’s precisely where it hits, her voice cracking his shield, her eyes telling him she will never regret knowing him, caring for him. He thinks this is what true happiness is — being with someone who will choose you every time.
Her fingers graze over the strip of his eyepatch and she pauses her movement. She isn’t breaking eye contact, waiting for his reaction, for his permission or refusal. Aemond gulps, helpless under her gaze, and doesn't stop her.
She picks up the leather strip slowly, as if she wants to give him a chance to change his mind. Aemond watches her, his body still, heart rate booming in his ears. She removes the eyepatch and looks straight at the sapphire that gleams brightly in the warm lighting. And then she smiles.
“What do you see?” he exhales.
“Nothing scary, that’s for sure,” her gaze doesn’t leave his face, her index finger tracing the scar, barely touching his skin.
“Nothing I don’t admire,” her voice is a little above a whisper.
“Nothing I wouldn’t love.”
His heart is beating so fast, it feels caged and ready to jump out at any second. Aemond forgets about the headache as if it never existed. In this state of bliss, he contemplates making a very emotional decision. But she makes one instead.
She lowers her face closer to his and all of a sudden he feels a touch so light, it’s almost like a petal brushes over his skin. It’s her lips. She kisses his face — his scar — moving tenderly from the high point of his cheek to the area under the sapphire and then right above what’s left of his eyelid.
When their eyes meet again, Aemond can only think of one thing.
He surges upward, his lips colliding with hers — she responds in an instant. His chest feels like it’s on fire as kissing her is the most overwhelming feeling in the world, but he doesn’t want to stop, ever. Her fingers gently slide down to his neck and Aemond uses his arm for support as he sits up without breaking the kiss. He then pulls her closer, one of his hands on her lower back and the other nestled under her jaw.
She softly sighs into his mouth — and it might be his new favorite sound. She tastes like berries, her lips getting more eager, fiery, addictive, and he is dizzy with joy and longing, trying to memorize each second. The pacing of the kiss grows heated and intoxicating as they melt into each other perfectly. They only part when both are out of air, their lips tingling, swollen and craving to continue.
“I must admit,” she tries to catch her breath, she can’t stop smiling, her hands caressing his face, “you exceeded my expectations.”
Aemond laughs, cheerful and carefree, his nose bumping into hers.
“It’s all about teamwork, as I’ve heard,” he plants a quick peck on the corner of her mouth — and on the other one. And then they are kissing again, desperately drawn to each other. He’s lost in the sound of her voice, in the feeling of her lips on his.
His love for her is all-consuming. Her love for him is healing.
Turns out, letting her in doesn’t make him lose. With her by his side, he always feels like a winner.
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✧ the title is a quote from Hozier’s song ✧ I originally took inspiration from this post that lists the possible consequences of losing an eye. I also can’t help but mention the extensive research that @adderess did, which only adds to that heartbreaking yet very realistic concept. ✧ I have a playlist for Aemond 🎵 I didn’t add any music in this fic BUT I’ve listened to “Mr Sandman” a lot, especially the instrumental version. 💕 my masterlist
English is not my first language, so feel free to message me if you spot any major mistakes!
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ablazenqueen · 5 months
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The most upsetting part of this scene (and probably the whole ep) are these two looks:
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Because the look on Jeff’s face? It’s hopeful and trusting. He has just the slightest ghost of a smile when he looks at Alan, he looks like he has full confidence that Alan is going to back him up, continue backing him up like he does at the start of this confrontation.
But the look on Alan’s face? It’s doubt. He looks at Jeff and he thinks maybe and he breaks eye contact, looks away just slightly, drops his gaze, because he wants to trust Jeff and he can see the hope in those eyes, but he’s unsure. And even if he chooses to trust Jeff, he’s team leader, how can he not side with his boys? How can he not support the majority, the boys he’s known the longest, the boys who’ve proven their loyalty to him and each other over years, and offer the resolution that most benefits the most amount of people?
How can he not choose the rational resolution, even if it requires squashing that hard-earned trust?
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joons · 3 months
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This may be a prickly subject, and I'm sorry if so. But I'm trying to learn more about Elvis, and every time I bring him up to people I know, they try to tell me he was this terrible person, and point me toward Priscilla's book, the movie made on it, and the discourse. Idk if you've talked about it on here (I tried searching your blog but couldn't find anything on it). If you're willing, I'd love to hear your take on it so I can see a more nuanced view.
The film Priscilla was greenlit roughly a month after Priscilla herself was informed that she was close to becoming financially insolvent in 2022. With a business partner, Brigitte Kruse, who allegedly helped broker the film deal, she established a limited liability company called Priscilla Presley Partners that was supposed to use her image and likeness to create several lines of merchandise to coincide with the film's release. That business partner is now suing Priscilla because she did not have the rights to her image or likeness, or any ability to use the Presley name, because she had already sold all of those rights and was no longer considered in good standing with Graceland or Elvis Presley Enterprises. The entire business deal, then, according to the lawsuit, was built on her misrepresentation of how much her image was worth.
The deal between the two of them fell apart after Riley Keough, Lisa Marie's daughter and Priscilla's granddaughter, settled with Priscilla to give her a lump sum of $1 million from Lisa Marie's estate and yearly amounts of $100,000. Priscilla sued very shortly after Lisa Marie's death because she thought Lisa Marie's signature on a will had been forged because Priscilla was not included in it. All of the assets were supposed to go directly to Lisa Marie's son, Benjamin Keough, who died in 2020, and her three daughters, two of whom are still teenagers. Now, part of those assets have been claimed by Priscilla and her other son, Navarone, who has no connection to the Presley family and has stated he is glad Lisa died.
Four months before Lisa's death, Lisa wrote to Sofia Coppola and made it clear she had strong concerns about the Priscilla film and was suspicious of the intentions behind it:
"As his daughter, I don’t read this and see any of my father in this character. I don’t read this and see my mother’s perspective of my father. ... I will be forced to be in a position where I will have to openly say how I feel about the film and go against you, my mother and this film publicly."
Lisa was enormously grateful for efforts put into 2022's Elvis to find her father's soul and to restore his dignity in a world that often turns him and his family into a joke:
"You can feel and witness Baz’s pure love, care, and respect for my father throughout this beautiful film, and it is finally something that myself and my children and their children can be proud of forever."
It is such a strong and powerful statement, to see how much Lisa valued family, not just her father but her own children and their legacy, and how willing she was to speak up no matter what was going on in her personal life to say what was right. On this and many other things, Lisa and Priscilla's values have rarely been in alignment. A friend and EPE business associate, Joel Weinshanker, said of her, "Lisa couldn't be bought, she couldn't be pushed. If she felt that something wasn't in Elvis' best interest, it was never about money. And she really is the only Presley that you could say that about."
Priscilla, though, has adjusted her stories about her time with Elvis almost every time she discusses it. For a quick example, she said in her book, which was released in 1985, that Elvis insisted she do her hair and makeup a certain way, that he had control over her look and would get upset if she didn't dress how he wanted. But in an interview with Ladies' Home Journal in 1973, she said that she made a deliberate choice to attend makeup school so that she could learn how to style herself, and that it was her idea to wear big, black hair and big, black eyeliner. She said she was embarrassed for going overboard. She said, "I wish that Elvis had said something, but he must have liked it because he never commented." This lines up with recollections from Patti Parry, a platonic friend of Elvis' and a hairstylist, who said Priscilla always wanted Patti to do her hair in a "big boombah," but that Priscilla would then get upset when Elvis didn't notice or didn't like it.
These changes are impossible not to notice if you follow her for any length of time. At the film premiere, she said it felt just like watching her life and said she was consulted on everything, since she was an executive producer. After the film came out, she said she couldn't understand why Coppola had changed so much about the story and misrepresented events. In the '70s, she said she and Elvis lived almost totally separate lives, that she came and went as she pleased, and that she loved this freedom. Later, she said she felt completely stifled and trapped and never left the house, even though she had friends she went out with all the time. In 2019, she tweeted a forceful denial about a National Enquirer story: "This is the Enquirer folks... please don't believe everything you read. ... Never planned on being buried next to Elvis. What will they come up with next?" But part of her settlement demands in her lawsuit against Riley in 2023 asked "to be buried next to Elvis." This year, she said in two separate interviews that Lisa was with her when Elvis died and that Priscilla had to break the news to her, despite the fact that Lisa was at Graceland when it happened. She has said she gave Elvis the idea to wear belts on his jumpsuits, to have a lightning bolt as his logo, to sing "An American Trilogy," though none of that is true. She retells the story about forcing Elvis to burn all of his spiritual books to prove he loved her as an almost funny anecdote about debrainwashing him, while Elvis later said it was the worst thing he ever agreed to, a desperate attempt to make her happy by giving up the things he valued the most. (For the record, this is my opinion about their relationship on both sides: thinking they could change themselves and each other to make it work. It never did.)
Every secondhand Elvis account has to be treated lightly and only valued for its consistency with known facts and other witnesses. I try to give enormous benefit of the doubt to anyone in the Elvis world because they often only have partial knowledge of what Elvis may have been thinking at any given time, and there are numerous examples of people who were taken advantage of by unscrupulous journalists who changed the story they wanted to tell. But Priscilla's stories sometimes are not even consistent with her own statements, which makes them very poor options indeed to base anything on. However careful we are about noting potential biases and inaccuracies in other memoirs, we have to be triply, quadruply careful with anything in which Priscilla involves herself because she has a vested interest in generating discourse today in order to make money. Unfortunately, Priscilla has a habit of stifling other accounts or making sensationalized statements each time there is a possibility that she will lose some of the cachet that comes with being an Elvis Source—after Elvis' death, when she believed she was going to inherit his airplane and disinvited everyone that Vernon said could fly in it to his funeral; when she sued the parents of one of Elvis' ex-girlfriends after he died because he had allowed them to live rent-free in a house he bought for them; when she claimed that Elvis wanted to reunite with her before his death, despite the fact that he was engaged to someone else and told many people he couldn't see a reunion ever happening with her; before Vernon's death, when she convinced him to make her an executor of the Presley estate until Lisa came of age; after Lisa came of age, when she convinced Lisa to let her stay on as partner; when Lisa accused Priscilla of misspending Lisa's money, during which time anonymous sources cropped up to say Lisa was in debt and drug-addled; when Priscilla was removed from her position as an EPE spokesperson but kept collecting $900,000 a year from the company; when Lisa died, and Priscilla sued once she learned she wasn't in the will; when Priscilla was no longer associated with EPE and decided to do another adaptation of a book that she has since recanted parts of and has contradicted before and after its release.
When Priscilla thinks there is a threat to her image and position, she does new interviews and projects to muddy the waters and stir public interest, whether it is true or false, positive or negative, laudatory or defamatory. She gets corrected by Elvis' surviving family members, girlfriends, friends, and fans, but these stories do not get the same reach no matter how much they are backed by contemporaneous documents and witnesses, or how many resources there are to educate the public on how Elvis' and Priscilla's attitudes about marriage and relationships changed—along with the rest of society—between 1960 and 1970.
I think almost any single-source project is not going to advance our understanding of Elvis in any way because no one individual can speak for him, and we are kind of obligated to include all the context we can in order to appreciate his character, his successes and failures, flaws and virtues—and to treat both himself and those around him as fully three-dimensional people who have their own blind spots. Priscilla is far too aware of her own image, and far too willing to change it to suit the audience, to be particularly valuable here.
She is next scheduled to appear at the Lexington (Kentucky) Comic & Toy Con.
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hawkogurl · 2 months
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#oh? you’re characters in a three part iconic series that came out in the mid 2000’s#and one of you is a wealthy abused child with heavily symbolic burns scars who undergoes a redemption arc that concludes in the third part#of the franchise who’s villainy is defined by an attachment to an abusive father and a need to please him despite him not at all deserving#your loyalty and your redemption is internally motivated by your own experiences and defined by a moment where you realize who you want to#actually be? and you’re connected to a lot of shipping drama despite honestly seeming gay as fuck?#and a consistently heroic male lead with romantic drama including a brief relationship with a light haired woman that you have regrets about#and a lighter haired woman who majorly influences your character arc and you can tell is cool as fuck because men hate her? and your arc#revolves around maturing and going through various circumstances that basically function as a mini coming of age story in a piece of fiction#not of that genre? and you have baggage related to family members who you feel responsible for the fates of? and you put an intense amount#of personal pressure on yourself because you see yourself as a protector and if you can’t do that you’ve failed?#and you’re emotionally superglued to each other despite lots of disasterous first interactions?#atla#avatar the last airbender#sokka#atla sokka#zuko#prince zuko#harryposting#harry osborn#raimiverse#raimi trilogy#spider man#spiderman#peter parker#parksborn#zukka
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treasureplcnet · 3 months
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Semi-desperate Mithrun in regards to Kabru post-canon is so fucking real. On top of everything else, the guy kinda sorta literally gave him a will to live. Like. Mithrun's an acts of service logic type guy and was already attached to him. And how the fuck are you gonna return a favor like That. Beyond the continuing demon hunting and shit he probably rings up Kabru once a week like "You wanna hang out. I know you're stressed all the time every day. Come hang out with me." And is like yea, this is a normal response to a guy making you see you still have a life. And doesn't process the fact he's in weird complicated some kinda love with him.
YES !!!! mithrun hasn't desired (or hasn't believed he desired anything besides revenge) and when he's starting to develop feelings for kabru, he's nervous and a bit surprised. to me the realisation is slow and methodical, like "i miss kabru. i want kabru around. i feel his absence. what does this mean. all a part of newly wanting things i guess. totally normal to do this." -> 6 months later "oh"
and last time he fell in love, mithrun became a dungeon master and his entire life changed. now he's got his life back, learning about loving that, and kabru complicates many things. i think even kabru would have hesitations, mostly over how he believes elves can't understand short lived races, and if there is a 'future' for them that they'd both be happy with. i want to see them work it out together. it's very beautiful to me :)
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absolutebl · 6 months
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Best Angsty BLs with Family Drama & Bad Home Lives, or Past Trauma
That still end happily. Requested by the incomparable @winterswhumpblr (Warning these all have tiggers in them mostly suicide, rape, and/or child abuse.)
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Until We Meet Again
Thai 2019 YouTube
UWMA is, without question, a work of narrative genius with a powerful and cohesive romantic backbone driven by family drauma and betrayal and stellar performances. It is (to date) the only Thai BL that I’ve rated a 10/10 predominantly on the basis of story structure. That said it is also very well cast (and it’s a BIG cast), with solid production values, and enduring pair branding. Discussion here.
Spin off, Between Us, also satisfies this criteria.
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Blueming
Korea 2022 iQIYI
Hwang Da Seul directing this angsty BL that's a tiny bit dark and a tiny bit bittersweet, almost too honest to a university experience and first love. But if you want your mind ever-so-slightly messed with and your intimacy hellishly sweet, this BL will do it for you in a coldly distant manner, while bitch slapping you with self worth issues. I wasn’t into it at first, but the leads are solid and by ep 5 it got really good, becoming a narrative about self discovery meets understanding and accepting others people’s flaws without hurting them. Ultimately we witnessed two characters maturing because of each other and their mutual affection, without that affection becoming the conflict point. Instead, tension was built around other aspects of identity, popularity, and childhood trauma.
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Tokyo in April is AKA Shigatsu no Tokyo wa
Japan 2023 Viki
Two young men with a shared tragic past reunite and fall in love all over again, but the past will not stop hunting them. Based on a manga, this office set reunion romance is GREAT… damn it. It’s Japan in full on soft focus which means it gets emo, abusive, and chewy. These two characters are giving parts of their souls away in a desperate attempt to shape themselves to the expectations they have of each other.
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The Eighth Sense
Korea 2023 Viki
This feels more atmospheric gay coming of age romance than strictly BL. It’s got a bit of an age gap, country boy/city boy, stellar acting, complex characters, and leads with great chemistry and tension. It’s a bit chewy and sticky and less perfect than most KBLs (do I detect a touch of Taiwan?) This one deployed BL tropes (messy eater, shoulder sleep, protective seme, there’s even some hyung-slinging) but front loaded them with painful backstory and tons angst drives the 2nd half. This isn’t in the KBL bubble, there’s sharp edges and lots of triggers. For a BL the darkness of the content left me feeling unsettled (which is the only reason it didn't get a perfect score) but it does have a glorious ending and that counts for a lot.
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Bad Buddy
Thai 2022 YouTube
This was GMMTV’s flagship BL and it started 2022 on a BANG (okay no actual banging but you know what I mean), starring heavy hitters Ohm & Nanon in a pitch perfect university Romeo & Romeo masterpiece that will give you domesticity meets pain whiplash throughout and jet lag at the end. Some of the friendship and family dynamics are overworked, but it has great production values, killer acting, and some conscious effort to correct for half a decade of Thai BL’s anti-queer mistakes. The whole set up is build on family drama so, yeah.
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Bed Friend
Thai 2023 YouTube
Office frienamies transition a flaming hot one night stand into a f-buddy relationship that is built on a puppy/cat dynamic (and kinks into it at one point). Our puppy is loyal, smitten, and protective with endlessly longing eyes, while our cat is snarky, prickly, and deeply damaged. NetJames give lovely high-heat with excellent chemistry and tuned-in performances of surprising depth, could have been spectacular but was the story is overworked, especially at the end. Still if high heat is your thing, this one will not let you down.
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Lovely Writer
Thai 2021 YouTube
What Lovely Writer does, at heart, is reexamine Thai BL has done to queerness, but in a very gentle way that has more to do with Thai BL growing up than any actual queer authenticity. It’s not parody or pastiche, but it is self reflective and trying to correct for some chronic mistakes. Whether it is ultimately successful in this matter is going to depend on the watcher’s relationship to BL and queer identity. But that’s what makes this show beautiful, interesting, and thought provoking. And I, for one, applaud the effort even if I didn’t personally connect to the characters. There is both family trauma and dram and childhood stuff.
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Happy Merry Ending
Korea 2023 Viki
Stars Lee Dong Won (KNK) as an ex-idol turned wedding singer with an abusive ex and a panic disorder + the sunshine pianist who falls in love with him. Timid tsundere & sweetheart gay is an interesting match. They’re gentle together, almost kindly, and there is a calm ache to their pairing. However, it lost its way as a BL, being more about the main character’s struggle than the romance. It had a strong finish but ultimately the premise & characters meant this was never going to be one of my favorites. But if you like angst, well...
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Given
Japan 2021 grey
Boy joins band, falls in love with other boy. The singing is terrible, fast forward through that but with the possible exception of the hair styles, this BL could have been made in 2015 and no one would be surprised. As such, it wasn’t ground breaking, but it didn’t disappoint either. Very much a tortured past for our singer. (More here.)
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The Eclipse
Thai 2022 YouTube
GMMTV does gay Blacklist with a good boy/bad boy pairing. This is a good show but the cast is excellent and the leads are absolutely flawless, which elevates it beyond just good. We got a nuanced and multifaceted burgeoning relationship: philosophical (and socio-political) conflict contrasted to moments of empathy; flirtation contrasted to moments of genuine affection, plus plenty of angst. This narrative is less about love than it is about courage and tenderness. However, near the end the pacing was off and the plot frustrating. Still, this is an enjoyable watch, with a finale that features verbal consent and a fun blooper reel.
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Love Class 2
Korea 2023 Viki
3 couples form within a semester of university: 1. a hyung romance reunion of exes, one of whom has a dangerous past, 2. a friends to lovers romance, and 3. a one night stand between a mature student and a TA (many aspects of which had me laughing). I enjoyed the characters and dialogue of this show immensely. It was a little bit more breezy and friendly than I was expecting after the first installment, Love Class (to which this bears little resemblance and no connection). I’m not entirely sure Korea can handle multiple couples like this because it definitely felt disjointed, especially with the 3rd more mature couple (also my favorite) who probably should’ve had their own series. But I enjoyed something different from Korea.
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About Youth
Taiwan 2022 Gaga
A truly lovely little coming of age high school BL with a classic YA low drama but high angst and an earnest depth. I didn’t even mind the singing, and that’s saying a lot. A weak seme/uke dynamic but tons of BL tropes (both rare in a high school setting but common for Taiwan) makes this one feel both sweet and colored by an almost real world authenticity and grit. More here.
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Restart After Come Back Home AKA Risutato wa tadaima no ato de
Japan 2020 Gaga?
Atmospheric study in rural Japan meets complex family dynamics built on a romance framework of city boy meets country boy, grumpy/sunshine. It’s beautiful and icy sweet. Slow moving in places but ultimately worth the patience, low heat, low angst, and stunning.
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DNA Says Love You
Taiwan 2022 Gaga
DNA deserves extra marks for an upbeat approach to a queer story arc that other shows have systemically mishandled with sadness (in the guise of realism). There is a twist, which I found predictable, but knowing what would happen didn't spoil this show. The leads are luminous and engaging, and it’s full of queer found family representation and an unexpected amount of domesticity, plus it’s Taiwan, so the kisses are great. The first few eps are rough going but have patiences, it's worth it as the last ones really are special and life/love affirming - and the end is big-grin charming.
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My Tooth Your Love
Taiwan 2023 Viki
Earnest dentist hottie with sad eyes who worries too much is smitten by an adorable sunshine neurotic bar owner with serious anxiety issues. They fall madly in love while courting each other with food, plushies, and naps. Then, shocker, talk about their feelings and try to actually sort out their problems so they can have an adult relationship. Bonus crumbs = 18 year old poor little rich kid in mad crush with a much older man. I really enjoyed this show, it had a unique premise, killer dialogue, there was a solid lead pair with charming chemistry, soft flirtation, delightful smiling kisses, and stinkingly cute domesticity.
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Where Your Eyes Linger
Korea 2020 Viki
Ostensibly high school set about a poor kid whose been raised in a mafia kid’s family specifically to protect him (whipping boy trope, attack dog variant). Themes of codependency and survival with pretty classic Korean style romance ending.
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TharnType
Thai 2019 Viki
This Thai BL has everything: university setting, great acting and complex characters, interesting friendship groups, enemies to lovers, angsty coming out, high production values, AMAZING chemistry, and multiple BL side couples with all the issues. But when I said everything I meant it because there's also: damaging queer rep, strong seme/uke and husband/wife language, classic tropes and lots of them, child abuse, bullying, mental illness, rough play, dub-con, non-con, and statutory rape (by the seme/gay character).
and its spin off: Don't Say No also qualifies for this post.
In fact most Mame stuff will involved trauma & drama, specifically.
Love By Chance 2
Love in the Air (Part 2)
Wedding Plan
Some others but I'm getting tired:
I Told Sunset About You et al
You Are Mine
Dear Doctor, I'm Coming for Your Soul
Ghost Host Ghost House
But frankly there are a ton more depending on how you look at it. I mean, what about Why R U? FIghter's dad is the issues with him coming out, but it's not really in the plot until late so ?
Lakorn BL drama llama soaps & similar
Moonlight Chicken - review here
Laws of Attraction
To Sir, With Love - review here
Sirs not appearing on this list
Our Dining Table is driven by childhood trauma but not angsty, similar to Oxygen. Not Me is angsty and dramatic and family stuff, but that's not really the driver of the plot. Life Love On the Line is all angst but he brought it on himself.
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(source)
Updated Nov 19, 2023, no intention of adding to this so if you want more, look at the comments. Someone is bound to get annoyed their favorite isn't on the list.
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naffeclipse · 11 months
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Chapter 3: Pink Water
FNAF Detective!Sun & Detective!Moon & Bounty Hunter!Eclipse x Vigilante!Reader (SFW)
Splotches of cardinal red stain the white porcelain sink, dripping from his fingertips. Eclipse turns the cold bridge faucet and the water runs, stained pink as it swirls with your blood before washing away. Gone. He slides his long, dark fingers under the cold water, sensors sparking as he cleans out the coagulated bits from between the joints of his knuckles.
Word Count: 1,800~ Warnings: Blood, injury, and obsessive behavior.
A/N: Sun and Eclipse have one-on-one time, and you're there, unconscious during it all. Sun wants to make something very clear. Eclipse cleans up, somewhat.
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always-a-joyful-note · 3 months
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Shoutout to the Izumi brothers for having the least family drama (so far as I know, anyway)
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