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#national palace museum
michaelnordeman · 11 months
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Garphyttan national park in Närke, Sweden (June 3, 2020).
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wgm-beautiful-world · 5 months
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Palácio Nacional e Convento de Mafra, PORTUGAL
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lionofchaeronea · 5 months
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Strolling at Night Holding a Candle (aka Waiting for Guests by Lamplight), Ma Lin, ca. 1250
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i-think-pictures · 2 months
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yebreed · 2 years
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Hua Yan, Tiger and Wasp
Hua Yan's work “Tiger and Wasp”, early Qing. Photo from National Palace Museum (國立故宮博物院), Taipei.
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panicinthestudio · 10 months
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Da Ke Ding, September 23, 2016
Da Ke Ding, c. 1046 - 771 B.C.E. (late Western Zhou dynasty, China), bronze, 93.1 cm high (Shanghai Museum) Speakers: Dr. Kristen Chiem and Dr. Beth Harris. Created by Beth Harris and Steven Zucker. Smarthistory
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Da Ke ding (大克鼎), Western Zhou (1046–771 BC), China Bronze Height 93.1 centimetre (36.7 in); width 75.6 centimetre (29.8 in) (bore), 74.9-centimetre (29.5 in) (inside diameter); weight 201.5 kilogram (444 lb) Discovered in Famen Town, Fufeng County, Shaanxi in 1890. Collection of the Shanghai Museum
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Da Yu ding (大盂鼎), early 10th century BC Western Zhou (1046–771 BC), China Bronze Height 101.9 cm (40.1 in), width 77.8 cm (30.6 in), weight 153.5 kg (338 lb) Discovered in Li Village, Jingdang Township, Qishan County, Shaanxi in 1849. Collection of the National Museum of China
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Mao Gong ding (毛公鼎), 857-828 BC Late Western Zhou (1046–771 BC), China Bronze Height: 53.8 cm, depth of belly: 27.2 cm, diameter: 47 cm, weight: 34.7 kg Discovered in Qishan County, Shaanxi in 1843. This "ting" cauldron has a wide, flared mouth, a linked ring motif decorating the rim, upright handles, and three hoofed feet. The inscription, which can be divided into seven sections, describes how when King Xuan of Zhou came to the throne, he was anxious to see the country thrive, and charged his uncle, the Duke of Mao, with governing the domestic and external affairs of state, big and small, and to do so conscientiously and selflessly. The inscription goes on to state that the King then presented the Duke with official vestments and gifts, and that this vessel was cast in order to record the honor given to the Duke for his descendants. Collection of the National Palace Museum, Taipei
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saintartemis · 2 years
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abysmal-zone · 11 months
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[ID: A black and white, copper plate print showing the Chengde Mountain Resort in China. The resort’s structures sit on the right side of the print, at the edge of a lake which is sparsely lined with trees. There are tall hills or mountains in the distance. The sun shines in the left corner while clouds take up the right. End ID.]
Morning Glow on the Western Ridge
Matteo Ripa, made between 1711 and 1713
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ancientsstudies · 8 months
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Armeria Reale by christianamaddalena.
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lionofchaeronea · 1 year
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Immortal Riding a Dragon, Ma Yuan, early 13th century
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wgm-beautiful-world · 11 months
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MUSEO NACIONAL DE CERAMICA - ESPAÑA
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i-think-pictures · 1 year
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yebreed · 2 years
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Azure mountains by Qiu Ying
Azure mountains by Qiu Ying
Qiu Ying (仇英, ca. 1494-1552) is the most known and the most imitated artist of the Ming era. We remember him for iconic landscapes with azure mountains in the gongbi (工笔) brush technique. (more…)
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View On WordPress
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beebees-photography · 2 months
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My trip to Rome, Italy for my Birthday. These images are of a place called Palazzo Venezia a large early Renaissance Palace, now home to the national institute of Architecture, history of Art and museum of Palazzo Venezia.
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waugh-bao · 9 months
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Taiwan: Day 12
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rubberbandballqueen · 6 months
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it is becoming Increasingly Clear to me that i can no longer be taken out into public because i will start doing to fonts what jirt would do to the rocks and plants whilst on little walks
#the worm speaks#i'm noticing that a lot of signage these days don't have small caps which is a bit sad but i suppose they are somewhat antiquated#most of them have just straight up all-caps and i'm like 'mmmm. would a small caps version be better here?'#the other day i was like 'what if i left everything behind to get a job at a type foundry in taiwan. what then.'#what would i bring to the table there? why a sense of western aestheticism for the latin glyphs in their fonts#combined with a lesser but probably still noteworthy knowledge of chinese calligraphy to help ensure there is a sense of unity#btwn the latin and chinese glyphs#and also kerning i would bring kerning to the table for the latin glyphs. like if we Must be monospace abt things we can do that#but on god. the number of times i download a cn script font and go 'ah.' bc the english is the Ugliest monospace serif you'll ever see#fortunately while it is a bit of work it's at least easier to match english fonts to cn ones bc there are So Many more free ones lol#the other day i was looking through a chinese font website n i was reading their ~story~ behind this one particular series#that they based off the calligraphy in these five or six Ancient Rare Books in the national palace museum#and they were like 'yes the poetry was beautiful and moving. but to a type designer the writing itself is even more attractive'#and i felt so called out. i have just the most incurable font disease on the planet lmao#the other thing i think that might be neat to bring to cn font design Would be the concept of italics#like i know that's just not a standard thing and that Makes sense bc to oblique the letters is just#like. why would you do that. it's hard to read. but the spirit of italics is to change the font style entirely whilst keeping in harmony#with the rest of the regular typeface which i think would be Neat to bring in esp since italics usually have a bit more flourish to them#the other day i also found out that fangsong is used in government documents n i was like#>:0 no wonder it has every character and variant known to man......
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