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#siy art
siyrex-does-art · 2 days
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nyhti · 1 year
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Riddlejokes fluff. Joker falls sleep at Eddie's place.
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zeeth-scribbles · 2 months
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Ignore the low Res image guys we're in digital
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HES IN DIGITAL WE'VE UNLOCKED MS PAINT
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sakuramoussy · 25 days
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A cute extra art for my book Whistold!
Here is where you can buy my book!
You can buy this as an EBook too!
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ahiijny · 4 months
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snow is infinite
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aftn0614 · 1 year
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Me and @/Siinam Cuppom's made OCs together!!!
Erick belongs to Siinam
Pascal belongs to me :D
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demonfowl · 1 year
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Sinut vain, ja aikaa - luukku 8
tumblr & ao3
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Kahreksan
Mä rakastan niin kovasti että Lehdon suojelevaisuus Rahikaista kohtaan ilmenee aggressiontarpeena. Se on niin. Lehtoa.
Mä olen myös viettänyt aivan liikaa aikaa miettimällä tän kämpän pohjakaavaa (ois ehkä vaan pitäny ladata sims ja askarrella koko roska sillä ja sit käyttää sitä mallina mutta oppia koko elämä mitä näitä nyt on).
《》《》《》《》 @trevardes 《》《》《》《》
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obsidian-art04 · 1 year
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So I've been bouncing between Bethesda game hyperfixation, may be posting related to them for a while, idk
- Eden/Ray 🍇
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sweetsweethate · 2 years
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pov: tenés un parcial de grabado
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reanimaator · 4 months
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veel vanu (2019-2022) lohe ajastu visandeid
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artemanual · 1 year
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Bonsai Arcoiris con mostacillas tutorial 03 #how #tutorial #diy #howto ...
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nyhti · 1 year
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uwmspeccoll · 7 months
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Indigenous People's Day
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DR. HENRIETTA MANN Cheyenne
On this Indigenous People’s Day, we are featuring Matika Wilbur’s recent publication Project 562: Changing the Way We See Native America, published by Ten Speed Press in 2023. Wilbur (b. 1984) is a visual storyteller and member of the Swinomish and Tulalip peoples of coastal Washington. She holds a degree from the Brooks Institute of Photography alongside a teaching certificate that has shaped her style of educating through narrative portraits.  
Project 562: Changing the Way We See Native America, a book born from a documentary project of the same name, resolves to share contemporary Native issues and culture. In 2012 Wilbur set out from Seattle to visit and photograph all 562 plus Native American sovereign territories in the United States.
Wilbur’s engagement with the communities she visited resulted in the creation of hundreds of dynamic portraits and documentation of conversations about “tribal sovereignty, self-determination, wellness, recovery from historical trauma, decolonization of the mind, and revitalization of culture.” She refers to her portraiture approach as “an indigenous photography method” that includes several hours and sometimes days of interaction with the participants, an exchange of energy and gifts, and asking sitters to choose their portrait location. The outcome is a stunning collection of Native narratives and portraits.  
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GREG BISKAKONE JOHNSON Lac Du Flambeau Band of Lake Superior Chippewa Indians
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HOLLY MITITQUQ NORDLUM  Iñupiaq
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J. MIKO THOMAS Chickasaw Nation
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MOIRA REDCORN Osage, Caddo
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HELENA and PRESTON ARROW-WEED Taos Pueblo/Kwaatsaan, Kamia
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STEPHEN YELLOWTAIL Apsáalooke (Crow Nation)
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LEI'OHU and LA'AKEA CHUN Kānaka Maoli
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ORLANDO BEGAY Diné
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KALE NISSEN Colville Tribes
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GRACE ROMERO PACHECO Santa Ynez Band of Chumash Indians
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ISABELLA and ALYSSA KLAIN Diné
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NANCY WILBUR Swinomish
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DR. JEREMIAH "JERRY" WOLFE Eastern Band of Cherokee Indians
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RUTH DEMMERT Tlingit
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MARVA SII~XUUTESNA JONES Tolowa Dee-Ni' Nation, Yurok, Karuk, Wintu
Matika Wilbur will be speaking on UW-Milwaukee's campus Thursday, November 16 from 6-7p.m. in conjunction with her exhibition Seeds of Culture: The Portraits and Voices of Native American Women on view at the Union Art Gallery November 16 through December 15, 2023. 
-Jenna, Special Collections Graduate Intern 
We acknowledge that in Milwaukee we live and work on traditional Potawatomi, Ho-Chunk, and Menominee homelands along the southwest shores of Michigami, part of North America’s largest system of freshwater lakes, where the Milwaukee, Menominee, and Kinnickinnic rivers meet and the people of Wisconsin’s sovereign Anishinaabe, Ho-Chunk, Menominee, Oneida, and Mohican nations remain present.
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sakuramoussy · 1 month
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blackmoonlightexpress · 10 months
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Fun Facts behind TTEOTM!
Creative Team
Till the End of the Moon is the second TV drama produced by newcomer Otters Studio (獭獭文化), which was originally set up for dangai/BL drama Immortality (皓衣行), also featuring Luo Yunxi.
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The Hangzhou-based Otters Studio is a subsidiary of Nanpai Entertainment (南派泛娱), the company owned by Kenneth Xu (aka “Third Uncle" 南派三叔). Xu is best known as the novelist and screenwriter behind "Grave Robbers' Chronicles" (盗墓笔记).
A big part of TTEOTM's core creative team also worked on Immortality. And a lot of the Immortality team came from Ashes of Love (2018) with Luo Yunxi. This includes...
He Fang (Screenwriter) - Immortality
Luo Xuan (Screenwriter & Associate Producer) - Immortality
Huang Wei (Costume Designer) - Immortality
Guan Dazhou (Music Director) - Immortality
Wang Yirong (Lead Producer) - Immortality
Wang Haiqi (B Unit Director & Action Director) - Immortality & Ashes of Love
Tsang Mingfai (Makeup Designer) - Immortality & Ashes of Love
Shen Xufei (Special Effects Director) - Immortality & Ashes of Love
Hua Tian World Concept - Immortality & Ashes of Love
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Wang Haiqi was the stunt coordinator who trained Luo Yunxi in Ashes of Love
Part of the creative team came from Huanyu (Bai Lu's management company, aka the production company of Yanxi Palace). This includes award-winning art director Luan Hexin, Huang Xinyao (Yue Fuya) and Liu Min (Nan'an).
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This is the second time Luo Yunxi and Bai Lu have paired up in a drama. They previously played a couple in modern workplace romance Love is Sweet (2020). Bai Lu expressed interest publicly in pairing up with LYX again in a costume drama numerous times.
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In addition, a number of Love is Sweet actors have minor roles or cameos in TTEOTM:
Zhao Yuanyuan (Qiao Na aka Yuan Shuai's colleague who has a crush on him) plays the Moon Goddess
Cheng Chang (Jiang Jun's father) plays Ye Xiwu's father
Deng Jinghong (Jiang Jun and Yuan Shuai's shady client) plays Ye Xiwu's brother Ye Zeyu
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The popularity of TTEOTM has generated renewed interest in Love is Sweet on iQiyi. In the first half of 2023, Love is Sweet is ranked #5 on Yunhe's "old/classic drama" list, receiving 360M views (10M views/episode), equivalent to airing a new medium-budget drama.
Two actors in Ashes of Love also have minor roles in TTEOTM:
Wang Yifei (Shuihe aka peacock princess in Ashes of Love) plays the Devil God's lieutenant Siying
He Zhonghua (Heavenly Emperor aka Runyu's father) plays the King of Sheng, again terrorizing Luo Yunxi's childhood
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In addition, a number of TTEOTM actors play minor roles in the unaired Immortality:
Huang Yunyun (Yue Yingxin) plays Song Qiutong
Zheng Guolin (Qu Xuanzi aka Susu's father) plays Jiangxi
Huang Haibing (Zhaoyou) plays Nangong Zhangying
He Zhonghua (King of Sheng) plays Nangong Liu
Geng Yeting (Ye Qingyu) plays an unknown role
Production
The source novel (黑月光拿稳BE剧本) was optioned by Otter before it was complete due to strong early hype around the IP and interesting characters & premise. It's one of the top 10 most-saved web novels of that genre on the Jinjiang platform. Its title literally translates to "black moonlight is guaranteed a bad ending screenplay".
The screenplay was written for 40 episodes, which was edited into 50 episodes of probably 45 mins each. The original plan (based on governmental records) was to air 34 episodes as part 1 and 16 episodes as part 2. However, the NRTA (Chinese government agency that regulates TV) closed the loophole around airing two seasons back to back early this year, which is why TTEOTM was edited back down to 40 episodes of 55 mins each so that it could air in one go.
TTEOTM changed its Chinese title twice. It was originally named 月照千峰为一人 (The moon shines for one person). It was then renamed to 长月无烬 (long moon without Jin/ember, also a pun for without limit or endless), which is the official publication name proposed by fans of the web novel. Right before the booting ceremony, it was renamed 长月烬明 likely for auspicious reasons (especially after the LYX accident and Immortality not airing)
Some keen netizens have noticed that if you break apart the characters of its Chinese title, 长月烬明, it becomes 长月火尽日月, which literally means....
长月 (long moon) - how people refer to the drama, in its short form
火 (fire) - Chinese internet lingo for explosive or popular
尽日月 (to the end of sun and moon)
(Gotta give one to Chinese people for coming up with auspicious names)
Luo Yunxi was injured right before production began when filming his final scene in Light Chaser Rescue. He got punched in the mouth by a costar which required emergency surgery and left a scar on the top left corner of his mouth. Production was delayed as a result. Bai Lu had to film her solo scenes first starting Oct 19, 2021. The booting ceremony took place on Nov 6, 2021 after Luo Yunxi joined the set.
Luo Yunxi was the first actor to be cast, according to an interview with the producer. It is rumored that he might have even picked which novel to adapt as Otter initially optioned both "Black Moonlight" and "Black Lotus Casebook". Bai Lu is also the "only choice" for Li Susu according to Yu Zheng.
Yin Tao (Who Rules The world, Love & Redemption, and Ancient Love Poetry) was originally considered for director, but he worked on the Blood of Youth instead. In the end they went with Kuk Kok Leung, an award-winning veteran TVB director who has adapted 7 out of 8 Jin Yong novels. One of the Cantonese songs Luo Yunxi kept singing on set is the OST of the 1983 Condor Heroes where Kuk served as Assistant Director.
Sun Zhenni (Pianran) and Zhao Shiyi (Fuyu) won their roles through open casting call. Sun Zhenni was a big fan of Bai Lu, and the two became close friends during the shoot. She is 1/4 German Jewish through her paternal grandmother.
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Chen Duling (Ye Bingchang / Tian Huan) briefly dated Xichao Wang (who plays Jing Mie, the demon god's other lieutenant). They were apparently introduced by Yu Zheng (boss of Bai Lu's studio).
Luo Yunxi and Sun Zhenni are the only actors who dubbed themselves in the drama. Bai Lu is dubbed by Duan Yixuan, who is also the voice behind Linglong in Love & Redemption.
This is the second time Luo Yunxi plays a dragon god (Runyu is the first). This is also the second time Bai Lu plays a character who leaps off the tower to her death in a costume drama.
Post-production was rumored to be delayed and then rushed due to a number of reasons, including covid which hit the special effects team hard and the last minute change of the 40-episode rule.
Promotion
During the premiere day, celebrities posted on Weibo to promote the drama in support of Luo Yunxi (usually actors only ask for this favor when it's a really important project to their career): Huang Xiaoming, Tan Songyun, Wu Jingyan, Chen Yuqi, Cheng Xiao, Victoria Song, Zhang Ruonan, Huang Xuan, Chen Yao. The most noteworthy ones were Chen Xiao (whose drama was also opening on the same day) and EDG (the esports team that LYX supports)
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da-awesom-one · 4 months
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At All Costs (Snowflake Version) - Chris Pine & Idina Menzel
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Art I commissioned from Frost_Art on Instagram.
*DISCLAIMER: These lyrics are fan-made lyrics of a song created and owned by Disney for characters that are owned by both Disney and Dreamworks respectively . No money is being made off of this. This was solely written for recreational purposes.*
Context: This is set during Frozen II, in the middle of the Dark Sea scene. They’ve barely survived the Nokk, and Jack is the most upset he’s ever been. Elsa left him behind not once, but twice. The first when they left Kristoff and Sven behind, and the second when she sent Olaf and Anna away. Not only that, she recklessly runs into the Dark Sea, and that’s not mentioning his fear of water. Coupled with the fear of being sent away, and not feeling like he has a place in Arendelle, he’s really struggling to prove his worth without being selfish.
Love is selflessness, and he has taken that to heart since the events of Frozen 1, where he abandoned Elsa before her parents died, and he did everything in his power to make up for it when she finally sees him again. However, it doesn't always work in the right way. So he’s desperately trying to not be what he perceives to be selfish, for being selfish is what almost lost him his best friend in the first place, and he is deeply afraid of losing his new family. Of losing Elsa.
But somewhere along the way, whether he understands or want to admit it or not, things changed. Jack sees Elsa differently, just as she started to in her late teens, but kept quiet due to what happened and out of respect to her friend, also because she's not sure she understands it either.
They argue in the Dark Sea, telling her he doesn't want to lose her, but right as Jack’s about to say what he actually wants, he relents, saying what he wants doesn’t matter. Elsa doesn’t accept that. Once they get to safety, she tells him what he wants matters to HER.
And he tells her he wants to stay with her forever. That he sees her the way Kristoff does to Anna. But time, fate, what have you, makes it seem like no matter what he does, he can’t. But still, he wants to be with her regardless. Because she is his destiny. And being with her makes him feel better, and whole.
So then he starts singing. And so does she. And for the first time since entering the Enchanted Forest, they're on the same page. Better now than ever before.
Sing = Siiing
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(VERSE 1)
J: If destiny is a set-in-stone thing,
Mine would be you.
If you'd have told me the feelings you'd bring,
I'd think them untrue.
Yet I never thought I’d meet someone like you.
Not in this life.
You still amaze me after all this time.
(PRE-CHORUS)
You pull me in like some kind of wind.
Clearing up all the doubts within.
Making me wanna tell ya...
…That I…
(CHORUS)
Love you as one does.
I, I would protect you 
At all costs.
Take you here into my arms.
I, I would protect you 
At all costs.
At all costs.
(VERSE 2)
E: How to say… the words that I wish to convey?
That I want you, too. Even if I tried to,
I can’t go back to life before you.
If someone tried to stop this, I don't
See how that could happen.
I'd fight for us in ways you can't imagine.
I’ve felt this once before, so I hope
It would be alright to stand right here and tell you…
(CHORUS)
B: I love you as one does.
I, I will protect you 
At all costs.
Hold you right here in my arms.
I, I will protect you 
At all costs!
At all costs!
(BRIDGE)
If you're ever feeling like you're lost,
I’ll come find you!
Man all fronts! There's no ocean I won't swim across
To be right by you!
And not just once. Here and now, I swear on my response,
I'll remind you…
(FINAL CHORUS)
I love you as one does.
I, I will protect you 
At all costs!
Keep you safe here in my arms!
I, I will protect you 
At all costs!
At all costs.
(END)
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Debated whether or not to do this after posting the Jack Frost This Is The Thanks I Get?!, and finally hearing this for the first time. I got giddy, as this is definitely one of the top songs from the Wish soundtrack, and it struck me as odd that the villain, who in the movie was married, and the protagonist would sing something that sounded... well, romantic.
After seeing Wish for the context of it, and later discovering the Demo Version, learning that it WAS originally written as a love song, well... I had to go back and tweak my original draft.
@doodlemel's Animatic of them singing this song definitely didn't help, either. XD
I had to tweak bits that weren't making sense for Jack to say, especially parts that Magnifico said in the movie that kinda hinted to his more sinister persona. Because Jack is a good guy, but also someone who has never experienced these kinda feelings before, as well as also dealing with a lot of mistakes and trauma that influence his perception of whether or not his feelings are genuine, and whether he has a right to feel these feelings.
Elsa, for her part. is more straightforward, remarkably. Because I headcanon that she fell in love first, but Jack was being Shonen Protagonist oblivious to it. And by the time he started feeling a spark of something similar, stuff had already happened between them that they needed to clear up. But her feelings for him never really went away, even if she got better at hiding them. So when she hears him FINALLY admit that he feels the same way, she doesn't have to hide anymore. She lets him say his piece, and responds in kind.
Ultimately, I didn't really change much but the first parts where they sing, and parts of the choruses. Especially the “love” parts, as I just HAD to incorporate the original Demo Version into it. It's telling a sort of story. Of them slowly synchronizing once more, and finally ending with them being of one mind and heart.
For to love on a spectrum that has both beings as one, in my opinion, is truly a beautiful thing.
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