#sometimes is better to just...not say a damn thing

[dazednmatthews]

could you write stressed college gf headcanons for chris too 👉👈 matt's are so damn cute

chris x stressed college!gf headcanons:

-something about chris you’ve noticed since you’ve been together is that he has a habit of feeding off peoples energies, but possibly in the worst way

-so when finals come around and you’re an anxious, stressed mess, so is he

-and because of that, he’s constantly looking up the material you have to study and telling you random facts about it in hopes that it helps in anyway

-“hey babe,” he says while you sit as his computer desk, highlighting things in your notes. “yeah?” you say, not tearing your gaze away from your notebook. “did you know that 95% of the ocean is still unexplored?” you do glance at him that time, eyebrows furrowed. “yes i did. why do you mention it?” “well i’ve just been reading about marine science for a couple hours and that’s just fucking insane to me”

-it never really adds anything to your review, but it makes you smile regardless at how hard he’s trying

-his support is absolutely unwavering, so as soon as you start to doubt yourself or talk down to yourself, he’s there to put a full stop to that shit

-“i’m never gonna fucking pass,” you flop back in his bed, blowing a frustrated breath out. “i can’t remember any of this shit and it won’t matter how long i spent studying because i’m gonna get in the exam room and absolutely choke-”

-“stop talking about yourself like that.” he’d cut you off. “you’ve been working nonstop to pass this test and you’re like the smart person i’ve ever met. i don’t wanna hear any of that. the more you say it, the more you’ll believe it and it’s just not fucking true. understood?”

-it makes your heart do backflips

-i think he’d be the type to pack you a big of snacks or a meal for days he knows you’re gonna be in the library all day studying

-you’d come up to the living room with your bag slung over your shoulder and your hair still wet from the shower and place a kiss on his cheek as you leave. “i’m going to study, baby. i’ll probably be back late.”

-“thats fine, ma. don’t stress yourself out too much.” he’d pause the show he was watching and turn in his seat on the couch slightly. “i made you some food to take with you. make sure you eat it, i worked hard on that.”

-“chris, this is so sweet. you’d didn’t have to do this.”

-he’d give you a strange look. “why wouldn’t i? i need my girl to be taken care of. plus i knew you would ignore me if i told you to eat. shit is so annoying.” he’d roll his eyes while you shrug.

-“oh fuck off. sometimes i just forget.”

-he would also help you study, using all the guides you’ve done. he’s soooo the type of bf to give a kiss for every right answer too. it keeps you motivated and keeps him happy. kissing you is his favorite thing to do after all.

-when you would get so stressed and anxious about failing you would cry, his heart would actually break

-you would be on like hour six straight with no breaks and he would close your books, starting to put everything away

-“chris, what the fuck are you doing! i have so much more to do.”

-“no. you’re driving yourself crazy and it’s not good for you. you’re done for tonight. i’m gonna run you a bath and then we’ll watch a movie.”

-you’d pretend to be mad but actually be so grateful he could see you were close to breaking down. to be loved is to be known

-chris goes with you in the morning and waits for you in the car while you take your test

-he’s waiting for you outside on the hood of your car when you come out, wringing his hands nervously to hear how you did

-when he sees the sad look on your face he instantly goes to grab you and make you feel better

-but when you told him that you passed w flying colors he is so proud of you he nearly cried.

-“yes! that’s my girl! i knew you could do it, baby. my girlfriend, the scholar.” and he’s peppering kisses all over your face while hugging you tightly

-you soak in the moment with a warm heart because you have the best boyfriend in the world and it baffles you just how much he believes in you. you are so in love with him

-and he loves you exactly the same

TAGS:

@sturnioloco @peachmels @sugrhigh @tastesousweet @rootbeerworshiper @hollandsangel @sturnolio-luvs @mattsobvimyfav @misscocodiorsblog @ilovechrisssturniolo @pepsiboyy @braindead4l @mxqdii @fawnchives @hearts4chriss @certifiednatelover @nmegamett20 @imaslut4kehlani @dominicfikue @wovenribbons @streamermattsgf @pr1ncessmatt @pinksturniolo @yourfavoritefangirl @nickmillersn1gf @freshxsturniolo @sturniolobltch @mattspolitank @lookingformyromeo @alorsxsturn @imwetforyourmom @kiarastromboli @sleepysturnss @mattscoquette @sturncakez @inkyray @simply-a-simper @lanas-doll @wh0resstuff @hypnotizedsturn @riowritesitall @kitaysworld @h3arts4harry @fikefries @conspiracy-ash @matty-bear @always-reading @thehighgrounds

#matt sturniolo #sturniolo triplets #christopher sturniolo #nicolas sturniolo #nick sturniolo #chris sturniolo #sturniolo edit #sturniolo fanfic #sturniolo imagine #chris sturniolo texts #chris sturniolo headcanon #chris sturniolo fanfic #christopher sturniolo x reader #chris sturniolo x reader #matt sturniolo headcanon #matt sturniolo x reader #matt sturniolo imagine #matthew sturniolo #sturniolo x reader

[lady-of-endless]

Things you do that make their heart melt

(La Squadra Esecuzioni x reader hcs)

Author's Note: Those are random but that's the point. I tried to be a bit explicit for those who are at the start of Jojo part 5 and maybe don't remember each character's Stand name or ability. I couldn't write this only for my 3 darlings from La Squadra as I started it because I love them all too much. Proud La Squadra stan. Excuse any grammar mistakes. Enjoy!

Risotto Nero

- How you can balance being serious and being affectionate so easily. This is something he admires a lot and wishes to be capable of too sometimes. Yes, he's a serious and stoic man but the whole La Squadra knows just how big his heart is. Sometimes Risotto wishes he could show a bit of affection to the ones dear to him. Risotto is a softie inside but the nature of his occupation forces him to be as reserved and stern as he is now.

- How you can protect yourself. Being a hitman is tough, nothing new under the sun, but being the leader of the team is even worse. It's hard to watch out for others when he also must make sure that everything is working out smoothly. But he cares about you and your safety so damn much it's almost dangerous. So seeing you handle enemies alone helps him fall asleep at night with fewer worries. Also, watching you fight and come up with strategies makes him smile slightly and so subtly that of course, no one can notice it.

- How you look dressed in black with silver accessories. Aesthetically wise, black is one of his favorite colors and no one can tell otherwise. When you decide to match him with a dark outfit, his gaze will follow you more than usual. Be sure of the fact that he'll use his Stand, Metallica, to give you subtle signals, or not so subtle, by pulling onto your belt or necklace.

(it's loving Risotto hours)

Prosciutto

- How you calm yourself down after an intense moment. Prosciutto himself is not proud of when he snaps at people, thinking that it's not graceful behavior so he starts studying you from afar while calming down. He analyzes your soft tone, your calm face but alert eyes after being harsh, to learn from you but he finds himself falling for it. Like his brother, he also craves a bit of softness in his life but will never admit it, not even to himself so seeing you simmer down and transform into someone calm and understanding makes him want your presence more.

- How you counter him when he is too cruel to his brother. He is harsh with Pesci and he knows it, but he thinks it's only for good. It's not about how you're stubborn enough to argue with him but about how it reminds him that if something ever goes wrong with him on a mission, someone else will make sure that his brother is still alright and progressing. Also, as you two are arguing, things get pretty heated in no time and as the distance between you closes in, everyone knows that it's better to leave you two alone.

- How focused you look when deciding on an outfit. That and how you ask him for an opinion. You can see him leaning back in an armchair just looking at you searching through your clothes with an amused but admirative look on his face. Prosciutto likes to make himself look presentable and if you do the same, he can't help but find that fact attractive. Plus he can play dress up with you without you even suspecting it and he can't get enough of it.

(why is he like that? Love him though)

Ghiaccio

- How you let yourself be angry sometimes. To him, almost anyone seems calmer than him, but seeing someone being as furious as him from time to time and that someone being you? That's new. It doesn't happen often and in some odd way, he finds it fascinating. As much as he enjoys teasing you, he'll never be the type to say "Just calm down" or "You're exaggerating" because he knows how much it enrages someone already angry to hear this. He will be very understanding when you're like that. Plus, if someone or something gets you angry, he gets angry too so it will end up with the two of you being a scary couple.

- How your eyes shine when you smile and your smile in general. He is baffled by how when your lips are curved into a smile, your eyes are radiant too. Usually, he uses this expressiveness of yours against you, teasing you about it but when you smile so warmly, he feels like he's looking at the sun and that's unnerving because it makes him blush. He can't understand it.

- How your nose scrunches when you get a brain freeze from consuming something cold. This along with how your cheeks and nose redden when you're cold. He rolls his eyes at himself for like such a shallow and obvious thing but can't help it. It's not how adorable you look it's more how no one notices such details but him. It's his guilty pleasure. He has a kink when it comes to your reactions to cold temperatures.

(ugh I love him so much it's pathetic)

Pesci

- How you encourage him randomly sometimes. Pesci's already having a hard time adjusting to hitman life and constantly being scolded by his brother. At first, when you encourage him, he's stunned, flustered, embarrassed even but in time he starts to feel so much better overall because of it. His stress goes down and he gets more confident and sure of his actions because of your praise.

- How you're kind to the innocent - animals, kids, etc. Since he followed his brother and joined the team, the shock from seeing so much violence in his life all of a sudden left a mark on him. When he notices you being soft to the innocent and helpless while still being a hitman, he starts to heal. His only wish is for you to keep this side of yours so he can keep his too.

- How peaceful you look while sleeping. Again, being in an Italian hitman team is not easy, it distorted any perspective on peacefulness he had before. Seeing you rest without a frown on your face reminds him that there still is peacefulness in this way of living.

Melone

- How you're intelligent enough but don't flaunt it. Sure, he likes good looks but that's not as important as intelligence, any type. Melone is a bit of a sapiosexual, he knows it. If you come up with smart questions during meetings, his attention is immediately on you from that point on until the end of the meeting. Also, if you're genuinely curious about how his stand, Baby Face, works, it only adds to your charm.

- How you pick up on his "di molto" catchphrase. Melone works a lot. I mean A LOT. Besides progenation, he's skilled at finding out hidden info about the target, too. But usually, he does it alone, no one accompanies him and sometimes he can't help but feel slightly ignored. So when you start spending enough time with him to start using his phrases, he starts to feel less alone.

- How you walk. Simple as that. He has been caught many times staring at how some people walk, it's a well-known fact. So if you walk a bit slower and move your hips a bit more intentionally, making it look natural, he's dead. To hell with the mission for a few moments of pure admiration.

Illuso

- How confident you are. You don't need him to hype you up and he won't, but you'll always catch him looking at you with a proud look on his face. However, not everyone can be confident all the time and Illuso knows it very well. When he finds you letting your guard down and looking disappointed with yourself, he'll act right away. He hates seeing you struggle with shallow insecurities as you are just so wonderful in his eyes...

- How you take time to relax. He always insists on you taking everything a bit more slowly, so when you finally do it, he's more than pleased. He likes to see your facial muscles loosen up, causing a relaxed expression. He wishes to see it more often and he wishes for you to prioritise taking care of yourself.

- How you study yourself in the mirror while getting ready. He will use his Stand's ability to enter that mirror's dimension just to look at you from that perspective. This applies to intimate moments as well, just a heads-up. However, his favorite moment to do that is when you're fixing your hair, there's something about it that he finds so damn attractive.

Formaggio

- How you focus on the mission at hand. That, and how serious you look while doing it. Don't get it wrong, he's also focused on the missions but he looks more laid-back, like a natural. He finds it funny and adorable how you look so stern and even suggest him to pay more attention.

- How you always mention Sorbet and Gelato after their death. Everyone knows that Risotto said to forget about it after the funeral to focus on getting back on track as fast as possible and avenging them afterward but to Formaggio, this never felt right. So when you mention a memory from time to time to everyone, his heart feels a little bit lighter.

- How you dance to your favorite songs. He thinks that the majority of members of La Squadra are too stiff and grim sometimes so catching you dancing around alone to your playlist makes him smile. For him, it's like a breath of fresh air. Expect him to join you.

#jojo bizarre adventure #la squadra #la squadra esecuzioni #jjba part 5 #golden wind #vento aureo #la squadra x reader #la squadra headcanons #risotto nero x reader #prosciutto x reader #ghiaccio x reader #pesci x reader #melone x reader #formaggio x reader #illuso x reader #risotto x reader #jjba headcanons #jjba x reader #jjba risotto #prosciutto jjba #ghiaccio jjba #jjba formaggio #jjba melone #jjba illuso #jjba pesci #jjba fanfic

[hayakawalove]

Test of Love (Chapter Four)

All Chapters

Summary: You decide to forgive Suguru, it's too hard -not- to.

A/N: I hope you guys are enjoying it so far! I really can't wait to start writing nasty smut for this fic. I really appreciate the comments!

CW: Fem Reader, AFAB Reader

W/C: 5,098

Credit to @benkeibear for the banner

Your class was running you ragged. When Maki wasn’t yelling at the top of her lungs, you heard Panda breaking desks. Calling it a migraine would be putting it lightly. Your skin prickled at the sight of the second years shoving each other, arguing about something or the other. You loved being a teacher, you really did, but damn if they didn’t make it hard sometimes. You plaster on a fake smile and grab Maki and Panda by the scruffs of their necks, digging your fingers in tighter the more they wiggled in your hold. 

“Stop fighting before I tie you to a tree and leave you to make up with each other.” You try to contain your anger but it leaks out in every syllable. 

“She started it!” 

“Why would I stop when-“ 

Your feet are moving before Maki can finish her sentence. You loved them to death but they were always doing something to rile you up. It wasn’t on purpose, hopefully. Panda was just Panda and Maki was just Maki. 

The harsh heat of the sun beats down on your skin as you fasten the rope across their bodies. Panda looks deflated as he sits on one side of the tree while Maki is holding back a snarl on the other side. 

“When I come back the both of you better have figured something out and apologized to each other.” You step away and admire your handiwork. 

“I’m better sure that qualifies as child abuse.” Satoru walks up to you, looking towards the tree. 

“Yeah, well, everything we do counts as child abuse.” 

Plus you weren’t doing it to hurt them. If anything you were doing it to help them. Especially Panda; Maki looked as if she was two seconds away from tearing him limb from limb. It was something she could’ve, and would’ve, done. You definitely didn’t want to have to be the one to explain that to Yaga. You were not about to be put on trial for negligence. 

You face Satoru and feel a different type of heat crawl up your cheeks. Memories from the night you spent together flood through your brain. His tongue dragging on your skin, teeth sinking into your flesh, it was hard to focus on what he was saying as you stared at his beautiful pink lips. 

Satoru says your name, jutting his face closer to yours. The close proximity causes your heart to stutter as you turn your head, unable to look him in the eye. 

“Are you even listening to me?” 

His cologne overwhelms your senses. Cedar wood and pine. There’s butterflies in your stomach as you put on a brave face to look towards him. When you turn to him he grins, dropping his eyes to your lips before back up again. 

“You weren’t listening. Maybe you just want me for my body.” Satoru teases, before stepping away to his full height. 

“Well I certainly don’t want you for your personality.” You quip, feeling the temperature drop back down once he wasn’t invading your privacy. 

“You and Suguru are so cruel to me.” Satoru feigns disappointment. 

At the drop of the black haired males name the space between you two falls silent. You hadn’t spoken about him in several days, not since the night Satoru and you shared. 

Satoru’s the first to break the silence. 

“Have you talked to him yet?” 

You were sort of dreading that question. Because the truth was, you hadn’t talked to him. You didn’t know how. There wasn’t a rule book for this situation. Were you supposed to reach out first? It appeared like he was stepping back to give you breathing room, but you didn’t want breathing room anymore. You wanted to be suffocated by him. 

“No.” You speak under your breath, looking away again. 

You can tell Satoru understands. Whether or not he agrees with you is still up for debate. He appeared unbothered by the situation. It seemed like he thought the whole thing was funny, which you couldn’t really disagree with. It really was absurd, wasn’t it? Plus, you had a hard time believing much would cause a real fight between the two. Sure, they bickered, but you knew true fights were few and far between. 

Satoru hums and follows you back to your classroom. His students were out on a mission. Yuuta and Inumaki  had just left, effectively freeing up your schedule. There had been no word of the recent attacks lately, it appeared like the new strategy that Yaga came up with was working. For now, at least. 

“For what it’s worth, he won’t stop talking about you. It’s even starting to annoy me, and I’m the annoying one.” Satoru speaks and sits on a chair in front of your desk. 

You make yourself comfortable behind the table, getting your things ready to go. 

“I’ve never seen him so distraught before.” Satoru goes on, grabbing one of your desk decorations, fiddling with it before you snatch it from his hand. 

“Why is he the distraught one?” You ask, trying to not pay attention to the churning feeling in your gut. 

Satoru shrugs and kicks his legs up on your desk, ignoring the dirty look you give him. You couldn’t tell if he was trying to piss you off. 

“Good question. Probably because the guilt is destroying him from the inside out. Or something.” 

Satoru was dramatic. 

Even so, part of you believed what he was saying. 

You sigh and cross your arms on the desk, laying your head down. Suguru was nice, there was no doubt in your mind that he felt bad for what happened. At first, you enjoyed it a little bit, knowing that he felt bad because what he did was wrong. But that turned into guilt. You weren’t sure which of you was more remorseful now. 

“If he had it his way he would be smothering you. He’s like that, you know. But he respects space so he isn’t going full mother hen on you yet. Although the second you come around he definitely won’t hold back again.” 

You tap your forehead against your arms several times. Smothering you, huh? You’re reminded of the actions he did on your date, the ones that struck you as parental. It would make sense if he was overwhelming. Not that that was a bad thing. 

You almost had to laugh, the two men were so opposite. Suguru was overwhelming on the inside but tried to hold back, while Satoru was overwhelming on the outside, but was more reserved the closer you got. 

“Where do I even start, Satoru?” You peek out over your arm, catching a glimpse of a smile when you say his name. 

It was still taking you time to get used to it, but you liked the way it rolled off your tongue. 

You liked his name. 

“Don’t know. Whenever I piss him off I just annoy him till he gets over it. He doesn’t piss me off very much so I’m not sure what I’d do. But you could just start over with him. A redo.” 

A redo? 

You think about the idea for a moment before you hear your name being called from the courtyard. Satoru remains seated as you stand up, making your way towards the doors. Maki is yelling at you but you’re having a hard time hearing her. When you get closer, you see that the two of them look much more calm. Maybe it was a bit harsh, but it worked. 

“We forgave each other, can you let us go now?” She yells. 

You crouch and begin working the knot, thoughts floating back to Suguru. 

After work, you should do something after work. 

When you stand back up you stagger behind your students, head in the clouds as you think about Suguru. Pink covers your vision as flower petals dance to the ground in front of you. The splash of color reminds you of the butterfly wings you saw with him. It was such a magical date, you truly hadn’t been on anything like it. 

The door slams behind you as you enter your classroom and you feel your heart sink. Satoru had left. It was a shame, you were enjoying his company. You couldn’t be that upset, though. He was constantly being dragged away for missions. You needed to leave soon anyway, so you tried not to let it get to you.

~~~

The sun blurs your vision as you make your way to the old bookstore. You planned on stopping in after work to gather your thoughts before heading to Suguru’s (and Satoru’s). You find you always did your best thinking when in the confines of the book shelves. An overwhelming smell of old paper and black ink hits your nose as you walk through the threshold. It was quiet today, everyone was probably enjoying the nice weather outside instead of staying in to read. 

You wander the halls and find yourself down an aisle, looking for a specific book. Your eyes glaze over the different titles until you find the one you’re looking for. ‘In the beginning’. It was a book Suguru had told you about over text late one night. He said it wasn’t nearly as good as the one you were reading previously, but that it was still decent. You wrap your fingers around the spine and pull it out, clutching it in your hand while you go to your favorite seat. 

It was the same seat that you had met him in. You plop down and open the book, turning to the first page. You allow the words to whisk you away. 

The space around you is completely silent, save for the sounds of the fragile paper between your fingers. You don’t notice a man walking up to you. 

“That’s a good book.” A voice softer than silk reaches your ears.

Hold on.

You know that voice. 

You tear your eyes from the page to see a man standing in front of you. Hair deeper than obsidian and an angular face tilted down towards you. 

Suguru. 

“I think so,” you attempt to keep your voice steady. 

You’re reminded of your first meeting with Suguru in the cozy building. 

“I’m sorry, I didn’t mean to interrupt, I just saw the book you were reading.” 

“It’s okay, in fact someone recommended this to me.” 

His lips twitch into a slight grin as you play along with him. A redo, Satoru’s voice plays back in your head. 

“Is that so?” He questions, sitting on the chair across from you. 

The same chair he sat in when you met. 

“Yeah, the guy has really good taste.” 

Suguru’s mouth parts as his tongue drags across his bottom lip, the action slow, vaguely reminding you of the night you saw him last. 

“What’s your name?”

You say your name, watching as his eyes glisten at the sound. 

“You have a pretty name.” His arms rest lazily on the chair, tendons littering his hands. “My name is Suguru.” 

There’s butterflies in your stomach now, just like the butterflies you saw with him at the observatory. The discussion feels like a carbon copy of the initial one you had, minus your feelings. Back then, you were nervous. But now, you were only giddy. 

“What is it you do for a living?” He asks. 

“Actually I’m a teacher.”

“Really? I’m curious if you know my boyfriend. His name is Gojo Satoru.” 

Your face cracks into a grin as Suguru opens himself up. In addition to him revealing Satoru, you could also see a wave of blue surrounding his form. Cursed energy. 

“I do, for better or worse.” 

Suguru lets out a chuckle at your words, crescent eyes locked closed as his chest rumbles. His laugh was soothing. 

You were so glad he came up to you first. Even though you were planning on going to his house after this, you still weren’t sure what you were going to say. Obviously he would know what to say. The world around you disappears as your gaze focuses on Suguru. 

It was comforting to be around Suguru. It was hard to be without him, even if you hadn’t known each other that long. 

Even though you enjoyed Satoru, and you really did enjoy Satoru, it felt right to have the two of them balance each other out. 

“I hope I’m not coming off too strong, but would you be interested in going out?” He asks. 

Yes, yes, a hundred times yes. 

“I don’t know, would your boyfriend mind?” 

“Something tells me it wouldn’t bother him.” 

You grin. 

“What’s your number?” You say this, knowing full well his contact is already in your phone. 

He reads it to you and you go to his contact, finally saving it under his name. You read your number out to him, no doubt in your mind he already has it. 

“I’m looking forward to it.” He slides his phone in his pocket. 

You watch as he departs, until you can no longer see him. You should be getting home too. 

~~~

Your feet hit the pavement as you start your walk home. You were relieved that Suguru reached out to you. You were hoping he would text you soon for details about the date. You wondered what the two of you would get up to. The last time you saw him things got heated very quickly. It felt like things had reset though, and you were glad for it. You wanted to do things right this time. 

Although you didn’t want to forget everything that happened.

Suguru’s laughter, smell, and the way his voice sounded pressed up against your ear filled your mind. 

You see a single butterfly overhead, a rare occurrence for the bustling streets of the city, and you stop in your tracks. 

You couldn’t wait for him to text you. 

Your feet move before you have a say, and you’re running to Satoru and Suguru’s apartment. You were still by the bookstore, so it would have been faster to catch a cab, but you weren’t thinking straight. 

You had wasted time being mad at him. You needed to see him again. All rational thoughts leave your head.

You stop running after thirty minutes, once their tall building stands before you. It was a bit daunting. You force yourself to step inside the building, and goosebumps immediately crawl over your skin. There was a sheen of sweat layering your forehead and your hair was a crumbled mess. The attendant eyes you, only looking away when you meet her gaze. You looked crazy. You almost thought about turning right back around, the absurdity of the situation hitting you like a freight train. 

No, you were here and you were going to do this. 

Your feet make their way to the elevator, and you thank god when it opens and there’s no one inside. You feel antsy as the elevator carries you to their floor, mind flailing as you try to come up with something to say. 

I know we just saw each other, but I want to see you again. 

What if he wasn’t home yet? That would be awkward. 

You walk towards their apartment, your fist knocking the door once you reach it. 

You’re still out of breath as the door creaks open. Suguru’s standing there, brows raised in surprise as he looks down at you. 

“Who is it?” Satoru calls from behind. 

Suguru says your name, watching as you breathe hard. 

“You here for part two?” Satoru says, a playful tone filling his words. 

Suguru’s face scrunches up as he looks behind him before turning back towards you. 

“What’s up?” 

“I want to talk to you.” You pant. 

Suguru steps out, closing the door behind him to gain some semblance of privacy. You knew Satoru probably had his ear pressed against the door, if there was anything that bugged him it was not being privy to some information. 

“I’m sorry for overreacting to what happened. I was stupid. And I just wanted to know if you wanted to go on a date soon, like tomorrow.” Your words rush out, watching as an indecipherable expression lights up Suguru’s face. 

He stops you, placing a finger underneath your chin. He tilts your face up and plants a kiss on your lips. 

“I would love to go out tomorrow.”

Your hands grip his shirt, biting your cheek as relief washes over you. 

~~~

When you meet Suguru for your second first date it was dusk. A pink orange hue had settled over the city, the bustling metropolis more quiet than usual. The sky reminds you of cotton candy and your thoughts drift to Satoru, his sweet tooth making a smile break out on your face. 

“What’s got you smiling?” Suguru breaks you from your trance when he reaches you.  

You look up at him, eyes trailing down his unwavering figure. His hair was half up half down, and he wore lazy clothes with a jacket. You liked this look on him. 

“I was just thinking of Satoru.” 

Suguru stops short in front of you, offering his arm up. You graciously accept, threading your elbow around his. A smile quirks on his lips as the two of you start off. 

“Thinking of another man on our date?” He’s poking fun at you. 

You nudge him with your shoulder, and your ear picks up on soft laughter escaping his lips. The two of you decided on dessert, agreeing that you deserved as much after a long day of work. 

Your feet carry you down a sidewalk until you reach a small dessert shop. Cakes, cookies, and ice cream were advertised on the windows, the thought of it making your mouth water. 

It’s relatively slow when you step inside. There’s several families and a group of friends, but all of them are keeping to themselves. The sweet scent of sugar fills your senses, fueling the excitement that was beginning to boil in your stomach. It seemed like such an odd place for him to take you. Honestly, it was more fitting for an idea for Satoru to pitch, not his black haired counterpart. 

You stroll up to the counter, eyes the size of the moon as you glance down at the display of sweet treats. The cakes were looking the most appealing, so you decide on that. You lift a finger up to point to a triple chocolate cake, your body shimmying slightly as the worker slices you a piece. You think you see Suguru out of the corner of your eye watching you, but you decide not to say anything. There wasn’t much of a point in getting embarrassed in front of him, he had already seen so many sides of you. Suguru requests a slice of vanilla cake and pays, shortly following you to a table in the back of the shop. 

You don’t feel nearly as nervous as you did when you had your first date. There was already this calm understanding between the two of you (something that probably happened after you grinded against him in the club). 

The two of you talk about your days, the conversation flowing just as easily as it did whenever you talked to Satoru. Suguru told you he was off today, and spent most of the morning cleaning his apartment. 

“I was a bit surprised you didn’t reach out first, Satoru said you tended to be smothering.” You laugh to yourself, sliding your fork through the cake. 

It tears like paper, the texture moist and fluffy. Homemade chocolate icing decorated the outside, spirals printed into the cake. 

“Did he?” Suguru asks rhetorically, crossing a leg over his other, taking a bite of his dessert. 

“He did. Although I’m a bit surprised. I would have thought he would be the smothering one, just based on his personality type. But at times he seems a bit guarded.” 

Suguru remains quiet as you speak, his eyes remaining downcast as he thinks. 

“He is. He just isn’t used to opening up around people. From what I hear though, he has no problem talking to you.” 

You dig your teeth into your bottom lip and grin, dragging the fork to your mouth. The dessert melts onto your tongue, tainting your lips brown. 

“I would like to think so. I mean, he’s not always guarded. He told me he gets needy after-“ you stop yourself, staring into your cake. You drag your eyes up and see Suguru watching you, an intrigued look on his face. After looking down once more you finish your sentence. “Sex.” 

Suguru’s brow lifts as his eyes stay steady on you. The hair on the back of your neck raises. 

“When’d he say that?”

Your eyes are glued to the table in front of you as your body heat rises twenty degrees. When did it get so hot? You can feel Suguru’s eyes staring into you, no doubt trying to read your mind. You’re really glad he can’t, because if he could he would see your night with Satoru replaying over and over. 

It wasn’t that you were afraid of telling Suguru you and Satoru had sex (sort of), he knew you were also seeing him. Hell, he almost had sex with you first. So why did it feel like you were caught red handed? 

“Oh um, a couple days ago.” 

Suguru’s head tilts as he continues looking at you, obviously not satisfied with your answer. You feel a bit like a mouse, with Suguru seeming like a cat who had his gaze set on you. 

“How’d that come up?” 

Surely he was fucking with you. He knew exactly what happened. Satoru must’ve told him, right? The fucker couldn’t keep anything to himself, you wouldn’t be surprised if Satoru bragged to Suguru as soon as he could. 

“When we,” you fiddle with your fingers, unable to meet his eyes. 

You were an adult for Christ's sake, so why did you feel so small under his gaze? 

Those fucking eyes of his. 

Suguru lets out a chuckle and raises his fork to his mouth. Your chest feels lighter at the break in tension, your shoulders sagging in relief. He takes one more bite before pushing his plate towards you. 

“Come on, try it.” 

You look up at him and grin, grateful he was letting you off the hook. You pierce your fork in his cake, dipping it in your mouth. The vanilla compliments the chocolate well, the mixture making your eyes roll to the back of your head. 

“You can have the rest of it. If not, I’m just gonna give it to Satoru, he practically begged me to let him join us but I told him you weren’t ready for that yet,” Suguru rests his head on his hand, watching you eat. “You aren’t, right?” 

That is what you told Satoru. You wanted to take it slow, and enjoy your time with each man separately before diving head first into a polyamorous relationship. You probably should wait, it was already overwhelming to spend time with them one at a time, you weren’t sure how you would be able to handle both at once. 

You did, however, know you wanted to. 

“Yeah, not yet at least. I do want to, it’s just,” you cut yourself off. 

How are you supposed to tell him that both of their presences make you feel like you’re drowning? 

“I get it.” Suguru’s voice soothes you. 

Of course he would. You remember what Satoru had to say about Suguru. Nice and understanding. They were the same words you would use to describe him as well. It was sort of weird, though. For years you had heard small bits about this man through Satoru or Yaga. 

You knew he would sometimes snore when he was starting to get sick. You knew he was smarter than Satoru in all subjects besides math and science. You knew what his breakfast order was. But you just had never known him. You never knew what he looked like, how he smelled, how your name sounded off his lips. 

But now you did. And you were so grateful. 

You nudge the plate forward back towards Suguru, feeling as though your stomach may burst. There were several bites left, and you were sure that Satoru would chide Suguru for not leaving him more. 

“I can’t eat anymore, you might just have to roll me out of here.” You rub your hand across your stomach, leaning back into the chair. 

Suguru smiles at that. You’ve decided you really liked his smile. 

It’s dark when the two of you step outside, a cool breeze causing a chill to run up your spine. You shiver, an action that doesn’t go unnoticed by Suguru. He shrugs off his jacket and carefully drapes it over your shoulders, and moves a piece of hair out of your face, sliding it behind your ear. Smothering. The word runs through your mind again. Suguru was doting, that much was obvious. But you could see how it may come off as overbearing. You wouldn’t mind being smothered by Suguru. You doubt Satoru minded it either, in fact you were sure it must have contributed to the reason Satoru was a spoiled brat. 

“Let’s get you home, yeah?” He squeezes your hand. 

You rest your head against his arm as the two of you walk back to your house. You had only gone out to eat, yet somehow it had felt magical. Not only did it feel magical, but it felt normal. You liked that about Suguru. Being with him felt like you were in a fairytale, and at the same time you felt like an ordinary girl. You never spoke about work with him, he allowed you to just be. 

Not that you hated that about Satoru. In fact, you quite liked it. It was nice having someone who understood you and the work you were doing, someone you could bitch to whenever Yaga got on your nerves. They really did balance each other out well. 

The moon lights up your path as you walk besides Suguru, the low sounds of the city a low buzz in your ears. It was never quiet here. You didn’t really mind it. You probably would’ve been paranoid if it was quiet. Anytime you had a mission in a small town it felt like you were waiting for something to jump out at you. 

You decide you want to hear Suguru’s voice some more. 

“Hey Suguru?” 

He hums, eyes flickering down at you before returning to the sidewalk. 

“What do you like about Satoru?” You’ve been meaning to ask. 

For years you heard Satoru talk about Suguru, so you were interested in hearing what the other man had to say. 

Suguru stops and looks around a bit dramatically. He’s looking at the bushes that line the pavement, and over the parked cars. 

“What’re you doing?” You stop and watch him. 

“Seeing if Satoru’s hiding somewhere. Did he put you up to asking that?” 

You start to laugh, your hand coming up to cover your mouth. You close your eyes as you chuckle. It really is something that Satoru would ask. 

When you open your eyes you see Suguru looking down at you, watching as you laugh. Your heart skips a beat at the way his eyes shine in the moonlight. A soft smirk is painted on his face while he looks at you. 

“No, no he didn’t. I just wanna know. He’s talked about you a lot, you know.” 

Suguru dips his head and turns forward again, starting to walk. You follow after him and look up, watching as he talks. 

“He’s just Satoru. It’s hard to explain. He’s annoying, noisy, cocky-” Suguru lists off. 

“Pretty sure I asked what you like about him.” You stop him. 

“-but he's also intelligent, funny, and caring. He cares so much for people, even though he has a weird way of showing it.” Suguru uses a tone you've never quite heard him use before. 

“I never really felt understood by people. I come from a family of nonsorcerers, so for a while it just sort of felt like I was the only one who existed. I love my family, but they never really understood me, still don’t.” 

You come from a family of nonsorcerers too, so you knew the feeling all too well. You were so damn lonely as a kid. 

“And then when I met Satoru it was like my world shifted. Not only was he a sorcerer as well, but he was the strongest one. Or, on track to become the strongest one at least. I didn’t feel alone anymore. And I haven’t ever since.” 

You feel weightless at his words. The love the two of them had for each other was unbreakable. The kind of love you could only read about, the kind of love you weren’t sure really existed until now. 

Your heart aches at the possibility of them loving you in the same way. It was something you had dreamed about since you were little. They might not love you in the exact same way, but they might love you just as much. You begin to feel dizzy at the prospect. 

Your apartment comes into view and you feel a little sad that your date was over. You would be seeing him again, you remind yourself. 

“Don’t tell him I said any of that, though. His head is big enough as is.” Suguru murmurs. 

You laugh and agree. Satoru would not shut up if you told him what Suguru said. Something told you that Satoru knew how much Suguru loved him, though. 

Your feet stop as you reach your apartment. Suguru faces you and smiles as you begin to take off his jacket. 

“Keep it, what if your apartment is cold too?” 

You bite back a smile, wrapping it around you once more. He wanted you to keep it. 

“Smart, I wouldn’t want to catch a cold in my house.” 

“I would never forgive myself if you did.” 

Suguru’s eyes lock with yours. He leans down to place a kiss on your forehead. Warmth blooms across your skin, crawling down your body. He pulls back and pushes his lips against yours, the taste of him seeping through you. He tasted like vanilla. 

Your eyes flutter open when he steps away. You tug his jacket around you tighter, waving as he turns to go home.

Those two boys were going to be the death of you. 

Tag List: @tojislittleprincesss, @dinolvrrr, @kimi01985, @constawrites, @spookysoowpprince,

@reosnagi, @faerie-soirxx, @platrom, @oownowonwoo, @megumisdivinedogs,

@sakui1, @maskedpacific, @riri-twix

If you want to be added to the taglist just let me know, and specify if you only want to be on the taglist for this fic or all my works

#my writing #suguru x reader #suguru geto x reader #geto x reader #suguru x you #suguru geto x you #geto x you #gojo x reader #gojo satoru x reader #satoru x reader #gojo x you #gojo satoru x you #satoru x you #gojo x reader x suguru #poly satosugu #jujutsu kaisen x reader #jjk x reader #jujutsu kaisen x you #jjk x you #jujutsu kaisen #jjk

[dangans-ur-ronpas]

saw ur vents abt dungeon meishi and while I haven’t read the series yet or watched the anime I have seen bits and pieces and already saw the blowup scene where Toshiro attacks Laois and like. even I with zero context didn’t totally hate him. It sucks majorly that it had to happen but like. Toshiro is going through his own shit and plenty of other characters ALSO don’t like Laois! I think people just see that scene and project the amount of times that’s happened to them with someone in real life, which like. I get it. I’m autistic and reading that scene hit like a gut punch bc it was something I had experienced directly in real life: trying to be friends with someone, thinking you are friends, only for them to reveal one day that they couldn’t stand you and hated your guts from day one. You wonder why the fuck they pretended and let you hurt even worse than outright initial rejection. You wonder why they’d put themselves through enduring you. It makes you feel like you can’t trust anyone, makes you feel like utter shit. I 100% get why it bothers people. But you can’t project real life people you experienced onto this character that does not align at all except for this one moment. Also knowing about the author, she probably put that in on purpose as commentary for how autistics in Japan generally have to go through shit like this bc of the way their social culture is. She’s made plenty of autistic commentaries before, I doubt she stuck that scene in there for no good reason. The fact that Toshiro kept quiet and didn’t say anything until he couldn’t take it anymore is VERY indicative to me of the ways Japan’s typical social system is a struggle on all sides. Not to say these are problems unique to Japan, but the nuance needs to be understood. Toshiro isn’t being a dick just for the sake of it. I want to read it sometime so I can better understand the guy, but I don’t want to hate him based on one scene where he was an asshole. Laois is an asshole plenty of times himself, being very overtly written as autistic doesn’t absolve him from the responsibilities of being an adult.

TLDR: People tend to infantilize Laois and demonize Toshiro, which comes down to the prejudices preconceived for both of them: people see Laois, as an autistic man, as an innocent sweet guy who needs to be protected. They see Toshiro, as an Asian man, as someone who should be “polite and honorable” or whatever and are appalled when he acts like a fallible human being and not some appropriation of a fictional romanticized samurai. I understand feeling betrayed and angry seeing a character be a genuine asshole about something (social expectation does not completely absolve Toshiro of his own antagonizations however much of a reason he had) but when it’s so damn one sided, and especially in a series where almost NO one is without complete asshole qualities that round them out, I find it kind of gross that people hate on him for that. Anyway. Just wanted to send a message of support and understanding. Hopefully after I read more I can offer more analysis to corroborate with you on.

100% CORRECT thank you anon

i also understand the people who are sympathizing with laios bc that scene is very easy to relate to for many autistic or otherwise neurodivergent people (i also got a cold sweat when i was watching it bc. like. having someone you thought was a friend straight up tell you there are parts of your behavior that they can't stand is one of the worst things to experience of all time, ESPECIALLY if you were only showing that behavior around them bc you thought they were your friend and you trusted them) but it's so frustrating seeing so many people have such shallow opinions about toshiro bc of it. im on hands and knees begging people to consider the characters in three dimensions and/or develop better reading comprehension because like!! toshiro's official meeting with laios's new group literally leads with 'oh his name is actually toshiro and we never knew bc our leader had a misunderstanding and microaggressed him and he was too polite to correct him' laios is not an innocent party here!! he is not an innocent uwu autistic baby he's a grown adult man with responsibilities, in that whole time he was partied with toshiro he never learned his real name!! plus using toshiro's crush on falin as a reason to hate him, falin's adolescence was spent in a school and a social setting where she was expected to mask + her being a girl also means she is expected to mask by default -> she is better at masking than laios so why are people saying that toshiro hates laios for the same traits in falin bc clearly not?? also saw one person saying 'he only likes falin because she's hot' NO HE DOES NOT HE WOULD NOT RISK HIS LIFE HEALTH AND RETAINERS IN A DUNGEON ON A FOREIGN CONTINENT FOR THE SAKE OF A WOMAN HE ONLY THOUGHT WAS SEXY!!! PLEASE PLEASE PLEASE DUNMESHI FANS THINK WITH YOUR BRAAIN

the whole fight he had with laios where laios points out that their party is more serious about finding falin and resolving everything also drives me nuts because i've seen at least one take saying that toshiro doesn't care about falin as much as team laios because of this. which yes the fact that team laios understands the importance of health in pursuit of a goal is very very important but for many cases in east asian culture (and actually any culture with emphasis on capitalism and economic growth) productivity will get valued above all else which leads to neglect of personal health, i.e: what toshiro was doing. so this is just a clown take to begin with

also interesting to me that almost every character in dunmeshi thus far has demonstrated some kind of racial bias/misconceptions (i.e: chilchuck about elves, senshi about half-foots, etcetera etcetera) and laios and falin are no exception. race and racial differences and conflict and coexistence is also one of the underlying themes in dungeon meshi, with the elves of the west being considered a major issue to many dungeon-goers and the mayor hating dwarves and having to contend with those elves, and then marcille's motive for studying black magic and even thistle's motive for being the dungeon keeper. so it's real fucking ironic that the fans are really quick and happy to demote toshiro to 'asshole side character who is bullying our autistic rep' instead of, you know, using nuance and thinking about it

tldr; dungeon meshi has great commentary on what it's like as an autistic person in society. but dungeon meshi fans are too quick to write off toshiro as an asshole japanese guy who is ableist and getting in the way of their white woman yuri, therefore helping to promote this website's enduring legacy as the piss-poor reading comprehension website

#dungeon meshi #asks #i thought this might happen when i heard dunmeshi was getting an anime adaptation but that doesnt make me feel better abt being right #i watched the ep last night with some friends and one of the first things out of their mouth during the laios-toshiro fight was 'i hate him #and i get it bc both of us had bad experiences being neurodivergent in a shitty american suburbia town #but also like. damn girl!! already???

[spectres-n-soap]

One Step Forward, Three Steps Back - Ghost x You x Soap

Content Warnings - pregnancy, afab!fem!reader, panic attack

Series Masterlist

Main Masterlist

You look at yourself in the mirror, you feel different. You feel like you’re getting better and you have expressed this to Dr Miller, told him how you think you’re starting to get better.

He had smiled at you, congratulated you but also warned you that healing is not linear. Much like an old scar, sometimes it’ll ache and you might find yourself hurting all day. You, being a soldier with a few scars that did happen to ache some days, took this like cough medicine. You knew that healing wasn’t linear. How many times have you broken something or needed stitches? You knew that healing was never as easy as it sounded. But today, you felt good. You’ve been feeling good all week despite the anxiety at the back of your mind, like a predator readying itself to strike at the unsuspecting prey. But you suspect it and therefore aren’t prey. You aren’t prey.

Simon peaks his head into the bathroom, checking on you like a mother hen. Last week, after returning home from dinner, you hadn’t just taken a step forward. You felt like it was a giant leap.

”You can sleep in the bed.” You murmured, finding it hard to meet his eyes when you said it.

”You’re not taking the couch.” Simon said gruffly and you cannot help the way your eyes rolled.

”No you wanker, I mean with me.” You huffed, annoyance washed away any sense of apprehension about offering this to him. You had been feeling bad about him sleeping on the floor next to you just so you could hold his hand on nights when you find it hard to sleep. Which seemed to be every night when you weren’t holding his hand.

Simon clutched the steering wheel of the vehicle, his knuckles nearly go white. You don’t notice it or pretend not to. He can’t tell, not when he has to focus on not crashing the car from the shock of you saying that. Finally he manages to speak again, “Okay, if that’s what you want.” He was not shocked to see you had put a pillow wall between him and you. He expected and found it surprisingly easy to settle into bed.

You smile at him, a thing that you feel like you’ve been doing more often. Yesterday you had smiled so wide your cheeks had hurt when Simon had brought home your favorite takeout while you had taken a short nap on the couch. “You sure about this?” He asks again and you roll your eyes with a smile.

”You sound like a dad.” You tease as you walk past him and grab your slip on shoes. “Yes, I’m sure. It’ll be good for me, even my therapist says so.” You comment as you slip the shoes on with a little more trouble than normal. You frown just a little, your feet have become more swollen. God damn it.

”I’m just making sure.” Simon says as he grabs your purse and hands it to you. “You’ll call me if you need me, right?” He asks and you can see the worry in his brown eyes. Genuine worry for you and you pat his bicep reassuringly.

”I will Simon.”

The group is nice. Although most of the women are a little less far along as you, they welcome you in with open arms. People discuss names for their babies, the genders and how excited or nervous they are. One woman, a pretty woman named Linda who is closest to you in terms of months, immediately brings you into her small group of women. They chatter and blessedly, don’t try to pry into your life. They don’t ask about your husband or the gender of the baby, the only thing they ask about is the name.

Your cheeks turn warm when you admit you hadn’t looked into any baby names yet. Linda gasps, jokingly, and offers you her baby name book, saying “I’ve already got my baby girl’s name picked out. I’ve had my eye on it since I was a little girl. I read it somewhere. Ophelia, how pretty of a name is that?” You smile and agree that it's a beautiful name. For once, you wonder if the baby is going to be a boy or a girl.

Everyone settles down when the teacher(?) starts. She goes over some things that every parent needs to know once the baby is here. How to make a bottle of milk, how to change a diaper, how to help get the baby on a sleeping schedule so you don’t go insane from lack of sleep and resources for postpartum depression. The class, overall, is wonderful. Most of the stuff you knew about but you have a feeling half of the reason for these classes is to know you aren’t alone and to make future new moms.

You’re walking up to Linda with the intention to give her your number so the two of you can text about the struggles of being this far along in a pregnancy. How achey your feet are or how your favorite foods seem to have been ruined. You stop dead in your tracks when you see her husband, it must be her husband since you saw the ring on her finger, come up to her.

All the warmth in the room seems to be sucked out when you see him. Messy brown hair, a bright and mischievous smile with a matching set of bright blue eyes that remind you of those springs in Florida that somehow keep getting advertised to you despite living in the UK.

He looks exactly like Johnny. So much like him that for a moment you think it is him until reality comes crashing down, you watch him smile down at her and kiss her tenderly. Your stomach lurches and your eyes burn, breathing becomes a struggle as you turn on your heel and rush towards the bathroom. You shut the door and lock it behind you, ignoring anyone who tries to talk to you and throw up into the toilet. You retch up your breakfast and that little fruity drink you had grabbed on the way here. Hot tears run down your face as you heave up everything in your stomach and then some.

You fall back, the taste of bile in your mouth only adds to whatever is happening as you sob. You grab at your hair as you cry and wonder what is going on. Why is this happening? Why now? You were doing so good! What did you do wrong? You should have never left the house, should have listened to Simon and stayed home.

Simon.

You fumble in your bag and shakily unlock your phone, immediately finding his contact in your phone and calling him. “Simon.” You sob into the line and he immediately knows.

”I’ll be right there luv, stay on the line with me yeah?”

”Okay.” You warble out as you struggle to breath past the sobs that shake your entire body.

”You got to breathe luv, can you do that for me? In, hold for three, out.” Simon talks you through it on speaker as he immediately begins to drive to you.

#john soap mactavish #john soap mctavish x reader #john soap mctavish x you #call of duty #cod #soap #simon ghost riley #ghost x reader #mw3 spoilers #thyh #simon riley x reader #simon riley x you #ghost x soap x reader #ghost x y/n #simon ghost x reader #ghost x you #thoyh

[i-guess-im-into-this-now]

The Apothecary Diaries

S1E16 First Watch

Here's where I watch The Apothecary Diaries for the first time and give my thoughts, analysis, predictions, and occasionally I stumble into a joke.

To start at the beginning:

Episode 1

My character/locations cheat sheet

Suiren - Jinshi's attendant

Lakan - mysterious officer

Basan - an officer who works in the palace

Jinshi is deeply divided on whether he should have allowed Lakan access to Maomao. He's going to feel pretty guilty if things go badly.

Jinshi explains the details of the case of the metalworker's estate to Maomao. She's always interested in a mystery.

Jinshi: What's with all the sudden enthusiasm?

Dude is asking a question he knows the answer to.

Solving mysteries is where Maomao shines. Jinshi knows this better than anyone. It's one of the things that knocked him head-over-heels for this lady. But he's a little ticked at how easily Lakan was able to hook Maomao's interest. Lakan who hasn't even met Maomao yet, knew exactly how to lure her out. Perhaps Jinshi was hoping that Maomao would refuse, and release him from the deal he made with Lakan. Why did he agree to this? Jinshi is supremely uneasy with all of it.

As the conversation progresses Jinshi takes a more comfortable position on the couch, no longer bothering to behave as a proper palace official or even an employer in front of Maomao. Rather his pose is more like the casual sprawling one might do with family or friends. Jinshi is so persistent in how he stays open and inviting to Maomao, even in his body language. In this scene, Maomao is kneeling properly at the low table. Her body language is formal.

Lakan had provided an address to follow up with the mystery if it intrigued Maomao.

Maomao: How well prepared. It's like he anticipated this happening.

I do not like this at all. This Lakan is too good at maneuvering Maomao and Jinshi.

Maomao request a day off to look in to the case, and Jinshi is not happy. Not because she's missing work around the residence, but because she walked so willingly into Lakan's well laid plan for her. He's probably also pissed at himself for allowing this, but apparently Jinshi really wants to know the rest of Lakan's courtesan story. Jinshi can't see what Lakan has planned, and he's very worried about Maomao. Suiren is completely fine with Maomao leaving. Smiling and waving? Is she actually happy that Maomao is leaving, or is she looking forward to drowning her in work when she returns? I can't read her yet. I miss Lady Gyokuyou and the Jade Pavilion ladies who were so sweet.

Basan. Another mystery. Damn those golden eyes! Who else had eyes like that?! Maomao said he looks familiar, and he does, but like who? Gaaaaah!

Basan is suppose to escort Maomao on her investigation, and he's still acting like an ass, and I'm still wondering when I can see Jinshi fight him again. Maomao says she can tolerate his bad attitude, since she views him as harmless. That's good, because sometimes with trauma, especially from sexual trauma, aggression can be a trigger. I don't like that she has to just put up with this guy's pissy attitude.

Fuck me, Basan and Gaoshun?! Well a blood relationship between the two at least explains why Jinshi and Gaoshun feel comfortable letting this guy go all around the palace with Maomao. Is Basan a child of Gaoshun or like a nephew or something? Is this going to be enough for Maomao to at least question if Gaoshun is a eunuch or not? No. The answer is no, but she should!

Of course Maomao solves the mystery that was left by the metalworker for his sons. A majority of this episode is spent unraveling this mystery, but as far as I can tell the details aren't important to the larger story, so I'm not going to bother describing the twists and turn of it. Basically we get to see how a father would rather go to extreme lengths to create a puzzle for his sons to try to solve upon his death, then give them words of encouragement or advice while he was still alive. The youngest son tries to reconcile the family by passing on compliments he heard his father say in private and never directly to his children. Maomao wisely bows out of that bullshit, but suggests they seek medical treatment from Luomen if they develop symptoms like their father had.

On the return trip, Basan gives Maomao a considering look. Perhaps he's starting to see how brilliant and capable she is? Maybe he will try to rein in his bad attitude where it comes to Maomao? Or maybe... he will fall in love with her! I don't know why I'm looking for more drama from this show, it's already angsty enough. Even so, maybe a romantic rival would help push Jinshi and Maomao past the standstill they've come to.

Lakan is back. He thanks Jinshi for Maomao's work, which I understand within the context of this show, but it still pisses me off. It smacks of misogyny as it's a subtle way of affirming Jinshi's ownership of Maomao, and demonstrates Lakan's lack of respect for women and servants.

Lakan then goes on to explain what happened sounding far too pleased, like he's already gotten everything he wanted. Jinshi knows all of this is part of a stratagem from Lakan, but what his goal is, is yet unclear. Jinshi doesn't know what happened on Maomao's outing (in his head he refers to her as "the apothecary," here which I find odd). She never reported back about her findings. And maybe that is what has Lakan looking so smug. He's uncovered that truth that Maomao is Jinshi's courtesan in name only. And even though Jinshi may be trying to hide what he feels for Maomao from Lakan, I'm sure Lakan is aware. Maomao is a soft spot to attack or control Jinshi.

Jinshi notes that Lakan is very good at discovering people with talent. And now his attention has landed on Maomao. He talks about the three sons each finding their proper place, and I can't help but think that Lakan believes "finding one's proper place," also applies to Maomao and Jinshi. It's possible that Lakan is insinuating something to Jinshi about him not being in his proper place; perhaps he knows something about Jinshi's true identity. But more likely Lakan is thinking that Maomao is not in her proper place here in Jinshi's residence. Lakan gave her a test and he was delighted by her ability to pass it. Does he intend to remove Maomao from Jinshi's employ? This guy is definitely not done with Maomao.

Lakan: The late metalworker's creations were absolutely remarkable though. There was this simple looking metal piece, that when combined with a ritual utensil... it looked truly magnificent.

I don't know what that thing is, but Lakan's scuzzy look combined with Jinshi's disgust is enough to tell me it's something terrible. What kind of ritual are they talking about here? Jinshi straight up lets us know that this is beneath him. What kind of ritual would be something that someone in Jinshi's position would never use? Jinshi knows that Lakan knows that this is not relevant or appropriate. Lakan so very clearly said it to see how Jinshi would react. And Jinshi is doing his best to hide his thoughts and reactions, but I get the feeling that Lakan can see everything. I can only guess based on the way my stomach feels nauseous watching this exchange that this item is used for something heinous like slavery or rape. Props to the storytellers here for freaking me out. I hope I'm wrong and the horrid thing is a spoon rest.

Lakan: I simply can't abide good talent being kept buried. ... Those who possess genius should receive the appropriate praise and attention.

He's going to take Maomao! Stop him Jinshi!

And Jinshi is actually VERY interested in Lakan's method of decreasing a courtesan's value. Is it that Maomao still owes money at Verdigris House? Is this time now at Jinshi's residence just boughten time, and not the end of her contract? Is this why Jinshi wants to know how to bring her price down? Does Lakan know that Maomao may still have a debt to Verdigris House?! Does he plan to buy out the rest of her time?! Hell no! I won't accept that! What the hell is happening?!

Lakan doesn't want to admit to the fucked up thing he did to that courtesan, so he tells Jinshi to ask Maomao how to reduce her price. This guy is terrible. He told Jinshi his messed up story then left off the part that Jinshi most wanted to know, with a promise to tell him if he could have a chance to test Maomao. Which Jinshi agreed to. When Maomao fulfilled her part, Lakan goes back on his word and refuses to say. Utter trash. And Jinshi let himself be sucked into Lakan's game. I hate all of this.

Then Lakan leaves a beverage for Jinshi's "serving maids," i.e. Maomao. WTF. I am so creeped out by this guy.

Lakan: Farewell. Until tomorrow that is.

Yeah, we're not getting rid of this guy any time soon.

Jinshi collapses the instant Lakan leaves. Yes, Jinshi is going to have to continue to deal with this nightmare who keeps making Jinshi's life difficult, but what is really bothering Jinshi is that he knows he fucked up. Lakan came to see how interested Jinshi is in his concubine, and baited him with his own story about a courtesan. And Jinshi showed him, that he is actually very interested in Maomao. Jinshi also let Lakan take Maomao's measure, knowing this guy has a knack for determining and using such talents. Jinshi is definitely going to blame himself for putting Maomao in this guys sights.

Gaoshun makes a request of Jinshi, that we don't get to hear about, but in the very next scene Jinshi is changing his clothes and asking Maomao to help him with some makeup so is he planning to go out in disguise somewhere? Is he going to visit the annex (one of these episodes will show me what it is!)? What did Gaoshun say to Jinshi? I guess we will find out next time, since that's where the episode ends!

I'm so creeped out by Lakan, but it feels like we are about to get into some plot stuff now, so I'm excited for that.

To start at the beginning:

Episode 1

Next Episode:

Episode 17

#the apothecary diaries #apothecary diaries #maomao #jinshi x maomao #jinshi #jinmao

[thesublemon]

best picture

For the first time in a long time, I watched all of the movies nominated for Best Picture at the Oscars this year. Partly on a whim, partly for a piece I’ve been working on for a while about what is going wrong in contemporary artmarking. I cannot say that the experience made me feel any better or worse about contemporary movies than I already felt, which was pretty bad. But sometimes to write about a hot stove, you gotta put your hand on one. So. The nominees for coldest stove are:

Poor Things. Did not like enough to finish. I always want to like something that is making an effort at originality, strangeness, or style. Unfortunately, the execution of those things in this movie felt somehow dull and thin. Hard to explain how. Maybe the movie’s motif of things mashed together (baby-woman, duck-dog, etc) is representative. People have been mashing things together since griffins, medleys, Avatar the Last Airbender’s animals, Nickelodeon’s Catdog, etc. Thing + thing is elementary-level weird. And while there’s nothing wrong with a simple, or well-worn premise, there is a greater burden on an artist to do something interesting with it, if they go that route. And Poor Things does not. Its themes are obvious and belabored (the difficulty of self-actualization in a world that violently infantilizes you) and do not elevate the premise. There’s a fine line between the archetypal and the hackish, and this movie falls on the wrong side of it. It made me miss Crimes of the Future (2022), a recent Cronenberg that was authentically original and strange, with the execution to match.

Anatomy of a Fall. Solid, but not stunning. The baseline level of what a ‘good’ movie should be. It was written coherently and economically, despite its length. It told a story that drew you along. I wanted to know what happened, which is the least you can ask from storytelling. It had some compelling scenes that required a command of character and drama to write—particularly the big argument scene. The cinematography was not interesting, but it was not annoying either. It did its job. This was not, however, a transcendent movie.

Oppenheimer. Did not like enough to finish. But later forced myself to, just so no one could accuse me of not knowing what I was talking about when I said I disliked it. I felt like I was being pranked. The Marvel idea of what a prestige biopic should be. Like Poor Things, it telegraphed its artsiness and themes and has raked in accolades for its trouble. But obviousness is not the same as goodness and this movie is not good. The imagery is painfully literal. A character mentions something? Cut to a shot of it! No irony or nuance added by such images—just the artistry of a book report. The dialogue pathologically tells instead of shows. It constantly, cutely references things you might have heard of, the kind of desperate audience fellation you see in soulless franchise movies. Which is a particularly jarring choice given the movie’s subject matter. ‘Why didn’t you get Einstein for the Manhattan project’ Strauss asks, as if he’s saying ‘Why didn’t you get Superman for the Avengers?’ If any of this referentiality was an attempt to say something about mythologization, it failed—badly. The movie is stuffed with famous and talented actors, but it might as well not have been, given how fake every word out of their mouths sounded. Every scene felt like it had been written to sound good in a trailer, rather than to tell a damn story. All climax and no cattle.

Barbie. Did not like enough to finish. It had slightly more solidity in its execution than I was afraid it would have, so I will give it that. If people want this to be their entertainment I will let them have it. But if they want this to be their high cinema I will have to kill myself. Barbie being on this list reminds me of the midcentury decades of annual movie musical nominations for Best Picture. Sometimes deservingly. Other times, less so. The Music Man is great, but it’s not better than 8 1/2  or The Great Escape, neither of which were nominated in 1963. Musicals tend to appeal to more popular emotions, which ticket-buyers and award-givers tend to like, and critics tend to dislike. I remember how much Pauline Kael and Joan Didion hated The Sound of Music (which won in 1966), and have to ask myself if in twenty years I’ll think of my reaction to Barbie the same way that I think of those reviews: justified, but perhaps beside the point of other merits. Thing is. Say what you want about musicals, but that genre was alive back then. It was vital. Bursting with creativity. For all Kael’s bile, even she acknowledged that The Sound of Music was “well done for what it is.” [1] Contemporary cinema lacks such vitality, and Barbie is laden with symptoms of the malaise. It repeatedly falls back on references to past aesthetic successes (2001: A Space Odyssey, Singin’ in the Rain, etc) in order to have aesthetic heft. It has a car commercial in the middle. It’s about a toy from 60 years ago and politics from 10 years ago. It tries to wring some energy and meaning from all of that but not enough to cover the stench of death. I’d prefer an old musical any day.

American Fiction. Was okay. It tried to be clever about politics, but ended up being clomping about politics. At the end of the day, it just wasn’t any more interesting than any other ‘intellectual has a mid-life crisis’ story, even with the ‘twist’ of it being from a black American perspective. Even with it being somewhat self-aware of this. But it could have been a worse mid-life crisis story. The cinematography was terrible. It was shot like a sitcom. Much of the dialogue was sitcom-y too. I liked the soundtrack, what I could hear of it. The attempts at style and meta (the characters coming to life, the multiple endings) felt underdeveloped. Mostly because they were only used a couple times. In all, it felt like a first draft of a potentially more interesting movie. 

The Zone of Interest.Wanted to like it more than I did. Unfortunately, you get the point within about five minutes. If you’ve seen the promotional image of the people in the garden, backgrounded by the walls of Auschwitz, then you’ve already seen the movie. Which means that all the rest of the movie ends up feeling like pretentious excess instead of moving elaboration. It seemed very aware of itself as an Important Movie and rested on those laurels, cinematically speaking, in a frustrating way. It reminded me of video art. I felt like I had stepped through a black velvet drape into the side room of a gallery, wondering at what point the video started over. And video art has its place, but it is a different medium. Moreover video art at its best, like a movie at its best, takes only the time it needs to say what it needs to say. 

Past Lives. I’m a human being, and I respond to romance. I appreciate the pathos of sweet yearning and missed chances. And I understand how the romance in this movie is a synecdoche for ambivalent feelings about many kinds of life choices, particularly the choice to be an immigrant and choose one culture over another. The immigrant experience framing literalizes the way any choice can make one foreign to a past version of oneself, or the people one used to know, even if in another sense one is still the same person. So, I appreciate the emotional core of what (I believe) this movie was going for, and do think it succeeded in some respects. And yet…I was very irritated by most of its artistic choices. I found the three principal characters bland and therefore difficult to care about, sketched with only basic traits besides things like Striving and Being In Love. Why care who they’d be in another life if they have no personalities in this one? It’s fine to make characters symbols instead of humans if the symbolic tapestry of a movie is interesting and rich, but the symbolic tapestry of this movie was quite simple and straightforward. Not that that last sentence even matters much, since the movie clearly wanted you to feel for the characters as human beings, not just symbols. Visually, the cinematography was dull and diffuse, with composition that was either boring or as subtle as a hammer to the head.

Maestro. Did not like enough to finish. Something strange and wrong about this movie. It attempts to perform aesthetic mimicry with impressive precision—age makeup, accents, period cinematography—but this does not make the movie a better movie. At most it creates spectacle, at worst it creates uncanny valleys. It puts one on the lookout for irregularities, instead of allowing one to disappear into whatever the movie is doing. Something amateurishly pretentious in the execution. And not in the fun, respectable way, like a good student film. (My go-to example for a movie that has an art-school vibe in a pleasant way is The Reflecting Skin). There’s something desperate about it instead. It has the same disease as Oppenheimer, of attempting to do a biopic in a ‘stylish’ way without working on the basics first. Fat Man and Little Boy is a less overtly stylish rendition of the same subject as Oppenheimer, but far more cinematically successful to me, because it understands those basics. I would prefer to see the Fat Man and Little Boy of Leonard Bernstein’s life unless a filmmaker proves that they can do something with style beyond mimicry and flash.

The Holdovers. Did not like enough to finish. It tries to be vintage, but outside of a few moments, it does not succeed either at capturing what was good about the aesthetic it references, or at using the aesthetic in some other interesting way. The cinematography apes the tropes of movies and TV from the story’s time period, but doesn't have interesting composition in its own right. It lacks the solidity that comes from original seeing. (Contrast with something like Planet Terror, in which joyous pastiche complements the original elements.) The acting is badly directed. Too much actorliness is permitted. Much fakeness in general between the acting, writing, and visual language. If a movie with this same premise was made in the UK in the 60’s or 70's it would probably be good. As-is the movie just serves to make me sad that the ability to make such movies is apparently lost and can only be hollowly gestured at. That said, the woman who won best supporting actress did a good job. She was the only one who seemed to be actually acting.

Killers of the Flower Moon. The only possible winner. It is not my favorite of Scorsese’s movies, but compared to the rest of the lineup it wins simply by virtue of being a movie at all. How to define ‘being a movie’? Lots of things I could say that Killers of the Flower Moon has and does would also be superficially true of other movies in this cohort. Things like: it tells a story, with developed characters who drive that story. Or: it uses its medium (visuals, sound) to support its story and its themes. The difference comes down to richness, specificity, control, and a je ne sais quois that is beyond me to describe at the moment. Compare the way Killers of the Flower Moon uses a bygone cinematic style (the silent movie) to the way that Maestro and The Holdovers do. Killers of the Flower Moon uses a newsreel in its opening briefly and specifically. The sequence sets the scene historically, and gives you the necessary background with the added panache of confident cuts and music. It’s useful to the story and it’s satisfying to watch. Basics. But the movie doesn’t limit itself to that, because it’s a good movie. The sequence also sets up ideas that will be continuously developed over the course of the movie.* And here’s the kicker—the movie doesn’t linger on this sequence. You get the idea, and it moves on to even more ideas. Also compare this kind of ideating to American Fiction’s. When I said that American Fiction’s moments of style felt underdeveloped, I was thinking of movies like Killers of the Flower Moon, which weave and evolve their stylistic ideas throughout the entire runtime.

*(Visually, it places the Osage within a historical medium that the audience probably does not associate with Native Americans, or the Osage in particular. Which has a couple of different effects. First, it acts as a continuation of the gushing oil from the previous scene. It’s an interruption. A false promise. Seeming belonging and power, but framed all the while by a foreign culture. Meanwhile potentially from the perspective of that culture, it’s an intrusion on ‘their’ medium. And of course, this promise quickly decays into tragedy and death. The energy of the sequence isn’t just for its own sake—it sets up a contrast. But on a second, meta level it establishes the movie’s complicated relationship to media and storytelling. Newsreels, photos, myths, histories, police interviews, and a radio play all occur over the course of the movie. And there’s the movie Killers of the Flower Moon itself. Other people’s frames are contrasted with Mollie’s narration. There’s a repeated tension between communication as a method of knowing others and a method of controlling them—or the narrative of them—which plays out in both history and personal relationships.)

Or here’s another example: When Mollie and Ernest meet and he drives her home for the first time, we see their conversation via the car’s rearview mirrors. This is a bit of cinematic language that has its origins in mystery and paranoia. You see it in things like Hitchcock or The X-Files or film noir. By framing the scene with this convention, the movie turns what is superficially a romantic meet-cute (to quote a friend) into something bubbling with uneasiness and dread. This is not nostalgia—this is just using visuals to create effects. It doesn’t matter if you’ve seen anything that uses the convention before, although knowing the pedigree might add to your enjoyment. The watchfulness suggested by the mirrors and Ernest’s cut-off face will still add an ominous effect. It works for the same reason it works in those other things. Like the newsreel, it is a specific and concise stylistic choice, and it results in a scene that is doing more than just one thing.

In general, the common thread I noticed as I watched these nominees, was the tendency to have the ‘idea’ of theme or style, and then stop there. It’s not that the movies had nothing in them. There were ideas, there was use of the medium, there was meaning to extract. There were lots of individually good moments. But they tended to feel singular, or repetitive, or tacked on. Meanwhile contemporary viewers are apparently so impressed by the mere existence of theme or style, that being able to identify it in a movie is enough to convince many that the movie is also good at those things. The problem with this tendency—in both artists and audiences—is that theme and style are not actually some extra, remarkable, inherently rarifying property of art. Theme emerges naturally from a story with any kind of coherence or perspective. And style emerges naturally from any kind of artistic attitude. They are as native as script, or narrative, or character. A movie’s theme and style might not be interesting, just like its story or dialogue might not be interesting, but if the movie is at all decent, they should exist. What makes a movie good or bad, then, is how it executes its component parts—including theme and style—in service of the whole. When theme is well-executed it is well-developed. Contemporary movies, unfortunately, seem to have confused ‘well-developed’ with ‘screamingly obvious.’ A theme does not become well-developed by repetition. It becomes well-developed by iterationand integration. Theme is like a melody. Simply repeating a single melody over and over does not result in the song becoming more interesting or entertaining. It becomes tedious. However, if you modify the melody each time you play it, or diverge from the melody and then return to it, that can get exciting. It results in different angles on the same idea, such that the idea becomes more complex over time, instead of simply louder.

Oppenheimer wasprobably the worst offender in this regard. Just repeat your water drops, crescendoing noise, or a line about ‘destroying the world’, and that’s the same as nuance, right? Split scenes into color and black and white and that’s the same as structure, right? That’s the same as actually conveying a difference between objectivity and interiority (or another dichotomy) via the drama or visual composition contained in the scenes, right? When I watched many of these movies, I kept thinking of a behind-the-scenes story from Buffy the Vampire Slayer. The story goes that Joss Whedon was directing Sarah Michelle Gellar in some scene, and when the take was over he told her how great she was, and that he could see right where the music would come in. And Gellar replied that if he was thinking about the music, he clearly wasn’t getting enough from her acting alone. This conversation then supposedly informed Whedon’s approach to “The Body,” a depiction of the immediate aftermath of death that is considered one of the best episodes of television ever made, and which has no non-diegetic music whatsoever. Not to imply that music is necessarily a crutch, or to pretend that “The Body” is lacking in other forms of stylization (it is a very style-ish episode). But more to illustrate the way that it is easy to forget to make the most of all aspects of a medium, particularly the most fundamental ones, once one has gotten used to what a final product is supposed to feel like. 

And that’s why most of these movies don’t feel like movies. They create the gestalt of a movie or a ‘cinematic’ moment—often literally through direct vintage imitation—without a sense of the first principles. Or demonstrating a sense of them, anyway. Who needs AI when the supposedly highest level of human filmmakers are already cannibalistically cargo-culting the medium just fine.

[1] “The Sound of Money (The Sound of Music and The Singing Nun).” The Pauline Kael Reader. (This book contains the full text of the original review, rather than the abbreviated review that I linked earlier.) 

#posts: art #movies #am rusty at blogging and don't have all the virtuous nuance i would like in this but we will go with it

[quimichi]

TW: obsessive behavior, talk about self harm, death, gore, blood, corpses, choking, talk about you being dead, bleeding, bro there's so much - MDNI

SUMMARY: A twisted boy with a twisted mind and a twisted love just for you ♡

CHARACTERS: Yandere x F!Reader

WORD COUNT: 841

𓉸ྀི  Never EVER was Blake expecting to fall in love. At first sight too. He saw you and was instantly captured. My condolences, because with him in your life...it'll be turned upside down

𓉸ྀི You're his newest, recent hyperfixation, or better, obsession. Recent? Well, since he ever saw and read this short story in the internet, about death, killing, blood and guts, he was forever obsessed with it. Especially the graphic pictures that we're added for the "realism'. You see, one click on a link and a wrong turn can lead you down a dark alley filled with the darkest mysteries hold by internet. Hidden from those who would never dare step that far into an alley like this. Bit inviting and interesting to those curious enough to take a look...and forever be captivated.

𓉸ྀི with 12 year's old, exactly that happened. This weird 'dare' and a link went around school and of course 12 year olds are gonna jump on it like hungry wolves. His friend send him the link, he was dared to open it and take a look, but was to scared. So he send Blake the link also, so they can both take a look. Shared fear is only half the fear, right?

𓉸ྀི While his friend was throwinh up beside his bed, he kept scrolling. And scrolling...and scrolling. Weird...this doesn't affect him, at least not like his friend. Or how he thought it would. Everyone kept saying its gross, creepy and...twisted. Its odd that he, likes it.

𓉸ྀི His friend claimed he suddenly felt sick, so his mother picked him up. None of them wanted to raise suspicion of course...But the whole night long, Blake kept looking at the pictures over and over again, he read the story multiple times. He probably still knows it all word for word till this day. But what really captured his interest was that woman, how she looked in her own blood bath. Her guts hanging out, everywhere but inside her. Is this real? No it can't be right? No one would ever...

𓉸ྀི when he saw you, he saw that woman. You both look so similar. Maybe the eye color is a bit off, yours are a tiny bit darker but thats ok, you look just like her! Damn, even the hair!...he can't help but wonder if you would...no that's an unhealthy thought

𓉸ྀི he's 18 now, and for 5 years he was in the dark web looking for stories, pictures and videos like this to feed his constant hunger and need for more blood and gore. But he still knows, murder is wrong. But knowing is something else than doing. They both can go hand in hand, the only thing that's holding them both away from each other is the wall called self control.

𓉸ྀི He does have this wall, it just has multiple holes in it. Blake was no stranger to act on his impulsive thoughts. He cuts his arms sometimes when he wants to feel the pain or see the blood. He even tried the 'save way of cutting your wrist', the thrill of almost dying did send him over the edge....The research did help of course. He even tried choking himself, but that does not really do much for him unfortunately, there's nothing hot to it besides the bruises he left on his neck.

𓉸ྀི But right now the wall he trained to stand against the army of his running thoughts is about to crumble by just looking at you. You'd look so great in red, a deep dark red surrounding you...oozing out of y-no-! This is wrong-! He knows you're so so much more than a body, than a corpse. You have personality...damn you really look like you have a great personality.

𓉸ྀི...w-wait-you looked his way-! WHY ARE YOU SMILING AT HIM-! Was he looking at you this entire time?? Ugh, hes such a creep-! Yes, he knows he's one but he doesn't have to act like one to make it obvious- He's so weird, he doesn't deserve you, he would NEVER deserve you. The only thing that deserves him would be the maggots and the mould, eating his decomposed cadaver.

𓉸ྀི If it's not him, than it's definitely your smile that killed him right there and now, on spot. He's disgusting why are you looking like him. Why do you show interest. Why is he smiling back. And why does he really feel the need to hold you in his arms, and kiss you. A kiss that would probably be the beginning of cannibalism. Drag his mouth and theeth across your chest to taste your beating heart...if he thinks like this then living can be beautiful, and so are living things. I mean...you are most definitely beautiful. And you're alive.

𓉸ྀི But you'd be just as pretty dead, rotting and overcome with mould, having flys around you while your body drys out and sinks....but yeah you're maybe even a tiny bit more beautiful alive. (Much more but he can't say it just yet)

TAGLIST: @lucienbarkbark @hehothrowawayfae

#yandere x you #yandere male #male yandere #yandere x reader #yandere #oc x reader #oc #Blake x reader #x female reader #x fem!reader #yandere x female reader

[nezz-cringe-crib]

growing up is realizing that dipcifica was actually a pretty damn good ship and holy shit i totally misjudged this pairing.

i never really liked dipcifica mainly because of how it got represented by the fandom, but looking back on it, it would've made a lot of sense and it would've been beneficial for both of them to date each other. and even in a completely platonic sense, their dynamic worked well enough that they could've done a lot more together.

dipper is a very nerdy awkward guy, clearly. he likes solving mysteries and sometimes he gets a little in over his head because of it. and his silly little awkward teenage love life reflects all of these things. that little shrimp was disney's #1 simp, it's actually insane. whenever he'd start to fall for a girl it'd end up going pretty terribly because he'd have no idea how to just act like himself and he'd also become a little bit of a jerk. (i'm not trying to like dog on dipper btw. he's just a kid and these are all understandable flaws, especially at his age and at the time period gravity falls took place in). however, with pacifica, a lot of these flaws are manageable solely because of how they're introduced to each other. dipper hates pacifica at first and wants nothing to do with her, but eventually they're forced to work together and realize "huh. we actually make a really good team." for dipper, this gradual building of a relationship is really beneficial to him. he wouldn't just go head-first into simping for some random girl and he'd also learn to respect her as a person and realize when he's being a little bit of a dick. being with pacifica, platonically or romantically (though personally i think romantically would strengthen their pros more but thats just my personal taste), would've helped dipper become a better person.

this goes for pacifica as well. pacifica's homelife is extremely controlling and it's what groomed her into becoming the mean girl that she's first presented as. as the show continues though, it's clear that she doesn't really want to be mean to anybody. she only acts spoiled because she doesn't know what else she can act like. she wants to connect to people but she's been so forced into this fake rich life that she has no idea how to be genuine with anybody. that's why her having a connection to dipper is so important. dipper is a little blunt, and he especially won't hide that from pacifica because he initially hates her and her family's lifestyle, so this'll eventually help pacifica realize "oh shit. i'm kind of a dick. my family are kind of huge dicks." and we do end up seeing this from her in "Northwest Mansion Mystery". she learns how to be herself, learns who "herself" even means, and learns to stand up for who she is when she figures that out. also pacifica's pretty damn smart???? especially socially???? she could absolutely help dipper do a lot of things when it comes to mystery solving, and with her status it'll most likely be things that dipper could never pull off and never even thought about because that's just what he's used to. they'd both end up learning a lot from each other because they'd be dragged into environments that they're not familiar with, but the other is. and their different perspectives/lifestyles would help the other view their environment in a new light.

not only is their relationship genuinely really beneficial to the both of them, but i also just know that their dialogue and scenes with each other would be so damn silly i can't not say yes to it anymore. i also just personally like headcanoning them both as bisexual so that's a plus for me.

anyways, tldr: i was wrong about dipcifica and its actually really good, i just think people should really analyze their relationship more since the way the fandom presents it (or how ive personally seen the fandom present it) is a little icky and shallow at least in my opinion. yay for dipcifica being silly little goobers :3

#gravity falls #analysis #dipper pines #pacifica northwest #dipcifica

[toastydumpster]

rough night

#husk is a good listener but not a great comforter #(i mean GREAT motivator but the man is just NOT emotional like that) #sometimes is better to just...not say a damn thing #huskerdust #angelhusk #husker #angel dust #hazbin hotel #my art

[sergle]

I'm thinking abt that pretty fall leaves embroidery pattern post and about how like... it is categorically a repost, it's a reupload. right? a thing that is generally disliked. but because it's credited, it's genuinely boosting the artist in question. and it could ALWAYS be like this. reposting content could ALWAYS be a symbiotic relationship, but because sourcing back to the original creator of something is so uncommon, it's just easier to ask people not to repost it at all. and people still don't understand the difference. or they'll go to the effort of cropping out usernames/signatures to repost something, which is More Effort than literally crediting the creator of something you liked enough to want to repost. Like. I literally don't actually care if my own shit gets reposted, you have to understand. I just don't want it STOLEN. But "do not repost" is easier to write on my art than "you can repost this, but don't alter the image/remove my signature, don't you dare write 'credit goes to the artist' because that is not credit, please link back to my original post or someplace that you can actually find me. please use an actual link/url instead of writing a non-clickable link of my username, because making it text instead of a clickable link cuts the number of people who will go to the effort of visiting my own page in Half." All those aggregate themed accounts, those fuckin annoying as hell instagrams and facebook groups that are like "body positive art we love wamen 💕 hashtag feminism" and then MASS-STEAL plus sized art created by women, if pages like these that always go and steal my older self-portraits and other works... If they just put a link to my prints of those pieces in the text of those posts, or, fuck, my commission info page? I would literally be living on the moon right now. I would have a house on the moon

#there is actually nothing morally wrong with running an account that just reuploads ppl's artwork or their jokes or their cosplays #if you just put a VISIBLE LINK in the description of your post with proper credit then it would be beneficial for everyone #because you can get your little clout or whatever it is you want by putting a bunch of same-category content on a page #but nobody's getting fucked over because if your post blows up then people just get FUNNELED to the source #because it's placed so plainly where everyone can see it #and yeah it's better to retweet or reblog but #on the rare occasion that I see my shit reuploaded on tumblr WHICH IS WEIRD BC I MAKE MY OWN POSTS HERE but anyway #someone making their own post where they upload my stuff. and it's always the floral self portraits so let's say it's a post with all those #if I scroll to the bottom and it says like. Artwork by Serglesinner on Twitter <-- clickable link [Sergle's Prints] <-- clickable link #to my etsy #I'm like oh okay and all the anger leaves my body and I'm like ah I see. and I toss the rock aside #like oh okay so you actually care that a person made these pieces. Instead of posting the caption ''women <3'' or smth #like you've GOTTA die if you do that. but if you just link back #or if you go to the effort of writing like a description with a BLURB? like it's a damn museum. like a light paragraph of info #about what the art is and who made it and their links #I am literally sucking you in a strange and peculiar manner. that is extremely helpful #and maybe other artists don't want this AT ALL and they'd rather people not reupload even if it is credited #but I feeeeeeeeel. like 99% of the time this would solve the issue #reposters could genuinely be helping ppl. sometimes the repost gets more traction than the real thing #as long as it credits the creator then that's an okay thing to happen! #that can land somebody a sale! a commission order! a new fan! A JOB #A JOB!!!!!!!!!! #sergle.txt #I didn't write this eloquently AT ALL what the fuck ever barkbarkbarkbark

[bandtrees]

one of the most infuriating things i’ve realized about fandom spaces lately to me has been some people’s inability to just trust a story and engage with its premise and what it’s trying to express. “canon sucks i can do it better lol!!!” is one of the most annoying attitudes to me and i do kinda hate how prevalent it’s gotten (in actually good polished media that isn’t to be engaged with like that)

like between people who read things in as bad a faith as possible and ceaselessly criticize things they supposedly like, and people who only care about media for the sake of making cookie cutter self-indulgent fandom content, it feels sometimes like the most controversial thing you can do in a fandom is “actually liking the source material for what it is”

#babbles #like yeah aus n such are fun but sometimes i see things in fandoms that make me like ‘do you even LIKE the source material anymore???’ #‘just make ocs man!!!’ #rewatches of source materials should be mandatory people go too insane when they start forgetting what they’re engaging with #to say nothing of the very specific phenomena of. intentional bad faith readings of media #like people who went too damn hard in ‘be critical of what you consume’ and just look SO. MISERABLE. What About Having Fun! #like as a former dr fan. dr fans. is it great No i outgrew dr. but i think it’s better to accept outgrowing it than being #the most miserable ‘fan’ ever like UUUGHH THIS SUCKS WHY DO I LIKE IT ITS SO BAAADDD UUGGHHH #and criticizing it 24/7 like i don’t like dr much anymore but there’s a very specific… Type of dr fan #where im like ‘ykno you can just leave if you hate it so bad?’ #no need to self flagellate over it just accept you either like something kinda mediocre or just move on nobody’s keepin ya here

[dangaer]

being 'cringe' is banned in 2024. being yourself is not weird at all and embracing any emotion you feel is in.

#❛ 𝐒𝐈𝐃𝐄 𝐒𝐓𝐎𝐑𝐈𝐄𝐒 ⧽ — ooc. #damn going through my self positivity journey this year and honestly gonna put it out there #no more apologising for feeling like you're too much #no more apologising for feeling you're doing too little! #communication is important and YOU are a single person trying to make through every single day!!!!! #even waking up is an achievement - 100% #im just in that phase where im beginning to support myself with these ideals. #im jupiter im a pisces which makes me a water sign and that means i am EMOTIONAL and i will be consistantly loving and that makes others as #happy as it makes me to speak out and thats a beautiful part of my personality that sometimes even i should celebrate!!!! #no more calling people cringe for unharmful behaviours. no weird interests #just things that bring joy to the faces of those you know and love #anyway ... im editing my drafts from november and i just wanna say #... self postivity moment but jupiter u do write better than u think u do too queen #having a good self confidence moment. want to remind everyone else u can have those and /feel them/ too :) <3

[quietwingsinthesky]

it’s the juxtaposition for me! sarah jane is fantastic at dealing with aliens, she’s implied to be managing alien disasters basically on her own for years before the sarah jane adventures begins! and yet, she’s so, so bad at being a person! (affectionate) doesn’t know how to make friends! isn’t very good at providing comforting words! she’s trying her best, and i love her so much.

#sarah jane either says the most profound thing you’ve ever heard and you feel better about whatever happened #or she just goes ‘damn. that sucks :/ anyway back to aliens.’ and its like. girl you are so autisms. #sometimes it’s her not reading the room but sometimes it’s her reading it perfectly and being like. cool! i can’t deal with this! and #pretending she can’t read the room. and god. good for her. #sarah jane adventures #sarah jane smith

[captainsparklefingers]

So, how many people has Ludinus convinced to, if not straight up drink the Kool-aid, then to be open to trying it? Now granted, I'm not quite done with the episode yet (I think I have like a third left), but I've got some thoughts. They're not very well organized or written out, but I've got them nonetheless. And they're probably not like. Super accurate or anything, this was all just sort of an emotional reaction I had while listening/watching and my attempts to figure it out. Apologies for what is basically me word vomiting on Tumblr trying to figure out my feelings.

It seems to me that this whole 'what have the gods done for us/let's get rid of them' thing sort of feels like a political science or philosophy discussion gone wildly off the rails. People discussing not being happy with the system, what do the gods really do and why do we need them, if the people who serve them abuse their power in these ways is it better to bring down those institutions or start at the source and work out from there...that all feels like stuff people discuss all the time. We debate topics, we argue for or against different moral and political and religious philosophies...debates get messy, historical events happen, the cycle of history continues...you get the idea. Maybe it's not the gods we're debating about but systems of government and power structures or economic structures.

But in a world where the gods are real and known to be real, where they're deliberately behind a gate so as to NOT have huge amounts of influence and power, where average people don't seem to totally understand the Divine Gate and its purpose and where the average person isn't having the sort of interactions with divinity that adventuring groups and religious leaders are, it feels like it isn't a huge step to take people from just talking about this to acting on it. And I know people have acted on things historically in our world too. Maybe that's why I'm listening to this conversation in this maybe hag definitely cult leaders hut and not totally disagreeing with points being raised. It's one thing, I guess, when the argument is being made by Imogen in regards to constantly hearing voices in her head. It's another when the village elder of a town currently suffering abuse under a strict religious system is making it.

I don't believe for one second that Ludinus gives a shit about taking down the gods in the name of freedom. I don't think for a moment that if Predathos is released and does what the name god eater implies that they'll be satisfied when the gods are gone. Ludinus is an ancient, powerful man with a big ole chip on his shoulder who's been nursing a grudge for centuries (who fucking ate fairies to live that long what the fuck ). He's also used to being in a position of power and influence through his role in the Cerberus Assembly and the government of the Empire. Based on the notes Team Wildemount found, we know he started all this by asking questions and fucking around until Molaesmyr found out, and that he either doesn't understand/know or care about possible side effects or consequences of his actions, or possibly both. He just, as far as I can tell, wants a power vacuum. When he says 'we take down the gods and we become the gods', I absolutely believe that the 'we' is 'him'. He becomes a god like figure. The cycle continues. And he's taking advantage of people, their very valid problems with organized religion and the power of the institutions, the problem of corruption and bad apples, the general lack of public knowledge of what the Gate actually does, and he's using it to convince people this is the right way. And it feels so much like things we've seen happen historically that it just...I dunno. I said this was basically emotional word vomit with no point, didn't I? But yeah, it made me feel weird and uncomfortable because I could see how people fell under his sway, how the arguments he makes can have merit to people.

And THAT is why...

Well that and he turned my favorite character into a fuckin orb battery.

#critical role #Cr spoilers #I got so uncomfortable and felt so weird listening to chunks of this episode #because like...the arguments being made about sometimes needing to tear something down so it can grow better... #the corruption inherent in organizations of power and in governments... #that hit a little close to some real world discussions and history and stuff #I'm not saying that these are bad discussions to have #or that real world circumstances and discussions along similar themes are bad either #it all just felt sort of weird #anyway apologies for this I just needed to get my thoughts out of my brain so I could move on with my day #damn you ludinus for making me think about things that are heavy and that I dont wanna think about at the moment #still hope Predathos eats you

[what-is-love-babey-dont-hurt-me]

once again i want to be passive aggressive SO BAD

#snappy speaks #im in a couple discords and one has a pet channel #and someone posted their pet spider and spoiled the images and left a warning so nobody would get a nasty surprise #it was very much a 'dead dove do not eat' thing #anyways there is a new person who joined a couple days ago and mmmmmm #i already didnt like them before because they constantly start bad faith debates #and then they comment on someone's very clearly warned pet spider like EWWWWWW ii would crush that or whatever #i dont like spiders myself because anxiety but i suddenly felt like becoming their biggest defenders #it would feel so good to say something like 'fun fact! you can keep things to yourself sometimes' #or even better be like 'weird reaction because it was clearly labeled but okayyyyy if you think thats a good response lol' #or even just a 'damn bro you got the whole squad laughing' #anyways azu if you see this hello i hope im not the only one who is not fond of them