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#make her feel appreciated
ryllen · 3 months
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Hi! I hope that you are doing well🥰💗💕 I really adore your art!! Your Yuu really wins me over to the very heart!💘💘💘
I wear lightning-shaped earrings and they really remind me of Sebek!⚡ I would like your girl to put them on and draw this🥺💓
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But I also really love her black earrings that she wears when she's a teenager and green ones when she's an adult! It's really cute💕💕
And! I would be interested to know if Sebek notices when Yuu puts on other earrings or doesn't wear them at all if she doesn't want to?👉👈💗
Have a nice day!🥰❣️❣️❣️
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decide ur ending, which feels more in character
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z-bot · 11 months
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I deeply appreciate Ryan and Shane being such Wife Guys™ that they can't conceive of, like, even putting out a craigslist ad without their S.O. knowing about it (and subsequently getting in on the heist).
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simplyavatrice · 10 months
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ava silva - warrior nun
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iizuumi · 10 months
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girl can be carried in so many ways ,,,,
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leoserblog · 10 months
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Ok this might be an unpopular opinion but someones gotta say it...
Cassandra is a better Casey Jones than Casey Jr
Ive gotta be honest... i think casey jr is a kinda mid and i dont particularly think all the fanfare about him is warranted LOL
I want to note real quick that i dont DISLIKE him! He is a good character who only got as much development that a 2 hour movie could give him, and he filled and satisfied the role he needed to play in the movie, but the way the fandom latched onto him over the og casey... kinda makes me raise a brow
(Essay/rant about the prioritization of casey jr vs og casey under the cut :P)
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Fandom spaces love a traumatized boy from the future, and believe me i do too! But the amount of attention given to casey jr after being revealed as casey is a wild amount compared to the amount of attention the original casey gets. Maybe its just me getting into rottmnt after the movie aired, but this seems a little baised?
Not only that, but the amount of... idk the best way i can think to describe it is infantilization of casey jrs character isnt helping my opinion of him. It feels like most content surrounding him babify him and reduce him only to his trauma post movie. I understand that it can be interesting to explore his trauma now that he no longer lives in the literal apocalypse, but it feels strange to see him reduced to someone who cant get around on his own and lives with the turtles when the original pitch for the movies ending has him leave to explore the world, which i feel is very appropriate for him and wish they had kept it in
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In the movie when april shows us where the og casey has been and what shes been doing throughout the film, it tells us that casey is friends april which in theory, shouldve also shown us that she and the turtles are friends to some degree as well and should already have her place established within the group as this generations casey jones
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However the final shot of the movie is a group shot of the family+casey jr, which subtlety implies that he's the new casey instead, and that this is the main cast moving forward (should it move forward *sob*). While both caseys being considered in the main cast could be true, it does strike me as a little odd that this was the final direction the rot team decided on for the official ending versus the scrapped ending, especially because it complicates the pre-established canon. It wouldve been one thing if our og casey was a different character, but that isnt the case.. y... (<_<)
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Casey jr is an interesting character though! And i can understand why he appeals to fans, especially as his character post movie is fun to expand on aswell as developing his past involved with future versions of the main5, but one (me lol) could argue that the og casey is just as interesting of a character to delve into as she was involved, when you boil it down, a cult most of her life, and that concept, as well as the guilt she could hold for working with the foot and releasing the shredder, ontop of trying to befriend and gain the turtles and aprils trust are also intriguing concepts that could be explored, yet finding content that mentions her at all beyond her relation to casey jr is scarce
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It feels as though shes been reduced to a background character within the fandom despite being a reoccuring character for the entire show.
For the two seasons of rottmnt that we did get, we are shown just what kind of character casey is and her possible dynamics with the turtles+april. Shes passionate and powerful and beyond determined to prove her worth and reach her goals. Shes also playful and reckless, a side that fits well with the main cast and their humor and, if the show was given more time, couldve developed naturally as the newest addition to the family as most caseys are. I could also argue that her characterization fits that of previous caseys more than casey jrs does (though i will admit that considering the plot of the movie, i cant positively say what hed be like outside of life or death scenarios, but i also cant imagine hes going to make a 180 in personality without it feeling jarring and ooc)
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Now, i wont ignore the fact that her arc was cut horribly short and her involvement in the movie was quite literally a brief mention, both of which definitely play into how under appreciated she is. But at the same time it almost feels like everyone, including the show runners, have willingly pushed her aside for this new boy version to fill the role of casey jones. Hell, even when you look up rottmnt casey jones, cassandra barely shows up. Its casey jr which further proves my point
Idk, TLDR im pretty disappointed that despite being a consistent character for the entire show, no one seems to write or acknowledge her and if she is mentioned, its only relevant to push forward casey jrs character development or a brief cameo. As much as i do love casey jr (i can feel like hes mid and i can like him!) it seems like most people forget about the original casey, or favor casey jr in her place and she deserves more love and credit than shes given!
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charlieconwayy · 8 months
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Top 50 OTPs of All Time ☆ #48. Peyton Sawyer & Jake Jagielski
"You’re so strong, Peyton. You don’t even know it. I mean, you got me through some pretty dark days. And…I’ve been thinking that, if I can get all that…from some words on a piece of paper…just imagine what it would be like to have the real thing every day."
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comradekatara · 16 days
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I saw your toph+katara gender post and honestly... thank you for being one of few ppl i've seen who actually do a deeper analysis of toph? Most people tend to just go "i love toph she's cool <3" and while that's fine, its so nice to actually see someone Get Her. Esp wrt her gender expression and relationship to femininity. She's always been v imporant to me, like when i was like 12 i used to watch youtube clips of the toph+katara spa day scene on repeat and have Feelings abt it (still think its a super interesting scene??). Imo, while a lot of her expression is def rebelling (+overcompensating) and doing the oposite of her feminine upbringing, a lot of it is also a genuine JOY at being covered in dirt/burping/being loud and crass and tough? Idk i just feel like a lot of her contemporary "tomboy" characters were more defined as "ugh i hate Skirts and Dresses", but tophs brand of gnc joy and complex relationship w femininity always hit closer For Me? Like. She's loud and crass and rude and badass and cool, she does find it fun to dress girly but as like an Activity with a buddy, she's overjoyed at being portrayed as a big buff dude ("that's exactly how i would cast it!"), she's actually very spiritual and perceptive when not in Loud Mode, she keeps her fancy hairstyle but adds messy bangs, idk she's just. Character of all time. I'd love to hear if you have more thoughts on toph+gender (or just toph in general), and thank you for actually Understanding Her <33
YES!!!!! i have so many thoughts and feelings on toph. she is one of my absolute favorite characters i truly love her so much, and like you said, i hate when people dismiss her even as they claim to love her. "she's so badass" like okay, and?
toph is also just very important to me as her disability informs so much of her arc. and that disability is also inextricable from her gender and her family and all the factors that shape who she is, her strengths and her insecurities. you cannot separate her parents' abuse from her gender, class, or blindness. it's the combination of being an aristocratic blind girl that informs who she is and how she's perceived, especially by her family. she's an only child in a family that would clearly desire at least one son, and you cannot help but wonder whether they stopped at one for eugenicist purposes, whether they couldn't bear the "pain" of risking having another disabled child. and also because they clearly consider having a blind child such a handful that any other child would draw their attention away from her dire, pressing needs. so they completely smother her, but they also dismiss her, trivialize her desires and ignore her feelings and treat her more like a fragile porcelain doll than a person.
it's why, by the time of "the chase," she gets inordinately defensive over katara's suggestion that she pitch in when setting up camp. i see a lot of people claim that toph in this episode is acting like a spoiled brat who refuses to do manual labor because she's too wealthy to understand, but that's not actually the case. toph is fine with doing manual labor (she literally spent who knows how long working in an underground wrestling ring, she's not unaccustomed to work), but she's averse to helping others. as she says, "i carry my own weight." she's establishing, erroneously but understandably, that her idea of affording others respect is assuming that everyone behaves on an individual basis. she's never had friends before, by her own admission, and so in her mind, the only model she's ever seen for "helping others" is smothering them, denying their agency, and deciding everything for them.
toph thinks that katara is a bitch because katara is suggesting that toph meddle in other people's affairs, instead of respecting their own business. and katara thinks that toph is a bitch because she does just straight up assume that toph is a spoiled brat who doesn't understand the value of community. and while toph isn't a spoiled brat, learning the value of community is indeed integral to her arc. and more than simply communal values of helping and sharing with others, she also learns to rely on them in turn. she learns how to embrace her vulnerability, and let others carry her weight for her. her apotheosis in the finale is literally hanging onto sokka, who is holding her entire weight with one hand, for dear life. putting her complete faith in him to carry her and protect her as he always does.
that ability to embrace her vulnerability among the people she actually trusts to not only love and support her, but also to recognize her as a human being and care about her as a a peer, is so crucial to her identity as someone who has learned from years of ableist stigma to put walls up and present herself as someone uniquely powerful and invulnerable. and it's not that she isn't uniquely powerful, but her strength is also largely a projection. it's why she's so delighted to be portrayed by a big buff man, because that's the kind of person she wishes she could be, so that she wouldn't have to be underestimated and belittled and oppressed by people who dismiss her and coddle her and disrespect her and, quite literally, put her in a box.
so if toph's experience with disability is informed by her class and her upbringing, then let's now turn to her experience with gender, which is equally informed by her background. katara often balks at toph's less feminine presentation, because despite her incredibly righteous crusade against limiting patriarchal standards, she nonetheless has her own hangups when it comes to gender. but then again, so does toph. just as katara disdains toph's masculinity, toph finds katara's femininity offensive because her only real model for femininity in her experience is that of aristocratic wifehood. poppy beifong, to be exact, who is not exactly a girlboss (let alone a revolutionary, like katara is). and when katara tries to shove toph back into a box, toph resists because of course she does, that's who she is. she's not going take what she experiences as violent repression lying down.
toph is wrong in "the runaway" to exclude katara from their fun, and she is wrong to call compare her to a mother, but it's not out of nowhere. there is an obvious precedent to these actions. katara is a genuinely feminine girl who loves to boss people around and dictate how they should live their lives. to toph, this is the most egregious sin imaginable. katara, through her femininity and authoritative attitude, is positioning herself, in toph's eyes, as her mother. and toph calls her out for being overbearing and claims that katara hates fun and wants to boss everyone around for this reason, even though sokka is obviously the primary fun-hating, overbearing member of the group.
however, sokka never dictates how toph should act or dress, sokka never made fun of toph for being blind (which is a thing that really deserves its own post, if we're being honest). sokka makes them spend their vacation time at the library and enforces his color-coded schedules on them and generally brings down the vibe what with his neuroticism and severity, but he also laughs at toph's jokes and banters with her in a way that treats her as a friend and not as a rival. and unlike katara, whose desires and commands seem completely arbitrary to toph, sokka's commands are grounded in a logic that toph can understand. so even if from an outside perspective, toph's claim that a revolutionary teenage girl who loves to cause trouble and seeks adventure and joy around every corner is trying to be the overbearing mom of the group makes no sense, it makes perfect sense to toph, based on her history with femininity, overbearing mothers, and feminine overbearing mothers.
toph presents masculinely as compensation, as a way to make herself seem strong and tough instead of dainty and submissive as she was always made out to be. she associates masculinity with strength and femininity with weakness because that's the paradigm she grew up in. it's why she's always teasing aang about his supposed femininity and calling him "twinkle toes" (which, as sokka points out, isn't manly). in their first interaction, aang beat her in a fight and humiliated her in front of all her adoring fans, and avatar or not, toph's gonna make him pay for that by undermining him in turn, by using his presentation as a monk to mock him. even if aang isn't gay or even gender non-conforming (within the assumptions of his own culture), toph is still employing the logic of sexism/homophobia to undermine aang when she makes jokes about him being "more in touch with [his] feminine side than most guys." and of course, the nickname "twinkle toes" is also deeply affectionate, and aang (bless his heart) never actually takes offense to it. but toph is trying to establish herself as more powerful than him due to the humiliating knowledge that he could beat her in a fight, easily.
toph's masculinity is inextricably tied to her invulnerability. she wants to be taken seriously and treated as a human being, which is respect that has been denied to her due to her status as a blind girl, save for her blind bandit persona, which superficially empowered her and made her feel strong. it's not coincidence that her rival earthbender is a guy who is essentially a parody of masculinity. toph wants to position herself as equivalent, if not directly superior, to the Most Masculine Man, because that's how she'll be afforded respect, in her mind. but she is a girl. and there's a part of her that likes being a girl, and wishes she could explore her femininity more than she's allowed herself to, beyond the confines of the beifong mansion. she keeps her hair long because she still loves her family and holds out hope that maybe one day they can accept her (she comes from a culture modeled off of tang dynasty china, so her long hair is likely a product of her adherence to confucian values). and once she embraces it, she genuinely does get into being made over at the fancy lady day spa.
femininity has been a genuinely harmful and repressive agent in toph's life, and it's understandable that she would internalize some misogynistic notions surrounding girl/womanhood as they were foisted onto her her entire childhood. but femininity isn't ontologically harmful. femininity isn't ontological, period. i think as toph gets older, and her friendship with katara grows deeper as they both come to be more honest with each other, she would grow to embrace her masculinity in a more organic and less compensatory way. less of a "i'm not like other girls" complex (which itself is not something that girls should be mocked and punished for, but rather a product of a patriarchal system that oppresses and alienates women, thus leading many less gender-conforming girls to attempt to assert their agency and individuality in any way they can, even if it means putting down others in the process), and more so genuinely coming to embrace her butchness. (you don't necessarily have to read her as a baby butch, of course, but considering that being a masculine girl is important to her, i think that's a really lovely and beautiful synthesis of her relationship to gender as a character.)
i think toph would learn stop pitting masculinity and femininity against each other, and instead embrace whatever aspects of either (or neither) she desires, while nonetheless respecting everyone else's deal in turn. i think she would also, in a key turning point, realize that even if she loves her parents, she doesn't have any obligation to be the daughter they expect her to be, and cuts her hair. and as she grows more secure in herself (which comes with age, no twelve year old is truly confident in their own skin), she would stop feeling the need to put other people down to feel big, and be comfortable embracing her desires. and, credit to her, she's clearly already on her way. the progress she makes being vulnerable, especially around sokka, even in what is chronologically a matter of months, is huge.
toph isn't just "badass" because she's strong and powerful. but rather, what makes her so powerful, at least to disabled viewers who see their struggles reflected in hers, is her ability to grow with her environment, allowing herself to admit help, and letting herself be loved. if you couldn't already tell, toph is incredibly important to me.
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mccallhero · 4 months
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favourite ouat scenes: 33/?
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regret-evatorful · 1 month
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goodmorning
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pinayelf · 3 months
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I love the different body types for women in coral island. I like seeing millie and Nina have tummy chub in bathing suits, I like that suki's stretch marks are visible. i like that when you slide the slider up the cc for the farmer's body type that it looks like mine
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sakasakiii · 11 months
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ohhHHHh brother,,, is this another sketch dump after an undisclosed number of weeks of absence and online inactivity? yessir it sure is but i sure hope it won't stay that way 🤞 apologies again for disappearing, but im on break for the next couple of months for the summer so i have a lot planned and im hoping to catch up with... everything!
i put a little status update under the cut but feel free to skip that cuz its just me explaining some things ive had on my mind hoho 😙😙 happy 1st of june everyone!!!
a lot of things have been happening irl that im still getting used to, but thank you for always being very patient 🙇‍♀️ i apologise for disappearing again after i promised id start being more active again in... januARY??? man oh man the year is passing by tooooo fast holy smokes
i havent had much time to be on social media since then, but ive gotten some email notifs from ppl sending in such kind messages via inbox, and its really made me go AUGHHHHH in the midst of whatever im doing cuz it means the world to me 🥺❤️ if youre someone who's sent in something over the past year since i started hiatus in march 2023, IM REALLY SORRY AGAIN 😭😭 i always try to keep up with my policy of one-art-piece-per-ask, but because of that sometimes i just procrastinate a lot or get stuck on finding relevant things to draw as thanks. ive been brainstorming some ideas, though, and its my goal to get through a hefty sum of em before things get real busy again in a few months 😤
im really sorry again for being so inconsistent this past year, but im gonna do my best! i hope everyone on here's been doing good and im raring to see everything new with silm tumblr ❤️❤️ also if anyone has any recs for any new content pls feed me for i am starvedddd
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cozyqueerchaos · 1 year
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WHY MARIA'S CAUSE OF DEATH MATTERS (and why so many depections of her by abled people make me vividly uncomfortable)
So! Let's hop right in: Maria's death matters. Not only is it the foundational moment of Shadow's character (which is why "maria lives" aus are so hard to pull off, imo), but it showcases the cruelty of the government, gun specifically. Maria and shadow are both victims of circumstance.
Maria did not sacrifice herself because she was "dying anyway", she sacrificed herself because she wanted to save her brother (who in turn sacrificed himself to save Sonic, and I don't believe that was a coincidence. He LEARNED THAT from her, for better or worse). Only one of them was going to survive, and she chose him. Her disability had absolutely nothing to do with the situation besides to provide a motivation for Gerald to create the ARK. Shadow himself said in an old interview that he would go back and switch places with her if he could. Because her life WAS NOT INHERENTLY WORTH LESS. Maria's life was a tragedy because the government killed her. NOT because she chronically ill. It wasn't bound to happen. From what we saw, she was completely fine as long as she was on the ARK, and may have been fine on the surface as well, provided she had adequate care and avoided contagions.
Killing a disabled character with her own illness, when there is no evidence she would have died young, is incredibly disenheartening to real disabled people. Our lives are already scary, why are you pushing the narrative that we all die young, no matter the circumstances? (a narrative that is completely untrue, if you were wondering.)
Conclusion: KILLING HER DUE TO HER DISABILITY IS ABLEIST. PERIOD. that wasn't the point of her death, that destroys shadow's character motives, and it completely minimizes her sacrifice. I would literally rather have people write her as getting hit by a bus.
Thanks for coming to my presentation.
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markantonys · 2 months
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appreciation post for elayne the queen. elayne the politician who is incredibly competent, who is very very good at remaining calm in a crisis and remaining diplomatic in a conflict. second-half-of-series elayne who's grown into a wise and mature leader, who is grounded and practical but still has the same fierce heart she's always had, who feels things so deeply yet manages to set her personal feelings aside in favor of focusing on the bigger picture. who does take big risks, yes, but they're always calculated and planned out in advance, even if they don't always pan out as she'd hoped.
i feel like most elayne appreciation posts are about her comic relief value and ~loony tunes~ energy, or about elayne the aes sedai and her mad scientist tendencies, but To Me elayne the queen is the true heart of her character and the version of herself that she ultimately chooses to be by the end of the series, and it often feels underrated even by her fans. she always gets painted as a disaster, and she certainly has her disaster moments, but at her core, this woman is as distinguished as they come!
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spacedlexi · 2 months
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the way the ericson group were at the outbreak just a bunch of troubled kids who made various mistakes or committed crimes and were judged by a system that punished and abandoned them instead of giving them the support and love they needed, are then nearly a decade later put into a situation where now they must judge a troubled child for the mistakes and crimes hes committed against them. and 5 to 3 vote them out 😭
#twdg#i love the way s4 connects back to lees whole 'murderer' thing back in s1 😭 guilt...atonement.....systems of punishment#i love thinking about s1>s4 themes and crying#anyway this is partially why i hate when i see the ericson cast reduced down to 'just some teens' its so much more than that#them being abandoned in a boarding school for troubled kids is SO IMPORTANT its not 'just some school'#anyway its also probably why theyre my favorite cast#theyre literally one of if not the most mature group of the series even while being a bunch of kids who make choices i dont agree with#because they actually love and care about each other. even when theyre mad. because theyre all they have left#i do think the vote was a fair way to handle it even tho i still ultimately find it cruel. they couldve talked it out#but this is still a story that needs conflict to resolve so is what it is#they would rather they leave than have to face their confused feelings. the most immature thing they do. but understandable#they did such a good job crafting that cast for clem GOD an entire ensemble built around her and aj....delicious#zombie/post apoc media about love and community my beloved 😭#sorry but get tf out of here with that 'humans are evil and everyone dies' lame ass bullshit we are nothing without community#the amount of love pouring out of s4 is like getting my ass kicked but then they give me a big hug and kiss after and send me on my way#s4 my absolute beloved i really love it more and more every time. so much to appreciate even with it the way it is#the themes bro the themes........ the connections between seasons 1 and 4 you are everything to me#it speaks
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freaky-flawless · 5 months
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Well...damn.
I finally watched The Phantom of the Opera, and now I have to grapple with how much Operetta makes absolutely no sense.
Like I'm wracking my brain, and the only conclusion I've come to is that she'd make sense if she wasn't a ghost at all, but a siren.
Maybe after years of being cast out by his fellow humans, Erik finds refuge in the monster world which welcomes him with open arms, and also gives him the chance for a new start.
And given his love of opera, he falls in love with a siren and they have a child together. Thusly making Operetta half human, half siren.
This way, she can keep her hypnotizing voice, since she sure as hell wouldn't have gotten it from Erik.
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day-at-rhodes-island · 5 months
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Listen. Listen to me. While Closure/Kal'tsit being romantic might add a nice extra layer to their situation, it absolutely doesn't have to be to still get to that good angst.
We will be making two mildly unsupported assumptions here, but bear with me.
Closure deals with her trauma by shoving it down and focusing on other things. After Babel lost the war Closure sees Kal'tsit slowly losing her mind with no one to talk to, and jumps at the chance to deal with someone else's problems.
The thing is, by doing this, she's not just solving a problem, she's filling a Theresa shaped hole in Kal'tsit's life. Assuming Closure is really invested in their friendship, this is a problem. (Unfortunately, this is a larger assumption than I'd like it to be, but whatever.)
Closure knew Theresa well and respected her a lot. She knew what Kal'tsit and Theresa's relationship was like. She almost certainly feels unqualified to be Kal'tsit's closest confidant, but I imagine the real thing that looms large over her thoughts is that she's the substitute, she's just here because someone else couldn't be.
Kal'tsit appreciates Closure for who she is, she doesn't think of her as a replacement, but she also doesn't know Closure feels that way. She's not super good at managing other people's emotions, and Closure is very good at acting like everything's fine.
Kal'tsit doesn't talk about these things unless prompted, and Closure is never going to address her problems if she can avoid it. So, that's just what their relationship is now, and it isn't going to change.
Unless, something crazy happens.
Like, theoretically, if Theresa came back to life.
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