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#meanwhile they are the most obvious couple ever
lieutenantfloyd · 1 month
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Yooo I'm always happy to see new Dune writers! 🫶 Could you write sth about Feyd and Rabban competing for Reader's affection? Can be HCs or written, whatever suits you most
Competing for your affection headcanons | Feyd-Rautha & Rabban x reader
Warnings: mentions of blood, possessiveness, bullying, polyamory, and implied mental abuse.
Authors note: I have some ideas for a full fic, but I wanted to get some headcanons out first!
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From the moment their feelings arise, they are deeply competitive with each other and wholly possessive of you.
This often leads to physical fights between the brothers, only ceasing once there is a heavy mix of blood and humiliation.
The one thing they can both agree on is that if a threat arises, they will stop at nothing to keep you safe and defend your honor.
Neither one of them is going to try to woo you in a typical or expected manner.
Feyd-Rautha will put his focus into mind games and wearing you down mentally, while Rabban takes an uncharacteristically soft and physical approach.
Rabban fails to understand why Feyd is so outwardly cruel to you and often wonders if he should mimic Feyd’s actions as a way to win you over.
Meanwhile, Feyd takes pleasure in harassing Rabban over his glaring soft spot for you.
The interactions you have with them are wildly different for each brother.
Rabban needs someone to see through his rough exterior and grant him kind words and soft touches. Both things he’s never once received before.
Feyd-Rautha needs devotion, challenge, and the illusion of control. Attend his fights, dress his wounds, and call him sweetly by his title while also alluding to the fact that you will always hold the upper hand.
Their egos and emotional immaturity will eventually lead to their demise, which in turn allows you to toy with the situation as you wish.
If you choose to solely pursue the Na-Baron:
Rabban will descend into an absolute rampage, unable to cope with his unrequited feelings.
Feyd-Rautha, on the other hand, will grow even more confident at his perceived “victory”.
He’ll even go as far as dressing you up in Harkonnen dress and parading you around.
Behind closed doors, however, he’s completely at your mercy.
As Feyd gains more power and you make more public appearances as a couple, the reality of your relationship becomes more widely known.
It’s not long before it becomes glaringly obvious that while Feyd may have birthright and claim to thrones, you are the one truly in control.
If you choose to solely pursue the Count:
Rabban will take you back to his planet of Lankiveil before Feyd-Rautha can sink his blade into his brother's chest.
While at first he feels like he must be harsh to you, it quickly melts away until you see more signs of kindness from Rabban than you ever could have expected.
Rabban has had a hard life, and he doesn’t quite know what to do with or how to convey his feelings to you.
What he does know is how good treating you well makes him feel.
What starts as small gestures—like keeping you well fed and teaching you to defend yourself—eventually manifests into him waiting on you hand and foot.
Controversy will arise as the public becomes aware of your relationship.
The great houses, the brutal society of Geidi prime, and even the rest of the Harkonnens are completely incapable of understanding how you turned their fearsome Beast into your personal lap dog.
If you choose to pursue them both:
It will take careful planning along with keeping their behavior on a tight leash, but the reward certainly outweighs the risk and labor you need to invest in the relationship.
Initially they’ll both be needy, angry, and complicated. Frustrated as to why they can’t have you alone, while also being grateful to receive any affection in return.
You often have to act as a mediator between them.
Over time—and using your love as a common ground—a strange form of respect grows between them.
The Baron does not keep his disdain for your relationship a secret, afraid of how it will affect the House as well as the Emperors and the Bene Gesserit’s plans.
Feyd and Rabban are quick to match his words with their own unconcealed threats.
While their words barely phase him, The Baron is shaken to see the heirs finally getting along even momentarily.
With each of your unique skills now working together, both Feyd and Rabban are happy to serve your personal soldiers while you strategize to gain them more power over House Harkonnen and eventually the Imperium.
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suzukiblu · 2 months
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Some assorted Smallville headcanons from some of my assorted WIPs for Plot Bunny. They did not specify which WIP they preferred, so I just picked a bunch of different ones and went from there! 
Smallville does not approve of Clark Kent’s parenting style: Smallville is a tight-knit, proud little community where everyone looks out for each other that is full of people who want to continue living in a tight-knit, proud little community where everyone looks out for each other. The population at large still considers Clark one of their temporarily-displaced own and were therefore very willing to pretend to believe the “cousin” story when “Conner” showed up–right up until they found out it was NOT a story meant to help Clark’s displaced kid he’d just found out about settle into the Kent family in a low-pressure environment while he got over whatever obvious trauma had happened to him. Now? Now there are pitchforks being sharpened and torches being lit. CLARK JOSEPH KENT, YOUR HOMETOWN IS NOT MAD, JUST DISAPPOINTED. 
Kara gets to Earth on time and the Kents get a two-for-one special on free kids: Smallville is pretty sure Jonathan and Martha did NOT get this emotionally-fraught teen mom and her weird but adorable little baby from any actual adoption agency, Norwegian or not, but what’s a little illegal immigration and identity fraud between neighbors? None of THEIR business, no sir. Especially not if any strangers ever show up in town asking QUESTIONS. 
Jon and Martha, professional soulparents: Oh Jon and Martha absolutely will be clearing out the attic to make Conner a bedroom the absolute SECOND they get back to Smallville. And also being heartbroken about Clark, obviously. Everyone in Smallville is going to cry on them when they hear about Conner and be both very sad and very happy for them. And then they’re all gonna be Weird About Conner, who isn’t gonna know how to talk to ANY of them. He’s gonna get his cheek pinched by so, so many old ladies and SO many manly back-claps and it’s gonna be a pain controlling his TTK enough to actually let people do it. Meanwhile, everyone in Smallville, internally: oh he’s exactly as weird as Clark was when he first showed up, noted. Jfc, Jon and Martha, AGAIN?? WHERE DO YOU EVEN FIND THESE KIDS. 
Kon is too trans for this pregnancy shit: No one in Smallville knew a thing about Kon’s physical sex, so they’re all gonna be VERY surprised very soon, but also Smallville in general is gonna take that whole reveal like CHAMPS and just roll with it, even if it might require some people having some Talks With Their Kids And/Or Slightly Bigoted Relatives. Like, there will be a few assholes and a few over-inquisitive weirdos around, because nowhere is a monolith, but overall Smallville is gonna roll with it and be chill about it while ALSO being incredibly out of touch with the up-to-date terminology/language and having very little grasp of the minutiae of queerness in general ( aside from a couple of very quiet people who are gonna feel a WAY about finding out that Conner Kent is trans and went completely unclocked all this time, and seeing how most of the town’s taking finding out really well, and does that maybe mean . . . ). 
the one where Kon isn’t the father: Smallville has politely not asked any questions about Tim aside from if he wanted a baby shower or not, but also ALL of Smallville knows Tim was Conner’s “boyfriend” and Kyra is “his” daughter. That’s just gossip-by-osmosis that all of Smallville knows. A lot of casseroles and crocheted things and quilts have happened to the Kent household since Tim showed up pregnant and traumatized. And baby stuff donations. And babysitting offers. And general helpfulness in general. People weren’t necessarily close to Kon, but a lot of people felt very bad about what HAPPENED to Kon, especially after finding out about Kyra. Not that any of them actually KNOW what actually happened to Kon or the truth about Kyra, but that’s a clone of a different gene donor, okay?? OKAY.
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stergeon · 3 months
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spending some more time chewing on the concept of byleth and edelgard constantly writing each other letters—both while one of them is off traveling and also when they're both at home and seeing each other every day. there's one on the emperor's desk in her study; one in byleth's storage locker in the barracks; one left on a pillow or slipped into a pocket or tucked into a book the other is reading.
the emperor is interrupted during a big meeting by a page delivering a "most crucial missive from the commander." she unseals it in front of everyone and it's a crude drawing of a smiley face that says "hello i love you"
edelgard would write these excessively verbose things, very heavy on the poetry and flowery language. there are a couple paragraphs of updates and then page after page after page of "i love you"s and "i miss you"s communicated in ten thousand different and increasingly grandiloquent ways. byleth has learned to bring a dictionary along on her trips so she can decode all the sesquipedalian nightmare terms edelgard uses to tell her she's pretty. most letters start and end with an implied threat that if anyone other than byleth reads it or finds out how soft the emperor is, there will be hell to pay, but it doesn't stop her from proceeding to go ham on the romantic sappiness.
meanwhile byleth's letters are. pretty straight and to the point. she's keeping her posted about the weather, about this dog that she met, about a cool tree she saw, and transcribing direct quotes and best wishes from their friends. but she also includes little mementos she picked up or shiny things she found (she's like a crow with pretty rocks, shells, and baubles), and presses flowers that she thinks edelgard will like, and attempts to sketch things she wishes edelgard got to see with her. it's painfully obvious that byleth will never have an artistic career, but edelgard adores every single drawing all the same.
(hubert made a suggestion to have the emperor and her adviser use different seals or envelopes for their personal and official correspondence. this was accepted as reasonable. several months later, edelgard found out he made the suggestion after the third instance in which he'd been doing his secretarial duties and responding to the emperor's mail, only to find the message from the emperor's adviser did not, in fact, contain the woman's latest report on the situation in fhirdiad or fodlan's locket, but a rather lurid list of her intentions for the emperor upon returning home to enbarr. one contained a diagram. hubert did not examine it.)
edelgard, who hoards every paper she's ever had reason to touch and who has a (frankly, pathological) filing system for everything in her life, has a special container for byleth's letters that is under lock and key. byleth, who lived out of a rucksack for most of her life and constantly had to consider carry weight when vetting her few belongings, doesn't really know how to... have... things. she struggled with toting around all this paper for a while, but couldn't bear to toss out even the simplest "meet me at 4pm for the council meeting" message. she had to make peace with the concept of using a drawer for something like long-term storage and frequently checks to make sure they're all still there.
both of them keep their favorite ones in the back of their respective journals and act like they're not so extremely, terminally soft on each other.
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hana-no-seiiki · 10 months
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𝐍𝐄𝐖 𝐘𝐀𝐍 𝐈𝐃𝐎𝐋 𝐎𝐂! [ 𝐇𝐀𝐘𝐀𝐓𝐄 𝐒𝐀𝐒𝐀𝐊𝐈 ] 𝐱 𝐌𝐀𝐊𝐄𝐔𝐏! 𝐀𝐑𝐓𝐈𝐒𝐓 𝐑𝐄𝐀𝐃𝐄𝐑
— [ 𝐬𝐡𝐨𝐫𝐭 𝐢𝐧𝐭𝐫𝐨𝐝𝐮𝐜𝐭𝐢𝐨𝐧 ] ( full drawing at the end of post )
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𝐇𝐀𝐘𝐀𝐓𝐄 𝐇𝐀𝐃 𝐓𝐖𝐎 𝐒𝐈𝐃𝐄𝐒 𝐓𝐎 𝐇𝐈𝐌. This was the norm with idols. Nothing was wrong with such a premise you surmised, as only fools would believe their idols act the same on camera and behind. It was simple. They had an image and a personality, two completely different things in the entertainment world.
Hayate’s image was this brash, straight to the point, no nonsense person. A man who did not care much about looks, but was completely devoted to the art of music. A startling contrast to his angel like singing voice. Gap Moe, as his fans and manager would put it.
Hayate’s personality behind the cameras however, is what you would say an almost complete one-eighty.
The bi-colored haired boy was total skincare fanatic, he loved fashion, planning out his looks, journaling, and working out for the sake of keeping his body in shape. You say almost because he was incredulously meticulous either-way. You never met a man who was so passionate that it often infected you to do the same in your career and life. He enjoyed idol-work, breathed it, and deserved every bit of success he’d gotten so far.
He was also, still brash even behind the scenes.
“Why the hell would you be jealous of me?” To many, Hayate’s voice was intimidating — rough, and quite loud. It was jarring to see him switching from his speaking one to his singing. But to you who had spend far too long with this man, it was normal. And sometimes normal was something to crave for.
And boy did Hayate enjoy those normal moments between you two.
“Hayate, who wouldn’t be jealous of a man whose group had won several awards in their rookie years, now topping every chart.”
“A complete All-Kill, innit?” Your co-worker spoke from a couple of feet away. He was in charge of styling Hayate’s mess of a hair. The two of you are the only people capable of being physically close to him, aside from his members without being mauled. And you mean mauled in every sense of the term.
“Besides that, you’re just so motivated all the time. It’s like you have endless energy to do what you have to do.”
You noticed Hayate visibly relax, his tense posture almost escaping your eyes earlier. You make a mental note to bring him out to rest again one day. Most likely after your pay-day. Hayate always offered to pay for stuff you two bought on an outing but you just couldn’t do him like that.
Your co-worker chimed in again, “Meanwhile [Y/N] is here downing several [Fave Caffeinated Drink] just to get through the day.”
“Why are you here again?” You and Hayate deadpanned in sync, earning a laugh from all three of you in the room.
“I just . . . have a good. . . source of motivation.” The singer gave you a heavy, alluring stare. His muscle tee allowing you to view his neck slowly turning scarlet.
“He’s all red.”
“Fuck, I completely forgot to blend his neck! Wait, where’s my foundation brush?!” You screeched, running out to find wherever it could have gotten to in the building, knowing you most likely forgot it in the another member’s room. Either completely unaware of Hayate’s intense look, or simply too dense to understand the connotation of it.
Your colleague snorted as the door closed behind you, “You’re going to have to be more obvious than that lover boy, they’re worse than a brick wall.”
“. . .”
“Not even a sure, mate?” The British man sighed. It was always like this. Whenever you were out Hayate would just go silent. Only ever speaking to direct the stylist’s actions. You always insisted that your client saw you two as equal as you’ve never witnessed him acting this way, and every time the hair stylist spoke to you about it he could feel the menacing glare down his spine just provoking him to speak so that Hayate would pounce at an excuse to fire and sue him for defamation.
Once he was done styling the idol’s hair, Mr. Co-Worker backed off immediately. Knowing full well of the consequences of lingering around Hayate any longer.
“I’m back!” You hollered, a limp on your step due to a large man glomping you from behind.
“And who’s that behind you?” Your co-worker sighed. With you around his risk of dying goes down by at least 70%.
“Ehe.” But with Eve of all people to rile Hayate up, he’ll have to crank those chances back up again. The visual of the group had apparently stolen it earlier when he came by to do his daily dues in pushing Hayate one step further to an aneurysm. It was an important duty he had to fulfill as a member of Yesterday’s Dawn, and bringing you into the mix happened to annoy the vocalist the most.
“Don’t ehe me, Soo-bitch! Get the hell out of my make-up room!”
Eve smooches you on the cheek before promptly sticking his tongue out, “BLEGHHHHHH!!!”
You froze in response.
You see the veins protruding on Hayate’s temples and neck, reminding you of the job you came into the room to properly finish. Angry Hayate was something you haven’t seen in a while, but experienced has taught you not to react much and proceed with your job as if he isn’t planning several ways of mutilation at the moment.
It worked as moments later he calmed down and began chatting with you again.
Perhaps you should retract your judgment of his character. Hayate didn’t have sides he just had layers, and you his beloved make-up artist, were in the deepest one.
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@yesterdaysdawnofficial just posted something! Check it out?
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❤️ 💬 ✈️
1,426,394 likes
yesterdaysdawnofficial just two pretty bois uwu -eve
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yesterdayssleepfxker✅ nice.
yesterdaysfoodfxker✅ BLUDNDJDJ BLUR THE LOGO BLUR THE LOGO
yesterdaysbeauty ✅ there goes our sumsang sponsorship…
maniacforhayate AAAAAAAA OPPAR SaRANGhae
yesterdaysstan in this part of the ydjungle we see hayatus sasakus warding off one of his potential mates via hypnosis. completely uninterested.
_sanctuary_of_flowers_ *fanfic typing intensifies*
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[ AUTHOR’S NOTE ]
Hayate was pretty much born from my weird obsession with working out and practicing the violin lately. My parents said that I look and sound hella constipated doing both and so an emotionally constipated yandere just came into mind.
also i “referenced” that one photo of jungkook holding a mirror to jimin’s meme face for this in case you thought the artwork looked familiar. tried using a new hair coloring style ehe.
UNEDITED
want more content like this? check my masterlist or the first few tags for more specific posts.
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©️ hana.no.seiiki - yun | 2023. artworks, characters, and story belongs to me. please do not redistribute, repost, or translate without permission.
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dustykneed · 4 months
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OKAY YALL. jim totally has movie nights/show watching nights with bones and spock (jim's captain's quarters have this big retractable screen meant for conference calls or viewing ship logs but obviously it also effectively doubles as a giant tv screen!!) and it basically turns into sleepover night where they have fun doing the fun kiddy shit they deserve (after bones and jim nearly started brawling after jim wiped the floor at monopoly via "underhanded GODDAMN tactics" according to bones, spock has made a note never to attempt to bring up monopoly on movie nights EVER AGAIN)
but also consider: pre-slash spones watching a show and arguing about favourite characters ("Your parameters for selecting a 'favourite character' are most illogical, Doctor." "Favouritism is favouritism, Spock! I couldn't give a rat's ass about goddamned logic!") but agreeing that their favourite chars would make a great couple ("It would be illogical to deny the high compatibility of these characters. One might be inclined to infer that their opposing characteristics may in fact be complementary and hence conducive to an optimal relationship." "By God, just say that ya think they look good together, Spock!") EXCEPT THEIR FAVOURITE CHARACTERS ARE BASICALLY THEMSELVES RESPECTIVELY lmao
jim is sitting next to them on the couch watching them argue shaking his head like it is So obvious ya doofuses GET TOGETHER ALREADY
until this new character (extremely jim-coded) is introduced in the next season who has shockingly intense chemistry with each of the bones/spock coded chars individually. Which starts a whole ship war between bones and spock, who, ironically, ship the other's character with the new one, and go ham on trying to prove (quoting scenes, acting choices, prop choices, even theorising about behind-the-scenes agendas) that they're right about their ship. jim thinks it's absolutely fucking hilarious seeing his best friends come extremely close to duking it the fuck out on his couch over FICTIONAL CHARACTERS, GUYS, COME ON. all the while bones and spock are losing their fucking minds because occasionally their own favourite characters will have Moments and they'll go insane trying to figure out which ship is definitively endgame. they have a bet going that whoever has their ship sunk will have to hand over a quarter of their lab time to the victor and act as assistant while the other uses the time to work on their own experiments.
jim thinks it's the funniest thing he's ever seen- UNTIL ON THE LAST EPISODE OF THE SEASON ALL THREE CHARACTERS GET TOGETHER. jim (who has Known how much the character dynamics reflected the triumvirate themselves all along) is completely fucking speechless and has a huuuuge epiphany about his own feelings for spock and bones. meanwhile bones (speechless with pure unfettered rage both at the fact that technically he was wrong but also HOW COULD HE NOT HAVE SEEN THIS BEFORE???) and spock (kicking himself mentally for not having considered this possibility previously) are about to argue (all while jim is spiralling lmfao) when the bones-coded character says something like "huh. I guess we were so focused on trying to pair up that we forgot we worked best together as a trio." and bones starts to Get It, and then spock also starts to Get It, and they turn to jim, who gets that they Get It, and begins to giggle hysterically, and it is so contagious that bones starts to die of laughter and even spock cracks a chuckle.
Later, when they're all lying in jim's giant bed sleepy and happy and satisfied, cuddled together and cozy as hell, jim tells them that he's sorta known they (spones) would get together like in the show all along but he doesn't know how he didn't figure out where he came into the equation until now when it was so obvious!! and bones tells him he thinks he had always loved jim and spock but for some reason it took months and months of ship wars to see it (lol) which he's definitely glad for despite the high blood pressure every time he and spock would argue. and spock presses a kiss to the corner of jim's mouth and two fingers to bones' own, and whispers that for once, he agrees fully with leonard on the matters of their new favourite ship. jim doesn't think he's ever grinned that wide in his entire fucking life.
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piracytheorist · 7 months
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FINALLY
Thoughts on episode 2x01!
I'm so making a crack recap out of this. Idk if it's going to be this week, but I may have to skip all the other episodes up to this point XD
Ok for those of you who don't know, the bullet-in-butt date (which I can finally mention openly as it's not manga spoiler anymore!) was the only manga chapter that hadn't been adapted that I read from very early on, way before I decided to stay anime-only so I knew everything about it. So I expected the beginning. I actually like that we don't see Yor do her slaughter at that place. She's like a ghost, or a legend, as the short-lived survivor calls her.
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Look at her! So cute, covered in the blood of her victims 😌
I do have to say, I was surprised by the amount of blood they showed. I think they actually put the violence up a notch in comparison to the previous season, bringing it much closer to the manga levels of violence.
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It's also a bold choice to like, actually open the season with this. It's serious business and I appreciate that. I'm not too big on violence but I also don't like it when it's "purified" or whatever. We're watching a show where two of the main characters kill people left and right. Blood is a prerequisite at this point.
Anyway! GRANDE upgrade on the animation, oh my god! It's all in the little movements and additional "swerves" of the characters' forms. I don't have the time to make a gif now showing that but it's obvious they took the money they made the previous year and put a lot of it on animation budget! Love it!
Aaaaaaaand new music! Most of the new stuff is quirky and funny, perfect for Anya and Franky's shenanigans :D Looking forward to see what new pieces we'll get with this season!
I had some frail hope they would have titled the episode "Date with a Bullet in the Butt". Can you imagine. We were robbed. Robbed!
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Ever since I read that chapter I went like, Yor says she treated the wound... does that mean she got the bullet out? Or is she actually walking with the bullet in her buttcheek all this time? I mean... it is called the "bullet-in-butt date" after all...
The way all of this could have been solved by Yor going like "I tripped down the stairs and fell on my butt and now it hurts to walk and sit". But then we wouldn't have this! It's the funny miscommunication that makes them, really <3
The way Anya worries about her! I felt a little sad for her because this is the first time she sees her mama so beaten down by a job, I think?
One of the ways you see the upgraded animation: the way Yor trembles as she straightens up after reassuring Anya, and then the dizzy walk to her room as she goes to rest. Awesome.
Yor just walks it off and Anya is like "Mama is actually immortal, wow" meanwhile Loid is losing his absolute shit
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"WIFE IS SAD. THE WORLD IS ENDING. I SHOULDN'T HAVE ASKED HER TO GO GROCERY SHOPPING. I AM A HORRIBLE HUSBAND."
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Oh, I adore the different colouring on the memory scene. I also love how the gossip trio just falls on Yor the moment she slips out that oh no they don't do all the conventional couple things!!
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Dude is genuinely confused. BestTM SpyTM of WestalisTM, flabbergasted by a woman with social skills in the negatives.
It was eight in the morning. On a weekend. Yor was way too excited for the date she ran to get ready and they were out all day. My god. When am I gonna get my learning date with my emotionally constipated fake husbando
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Twilight has a smug grin on his face as Franky accepts the cheque as payment to do chores. I love that addition!
As I love this
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Franky grabbing Anya's hand and waving to them for her. They really knew how to handle an already funny chapter and use animation to add more humor to it!
Look at him, starting off so smug but then
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He's truly an intelligence agent, trying to work with the information he has on hand. Since he doesn't have the information that Yor is injured, his plans are doomed to fail.
The way Franky is down with everything crazy Anya proposes. I love that duo.
I also liked the way they allowed Bond to sit this episode out, since that manga chapter takes place before the Doggy Crisis arc and Bond is not yet part of the family. I do have some thoughts about the timing of this episode but I'll get to that later.
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And here we have the angst punch in the gut, as others talked about it, it's a point in Twilight's character to not see anything fun about the spy work that it's not even fun to play spy. Since one of the moments adding to that is an anime only scene (from the part where Anya makes secret codes) and the dialogue here is just slightly different from the same scene in the manga, it looks like it's a deliberate choice to make anime Loid more sensitive about this specific thing. Interesting!
I gotta say, it would be so easy to objectify Yor and her body with where her wound was. But even though they showed her in a pants-tight-enough-to-hurt-your-butt-wound situation, it was still pretty clear what the focus was. I really appreciate that.
Yor says no to the tight pants and Loid apologizes??? Why wasn't that in the translated version of the manga??
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Like here especially, with the face they gave him and the way Eguchi delivered that line it was pretty clear that Yor's reaction made Loid feel like he crossed a line with what he told her. What happened in the manga translation???
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VERY interesting picture choice for the movie poster! Ostania gots propaganda to do, after all!
I love how Anya fell asleep during the film while Franky cried his eyes out. Poor sap XD
And LMAO Anya seeing her parents leaving from the spa and trying to get Franky to move but he's too busy getting a massage! And then some added wackiness with Yor being so tense from her wound that she made a murder glare enough to scare a bear!
And Loid is still like DAFUQ AM I DOING WRONG
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I like though, that he is not blaming Yor at all. He doesn't consider her irrational or ungrateful for the date, he just sees it as him not having done enough research... and in actual reality, he doesn't have all the data needed, specifically the whole "bullet-in-butt" thing. I'm sure he would have planned differently had he known that XD
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Poor Franky XD at least he's finding ways to vent XD
The way they animated Yor's reluctance to sit was great, lol. I'm not sure it was clear she was "hover-sitting" but it was funny in any case.
I loved the tension when we saw the surviving Red Circus member! It was handled so well dropped right in the middle of a funny episode.
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This had no right being this funny. But also. Anya is imagining a "default" kind of guy because even though she's reading the guy's mind she doesn't know how he looks like, so she's just making up a face to play out her imagination. Great detail from the manga already.
Anya imagines Loid saying he'll abandon her if he finds out about Yor being an assassin. That's another angsty punch in the gut but also for another post probably XD
The timing here feels a little weird. This chapter was supposedly long ago, when the family was still getting used to living together. Franky sees Anya worried and goes like "Even though they're a fake family, she worries so much?" and seeing that in the anime, practically two episodes before this one he went like "Hey do you love your dad and mom" and she said she does... idk maybe in the adaptation process some things could be left out so that they can make more sense.
How did neither Yor nor Loid suspect something wrong with the suddenly very thick and muddy cocktail she was offered?
Once again, upgraded animation as Yor drinks the pufferfish poison! I love it! Hopefully it'll keep being that good for the rest of the season :D
I remember the tension I felt when I first read the manga in that moment. I was like oh no! And then I was Anya
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Gremlin Anya is back and I love it
Anya goes ahead and Home-Alones too close to the sun and fucking makes a bomb. That's a whole other level. You really don't want this girl turning evil, she'll take over the world XD
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She should have seen her entrance as Thorn Princess' ally! She was epic!
There was some violence censorship there, as the bad guy in the manga is shown a little burned and bleeding after the explosion, but in the anime he's just... ruffled or whatever.
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Idk they probably decided it would be too much to show that a child caused such violence XD
So does Loid go on thinking that Yor was in a super bad mood and then everything went away as soon as she downed a glass of cocktail? I also just realized she just went bottoms up on it, lol.
The episode was great and the date was funny and cute at the end. But.
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GIVE ME BLUSHING LOID YOU COWARDS. SHOW ME THAT BLUSH. YOU GAVE US "HIS SMILE HIDES A HINT OF REAL EMOTION" YOU CAN AFFORD GIVING US A BLUSH. *screams* *eats drywall*
The date ends well and with fun! Then the monster wakes up again the next day.
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Loid's got a lot to learn. Who knew humans can be complicated!
Overall, a great introduction to the second season! I'm happy we got the bullet-in-butt date and I'm so excited to venture into new stuff that I know next to nothing about :D
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eisforeidolon · 5 months
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Forgive me for restating the obvious, but I was reading through an old post and it just kind of hit me in a way it hadn't before: One of hellers' most fundamental disconnects with the show (and media literacy in general) is how they try to insist parallels establish romance.
SPN used parallels to couples and romantic tropes a lot in regards to the brothers. But it was never meant as a signal that they were romantically in love or to tell you something you otherwise couldn't figure out. It was to underline what we already knew from the entire rest of the story about how they were the most important people in each other's lives. It used romantic relationships because that's a central status typically reserved only for romantic relationships - that was part of the point.
Let's take an example or two. Dean compares himself and Sam to Jesse and Cesar from The Chitters. After interacting with them for a while, Dean is like, 'Haha, you fight just like brothers, almost as bad as Sam and me' and they say that it's more like an old married couple. This is Dean comparing an exact thing that actually happens between him and Sam, silly petty bickering, to something that exactly happens between a married couple. Likewise, let's take Dean's expression and the script note he's thinking about Sam's close call in Red Meat. Michelle is talking about watching the man she loves die and how nothing can be the same, and Dean is thinking about how he believed he lost Sam earlier that same episode and reacting to what she's saying. No one is under the impression that these are signposts telling you for the very first time that Sam and Dean are weirdly, claustrophobically close in a way that compares to romantic couples. They're quick moments which draw an underline on what you already know from the way they've acted towards each other for the entire preceding (and following) length of the show. If you cut either of those moments? It would change nothing about what we understand of Sam and Dean's relationship, because that's how using parallels in storytelling actually works.
Hellers want to insist that romantic couples and tropes being parallels to D/C in and of itself proves that D/C is romantic. Why else would SPN use couples and romantic tropes?!? Well, because SPN does that all the fucking time, maybe? Which is even before you get into how superficial the basis for their supposed parallels typically are.
Let's take an example or two. Hellers want to insist that Dean and Castiel were paralleled to David and Violet from Bloodlines because and I shit you not, one of them wore a tan coat. As well as the absurdly generic dialogue line, "I was there, where were you?" being used both in the backdoor pilot and in 6x20 by Dean. Aha! David and Violet are clearly stand-ins for Dean and Cas, and they were planning to run away together, so D/C is clearly romantic, BOOM! Except literally nothing about Dean and Castiel's actual relationship lines up with that. In no sense were Dean and Castiel ever planning to run away from their families together - not at the point where Dean was calling Castiel out for pretending he didn't know where Dean was if he really wanted advice or otherwise. Unlike the actual parallels with Sam and Dean, there is no underlying narrative base. Likewise, hellers want to insist that Castiel is Dean's Colette. Aha! Cain said Dean is living his life in reverse, and he killed Collette last and his brother first, so since he said Dean would kill Castiel before Sam, Castiel=Colette, and Colette was a romantic partner, so Dean lurves the angel! BOOM! Just for the sake of being pedantic, let's break this nonsense down one more time. Cain lists Crowley as well as Castiel as people Dean will kill before Sam. Collette was special to Cain because she saw everything he was, never gave up on him, and was able to get him to drop the blade. Which is literally what Sam does during the time Dean has the Mark - meanwhile Castiel tries to get Dean to not go and slaughter the Stynes and fails and is ready to give up and kill Dean after he goes demonic. Which doesn't even get into the part where ... Cain is literally just wrong in telling his little fairy tale. Dean is not him. When given the choice of killing his brother, Cain does it. When given the choice of losing control, Cain does it. Dean tries to get Death to shoot him into outer space and then kills Death rather than actually kill Sam. Dean and Dean's love for his brother are both far stronger than Cain is capable of understanding. So the parallel life thing? Is fundamentally hooey anyway. Again, there's no narrative there for a parallel to be drawing an underline on because none of their cobbled together meta resembles anything going on in the actual text. That's not how storytelling uses parallels or any other kind of subtext, by creating something entirely separate and expecting the general audience to decipher it. Though it's no surprise they try to insist that a show would do that, because they have nothing else.
TLDR; Their entire argument is that a comparison to a romantic couple makes two other characters' relationship automagically romantic because reasons. Which even putting aside the lack of validity in their parallels ... continues to be a boldly idiotic statement given the number of actually textual comparisons the show makes between Sam & Dean and romantic couples. Again, it's no wonder they freaked the fuck out over that forehead touch, because they very fundamentally refused to understand what SPN was actually doing on literally any level.
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petrichor-idyllic · 1 year
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HI could i request a minho x reader where they’re best friends and have a thing for eachother but they’re oblivious so everybody in the glade starts pulling shenanigans to get them together
I can sure try I guess.
Gender neutral reader because you didn't specify.
Guys pls start specifying lmao I am stressed.
HOW TO WINGMAN (POORLY)
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MASTERLIST | MINHO MASTERLIST
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SUMMARY: See above. Gender Neutral! Builder! Reader x Minho. Takes place before the arrival of Thomas. Book based fic purely because no big 3D map.
WARNINGS: Inappropriate language, teenage shenanigans, oblivious reader/Minho, no one knows how to interact like normal humans, one awkward shower scene and mild suggestive content but nothing explicit.
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You and Minho have been best friends since you popped up in the Glade.
Honestly, you're not really sure how it happened. You came up the month after Minho, so he was tasked with looking after you, and you just kind of stuck.
Minho is obviously the Keeper of the Runners, which means he's out in the Maze most of the the time, and you spend your days working as a Builder. But, you both still find time to enjoy each other's company after your long days.
It's definitely a close relationship, and anyone that knows Minho is often caught off guard to see the difference in him when he's around you. He's almost softer, definitely more smiley and easier to be around. His bitter and often slightly negative attitude is dulled in your presence. Of course, everyone likes Minho.
But everyone likes Minho a lot more when you're with him.
And that goes both ways. You're noth completely different people around each other; more approachable and easier to get along with.
It's obvious.
Of course it is.
Everyone in the Glade knows.
You guys like each other.
You have been harbouring a massive crush on Minho for pretty much as long as you can remember. And Minho isn't much better.
It's obvious, to everyone but you two.
Maybe you're both blinded by not wanting to mess up your friendship, or simply the pressure of living in a death maze is enough to give you both different priorities, but you're both blissfully unaware of your feelings for one another.
And it's starting to take the piss.
You have the other Gladers wanting to rip their hair out and just scream at you to go off somewhere and make out for a bit to let off some steam.
Obviously, they don't do that (probably because Alby would have their heads for distracting his best Runner).
But they want to. Man, do they want to.
So, instead, the remaining boys decide to come up with a plan after a particularly slow week in the Glade. They were going to do whatever it took to get the pair of you to finally realise you share the same feelings.
Which is easier said than done, especially when Minho is MIA most of the day.
But, with Ben slowly implementing hints towards Minho on their runs, and some of your Builder colleagues doing the same for you, the seeds were getting set in place.
Though, maybe your stubbornness/oblivion might be beyond help.
"Yanno, I really like them," Ben says as he runs with Minho, insisting on joining him for the past couple of days now, saying something about two sets of eyes are better than one.
"Who?" Minho grumbles, genuinely considering make a dead sprint to get away from Ben.
"(Y/N), duh," Minho slows down slightly, coming to the same pace as his friend.
"What?"
"I mean, they're really cool, funny, hot- how could I not? You're cool with that, right? I mean, I know they're your friend but I kinda wanna ask them out, that's okay, right?"
Minho hesitates, seemingly thinking for a second. Minho wouldn't ever do anything to possibly ruin your happiness, even if he does have feelings for you and he knows you can make your own choices.
"Yep."
And with that, he sprints away, leaving Ben to stand there in some form of shock.
Meanwhile you're dealing with Gally.
"You know, you really do keep that shank on a tight leash- Minho is actually tolerable when you're around."
"Uh, thanks, I think?" You chuckle to yourself.
"I mean.. you guys are only friends, right?"
You're in the middle of trying to fix a shack that got damaged during a dumb fight between two boys. You freeze.
"Yeah?"
"Hm, interesting."
"Why's that interesting?"
"Just you guys are pretty close, some people think you'd make a good couple."
You laugh, shaking your head. "Yeah, right." You say sarcastically, going back to your work and ending the conversation in one go.
Okay, so that isn't working.
The boys need to recuperate.
Okay, so, maybe they need to get the pair of you in situations you wouldn't normally be in, alone.
So, what could a group of dumb teenage boys possibly do with that?
"Yo, (Y/N)," you'd just finished your day of work when Newt approaches you.
"Hey, Newt, you good?"
"Yeah, can you go get Minho for me? I gotta talk to him but I gotta sort some klunk out first."
"Oh, uh, sure, where is he?"
"Oh, he'll probably just be getting out of the shower, he came back earlier so he should be finishing up."
"You want me to go into the shower block to get Minho?" You blink at him. "Couldn't you have spoken to him earlier?"
"I didn't get chance to catch him- Alby wanted to talk to me." Newt seems shifty and unsure of himself.
He originally wanted no part in this, but Frypan said he'd give him extra food for two weeks so here we are.
"But-"
"Just go get him, a'ight?" Newt walks away before you can say anything else. Now, he has to actually figure out what to talk to Minho about when he inevitably comes looking for him.
Frypan owes him more stew.
You grumble to yourself, going to find your friend. Since Minho came back earlier, he should be finishing up and probably about to leave. So, you think just direct him towards Newt. Easy fix.
Though you do feel a bit weird about it.
And when you rock up at the shower block with just the sound of running water filling the room, you inwardly cringe.
"Minho?" You ask, probably a little too quiet since he doesn't hear you over the water. Sucking in a deep breath, you walk further into the shower block.
It's not like you're fazed by this kind of thing. Boys walk around the Glade shirtless all the time and no one really care about skin being shown off. But this is Minho.
He's flawlessly attractive in your eyes, and he's actually a pretty modest guy. You normally leave him to his privacy, but if Newt wants to talk to him, it must be important.
"Minho?" You say, a bit louder, which gets a response.
"Yeah?" He asks as you stand awkwardly outside of the shower booth, a good few feet away from the curtain.
"Newt wants to talk to you."
"What?"
"Newt wants to talk to you," you repeat, your voice even louder. "He told me to get you."
To your surprise, Minho moves the curtain. He holds it in a way that hides anything inappropriate, but still reveals his chiseled, drippong torso.
Minho seemingly hasn't realised what this subtle and nothing act has done, but it leaves you almost silently standing there.
"What about?"
"He, uh, he d-didn't say," Minho groans as you pull your lips into a thin line. He pulls the shower curtain back, giving you a much needed second to recollect yourself. The water stops and there's some shuffling before he emerges again.
He's wearing pants now, at least, as he struggles to put his shirt on over his damp body.
"Can't get two shuckin' seconds of peace here," he grumbles before sighing. "You eaten, yet?" He asks you casually, still completely oblivious to your flustered state.
"Uh, no, I've only just finished myself."
He nods. "Alright, I'll catch you for dinner then, yeah?"
"Yeah, 'course."
Minho leaves to find Newt and you stand there for another few seconds before leaving with nothing having changed.
So, that didn't work either.
Though I don't know how they expected it to. Trust teenage boys to turn wingmanship into awkward situations.
Somehow, this keeps going.
Gladers start "accidentally" start bumping into either of you to get you to stumble into each other. Which does nothing. Or they'll make you scoot closer together when eating so you're squashed next to one another. Which also does nothing.
After what seems like forever of the boys acting really weird, you and Minho start actively avoiding them.
So, they come up with an actual plan- because far too many people are invested now and it's getting out of hand.
It's a simple plan, really.
But it did require a questionable request list being thrown into the box and your deep concern when people starting pulling boxes of candles out.
Night begins to fall over the Glade. People were winding down and they'd gone through to effort of separating you and Minho.
Somehow, you'd ended up in a long conversation with Frypan about his dream to make the perfect cheesecake one day. And Minho was getting lectured by Alby over being mean to Ben. Plausible, really.
Then, out of
"(Y/N)!" Winston startles you. "Minho needs you! He's in the Map Room! It's urgent!"
"What? Is he okay?"
"You gotta go! Quick!"
In a panicked frenzy, you run off to the Map room.
Unbeknownst to you, Ben has just done the exact same thing to Minho.
You burst into the Map Room, completely ignoring the fact you're not actually allowed to be in there. You're certainly no Runner since you're already out of breath.
"Minho! What's-?" Your words get stuck in your throat when you see the state of the Map Room and a very clearly lost Minho.
Candles are everywhere, and in the middle of the table, there is a big fancy meal- all of Frypan's best work.
You both stand there, staring at the scene in front of you.
Almost like something out of a comedy sketch, you turn to each other. "Did you do this?"
You then stand there, blinking at one another.
"It's like..." You trail off.
"A date." Minho finishes the sentence. "Who the everliving SHUCK thought it was a good idea to put fire in the Map Room?"
"They set us up on a date?" You mumble.
He chuckles. "Yeah, looks like it." You hesitate, a small smile starting to play on your lips. "Well," he clears his throat, "shall we?"
"What?" You snort, watching him as he walks over to the chair, pulling it out and giving you a fake bow. "Your seat, darling."
You roll your eyes, trying to suppress a smirk, but you do take your seat.
"No point letting all this good food going to waste, eh?" He walks to the seat across from you, sitting down himself. "I doubt Fry is gonna be making a meal like this again anytime soon."
"Yeah, I guess so. Explains why they've been acting so weird."
"Yeah, I just thought those shanks were finally losing their marbles."
"Nice to know they think we'd make a cute couple," you chuckle.
"'Cause we would make a cute couple," he says, a little too confident. "I mean- I don't know." He chuckles.
You freeze, picking at your plate for a second. But shuck it, you might as well ask. If you can ask anyone anything- it's Minho. "...Would you want to be a couple?"
He looks at you, a soft smile playing on his lips. "Yeah, I would, actually. Just... not now. There's too much goin' on here, yanno? I mean, would you wanna be... together?"
You nod. Maybe deep down, you could tell that Minho likes you, maybe he could tell you like him. "Yeah, of course I would, but you're probably right."
"I think when we leave here," he continues, "we'd be a shuckin' good couple." He sighs, smiling to himself." But for now, we stay friends, I deal with this klunk and one day we'll be enjoying our freedom- together."
It's a tranquil image. Freedom feels so close but so far away, and being with you is just further motivation for Minho. But, if anything happened to him out there, he couldn't put that extra baggage on you if you were dating.
"Well, you better get us out quick then, huh?" He chuckles.
"Yeah, yeah- well, let's enjoy our dumb date, shall we?"
"Guess this is our first date, then, huh?" You joke and he laughs.
"Yeah, guess it is."
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I really didn't know what to do with this one, lads, ngl. It's more of a funny bit than a serious story and they don't even end up together- sorry.
I hope you kind of enjoyed tho lmao :)
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AITA for ghosting a friend over one word? (tw: rape mention) II was friends with this guy for almost two years. We met when he moved in after there was a vacancy at our apartment and my roommate posted on Facebook looking for another roommate (they were acquainted but didn't know each other well). He moved in and was much quicker to call us his friends than we were, I think because he was just really grateful to have a stable and steady home without yelling/hateful relatives and after experiencing an armed robbery in his previous home. He'd chat with us endlessly every other day, which left both of us feeling extremely burnt out and wanting to be alone most of the time. In his own words he considered us like his brother and sister, meanwhile he was sorta just a friend and a roommate to us. Despite this I knew he was a good guy and decided to stay in touch after we all moved out of that apartment a year later. I invited him to an online D&D campaign I was in which lasted another year, and that was pretty much our only communication weekly for about a year besides texting and catching up occasionally. A little while after the campaign ended he was able to move out of his mom's place into his own apartment, and invited me over to hang. I said yeah cause why not, I could tell he really wanted some company (I was his first-ever guest at his new place,) and I figured it wouldn't hurt to hang. We chat for a couple hours, he's real enthused to have me over but I'm just kinda hanging out and keeping up with small talk. After that we decided to play some Super Smash Bros, and for some reason he thinks it'd be a good idea to put the two of us on a team against six mid-level CPUs with items on, and the match is just an overstimulation shitshow and we get the hell beat out of us. At one point before we lost, he got knocked out by a Bewear NPC, and yells out "Oh my God, Bewear, I will RAPE you" ... I was disturbed. Silent for a few seconds before he mutters an apology for getting angry. I told him it's alright, but to think about his choice of words, since I'm not very confrontational and didn't want to make a scene of it. Inside, though, I was thoroughly disgusted at him for thinking it's okay to say something like that. I'd kinda experienced this from him before while we were living together, basically the same thing happened but he called the NPC r-----ed, he said he was actually directing the word at himself cause of his aspergers and needed to work on his internalized guilt. I think he's just indecent.
Anyway I went home from that visit and never talked to him again. he texted me a while later and asked if it was about the rape thing. He thought that I wasn't talking to him because I thought the rape comment was directed at me, which I knew it wasn't. I don't think he understands that that was a fucked up thing to say to anyone, ever, in any context. I don't feel like I should have to explain that to him, cause it should be fucking obvious how unacceptable that is. I don't wanna be friends with someone who starts yelling about rape whenever they get angry at a videogame.
What are these acronyms?
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Every time Ztarians write – jokingly or not - that Katara and Zuko’s extreme discomfort when someone suggests they are dating and their vehement denial that there are boyfriend and girlfriend are sure signs that Zuko and Katara are in love – I am so creeped out.
How can one deny a romantic interest? You agree – means you are in love. You deny – “you protest too much”, surely you are in love, you don’t react = you agree but too shy to admit you are in love, you burn down everything and storm away to the other side of the universe – of course you are in love!
Where is “no means no” and respect to Katara’s feelings?
Zuko is very straightforward in canon in this regard. He passionately denies untruth – neither Jin nor Katara are his girlfriends, and then dreamily sighs when talking about his actual girlfriend, Mai.
The jokes don't creep me out, nor do the fics in which they show the POV of either Zuko and Katara and have the character say they DO want to be in a relationship with the other but thinks would never happen, because it's all in good fun.
But the ones that INSIST those scenes could only mean Zuko and Katara like each other because they think that in real life people only deny being into someone if they ARE into that person? Those are creepy as fuck.
And yes, it's very hypocritical of the self-appointed "feminist shippers" who are always "calling out Kataang for being one-sided/inherent coersive" to then turn around and say "No means yes when it's convenient for me."
Also the Jin thing could not be more different than the situation with Katara. Zuko was out on a date with Jin, and we are given a very obvious reason as to why he's uncomfortable with the idea of them becoming a proper item: he wants to be Zuko, the proud Fire Nation prince that is gonna help his father take over the whole world, Ba Sing Se included. Jin likes Lee, the brooding guy that works in a tea-shop. He likes her, but he already made up his mind about his plans for his own life, and they simply cannot include a peasant girl from the Earth Kingdom.
Meanwhile, with Katara, there's no "larger issue." We are never given any indication that Zuko is even aware of Aang's crush on Katara, he's assuming that once the war is over IROH will be Fire Lord, and while Mai did save him at the boiling rock, we get confirmation in the finale that Zuko did not immediately assume this meant they were back together and they don't properly reconciliate until they see each other again.
And while Katara is obviously aware of her more complicated situation with Aang, she had no issue being honest with him about saying she was confused, reacting negatively when he jumps the gun and kisses her, and, more importantly, full on say that the play was wrong in stating that she only sees him as a little brother instead of a potential boyfriend.
The first time Zuko and Katara and wrongfully labeled as a couple, they aren't even embarassed, they're uncomfortable and look kinda grossed out, even sliding away from each other because ew, no. The second time they're blushing furiously - but it's because it's a direct conversation, not them watching a play that got everything wrong about not just them but their friends.
"Oh, they got embarassed" only works as "evidence" that the characters like each other when they've already done other things to suggest an interest. Most Zuko and Katara ever done was hug, something they casually did with all of their friends. Dismissing their very legitimate disgust and embarassement and trying to play it off as "further proof they like each other" is just absurd.
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hawkinsunderground · 3 months
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every time i start to feel like i'm deluding myself about byler happening, i give myself a reality check using the classic 'if they were all straight' scenario, and then i stop doubting. if everything remained the same--same relationships, same dynamics with friends--with the only difference in the show being that Will was a girl, it's almost painfully obvious. And because all a m/f couple has to do is be in the vicinity of each other to get shipped, byler probably would have been more popular even in the earlier seasons.
Mike spending an entire season right by his girl best friend's side, desperate to help and fighting to stay near her as she slowly gets possessed. Then at the end of it all he gives her a whole speech crying and saying that choosing to be friends with her was the best thing he's ever done? I guarantee you even with milkvan developing a bunch of people would have jumped on the byler train, and more others would be thinking that Mike and Willow or whatever would eventually get together later on, with warring opinions on who the better ship is.
Mike neglecting his girl best friend who is now hinted to have a crush on him in s3 while trying to get over being kidnapped and everything she went through? Spending all his time with Eleven even though byler had just been so close the season prior. There's no way at least some ppl wouldn't be thinking romance. The whole 'Mike's probably repressing his feelings and pushing Will away because he's scared' idea that a lot of bylers believe suddenly wouldn't be a reach anymore if it was a straight pairing.
Sectioning the two of them off to have their little cali romance all the while hinting at serious relationship troubles and conflicting character arcs for Mike and Eleven. Meanwhile the shrouded love confession from 'Willow', the obvious flirting. You can't look me in the eyes and tell me that people wouldn't be losing their shit during the entire apology scene if Will was a girl. The flirty smiles, the "I didn't say it." "You didn't have to.", the intimacy of his apology to 'Willow' in comparison to the apology from Mike to Lucas in s1. Along with all of the other scenes where Mike is clearly different with 'Willow' compared to the rest of his friends, he's always near her, etc.
Atp I feel like the general consensus would be that they're setting up a Melvin breakup and Byler endgame. Mike putting his hand on Willow's shoulder and promising they'll get through this together while literally showing Midleven crashing and burning in the same scene? In one of the final scenes? You're gonna tell me that people wouldn't be thinking along the lines of romance, with the love triangle pointing in byler's favor?
Mike's 'love' confession would come across as the lie that it was and a lot of people would probably be saying that Mike is not confronting his true feelings. They would be drawing the same comaprisons we are--that it didn't even work and the gates opened, that his (girl) best friend had to tell him and guide him to confess to Eleven, with them finally as close as they were around s2 again and Melvin not even really getting back together, with clear issues still present in the finale. The direction they are going to take things in s5 would become obvious without the straight goggles blinding people to some of the most obvious character and relationship arcs that have been done a million times.
The only difference would be the lack of struggle due to homophobia and would probably be more centered on Mike's inability to confront his feelings due to a fear of messing things up between himself and Will, along with losing el because he doesn't love her the way she wants him to, keeping to the core of his character in either scenario
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You're gonna tell me that if people saw this and it was mike's girl best friend sitting next to him, they wouldn't be jumping at a romance arc between the two of them?
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or his reaction to them being friends again, a smile and voice we've never seen used with any other character, noticably different?
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the physical proximity, the fact that they seem equally flirtatious and affected by the other despite Will being the only one with confirmed feelings atp it's too obvious--if it were a girl sitting next to mike people would definitely be drawing some conclusions Anyway, byler endgame
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i-am-vita · 10 days
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Oc or Self Insert/Reader Headcanons Game: Your blorbo with a wife/husband/partner from a different culture
👉 Masterlist
.
Mihawk x Ghost Rose Headcanons
I'm trying to get a grip on Mihawk again after a week of Bogard writing so I came with a silly game of how would be Mihawk and Ghost Rose knowing each other as a couple after he managed to find her again.
I don't know if it's been obvious, but I want my Ghost Rose Oc to be mexican coded. I'm headcanoning that she spent all the years with her niece hidding in her birthtown at the Red Line region equivalent to LATAM (and you can't change my mind, half the Red Line is LATAM and Mexico is on the East Blue side).
Meanwhile, Mihawk is so spaniard coded it's not even subtle. That flamenco theme they came up for OPLA just cemented it. Plus, all the gloomy Dracula aesthetic... I'm headcanoning he had a spaniard-coded mother and a romanian-coded father if we take Kuraigana Island as a fantasy reimagining of Bram Stoker's Transylvania and Nightmare Before Christmas.
So this is a half-spaniard Mihawk with mexican Ghost Rose:
Everything happened so fast after Mihawk found you again, seduced you and convinced you to go away with him that it came as a surprise when, during your trip back to your hometown to retrieve your belongings, you made a comment in spanish and he answered in return.
You were still knowing each other so you had yet to talk about your respective past and families.
Hearing you speaking the language of his mother for the first time, even with a different accent, made Mihawk extra passionate and romantic towards you that day.
You tried to be as discrete as you can when arriving to your village to inform your noisy extended family (strong emphasis on extended, your father's sister took way to seriously her mother and wifely dutties having eight children) about your niece going away to her new life and you going away with someone you met.
Like that's going to keep them satisfied.
You ended staying for dinner and subjected to your father's relatives meddling.
No, you're not running away to elope, you just met and are knowing each other. No, you're NOT pregnant!
Mihawk takes it like a champ, his stoic countenance and menacing aura not enough to relent your tías from their noisy ways. In a way, they remind him of his own mother and how carefree and meddling she could be too sometimes, when his father would spent enough time away for her to feel safe again...
His ears may be ringing and his brows lightly frowned, but you can detect the smallest of smirks at the corner of his lips.
The food is like nothing Mihawk had ever taste. He do recognizes most of the ingredients, though half of the spices and definetely not any of the types of chiles he's presented with. You warn him to not believe any of your cousins anctics about the intensity of the salsas, all of them are spicy. He still takes a taste of the most spicy one. His force of will to not react to it is astonishing, but his face does turns an alarming shade of red and he drinks the tallest glass of cold water in a go.
And talking about water... There's no such thing as regular water on all the table. There're several pitchers with colorful fruity liquids that everybody insist on calling "fresh water of *fruit name*". He gives you a knowing smirk when you take a glass from the berries water. His mother had a preference for some milky like beverage that he recognizes and have a taste. The flavor is not exactly the same but its close enough to give him a bit of homesickness.
And don't make him start with the language. He was pretty sure he had a good grip of his mother's language and learnt it well enough to be fluent in it, except now he have to ask for clarification one of every ten words he hears, five if the relative in question has a fast speak.
You stay seated by his side all the time, giving him reassurance and advice, a hand on his knee, his arm on your shoulders. You take the fact he hasn't insult someone as a good sign, some of your cousins can be a pest and you have no remorse in calling them out, rudely if you have to.
As the night goes by, somebody gets a guitar out of somewhere and starts playing, followed by other instruments. You drag him to the yard to dance. The rythms are familiar and yet have their own uniqueness, so the steps, more hips' movements and closeness, that he has absolutely no qualms to follow.
You're giving your good byes when you're invited by one of your cousins to visit the vineyards he works at tomorrow. His boss would totally give you a special discount for the tour. The mention of wine is enough to hook Mihawk and he's accepting before he realizes it.
And then one of your aunts mention the festivities for the local saint start in three days. A night of loud music, fireworks and street food... Mihawk can't help to remember his mother mentioning the festivitiews of her own birthtown and he say yes again without realizing it.
It's later than he anticipates when you finally retire to the small home you lived for the past years. It's fresh and cozy, with tall ceilings and almost floor to ceiling windows to deal with the suffocating heat, wood furniture and hand embroidered fabrics.
You both were too mentally exhausted to do anything more than cuddling in bed with the minimum of cloth. You talked for hours about your families.
How you were raised in the village until after the death of your marine father at sea, your mother remarring barely a year after with a stuffy and wealthy high officer who took her and her daughters to live at the fanciest part of Loguetown. How you couldn't stand the new society you were draged to and longed for a life of your own.
How he was raised mostly by his mother at Shikkearu Kingdom (main city of Kuraigana Island before its fall), and his absent father, a soldier of the local lord.
There were still much to learn from each other, but Mihawk was set more than ever that you were it for him, and you could feel your guarded heart warming more and more towards the swordman.
And now I have to write a part 2 of them living in his castle with her new partner and her mexican quirks... and then the children arrive (aka Perona and Zoro, that will be fun). And how the Phantom Pirates react with Ghost Rose romantically entangling with the same Warlord she had to divert from the party a year ago and she had definitely not fell for.
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@cinnbar-bun you have a beautiful culture and amazing writing, I refuse to accept idiot anons going after you for sharing it, they can come after me too if they dare!!! I won't leave you alone in this.
Moots and interested people I remember. You can participate too if you want, I would love to read your exploration of your cultures adapted to One Piece: @fanaticsnail @jintaka-hane @gingernut1314 @writingmysanity @feral-artistry
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jennycalendar · 5 months
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i have so many feelings about giles's costuming and what it says about him every season -- i thought it only fitting to explore what giles and jenny's outfits would look like in a timeline where she's alive! so i drew one set of calendiles outfits for every season, plus an extra bonus post-series situation with some, uh, accessories.
some much more meta thoughts under the cut!
s3: i was thinking a lot here about giles's canonical stiffness & his retreat into the identity of Watcher to cope with jenny's death, and, well, if jenny's alive, i think his journey would be very much the inverse of that! so we have an outfit for him that, as in canon, is still clearly connected to what he was wearing in the prior seasons -- but rather than going harder on the tweed and the three-piece suits, he's let go of ties and jackets to step more towards a gently business casual kind of look. funny how that look is also much more huggable. makes you think.
jenny, meanwhile, has an outfit that very clearly showcases how giles has similarly influenced her! she's got a bespoke tweed jacket -- NOT a borrowed one, that is HERS -- and she's wearing slacks. still very stylishly jenny, just with a touch of giles's style integrated. she's the one wearing the tweed, though; she's feeling more confident in the relationship and much more willing to put down roots and take things seriously.
s4: not a lot to say here. giles and jenny are unemployed and being adorable about it. this is a timeline where giles's whole Depressed Purposeless Patriarch thing does a hard swerve into slightly manic empty-nester bliss with jenny, who is also a little bit off-balance without a job. this is also a timeline where the scoobies do not ever have to be reminded to knock.
s5: this is a season where giles and jenny are feeling very mutually comfy in their relationship and their clothing reflects that! very business power couple. they've each got signature colors that are reflected in their partner's accessory and the shared design on the skirt/tie. they are in harmony. also, giles has his earring in for this and all other subsequent drawings because after jenny finds out about it in s4 she never lets him take it off.
s6: anyone who's been following me for a little while has seen me talk about the calendiles almost-divorce in season six. this is that. jenny's got rainbow hair that's much shorter than usual because she is going a little manic after her husband jetted off to england. her outfit is very simple and black and miserable. 'nuff said.
s7: the obvious follow-up to the calendiles almost-divorce! giles and jenny are tentative, but they're also wearing each other's colors (that probably is giles's sweater, tbh) and jenny is wearing her little rose quartz necklace (all about healing!!!) so that's a good sign.
post-series is entirely just because i think it would be cute. it is worth mentioning though that 1) giles and jenny would have the world's most terrifying daughters & 2) giles is obviously the one who is wearing the baby.
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ladyylavenderrr · 1 month
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Talked about this in an ao3 comment so I’m repeating myself, but I always interpreted Mila’s rant to Garak in A Stitch In Time about assimilating into Cardassian society as very telling about what the nature of her relationship with Tain might be like.
Tw: sexual assault and a whole lot of internalized racism
After Garak returns from Bamarren, he’s being forced into the Obsidian Order and Mila is the one to walk him to their headquarters. She tells him “Understand, Elim-you are being given the opportunity to move above the service class.” The opportunity here is emphasized again and again in this scene.
When Garak tries to contradict her implication that the service class isn’t valuable or desirable, she becomes furious, speaking with a passion we haven’t seen her express ever before and don’t see expressed again. I just want to highlight the exact passage I find most important.
"Listen to me!" she said with a passion that startled me. "You are my son and you are a Cardassian. Not a Hebitian. Look around you!" she commanded. I did. We were in the great public area which is surrounded by the buildings that house the power of the Union.
"Hebitians did not build this. Cardassians did. Your father and I serve and maintain, but we do not influence or guide the destiny of the Union. You could. That's why you must submit right now! Do you understand me, Elim? Once we walk through that door," she indicated the one that led to the subterranean levels of the Assembly building-to the Obsidian Order-"you must submit to your fate."
Mila is a Hebitian woman and yet she obviously rejects that heritage and culture. She’s directly juxtaposed with her brother, Tolan, who is desperately trying to keep his identity alive. Meanwhile, Mila assimilates as much as she can. She demands Garak do the exact same. She glorifies the acts of Cardassians (in this case I’m using “Cardassian” to mean non-Hebitians). Most importantly, she tells Elim to submit, submit, submit. Whatever is about to happen to him, it’s going to elevate him from service class and Hebitian to upper class and Cardassian, the dominant and powerful racial category in their society. The message is obvious. The best thing a Hebitian can do is assimilate and submit to Cardassians.
I always saw this scene as a sort of extension of her relationship with Tain, or what it could be like. Her dialogue here obviously reads as her projecting onto Garak in some way, that’s very clear. She’s telling him to submit to the Order, yes, and the racial and class divide of their society, but more importantly, to Tain and his whims. After all, he’s the one at the very core of Garak being forced into the Order. And Tain very much represents this racial hegemony of Cardassians. He’s directly contrasted with Mila, Garak’s other parent, he literally lives above her and her Hebitian family, he has a collection of ancient artifacts from other cultures collecting dust in his study like some kind of commodity.
Mila wants Garak to submit to the racial and class hierarchy by assimilating, just like she does. She also wants him to submit to Tain, because he and that hierarchy are the same. So then, can we assume she has also submitted to Tain?
We don’t know much about the relationship between Tain and Mila, and what we do know (her being his employee) doesn’t scream perfectly consensual. This interpretation makes that dubious consent a lot more dubious I know.
To me, this scene makes me view the relationship between the couple as Mila having more directly submitted to Tain by being his lover, because it’s an opportunity (there’s that word again) to have some kind of power, to be near that racial ideal, to be more than a mere Hebitian, and more importantly, because she simply won’t ever fight back against the racial and class hierarchy (Tain) she’s trapped in, unlike her brother. What Tain wants, Tain gets. What Cardassians want from Hebitians, they get, so why fight back? This is the only way to survive for Mila and it might just bring her some kind of power, no matter how small.
Their relationship is a sort of microcosm of how Mila navigates being Hebitian. Cardassians dominate her and she doesn’t fight back. And even if she cares about Tain (the way she talks about him in TDIC makes this likely to me), they both know she can never be his equal and she’ll always be expendable to him.
I hope this analysis and interpretation makes sense
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insertlovelyperson · 3 months
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We talk about this in a disorganized way on here and on the server (and obviously some version of your hc is in your fic) but what do you think the counselors’ families are like? Whose parents are still married, divorced, dead? Who has siblings and who doesn’t? Who’s best friends with their siblings and who has major sibling rivalry?
Great ask! Really interesting to think about since we don’t get a whole lot of insight into the counselor’s families… 
Starting off with Ryan since he’s probably the one with the most info in game: absent mother (root of his abandonment/trust issues) and dead father. In his conversation with Chris about animation school (unless I’m mistaken) Ryan mentions his mom but not his dad: “Whether or not I should like, leave my sister with my grandparents… and my mom’s not exactly around so…” I just don’t think he’d be worried about leaving his sister with his grandparents and not his mother if she was still present in his life. And the fact that he doesn’t even mention his dad suggests to me that the man probably died when he was younger, and might be the reason he latches onto Chris as sort of a surrogate father-figure. I think he’d have a good relationship with his sister before camp (outside of standard sibling squabbles), but after the night everything goes down, it becomes strained for a couple of years.
Next, onto a head canon partially brought on by the cut-content leaks: Abi’s parents are divorced (and she’s a middle child of three girls—but that’s just me). It was a nasty divorce the resulted in a split-custody agreement for alternating weeks. She preferred staying at her dad’s house because her mom liked her older sister more than her. And while her dad likes her little sister more, he wasn’t as obvious with the favoritism (that, and she actually has a good relationship with her little sister).
In a somewhat similar vein: Nick is the youngest of three boys that were all born within one or two years of each other. And similar to Abi, he often feels like his parents (happily married, unlike hers) prefer them over him. Maybe the eldest is some star, prodigy athlete and the second eldest is this genius that ends up being valedictorian. And Nick’s just… Nick. And it’s not his brothers’ fault that he feels this way, or even their parent’s favoritism, but he can’t help but resent them a little for it (maybe not helped by the fact the first girl he ever dated broke up with him and started dating his brother, and then his entire extended family made him feel like the crazy one for being upset by that). I could see him making an AITA post on reddit about it and then going no-contact for a year.
Jacob is the baby of the family. I see him having an older sister (older by 7+ years) and a single mom. And while he rolls his eyes and bemoans all the ‘nagging,’ he wouldn’t change it for anything.
Laura strikes me as someone who has an authoritative father and a mother that grins and bears it. And while she loves her mom, she can’t help but sometimes resent her for not sticking up for us. When she’s old enough, she leaves and never looks back. Meanwhile: Max is an only child with a great relationship with his parents. When Laura moves out, she moves in with them and they treat her like their own daughter (in law).
Emma is also an only child, but unlike Max, she has a less than stellar relationship with her parents. I feel like her mom and dad would be really devoted to their work, and while it earns them an extremely comfortable (and wealthy) lifestyle, she can’t help but feel like an afterthought sometimes. That being said, it doesn’t stop them from being overbearing when she needs it the least, and without any siblings to help shoulder the burden that that attention brings... its like a pendulum swinging from each extreme: suffocation or isolation.
I feel like I switch up Dylan’s family dynamic with each new WIP I start. In the first (very, very canon divergent) fic I ever wrote, it was an absent mother and a present (but emotionally distant) father. And while that interpretation is very near and dear to my heart, I feel like it’s not really cognizant of the canon version of him. To me, he grew up in a small town in the midwest as the only child of a pastor. He was in the church choir, attended every bible study, and told everyone who’d listen that he planned on being a youth minister. He was even in the Boy Scouts!  As soon as he turned eighteen, he packed a bag, took his cat, and left his parents a note with some things he thought they ought to know about him. He’s pretty sure they never bothered looking for him after that. He thinks they might’ve even told people he’d died.
Kaitlyn is the oldest of four (all brothers), and she has a pretty solid relationship with both parents. Her mom’s a mechanic at a local auto body shop that taught her how to shoot, and her dad’s a mild mannered accountant. She loves them all more than anything (though, she’s the closest with her dad). 
In conclusion, Kaitlyn and Max @ everyone else:
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alexissara · 9 months
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Gwitch and Minimum Viable Queerness
Trusting companies to make queer art is always asking for heart break even when it really and deeply seems like they made some queer art. However, despite my love for Gundam: The Witch From Mercury it must be said there is plenty of issues with the show that pointed towards the direction they have gone now that we've entered the post release era.
In the magazine Gundam Ace they edited our a writer stating that Sulleta and Mio were married. They apologized for that statement ever making it in to begin with on Twitter the X gonna give to you dot bomb with this.
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This obviously lead to tons of angry fans and queer folks but it wasn't like this came out of nowhere. Despite some people saying it's just "western brained losers" or something that thought there was queer bait in the Witch From Mercury there is something that queer people forget which is that most straight cis people literally have no brain cells. They espically have an inability to see sapphic relationships as real or valid.
Gundam The Witch From Mercury was explicit, more explicit than a lot of media but they intentionally excluded the three universal signifiers of romantic or sexual love from the show despite it being centered for all 24 episodes around the Sulmio engagement. These three signifiers are an "I love you" "I Love You too", a kiss, or fucking. Gundam is a toy commercial for kids so while sex is probably not on the table it isn't actually even off the table for Gundam given the series history has had off scene sex and bad stuff too like adult women trying to seduce like a 10 year old boy. So like these shows aren't afraid to do some shit. Many say that Gundam doesn't do kisses that is a lie, Z, 00, Seed, and Iron Blooded Orphans's all have done kisses. I love yous also happen across the series, the end of G Gundam has a special love attack that blows up the last boss.
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This is all to say Gundam: The Witch From Mercury activated a strategy corporate media called minimum viable queerness. In order to get the gay dollar, to seem progressive, whatever it may be a company will do as little gay as they can get away with to get the gays actively invested in their art. Ultimately, their aim is to have it be blaringly obvious to queer folks but invisible to the hets. The show also did the minimum viable amount of women making sure the men had utterly meaningless fights near the end just for women to be on screen less. These fights involve men who are not either of the main two girls getting mad at each other for some kind of connection or action towards one of the girls. These take up a significant amount of the second seasons run time not to mention one of these men got a full episode devoted to him. Meanwhile the main couple of the show was away from each other for the vast majority of episodes, almost never in the same room and almost exclusively on somewhat bad terms.
In the show Sulleta is the main character but in season one she is mostly piloting against men with one fight against a pair of girls near the end. Chuchu is given sidekick pilot status and lives to the end but she doesn't get her own highlighted battle ever unlike a side side character in Guel's brother who gets a major fight against his brother weighted against the fate of quite zero and Sulleta and Ariel fighting. Which comes after Guel fought Shadiq for no reason which came after Guel fighting Sulleta again for Ariel which came after Guel trying to survive in a mech when he was stuck on earth earlier. Guel was in a mech 1 more time than Sulleta was in season 2. The two other witch girls die in their first and second time respectively of being in a gundam in season 2 and the second of the pair gets maybe a word in with our main character her whole existence and never talks to our secondary main character at all. The action is still in large part being given to men even in the woman centric series.
And in this "queer centered" story we see very explicit delectations of feelings from Guel, Shadiq, Petra and Lauda which are all heterosexual ontop of all the adult characters being hetero, implied hetero E5 with Nora dying for considering being with a man and E5 sexually harassing Sulleta. The series overwhelming overcompensates for it's queerness by aggressively pushing straightness and in particular having other main characters want our lesbians heterosexually.
This does not mean that the writers or animations didn't want to be more explicit or that they did a bad job. they did a great job but we cannot know what is Namco Bandai and what is Sunrise. We just can't but it seems given recent statements that likely Bandai was very hands on in controlling the show. Not to mention giving it's first woman lead series a much shorter run time than most other Gundam series got and intentionally closing it off from an easy sequel series despite it being the most profitable series ever for them.
It appears to me as if Namco Bandai's intention was to convert a bunch of lesbians into gundam fan and throw mild gay bait at us to keep us coming now that we converted, far less explicit than Sulleta and Mio but attempting to ride it out in good faith and have us enjoy the men shows that appealed to boys to not break their delusion that they are making a boys toy for boys. Feeding us right into more Gundam Seed is like trying to choke out any potential life and I think we're gonna see a decline in Gundam sales following Gwitch representing the betrayal of these sapphic fans but more so simply the lack of interest in the bar being lowered.
As fans of Gwitch we need to demand better, it does work, we've seen companies fix statements about Sailor Uranus and Neptune before and other similar instances. We can also make them see if they want to reach the high highs again we need the great shit we get in Gwitch but then even more that the minimum we'll let them get away with is far more than the last time.
If you enjoyed this post consider throwing me some money on Patreon to help me make actually queer art without corporations controlling my voice. I'm hoping to write a bit more about minimum viable queerness in the future but I wanted to really just talk about this while I was mad about it and get it up there. Anyway, back to the writing mines with me, hope you have a great day and go out there and be gay.
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