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signorinaclaudiacardinale · 2 days

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Did Claudia Cardinale and María Felix meet?

Yes, they met in June 1961 taking pictures with the singer Lady Patachou at the "Nuit de la chancellerie" gala in France but the Felix - Cardinale relationship was not and did not reach a friendship.

At the end of the following year director Henry Hathaway was looking for an older, experienced actress for his film "Circus World" for the role of "Lili Alfredo", the mother of Tony Alfredo (played by Claudia Cardinale), and here comes the problem. First they offered María Félix the role of "Lili Alfredo" playing the mother of "Tony" but the popular 'María Bonita' expressed herself saying: "I will not play the role of the mother of a novice actress" since she found out that Claudia would be the protagonist.

To María Felix's petulant refusal; the director Henry Hathaway did not know who to offer and this was known to John Wayne (father of Claudia/Tony in the film as Matt Masters) to whom the director gave his trust so that he would not leave his 'daughter' Tony "orphaned" and Wayne contacted his dear friend the iconic Rita Hayworth and she kindly accepted without any differences with the new young protagonist Claudia Cardinale.

Filming began in September 1963 and concluded in February 1964 in Madrid, Spain, premiering that same year, being a great success at the time!

"One day Rita came into my caravan and started crying, something that disconcerted me and she told me: 'I was beautiful too one day'. It hurt me a lot because for me she was a goddess"

-Claudia Cardinale in "Essere Claudia", 2007.

Credits:

📷 Photographs, date and location information by Élie Kagan. 🎬 Gifs of "Circus World home movie" in Spain, 1964. Black and white gif is Claudia's sister Blanche Cardinale as her assistant.

#claudia cardinale #maria felix #rita hayworth #john wayne #henry hathaway #circus world #60s #1964 #actress #my gifs #facts #1964 movies #hollywood #classic hollywood #Élie kagan #blanche cardinale #vintage #quotes

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gatabella · 5 months

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"Of all the sirens of history, BRUNETTES are perhaps the most sensational— because they combine sensual appeal with mental strategy— a deadly combination. The brunette has the animal magnetism of a black panther and the logical brain of a chess champion. She is more subtle than either the blonde or the redhead, less impulsive, more determined. She has a will of iron and stops at nothing to gain her objective, whether it is a man or a throne. She's Nefertiti…She's Salome…She's Cleopatra…She is the moon goddess, luminous against the darkening winter skies. Her flower is the white orchid. Her jewel, the blood red ruby. When she wears pearls, she chooses the white tones that contrast with her hair. Her perfume, the heady exotic scents, like a witch's potion from the forest depths."

-Arlene Dahl

#dolores del rio #vivien leigh #hedy lamarr #elizabeth taylor #ava gardner #sophia loren #maria felix #gina lollobrigida #audrey hepburn #brunette #brunettes #quote #arlene dahl #old hollywood

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hotvintagepoll · 19 days

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Propaganda

María Félix (Doña Barbara, La Mujer sin Alma, Rio Escondido, La Cucaracha)—Maria Felix is still possibly the most well-known Mexican film actress. She turned down multiple-roles in Hollywood and a contract with Metro-Goldwyn-Meyer in order to take roles in Mexico, France, and Argentine throughout the 1940s, 50s, 60s. She was so famous and so respected as a dramatic actress that she inspired painters, novelists and poets in their own art--she was painted by Diego Rivera, Jose Orozco, Bridget Tichenor. The novelist Carlos Fuentes used her as inspiration for his protagonist in Zona Sagrada. She inspired an entire collection by Hermes. In the late 1960s Cartier made her a custom collection of reptile themed jewels. She considered herself to be powerful challenger of morality and femininity in Mexico & worldwide--she routinely played powerful women in roles with challenging moral choices and free sexuality. But even still, years after he death, she is celebrated with Google Doodles, and appearances in the movie Coco, and holidays for the anniversary of her death.

Marie Doro (Lost and Won)—I had never heard of this woman before the prelims a couple of weeks ago, but oh my GOD I have not been able to stop thinking about her since. Look at her!! She was often typecast as delicate, fragile types on stage and screen, but in real life she was "intelligent, an expert on Shakespeare and Elizabethan poetry, and possessed a penetrating humor and a sometimes acid wit"(!!!!) and known for bringing vibrancy and intelligence to all of her roles. Unfortunately most of her films have been lost, but she was considered a highly sought-after lead actress through the '20s, at which point she retired from acting. In her later years, she went back to school, taking university courses in theology, physics, metaphysics, and philosophy. She was also reportedly close friends with Maude Adams and Mercedes de Acosta, both known for their lesbian relationships, which has led some (me) (but also others) to speculate that she may have been lesbian or bi herself. She has a star on the Hollywood Walk of Fame! She was Charlie Chaplin's first love! She was so beautiful??? I want her to recite poetry for me while we picnic in the park.

This is round 3 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

María Félix:

She's Thee Hot Vintage Movie Woman of México. She's absolutely gorgeous and always looks like she's about to step on you. you WILL be thankful if she does.

"María Félix is a woman -- such a woman -- with the audacity to defy the ideas machos have constructed of what a woman should be. She's free like the wind, she disperses the clouds, or illuminates them with the lightning flash of her gaze." - Octavio Paz

María Félix is one of the most iconic actresses of the Golden Era of Mexican Cinema. La Doña, as she was lovingly nicknamed, only had one son, and when her first marriage ended in divorce her ex-husband stole her only child, so she vowed that one day she’d be more influential than her ex and she’d get her son back. AND SHE DID! María Félix rejected a Hollywood acting role to start her acting career in Mexico on her own terms with El Peñón de las Ánimas (The Rock of Souls) starring alongside actor, and future third husband, Jorge Negrete. She quickly rose to incredible heights both in Mexico and abroad, later on rejecting a Hollywood starring role (Duel in the Sun) as she was already committed to the movie Enamorada at the planned filming time. Of this snubbing she said, quote: “I will never regret saying no to Hollywood, because my career in Europe was focused in [high] quality cinema. [My] india* roles are made in my country, and [my] queen roles are abroad.” (Translator notes: here the “india” role means interpreting a lower-class Mexican woman, usually thought of indigenous/native/mixed descent —which she had interpreted and reinvented throughout her acting career in Mexico— and what abroad was typically considered the Mexican woman stereotype, with the braids, long simple skirts, and sandals. This also references the expectation of her possibly helping Hollywood in perpetuating this stereotype for American audiences that lack the cultural and historical contexts of this type of role which would undermine her own efforts against this type of Mexican stereotypes while working in Europe) She was considered one of the most beautiful women in the world of her time by international magazines like Life, París Match, and Esquire, and was a muse to a vast number of songwriters (including her second husband Agustin Lara,), artists, designers, and writers. Muralist Diego Rivera described her as “a monstrously perfect being. She’s an exemplary being that drives all other human beings to put as much effort as possible to be like her”. Playwriter Jean Cocteau, who worked with her in the Spanish film La Corona Negra (The Black Crown) said the following about her, “María, that woman is so beautiful it hurts”. Haute Couture houses like Dior, Givenchy, Yves Saint Laurent, Balenciaga, Hérmes, among others, designed and dressed her throughout her life. She died on her birthday, April 8, 2002, at 88 years old, in Mexico City. She was celebrated by a parade from her home to the Fine Arts Palace in the the city’s Historic Downtown, where a multitude of people paid tribute to her. Her filmography includes 47 movies from 1942 until 1970, and only two television acting roles in 1970. She has 2 music albums, one recorded with her second husband, Agustín Lara, in 1964 titled La Voz de María y la inspiración de Agustín «The voice of María and the inspiration of Augustín», and her solo album Enamorada «In Love» in 1998. Her bespoke Cartier jewelry is exhibited alongside Elizabeth Taylor’s, Grace Kelly’s and Gloria Swanson’s. In 2018, Film Director Martin Scorsese presented a restored and remastered version of her film Enamorada in the Cannes Classics section of the Cannes Festival and Google dedicated a doodle for her 104th birthday. On august 2023 Barbie added her doll to the Tribute Collection.

Marie Doro:

Unfortunately nearly all of Marie Doro’s movies are lost, and I don’t know a lot about her, but as soon as I came across Marie for the first time, I fell in love with her. The early Edwardian era is my favourite decade for fashion, and Marie wears it all so well! In every photo she looks like an angel made out of porcelain, too perfect to be real. She was Charlie Chaplin’s first love, and he remained in love with her for years after their first encounter, and let’s be honest, who can blame him? He said about her in his biography:

‘She was so devastatingly beautiful that I resented her. I resented her delicate, pouting lips, her regular white teeth, her adorable chin, her raven hair and dark brown eyes. But, oh God, she was beautiful! It was love at first sight. At the theatre I would time the moment that she left her dressing room so as to meet her on the stairs and gulp 'good-evening.' When I met Marie Doro again, it was like the second act of a romantic play. After we were introduced I said: 'But we've met before. You broke my heart. I was silently in love with you.' Marie, looking as beautiful as ever, said: “How thrilling”.

Doro retired from filmmaking in the 1920s and became very reclusive after that, so unfortunately there’s hardly any footage of her to watch. I feel sad that more people don’t know who Marie Doro is, because she’s very important to me.

Linked gifset to see Marie in action