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chaosincurate · 8 months

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My month in music - August 2023

Black Country, New Road - Ants From Up There (relisten)

Young Fathers - Heavy Heavy (relisten)

Mitski - Puberty 2

Mitski - Be the Cowboy

Japanese Breakfast - Soft Sounds from Another Planet (relisten)

Japanese Breakfast - Jubilee (relisten)

Kate Bush - The Dreaming

SZA - Ctrl

Squid - Bright Green Field (relisten)

Squid - O Monolith (relisten)

Black Country, New Road - For the First Time (not for the first time)

Godspeed You! Black Emperor - Lift Your Skinny Fists Like Antennas to Heaven

Genesis Owusu - Struggler (new)

shame - Food For Worms (new)

IDLES - Joy as an Act of Resistance

IDLES - Brutalism

Blur - The Ballad of Darren (new)

Write-ups below

I'm gonna be honest, I'm way later to this than I'd like to be so I'm gonna try to just absolutely blitz through these so I can get onto a project that might end up taking a lot of work'

Black Country, New Road - Ants From Up There

Note to self: make a post dedicated to this album. It's musically meticulous and thematically compelling, and some of the lyrical work is truly crushing, like you are watching a man crumble slowly over the course of the album's hour-long runtime. It's an absolutely incredible work of art and would be one of my go-tos to demonstrate the unique potential of albums as a format.

With that last note in mind, I would of course recommend a back-to-back listen above all else, but if you must try a song first, I'd suggest the first proper song Chaos Space Marine

Young Fathers - Heavy Heavy

This is one of those warm albums that feel really communal and welcoming. It's got more angry moments - I Saw, for example has a war drum rhythm to it as the vocals on the verse are practically spat out - but for the most part, this is a very laid-back listen that captures an improvisational magic without the drawbacks that usually brings.

The previously mentioned I Saw is definitely my favourite from the album, but as I said, it doesn't exactly embody the album's best features. If you want a song that does that, try Geronimo. The song's lyrics tend to speak on the negative sides of life and the inevitability of it's end, but the music, along with some important glimmers within the lyrics, tell you that there is a beauty to even that.

Mitski - Puberty 2

I hear we're all gay here, so I imagine you all know that Mitski is good by now, but just to confirm, Mitski is good. I had heard Bury Me at Makeout Creek a while ago, and intended to listen to more after that, but the first song I heard outside that album was My Body's Made of Crushed Little Stars, which is a great song, but gave me the total wrong idea of this album. Yes, there is a little more experimentation than I remember being on BMAMC, but I was under the impression that it would be way more abrasive from that first impression, and that's great for 2 minutes, but over a whole album, that'd be a lot, at least for me.

I am glad that I eventually got around to this though, because it was a great album. I would have been particularly worse off never having heard Your Best American Girl. It's an excruciating story of a protagonist who is in love with someone who is of an untenably different culture to themselves, which leads to tension, embodied by parental disapproval. It's a great song delivered with buckets of emotion, particularly when the chorus hits.

Mitski - Be the Cowboy

Honestly, this one didn't hit as much for me, which given everything I heard surprised me. I found that most of these songs ended too quickly to make an impact, and I didn't see anything on the album scale to write home about either. She's still clearly demonstrating her talent, and it's still made up of good songs, but they just lacked the impact of her other two albums for me.

That being said, I did particularly enjoy Nobody. The contrast of the disco-leaning instrumental, along with the pretty bouncy vocal melody against the loneliness the lyrics speak about somehow enhance that feeling of it being out of reach. As if Mitski is being taunted by it. It's very effective.

Japanese Breakfast - Soft Sounds From Another Planet

I am just now noticing the colour theme of the albums I was listening to around this time. Something about orange and yellow spoke to me this month.

This album is incredible. It's the first true demonstration of what makes Japanese Breakfast such a great project for me. The album is broadly indie pop, but it's the form of indie pop that's special: Michelle Zauner carved a niche sound from materials of the more music nerd side of pop music with the tools of lo-fi and soundtracks. The pop music materials come simply from the quality of the production and somewhat normal song structure which come along with some slight experimentation here and there in regards to the sound of the album, that latter point bringing us to lo-fi, which also gives us that unique comfortable, cozy vibe that you hear with Japanese Breakfast, and then the soundtracks portion comes from her excellent ear for creating the ideal atmosphere for a given song's themes.

All the songs on this album, especially the first half, are amazing and pretty representative of the album's sound, but I really wanna focus on Machinist, a relatively experimental cut. It's a song about a lover not being as vulnerable with you as you'd like and that's great, as is the fact that it's conveyed through a story of a woman falling in love with a literal robot, but the instrumental really sells this. There is a constant battle between mechanical coldness and human warmth in the song best conveyed at the end where a sax solo is accompanied by a robotic synth and very faint, distant, robotic vocals. This woman is a genius.

If you'd like something a little more normal, Boyish is also very good. It's a pretty straightforward song about romantic insecurity. If the narrator and protagonist is reliable, their boyfriend is staring at a waitress instead of their date, who isn't buying his attempts at reassurance, and is desperate to feel equally as seen as the stranger he's enamored with. There's a little unreliability to the narration though, because the sentiment switches from spite to yearning often, from "if you go to her, don't expect to come home to me" to "I can't get you off my mind" (followed by the currently irrelevant, but very witty "I can't get you off in general", love that, 10/10, sad tho). That introduces a layer of personal interpretation though: is it a song about anxiety told through a wholly unreliable narrator or is it actually about your significant other not being especially sexually attracted to you? Both are very interesting, and both seem like valid interpretations to me.

Japanese Breakfast - Jubilee

I love this album so much I made a post about it earlier this month, and I'm pretty proud of it, so please check that out if you're interested in reading more than just "it good. It very good"

Kate Bush - The Dreaming

Don't ask me why this is my first Kate Bush album. I could've sworn I saw this on some list ahead of Hounds of Love or having a higher aggregated rating somewhere or something like that but I can't find it anywhere now that I'm looking for it. But anyway, this is a great album. It provided everything I expected from a Kate Bush album, the weirdness, the stylistically all-over-the-place vocals, the general theatricality... But it also took that style in different directions than I expected, such as with the menacing title track about colonialism.

The song I'd recommend would probably be the fairly expectation-aligned Sat In Your Lap though. Honestly, if you've heard a Kate Bush song before, you won't need a taster for the album at all, it's more of that, but if you need to be reassured of that, the opener is a great example of it.

SZA - Ctrl

I didn't get SOS, unfortunately, felt it was a little bloated, but maybe it's worth a revisit, because over an hour of this seems pretty great. SZA's writing is all incredibly authentic and personal, and her vocals drip sweetly over any instrumental tried here. You don't need another stranger on the internet to tell you that this is a must-listen R&B album, but here I am, yet another stranger on the internet calling this a must-listen album.

My favourite from the album is probably Drew Barrymore, a reverb-drenched song about a relationship that is ruined by jealousy and self-hatred on the part of the protagonist. This is my favourite example of vocal honey on this album, too. This, for me, encompasses all the album's strengths brilliantly.

Squid - Bright Green Field

Bright Green Field is arguably the clearest demonstration of Squid's unique sound. It balances the ideals of punk and funk excellently while adding in some kraut-rock and Radiohead-esque ideas too. I think I might prefer O Monolith personally, but this album is both very close in quality and absolutely crucial for the band.

I think if I were to recommend a song from this album, as much as I love Narrator, I imagine it'd be G.S.K. that best positions the album for enjoyment, at least for most people. It sets up a lot of the themes surrounding urbanization and the contrasting of modern life with the natural to demonstrate modernity's absurdity, and does so expertly, while also providing on the instrumental front with that funk-infused post-punk that makes the album so unique.

Squid - O Monolith

As I said in the previous write-up, this is my preferred Squid album. It leans on that Radiohead influence a little more, I think, which is why I'm glad they established their own sound with their debut first, but I think the sound here is just more to my tastes, and better suits their focus on this record, which is hard to pin down, but it feels more broadly mechanical than the previous outing, more rigid.

I think there are a few really good recommendations for songs from this album, but I'll stick with the critique on policing and generally violent power over others afforded to the otherwise powerless: The Blades. This is one of my favourite songs, period, let alone from Squid or off this album. The way it gets in the head of someone whose only access to power is through the violence of law enforcement, and demonstrates the urge to use that power in that environment is just superb. And it demonstrates it all while also criticizing the amount of power they are afforded and how that makes matters even worse. I love it.

Black Country, New Road - For the First Time

Welcome to the best new six-part post-punk debut album! I hear the Slint influence is a little heavy here, but for one, that doesn't really bother me, and two, I haven't heard Slint yet, so I wouldn't know. Regardless, this album is incredible at getting you into a sort of dark groove, and eventually, when the time is right, uprooting that groove and leaving you completely at a loss for what to expect. Even when you've heard the album many times over like I have, there's a part of you that can't keep up with the erratic shifts in the music within individual songs.

That incredible aspect of the album is best portrayed in the album's best track for me, Sunglasses. It touches on so many themes, which makes it hard to pin down exactly what the song is about, but it seems clearly about wealth and delusion in some way. For me, I think it's about the protagonist being seduced by the toxic comfort of wealth and delusion that wealth is earned and not happened upon randomly. It's a complex song though, and I'm sure there are plenty of valid interpretations. It is 9 minutes, but it's so good and dynamic that you are unlikely to feel all that time pass. Give it a listen if you like the sound of everything I've written here!

Godspeed You! Black Emperor - Lift Your Skinny Fists Like Antennas to Heaven

I never really had a resonant experience with instrumental tracks, which really made me skeptical going into this album. I have had plenty of positive experiences with instrumentals, but they're always pretty analytical, I rarely actually feel anything all that strong when listening. Add on top of that the length of the songs, with each of the four tracks being around 20 minutes, and it was a bit of a long shot. That being said though, this did resonate with me. After a stressful day, I just laid back, put this album on and relaxed for an hour and a half and I felt the album eat the stress from inside of me like a growing black hole, sucking up negative emotion. It was so thoroughly uplifting that I couldn't possibly hope to analyze it. It's difficult to recommend the way I usually would, but if you love music, especially stuff in the alternative and indie orbit, I'd suggest giving this a listen when you have some time to kill, especially if you're stressed or otherwise burdened.

Genesis Owusu - STRUGGLER

From an album that is very happy within a small niche, to an album that could be engaged with on some level by anyone, STRUGGLER is a dance-informed neo-soul album (I guess) that really makes use of the medium by using and reusing metaphors from within it's borders to reinforce themes, and explore new elements of that metaphor that consider the already established subtext. It's all very clever concept album stuff, and I always respect when an artist commits to a concept like this, especially ones who can still make songs stand on their own outside of the context of the album. It's very impressive.

I'd probably say Tied Up! is the best shout for a song to try, it's exceptionally groovy and is probably the point in the album where I'd say it really finds it's groove, which is on the late side, so hearing that in advance could reassure you that the album does actually find it's feet eventually.

shame - Food For Worms

This album is a weird one just because it doesn't really stick to a sound all that much. It bounces very quickly between punky songs like Alibis to a softer alternative style in tracks like Adderall a lot and it makes it hard to settle in a way that I think makes the album listening experience worse than if it were, for example, two EPs of comparable style. Of course, stylistic diversity is often a plus, but it has to be done better than this.

The songs are all pretty great in isolation though, especially when it does get a little punkier, such as with the previously mention Alibis (my personal favourite), or the song I'd recommend, lead single Six-Pack. First things first, that guitar sound is absolutely phenomenal. It gives off an erratic feel, and one of a shifting, untrustworthy nature. And then there's that hyped up vocal performance that embodies frustration at the comfortable delusion characterized in the lyrics.

IDLES - Joy As an Act of Resistance

This was incredible. The name pretty much sums it up. It's a post-hardcore album that is very aggressive on the surface level, but will often have a heart of gold, such as with Danny Nedelko, a song that stands in defiant support of immigrants and immigration, named after the writer's friend originally from Ukraine.

The song I'd recommend is largely just aggressive, but still with a pretty warm thesis in the end, and that would be Never Fight a Man with a Perm, a song about pub violence and the silliness of the extreme macho personas on display in those environments.

IDLES - Brutalism

I didn't like this one as much as Joy, but there were still some definite highlights. For one, it is a lot more punk. This album is absolutely punk to the core, and doesn't share the optimism of my preferred album, which does provide a more cathartic experience.

My favourite is probably Stendhal Syndrome, an album about artistic philistines; the type of person to look at an artwork and judge it based solely on the technical ability on display and not the vision of the artist or the art's emotional impact. Plenty is already made of punk's political leanings, but very little is the subculture's love and passion for art at the forefront, and it's good to see that being focused on here.

Blur - The Ballad of Darren

Unfortunately I don't have much to say about this one. I was hopeful going into it because I did quite like St. Charles Square, but almost all of the album just bounced off me leaving no real impression. Maybe it's worth a revisit one day, because I did mostly respect it on an analytical album, but it didn't make me feel much at all. If you like indie rock, maybe it's worth a listen, I hope you like it more than I do.