Good Omens, staying skeptical, and the mystery and the lie at the heart of Gravity Falls
-Neil Gaiman, 29 June 2023
I recently came across this post by @apathetic-revenant, which goes into extensive detail about a whole secret meta lie generated by Alex Hirsch, creator and head writer of Gravity Falls, midway through the show.
It went like this: the show was very focused on mysteries, codes, ciphers, etc, and early on a character discovered a mysterious journal with an unknown author, and this drove the plot. There were clues placed in the show so that people could solve the journal author's identity, or more probably so that it would all make sense in hindsight after the big reveal. However, the show ended up with a larger-than-expected fandom who started organizing online in a way the creators hadn't expected or planned for, and they were worried everyone would collectively solve the mystery too easily, too soon, and the suspense and appeal of the story gradually unfolding would be lost.
So they took a fake BTS photo that appeared to reveal the journal's author and "leaked" it online. To give it credibility, the show's creator posted "Fuming right now" and then deleted the post soon after, once they were certain it had been seen and screenshots taken. The Gravity Falls fandom then stopped trying to solve the mystery, as they believed the answer had already been revealed. It was a solution "targeted toward delaying that group problem-solving, without actually affecting the experience of any individual person watching the show."
Ok, Good Omens fandom. Are we Gravity Falls all over again? Are we also experiencing meta lies?
Is it possible that Amazon's marketing department has just released a new promotional video about Aziraphale & Crowley's "timeline of interconnectedness" (discussions here and here ) where they honestly:
got several of those timeline dates wrong, including labeling the entirety of seasons 1 and 2 as belonging to the same year?
mixed all the season 1 and 2 clips together so they're completely interconnected and out of the order they were presented to us so far?
didn't consult with Neil Gaiman for even a moment to be sure they had their facts straight? (Or literally anyone else who's spent years working on it? Or even someone who has just watched it once while paying attention?)
didn't understand the way most series tell a story by moving through time in a realistic linear fashion?
When Neil said today that "time is fine" in response to questions about the timeline of interconnectedness video, was he trying to misdirect the fandom away from the mystery that's clearly hidden throughout both seasons (and especially season 2)?
The Good Place seems suddenly more relevant than I'd imagined:
Neil has told us that his Tumblr posts aren't canon. He's also said:
"Never trust the storyteller. Only trust the story."
"Writers are liars, my dear, surely you know that by now? And yet, things need not have happened to be true. Tales and dreams are the shadow-truths that will endure when mere facts are dust and ashes, and forgot."
-Both quotes are from The Sandman [link]
So here's my plea to whichever part of the fandom might read this: Stay Skeptical. It's wonderful to talk to Neil about his characters, the worlds he's created, his writing process, his views on world events, his sense of humor, his kindness, his compassion and empathy, and his good advice & encouragement for the entire range of the human experience. I respect him very much, and I'm thrilled he's here on social media talking to all of us. (Except he doesn't have social media, obviously. He's like Schrödinger's Social Media Neil-cat.)
I'm looking forward to all the surprises I'm certain are in store for us (and Aziraphale and Crowley) in Good Omens season 3. I trust Neil (and Terry!) to deliver our beloved characters to a very satisfying ending. But I don't trust Neil to honestly answer all of our questions on social media - and neither should you.
Especially not when he's already blamed obvious season 2 changes to the Bentley on the "lighting" (as just one example).
With lots of thanks to the members of the @ineffable-detective-agency - including @bbbitchvibbbez, @kimberleyjean, @maufungi, @noneorother, @theastrophysicistnextdoor, and @thebluestgreen for all their excellent fact-checking, ideas, and discussions!
Interested in diving further into all the Good Omens mysteries? I have more posts plus Clues and metas from all over the fandom, here.
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Crowley and Aziraphale's communication in the final 15 is bad, but going back through the season I've realized it's even more prevalent than I thought…
not all of these miscommunications are a problem, but they barely have one interaction that doesn't include some form of lack of communication, so I thought it was worth highlighting the pattern
List under the cut, analysis at the end
Aziraphale doesn't tell Crowley about the naked man, Nina does
Aziraphale doesn't tell him it's Gabriel, he tell him it's Jim, Crowley sees it's Gabriel
"I feel like your exactly and my exactly are different exactlys" (aka miscommunication- assuming they're on the same page when they're not)
Cowley doesn't tell Aziraphale the stakes, that he could be erased from the book of life for helping Gabriel
The Apology dance is literally dancing around the issue. He doesn't want to apologize because he doesn't believe he is in the wrong, but they never talk through it, they just move forward
"Ah, we're going to the pub!" As they're walking in the door. so Aziraphale didn't tell him where they were going, he just lead him there??
Aziraphale and Crowley don't agree on how to get Nina and Maggie together, but they go ahead and execute their own plans without discussing it further. Crowley does ask "I'm lost, am I doing a rainstorm?" but Aziraphale has already moved on and doesn't answer him. He's already decided the ball is the better option, but he doesn't communicate that. Later, Crowley tries to tell Aziraphale about his plan with the rainstorm, but Aziraphale ignores him. "You don't want to hear about my plan?" Then when Crowley tells him the rainstorm plan was a bust, Aziraphale has no idea what he's talking about.
After telling Crowley about the Clue, Aziraphle doesn't let them discuss it at all. He literally cuts Crowley off from asking any questions about it "no! not another word."
When Aziraphale asks to take the Bentley, he doesn't really ask, he's telling Crowley he's going to take it. Crowley says no indirectly "You can't drive my Bentley." Aziraphale explains that he can drive because he has a license. So Crowley says "No" plainly. Aziraphale ignores him. Crowley says "No" again, louder, clearer, slaps Aziraphale's hand away, but Aziraphale still ignores him.
When Aziraphale tells Crowley what he learned about Gabriel in Edinburgh, they never discuss it fully because Crowley cuts him off to execute his rainstorm that they've also never fully discussed.
Neither Aziraphale or Crowley tell the other that Shax confronted them. More importantly, Aziraphale doesn't tell Crowley that Shax tricked him into revealing that Gabriel is in the bookshop.
Aziraphale is very coy with Crowley while planning the ball "wait and see!" He never actually tells Crowley his plan.
When Aziraphale suggests "just talking" to Gabriel, he looks pleased when Crowley says "Actually, I will." He doesn't seems to read Crowley's tone. Crowley then proceeded to yell at Gabriel and tells him to jump out a window. Probably not what Aziraphale had in mind.
Of course, the whole scene in the ball. Crowley doesn't tell Aziraphale about the demons straight away, he leads with a seemingly less urgent "somethings wrong". Aziraphale is barely listening anyway. He's too in his own world, too caught up in psyching himself up to ask Crowley to dance.
After the demons storm the ball, Aziraphale tells Crowley he's got a suggestion, but Crowley cuts him off "I've got it."
Crowley doesn't tell Aziraphale what he learned in Heaven. He doesn't tell him about Armageddon part 2, or that Gabriel was fired for not wanting to go ahead with it. He doesn't even tell him this during their big fight at the end, when you would think it would be a convincing point towards Aziraphel staying.
Neil has revealed that Crowley never told Aziraphale that he was living in his car
And then their final argument is laden with miscommunication, (people have gone into great depths analyzing this already, but I’ll just sum it up so it’s included) - Aziraphale assumes Crowley would want to be an angel again, but they’ve clearly never discussed this. Crowley assumes Aziraphale is on the same page with why heaven is so bad, but they’ve clearly not fully discussed this either. Crowley can barely look at Aziraphale when he’s confessing. He can’t get out the word “partner.” He can’t finish his sentence “I would like to spend…” Then there’s “nothing lasts forever” which Crowley interprets entirely differently from Aziraphale’s intention. “I don’t think you understand what I’m offering you” “I understand, and I think I understand a whole lot better than you.” And then, when Crowley has given up on trying to communicate verbally, he kisses Aziraphale as a last “Hail Mary” to get him to understand. But of course he doesn’t. That’s not communication.
So.
If you’re still with me, what’s the point of laying all this out? Well, a couple of things. I’ll try to organize my thoughts coherently.
_
Crowley and Aziraphale’s communication is beyond a simple fix
It is so much worse than I originally thought. What they need is couples therapy. They both need to become aware of the broken way they relate to each other, and they need to do a lot of work on listening to each other, giving each other space to talk, and being honest with what they know and how they are feeling. We needed someone to call them out, make them aware of this, but Nina and Maggie TRIED this season, and it was not enough. Unfortunately, I’m fairly confident season 3 will not just be six hour long couples therapy sessions. I’m not sure how much room for working on communication skills there will be at all. Neil has described season three as big, loud, and action packed. I have no idea how this issue will be resolved in that context.
_
Something horrible I realized when making this list. Crowley’s relationship with Aziraphale is beginning to mirror his toxic relationship with heaven. Aziraphale develops a plan- taking care of Gabriel, investigating the clue, organizing the ball. He wants things to go just the way he has in mind. He does not let Crowley say no. He does not let Crowley ask questions!!! And now Aziraphale is running heaven? What makes us think he would treat Crowley any differently in a real position of power? It would have been so. bad. if Crowley accepted Aziraphale’s offer. Yes, Aziraphale and Crowley are on the same page on preserving the world and humanity, and yes they love each other and want to be with each other, but when it comes to what to do about it, they don’t see eye to eye. And neither of them know how to properly collaborate or communicate.
_
Finally, why do Aziraphale and Crowleyhide things from one another? Simply, they don’t really trust each other. I mean they do, sort of, but not entirely. They have a deeper trust. They trust that the other cares about them, and won't harm them intentionally, but they have so many deep rooted issues with trust from their past with heaven and hell that it overflows into their relationship. People have said Crowley keeps information from Aziraphale to protect him, but that also comes from a place of mistrust. He doesn’t trust Aziraphale to protect himself. He doesn’t trust him to do what he would do with that information. Similarly, Aziraphale doesn’t trust Crowley to let him do things his way. They don’t know how to collaborate! Not really. It's something they want, but were never taught. Collaboration was never encouraged in Heaven or hell.
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"why not join me instead?" akechi's "invitation" in conf 7
People come and go on whether this question of Akechi's is genuine or not. Opinions run the gamut from "I hate him for trying to take you away from your friends" to "Akechi wants Joker to be his accomplice".
Myself, I don't think Akechi means this as a serious question, for a number of reasons. I think this question is rhetorical.
Quick summary:
Conf 7 illustrates the similarity between Joker and Akechi, and that they're both committed to the showdown between them;
Rather than being an invitation, Akechi's question again illustrates that parallel—that neither of them will give up the things that matter to them to join the other, as Joker has asked him to do;
"I'll think about it" does not count towards the third awakening—and I can prove it. Rather, Akechi can't conceive that Joker would ever abandon his friends, and uses it as an outrageous example of something Joker would never do;
Joker's loyalty not only to his principles but to his friends is something Akechi values so much that he won't let Joker sacrifice it;
Akechi is not so much offering Joker a way out in conf 7 (there is no way out) as he's confirming for his own sake that Joker is still in the game. Is this still a battle between rivals, or is it an execution?
Let's take a look.
what is akechi really asking?
[long post is long]
Look at this line. Look at the question he's posing:
Akechi
いっそ君がこっちに来るってのは?⋯今の仲間を捨ててさ。
isso kimi ga kocchi ni kuru tte no wa?... ima no nakama o sutete sa
Why not join me instead...? All you'd have to do is abandon the teammates you have now.
It's very easy to focus on the first half of this question and miss the second. But that second half is the important part, the sting in the tail. The Japanese is a great example of wa building suspense: "Instead, what if you come over to my side, (AND THEN WHAT, AKECHI???????)"
The sentence is left hanging, with the weight of it unspoken (since wa emphasises what comes after it); Akechi is obviously not done speaking. And indeed, when he continues, it's a doozy:
"though, of course, you'd have to dump the friends you have now." (Yes, I think "friends" is often a much better translation of nakama than "teammates", fight me; it's even often translated as "friend" in P5 itself, or indeed, awkwardly, as "teammates and friends".)
Akechi is using the same verb, suteru, that you use for tossing something in the trash; the parallel meaning, "ending a relationship", exists in Japanese too.
Ryuji, Morgana, Ann, Yusuke, Makoto, Futaba, Haru, everything you've all gone through together and everything you've been—Akechi is suggesting you toss them aside like garbage. For him.
Now, I think part of Akechi would very much like Joker to do that. But he also knows better than to expect it. Because he knows Joker so much better than that.
Akechi has seen firsthand how loyal Joker is to his friends—remember on 1/2 how he says he investigated them all? He's seen some of the things Joker will do for them. He expects that blind faith to lead Joker to his death, much as Yaldabaoth does. But he also respects it.
This boy who's never had a friend, who's convinced himself the whole idea is stupid, is still drawn to the loyalty he sees in Joker. Even as he's preparing his own ultimate betrayal, Akechi recognises Joker's commitment to others. He understands treachery is bad, even though he himself is a traitor—just as he understands that murder is bad, and that doesn't stop him, either.
This question of whether or not Joker will betray his friends (and Akechi specifically) comes back on 2/2, of course—and in force.
so why does he ask
Akechi is not proposing that the two of them run off together. He's not asking to see what Joker will say. He doesn't impulsively make the invitation, and then run away when Joker says yes. He is, in fact, not even asking. He poses the idea of Joker abandoning all his friends as a counterexample. It's supposed to be something Joker would never consider, something he will find morally repugnant.
Which is why, if Joker says yes, Akechi is shocked, and essentially tells Joker not to make such stupid spur-of-the-moment decisions. Akechi is making a rhetorical point about what Joker is asking of him.
Remember Joker's statement that leads into Akechi's question:
Yeah. Joker either suggests that Akechi should give up everything he's doing and everything he believes in (even as Akechi confabulates about what those things really are), or he suggests, with the top option, that he's already done it.
And in return, Akechi says that Joker should join him... and throw away his friends and everything he's working for and everything he believes in, of course.
It's the second response to his question, where Joker turns him down flat, that makes it most obvious that this was what Akechi meant:
Joker
それは無理だ
sore wa muri da
I'm not doing that.
No way in hell.
Akechi
だろうね。
darou ne
I thought as much.
Akechi
分かるだろ、誰だって今の立場を簡単に捨てられやしないんだよ
wakaru daro, dare datte ima no tachiba o kantan ni suterare yashinai n da yo
I'm sure you understand. We all have our parts to play, and we can't simply leave those behind.
See what he's saying? ima no tachiba o kantan ni suterare yashinai—"we absolutely must not lightly set aside the positions we hold now".
Incidentally, yes, that's that same verb suteru that he used before, for casting aside or throwing away. Akechi is drawing a parallel between Joker's friends and his own goals—between the things each of them holds most dear, which neither of them will sacrifice, even to save the other. (Assuming you think Akechi would even be down to save Joker—but I do think conf 7 suggests that at this point, he might not be opposed to the possibility. It's just that it doesn't exist.)
the phone call
This parallel returns in the phone call afterwards, if you again tell him that you're rivals:
It's a little hard to tell from the localisation what Akechi is getting at, so let's take a close look:
Akechi
僕らにはお互い譲れないものがあって、そのためにも負けられない。
bokura ni wa otagai yuzurenai mono ga atte, sono tame ni mo makerarenai
[lit. for both of us, these are things we cannot compromise on, and because of those things we cannot suffer losing.]
Neither of us can afford to lose, because we fight in service of our principles.
It's the same for both of us. Neither of us can afford to lose, because of these principles we won't concede.
Akechi
⋯だからこそ、もしも君が自分を曲げたりしたら絶対に赦さないよ。
... dakara koso, moshi mo kimi ga jibun o megetari shitara zettai ni yurusanai yo
[lit. that's exactly why, if you were to warp yourself [that way], I would absolutely never let such a sin (t/n: note the kanji) pass.]
And that is precisely why... I cannot allow you to change.
... And that's precisely why, if you betrayed yourself that way... I couldn't allow it.
Akechi
だって、僕が負けたくないのは『君』なんだから。
datte, boku ga maketakunai no wa "kimi" nan da kara
[lit. it's you as you are now who I do not want to lose to.]
As you are now, as you think now... I cannot allow you to win over me.
The person you are now, with those principles, and that determination—that's the one I won't ever allow to beat me.
Here's my attempt at a translation again, so you can see it all together:
Akechi: It's the same for both of us. Neither of us can afford to lose, because of these things we won't concede.
Akechi: ...And that's precisely why, if you betrayed yourself that way... I couldn't allow it.
Akechi: The person you are now, with those principles, and that determination—that's the one I won't ever allow to beat me.
It turns out that this phone conversation, that was originally quite mystical-sounding and hard to follow (what were you trying to say, Akechi?) is quite straightforward. It ties into to his original question. "Will I join you, Joker? Well, what if you join me instead? Just throw away all your little friends for my sake? Of course you won't—because we're the same. Both of us have things we can't give up, no matter what—and if you tried to do that, I wouldn't let you, because I value you as you are...."
This parallel between the two of them is what conf 7 is about, from the text message that opens it to the phone call that concludes it:
It's the same thing again: neither of you can afford to lose, because you're fighting for your principles. The billiard table is the stage for this wider discussion.
The billiard scene, of course, is interesting for another reason—Akechi is giving Joker a chance to back out; he's testing his commitment, and perhaps hinting that he never intended to be quite where he is, either. He states at the outset that he's being indirect, that what he's saying is a metaphor—and then closes that metaphor with a very direct question: "Do you still intend to play this game?"
Akechi
それでも君は、このゲームを降りる気はないの?
sore demo kimi wa, kono geemu o oriru ki wa nai no?
Even then... do you still intend to play this game?
But despite all of that, you still won't fold, will you?
The Japanese is even more specific: Akechi asks Joker if he intends to fold—not whether he still wants to play, but whether he means to give up entirely! "This can't be what you expected, so how about it? Will you just give up? Does this mean as much to you as it does to me? Is this a game we both choose to play, or are you just a victim?"
How much of this is Akechi blowing smoke up his own ass?—casting the fact that he's about to murder the boy in front of him in a glowing, romantic light? Pretty much all of it, I'd say. He's dreamed of having a rival, someone to compete with who challenges him, but what he's got is quite a bit more than that.
Again, the rival imagery is what allows Akechi not only to accept this close relationship, but to frame it as a life-or-death contest that only one of them can win. It confirms to him that what Lavenza describes as "a truly unfair game" is actually fair. It's about making Joker's murder seem as much Joker's fault as his own.
but what happens if you say yes?
Despite all of this, you can choose to have Joker consider Akechi's "offer"—to discard Ryuji, Morgana, Ann, Yusuke, Makoto, Futaba and Haru like trash, and assist Akechi instead. It's tempting, I know.
I don't personally get the impression that Akechi likes this response, for a number of reasons. None of the three responses to his offer score confidant points, but there's something else in play: only one of these responses unlocks his third awakening.
See the F code highlighted in yellow? Only one of these three responses has it. "You're my rival" counts towards the third awakening. Rejecting him, with "I'm not doing that", does not—but more to the point, offering to be with him, with "I'll think about it", also does not!
The issue is confused because a number of us have taken option 1 (or indeed option 2, like me) and still got the third awakening on 2/2. It seems like you need some of the flagged responses, not all of them. But it remains the case that "I'll think about it" does not make Akechi more likely to have his third awakening.
What happens if you take this option?
Joker
考えておく
kangaete oku
I'll think about it.
Akechi
へえ、考えてはくれるんだ?
hee, kangaete wa kureru n da?
Oh? So you'll think about it, at least?
What? You mean you'll consider it?
Akechi
⋯でも、そういうその場限りの情はやめた方がいい。
...demo, sou iu sono ba kagiri no jou wa yameta hou ga ii
...But I'd advise you don't say these things without their due consideration.
... Still, it would be better if you didn't trust such fleeting sentiments.
Akechi
出来もしない約束はするものじゃないよ。
deki mo shinai yakusoku wa suru mono ja nai yo
You shouldn't make promises that you can't keep, anyway.
Don't be the sort who promises the earth and walks away.
A few grammar points:
んだ n da on a question demands an explanation; Akechi's question could almost be rendered "Why on earth would you need/want to think about it?"
そういうその場限りの情 sou iu sono ba kagiri no jou—"sentiments that only matter here and now". Essentially, "sentiments that won't last"—or that are makeshift or ad hoc; Joker is making a stupid spur-of-the-moment decision.
yes, 出来もしない約束 deki mo shinai yakusoku translates idiomatically as "promising the earth". The point is not that Joker should not promise; the point is that he shouldn't be the sort of person who promises so much—and then doesn't follow through.
Again, this confidant is all about Akechi's expectations for Joker. It's about the weird belief he has in him, like the belief he has in Shido—that Joker has principles and friends and will stand by them, that those things are important and matter, even if they're diametrically opposed to Akechi's principles and the things he wants.
The fact that they foil each other in this way is a large part of what makes Joker such a worthy opponent for Akechi. So if Joker turns around and says, sure, Akechi, I'll dump all my friends so we can make out?
Akechi does not like that. He thinks better of him!—he loses respect if Joker offers this. Even if that little line about "promising the earth" suggests that, actually, yeah, he would quite like for the two of them to run away together—if only they lived in a world where it was possible.
what about "you're my rival"?
I've discussed this line before, but let's go into it for completeness.
Joker
明智は好敵手だ
akechi wa koutekishu da
You're my rival.
Nah, you're my worthy opponent.
Do you see that Joker names Akechi there? He doesn't just say, "we're worthy opponents", or even "you're my worthy opponent", koutekishu da yo.
No, he picks Akechi out by name, and then tells him exactly what they are to each other. Because wa builds suspense. Akechi wa... (what?! what is he?!) koutekishu da. "I can't run away with you, because I need you to be this to me instead".
And this is the line with the F-code. This is the line that, if you choose it, will build towards Akechi's third awakening—which is centred on his trust in Joker, on the fact that Joker is worthy of that trust.
And how does Akechi respond?
He's astonished. He did not expect this at all, look:
On the left, the top screenshot where he's waiting for your answer; in the centre, the moment of shock, where he's pulled away and dropped his hand and his eyes are wide; on the right, a comparative overlay just to demonstrate that he pulled back.
smiles that aren't smiles
I have a half-assed theory that you can tell when Akechi is really smiling—because the model will smile with him. If you watch, for instance, Ryuji, the model's expressions match the sprite's almost exactly. But if you watch Akechi? Nah, not so much.
Here's an example. Akechi appears to smile quite often through conf 7—but if you glance away from the sprite and textbox to the model, the model is pokerfaced. Five smile sprites on the optimal route through conf 7, and not one of them—not even "you truly are fascinating"—matches the model:
But when you pick "You're my rival"? Suddenly the model's face springs to life:
It's obvious from everything else that this moment is of deep significance to Akechi. But this little detail with the smiles suggests we can confirm it.
and what does he say?
It doesn't take long for him to pull himself together:
Akechi
同意だね、僕らにはなれ合いより対等な関係こそふさわしい。
doui da ne, bokura ni wa nareai yori taitouna kankei koso fusawashii
I agree. I think a relationship of equals suits us better than being co-conspirators, anyway...
This is another one that I find unclear in the localisation, so let's have at it.
nareai suggests an illicit or unduly-close union. It suggests "being in bed together" in the business sense—cosying up, colluding, conspiring. It suggests they're working together when they shouldn't be. Jisho uses the screamingly-outdated term "common-law marriage" (what we call "living together") as an example. Essentially, it suggests they're too close—or even co-dependent, in a way that corrupts them both.
In short? Akechi's "co-conspirators", nareai, means "accomplices"—what we might call "murder boyfriends".
taitouna kankei—literally, "an equal relationship"—is a set phrase, and we know what it means. It suggests a relationship where nobody is being cheated; where everyone gets out what they put in. Where the two of them compete on equal terms.
That's a very Akechi way to look at relationships. But it's also a relationship where nobody is in charge; nobody is dominant, and everyone has self-respect. Nobody is chasing after anyone or sacrificing unduly, as either would be if they joined the other. Everyone can be who they are and say what they want. Everyone can say no.
It's the sort of relationship Akechi very notably does not have with Shido. Is it the sort of relationship he has with Joker, when the two of them are hiding so much from each other and lying so much, and there's so much, like, murder going on? Nah. But as an aspiration, as a suggestion of the sort of relationship Akechi would like them to have, alongside everything else he's told us about how he sees the two of them—as similar, as equals and opposites, as bound by their principles, as destined to fight—it's almost touching.
and what does joker think?
Akechi
⋯たとえこの先、何があろうともだ。
...tatoe kono saki, nani ga arou tomo da
...No matter what else may change.
...No matter what might come next.
Akechi
それだけの事を言ったんだから、逃げないでよ?
sore dake no koto o itta n da kara, nigenaide yo?
In any case, what you just said carries great weight. Remember what you decided, and don't run from it. All right?
[lit. don't run away just because of what [I/you] said, all right?]
I'm not sure about this. It feels like it should be referring back to Akechi's last line—"don't get cold feet and run away just because I alluded ominously to whatever's coming next, okay?". I guess it could be referring to Joker's commitment, with "You're my rival"? IDK, I'm out on this one, so I'm inclined to give the localisation the benefit of the doubt.
But it doesn't matter. Because the significance of what Joker does next doesn't change:
He nods. Akechi spends the whole confidant hinting that something ominous is coming, and that the two of them are heading to an inevitable confrontation, and Joker nods.
I don't think this is really consistent with interpretations where Joker is a meek little sheep in the interrogation room. Joker might not have chosen this, he might not have wanted it, he might have by far preferred to avoid it. He'd happily back out if Akechi would just drop the whole thing and agree to act sane. But he's committed to it. He agrees to fight.
Remember, conf 7 takes place after Joker hears the murder phone call. He knows what Akechi is. He knows what he's planning. He knows the stakes—and he agrees to play, to face Akechi down.
To quote @nardaviel, that's no sheep. That's a full-on "Phantom Thieves win again, motherfucker" smirk. Joker played Akechi's game, with everything he had—and he played to win.
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