Ingo and Emmet are perfectly in sync. They have to be, living as conjoined twins. The Subway Masters of Nimbasa City, the two are happy with their friends and family and trains.
Of course, the universe contains chaos and random chance that can affect even the closest of people. The two find themselves in situations that neither would have ever expected, and it will test them both.
Through it all, one thing is certain. Family, both blood related and chosen, will never let you be alone. And, no matter the trials, a two-car train will always continue onwards.
OKAY well this is it, the Bad chapter. I have added tws both to the tags on this post and also to the author's notes of the chapter. There is an option to read a summary in the ending author's notes for anyone who does not feel comfortable with reading the full version.
This chapter is the shortest one for... Obvious reasons.
Disclaimer is, as always, in the reblogs
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Jsdcbbccbhcb !! Merci !! tant de personnes ont réagi au précédent post en français ahahahah 🤣 c’est incroyable ! je ne m’attendais pas à tant de réactions merci merci ! Thank you everyone for the attention on my last post !!!
This is when Miles drops at the police station like a prince, a whole year later, nonchalant about his hiatus. And Phoenix is most likely losing his 💩 3 feet away.
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Mikey Goes To Oz
<Time spent: 49 hours 17 minutes>
When Mikey takes some time away from a loud family squabble he accidentally ends up getting “flushed” down the sewers. This winds up sending him to the colorful land of Oz where he meets a good witch, a wicked witch, a brainless scarecrow, a heartless Tinman, a cowardess lion, and a powerful wizard, all disguised behind very familiar faces.
A canon adjacent spin off set before the season one finale but after they discover Splinter is Lou Jitsu
I wanted to fit each of the boys into their “you’ve had this all along” category. Leo isn’t brainless, in fact he’s pretty clever with a street smart, people reading ability on par with Donnie’s intelligence. Donnie isn’t heartless, he just has a tough time expressing his feelings. They are complex and unalgorithic but he can get just as excited or sad or angry as anyone, as much as he may deny it. Raph isn’t a coward, but being brave sometimes means admitting you’re scared and that you maybe don’t have all the answers. You dont have to be strong all the time and you don’t have to do it by yourself.
In the movie Dorothy’s journey home is also a representation of her running away. The important thing was to remember there were people who cared about her. Mikey is experiencing a similar phenomenon, wanting the escape the bad vibes in the lair. His “you’ve had it all along” is interesting because it is an object, since the Ruby kneepads could’ve taken him home the whole time. And sometimes getting home means going on a journey only to realize you never left.
I put April as Glinda because Glinda appears as a defender of the weak, and I see April in a similar light. Always willing to help and beat someone up if it is so required. Splinter as The Wizard of Oz represents Splinters own willingness to hide behind different personas, his running from the past and the pulling back of the curtain for Mikey in timeline. The Wizard grows through the movie, albeit quickly, and ends up leaving Oz to go home leaving his legacy with the scarecrow, the Tinman, and the lion. In this case the passing of the baton to his sons.
Meanwhile Draxum as the wicked witch felt much more how Mikey sees Draxum at this time in the show, mostly just an antagonistic force who wants something from them. Fun fact: I imagine throughout this dream, Draxum is uninterested in being the wicked witch but is pressed into it via plot. Hence his disinterest in being “melted.”
Additional characters not pictured: Big Mama as the Wicked Witch of the East (those were her Ruby kneepads!!) and Todd as the Mayor of Munchkin Land. If you can think of more, feel free to leave them in the comments or tags.
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