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#spanish fashion
d1git4l-d0ll · 3 months
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syndical chamber a/w 24
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mote-historie · 2 months
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Painting Illustration by Xavier Gosé, Le Manteau bleu, The Blue Mantle, 1912.
Morera. Museu d'Art Modern i Contemporani, Carrer Major, 31, 25007 Lleida, Spain
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solcattus · 2 months
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Portrait of Elena María de Castellví y Shelly, Duchess of Seville; 1851
By Federico de Madrazo y Kuntz
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sartorialadventure · 2 years
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Hi! I was wondering if you know what is the name of the wide hairstyles that Spanish noblewomen wore in the beginning of the 17th century. I know the vertical styles are fontages, but I am having so much trouble to finding the name of the wide ones.
I gave it a good googling, and I can't find a name for it either! Most sources just call it a "hairstyle typical of the 17th-century Spanish court", which is not at all helpful. I did find the Ruth Turner Wilcox illustration that shows the hairstyle, and she helpfully explains that the hair is "wired ringlets" or "dressed over a wire frame", but she doesn't give a name for the hairstyle:
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Does anybody know a name for this hairstyle (top left and bottom right)? It might help if one could search in Spanish for it, but I suspect my Spanish isn't good enough for that task...
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bobbole · 19 days
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Mario Sorrenti for Vogue Italia
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zapatotenis · 1 year
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LOEWE x Howl’s Moving Castle | 2023
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empirearchives · 1 year
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Empire Style Dress
probably Spanish
1810–12
Napoleonic era
Source: The Met
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papirene-royzn · 2 months
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Welch, Evelyn. “Art on the Edge: Hair and Hands in Renaissance Italy.” Renaissance Studies 23, no. 3 (2009): 241–68.
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tash-scout · 6 days
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Rosalía by Pepe Lobez (2018)
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himmelgrauart · 1 year
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Are you Jolyne?
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cosette-cottage · 1 year
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B A R R A L I
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d1git4l-d0ll · 3 months
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syndical chamber a/w 24
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anodetomotion · 6 months
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Sonia Carrasco Spain Spring 2024
4/11/23 written by Rachel to An Ode To Motion
Sonia Carrasco’s Spain Spring 2024 collection synthesises a new blend of sporty and chic, modifying the classic 3 piece suit into a new age of dress. 
This collection of 42 looks plays with cut and layering, blending the mix of fitted silhouettes and oversized forms together seamlessly. Traditional suiting material is paired with casual denim or knitwear, loosening the term corporate with every new cut and fabric manipulation that they accomplish. It is a humorous and playful approach to the way we dress. 
The manipulation of the 3 pieces suit is evident from first glance. An oversized blazer in corporate grey is belted in the waist in what appears to be an emulation of a vest. Underneath the silhouette peaks a hoodie of the same tone. In another look, a collared shirt is severely cropped to the shoulders and worn like a cape over a sweater, while its bottom half is altered to be a strapless top with princess seams and buttons placed down the centre. These silhouettes are pair with either jeans or trousers and always with soccer boots solidifying the sporty and casual nature of this overall suit. 
The denim pieces feel fun and casual and fit for the everyday, while the asymmetrical tops and bodysuits encourage you to layer your clothes. Garments uncommonly paired together grace our presence with its contemporary vision, like the cream coat worn over a knitted silver bikini top and pulled together at the waist with a loose denim waist belt. Silhouettes are replicated, but fashioned with different materials such as the denim, cotton shirting and suiting. 
Corporate suit colours of grey, white and blue were pieced together with earthy brows and oranges. A deep, turquoise blue stands out from the crowd, emulating water. The mesh blue fitted maxi dress with an asymmetrical neckline reminded me of a blue lagoon - its soft ruching on the right side of the body like ripples in the ocean. Knitwear is introduced and brings a lightness to the collection. My favourite piece was the orange knitted calf-length dress worn over a pair of midwash jeans. The knitting was manipulated to create an outline of a triangle bikini and bottom. The dress was also available in a mesh grey and cream, as well as in the form of a skirt. In a more grounded approach, the use of rope balanced the collection with a touch of heaviness, used as drawstrings, belts or braided handles on bags.
Maybe it was the most recent Beckham documentary, or it was this collection - but I really want to go watch the soccer right now. This collection felt soft but sexy, grounded but light. Despite its masculine elements - it felt truly and utterly feminine. This collection was profound, I absolutely loved it.
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bryqe · 20 days
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this vinted top is perfect
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1917 Cover Illustration by Ángel Díaz Huertas, Blanco y Negro, January 7, 1917. Gouache on cardboard. 
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lutzhuelle · 1 year
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Every now and then while scrolling through my photos I come across images of the fittings of the ‘Lost Collection’ at Delpozo - the one that would have officially been my debut show. I am still just a little sad at all the lost potential- It was the perfect situation of a brilliant team and incredible pattern cutters and atelier.. some of the most beautiful and beautifully made pieces I’ve ever seen in my life were made there- such care and love was involved in making these garments.I do hope that somehow one day this gorgeous brand will be resurrected and shine again .. in the meantime here are a few images of what could have been. .. and my sincere and heartfelt thank you goes out to every single person I had the privilege to work with at Delpozo ❤️
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