#marketing analysis

[digital12marketing]

Convert your business into a brand With Digital Marketing.

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#Graphics Design #Mobile App Development #Web Development #Marketing Analysis

[santoshreportprime]

Molecular Clostridium Difficile Diagnostic Equipment Market Size,Type, segmentation, growth and forecast 2023-2030

Molecular Clostridium Difficile Diagnostic Equipment Market

The Molecular Clostridium Difficile Diagnostic Equipment Market is expected to grow from USD 345.00 Million in 2022 to USD 486.88 Million by 2030, at a CAGR of 4.40% during the forecast period.

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Molecular Clostridium Difficile Diagnostic Equipment Market Size

Molecular Clostridium Difficile Diagnostic Equipment is a type of diagnostic tool that uses molecular techniques to accurately detect the presence of Clostridium difficile in patient samples. The market research report focuses on the market segment based on type and application, specifically portable and desktop equipment used in hospitals and clinics, diagnostic laboratories, and other settings. The report also provides information on regional market trends in North America, Asia Pacific, Middle East, Africa, Australia, and Europe along with key market players such as Roche, Thermo Fisher Scientific, Merck, Pfizer, Actelion Pharmaceuticals, Abbott Laboratories, Trinity Biotech, Summit Therapeutics, Baxter International, Sanofi, Novartis, and AstraZeneca. Regulatory and legal factors specific to market conditions are also discussed.

Molecular Clostridium Difficile Diagnostic Equipment Market Key Players

Roche, Thermo Fisher Scientific, Merck, Pfizer, Actelion Pharmaceuticals, Abbott Laboratories, Trinity Biotech, Summit Therapeutics, Baxter International, Sanofi, Novartis, AstraZeneca

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Molecular Clostridium Difficile Diagnostic Equipment Market Segment Analysis

One of the latest trends in the Molecular Clostridium Difficile Diagnostic Equipment market is the development of portable diagnostic devices that can be used in the point-of-care settings. These devices have a smaller footprint and can provide rapid and accurate results, which helps in the timely treatment of the infection.

Recommendations from the report include increasing awareness about the benefits of molecular diagnostics, improving access to affordable diagnostic equipment in emerging economies, and investing in research and development in the Molecular Clostridium Difficile Diagnostic Equipment market to promote innovation and growth.

This report covers impact on COVID-19 and Russia-Ukraine wars in detail.

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Key Applications:

Hospitals & Clinics

Diagnostic Laboratories

Others

Key Product Type:

Portable

Desktop

Information is Sourced From:https://www.reportprime.com/molecular-clostridium-difficile-diagnostic-equipment-r11401

Contact Info:

Krishna Sharma

US:[phone]

Email:[email protected] 

Website:https://www.reportprime.com

#market research #marketing analysis #market growth

[digitalmarketingcompanychennaitn]

Google Ads Agency in Chennai

#digital marketing #online marketing #search engine optimization #social media marketing #marketing analysis #digital marketing consulting #marketing strategy

[reportprimeaashish]

Medical X-Ray Tube Market Size, Type, segmentation, growth and forecast 2023-2030

Medical X-Ray Tube Market

The Medical X-Ray Tube Market is expected to grow from USD 1.30 Billion in 2022 to USD 1.80 Billion by 2030, at a CAGR of 5.00% during the forecast period.

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Medical X-Ray Tube Market Size

Medical X-Ray Tube is a crucial component in diagnostic imaging used to produce X-rays for medical purposes. The global Medical X-Ray Tube market research report provides segments based on type including Stationary Anode Medical X-Ray Tube and Rotating Anode Medical X-Ray Tube, as well as applications including Dental, Mobile C-Arm, DR, CT, Mammography Systems, and Others. The report also covers market players like GE, Varex Imaging (Varian), Canon Electron (Toshiba), Siemens, Dunlee, IAE, Hangzhou Wandong, Oxford Instruments, Kailong Medical, Keyway Electron, and Sandt in regions like North America, Asia Pacific, Middle East, Africa, Australia, and Europe. Furthermore, the report highlights regulatory and legal factors specific to market conditions. These factors include the rising demand for digital technologies, especially in regions such as North America and Europe, and the increasing preference for minimally invasive procedures. Additionally, the report highlights factors such as high costs of equipment and stringent regulations related to radiation safety.

Medical X-Ray Tube Market Key Player

GE

Varex Imaging (Varian)

Canon Electron (Toshiba)

Siemens

Dunlee

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Medical X-Ray Tube Market Segment Analysis

The Medical X-Ray Tube market has been witnessing unprecedented growth owing to the increasing requirement for diagnostic imaging in the field of healthcare. The market is expected to grow further mainly due to the rising elderly population and increasing prevalence of chronic diseases. Imaging technologies have come a long way, and the demand for better resolution and improved image quality should drive growth in the market.

The major factors driving revenue growth in the Medical X-Ray Tube market include the increasing prevalence of chronic diseases, growing elderly population, and technological advancements in imaging equipment. In addition, the need for quick and accurate diagnosis in healthcare is also contributing to market growth.

The latest trends in the industry include the incorporation of AI in X-Ray imaging systems to improve detection accuracy, the development of portable X-Ray systems, and the increasing use of computed tomography (CT) scans.

However, the market is not without its challenges. The high cost of imaging equipment and associated procedures can limit market growth, along with the strict regulatory requirements of the healthcare industry. Additionally, the radiation exposure associated with X-Ray scans can deter patients from undergoing the procedure.

The report's main findings suggest that the Medical X-Ray Tube market is expected to grow significantly in the future, driven by increasing healthcare demands and technological advancements. However, the report also emphasizes the need for cost-effective imaging options and tackling the issue of radiation exposure to ensure continued growth of the market.

In conclusion, the Medical X-Ray Tube market is expected to witness notable growth in the coming years, driven by increasing healthcare demands and technological advancements. To ensure sustainable growth, the industry must focus on developing cost-effective options and addressing the issue of radiation exposure.

This report covers impact on COVID-19 and Russia-Ukraine wars in detail.

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Market Segmentation (by Application):

Dental

Mobile C-Arm

DR

CT

Mammography Systems

Information is sourced from www.reportprime.com

#business #market growth #marketing strategy #marketing analysis #market research

[lediz-watches]

Dragon Age: Additional Material

I’ve been playing Dragon Age again… multiple times… through DA:O and DA2, but not Inquisition because ugh. And it’s been making me think about marketing, and The Dragon Age Problem.

I would like to call it a Bioware Problem, but it’s not. Bioware does have many problems, but the one I’m dwelling on is pretty unique (within Bioware’s franchises) to Dragon Age – it’s about the multimedia marketing strategy. And don’t get me wrong, they are not alone in this strategy – a lot of producers think it’s a great idea. But I have yet to see it work with anything that is not aimed at selling children’s toys.

The general idea is this: you have one main form of media, which is your expensive driving force. It’s what you pour the money into, it’s what people spend the most money on. But then you use as many other (cheap) media forms as you can to add onto that, adding lore and story and depth, so that people will either seek out that other media, or pick up that media first and become drawn into the main driving force. The idea is that you hit as many things as possible to create a franchise. You’ll hit market share, you’ll have fans grow up with media, you’ll have die-hard fans buy everything regardless of quality, it expands, it grows, it generates income.

Think Hot Wheels, Barbie, Disney… Pokemon was the great success story in this strategy, because they have video games, the anime, multiple manga, trading cards, toys, books, playing cards, jewellery, clothing, homewares, food…

And people have grown up with pokemon, and they’ve given it to their kids, and it continues. So of course all producers think they should emulate Pokemon.

Dragon Age was always kind of intended to be a young adult take on this strategy. They weren’t shy about it. From the very beginning, Dragon Age was supposed to have comic books, novels, they were angling for TV deals, they desperately wanted an MMO to spawn… but they’re just not good at it. Partly because young adults don’t like buying anything, and Bioware’s main audience is young LGBT+ which uh… Pirate Audience, my friends. Partly because adults are not…

Kids are going to buy whatever has their favourite character’s face slapped on it. Quality isn’t as important, because chances are they’ll grow out of it before it breaks. So you can produce lots of cheap merchandise and mark it up and it will be gobbled up by the consumerist market because kids do that. Adults, on the other hand, have bills to pay and lives to live. You want us to buy merchandise, it better either be functional, really cool, or at least exceptional quality. So yeah, not great for consumerism.

So they focussed on additional media, and you see them pushing this agenda with Dreadwolf now, as they say ‘you have to read/watch/consume this extra stuff to understand the story!’

Don’t get me wrong, it doesn't not work. Some people will consume the additional media, but I’ve never heard of someone coming in to the franchise from these sources. And while I have seen people gush about the shipping (because Bioware knows their fanbase), outside that the most positive reaction I’ve seen to additional material is a kind of… begrudging acceptance. Like ‘yeah, well, I want to get as much lore as I can, so I guess I need this.’

And so I find it obnoxious, not just from a fan perspective, but also as someone on the edges of digital media production. Because in good marketing, additional material is advertising. You shouldn’t need to know everything to enjoy one aspect of the strategy, but everything should entice you to purchase the main product. That is good marketing.

In Pokemon, you can just watch the TV series. You do not need the games, but I cannot tell you how many adult fans I know who gave Pokemon Sun and/or Pokemon Moon a chance because XY&Z was a good show. But the two things were actually unrelated. And you don’t need to know anything about the franchise to enjoy the toys, but kids will watch the show or play the games to see their toys moving in real time.

Disney is dancing on a similar knife edge, actually. Because for decades, Star Wars was the proof of concept for what Pokemon perfected. You didn’t have to watch the movies. You didn’t have to watch the TV shows. You didn’t have to buy the toys, read the books, whatever, you could just enjoy a single piece of media for what it was, and chances were it would entice you back into watching those old movies. Whereas now… you can watch the first season of The Mandalorian without context. You might get a bit confused, but you can do it. In season two, there’s important characters who you’re clearly supposed know. I haven’t tried yet, but I’ve been told you can’t watch season three without watching The Book of Boba Fett, which relies on you having either watched The Mandalorian or read some of the books and arghhhh! I do not have time for this, Disney!

And marketers are so confused about why this strategy isn’t working. Clearly the pirates are to blame.

It’s been a long time since I’ve been in academia, but this is one of those areas that if I had gone down that path, I’d want to study. Because that disconnect between marketing and consumer strategy is fascinating.

But anyway, Dragon Age. I loved Dragon Age Origins. It remains my favourite game of all time. I enjoy the gameplay, building my characters, forming my team and weaving their growth together. I loved reading the lore, I love thinking about the world, I adore my Wardens and the impact they have on the people around them. I have three Wardens that I consider fully fleshed out characters, and three more that I dabble in for funsies.

I enjoy Dragon Age II. Hawke’s story is a beautiful tragedy filled with love and hope and characters I want to get to know. The gameplay is okay, though you’re really just jumping between dialogues, and the voice acting is incredible. I have two Hawkes that are fleshed out, and a third I dabble in because he's the follow-on from my favourite Warden.

I very barely tolerate Dragon Age Inquisition, because I actively dislike the Inquisitor, and I don’t really like the gameplay. The voice acting is beautiful (Freddie Prince Junior, where were you hiding that talent?!), but they tell a story I am not comfortable with. And frankly when I play the game I find Solas even more eye-roll inducing than DA2 Anders, so the fact Dreadwolf is named after him…

And now this line from Bioware about required reading? When I’ve always found the additional material subpar at best and demeaning to my babies at worst?

Look, I’m just saying that Outside Xbox is going to have to have some incredible sponsored content before I’m going to even consider picking up this game.

But—and this is my reason for writing this—Dragon Age lore does actually give itself to additional material that I would love to see. I want to know more about Maric’s story. I want an HBO or Paramount+ adaption of DA2. I wouldn’t mind an Amazon Prime animated series about the original Inquisitor.

Those are the stories I want. And I’m going to rant about them over on the main blog. Because there’s very little in the actual additional material that I enjoy consuming.

It could have been so good...!

#Dragon Age #DA:O #DA2 #dreadwolf #marketing analysis #critique #stop forcing me to engage with media #I have stuff to do #stop making me hate my favourite franchises!

[khruschevshoe]

You know, it's rather interesting to me that Taylor Swift's parasocial relationship with her fans is honestly more akin to a YouTuber than a writer's. When I scroll through her tag on tumblr/Twitter, it's far more regarding the connection to her personal life/relationship developments than the actual metaphors/fictional story she might be telling. Everything comes back to how her songs reflect back on her relationships with Joe/Matty/Travis/Jake/insert ex-boyfriend here. And what fascinates me about it is that even though she complains about it, she leans into that very perception because it strengthens the parasocial bond.

The marketing for TTPD so clearly being about Joe Alwyn and the songs to Matty Healy. The marketing/video for Red TV so CLEARLY being about Jake Gyllenhaal, with so many of the new lines in All Too Well specifically being digs at him (I'll get older but your lovers stay my age, casting an actor that looks like him for the video, specific lines in I Bet You Think About Me). The fact that songs like Getaway Car and Bejeweled and Gorgeous and London Boy and Lavender Haze being picked apart at time of release and long after for signs of relationships crumbling. The way she uses surprise songs in relation to her relationship development with Joe/Matty/Travis. The damn TTPD "stages of grief" playlists where she deliberately undid/changed the meanings of old songs just to keep her audience speculating on her love life.

It's not sexist to point out that her wielding her love life is a marketing tool and that the strongest connection to her audience isn't the strength of her writing/the composition of her music- it's her deliberate crafting of a connection between her music and her personal life, leaving the audience invested in her music as an extension of Taylor the Person/Girlfriend rather than Taylor the Artist.

#taylor swift #anti taylor swift #to an extent #i honestly just view this as an analysis of her marketing strategy #like hates off to her for being the best possible microcosm of parasocial capitalism #girlie really knew how to harness the teen girl market and good for her billionaire self #she knows how to exploit the very tabloid culture that once strangled her #how to become the tabloid itself #and wield that against ex-boyfriends too but you didn’t hear that from me #joe alwyn #matty healy #travis kelce #taylor swift critical #ttpd #red tv #i bet you think about me #getaway car #bejeweled #gorgeous #london boy #lavender haze

[communistkenobi]

I’m not a fanfiction rights warrior or anything but the discourse about how it’s actively making published literature worse is so stupid. if fanfiction is having a negative effect on the quality of published fiction, that impact is vastly outpaced by the economic reasons for why mass amounts of low quality garbage is being pumped into the fiction market. certain conventions of fanfiction (namely the use of trope and character tags) are being adopted by the industry not because fanfiction has some hegemonic influence on said industry but because those things are easily adaptable for search engine optimisation and marketing purposes. like what explanation sounds more plausible: fiction is being increasingly tailored to fit into various narrow category tags (“gay enemies to lovers slowburn coffee shop romance,” etc) because the consumer market has seen a rapid sea change in the past 5-10 years and now audiences all want to read what is essentially OC fanfiction that they also pay for, or because formulating books in that way makes keyword search optimisation on google and amazon way easier to market low-effort schlock to people? this is not a new phenomenon and blaming end-users for the state of the industry is basic cart-before-horse reasoning. you can dislike fanfiction and find the people obsessed with it annoying, but the relatively niche space those people occupy online is not structurally responsible for books being more shitty than usual lately

#marvel fans are not the reason the MCU is dogshit. etc #consumers can be stupid and the industry can be predatory and low effort. both those things can be true #this is even true for fic converted into published lit. like the fact that it’s low effort shit with the serial numbers filed off #is a result of the market encouraging that behaviour. not people collectively getting stupider #like come on man. this is bad analysis #if a single person is annoying on this post I’m turning off reblogs #note hell

[aha-chuu]

Kaveh's Drip Marketing

I have a lot to say about the connections between the Kaveh info that released today and Alhaitham (and what we know about their relationship with each other). I'm not looking at this in a romantic way necessarily, but just in how tightly knotted their characters are with one another.

First, Kaveh's title and description:

"Empyrean Reflection", or more simply, 'Heavenly Reflection'. This ties to his constellation, "Paeadisaea", which is the genus for the birds of paradise. 'Paradise' is a more general term for Heaven, but neither of these are particularly divine in nature in a deity sense. Personally, I think they might be denoting a reference to the Golden Ratio, AKA: Divine Proportion. It's a mathematic concept often used in artistry, which matches well with Kaveh's archectural design profession and his education from the Ksharewar Darshan, which is the Sumeru school of technology.

So that's what it means for Kaveh's own characterisation/lore imo, but it also links to Alhaitham. Firstly, Alhaitham's constellation is also a bird (Vultur Volans, or essentially 'vulture' even though his name means hawk), which is a nice match to Kaveh's birds of paradise. But more interestingly, this is what Alhaitham's Character Story 4 has to say about why he lets Kaveh live with him:

He views Kaveh as a "mirror". What is Kaveh's title again? "Empyrean Reflection".

And the mirroring is all over the place. Here's a section from Alhaitham's drip marketing from December:

He is

Largely unknown

Only puts in the minimum effort required to do his job

People don't pay attention to him

In contrast, here is a corresponding section that came out with Kaveh's drip today:

He is

Extremely well known

Incredibly hardworking

People pay attention to him even when he isn't asking for it, as a by-product of his career

Basically exact opposites; complete mirrors. Here's something else, first from the end of Alhaitham's description and then second from the end of Kaveh's:

Alhaitham's life is super comfortable, ideal in every way he desires. Meanwhile Kaveh is practically crippled by anxiety, made uncomfortable by his life circumstances. The wording itself is mirrored!

Ofc, Kaveh and Alhaitham provide one another's corresponding quotes in the drip marketing. Here is what Kaveh has to say about Alhaitham:

This is an amusing quote, basically a backhanded compliment of "oh he's very smart but he's too self-centred so his talents are made worthless since he never uses them to help others". Alhaitham's quote about Kaveh goes like this:

Alhaitham is a little more wordy so I'll simplify -

Talented people have a lot of outside pressure on them, which can be a burden

However, letting other people get you down is a character flaw, not an inherent part of being talented

Kaveh disagrees

Once again talking about an individual's talents and how worthwhile they are in the context of a society. Where Kaveh complains that Alhaitham can never accomplish anything worthwhile with his skills because he doesn't take other people into account, Alhaitham argues that Kaveh gets nothing done as a consequence of listening too much to other people's expectations. It's not surprising, then, that Kaveh is bankrupt but successful and Alhaitham is comfortable but unknown.

It's like - can these two stop talking about each other for five minutes? Anyway, this post turned out to be more of a collection of Kavetham quotes, but I think it's hard not to draw comparisons. I'm looking forward to seeing Kaveh's actual voicelines if there's this much material just from one marketing post lol

#alhaitham #kaveh #genshin impact #al haitham #kavetham #haikaveh #drip marketing #theory? #analysis #i love these two #idk if Kaveh's title being reflection is supposed to relate to Alhaitham's whole mirror thinh #which BTW Alhaitham's whole kit is about maintaining as many mirrors as possible #like what babe you need your bf? #anyway #this much cannot be a coincidence #and while it's certainly not inherently romantic #there is something to be said for the intimacy of being your roommate's perfect reflection

[biblicalhorror]

Has anyone addressed the fact that laszlo and nadja had matching hair highlights AGAIN in the finale but this time they were blue

#i clocked it immediately #i need someone to gif them for me bc idk how #but i feel like theres something there with color analysis and the red highlights showing up when nandermo is fighting #(night market + i think the most recent time was when nandor told guillermo they didnt need him? i could be wrong) #but then these new blue highlights showing up when nandermo fighting is what everyone expects #but instead we get an episode filled with nandor gently caring for and protecting guillermo #and overall just an episode about how much they all care for one another #but its tinged with longing and distance because to be a vampire means you have to keep everyone you love at arms length #i wish i knew how to make gifs so that i could do so much analysis based on the hair and wardrobe of this show. theres so much there #wwdits

[embracing-the-ineffable]

Good Omens, staying skeptical, and the mystery and the lie at the heart of Gravity Falls

-Neil Gaiman, 29 June 2023

I recently came across this post by @apathetic-revenant, which goes into extensive detail about a whole secret meta lie generated by Alex Hirsch, creator and head writer of Gravity Falls, midway through the show.

It went like this: the show was very focused on mysteries, codes, ciphers, etc, and early on a character discovered a mysterious journal with an unknown author, and this drove the plot. There were clues placed in the show so that people could solve the journal author's identity, or more probably so that it would all make sense in hindsight after the big reveal. However, the show ended up with a larger-than-expected fandom who started organizing online in a way the creators hadn't expected or planned for, and they were worried everyone would collectively solve the mystery too easily, too soon, and the suspense and appeal of the story gradually unfolding would be lost.

So they took a fake BTS photo that appeared to reveal the journal's author and "leaked" it online. To give it credibility, the show's creator posted "Fuming right now" and then deleted the post soon after, once they were certain it had been seen and screenshots taken. The Gravity Falls fandom then stopped trying to solve the mystery, as they believed the answer had already been revealed. It was a solution "targeted toward delaying that group problem-solving, without actually affecting the experience of any individual person watching the show."

Ok, Good Omens fandom. Are we Gravity Falls all over again? Are we also experiencing meta lies?

Is it possible that Amazon's marketing department has just released a new promotional video about Aziraphale & Crowley's "timeline of interconnectedness" (discussions here and here ) where they honestly:

got several of those timeline dates wrong, including labeling the entirety of seasons 1 and 2 as belonging to the same year?

mixed all the season 1 and 2 clips together so they're completely interconnected and out of the order they were presented to us so far?

didn't consult with Neil Gaiman for even a moment to be sure they had their facts straight? (Or literally anyone else who's spent years working on it? Or even someone who has just watched it once while paying attention?)

didn't understand the way most series tell a story by moving through time in a realistic linear fashion?

When Neil said today that "time is fine" in response to questions about the timeline of interconnectedness video, was he trying to misdirect the fandom away from the mystery that's clearly hidden throughout both seasons (and especially season 2)?

The Good Place seems suddenly more relevant than I'd imagined:

Neil has told us that his Tumblr posts aren't canon. He's also said:

"Never trust the storyteller. Only trust the story."

"Writers are liars, my dear, surely you know that by now? And yet, things need not have happened to be true. Tales and dreams are the shadow-truths that will endure when mere facts are dust and ashes, and forgot." -Both quotes are from The Sandman [link]

So here's my plea to whichever part of the fandom might read this: Stay Skeptical. It's wonderful to talk to Neil about his characters, the worlds he's created, his writing process, his views on world events, his sense of humor, his kindness, his compassion and empathy, and his good advice & encouragement for the entire range of the human experience. I respect him very much, and I'm thrilled he's here on social media talking to all of us. (Except he doesn't have social media, obviously. He's like Schrödinger's Social Media Neil-cat.)

I'm looking forward to all the surprises I'm certain are in store for us (and Aziraphale and Crowley) in Good Omens season 3. I trust Neil (and Terry!) to deliver our beloved characters to a very satisfying ending. But I don't trust Neil to honestly answer all of our questions on social media - and neither should you.

Especially not when he's already blamed obvious season 2 changes to the Bentley on the "lighting" (as just one example).

With lots of thanks to the members of the @ineffable-detective-agency - including @bbbitchvibbbez, @kimberleyjean, @maufungi, @noneorother, @theastrophysicistnextdoor, and @thebluestgreen for all their excellent fact-checking, ideas, and discussions!

Interested in diving further into all the Good Omens mysteries? I have more posts plus Clues and metas from all over the fandom, here.

#ineffable mystery #stay skeptical #meta lying #writers are liars #we're all detectives in this fandom #ineffable fandom #good omens fandom #good omens #good omens meta #good omens analysis #good omens speculation #good omens theory #neil gaiman #neil gaiman quotes #gnu terry pratchett #terry pratchett #gravity falls #alex hirsch #amazon prime #amazon marketing #good omens season 3 #good omens season 2 #good omens season 1 #aziraphale #crowley #south downs cottage #Schrödinger's Social Media Neil-cat

[mycurrentobsessionis]

I get why people are so mad at Milo, I really do...

(spoilers for The Night Market)

But, first of all, accidently summoning fucking Cthullu because you literally Do Not Know how to do your job is, uh, relateable somehow. Then proceeding to stab Cthullu because you panicked is objectively funny. Like. I got over the initial shock of that ending (because wtf, Milo?!?!?), and the confusion (like what did I do to get the bad ending???), and then it was ALL laughs. Like, daaaaamn, Malcolm is gonna be pissed, dude!

Legit, Milo isn't even malicious here, y'know? He's, like, a horse loose in a hospital -- he's just as confused as you are! He's never been in a hospital before!

Also, on a serious note, it's like, fair enough, okay. Because Hazel won't leave the Market, because she won't leave without Malcolm (living, dead, or undecided). Malcolm either can't or won't leave. Every probably can't leave. Milo probs doesn't care if he dies, but that's his family. And, I mean, the MC was dying irregardless. In his brain, this was the thing that would save them, too. All he had to do was give up their trust and love (platonic or otherwise), and they walked away. Limping and heartbroken, sure, but alive. Not saying it's fair, but you know. People do massively fucked up shit for love and for fear, and Milo has both. What he does is selfless from a certain point of view -- he gave up the affection and goodwill (that he probably thinks he doesn't deserve anyway), and everyone lives. He loved them all enough to lose them. And yeah, it was in fucked up way that is not the way to do shit, but.

As a future trauma-informed clinician, Milo's brain is legitimately built different. That man is on fight-or-flight 24/7, and I'm not convinced he isn't in a manic episode for at least part of the book. We know he's not sleeping and is drinking pretty heavily toward the end. That does not bode well.

Honestly, it was a shocker ending only because I didn't expect the author to go there, but it makes sense. This is a severely mentally ill man who spent ten years literally carrying the weight of the world on his shoulders, on top of his own unprocessed grief and trauma, and trying to make sure his equally mentally ill friend is alright, and sort of single-parenting a dead child. Then you have the fact that he was meeting pretty regularly with Baron fucking Palpatine, who was probably manipulating him. And yeah, you can say that he's a grown man but... When you live your life focused on survival, you literally do not develop the kind of executive functioning skills you need to withstand that shit. You can develop them later in life, but it is significantly more difficult.

In a lot of cases, I do not argue for mental illness being a defense for the kind of fuckery that he got up to, but shit, man. Milo has such a deep-seated sense of self-loathing, and the amount of vitriol thrown against him so intense and utterly unsympathetic. The whole cast uses the MC for their own ends. They all put the MC at direct risk. At least Milo believes he's saving them.

Anyhoo... romanced him because Zinnia won't let me play as his therapist LOL.

#milo next #character analysis #the night market #the night market if

[santoshreportprime]

Global Digital Temperature and Humidity Sensor Market Size growth, trend, opportunity and forecast 2023-2030

Global Digital Temperature and Humidity Sensor Market

The Digital Temperature and Humidity Sensor Market is expected to grow from USD 611.00 Million in 2022 to USD 1502.04 Million by 2030, at a CAGR of 11.90% during the forecast period.

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Global Digital Temperature and Humidity Sensor Market Size

A digital temperature and humidity sensor is a device that measures the temperature and humidity of a specific environment and provides its values in digital form. The digital temperature and humidity sensor market research report includes various market segments based on the type of sensor (analog output or digital output), application (automotive, aerospace & defense, textile industry, and others), and region (North America, Asia Pacific, Middle East, Africa, Australia, and Europe). The major market players in this segment include Sensirion, Amphenol, Honeywell, Bosch, Silicon Labs, TE Connectivity, Texas Instruments, STMicroelectronics, ALPS, Invensense, Infineon Technologies, Robert Bosch, TDK, NXP Semiconductor, Continental AG, Murata, Delphi Automotive, Analog Devices, Omron, Panasonic, QTI Sensing Solutions, and Sensata Technologies. The report also covers information on regulatory and legal factors specific to market conditions. Regulations and legal factors play an essential role, particularly in the development and approval of sensors within the market, such as compliance with environmental regulations and safety standards.

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Global Digital Temperature and Humidity Sensor Market Key Players

Sensirion

Amphenol

Honeywell

Bosch

Sillicon Labs

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Global Digital Temperature and Humidity Sensor Market Segment Analysis

One of the latest trends followed by the Digital Temperature and Humidity Sensor market is the integration of wireless connectivity technologies, which enables real-time monitoring and data sharing between connected devices. Additionally, with the growing adoption of IoT and digitalization, these sensors are becoming an essential component in smart cities and industrial automation.

However, the market also faces several challenges, such as high costs associated with advanced sensors and the need for frequent calibration and maintenance. Moreover, the lack of standardization and compatibility issues with legacy systems can also hinder market growth.

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Global Digital Temperature and Humidity Sensor Market Key Applications

Automotive

Aerospace & Defense

Textile industry

Other

Global Digital Temperature and Humidity Sensor Market Key Product Types

Analog Output

Digital Output

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Contact Info:

Krishna Sharma

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Email:- [email protected]

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[reportprimeaashish]

Medical Face Masks Market Size, Type, segmentation, growth and forecast 2023-2030

Medical Face Masks Market

The Medical Face Masks Market is expected to grow from USD 16.40 Billion in 2022 to USD 21.10 Billion by 2030, at a CAGR of 3.60% during the forecast period.

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Medical Face Masks Market Size

The medical face masks market research report analyzes the global market segment based on types such as medical N95 masks, medical surgical masks, and general medical masks, along with applications such as individual, hospital, and clinic. The market segments also include different regions worldwide, such as North America, Asia Pacific, Middle East, Africa, Australia, and Europe, and the key market players operating in the industry like 3M, Honeywell, Unicharm, Kimberly-Clark, KOWA, UVEX, CM, Te Yin, Japan Vilene Company, Shanghai Dasheng, Winner Medical, Suzhou Sanical, Sinotextiles, Irema, DACH Schutzbekleidung, Tamagawa Eizai, KOBAYASHI Pharmaceutical, Cardinal Health, Molnlycke Health, Owens & Minor. Regulatory and legal factors that pertain to market conditions and are unique to this industry are also included to provide a comprehensive and all-encompassing report.

Medical Face Masks Market Key Player

3M

Honeywell

Unicharm

Kimberly-clark

KOWA

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Medical Face Masks Market Segment Analysis

The Medical Face Masks market is a segmented market with various target groups, including healthcare professionals, the general public, and industrial workers. The growth of the healthcare industry has been a major factor driving revenue growth in the Medical Face Masks market. The outbreak of the COVID-19 pandemic has increased the demand for Medical Face Masks globally, creating an urgent need for protective gear. This increased demand is expected to continue in the future, even after the pandemic has subsided, as there is growing awareness about the importance of personal protective equipment (PPE) in preventing the spread of infectious diseases.

The latest trend in the Medical Face Masks market is the introduction of reusable and eco-friendly face masks that are more sustainable and cost-effective. Manufacturers are investing in R&D to produce innovative face masks that cater to the needs of different customers. The demand for N95 respirators has also increased due to their high filtration capabilities, and manufacturers are ramping up production to meet the growing demand.

The major challenge faced by the Medical Face Masks market is the availability of raw materials and the high cost of production due to the shortage of resources. Moreover, the increased competition in the market has led to a price war among players, leading to a decline in profit margins. Additionally, the surge in demand has led to counterfeiting and piracy, leading to quality issues, affecting the reputation of the brand and reducing customer loyalty.

According to the report, the Medical Face Masks market is expected to grow at a CAGR of 8.5% during the forecast period, 2021-2026. The report recommends that manufacturers focus on developing eco-friendly products, investing in R&D to produce innovative products, and expanding their geographical presence to remain competitive. The report also suggests that manufacturers invest in automation and digitization to reduce production costs and enhance quality control. Furthermore, the report recommends that companies prioritize customer satisfaction and invest in building strong relationships with suppliers to ensure smooth supply chain management.

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Market Segmentation (by Application):

Individual

Hospital & Clinic

Information is sourced from www.reportprime.com

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[hmfaysal99]

New Business Marketing Tips And Tricks for Success

Starting a new business can be an exciting endeavor, but it also comes with its fair share of challenges, especially in the competitive landscape of today's market. Effective marketing is crucial for the success of any new venture. Here are four essential marketing tips and tricks to help your new business thrive.

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Paid advertising on social media can also be a cost-effective way to reach a broader audience. Platforms like Facebook, Instagram, and LinkedIn offer targeting options that allow you to reach users who match your ideal customer profile.

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In conclusion, effective marketing is essential for the success of any new business. By defining your target audience, creating compelling content, leveraging social media, and continuously monitoring and adapting your strategies, you can position your new business for growth and long-term success in a competitive market. Remember that success may not come overnight, but with persistence and the right marketing approach, your new business can thrive.

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[raayllum]

One thing I noted watching The Dragon Prince is that the intro splits the same continent in half with the elves/humans so they started with the same amount of magical animals/plants each. There’s still some magical animals the human side but their presence is far, far reduced comparatively so do you think that’s specifically because of dark magic harvesting leading to more “normal” to our eyes species dominating?

I’m fairly surprised there isn’t a visibly established livestock industry’s for magic animals too (that way say your lunar moths can be renewably hatched each year, or a sheep population equivalent kept etc).

You seem very immersed in much of the lore so thought it’d be fun to at least pose as a query.

I think there's a few different things here to consider (that we'll probably never get a definitive answer on) but this is my best guess + what we do know about how dark magic operates:

Both regular animals and magical creatures can be used for dark magic. We know this because we've seen human blood be used in a couple of spells, Claudia puts grasshopper goop in Soren's mouth (2x08), and then later uses the deer in its entirety to undo Soren's paralysis.

That said, it does seem that magical creatures are more potent and preferred for dark magic spells. This makes sense - while you can use the life essence of anyone/anything for dark magic, creatures with magic inside them (any arcanum) are inevitably going to have more to "squeeze out" than a non magical creature would.

With that in mind, I think canon gives us a few answers and subtextual clues.

The most important one is something Viren refers to 2x05 (which has haunted me ever since), in which he cites that, "After centuries of fighting amongst ourselves, the five human kingdoms finally found balance, an era of peace." The Book 2 novelization gives a little more information about this period on conflict, explaining that "The first summit of the Pentarchy had been held centuries ago, and it had brought an end to the Mage Wars and created the modern order of the human kingdoms" (Ch17).

We don't know, of course, if this is precisely the same period of time. Maybe by helping to imprison Aaravos (and presumably disposing of the last king of Katolis), the Orphan Queen likewise helped put an end to the mage wars. Maybe she only came on the scene centuries after the mage wars! Who knows. "Held centuries ago" could mean three, which matches up with the Orphan Queen / Aaravos imprisonment timeline (and no more mister startouch elf preying on mages) or it could go back closer to 700-800 years. We'll just have to wait and see if we ever get more details!

Regardless, the Mage Wars and the fact they were likely fuelled by dark magic, since it was humans fighting amongst themselves, might answer why we see so few (known) magical creatures in the Human Kingdoms other than maybe glow toads: mages went after the most potent magical ingredients during the fighting, and reduced those numbers to virtually nonexistent or extinct.

I would imagine before the Mage Wars / even before Xadia split, maybe, more magical creatures were held and domesticated as livestalk. (Elves certainly do keep some animals as pets, such as Janai's flying hot cat, though I'd expect something like a Moonstrider to maybe have evolved as a sort of hunting companion.) However, humans on the eastern side and elves on the western side were likely forced to abandon any farms / communities they had in regards to animal care when the Exile / Schism happened. Information and resources might've been lost, as animals on one side of the continent were likely different compared to others, although some humans (who already lived in the west) and some elves (who already lived in the east) wouldn't have had to have moved.

That said, I think the simplest and shortest answer is just that there's not a lot of mages within TDP's world. For each group of people, we see a lot more warriors or diplomats than mages and they don't seem to regularly be employed in the military of kingdom we've seen, Sunfire or Pentarchy troops or otherwise. We can also guess that in the Pentarchy due to the specificity of the ingredients needed, sometimes, that Katolis by virtue of being closest to the Border would be primed to have the most dark mages and dark mage traffic / travellers (although I've HC'd that Evenere due to its isolation has a fair bit of lingering magic more than say Del Bar or Duren). But due to the amount of knowledge and ingredients required to seemingly do most dark magic spells, as well as the toll it takes on the body, I think it makes sense that most people wouldn't have the interest, access, or ability to pursue that kind of path when there's plenty of others that are less gruelling / easier

Magic is everywhere, and small pieces of magic (like Ruthari's moon opals) are everywhere, but outside of the specific skillsets of each primal (Moonshadow illusion spells and forgery, maybe cooking, forgery and healing for Sunfire elves) it doesn't seem like magic is something they readily depend on for food or livestock in their day to day lives. And if that's not the case for the majority in Xadia (only used in times of crisis, etc), I can see that need plummeting in the Human Kingdoms simply because it takes a lot more time/energy to maintain than might be necessarily utilized because of the low demand

This was all long winded speculation and hopefully mostly coherent. If you're interested in more deep dive worldbuilding thoughts I'd really recommend some of @kradogsrats stuff as it's great and a lot more eloquent / all encompassing tbh

#worldbuilding #dark magic #headcanons #darkwinganimus #tdp #the dragon prince #requests #analysis series #analysis #it's hard cause something like a banther COULD be a magical creature we just don't Know #and the giant fish clearly is (hi ocean arcanum) #i think the pentarchy has a much more consistent black market for dark magic parts #moving through katolis to the rest but again #more narrow and underground > built into society #tag ramble

[smolstarthief]

I keep thinking about this particular part of her false awakening where she looks down at her hands in what looks like shock/fear and it keeps going back to my previous thoughts about how her red gloves can be symbolic of her unconsciously thinking she has her twin sister's blood on her hands...

Adding to that is a shot of a close up of her gaining the gloves during the magical girl sequence.

Like she's still running from the truth and problem by unknowingly (but then knowingly in 3rd Semester) continuing to live a lie. But her true cognition and inner rebel I guess said, "nope." Can definitely add more to Cendrillon's behavior too!

Just- Urgh the brainrot is back because she's so tragic and fucked up and I loved it!

#persona 5 #p5 #persona 5 royal #p5r #starchild rambles #p5r spoilers #sumire yoshizawa #kasumi yoshizawa #i feel like if the fandom starts to acknowledge how fucked up she was then there wouldn't be so much fighting #because that's what makes her interesting! Atlus were just massive cowards for the sake of marketability #ramblings #character analysis