Idea expanded, adult siblings Eddie and Robin who are close (Both raised by Wayne, sorry Robin's parents I'm killing you off), even when Robin goes to another state for college. Eddie stays back, has his slut era, that unfortunately ends in him being a single dad. Or fortunately depending on how you look at it because he adores his kid. But it's still hard to manage everything. He's trying to go back to school part time, all while still working at his uncle's garage, and things are just hard.
But lucky enough for him, Robin moves back home at the perfect time. She gets an apartment with her mystery best friend from college who oddly enough she refuses to let Eddie meet. But oh well, he's just happy to have his sister back. Especially since she's always up for watching her favorite niece.
Though a day comes when she gets stuck at work, and Eddie has a final he can't miss with an asshole professor who definitely wouldn't let his three year old come with him, and he's desperate. Desperate enough for Robin to begrudgingly admit her mystery roommate is actually a daycare worker/nanny who is out of work. And she'll only ask for his help if Eddie promises to keep their relationship strictly professional. Which is weird and dumb but Eddie agrees nonetheless.
But then he meets the guy. And it only takes one shy smile and a simple, Hi, I'm Steve, and in an instant Eddie finally understands why Robin had been so adamant about them never meeting. Because holy shit he's gorgeous. Exactly his type. And it doesn't help when his daughter freaking adores him instantly. And like the brat she is (like father, like daughter) she only wants Steve to babysit for her from now on, all from spending less than four hours with the man.
But Eddie goes with it, mostly because he wants to get to know the guy more and because he is insanely cheap for someone so good at his job. And he learns that Steve is funny, and likes to cook, and has infected his daughter's mind with a brand new love for sports and the outdoors. But that's okay, because that means that Steve goes with them to all of the random WNBA games she wants to see. And shepherds them on ill-advised hikes that always leave Eddie's clumsy ass covered in dirt and bug bites. But it's all fun. Really fun. And Eddie gets to know Steve more and more, and likes him more and more, and starts to disrespect Robin's original rule more and more until it becomes undeniable that he's falling for the guy.
And Robin is not happy about it. She loves Eddie, but she also loves Steve. To an insane degree. Insane enough to not want to risk their relationship over the chance of him getting heart-broken over her notoriously bad at relationships brother. And Steve feels what Eddie's feeling, but he loves Robin more and agrees with her. And it doesn't help that he's heard a few unfortunately true stories about Eddie's past.
So cue to Eddie having to do an unscheduled emotional character arc just so he can get the privilege of dating Steve, with Robin acting as basically an overprotective sibling to the wrong guy, with his adorable daughter along for the ride.
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Fuck the timeline, everyone please consider an au where the Knight of Dawn narrowly escapes from a fight that almost kills him and as he's limping through a forest to find somewhere to hide and recover, the woodland creatures find him and lead him somewhere. He follows, assuming they're leading him somewhere safe, but before he can reach it he collapses from his injuries. As his consciousness begins to fade, he sees Princess Meleanor looking down at him and he isn't surprised that she'd been waiting for his end, waiting for him to join her in the Underworld where he'd sent her.
Later in the evening, Lilia Vanrouge is startled by the door to his quiet little cottage bursting open. His prince and pupils have returned... and they have dragged the injured Knight of Dawn back with them. Silver runs up to Lilia and begs "Papa" to help the poor injured man they'd found in the woods, completely oblivious to how Lilia's blood chills and his mouth goes dry because his son this human child had so cluelessly brought an old enemy into their home who also happens to be his father.
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a mock zoom call for a very very self-indulgent modern office au lmao
two important facts about this AU that exist in my head:
The King is the equivalent of 55-year old Betty from Finance, mortal enemy to the 24-year old office worker from a different department, like that one post. Except it's everyone. He has collective beef with everyone.
Loop exists in this AU as they are. They got reverse isekai'ed(?) in since it'd be Funny :)
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BIG BIG DISNEY'S 'WISH' SPOILERS!
So. About King Magnifico...
Does anyone else feel like the filmmakers went in two contradictory directions with him? On one hand, he certainly has some issues *prior* to becoming a power-hungry megalomaniac, but on the other hand, him becoming a power-hungry megalomaniac genuinely doesn't seem like his fault?
Now, that's not to say Magnifico didn't have issues. He's full of himself. He's a narcissist. Based on what Amaya said at the beginning ('don't you dare ever ask about the wishes, what a sorcerer does isn't your concern'), he may or may not be passive-aggressive to his wife-- and he's definitely passive-aggressive to his would-be apprentices. He's become complacent, he's egocentric, he's everything that would be bad in a leader--
--except Rosas genuinely doesn't seem bad under his rule? Asha only knows differently because she saw what wishes *could've* been granted, and granted, he shouldn't be the sole controller of who can fulfill the wishes, but I do feel like he would've been a lower-stakes political villain if Star didn't rush in and cause him to have a mental breakdown.
Consider: Magnifico only got to the point of wanting to use the forbidden magic because Dahlia incited the crowd to annoy him. Significantly. He ignored what his wife said, and was in a bad mental state when he turned to the book. Prior to that, when he was more clear-headed, he *did* listen to Amaya and left the forbidden magic behind.
This man is clearly hyped up on forbidden magic drugs and no one seems to be concerned by this? They're all saying he was always bad and all the good in him disappeared?
Well yeah, technically true, except all the good melted away a day or two after he touched the no-no book that specifically was a danger to everyone. This reads like a possession/corruption plot point? Not a villain that's purely evil and can't be redeemed at all? He hadn't even *considered* breaking a wish up until touching the book, he was definitely not a good person but he only went comedically, scene-chewing evil after his magic corruption.
I don't get the need to make him 'fall' *and* to have him get corrupted by a book, because one of the two makes him significantly less at fault than the other, and blending the two of them while treating him as a total lost cause feels... wrong? In some way? I've seen it done before, but those are usually played as a tragedy, and the tone used with Magnifico feels more like 'revel in how bad he is!' instead of 'he could've recovered from this if he didn't choose the obviously evil route.'
Not to mention, he has a tragic backstory that's implied and... never brought up again? What was the point of that? If Disney wanted to do a homage to classical villains, giving them a random tragic backstory and then backtracking to add 'actually he's evil all along and super evil and super bad and not at all hyped on magic green bad juice' is a ... bizarre way to make a throwback villain.
I like the performance. I honestly like Magnifico's scenes.
I just... don't understand why he was written that way.
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Michael never really fit in anywhere. Maybe that's part of why i like him so much. Or maybe i'm just projecting lol – but hear me out.
Michael Shelley maybe really didn't have a purpose in life. Maybe doing research on his trauma was all he had. He was too good, too pure for his human life - a life that probably just wasn't great in general.
Now other people without other purpose in life than supernatural trauma reasearch become happy fulfilled avatars, like Mike Crew. But Mike Crew chose to serve his entity. Michael, on the other hand, was sacrificed to an entity that didn't fit him, that was the opposite of him. He was naive and kind and would never lie to anyone, and the Spiral is the incarnation of gaslighting and lies. Which means the Spiral wasn't good for him, but he also couldn't become a good Spiral avatar vessel. Helen seems to be able to coordinate humanity and inhumanity. Michael wasn't, because Michael Shelley wasn't made for becoming this.
In general - i'm still thinking about how Gertrude stopped the ritual by making Michael the Distortion. Maybe it was just because it disturbed the ritual and it needed to get used to its new identity. Or maybe it was because Michael just wasn't a good distortion. He wasn't strong or talented or spirally enough to complete the ritual. God, i made him tragic.
I gotta say: This seems to contradict what i’ve said before, but i’m only talking about Michael and Michael Shelley as one person to simplify this. What i really mean is the Distortion could never be good at being itself while having Michael’s mind.
Can you imagine? Not only being tied to the embodiment of your failure, but still being your failure. Thinking with a mind that represents the opposite of what you are, that contradicts your very essence. That stops you from living up to your full potential, that stops you from being good at being you.
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