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#mental analysis
courtmartialme · 8 months
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woag .. otp
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hanafubukki · 2 months
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Malleus Draconia versus Ortho Shroud
It seems some people are surprised at Malleus’ actions? That he destroyed the robot dogs and almost destroyed Ortho.
But I would like to point out that Malleus has always been like this; very protective of his loved ones.
For example: In Lilia’s PE vignette, he nearly took Rook’s head off because he thought Rook was trying to hurt Lilia.
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Then we come to book 7, chapter 7 update.
Yes, he destroyed the dogs and almost Ortho but remember Malleus is protective of his loved ones.
Malleus OBed because he wants his loved ones happy and Ortho is a threat to that, so of course he’s going to destroy any threats to them and Ortho basically labeled himself as such.
Now I want to bring up a point that I don’t see many talk about?
Malleus understood Ortho’s explanation about how Ortho woke up and how he was able to penetrate the barrier.
Ortho described himself as immortal basically because he can transfer his data to any body, which Malleus understood as transferring vessels.
This is when Malleus finally took the steps to destroy Ortho. Not because he wanted to kill him, but because he knew that Ortho would still live and transfer himself to another body.
Did Ortho feel fear? Yes because Orth doesn’t like lightning and that’s one of Malleus’ powers but think about it.
Feeling fear is an emotion no one wants to repeat. Malleus acknowledged that Ortho might be feeling fear
With Malleus knowing that Ortho can feel such things, Malleus told Ortho he would end him swiftly because in a way that is an act of kindess isn’t it? To end it quickly rather than prolonging the fear.
But at the same time he knows that Ortho will live and remember this emotion, and that’s what Malleus wants, so Ortho would be too scared to try again.
Malleus is protective of his loved ones and he always has been.
While his actions might seem as if he’s out of control, he isn’t. He understood in his own way what Ortho explained to him before making his move.
He didn’t attack because he’s raging but made a more calculative move on his end to stop Ortho, one that he would make repeatedly if need be, since he knows that Ortho can transfer bodies.
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grandadtwelve · 5 months
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was going through old posts and happened upon this one about how the doctor has a deep tendency to latch onto the first face they see after regenerating and, specifically, how the first person thirteen interacted with was grace, who immediately died. and how that kinda fits with the sense of unmooredness her regeneration has.
and now I’m just thinking about the implications of the first face the fifteenth doctor sees being his own. the person he has the strongest attachment and feeling of responsibility to, the person he draws the most comfort from, being himself.
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lakesbian · 3 months
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nobody move. i've just successfully articulated the sentiment that taylor's power turns her into a panopticon because she was living in one & explained her trigger in a way i feel satisfied with for the first time in my life
the concept of the panopticon is not just about surveillance, but about creating an environment where people cannot be sure whether or not they are being surveilled, and thus must constantly act under the assumption that they are. which is exactly what happened to taylor--we see from when we first meet her in the school that she's anticipating attack from every possible direction to avoid it, and the one time she lets her guard down a fraction and assumes she's found a safe spot to hide from abuse, she's targeted with the juice spills. and this is after her trigger event, but it's clear she behaves this way because it was beaten into her over the entire course of the bullying. it's what she describes when she recounts the trigger:
“I kept waiting for the other shoe to drop.  But I made a friend, one of the girls who had sometimes joined in on the taunting came to me and apologized.  ...  Her approaching me and befriending me was one of the big reasons I could think the harassment was ending.  I never really let my guard down around her, but she was pretty cool about it. “And for most of November and the two weeks of classes before Christmas break, nothing.  They were leaving me alone.  I was able to relax.” I sighed, “That ended the day I came back from the winter break. I knew, instinctually, that they were playing me, that they were waiting before they pulled their next stunt, so it had more impact. I didn’t think they’d be so patient about it. I went to my locker, and well, they’d obviously raided the bins from the girls bathrooms or something, because they’d piled used pads and tampons into my locker. Almost filled it.”
the precise moment when she stopped consciously anticipating and preparing to react to abuse--when she relaxed, when she stopped acting as if the lack of danger didn't mean that she couldn't still be hurt at any time--is when she was brutally reminded that she's never safe. she's still in the panopticon. she isn't literally being watched every second, she isn't literally in lifelong danger of having her vulnerabilities exploited, but it feels like she is. she can never ever be sure she's safe.
so she triggers, and she gets a power that turns her into a panopticon, and lets her watch everyone right back. it lets her regain control by turning her into a source of danger that could attack anywhere, from any direction, any time, fully unexpected.
& the reason her power enables her to watch Everyone--not just a single person, or a few people--but Everyone, is that the other major aspect of her trigger is the trauma of facts like this:
“It was pretty obvious that they had done it before the school closed for Christmas, by the smell alone. I bent over to throw up, right there in a crowded hallway, everyone watching. Before I could recover or stop losing my breakfast, someone grabbed me by the hair, hard enough it hurt, and shoved me into the locker.”
"All I could think was that someone had been willing to get their hands that dirty to fuck with me, but of all the students that had seen me get shoved in the locker, nobody was getting a janitor or teacher to let me out."
for months, for years, she was in a community where everyone regularly witnessed her humiliation and abuse, and everyone, dozens and dozens of kids and teachers, either contributed to it or was knowingly, silently complacent. this is what sticks with her: the idea that she is so universally reviled, so deserving of revile, that any crowd of witnesses would, without hesitation, consign her to the filth of the locker.
what else is she supposed to conclude, but that everyone she interacts with is a threat? that she can't drop her guard ever again, because no one will be coming to help her if she does? of course she has to become the panopticon. of course she has to watch everyone, all of the time, if she wants to stop it from happening again. of course she has to live among the teeming lowly and crawling things she has been taught via one firm shove that she is worth less than, and of course she has to use them to watch everyone back. and it would be inaccurate to say that doing this--monitoring everything with her bugs--makes her feel safe. all it does is allow her to remain in a constant state of paranoia and traumatized hyper-vigilance more efficiently.
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fumifooms · 4 months
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Chilchuck analysis speedrun: As a hardworking half-foot who grew up poor and discriminated against and had his gullibility taken advantage of multiple times in his early adventuring days, Chilchuck thinks optimism is a dangerous flaw. He’s stressed and strict all the time because his job is noticing details like traps that could get everyone killed before anyone knows it, he takes the lives of everyone to be on his shoulders, and with the way he speaks about it that probably partly reflects how he felt about taking it upon himself to provide for his family too. His life’s always been pretty centered around work and has become even moreso now that his wife left and everyone is independent, and due to past events he’s very iffy with bonding with coworkers. He thinks feelings and job are a disaster mix. Like with his wife or with parties hiring him as sacrifice, being open or having good faith is vulnerability which can get you hurt, so he processes and shows all his stress as anger instead of worry. Doing strict dieting probably isn’t helping the irritability what with hunger, and on top of being a hunger suppressant alcohol might be the main stress reliever he has.
His grey hairs are so earned
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#Chilchuck tims#dungeon meshi#analysis#HAPPY CHILCHUCK DAY#You know what yeah understandable have a good day#Alcohol be a ticket straight to chilling out town I suppose#Spoilers#dungeon meshi manga spoilers#Thinking on if I should split my family masterpost into diff posts for max reach hmm#Anyways I’m def editing in the second page into that post that “I’ve got three people to think of here” sounds sooo much like that’s#How he’d think about it in a family setting as well. He works so hard for them 🥺#I could have put 100 pics on this post to justify everything I mentioned but this is a speedrun for a reason. I’m planning so many#Compilations rn i need a break from rereading lol#He’s just here to do his work!! He just wanna do his work!!!#I’m always rotating him in my brain like rotisserie chicken :( Hopefully this doesn’t sound disjointed or insane to average readers#He’s always on his guard so he has a short fuse and his type of humor & liking for snarky remarks doesn’t help#Also bc he knows nothing lasts he has a very work hard play hard mentality where ‘dying doing something you love. Like drinking’#Is nice in his opinion#This post makes it all sound so dry. Chilchuck is so messy thinking about him is thrilling I swear. This is concise but at what cost…#OH ALSO he has weird self-hate issues where he really values his skills but devalues himself on a personal level.#‘I am a coward. I only care about myself. I cheated on my wife (lying for no reason)’ etc etc#Can’t disappoint people and make them leave you if they already have no expectations and esteem of you 😏💡
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eloise175 · 6 months
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In the latest chapter Callisto looks so surprised after receiving Penelope’s gift. Despite teasing her, he was not expecting such a thing.
It’s always as if he’s glad to get anything from her. It doesn’t matter what the gift is, as long as he knows she thinks of him.
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More specifically, Penelope’s gift is a cufflink with healing magic imbedded into the ruby.
She was embarrassed to give him the cufflink because she didn’t know what to give to someone who already had everything; that’s literally her thought process when he opens the box.
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Callisto is a little confused by the healing abilities of the gem, but Penelope says it’s so he won’t complain about her lack of healing magic when he hurts himself next, basically hinting at their conversation in Solael after he rescued her from the lizard monsters (ch.116)
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He ends up piercing his ear with the cufflink, using it as an earring instead, because he wants to wear it immediately.
So although he teased her for her gift, it means a lot to him. Callisto likes getting her attention, no matter whatever the circumstances may be.
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It’s quite obvious that Callisto enjoys the way she ‘fusses’ over his well-being.
He likes seeing her worry for him, because despite being usually cold in their interactions, Penelope does care, and the way she acts whenever he’s injured is proof of it.
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Callisto is this way because, as we will learn later on, he truly loves Penelope, she is everything he has. No one’s ever showed care for him like she did, nor did they make him feel like she does. He never gets angry at her for things that would usually spike his temper, but instead he finds her amusing.
Callisto has always had a plan: after ascending the throne, he was going to burn the empire to the ground and start wars upon wars until nothing remained. And yet for Penelope, he didn’t.
He loves her greatly, and even while on the brink of death, Callisto is willing to let Penelope go back to her world because that’s what she wanted. In the side stories he can be defined only as clingy, and it’s such a different look on him than what we’ve seen so far.
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Callisto also mentioned how he thought that his lust and desire were killed on the battlefield by trampling around blood, but this changes when he’s with Penelope.
She is the only thing on his mind, yet Callisto doesn’t seem to mind, it’s the opposite actually.
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xlillyle · 7 months
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Why in my humble opinion the episode brings the Mersault arc to a satisfying end regarding Fyodor, Dazai, Chuuya and the message it has
So, there's a lot of energy buzzing around in the fandom with the latest episode and I felt like some things have not been pointed out enough, therefore I'm gonna share my thoughts on the parts of Mersault. This is a thread that focuses on the conclusion of the Mersault arc as presented in the most recent episode of the anime in season 5 and I will elaborate on what I think the message of the Mersault arc is, what Fyodor's role in this arc is, I will comment on why I think he was defeated and why it fits the message and I will also go into more detail of how Chuuya and Dazai play into all of this and what I think happened in Mersault.
I'd like to start with these panels from the manga, chapter 77:
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Together with this one from chapter 105:
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I think these panels convey the core message of the Mersault arc very well and its goal: Everyone is just human, no matter how smart. And humans are capable of amazing things and even moreso if they come together. This is the greatest difference between Fyodor and Dazai who have been countless of times painted and stated as each other's equals - yes, they are intellectually of a level most can only dream of, only rivaled by Ranpo, but unlike Fyodor, Dazai has learnt to trust humans and understands their bonds to each other.
Fyodor doesn't.
It's a message that is heavily implied and then outright stated by Dazai in the last episode:
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The reason why Fyodor fails is that he doesn't trust in people and because he doesn't understand humans in that regard - he thinks that he is above this concept, thinks he can manipulate them and that they're just pawns. It's shown in the way he talks about Sigma, it's shown in the fact that he chose to use Chuuya who is Dazai's partner against Dazai to dangle him in front of Dazai and it's shown when he mocks Dazai for not being "able" to use a "gravity manipulator" and drops the famous line of them having a "shallow bond".
Fyodor is arrogant and very confident in his own abilities, including the one to control those around him. That's what makes him slacking though, he can't comprehend that a plan that relies on a bond and trust would be able to deceive and defeat him and the closer he gets to his goal, the less he cares. That's why he allows Dazai this last speech in 109 too, he doesn't think anything can defeat him. Dazai is at his wit's end, Fyodor is the winner. There's no way that Dazai has a backup plan, Fyodor is a genius and he already thought of everything that could possibly be, so there's no way, right?
Mersault always was about showing what humans are capable of and what they can achieve and that trusting in your allies, in your bonds with the people you love, makes you more capable and achieve higher goals. And it's exactly what happened.
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Dazai states that he doesn't have control over all things, that he had a lot of uncertain cards. But he trusted in his allies and it pays off. He wins not because he has it all figured out from the start and a backup plan for the backup plan of the backup plan, he did his part of the plan and adjusted to the scene and left the rest in full trust with his allies.
This pilot stabbing Fyodor worked because Dazai trusted in the agency and Ranpo and them taking over control the vampires in time. And the rest of the Mersault story before all this?
That brings me to my next point, actually. We learn in the episode that it was all a SKK scheme:
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Now, some people were unsatisfied that a plan that simple couldn't fool Fyodor, but I think that is exactly the point of it. Chuuya is a great actor (in Stormbringer he fools with grief and shock Albatross in thinking he saved the in two halves separated Doc for example) and the simplicity of this plan is what makes it so good against Fyodor - why would he assume that the great Dazai, his intellectual equal, another genius, would go through with such a plan?
And it's even better because it isn't actually Dazai's! Now, I have seen a lot of people talking about this and I admit that I assumed the opposite originally as well, that this was all Dazai's scheme, but thanks to a moot I took a closer look on the storytelling and I realized something:
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Dazai describes here the moment he realized that Chuuya is on his side in my opinion. This wasn't a "Dazai orchestrated the whole thing and sent Chuuya a text to haul his ass over to Mersault" because it doesn't fit with the storyline. Especially the speech in chapter 101 stands out here - a lot of people are making jokes about how weird and gay of a plan the speech is, but I actually think, based on the situation and the voice acting from Mamoru Miyano, that this goodbye speech is a genuine one.
The speech in 101 seems very genuine down to the point of his fake goodbye in the end, meanwhile the tone of a similar speech in 109 has completely shifted.
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And what happened between 101 and 109? Exactly. The elevator.
So, what I'm thinking is this: Dazai saw that Fyodor had Chuuya under control and he knows his partner, he can't quite believe that Chuuya would get himself captured, it's gotta be a plan, right? Soukoku isn't actually the brains-and-brawn duo even though everyone thinks that, but Dazai knows how capable and smart Chuuya is. He hid Arahabaki from him and figured out Rimbaud after all.
But still, there is this bit of doubt nurtured by fear - he trusts Chuuya, but what if this isn't his Chuuya? So his goodbye speech is both:
An attempt to snap Chuuya out of it, an attempt to communicate with him, the hope that carries him because this is his partner, right? Stupid Chuuya that always fights and always clings to life and knows to appreciate it a lot more than Dazai.
But also a genuine goodbye, just... in case. Because he could never forgive himself if he doesn't say goodbye to Chuuya, JUST IN CASE. He trusts and believes in Chuuya, but he can't not say goodbye to him, just in case that Fyodor really got Chuuya.
And then the elevator scene happens and Dazai realizes: He only has one way of surviving, but he will not drag Sigma into this, not if he can help it. And he made a promise to him, after all. So, Dazai pushes Sigma out, makes sure that Sigma is alive like he promised. Then he keeps falling.
The only one that can save him now is Chuuya and Dazai decides to trust him. If this is his Chuuya, Chuuya will save him. Because that is what they do: Soukoku come to each other's call, they trust each other with their life and in return get that life saved by the other.
And if this isn't his Chuuya? Well, then Dazai died for the sake of the agency and he probably thinks that this is a good way to die, too.
But he doesn't die. He gets saved by Chuuya of course, how could he have ever considered something else? Chuuya came to his help and he has a plan. So, now all Dazai has to do is play along, just like in old times.
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I wanna talk about this specific part of 109 too - I saw people arguing that the fact that Chuuya has been acting all the time made the scenes less impactful for the plot or their bond, but I actually would argue the opposite. Like I just laid out, in my opinion he only learnt just before this that Chuuya is on his side. That means, they don't have an actual plan that they discussed before, but they're good, they're Soukoku - we have seen in Dead Apple during the Dragonhead's Conflict and in the Dragon fight 6 years later what they are capable of without much communication.
But this is not only a way to show off their flawless communication and synchronization again, it also shows us something that we always knew but that is now plainly laid out: Dazai trusts Chuuya with his life. He trusts Chuuya to shoot, but not kill him.
Truly, you could say:
"The core characterization of Dazai and Chuuya's partnership is based on pure trust where both of them are capable of leaving each other's life on the other's hand without a second thought or doubt." - from the Dead Apple guide book
Chuuya acting from the very beginning as vampire and Dazai finding out along with a leap of faith and them proving once again the close bond they share is exactly the way this arc was supposed to go and the fact that it was predictable in that sense doesn't make it bad writing. In contrary. Asagiri set up and delivered the message of the arc extremely well, the arc had a clear red string following through all of it.
And this is why, in my opinion, this arc was actually written very well and why Fyodor's defeat is actually a good break for his character arc (because I don't believe he is dead, but this here is already way too long and many others have pointed plenty why he probably isn't dead) and why I really like the message of the Mersault arc.
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shigayokagayama · 1 year
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adhd reigen not in a “hes so goofy and silly” way but in a “he has a tendency to hyperfixate on things then drop them the moment he gets bored, has trouble forming genuine relationships with people because he’s so dedicated to making himself likable, is terrified of rejection and actively self sabotages to avoid it” kinda way
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inamindfarfaraway · 3 months
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The Exorcists’ Masks of Virtue
The vast majority of Exorcists in Hazbin Hotel have a notable design element that other angels don’t: their masks are missing an eye. Specifically, the right eye.
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I believe this is a reference to the Bible, Matthew 5:29. Jesus says, “If your right eye causes you to stumble, gouge it out and throw it away. It is better for you to lose one part of your body than for your whole body to be thrown into hell.”
He’s being hyperbolic. Mr Free Healthcare was not pro-mutilation. What he means is that you have to be willing to make sacrifices to prevent sin. The context of the eye metaphor is him condemning adultery and warning that even something as easy, casual and small as a look full of lustful intent can lead to further, worse sin if you don’t notice your sin, hold yourself accountable for it and do the work to not let it influence your decisions. This will probably be hard. It could be very, very painful. Changing your perspective can feel as horrible as plucking out your eye, so many people can’t bring themselves to do it. But although it won’t feel that way in the moment, it’s healthier for our general wellbeing in the long run to abandon traits and behaviours that damage ourselves and/or others.
(You may notice that Jesus’s teaching that you can have sinned, redeem yourself by giving up sin and thus escape damnation is the founding principle of the Hazbin Hotel. You may also notice that it contradicts everything the Exorcists believe.)
The Exorcists seem to follow this idea of painfully excising badness for the sake of the greater good devoutly to the point of placing it above teachings like ‘Thou shalt not kill’, with their job being to remove sin, in the form of sinners, to protect Heaven. Hence the missing right eyes. They’re a declaration of moral righteousness and inability to stumble.
But the truth is that the Exorcists all have their right eyes. Their flawlessness is a facade. Underneath, they are untouched, think themselves morally untouchable and, as shown by their horror and outrage when even one of them is killed, would much rather be physically untouchable too. This perfectly represents their complete unwillingness to acknowledge their own faults, let alone improve. They are never the ones who sacrifice. They force the sinners to sacrifice and don’t compensate it with any salvation. They metaphorically rip out the sinners’ eyes, but still condemn their entire bodies as inherently, permanently sinful. So they’ll just have to do another Extermination to get the other eyes! And another one to cut off their right hands! And so on until there’s nothing left.
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The only exception to the rule is Vaggie, both in appearance and character. Her mask has the left eye crossed out instead. Even before her expulsion, she’s set apart to the audience as an Exorcist who has the capacity to, shall we say, see a different side of things. Her mask having its ‘sinful’ right eye reflects her understanding that the Exorcist worldview is wrong.
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When she almost kills a demon child, her hateful vision clears. She discards the part of herself that’s an unquestioning, merciless agent of death, terror and grief… and as punishment for what Lute perceives as treacherous weakness, gets her eye plucked out.
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Of course Lute leaves her with only the ‘sinful’ eye. It brands Vaggie forever as the inversion, a perversion, of what the Exorcists are meant to be.
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You know, all this talk of eye removal in the Bible reminds of another line - ‘an eye for an eye’. Adam directly quotes it in “Hell is Forever”. He uses it to frame the Exterminations as Old Testament-style punitive justice; the sinners did harm and so they receive it. But putting aside the debate about how ethical the concept of revenge is, the entire point of taking an eye for an eye is that it’s proportional. The punishment fits the crime. If someone cuts your eye out, you shouldn’t murder their whole family in front of them and then slowly disembowel them to death. That would be the sin of wrath. You should just make them pay without excessive pain or collateral damage. This is the fairest form of revenge.
The Exorcists don’t do that! The Exterminations aren’t proportional to the wrongs of all they hurt, nor was Vaggie’s brutal punishment equivalent to her extremely mild insubordination. Lute literally takes Vaggie’s eye, and more, after Vaggie does nothing to her! That’s the opposite of the phrase! Adam and his soldiers are wrathful and cruel, deriving satisfaction from others’ suffering. But they just can’t stop going on and on about how disgustingly evil the sinners are, in total hypocrisy… despite some of the sinners being far better people than the genocidal Exorcists are… it’s like they’re obsessed with specks of dust in the sinners’ eyes when they have massive logs stuck in their own. Oh hey, that’s in the Bible too!
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beanghostprincess · 1 month
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TW // Suicidal behavior/tendencies
The ASL brothers deal with suicidal tendencies constantly in different ways and I find it so interesting how little the three of them value their lives for completely different reasons.
Ace is obvious from the very beginning. He has been constantly told that he shouldn't have existed. That he should die. That he is not worthy of living. His whole identity was a secret from the rest of the world because if they knew, they would want him dead. But he knows already that people want him dead, so, whatever. He can't take love from others. And it is not he is actively trying to kill himself but he doesn't value his life at all. At least not until he meets Sabo and Luffy. And he still doesn't value his life much, but he realizes there are people who want him alive. And it is hard for him to believe it, but they do. Ace's journey is a tragedy because he keeps asking himself if he should be alive, constantly fighting against it because he genuinely thinks he shouldn't have existed, and then dying in the arms of his little brother and thanking him for loving him. And he dies because he is too proud and stubborn and it was just obvious that his recklessness would end up killing him somehow. It was not a conscious action but-- Ace knew he was dying that day. Which is extremely sad because he realized he wanted to live seconds before he was killed.
Sabo is just too focused on saving the world. He puts the greater good before him constantly because he quite literally has never known any better. He joined the revs with no memories and no purpose and only hatred for the ones with power. He was raised with love and friends there but-- There is only so much you can do in a place where they teach kids specific ideals and what they should do. And Sabo is happy there and more than glad to be of service, but he doesn't value his life at all. He constantly puts himself in danger, ever since he was a kid, to fight for others. And not even others as 'specific people' but just society and his ideals as a whole. Like he would rather die and kill if that spreads the revolution around. He genuinely doesn't care about dying if he is able to help the cause. I mean-- I think it does change when he meets Luffy again (he is canonically still reckless af okay this is self-indulgent) and realizes he can't let his brother lose him again. But still, he keeps on not valuing his life at all and acting without thinking things through.
Luffy is quite obvious, isn't it? It's not that he doesn't value his life, but he values his life around others. He is a person whose core need is to be with people. He was left alone at a very young age. Dragon left him with Garp and Garp, aside from being an awful role model, wasn't even there much and left the kid alone. The only role model he had was Shanks and he was going away constantly too. Uta basically disappeared from his life out of the blue without explanation. So when he finds Sabo and Ace it is normal that he gets heavily attached to them right away. When he is kidnapped and tortured he doesn't say a word about their treasure because he doesn't want to get in between their dream which-- Is another story. He values people's dreams even above his own life too. But there is also this layer of "If I break the promise of not telling people they will not want me" and it is just-- Pretty fucking sad. Like. Luffy's need to be around people and not lose the ones he loves comes from abandonment issues. Plain and crystal clear. He puts his life in danger constantly to not lose people and when he is alone he doesn't see any reason to keep going. He always finds something, of course, but being alone for him is quite obviously worse than death and he has had those types of thoughts/tendencies before. That is why I love the Baron Omatsuri movie so damn much. It is basically this whole thing.
Ace and Sabo are pretty similar when it comes to not valuing their lives and acting recklessly, but Ace is more on the 'I should not be alive' side of suicidal thoughts and Sabo is more on the 'I don't care if I die' side of self-destructive tendencies. While Luffy is on the 'There is no point in living if I am alone' side of abandonment issues.
I don't mean to go anywhere with this, btw. I just find it interesting how the three of them value their lives so little and end up forming a little family together. They found comfort and love in each other and I think their damaging tendencies keep existing because they are not together anymore. Like. Genuinely. In a Modern AU where the three of them are together their mental health would be so much better because of being next to each other. Ace would struggle with his self-worth but would be constantly reminded every day that he is loved, Sabo would overwork himself but they'd keep him from it being actually damaging, and Luffy would just not be alone at all.
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phatcatphergus · 5 months
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I was thinking about how Tubbo keeps his rose in his backpack versus how he always kept his funeral flower in his offhand. I wasn't sure why he wouldn't want to keep the flower that Fred gave him in his offhand because surely that one would mean more, right?
I actually think it's a symbol of Tubbo's depression and how he hides it. When he had the funeral flower in his hand, he was sad and didn't really try to hide it. He didn't shower, he was incredibly reckless, and purposefully hurt himself multiple times. That flower was out where others could see, much like his emotions and mental state at the time.
The rose is different. The rose is hidden away and kept safe. Tubbo is seemingly better, he's "showered", started being more mindful of his actions/surroundings, and isn't purposefully hurting himself. But he's still hurting and in a poor mental state that many of the eggs have called him out for. He is still experiencing depression but it's well hidden.
Tubbo kept the funeral flower out because he felt like he had a reason to display his mental state. he figured that if anyone asked and saw how badly he was doing, he had a reason to feel the way he did.
On the other hand, Tubbo doesn't really have a reason to keep feeling like he does after Fred returns. Fred isn't dead, so what is there to be upset about? He hides the rose. He doesn't want people to ask because he doesn't have a reason (in his mind) to still feel the way he does.
Both flowers directly represent how he handles and shows his mental health to others on the island. The funeral flower was out for everyone to see and the rose is only known to exist by a select few people.
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On Kurapika's Self-Imposed Isolation
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While I recognize that probably everything I'm about to say is going to be super obvious, I just wanted to briefly touch on Kurapika's self-isolation, and the reason behind his not picking up his phone or exchanging anything more than clipped words and business after Yorknew.
I think the obvious answer is that Kurapika doesn't want his friends in harms way, or to be used as a bargaining tool against him. This is an understandable and probably accurate conclusion. After all, Gon and Killua did get taken hostage, and Kurapika was forced to negotiate an exchange. Chrollo picked up on Kurapika's "weakness" right away - that he values his friends' safety before his revenge. Fortunately for Kurapika in this situation, Pakunoda was a whole lot more similar to him than he would've cared to admit, as she placed a value on Chrollo's life even though everyone in the Spider was intended to be replaceable. So, now that he's been through Gon and Killua having potentially gotten killed or seriously hurt, and Chrollo knows that he has a soft spot for them, it does make sense that he would try to push them away for their safety and for the sake of not having an exploitable "weakness" in future. He may also not want to burden them more when they have their own lives to live - he does slip off without telling Gon and Killua for the sake of not distracting them from Nen training, after all.
Except that he already tried all this earlier in Yorknew arc. He tried to tell them they shouldn't get involved, and they all agreed that the risks were massive - but his friends agreed to undergo the risks anyways to help him. Kurapika was even grateful for it - "I have been blessed with good friends."
So, for him to push them away solely for this reason after the fact, knowing that this was very much a likely situation to happen, is a little odd to me. Kurapika knows full well that Leorio would be frustrated, Killua would be offended and Gon would worry. So, I think there's a little more to it than that, and I actually would venture to say that "keeping his friends out of danger" is more a secondary reason for his actions - one that would come across as more of a reasonable excuse to others.
The primary reason is likely a lot more selfish than that. Kurapika has to ensure his mission comes first. And unfortunately, he is fully aware that his path and choice in abilities is deeply self-destructive.
Kurapika needs to make sure that he doesn't have exploitable weaknesses, sure, but he also just as much needs to purposefully worsen his headspace - and he can't do that with those three around.
Think back, what are the happiest moments we see from Kurapika in the series? The one that comes to mind first, and the one I'm sure most of us will think of immediately, is this:
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[ID: A screenshot from the 2011 anime adaptation. Kurapika smiles - he looks at ease. End ID.]
It's one of the sweetest scenes of the series imo, right before the whole group is reunited for the first time since the Zoldyck Family arc, and it's even more notable because it comes immediately on the tail end of this...
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[ID: Three panels from HxH Chapter 101. Kurapika removes his contacts over the sink. His expression is distant. End ID.]
...and this...
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[ID: A panel from HxH Chapter 101. A close up of Kurapika's vacant and furious expression, his eyes wide and dangerous as he says "It might as well be you." Though the art is in black and white, it's apparent his eyes have gone scarlet. End ID.]
...and this.
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[ID: A panel from HxH Chapter 101. A distant Kurapika speaks on the phone on a rooftop at night, the cityscape of Yorknew around him dark, but speckled with lights and stars. He says "The Spiders are dead." His face is not visible to the reader. End ID.]
This is, up to this point in the series, Kurapika at his lowest. In contrast to Gon, who is happy to hear that the Spiders are dead already because now Kurapika can focus solely on finding his peoples' eyes, Kurapika... is clearly not happy - and that's because killing the Spiders himself isn't just revenge. It's penance. It's survivor's guilt. Kurapika's powers, which Izunavi even comments sound much like he is chaining himself in the process of chaining his enemies, are oh-so-beautifully prophecied to destroy him - and Kurapika was aware of this from the moment he set off down this path of revenge.
(As a side note, this is why I'm really hoping we see Gon and Kurapika interact again after the Chimera Ant arc - while Gon has always been pretty attentive to Kurapika's emotional state, in Yorknew, he lacks a true understanding of why Kurapika would go so far... but as of now, he understands rage fueled by guilt and grief all too well. I know we're all rooting for Leorio to reach Kurapika, but barring that, I really think Gon could get through to him - after all, they are similar in several ways, and I find it fairly apparent that Gon reminds Kurapika of Pairo.)
But back to the main point here - I do suspect Kurapika expects (if not wants) his revenge mission to destroy him. I think a lot of times, we forget just how young Kurapika is, and how much his character is dictated by honour, and the abandonment of it.
Certainly, he can and will go against his principles for the sake of his mission... yet, almost paradoxically, he's bound to his promise to his fallen clan; a promise to avenge them made in anger.
But Kurapika... doesn't come across as a naturally angry person to me at all.
He seems like the stoic, vengeful type on his initial introduction... and then we get his panic at Gon's recklessness
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[ID: A panel from HxH Chapter 2. Kurapika and Leorio wear matching expressions of panic in front of Gon, calling him out for his recklessness. End ID.]
...and his near-immediate forgiveness of Leorio after getting the first inkling of his character - of someone who cares just as fiercely as he does.
And after that point? Almost all through the Hunter Exam? Kurapika smiles so readily at them. He's sharp and funny. He mediates at times, but is stubbornly prideful in others. He's very amused by his friends' antics, and it really does seem like he starts to enjoy himself, with them. And, more than that, he counters Leorio's initial impression of him as an independent loner - on several occasions. He decides to follow Gon because Gon intrigues him. Asides from Gon, it is Kurapika who is the most unwilling to fight each other at the bottom of Trick Tower. Kurapika who makes the first move to team up with Leorio, even though that arrangement benefits Leorio much more than it does him. Kurapika who refuses to abandon Leorio to his fate in the cave, and who checks on Gon after noticing his bad mood. Who was furious enough watching him get beat down by Hanzo that his eyes went scarlet for the first and only instance outside of Spider mentions and Emperor Time. Who quite readily detoured to help rescue Killua.
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[ID: Three screenshots from the 2011 adaptation Hunter Exam arc. In the first, Kurapika smiles at a sleeping Leorio. In the second, Kurapika stifles laughter as he pretends he's asleep. In the third, Kurapika has an open-mouthed smile as he acquires the airship tickets for them, Leorio and Gon standing behind him. End ID.]
Look at him! He's so bright! So happy!
...too happy. Too happy to do what he promised himself he would do. And that's his biggest fear, isn't it. Without his rage... what is he left with?
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[ID: A panel from HxH chapter 2. A close up of Kurapika's eye as he says "I do not fear death. What I fear is that my rage will one day fade away." End ID.]
Kurapika is far, far less mired in anger when he's with his friends. I actually dare to say that at certain points, he was able to go for lengths of time without thinking much about it - alternating between almost forgetting in one instance and being hit like a sledgehammer on exposure to a reminder in the next. This violent swing is... actually the beginnings of the natural process of healing from loss and trauma. But to Kurapika, who's made a promise to his people's memories, this is not a relief. This is betrayal.
I think that actually scares him, that he can almost picture it. A life beyond his guilt. That he, too, could learn to be happy, even after unimaginable loss.
And so, as Kurapika continues his mission offscreen, finding more and more gruesome reminders of the cruelty inflicted on his people and losing more and more pieces of himself in the process (in his own words, no less), he prioritizes his responsibility to them, and pushes away his distractions. He cannot be a soul at peace until his work is done; he must be in turmoil. He pushes people away who he cares for, and binds himself, and keeps his people's eyes on him, quite literally, because respite, for him, is unacceptable. Perhaps that guilty part of him even hopes, by the end of this, that his soul will be so unrecognizable as to be fundamentally unsalvageable. But the truth of the matter is, or at least what comes across to me, is that Kurapika cares much more fiercely than he hates. He knows what matters most. And for as long as he does, he still hasn't truly lost himself.
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[ID: A panel from HxH chapter 350. Kurapika looks down at baby Woble with a gentle, yet complicated expression. The inking is somewhat softer. End ID.]
Kurapika's soul is kind, really. And it wants to heal - but for the sake of his mission, he needs it damaged and bleeding. And so, he forces himself to exist in that pain. All alone.
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[ID: A panel from HxH Chapter 344. Kurapika, dressed in a black suit, sits with his back to the reader, looking down at a photo in his hand. He is slumped a little before the church vigil he has prepared, all his clan's eyes lined up in their jars and honoured with flowers and candles. He thinks to himself "There is no home for me to return to... and nobody to welcome me back. I have nothing left." End ID.]
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rorah · 2 months
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The mentally stable Dimitri Fire emblem 3 hopes.
It surprises me that there's still ppl claiming so, but then I remember we're talking about 3h interpretations and I have to make peace with it.
But that doesn't stop me from venting a little bit in this little space I have lol. Actually, it dries me and makes me feel bad to bring this up because I will have to talk bad about Dedue, and I don't want to talk Bad about Dedue. He's a genuinely good boy. But "Human" nonetheless, which means Flaws. I like Felix too but he's become some sort of a clown that doesn't make me feel too bad. I like Felix tho, In a different way.
Mostly talking about these two because the take that "Dimitri has better support system" baffles me because, technically, these two are his support system in HopesVerse. The persons who Dimitri relays on and seek solace/advice/support. The rest doesn't really tackle any of his personal struggles (aside from the Mage!Mitri frustrated dream, but that's out of the bad equation in our 'mentally unwell' set of pixels, and Shez only has a glimpse). Contrary, to Houses verse where the whole blue lions cast knew about his shit, didn't know what to do, but didn't leave either.
I tackled this topic with other person on Twitter who was (or still is) on board with this take and the phrase they used was They contained him better, which of course I agree and remarked that was exactly the problem. Contain him is gonna be contra productive. I used a water dam analogy, where the structure of such dam is damaged, and the pressure of water keeps accumulating. Causing a foreseeable damage for the dam itself and the surroundings. You don't need to be a genius to understand it, you need experience or knowledge for mental ill topics tho.
I really don't want to extend so much on here because it's mostly just, rant format more than a proper analysis so I just want to point out these two things in their support conversations.
First, Dedue. Encourage him to keep on the vengeful path. Which we know was the final goal of Azure Moon and if you payed attention to 3 houses message. The whole Vengeful argument was something Bad, to keep it simple. Despite Dimitri actively looking for answers/guidance for something that, in a rational state he can see clearly like vengeance will consume his life (also Shez and Felix called out this behavior). Dedue answer only encourage him to keep on that path, because he would do that 💔. Presenting 2 oposite views is a great formula for confusion and disorientation. Now, Dedue's role is primary SUPPORT, not guidance nor orientation. He will support his shit no matter what, and we are quite aware of that if played Houses.
Second, Felix. Felix is a special case. He is smart but also an idiot lacks A LOT of soft skills to actually be of help. He's the only one who knows in this verse about Dimitri having a mental issue. In their A support to say the least, so they don't close or solve anything. What makes it more worrisome is the fact that Felix conceals the issue as a secret.
"So try to keep that whole "removing their heads" thing in check, yeah? We can just call it our little secret."
this extract here makes me feel so unwell 😭help
The whole burden falls over him and his lack of skills and wisdom on the matter will be too much for him later on. He at least, will be able to recognize that the problem is beyond of his capabilities and will look for help. Felix himself has his own issues and journey where he needs to learn. He's forced to get pass beyond some of his angry teen behavior but hasn't completely get over it.
There is a lot more to tackle, but that requires more work and time. What are the topics some of you think is important to cover around understanding the Hopes verse resolution? Dimitri's route? something? Do you think the route without Byleth is better? With that being said, I would like to delve deeper into character analysis, and the role each played for the Lords too. That also requires to talk about the Byleth and needs a whole analysis on their own, which requires time (which i don't have much lol) To end this vent, I would like to encourage people to do a little research for the terminology they're using like "Support System". Who makes it up and how it operates successfully. The fact that ppl saying "he has better support system" only because he didn't go feral on the run alone is not entirely valid. A reminder that people can feel alone with or without people around them. And containing the issue within doesn't solve any problem. At best, it's presented later. At worse, it gets worse.
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comradekatara · 8 months
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i think the reason that a lot of people don’t recognize how fucked up sokka is is due to the fact that sokka himself refuses to acknowledge it. he is extremely repressed and operating on so many layers of cognitive dissonance that he doesn’t even realize that he is not in fact “normal” or “mentally stable” or “healthy.” part of sokka being extremely fucked up is also refusing to acknowledge or confront that he is remotely fucked up. so he generally presents like a well-functioning person who, despite being incredibly cerebral, doesn’t have a particularly rich inner life. but that’s only because he’s walled off every single aspect of his existence that causes him (real) pain or sadness or grief, put it in a vault and then buried it. and confronting any of it, even a little bit (like admitting that he felt abandoned by his father leaving, or that he misses his mother, or any other normal expression of pain that katara has no problem communicating) would mean confronting all the harmful logic he has internalized regarding his identity and denial of his own inherent humanity. so even though he seems like he has no filter and loves to complain, he is actually performing pretty much constantly. for the sake of those to whom he feels obligated, but mostly for himself.
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allbuthuman · 10 months
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Some thoughts on Dazai & emotions
I think Dazai treats his own emotions in a way similar to how most people treat physical discomfort.
A lot of people seem to think that what disconnects him from humanity is that he doesn't experience emotions in the way most humans do. Even though that's true to an extent, because severe mental illness does do that, it's also clear that Dazai does have emotions, but most likely struggles to recognise them, and when he does, he doesn't really take them into account. His intellect runs so far ahead, that he must see his own emotions in the way that most people see disruptive physical sensations - something so far below our default "level of operation" that, even if we do undoubtedly experience it, it's not relevant to our self-definition. Sure, your leg can hurt while you walk, or you might occasionally get headaches, but you'd most likely consider it a nuisance rather than something that characterises your person. We can only assume this has been the case for a long time, probably ever since his mind first outsmarted his heart, so possibly his entire life. In Stormbringer, it's even stated that "nothing can survive his gaze, not even his own emotions".
Now, remember Dazai's self-admitted aversion to physical pain. We know that he hates pain, but this doesn't stop him from putting himself in physical peril, and even using himself as bait, if that's gonna help move his plans forward. When he does get hurt, he barely reacts at all, and at most just states that he is in pain. Pain is a nuisance he ignores, and we can assume that most of his emotions, if he was able to properly admit and experience them, would only cause him more pain, because his emotions are those of a severely depressed person, and even when he can feel some semblance of a positive emotion, he interprets is as something he'll inevitably lose. In any case, when it comes to either emotional or physical pain, the direct connection between the stimulus and his response seems to be missing - stating that one is in pain isn't the same as naturally responding to it. It's probably been missing for so long, that he doesn't even have to try much not to respond anymore, much like it wouldn't take much effort for a stomachache not to show on your face, if you kept getting stomachaches while having to work 12 hour shifts.
His time in the mafia, where he was encouraged to be rational at all times and lost his friend the one time he wasn't, could have only maximised this tendency of his. Even though he chose emotion over intellect when confronting Mori in Dark Era, he did lose Oda, and he doesn't want to have to go through that again. Plus, in the present, in order for the ADA to survive, he has to ignore anything other than his intellect, if he wants any chance at outsmarting Fyodor. There is no room for emotion right now, even if he wanted to be emotional, which he doesn't.
So, what seems to be the case is that Dazai is apathetic to his own emotions. They're in there somewhere, but remain unacknowledged, barely ever taken into account, unable to survive his brain.
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jemmo · 3 months
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Making sense of love for love's sake: the game
Despite all the things i absolutely adore about how the plot unravels and expands in love by love's sake, upon first watch, there's some things i couldn't piece together, which @lurkingshan echoes in their post:
'The way the author was messing with Myungha and forcing cruel choices on him really does not track with a desire to help him find happiness.'
And to preface, this is not something i fully get yet either. I think i'll need a good month and a sizeable reading list of relevant resources to understand just what/who this author/sunbae is and what his role is and how he is associated with myungha. But as always with the best shows for meta (aka bad buddy), as a plot unfolds, you can always find a better understanding by looking backwards and re-contextualising what you've already seen. so i watched ep 1, specifically the scene between myungha and his sunbae at the bar. And i will talk about how everything said in this scene has a whole new meaning now we know the full story, but for now i wanna focus on that question that they keep coming back to; "Then... will you change it for him?".
When you watch the show for the first time, your brain follows the simplest, most obvious version of the story you're being told, one where myungha has been pulled into the world of his sunbae's novel that's being turned into a game and given the opportunity to fix the thing he didn't like about it; making yeowoon happy, and thus you just think the rules of the game are imposed by the author, and so when these cruel choices first come up, you see them as the difficult roadblocks that are nevertheless necessary to any kind of game, forcing the player to make an impossible choice so that the game can continue in a certain direction and its only after that you learn whether it was the right choice or not, or there is no right choice, it simply changes the game you are playing.
And when its revealed what this game actually is, at first i tried to interpret these cruel choices, namely the choice between yeonwoon and myungha's grandma, and at best i could come up with the concept of this being a choice between staying stuck to the past aka choosing his grandma, even though he knows that choice doesn't mean she's safe bc he knows the future where he loses here, its an inevitability, but thats the small happiness he knew before it was taken away and thus that happiness is known and safe, theres no risk, versus choosing to pursue a new happiness, a love of yeowoon and thus himself, which he doesn't know, he hasn't experienced yet, and could be risky. Its a happiness that isn't guaranteed like his grandma, but its a happiness that looks to the future and has hope in it that he can find a new happiness to pursue despite what has happened in his past.
And that fits nice, okayish. But then i watched ep 1 and heard that question "Then... will you change it for him?" And watching through the rest of the eps, we come back to this scene at the bar and each time we get a new run up to the author asking this question, either new dialogue is added or we hear a different piece of the conversation entirely. It starts at the beginning of ep 1 as:
"Because Cha Yeowoon is the only one who's miserable." "It can't be helped that some people's lives are like that" "The fact that some people are destined to live that kind of life is what's vile."
Then a bit later in ep 1 we go back and its expanded.
"It can't be helped that some people's lives are like that" "The fact that some people are destined to live that kind of life is what's vile." "Why? Do you think you'd write it differently?" "Yes, definately. Someone like Cha Yeowoon, or someone like me with an awful life, can also be happy."
And then all the way on in ep 6, we get this new dialogue.
"I don't like talking about destiny." "Why?" "Because it means everything is predestined." "Then do you not believe in fate?" "Fate and destiny are the same. My grandma likes to say that. She said life is like a written book, and how you'll live and die are written in it. (...)I don't like things like this. Even if fate is already destined, I think it can still be changed. Otherwise, there's no point in trying." "Really? Then Myungha..."
And while we don't hear the author ask the same question, I feel like him getting cut off like that insinuates that the conversation leads to that same ending point. All that is to say, every time we hear this question being asked, its like we learn more and more about what this whole thing is, what the game is, what myungha is saying he will do by agreeing to do what the author asks. And every time, we see myungha being more defiant against the idea of yeowoon being resigned to his miserable ending. He starts off thinking that kind of life is destined, and while it's miserable, its not something he can fight. Then he says he'd want to write the story differently, bc yeowoon, or even him, could be happy. He challenges the idea that yeowoon, and thus himself, is fated to be miserable, and opens up the possibility for happiness for them both, but doesn't yet have the means or resolve to do it, its like he knows its possible on a fundamental level, but doesn't see it as something he can actually achieve. But then we circle back to the idea of destiny and books, both of which came up in the previous quote, and seems incredibly pertinent seen as this whole thing is about a novel this author has written. Myungha talks about how he hates the idea that life is a book where everything written is predestined to happen, from the moment you live to the moment you die. He says "Even if fate is already destined, I think it can still be changed. Otherwise, there's no point in trying." That vile way of life he described before that he said was destined, he is now saying it can be changed, and that possibility is now something he's holding onto, its what he sees hope in so that he can keep trying, bc now he finally is trying, he has the resolve, he's trying to realise this thing, this impossibility of rewriting the life he thought was destined through the way he loves yeowoon.
And coming back to those cruel choices, given this fresh context, it made me think. bc this isn't actually a game that myungha has been put into where the rules are dictated by an author completely separate from him. He said himself, he'd rewrite it, he'd change things for yeowoon. And when you start to think of it less as him fighting against a rigid, removed system and more like him being a character in a story he is trying to rewrite himself, that has both the author and his own limitations, or just his own if you're in the school of thought that the author is some figment or part of myungha himself or his conciousness, then you can start to see where these cruel choices might come from. They could be myungha, the author making edits to this new story, imposing his own doubts and limitations on himself. When he says he has to pick between Yeowoon and his grandma, what if that's the new author myungha seeing this story unfold and thinking no this isn't right, he can't have it all, i'm not deserving of this much happiness.
And what makes me like this idea even more is that when we get that second choice between ending after 14 days or getting 100 days back at the cost of resetting Yeowoon's affection to 0, that whole conversation happens in what I think the bar actually is which is this frozen moment in time where myungha is in the water with this extension of a voice in his head that is talking through these things. That conversation in itself needs its own post, but when you look at it both as a decision to break up or not or a decision to hold onto life or not, you can see how the author is just this soundboard relaying the decisions myungha is going through in his head. The author's voice is his own, weighing up his decisions. And if he is the author here, it only reinforces that the person making the rules of this game is him. You can even extend it further to the idea of the debuffs, where he puts in place this thing that makes it so he causes harm to yeowoon when he's around, and its only by garnering affection that he can prevent it. He gives himself a reason from the get go to stay away from yeowoon and reason it as him doing it for yeowoon's safety, when in fact the only way to make yeowoon safe is to increase his affection, which he can only do by being near him. Its a system that at first gives myungha a reason to stay away aka not like himself, but ultimately says the only way you're going to make yeowoon like you, or the only way you can like yourself, is if you accept risk. And that in itself screams to me of a myungha writing in these game systems that are trying to encourage his own-self love while falling at the hurdle of his own lack of self-worth.
The idea is still messy in my head even for me, but i just really like the idea that myungha could be trying to fix this thing both as a character and game master, and that both these versions of him have these flaws that manifest in their different ways to cause the events we see. It kinda is the definition of being your own worst enemy, the idea that in order to work towards loving yourself, the biggest obstacle you have to encounter is yourself, bc we are the ones holding ourselves back, making all these rules that make it harder to like ourselves and pursue our own happiness. The voices in our head telling us that we aren't good enough and aren't deserving are our own, and while the things that happen to us can inform what they say, we're the one's reinforcing those words. And what this show teaches us is that, if we're the one holding that pen all along, we can choose to change what those words are. If we make the rules, you don't have to create a game with concrete ultimatums, you can create a game where rules don't control you. Instead, you make the decisions, and you can make the ones that make you happy.
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