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frostbitebakery · 1 month

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“LOUD. (So. Much. Starting to tinker with a [!!!!!!!!!]Corrie Guard armor[!!!!!!])”

….Could I request anything to do with the last part of that sentence? Or just more about Loud, if you prefer!

The Coruscant Guard’s armor had been the same as the deployed troops’ in the very beginning. Soon, certain politicians and some loud parts of the public got uncomfortable with war tanks “strolling along our streets and even the Senate”. The armor had to change. Quick. The war was already on every news outlet and ever present, the clones stationed on Coruscant did not need to remind the peaceful citizens of it.

So a more streamlined version was designed (design 12 was approved, finally) with a headset visor instead of a helmet.

This, too, was not right.

“I cannot be expected to concentrate on my duties when I see the same face everywhere!” Senators complained.

The designers gently hit their heads on their desks. And another helmet was designed.

“I am going to murder them all in cold blood,” Commander Fox was not quoted on the matter when the new design was revealed with barely any visor present. “How am I supposed to take a dump on the flimsiwork when I can’t see it.”

“If I may,” Senator Organa spoke up, and the designers for the Alderaanian guards’ armor was put in charge.

“Senator,” one of the designers said in a confidential meeting, “the specs contain restrictions and regulations that…” They looked at the holo helplessly, turning it this way and that. “Why does it need to be connected to their neural system in this manner?”

Bail is nonplussed unsurprisingly often in his life, especially when faced with the utter nonsense other Senators spew. “In what manner exactly?”

Now usually the suit provides the connector but somehow, with all the designs the previous designers went through, it was forgotten for the Coruscant Guard, hence the need for the helmet to click into the port in the clones’ neck.

“Can you, perhaps, make a dummy connector?” Bail asked after making sure his office was disconnected from any and all surveillance system.

More information was needed and Bail was a man of many, hard earned, trustworthy connections.

“Obi-Wan,” he greeted with a smile, his heart pleased to see his friend without the mask for once. It must’ve been a good day. “I need a favor.”

Bail needed someone of equal trust to look into the Guard and their inner system to see how they could circumvent the neural connection’s dubious workings. All the while making sure the clones could still be in contact with other clones and no one being the wiser they wouldn’t be able to receive orders via the very hidden, very concerning channels built into the clones’ heads. A Jedi Shadow would be excellent, given their confidential nature.

“I am ignoring how you know about them,” Obi-Wan signed with an amused twist to his scarred mouth. “I have someone in mind.”

“Hello there,” someone, who definitely should not be in Fox’s office at all, greeted.

“Who the kriff are you.”

The tall person shuffled around Fox’s cramped office - seriously, how did they get in here - and plopped down on the visitor’s chair. “I always wanted to say that. I’m Quinlan.”

“And,” Bail continued, “I need you to look into something for me.”

Obi-Wan perked up at that. “You want me to sneak around the GAR?”

“Unofficially. If you’re caught, I cannot help you.”

“Of course.”

#also Alderaan provides guard creatures #that actually are support creatures for the Guard #a mix of capybaras and lizards #loud au #the armor is still taking shape in my head so no sketch so far #also yes #this is a spy thriller at its heart

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gffa · 28 days

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Yaddle has taken charge of a Force-sensitive youngling who has seen a lot of pain and suffering over the last several days, before she'd really been trained to handle it. And this is set during the High Republic era, showing that the Jedi have been consistent about why they train younglings so early and why it's not that younglings are bad if they've suffered or have trouble letting go of the pain, it's that they struggle with what it means to be a Jedi and the abilities granted to them and their place in the galaxy. And it's not that the Jedi aren't willing to try--they're trying with Cippa, they'll try with Anakin, as this scene feels like a giant neon sign pointing out the parallels--but that it is harder when you don't have the foundation needed to deal with the psychic weight of what dealing with your emotions means in the Force. The Jedi aren't perfect, but they were genuinely trying and their reasons are very much in line with what the narrative intends to say. It's not that I think Anakin never tried or didn't want to master himself, but that ultimately he didn't want it more than he wanted to hide away from the hard work. That I've said many times I think he may have made it and been an incredible Jedi if it weren't for Palpatine's influence, that I've noticed the stories that end without his interference tend to end with Anakin figuring his way through the struggle and connecting with Obi-Wan and the Jedi, but in stories where Palpatine is involved, he tends to end up more isolated. (Cue that quote where George Lucas said that, had Anakin been found when he was younger, he would have been trained to love people but let them go when time.) It's the same with Yaddle's view of Cippa here, that the pain and suffering isn't this child's fault, but it does make it harder when she's already got a foundation of coping that will have to be undone. It's difficult to teach children to let go of fear when fear is so much of what they've known, because when your connection to a mystical energy field that lets you crush people with your mind is wholly dependent on your thoughts and feelings (ie, your emotions are the light or the dark, they are the same thing), you need to have a rock solid foundation. (Star Wars: The High Republic: Cataclysm)

#lumi.txt #star wars #jedi order #yaddle #novels #meta #novels: cataclysm

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vexic929 · 8 months

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Drawfee Quotes Prompt List

These quotes live rent free in my head. Send a number and a character for a ficlet!

This is a family show...for fuck's sake

If God's ever been mad at anything I've said, he hasn't done shit about it - so he either doesn't care or he's a coward

Mayonnaise is food lube

Are we human or are we Luigi?

It's not that I don't like it I just hate it

We have learned nothing and will continue to learn nothing

Hedgehog the animal or hedgehog the Sonic?

These are not Joanna's eggs and these are not Joanna's legs

If you are between the ages of 3 and 25, you are a toddler

I'm just viscerally afraid of any living organism who looks like a fucking Windows Media Player visualizer

"I wanna be a weird baby" "No..." "Wouldn't have to do shit" "N-okay, fair"

"Koochie-koo" doesn't pay the taxes!

They're in the same surrealist baby play group

If someone ruins my beverage experience that person is a criminal

"My brain went on a really quick tangent" "Yes" "Do we think-" "No"

You gotta really put your tits in that voice

I don't wanna bodyshame this alien but I...don't like looking at him

You get turned into dust because they suck all of the liquid out of your body...like a mermaid

And then Hot Joseph unloads his beautiful nectar into my mouth, and the rest of my day is so much better because of it!

I'm like the tortoise if the tortoise also lost the race

It's like they said in Star War The Last Jedi: the past fucking sucks, dude...ignore that shit and get a lightsaber

"Is he giving you a jizzle?" "Don't say that…" "Don't say jizzle" "Well that's like slang for a joint" "It's not, I promise you it's not"

It goes like this the fourth the fifth the yaoi hands his rock hard tits...

You make misses all of the misses you don't misses

Birds are infamously religious, because they fly close to the sun and that's where Jesus lives...in the sun

Dogs are kinda simps by nature

You could just strap a fish across your titties if you wanted

Do you think Adam from Bible was a horse??

Heavy are the chests that carry the tits

They're God's angels and also God's himbos

#vexic lives #drawfee #ask game #writing prompt #writing prompts #prompts #dialogue prompt #prompt list #angst #oc prompt #my ask games #drawfee quotes #julia lepetit #jacob andrews #karina farek #nathan yaffe

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eriexplosion · 2 months

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So. I think Omega is force sensitive with the potential to be trained because otherwise why even bring it up? And I think that it will be relevant that the boys now, and especially Hunter, now know that when she doesn't.

But I don't think that we're actually going to see Omega leave to get trained. I think she'll consider it. She might even decide to do it. But I think in the end she'll choose to stay with the Batch. Look at the rest of the show - its all been about sticking through tough times with your community, loyalty and belonging with your family, the efforts to bring the batch back together.

Specifically I'm thinking of Tribe too. Gungi was our last featured force sensitive character, and he gets returned to Kashyyyk because "Jedi or not, he's still a child. He needs his people." We get that line from the elder, "When a young one leaves the trees weep, but when they return the trees sing." It doesn't sound like a show that eventually plans to have Omega leave her family that she's tried so hard to stay with.

(And isn't it interesting with that quote that the tree Ventress sends her to is the "weeping" maya tree?)

Much like the first two seasons push to reunite the family fall flat if Tech is dead for good and we never see the family together, Omega leaving in the end would utterly obliterate most of the central theme that the first two seasons spent all that time setting up. It turns from a family fighting to stay together to a story about how Omega really needed to separate from them all along for everyone's own good. It's a complete dissonance from every other theme that we've seen, and I just don't think they set up that you need to stick together with your people to survive just to use season 3 to knock it all back down and say that actually isolation and permanent separation from your loved ones is the way to go.

So why introduce the idea? Because for Omega's choice to stay to have any weight, she needs a viable alternative that she could have chosen. She needs to see another path at all, maybe even needs to think she's going to choose it at first, but I think that in the end she's going to return to the batch and to the family that she's grown so much with.

#the bad batch #the bad batch spoilers #tbb spoilers #also Omega being force sensitive makes it even more Suspect that her first reaction waking up after Tech fell was 'he could be hurt'#JUST SAYING

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smhalltheurlsaretaken · 11 months

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(repost of this with the video directly in the post because vimeo links are acting up)

Rewatching this scene for the sweet angst, something struck me. In hindsight it's extremely obvious but I'd never thought about it this way.

There's the very obvious parallels with Qui-Gon's death, down to Satine caressing Obi-Wan's cheek, there's that amazing bit of mirrored exchange, where Obi-Wan starts off confrontational and angry and Maul gloating, and then Obi-Wan becomes soft-spoken and empathetic and Maul starts to shake with rage and pain and can't even properly face him, and then there's this.

Maul boasts that the Dark Side is "more powerful than [Obi-Wan] knows," that Obi-Wan's "noble flaw" is a weakness, so why is he trying to make him more powerful? Why tell him to use the Dark Side? Why basically give him a crash course about how it works? Does he want Obi-Wan to retaliate? To escape?

The obvious answer is that Maul isn't trying to make Obi-Wan more powerful. After all, he's well aware that Obi-Wan is a dogshit fighter when he's angry.

Immediately after that last quote, he says "that is not the Jedi way, is it?" as a taunt, and again in The Lawless, he insists "You should have chosen the Dark Side, Master Jedi."

So he's simply trying to destroy him as a Jedi, right? Because he knows that's what make Obi-Wan who he is, and he blames Obi-Wan for robbing him of his status along with his life, so he wants to destroy Obi-Wan's life in the ways that matter (since, as Obi-Wan says, just killing him is nothing like destroying him). But if that's the case, then we're back to the "power" issue. What's the point of destroying Obi-Wan if it's by giving him what Maul claims is his own identity, and the key to freedom?

And imo the answer lies right here:

Why would killing Satine make Obi-Wan share Maul's pain? Why would Maul regard the pain of losing a loved one (something he's completely unfamiliar with at this point) as equal to his torment? Why isn't he chopping Obi-Wan in half and keeping him alive with Nightsister magick instead? Why would the murder of one of Obi-Wan's loved ones, picked almost at random, be THE "moment" Maul has been thinking about "for years"?

I think he really isn't talking about Satine's murder in and of itself when he talks of pain. The pain he wants Obi-Wan to share isn't the pain of loss, but very simply the pain of living in the Dark Side.

That's why Satine really is just a "tool" to his vengeance, as he says, and not the main point. That's why he's so enraged that Obi-Wan insists on showing him compassion even through his fear and anger - being kind leaves you open to grief but protects from the agony of the Dark.

Maul wants Obi-Wan to Fall, to stop being a Jedi, not because he truly believes the Dark Side gives you good things, but because he knows the Dark Side makes you miserable.

He tries to freaking teach Obi-Wan how to Fall, like Obi-Wan is a Sith apprentice, because being a Sith is the most miserable you're ever going to get! He tries to make Obi-Wan suffer by making him like him! He's so self-loathing his hatred of Obi-Wan materializes as self-hatred!

And hey, that greatly complements the end of the episode - Obi-Wan resists the Dark Side and escapes the planet, and Maul revels in it and immediately loses the only person he cares about and ends up crawling and crying while Sidious gleefully tortures him. Maul falls victim to every form of suffering he wanted to inflict on Obi-Wan and Obi-Wan flies away. In the end, Maul is proven right: being Fallen really f*cking sucks.

Really accentuates that Maul wanted relief above all when he sought out Obi-Wan in Rebels. He went to the only person who had shown him actual compassion, and the person he knew was best at resisting the Dark Side - so he could finally be free.

#darth maul #obi-wan kenobi #satine kryze #maul #star wars #jedi vs sith #the dark side #the lawless #meta #my meta #long post

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illuminatedquill · 4 months

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Ahsoka Tano & Sabine Wren (A Quick Analysis)

Grow Beyond

"The greatest teacher, failure is. Luke, we are what they grow beyond. That is the true burden of all masters." - Master Yoda, The Last Jedi

I've been thinking about this quote a lot regarding these two.

Ahsoka Tano and Sabine Wren; Master and Apprentice. Heirs to the disaster lineage of Jedi (and Sith) stretching all the way back to Yoda himself. The above quote occurs in the scene when Master Yoda is chastising Luke for wallowing in his failure and allowing it to obstruct his judgment. Pass on what you have learned, he points out. Strength, yes, but also failure.

So, what does this mean for Ahsoka and Sabine? How does Ahsoka help Sabine to grow beyond herself? What, specifically, does Ahsoka have to offer Sabine as a Master in terms of successes and failures?

Let's look at Sabine's character first. She was already a formidable warrior, courtesy of her Mandalorian upbringing and the unique advantages her beskar armor bring to any battle. Sabine is loyal to a fault; fiercely devoted to those she cares about. She's fast on her feet and clever with gadgets and tech (as a reminder, she's considered to be a child prodigy). And something I feel that is overlooked, she is compassionate - it's not overt as Ezra's compassion is, which he extends to strangers, but we see it expressed time and again in her actions with loved ones.

The flip side of Sabine's character runs similar to how Anakin Skywalker was: she's hot-headed, reckless, prone to fits of impulsive anger. And she loves deeply but, like every other Mandalorian in existence, Sabine is unable to express it in a healthy manner (although that is mitigated by the Ghost crew's influence on her during Rebels). Sabine's emotions, as we see throughout Rebels and later in Ahsoka, are somewhat of a mystery - possibly even to herself. It takes moments of extreme duress to reveal what she's feeling: her training with Kanan while mastering the Darksaber, for one instance.

And, of course, this infamous moment from Ahsoka:

The difference between these two moments, however, is that Sabine does not self-reflect afterwards in Ahsoka. In Rebels, she has Kanan to offer her guidance and counsel as to why she struggles with the Darksaber.

This is, arguably, Sabine's defining flaw: her inability to really know and understand herself on a deeper level. As a result, her emotions continue to rule over her actions and leads to the terrible consequences that follow.

Which is where Ahsoka comes in. Ahsoka Tano is no stranger to anger and the extremes to which emotions, when unchecked, can carry us. As the survivor of two galactic civil wars, she understands this better than anyone else alive. And, most importantly, she is the padawan of Anakin Skywalker; a fact that weighs heavily on her and, ultimately, affects her relationship with Sabine for the worse.

During her vision quest in Ahsoka 1x05, Ahsoka re-experiences the Clone Wars alongside her master, Anakin. There she asks him an important question, reflecting the core of her struggle with teaching Sabine:

Ahsoka: Is this all I have to teach my own padawan someday? How to fight?

Anakin, at the time, was teaching Ahsoka how to be a warrior - a timely lesson that served her well considering everything that happened afterwards. The problem for Ahsoka is this: that life is all she knows. She never really stopped fighting. She has spent most of her life fighting in a war and even when the Empire was finally defeated, Ahsoka continued to keep finding new battles to fight during a time of peace.

For whatever reason she decided to take on Sabine as an apprentice, Ahsoka must have struggled with this. Yes, she can teach Sabine discipline, lightsaber forms, and basic Force mastery but, outside of that, what else does she have to offer? How does she help Sabine to grow beyond her?

Passing on her failures. How has Ahsoka failed, what she learned from it, and how she can help Sabine to not make the same mistakes.

Returning to Ahsoka 1x05 again, Anakin has this important conversation with Ahsoka about their legacies as Jedi:

Anakin: You're a warrior now. As I trained you to be. Ahsoka: Is that all? Anakin: Ahsoka, within you will be everything I am. All the knowledge I possess. Just as I inherited knowledge from my master and he from his. You're part of a legacy. Ahsoka: But my part of that legacy is one of death - and war. Anakin: But you're more than that. Because I'm more than that.

Ahsoka is not committed fully to her training Sabine; she's afraid that she'll pass on the failures of her master, also inherent within her, to her padawan. But, as Yoda points out to Luke so many years later, that's exactly what she needs to do. She sees herself as only offering a legacy of death and war to Sabine who has already seen her fair share of such.

But Anakin reminds her that she is more than that, just as he was. Those mistakes, that legacy - despite the darkness inherent within it - is important to pass on. Depriving Sabine of all that knowledge runs against what a Master should do, despite their reservations about what that knowledge could give way to - but that's the problem with Ahsoka prior to her reunion with Anakin in the World Between Worlds. She's afraid.

And Sabine pays the price for that fear. It makes her vulnerable to her own emotions and she makes the choice to doom the galaxy in exchange for Ezra's safety.

How do these fears become manifest in these two women? What causes them to become vulnerable to them?

Isolation. Detachment from others. That is, in my opinion, easy steps towards the Dark Side. For a long time, Ahsoka used this a survival mechanism, a necessity for a fugitive Jedi during the Empire's reign. She had to be detached from others in order to fulfill her Purpose, her Mission: help others and fight the Empire.

But the few attachments she did have after the Order fell, I would argue, were pivotal for her journey: Rex, of course, saving her life and returning upon her request to join the Rebellion - and, more importantly, her meeting with the Ghost Crew. Kanan and the others certainly helped her on more than one occasion but it's her relationship with Ezra - despite only knowing each other for a brief time - that ended up saving her life during the duel with Vader on Malachor.

But, after a certain point, that isolation and detachment from others stopped being a necessity and started being a hindrance. Especially with her relationship with Sabine, who also had issues with that - those issues being exacerbated after the loss of her family during the Purge of Mandalore. Instead of staying with Sabine and giving her guidance and counsel and friendship during her lowest point, she sought to abandon her instead. To Ahsoka, it was the best possible choice but remember that she, too, was operating under the influence of her own fears.

Ahsoka should have embraced her attachment with Sabine - not shunned it. That is where she failed and continued to do so until the events of Ahsoka 1x05 in the World Between Worlds.

So, how does Ahsoka - the Master - help Sabine to grow beyond her? How does she rise above her failures?

She encourages Sabine to get a life.

. . . This is not a joke. The best possible way for Ahsoka to help Sabine move forward and become a better Jedi than her is to encourage a life outside of being a Jedi.

For all her life, Ahsoka has lived a life of Purpose - but that can't be all there is. That's what led to her failure with Sabine in the first place; she separated herself from others, keeping in contact only when necessary. She didn't cultivate relationships, friendships, find hobbies, other interests outside of her need to keep finding a cause to fight for.

It led to a life devoid of the simple joys that make it worth living. A life filled with Purpose is grand and noble but it's the people in it, the experiences we enjoy, the moments we spend with loved ones that stick with us to the end.

Ahsoka has led a lonely life. And that, in my opinion, is something she should actively encourage Sabine against.

Sabine needs people in her life. Her time with the Ghost crew did so much good for her, as we all know. When they separated, Sabine was adrift in her search for Ezra - until Ahsoka appeared and offered her a new path forward.

And then that path was cruelly taken away. Sabine was alone again with her bitterness, her yearning, and her grief. She - like all of us - are at our best when surrounded by loved ones who encourage us and stand by us when we are at our lowest.

The Jedi of old were wary of attachments - not love, but attachments that could specifically lead to possessiveness, which is not healthy - but the Order fell a long time ago. The Jedi who survived had to adapt in order to survive; some did it the way Ahsoka did, going for a lone wolf approach.

Others, however . . .

How do Jedi survive in a time when there is no Jedi Order? How do they define themselves?

It is my belief that Kanan did it best. He embraced his attachments; his newfound family, the Ghost Crew - Ezra Bridger, Sabine Wren, Chopper, Zeb, and, most importantly, Hera Syndulla. But he never let his feelings for the others - especially Hera - cloud his judgment when the mission was at stake.

He found a way to honor the Jedi code but adapted it in a way that suited him best.

(Cal Kestis of the Jedi videogame series also followed this approach, but we have yet to see how that ends for him.)

I'm going to paraphrase (probably badly) a post from - I believe but correct me if I'm wrong - @seleneisrising that said something along the lines of that in the absence of a Jedi Order, Kanan and Ezra acted as their own within the Ghost Crew family. They acted in place of an Order but did it in their own way, not strictly adhering to what came before.

The Ghost Crew was a family.

It was Kanan and Ezra's home.

It was their own version of a Jedi Order; one that was perfectly in balance with their feelings and understanding of their Purpose. One that didn't eschew attachments in favor of emotional neutrality but embraced them and allowed those relationships to empower them.

This is how Sabine surpasses Ahsoka. Not following the 'ronin' lifestyle of her master but finding a home to call her own; a place to be herself, truly, as Ahsoka needs her to be.

Finding a life outside of Purpose. Finding friendships, finding family, and finding love.

You know who that last part is referring to.

Sabine follows in the footsteps of Kanan and builds her own Order - her own Clan, to honor her own Mandalorian roots. She does it with Ezra, with Hera, with Zeb, with Chopper, and some day, Jacen when he's ready for his journey. And with Ahsoka too. (And can't forget Murley.)

. . . Huyang, too, I guess. If he wants to come along.

To paraphrase a discussion I had with @starryjediknight: Sabine and Ezra become the new Kanan and Hera for Ghost Crew 2.0.

If isolation, detachment, and distrust from others can be seen as a Path to the Dark Side, then the opposite must be true as a Path to the Light; family, community, and trust being the way to break down barriers to love.

We see that with Sabine's reunion with Ezra - how, immediately, she is almost returned to her former self. How she is healed in his presence and then further healed when Ahsoka returns and begins to make amends with her, promising to stick by her no matter what from now on.

In a way, by doing this, Sabine could fulfill the dream that Anakin wished to see realized: staying true to the Jedi way while also being allowed to follow his feelings.

Rebels was always, at its heart, about family - found and lost.

Ahsoka could be about finding your way back, no matter how far you've strayed. Failures don't have to define you but are lessons to be learned from. They can be markers along the way on this journey we call life for those following us to see the pitfalls that loom when we lose the path.

Ahsoka can see those markers clearly now. She can point them out to Sabine.

And then Sabine can grow beyond her. Reach her full potential. Add her story to the legacy that she's inherited from Ahsoka, just as she did from her master.

This time, it won't be about death and destruction.

It can be better.

It can be about love.

#sabezra #sabine wren #ezra bridger #star wars rebels #ezrabine #star wars #ahsoka show #ahsoka #ahsoka tano #natasha liu bordizzo #eman esfandi

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fanfoolishness · 6 months

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The Music of Jedi: Survivor

Last night I went to the Grammy Museum for an event celebrating the Jedi: Survivor score! Sometimes living in Los Angeles has its benefits. It was an evening with composers Stephen Barton and Gordy Haab, as well as their recording engineer Alan Meyerson, moderated by Jon Burlingame. I took copious notes throughout so I could share them with you all :) All quotes are paraphrases, I’m not that quick a note taker.

My husband and I settled into our seats, me vibrating with excitement as the lights dimmd. I was already hyped to hear the composers talk about my favorite game and their process for scoring it, but then my jaw fell out of my head because who strolled up on stage but fucking Cal Kestis himself, Cameron Monaghan, unexpected and uncredited on the event description.

I almost rolled out of my chair. Then I frantically started smacking my husband (who’s never played the game, but loves music and production) and hissing “it’s him it’s him it’s the Jedi!!!”

Cameron’s intro was brief but lovely. He introduced himself, then paused and said something like, “Do you hear that? That’s the sound of silence. That is awful. I can hear my own thoughts! No one wants to play a game like that. Which is why we have these guys!” He introduced the composers, Stephen and Gordy, as well as the sound engineer Alan and the moderator for the event, shook their hands and exchanged some hugs, then sat down in the audience. Giddily I returned to my notes as Jon led the discussion.

Q: How did you get into scoring video games?

Stephen was a gamer and had always been interested in working with video games. They were “enticing” and the schedule was much more appealing than for TV, where you might be handed a script and told to get the music back in a few days.

Gordy hadn’t worked particularly in games before.

Alan has been mixing and engineering video game soundtracks for the past 25 years, like Gears of War.

Q: What’s the difference between scoring a film and scoring a video game?

For film, it’s adding music onto what already exists; often the composer isn’t involved until the last 6 weeks or so of production. (Fun fact I learned earlier this year, Ludwig Goransson was involved from the start on Oppenheimer because Christopher Nolan specifically wanted to subvert that.)

The film is fairly static by the time the composers get their hands on it, so things are unlikely to change.

Video games are more like trying to put clothes on someone running a race, because drastic changes can happen at any time. The timeline is also greatly extended — 2-3 years is common — so things may evolve and shift drastically in that time.

Film is also much less volume of music… they wrote an entire 8 hours!

Q: Is there a Star Wars music “house” style?

Initially Star Wars projects outside of the original trilogy were often scored as if they were B sides to the original soundtrack. But the aesthetic is evolving. There are a few standards though — there must always be that symphonic scale.

The score was performed at Abbey Road. Alan mentioned that he was actually there on 9/11 working on a movie about a terrorist attack. Stephen loves recording at Abbey Road so much he and his wife named his daughter Abbey. All three of them agreed that Abbey Road is magical and the orchestra practically blends itself; for choral performances, all you have to do is stick a couple microphones in there and they sound fantastic.

They played a clip of “Dark Times,” with gameplay footage intercut with the symphony performing at Abbey Road. They explained that they wanted to develop a new theme for the Empire. At this time, the Empire just is. You can’t use the Imperial March, because the Imperial March is how the Empire perceives itself. But how does Cal see the Empire? It’s dark and ominous. It’s everywhere. It’s a fact of life.

Gordy explained that they literally shaped the melody like the sinus rhythm of a heartbeat to indicate that Cal’s on the run, his heart always pounding, never safe. They used a full 12 tone chromatic scale to keep the track always uncomfortable and unsettled.

Stephen is such a Merrical shipper! He talked about how one of the central conflicts of Survivor is Cal struggling with his feelings towards Merrin, and what do you do when you’ve utterly lost the fight? He pointed out what the Senator tells Cal, and calls him a pretty reasonable guy. Do you stop fighting when you’ve clearly lost? “Maybe Cal should go shack up with Merrin somewhere and have a nice life.”

Q: What is it like having so much funding for the score on a game like this?

All you can really sell now is quality, and people expect it now.

Q: What is the process like?

They are brought into the game in the script phase, where they may see some concept art and get to read the script to help determine the story beats.

The collaboration is joyful! It seems like it could be really scary, to have game play testers, the game designers, and other music folks all weighing in on how the score is working or not working, but they actually really enjoyed it. They’ll usually do about half the music, then have people test play it for a few months, come back with notes, and then work on the remainder after seeing what worked and what didn’t.

They played “Flight” in its entirety with gameplay of Cal and Merrin outrunning the Trident, and talked extensively about our girl Merrin! Stephen talked about how in JFO, Merrin was important but not as big of a player. Now in Jedi: Survivor, Merrin is vital,and we can see her story arc take shape. Her small motif in JFO was expanded into an epic, heroic scale after we see her power with portals and moving on the wind. They reached for all kinds of wind instruments, from Alpine horns, Tibetan horns, and even the “most tasteful vuvuzela ever.”

Note: it’s almost as heart-pounding to watch that sequence on the big screen as it is to play it!

They both said that some music flows onto the page and is easy to write; the escape from Jedha sequence was not one of those! It wasn’t easy to write, mix or play! A hundred people worked on this song, and it was hard as hell. The orchestra musicians kept coming up to Alan and telling him they loved playing it because it was such a challenge.

They don’t always tell the studio who wrote what. They work well together as they both love bourbon and coffee! Stephen says he’s great at about ¾ of the tune but not the ending, whereas Gordy can fix that up in a jiffy. They also sometimes divvied things up by planet or emotional beats.

Q: I noticed in this last song (“Flight”) there was a choral element. How do you decide when to incorporate choir instead of synth choir?

Choir is often the first casualty of budget cuts since it’s so many people involved. Sometimes, synth choir is chosen for just a vibe or an extra layer.

However, there’s a rule that in musicals when the emotion is building to a point that words can no longer contain them, that’s when a character must burst into song. For a score, when the emotion is swelling and can no longer be contained by mere instruments, that is when to pull out the choir. So we see it in “Flight.”

Me: We also see it in “Rage,” muahahaha.

They used 120 singers for Flight and only needed 3 microphones because of how good Abbey Road sounds.

They prefer amateur choirs to session professionals since you can sometimes have too-professional singers trying to out-sing each other, and amateurs are usually more relaxed.

Q: There were a number of unusual or even invented instruments used for this score, tell us about them.

Gordy made bottle chimes. He accidentally dropped a bottle of water while playing tennis and a ball pinged off it, making a lovely sound. He ordered 20 metal water bottles and strung them in a wardrobe rack with different amounts of water in them. Because it took ages to make, they used it in loads of places in the score.

Stephen went nuts and ordered 200 containers of BlueTack for the pianos for Koboh. They wanted Koboh to sound like the old West, but not that spaghetti Western honkytonk piano sound. If you make BlueTack into a sausage shape and roll it around a piano string you can make it make these strange broken sounds sort of like a gamelan. This is called a prepared piano. The low bumbumbum noises when first getting on Koboh and meeting the pit droid? Freaking piano. I would have never guessed! They did this to 3 pianos.

They played a clip of Where the Nekkos Roam. They used the prepared pianos, an orchestra, dulcimers, Basset horns, euphoniums, tubas. They wanted Koboh to feel lived in and to have history expressed in the music. The musicians were excited to have to rent out Basset horns since like nobody actually owns one.

Q: Tell us about the cantina music.

The original cantina brief from George Lucas to John Williams was apparently, “what if aliens came down in 1000 years and found sheet music from Benny Goodman, but didn’t have the same instruments?” And thus we got the Mos Eisley cantina theme which is almost unbeatable.

They were thinking of scoring the cantina music themselves, but then thought, “what if we gave that brief to a bunch of really cool bands?”

They highly recommended Dan Mayo from Tantran. They recommended taking a few hours to watch him kick ass on the drums on YouTube.

Tantran recorded "Fields of Dusk" for the cantina first, then Stig came back and said “what if we wove this into the score? What if it was Cal and Merrin’s love theme?” Then they created a symphonic version, also partially inspired by a Joni Mitchell song.

They played part of the cantina version of “Fields of Dusk,” then they played the symphonic version with Cal and Merrin riding the spamel to Cere’s base. They gushed about being able to work with the story and the subtext.

Alan said that "Fields of Dusk” “is visceral. It vibrates shit inside of you. Mixing it was a highly emotional experience for me. Even now sitting under the subwoofer — it’s right here, over my head — it’s very emotional.”

Q: How many motifs do you have?

“Seven thousand.” - Stephen

Gordy later amended that to about two dozen, but with tons of variations.

Q: What are the interactions like with the game developers?

They get to be in the building with them, working on the narrative team — making sure to serve the story first. It also lets them practice gameplay or watch others playing to see how it flows.

Again, it’s a 2-3 year process.

They played the clip of Cal and Merrin making a campfire in the cave on Jedha. Stephen is all about the Merrical ship (not that he used those words, alas, but still)! He said this was such gorgeous writing, really allowing the technology to showcase the acting, and it’s his all time favorite scene in the game.

The whole theater clapped as he said that. Yes! A whole theater clapping while someone was talking about Merrical and calling it gorgeous. *sobbing forever*

Q: What has it been like to meet fans?

They’ve been delighted by the fans and how much they love the characters and the amazing performances of all the actors in the game.

Q: Are there plans for a sequel?

Stephen: “Are there Lucasfilm snipers out there? Look for the red dot…”

Gordy: “There’s not NOT plans.”

Fan questions!

Alan mentioned he loves doing the hardest piece first! Then it’s all skiing downhill.

A fan asked about more weird created instruments.

They also used a bunch of bamboo smacking other pieces of bamboo, as well as using little drums from other purposes or sets.

Was there anything they messed up or wanted to do differently than they did in JFO?

They accidentally didn’t loop music in the hangar on Zeffo, so if you stick around there for more than 3 minutes, it just becomes wind sound and gets very lonely. A live streamer was playing the game, talked to his audience for like 10 minutes, then wandered around almost in silence as his fans commented “why is this game so quiet?”

Gordy wanted to make JFO sound much darker and got his wish in Survivor.

I had so been hoping they would talk about “Rage” and the struggle with the dark side, but they were sort of avoiding spoilers. So when they got to the Q&A I had to speak up.

I asked, “What was it like working with darker themes later in the game, like with Rage? You see a real shift in the motifs and there’s also more amazing choral work.” Their faces seriously lit up XD

Stephen said this was one he handed to Gordy because it was very difficult.

Gordy said that this is Cal at his worst, so it had to be so over the top. Think of consonant sounds crashing through the melody, Cal trying to keep control of his thoughts but they’re twisting away, he’s trying to think straight and can’t. It’s discordant. It’s also scored to evoke a heartbeat throughout, like breathing.

It was so hard for the choir to do, going back and forth — you can’t do that with choral samples or synth!

They ended with a video they played from their Hollywood Bowl show in June, and said we were only the second group of people to see it. They played a clip where they do use the classic Imperial March, but contoured so you only get the silhouette of its shape, instead of the full sound. It ended with a clip of the Tantran band playing a wicked awesome set out in the desert. The last image they showed was a list of the 287 people who worked on the score!

We let out and I did get to meet them! Stephen was lovely and I told him it was just such a beautiful, haunting score. I actually had a sketch of the campfire scene with me and he signed it! His daughter Abbey is an artist too and she was really impressed by my sketchbook (she looked to be about 11). Gordy also got to see a bit of my sketchbook and signed Cal in Nova Garon! What an awesome night! We didn’t see Cameron again but I was so astounded to see him the first time I didn’t mind at all.

SO COOL! Sometimes, kids, living in Los Angeles isn’t so bad!!

#jedi: survivor #cameron monaghan #cal kestis #gordy haab #stephen barton #alan meyerson #grammy museum #jedi survivor #jedi survivor spoilers #jedi: survivor spoilers #my jedi posts

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antianakin · 8 months

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I don’t know if you’re actually watching the Ahsoka series or not, but I was very curious on your thoughts on the newest episode, and the confrontation between Anakin and Ahsoka.

Bro traumatized her again. Lol. 😒🙃

I’m actually kind of satisfied that she showed a little resentment, but I still don’t like that she didn’t cuss him out or something.

Anakin not apologizing is infuriating at first glance, but I also think it fits his character.

It’s funny, if I think about it in a certain way: I wonder if Anakin himself views his “redemption” kind of the same way his fans do. He’s just like, “Why are you still pissed at me? I died stopping the Emperor, didn’t I?” 🙄

The only one I think he’d actually feel sad about is Leia, because of course he’d want his daughter to like him, but she never will now, because he fucking tortured her and blew up her planet.

You know… I don’t really view Anakin’s final moments as a true “redemption” in the eyes of the galaxy. George Lucas has a quote where he says parents are redeemed in the eyes of their children. I guess you could argue that Anakin redeemed himself in Luke’s eyes, but not the galaxy’s own.

And then there’s Leia, who will never forgive him or think of him as her father.

In a way, it’s almost fitting for Anakin, that each of his children represent something for him.

Luke represents forgiveness, and how it’s never too late to do the right thing.

Leia represents his mistakes and sins. As long as she lives, he’ll always look at her and remember the damage he’s done. She’d never let him forget it.

Which is funny, when going back to the recent Ahsoka episode, and how he was acting like a dick to Ahsoka.

Personally, I think he was purposely trying to piss her off to make her fight to not die.

Still though: he’s such a jackass. 😒

Anyways, I guess my main point is that I don’t view Anakin being a Force Ghost shows that he was “redeemed.” I view it more as a type of salvation. Like the Bible story where Jesus is on the cross with two other men next to him. And then one man decides to “believe in him” or whatever, and his soul is saved by the skin of his teeth.

This is kind of how I view Anakin’s act of saving Luke. His soul was saved, because he did a heel face turn at the last second. So The Force was like, “Good enough, I guess.” *Throws up hands*

Anyways, sorry for the long rambling. I hope you don’t mind the message. Haha. 😅 I just have found your blog really therapeutic, because while I like Anakin as the fascinating character that he is, it still just kills me how fandom woobifies him and blames the Jedi for their own genocide.

I don't mind this message at all, thanks so much for sending so many of your thoughts, this was great! It's going to be a long reply back, though, since there's so much to respond to and if you've been going through my blog, this probably won't surprise you.

I AM watching the Ahsoka show, I'm just putting my thoughts about it on a different blog to this one (this blog was created for me to be negative so I usually only review things on here if I KNOW I'm going to be negative about it, but I was hopeful I'd have positive things to say about the Ahsoka show lol).

I think I'm feeling RELATIVELY mediocre about the show. Like I don't hate the whole thing, I can see why it appeals to people, but it's not really hitting at what I would've wanted from a narrative perspective. It seems to be relying on fan service and pretty visuals rather than genuinely good writing to get them through. If you happen to be the fan being serviced, you probably like it fine. But if you are someone more like me, then you might be noticing that there aren't a lot of stakes, the character motivations are weak or missing, the two storylines aren't being spliced together very well, and the dialogue's just not that great. There's also several more nitpicky things that are really pissing me off about the show (the way they're treating Force sensitivity, Sabine being a Jedi at all for no good reason and how her character is being butchered, the very distant and aloof acting I feel like we're getting from everybody, and of course the requisite anti-Jedi bullshit that we can all expect from Filoni at this point).

But as for how I felt about Anakin and Ahsoka's scenes in the latest episode this week, I am personally of the opinion that it WASN'T Anakin at all. I know it's left ambiguous, so if people feel like it was truly Anakin in some way shape or form, that's fine, but I think it makes more sense to me personally that it wasn't. This is Ahsoka's manifestation of Anakin in a moment where she's literally drowning and emotionally at something of a low point and has to decide if she's going to live or not and that conflict plays out in her head the way we see it. I'm also open to the idea that this is one of those things where the Force "tests" the Jedi not unlike what we see happen on Ilum and Mortis and the Force is just utilizing Anakin's visage to bring Ahsoka's deepest fears out into the open.

What makes it interesting to me is that then we can look at the interactions as THIS IS HOW AHSOKA SEES HIM. Whether she thinks about it that deeply or not, THIS personality is how she remembers him. The immediate choice to be violent with her and test her fighting skills rather than talk to her more gently, the dismissive attitude he has towards her, the flickering back and forth between Anakin and Vader because she doesn't truly know which one he was most. He wasn't necessarily a great teacher and his way of teaching wasn't very Jedi-like, it's ruthless and merciless and unkind, and we see that reflected in their interactions in this episode, which could be a really interesting look at how Ahsoka still remembers him even if she didn't see it negatively at the time.

So him not apologizing isn't like... an indication of how Anakin might actually handle this interaction if it were truly him so much as just... Ahsoka being unsure sure if he WOULD apologize because she has no idea how much of him was Vader the entire time and Vader would clearly never apologize. I think the Anakin we see by the end of ROTJ probably would apologize at SOME point, especially if we're supposed to see him as redeemed and acknowledging/accepting of his sins, etc. But Ahsoka doesn't know that. Ahsoka probably kind-of knows through Luke that he turned back in his last moments, but she wasn't there for that, she didn't get to see it, and she obviously still has no idea what caused him to turn on the Jedi and become a Sith to begin with. Why did he come back for Luke and not her? Was it because she abandoned him? Did he just not care about her the way she thought? Was there something intrinsically wrong with her that he recognized from the beginning?

There's just too much uncertainty perhaps for Ahsoka to know if he'd actually apologize and she doesn't even necessarily need or want an apology so much as she just wants to UNDERSTAND. Because of course it leads into her doubts about HERSELF and whether being his apprentice (even for as short of a time as it was) has somehow influenced her to be more like him and if she should be worried that she'll go dark or cause a student of hers to go dark. If she doesn't know why HE made that choice, how can she trust herself? It's not entirely dissimilar to the statement she made at the end of the Wrong Jedi arc where she claims she's leaving the Jedi because if the Council couldn't trust her then she isn't sure she can trust herself, either. And now with Anakin going dark, she has to wonder if the Council saw something of that in her when no one else did, saw a future for her that she hadn't been able to see for herself yet.

I think personally I'd just rather look at this episode as the closest we're going to get to a "deep dive" into Ahsoka's psyche and character rather than try to analyze it as like "what does this say about Anakin." It's not Anakin's story anymore, it's Ahsoka's. Or it's supposed to be, anyway.

That all being said, I don't think it went far enough and I do dislike that we didn't get to dive into OTHER aspects of Ahsoka via other relationships in order to round out who she actually is. I don't think we know any more about her at the end of the episode than we did at the beginning. I don't think she really grows or changes through the episode at all. I don't know what the whole "choose to live" thing was about or how it connects to her overall arc because while, yes, she's obviously literally drowning in the moment, "choosing to live" is not something they've been exploring as an issue for Ahsoka throughout this season so far, so it didn't feel like this cool end to her character journey so much as just a really shallow one-liner made to sound badass without anything particularly profound behind it.

I think gffa said that one of the things you can tell about this show is that it's been percolating in Filoni's mind for so long that there's things he's leaving out because they're just totally obvious to him now and he's forgotten that the audience won't know some of it without being told or shown. If Ahsoka was depressed or suicidal or something like that, it never came across in the first four episodes. She barely seems to be struggling at all to me, personally. So maybe that's what Filoni wanted us to understand about her, maybe that was the intention, but it just didn't quite make it from his head into the writing or onto the screen.

And I keep going back to the Obi-Wan Kenobi show and the way they handled his character arc. They started him at a really low point where he's so CLEARLY depressed and just moving through life without actually living or finding any way to be happy. They spend so much time showing us how OUT of character Obi-Wan is in order for the pay off by the end and the slow growth of his character throughout the six episode story to feel satisfying. And while he's out of character in his depression, it's done in such a way that that's the POINT. We all know WHY he's out of character, we know what's causing him to be that way, it doesn't need to be explained because it didn't happen off-screen, it's literally the plot of an entire trilogy of films. It felt like a pretty natural extension of the state we last saw him in and it allows him the ability to actually have a journey that makes sense.

We've gotten NONE OF THAT for Ahsoka. Her relationship with Sabine is nonsensical and comes out of nowhere with zero explanation. Her weird thing about Padawans comes out of nowhere with zero explanation. Her aloof attitude is coming out of nowhere and does nothing to help us understand the state of mind she's in. She never seems to be acting SO out of character that it tells the audience how much she's struggling, but she's also SO flat that she no longer feels much like the Ahsoka everyone knew and loved from The Clone Wars. They're inventing new problems for her to have that make no sense instead of giving her a journey to actually deal with the problems she already had and hadn't gotten any resolution for. And they're unable to actually connect her problems from before into the Rebels storyline in a way that makes any real sense or feels genuine and meaningful for either Ahsoka or Sabine, so both storylines are getting half-assed and butchered in the attempt.

Personally, I think Ahsoka should've had a season set closer to ROTJ or even before it, just after she gets off of Malachor and 2-3 years prior to ANH, to explore her immediate reaction to Anakin's betrayal and have her overcome that on her own. Use original characters primarily, throw in Bail Organa or something if needed just to give her a quick plot, but let it be about AHSOKA. And only once her journey to finding herself is complete do we then move on to the Search for Ezra, which should be focusing WAY more on the Rebels characters than we're actually getting and should not involve any of the Rebels characters (except maybe Jacen) learning to be Jedi. Ahsoka would be a side character in this story because she has now had her story told and we can let Sabine and Ezra and Jacen and Hera be at the forefront of the story. (I also think we could've done something with Sabine that wasn't being a Jedi or her entire family being murdered off screen so she has an excuse to do a characterization 180 and act like a bratty teenager all over again.)

If I had to just change THIS episode a little, I have a few alternatives I've been thinking about. For one, I do just think we should've gotten to explore OTHER relationships beyond Anakin to emphasize the other things that Ahsoka is that aren't just "Anakin's Padawan." Rex, Barriss, Plo Koon, even Kanan or Ezra to try to make that connection to Rebels. She's been a friend, a commander, a rebel, a student, a mentor, an ally, a Jedi. She's been so many things that have nothing at all to do with Anakin and I think that might've been nice to explore as well. Yes, Anakin was important. Yes, she's fucked up about it. But that's not ALL THAT SHE IS. So I think starting off with her fears about Anakin is great, but then have her move on and sort-of go through it a little like Charles Dickens' A Christmas Story to show that she's more than this, too. This probably would've worked better if it had been a two parter thing rather than one 30-40 minute episode, depending on how many characters you wanted to throw in.

I also would've appreciated seeing her break and shatter at seeing Anakin. I wanted her to be ANGRY, to refuse to forgive him, to throw his betrayal in face. And then by the end of the episode, she lets it go. She's seen that she doesn't need to hold onto that anymore and it doesn't matter what choices Anakin did or didn't make, she's her own person and can make HER own choices. And so Anakin comes back at the end, and she's no longer angry. She can forgive him. I also would've wanted her to have been more snappy and frustrated and angry earlier in the season, as well, so we can TELL there's something simmering underneath that she's trying to keep repressed until it finally boils over in this episode.

The other alternative I came up with was the OPPOSITE idea where Ahsoka is basically just kind-of... in denial about it. She isn't acknowledging her own anger and pain and betrayal at all and she just wants to spend this time with Anakin the way they used to and Anakin is sitting there provoking her and trying to get her to break so she can let it all out. Eventually he gets her to admit it and get angry and yell at him and acknowledge her own pain finally so she can see how it's impacting her relationships in the present day. She's been trying up until now, but as Yoda's always said, sometimes trying isn't enough, and you just have to do or do not. She doesn't reject him at the end of this, but she can at least acknowledge what he did to her and how it's made her feel. You could even include some of her anti-Jedi bullshit in this and have her justifying Anakin's betrayal by saying the Jedi failed him the way they failed her and Anakin pushing back on that idea so that by the end of the episode, she can recognize that she's been blaming the Jedi because she's been uncomfortable with her inability to understand Anakin's choices and it was easier to blame the Jedi than live with that uncertainty.

I've discussed my feelings on Anakin's redemption a lot and they're definitely not in the majority. Personally, I just don't think he's redeemed at all. My definition of redemption is along the lines of "you can fix/undo the thing you broke/damaged" rather than just... "you decided to stop breaking things even if there's no way to fix it." It doesn't mean Anakin can't keep being a better person if he'd lived, or that he can't find redemption in more specific places (like Luke forgiving him for chopping off his hand), but that there is no redemption for what he did to the Jedi, to the clones, and to the galaxy at large. None. It doesn't matter what he does, it doesn't matter that he stopped himself and Palpatine, it doesn't MATTER. The Jedi and the Republic are still gone, the clones were still enslaved, the galaxy is still in shambles and traumatized from 25 years under the Empire.

You aren't the only one who's chosen to separate your definition of "redemption" from something else to make it make more sense. Someone else went for redemption being different from an absolution wherein you are just immediately forgiven of all of your sins because of one act or whatever, while redemption is the process of doing better. If that works for you, go for it. Personally, I just think Anakin isn't redeemed. He cheat coded his way into being a Ghost and the Ghosts don't make any sense anyway. I think it's definitely intended to represent his redemption IN THE NARRATIVE, like that's the point of the visual, but it just doesn't work for me, so I choose not to see it that way. It's ambiguous enough and the Force Ghost lore confusing enough that it's not that hard.

Your interpretation of Luke and Leia as the two sides of forgiveness is intriguing. I do think Leia could get to the point of forgiveness that basically looks like letting go of her anger because the man's dead anyway so there's no real point staying angry and understanding the history that may have led him to become the monster she knew, but that doesn't mean she has to LIKE him or ever consider him a father.

I think you could kind-of throw Ahsoka and Obi-Wan in there as different reactions to Anakin, too. With Ahsoka as someone who sort-of clings to who Anakin used to be and can't truly reconcile the two versions of him that she knew, and Obi-Wan as someone who rises above. Unlike Leia, he did know and love Anakin, but he is also able to let go of his anger and betrayal and accept Anakin for what he is now rather than pining for someone who no longer exists. And Ahsoka is the opposite of Luke as someone who also knew Anakin and loved him, but struggles a lot MORE with the revelation of who he was and his impact on her life. Everyone approaches Anakin and his relationship to them and his choices in a different way.

I wish the Ahsoka show wanted to explore any of that at all lol.

#star wars #ahsoka tano #ahsoka show #ahsoka series #sw ahsoka #star wars ahsoka #ahsoka 2023 #ahsoka spoilers #anti anakin #anti anakin skywalker #anakin critical #anakin skywalker critical

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hardbeingcasual · 1 year

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king of my heart ✦ ethan landry

summary: Ethan Landry as Spider-Man.

warnings: just fluff !

NOTES! i enjoyed writing the other one a lot, so i might just make it a series !!!! sorry for not writing for ages I’ve been lazy

series masterlist / masterlist

♪ king of my heart by taylor swift

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After patching him up, he’s out your window and on your fire escape, swinging his webs through the streets again. Gone without a trace.

Even when you sleep that night, your mind wandered to who he is. Maybe you know him. Hell, he could even be one of your friends, but you wouldn’t know because of that stupid mask.

And it bugged you every day. It even disturbed you and your schoolwork sometimes, you’d be zoning out in class and suddenly you’ve missed everything.

You sometimes wondered if he considered you as a friend or just someone who patches his wounds.

The routine was never ending. You’d patch him up, and he’d be out the window again in no time. Not sparing a last glance at you. Your mind always wandered to him, you were curious if all his thoughts were replaced with you. Like your thoughts were with him.

The night after, you done your usual: waiting for the tap at your window.

Your body sprawled out on your bed as you waited, slowly starting to get bored as you wait. Soon enough, midnight comes upon you, your eyes slowly starting to close, ready to shut your body off for the night.

Until, you hear that noise, he was here, at your window. Your body jolts from the almost slumber.

You get out of your bed, your bones cracking as you get out the position you’ve been in for hours now. You make your way to your bedroom window, cracking open the blinds and seeing the devil himself — Spider-man.

You open the window, he was leaned against your window as he stood there like an idiot on your fire escape.

“Its a bit late don’t you think?” You raise an eyebrow.

Spider-Man shrugs, “I lost track of time.”

You move out the way, nodding your head to tell him to come in.

“You have no limp, are you even hurt?” You query.

“No,” He seemed hesitant at first, but honestly you couldn’t tell because of him being masked. “I wanted to see you.”

“Oh, really? Why?”

He shrugs, “I don’t know, just to check on you, you know how dangerous the streets of New York can be.”

“Thats true, but I don’t think I’ll be in harm, I don’t do anything to offend anyone.”

“Is that a dig at me?”

“Perhaps.”

“Ouch, that hurts.” He fake winces.

“Want me to patch you up?” You sarcastically smile, walking through to your living room / kitchen area.

“Are you alone in here?” He asks as he follows you, his eyes tracing around the place and he notices the silence in the apartment.

“My parents are on some trip, it is irrelevant.”

“So technically you could be in danger, a teenage girl home alone in new york. It wasn’t good for Kevin.”

“Did you just bring Home Alone into this?”

There was a pause, before he speaks again, “…No?”

You almost smile at that, but you decided to conceal it. “So, Spider-Man, why are you really here?”

“I told you, to check on you.”

“Are we even friends?” You replied, leaning against the counter in your kitchen as he stood there awkwardly.

“We can be.”

“Hm.” You bring a finger to your chin, tapping it. “Sure, but I don’t even know anything about you.”

“Sure you do! I’m Spider-Man.”

“No, I mean under the Spider-Man costume.” You correct.

“I hope you mean the mask.”

“Obviously, what else would I mean?”

“I don’t want you getting hurt, okay. You can’t know who I am, okay? I can tell you about me. Not my name though, sorry.” He rambles, playing with his gloved hands.

“Okay… favourite Star Wars movie?”

“A new hope. Iconic. I can quote the lines. What about you?”

“Definitely has to be Return of the Jedi or Attack of the clones.” You answer.

“Hm, not too bad.”

You decide to let the questions coming, “Favourite character?”

“Uh…” He thinks for a moment, “Luke Skywalker, or maybe Anakin.”

You nod, “Mines have to be Leia or Padme.”

“Great characters.”

“Agreed. No one can play Leia like Carrie Fisher did.”

“That’s true.”

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#tags @larccroft @bisexuabed lowkey got carried away with the star wars talk WHATEVER

#ethan landry #ethan landry fanfiction #ethan landry x reader #ethan landry x y/n #ethan landry x you #scream au #scream vi au #scream vi fanfic #scream vi fanfiction #scream vi x reader #jack champion #jack champion x reader #jack champion as spiderman #ethan landry as spiderman

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ornithogeek · 2 months

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SPOILER Star Wars Visions :

I think one of many reason I love star wars Visions is because In addition to having boundless creativity it's one of the most Pro-jedi content since the prequels ! I love some Disney content like Rogue One and Andor but it's so refreshing to see again Jedi doing concrete stuff to save people of the Galaxy.

The Village Bride: a exiled jedi who decide to help innocent villagers from Robbers

Ninth Jedi: a good echo to the quote of Obi-Wan "your eyes can deceive you, don't trust them" with the siths look like jedi and the Jedi look like sith

TO-B1: A good father figure who want to protect his droid like a father who protect his son.

The Elder: Taking advantage of a confrontation against one of the last Sith to offer a lesson on the cycle of life and how pressing each moment that we live is is definitely one of the most Jedi moods. Best mentor-student relationship since Kanan and Ezra.

Journey to the dark head : A padawan who overcome his fear by trusting other and being compassionate. And a Jedi Council who respect a local belief.

Bandits of Golak: Awesome grandma

Aau Song: a Jedi showing to a children his potential and learn to her to trust in his powers

#jedi appreciation #jedi #star wars visions #jedi order #andor #star wars #obi wan kenobi #padawan

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geekywritings · 1 year

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Drunken revelations

And another anonymous request finished because I was inspired :D If you have promts, quotes or something for Cal x reader shorts, send them over :D

Request: “Cal Kestis x drunk reader??? Fluffy and comfort maybe he finds out about something from her past cause she’s drunk and doesn’t register she’s saying it?”

I think I might have gone a little dramatic here, but fluff is always included ;)

________You didn’t often consume alcohol. And it showed.

You were sitting in Pyloon‘s Saloon with Bode, waiting for Cal to return from a little security round he liked to make around the place before the end of the day. The last thing you needed was the Empire finding your safe haven. Or more Bedlam Raiders causing trouble. Sometimes, you would accompany the Jedi on his patrols, but this evening you had helped out Greeze in the kitchen before being invited to join your other companion.

Bode was nice and always had exciting stories to tell. This evening, however, he was pensive and in clear need of someone to lend him an ear. He had spoken a lot about Kata, his daughter, revealing how much he missed her and how he regretted not being able to spend more time with her. This fatherly side was what warmed you to the man, as not many were as engaged as him.

During his little monologue, he had kept ordering drinks for the two of you, and out of solidarity, you had downed one glass after another with him. At first, you hadn’t felt anything, but after the third round, your head started to grow fuzzy.

Cal returned after the fourth, his face betraying a mixture of surprise, amusement and a little worry. He had never seen you in such a state.

“Cal… You’re back.”, you spoke, noticing that the control over your voice was slipping. “Was it fun?”

“Fun?”, he asked with a chuckle. “No. But at least it’s quiet.” He took a seat next to you, ordering something for himself as he joined your conversation for a while. Eventually, Bode said his goodbyes, wanting to record another story for Kata.

“He is such a good dad.”, you said, as the two of you watched the dark-haired man disappear through the door. Cal was about to agree when you tacked on a remark that had him raise his brows instead. “I am jealous of Kata.”

You were staring into your half-empty glass now, a longing expression on your face.

Cal cocked his head toward you, trying to get you to look at him and explain. Although the two of you had been dating for a few weeks now, after a rather surprising confession on the battlefield when you thought you were about to die, he knew nothing about your past. For good reason.

But you couldn’t keep it hidden forever either… and the alcohol was clearly loosening your tongue.

“I wish my dad had cared that much.”, you spoke, your eyes finally meeting Cal’s. A hand on your shoulder invited you to continue.

“He was too busy with his career. He had big plans… My mother and I… we just had to wait. Day after day after day. For a visit. For a message even. Sometimes we heard nothing for weeks until suddenly we were called to attend some event with him. He paraded us around and then forgot we existed again for weeks.” You were bitter and it showed.

“I’m sorry, Y/N.”, Cal spoke softly, trying to be encouraging without knowing what to say. He couldn’t relate. He didn’t even know his parents.

“He did get his wish… he got that promotion… that position he had lusted after. And it made me hate him even more.”, you took another sip, even though you clearly had more than enough already. Cal knew that too and subtly pulled the glass away from you once you had placed it back down.

“You should hate me…”

The sudden change of topic startled the Jedi and he found himself blinking in surprise before scooting closer. A finger under your chin brought your face back in line with his after you had turned away. “Do you know what you are saying, Y/N?”

“I do… You should hate me. For who I am. For who my father is.”

“You are drunk. I’m taking you to bed.”, Cal decided, sliding from the bar stool, ready to pick you up, but your following words had him stalling for a moment.

“Tarkin… My real name is Y/N Tarkin.”

Cal’s hands stopped inches from you, as he just stared. He knew that name. The man was part of the top command chain of the Empire after all. Responsible for endless suffering across the Galaxy. And you were supposed to be his daughter? How?

He had met you as part of the rebellion. You were fighting the Empire with as much ferocity as he was.

“That’s not who you are as a person, though.”, he started slowly, allowing his initial feelings to settle.

“How do you know?”

“Because I see you, Y/N. I see what you do to fight him. I see how much you care about the people. I see how much you love me, even though we should be enemies if you truly were his daughter through and through.”

How could he say these things so easily? How could he trust you so much?

Because he loved you, your muddied brain slurred.

“You know what Merrin taught me? Where you come from doesn’t have to define you. You choose your own path in life… and you have clearly chosen yours.”

Tears were brimming in your eyes and you tried to move in for an embrace… just to almost lose your balance on the bar stool and hug the floor instead. Cal’s arms caught you just in time.

“I think I’m drunk…”, you whispered and despite the heavy topic a few seconds ago, Cal couldn’t hold back a chuckle.

“You very much are.”, he agreed. “Come, I’ll bring you to bed.”

“Your bed?”

“Ours.”And with that he hooked one arm under your knees and the other around your shoulders, picking you up with ease.

“I like that…”, you mumbled, head resting against his chest as he carried you downstairs to the room Greeze had prepared for him. The room he now shared with you.

“What do you mean?”

“This… All of this… You.”

He gave you a gentle smile, before leaning down to kiss your forehead. “Any other dark secrets you want to get off your chest?”, he asked, finally placing you down on the bed.

“Just one…”

Your eyes were feeling so heavy all of a sudden, the softness of the bed beckoning you to sleep.

“If I ever have kids… I want you to be their dad…” And with that revelation you drifted off, leaving Cal dumbfounded yet absolutely happy.

#cal kestis #cal kestis x yn #cal kestis x you #cal kestis x reader #jedi survivor

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