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starbudspresents · 2 years

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Re.Gray 002 - Full Moon Night

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♦ 63

Narration: 《AKUMA》 Narration: Malignant living weapon; deceased soul fused into mechanism.

Narration: 《EXORCIST》 Narration: Akuma-destroying clergyperson dressed in black.

Narration: At the close of an imaginary 19th century, Narration: strange things were happening night after night.

Allen: Timcanpy!

sfx: gara gara [wagon rolling over cobblestones]

Allen: Don't flap about so much, Allen: can't have you getting eaten by any more cats.

sfx: jah [pulling curtain aside] Clown: Whaaaa~~~? It got eaten~~? Clown: Lucky to be alive, innit!

sfx: patatata [Timcanpy flapping its metallic wings]

Allen: Rose from its grave, didn't you.

Clown: Wassat?

sfx: gyuh [shove]

Yosshii: Here in England to sightsee, traveller?

sfx: yoji yoji [flup flup, sound of wingbeats changing as Tim comes in for the landing]

Allen: No, not exactly. Allen: I've come to introduce myself Allen: at Exorcist headquarters.

♦ 65

2nd Night - Full Moon Night

♦ 66

Narration: Three months earlier, Narration: somewhere in India...

sfx: pao— pao— [elephants trumpeting]

Cross: Hey. Allen.

Allen: Yes, Master?1

Cross: You've been my apprentice for three years now. Cross: Figure it's about time you graduated... Cross: As of today, you may call yourself a full-fledged Exorcist.

Allen: !! Allen: You really mean it!?

Cross: But that means you need to show your face at Headquarters.

♦ 67

Cross: You... know how to find the place, right?

sfx: su [ominous frisson]

Allen: ... sfx: jirih [suspiciously shrinks back] Allen: Yes?

sfx: pata [flap]

Cross: I'll send my golem2 in my place, then, Cross: and fire off a letter of introduction to Komui, the fellow in charge there.

sfx: jirih [shrinks back further]

sfx: pao— [elephant]

Cross: Get going whenever you wake up.

Allen: You don't mean to skive off!?

sfx: fuoh [raises mallet] Cross: I can't stand that place. sfx: GOH [BONK]

sfx: bah [jerks back to reality with a shudder] Allen: Augh!!

♦ 68

Allen: Just a dream... Allen: I keep reliving it...

sfx: shah [pokes out of curtains]

sfx: haa haa haa [panting]

Clown: All right there~? Sounded like a nightmare~

Jan: AKUMA!!! Jan: It's an Akuma, we're doomed!!

Allen: !!

Clown: W-What's this now!?

Allen: Thanks for the lift! sfx: bah [hup]

Clown: Oh my!?

♦ 69

sfx: dadadadadada [pounding footsteps, Allen running pell-mell]

Allen: Are you all right!? Allen: Where's the— Allen: —Akuma!?

Baldy: No demons round here, mate.

Allen: Sorry?

Baldy: Now look what you've done, Jan, crying wolf.

sfx: goh [bonk]

Jan: OUCH

♦ 70

Baldy: Sorry 'bout that. This lad's a prankster.

sfx: osu [unrepentant]

Jan: It's not a prank, blockhead! Jan: The Akuma really are here!! sfx: geh [pout] Jan: They're slowly but surely spreading across the world! Dad said so!

Baldy: Yes, yes, we know. Here, have a sweet.

Jan: Don't treat me like a kid!! Jan: I'm telling the truth! Jan: Just now, over there, some big fellow in a top hat killed3 this homeless chap! Jan: Stuffed an Akuma skeleton right down his gob—

♦ 71

sfx: pakoh [claps a hand over Jan's mouth] Pigtails: Sorry, folks, just ignore him. Pigtails: Kept pestering me to play with him, so I did, but he got carried away...

Jan: Wnghf!? side, translation: "What!?"

Baldy: Yeah, s'what I thought. Baldy, side: Let's all get back to work.

Baker: We won't come running next time, y'hear?

Jan: Nnn! Hnnn!

sfx: ponn [silence falling like a struck gong]

Jan: ......

♦ 72

sfx: pii [keen slicing sound]

Allen: You cannot fool my eye.

sfx: bu [skin unzipping]

Allen: You're an Akuma.

sfx: bubububu [outer shell disintegrating]

♦ 73

sfx: DON [bwoosh, whole body goes to dust at once]

Jan: ......

sfx: hyuuu [dust curling in the breeze]

Allen: "Jan", was it? Allen: How do you know so much about Akuma?

sfx: pachin [snap of a rebuttoned finger glove]

Jan: WAHHHHHH

sfx: DOH [impact]

Allen: oof!?

♦ 74

sfx: DOH [impact]

Jan: An Exorcist! I've never met one before!! Jan: Was that your anti-Akuma weapon? Jan: Lemme have a look-see— Jan: Oops?

sfx: biku [twitch]

sfx: sha [rrr of rollerblades]

Jan: Dad's a Vatican scientist. Jan: He's aaaalways working, though, so I mostly have the place to m'self. Jan: Started reading through his research when I was bored one day, and found out about the Akuma and whatnot.4

Allen: What odd shoes...

Jan: My dream right now's to become a great scientist like him and invent a weapon that'll wipe out Akuma like that!

♦ 75

Jan: Meant to ask, though... sfx: chira [squint]

Allen: Yes?

Jan: Even a puny little squirt like you can make it as an Exorcist, eh?

sfx: GON [conk] rock: PUNY

Jan: I always pictured a big strapping bunch. Jan: Not... you. Jan: So how many Akuma have you done for? Jan: How'd you get your anti-Akuma weapon into your hand like that? Jan: How'd you feel when you destroyed your first?

Allen: Jan... Allen: You shouldn't stick your neck out so far. Allen: You were lucky, this time, Allen: but you should try to avoid attracting the Millennium Earl's attention. Allen: It's dangerous.

♦ 76

Jan: Catch. sfx: poi [toss]

Allen: An onion?

sfx: BON [explodes in his face] sfx: uuuun [tears pouring down, moaning]

Jan: Heh heh. My own invention: the onion bomb. Jan: I'm not just going to sit pretty while the Akuma invade!

sfx: kuru [turns away]

Jan: "Dangerous," my foot! Don't treat me like a kid, you milksop! sfx: sha—h [rollerblades away at speed]

Allen: M-My eyes... Allen: Pete's sake, Allen: I give up.

sfx: shimiru [stinging]

♦ 77

sfx: zudodododo [engine-like rumbling] sfx:goriririri, gago—, dori dori dori, zukyukyukyukyuu, ga— [whole cacophony of rumbling, squeaking metal, small explosions, etc.]

Maid: Young master! Maid: Young master...! Maid: Master Jan, you have a guest! Can you hear me? Maid: Young master Jan!

sfx: gacha [door unlatching] Jan: ...... Jan: Who is it? Jan: Leo!!

♦ 78

Jan: It's been ages, mate! Jan: Haven't heard from you since the funeral, been worried sick! Jan: Are you staying with your folks now? Jan: Losing your mum must've been hard, but I'm always here for you! Jan: Keep your chin up!

Jan: He seems.... different, somehow... Jan: His mum dying must've been a real shock... Jan: Isn't there anything Jan: I can do to cheer him up?

♦ 79

Jan: Oh, right! Jan: I saw an Akuma for the first time today! Jan: I've kept up patrolling while you were gone. Jan: There really is a mechanical skeleton on the inside! Jan: And! I saw the face of the Millennium Earl himself! Jan: It was definitely him. Jan: Hang on a sec, I'll sketch him. Jan: Umm, like so... and so.... sfx: kaki kaki [scritch-scratch]

♦ 80

Jan: Ta-da! sfx: baan [fanfare] Jan: We should go out on patrol again and pass these around!

sfx: ton [Leo puts his hand on Jan's forearm with an odd sense of weight] Leo: Jan Leo: there's somewhere I'd like you to go with me

sfx: jiririri [brrring] Allen: Just couldn't leave well enough alone, could I. Allen: Ah, well. I'll straighten the boy out right quick, then make for HQ. sfx: haa [sigh] sfx: jiririri [brrring]

♦ 81

sfx: gacha [door opens]

Maid: Hullo?

Allen: Whoa, déjà vu.5 Allen: Er, I gather this is Jan's residence? Allen: Is he in?

Maid: Young master Jan?

sfx: so~~~ [stealthy approach, palms out] sfx: DOI [push!]

Jan: Why are you here? Jan, side: pffft

♦ 82

Jan: Bet you've come to lecture me, Jan: but you can stuff it. sfx: keh [sticks tongue out] sfx: shaaa— [rollerblades away, backwards]

Allen: J-Jan... you little....

sfx: shah [rollerblades] Jan: Let's go, Leo.

Allen: Ugh—

On maid: [fainted]

sfx: piii [high-pitched whine; Allen's cursed eye spinning up] Allen: !! Allen: W-Wait a minute, Jan! Allen: That boy is—

sfx: gachan [gate clangs shut]

♦ 83

Allen: T-This... Allen: ...is a problem. Allen: Timcanpy, go after them! Allen: I'm right behind you!

sfx: patatata [flaps off]

Allen: Damn.... Allen: Headquarters will have to wait.... Allen: Seems there's someone else I need to show my face to first, Allen: Master...

♦ 84

Jan: Oi, Leo...? Jan: Is this really where you wanted to go? Jan: It's a boneyard. Jan: Oh, did you want to visit your mum's grave? Jan: Should've just said! Don't be so vague—

sfx: DON [small face meet big belly]

♦ 85

sfx: suih [pat on the head] Earl: Good evening. ♡ Earl: Pleased to make your acquaintance, young Jan. ♡ sfx: sui sui [pet pet]

sfx: bah [rears back] Jan: ...... Jan: M— Jan: Millennium Earl...!?

♦ 86

sfx: bah [winds up] sfx: byuBA [and tosses] Jan: Eat this!!

sfx: BON [onion bomb explodes in Earl's face]

Jan: Let's run for it, Leo! Jan: Oi, Leo!?

sfx: nyaa [eerie smile]

Jan: What are you doing!? He's going to kill us!! Jan: Leo—!!

Earl: Oh, dear little Leo has been dead for quite some time, we're afraid. ♡ Earl: Since his mother's funeral, in fact. ♡

♦ 87

Earl: This... Earl: is an Akuma we made to punish you for getting in our way. ♡6

Jan: You're lying....

Allen: He isn't. Allen: Jan, Allen: that boy is an Akuma!!

♦ 88

Narration: And thus, his master departed.

♦♥♦

FOOTNOTES

Title:　師匠 shishou, "master" in the sense of a master of a trade mentoring an apprentice or journeyman until they're good enough to practice independently. Conversely, Cross refers to Allen as his 弟子 deshi, "apprentice" or "disciple". [ ♠ ]

This word — "golem" — is written in katakana, ゴレム, as a direct loanword from another language: in this case Hebrew. A golem is a creature out of Jewish folklore which draws on deep symbolism specific to the Jewish people, but it shows up in Japanese fiction oddly often as some form of inanimate matter given temporary magical life according to particular parameters. [ ♠ ]

Putting a note here for later reference, because this is a bit interesting: we learned in Night 001 that the Earl makes Akuma using a living person who's lost someone and the soul of the one they lost, yet here, the Earl seems to have killed the living vessel directly and put a (possibly pre-filled?) Akuma mechanism into him. If that's something he can do, the size of the Akuma population would make more sense. [ ♠ ]

In light of the later arc in which an Order scientist tries to leave and has difficulty with the security measures in place to prevent this exact information from leaking out to the general public... who on Earth is Jan's father, and how did get a breach this spectacular past the Order? [ ♠ ]

This is just an easy-to-miss joke: the maid looks like she could be closely related to the clown on the carny wagon he hitched a ride with. [ ♠ ]

This is very interesting, as it implies that the Earl doesn't want information about himself or the Akuma released either, putting him in line with the Order on this front. Neither power wants the war between them to become public. It makes more sense for the Earl, at this point, because if people knew about him and knew his bargains weren't what they seemed, they might be less likely to willingly assist in the Akuma creation process. [ ♠ ]

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kaibutsushidousha · 11 months

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Every otaku producer on any at least decently-sized project is chained to very BIG MONEY merch contracts. Merch sales are one of the biggest cogs making the anime industry run and because of that, merch manufacturers expect producers not to allow anything that would make their products fail to reflect the contents of the show.

A recent example that sparked controversy about this is the new Tokyo Mew Mew reboot anime. Mew Mew is a series where pretty much everyone important has food names, but the early scanlators failed to notice how far this motif extended and rendered Quiche's name as Kisshu. This is spread in the fandom enough to make merch makers assume that was the proper way to spell his name in English and produce pins with the name Kisshu written in Roman letters. Thanks to that, over a decade later, the Mew Mew translator on Crunchyroll subs is forced to use Kisshu on her script despite knowing it's wrong.

But this is a Type-Moon post, so let's talk about Type-Moon instead. On October 29th, 2010, Nasu released Fate/complete material III, containing profiles for all Servants featured in Fate/stay Night. In his lack of English knowledge, he most likely relied on Google to learn how to romanize all those names. This generated two curious results: Arthuria was rendered as Altria, as the first search result for アルトリア would be the cigarette corporation, and Rider favored the French spelling Medousa over the English Medusa.

Flash forward to May 25th, 2016. At this year, Fate/Grand Order had already been released and proved itself a commercial success against all odds. In celebration of that, FuRyu Corporation sculpted the source of all evil.

FuRyu's figure utilized the erroneous "Altria" from Complete Material III. Here is where I want you to notice that FuRyu did not release a Medusa figure alongside it. "Altria Pendragon" is the only character in this collection.

Our next chronological stop is August 14, 2016. Merely 3 months after the FuRyu Altria figure began to spread its corruption through all we know and love. That's the day Fate/Grand Order Material I came out, containing profiles for Saber Arthuria and Medusa.

As you can see in the right corner, Medousa is no more. Due to having 6 more years to learn things and no merch contract forever chaining him to his spelling mistake, Nasu had the opportunity to correct Medusa's name, which also settled it as the name FGO NA legally had to go with.

So when I say FGO NA translators went with Tam Lin because it's literally illegal not to do so, I am talking about

#type moon

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seserakh · 2 months

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Use Mangadex to Read Dungeon Meshi

If you want to read Dungeon Meshi and you can't get your hands on the official translations I recommend that you read the excellent fan translation by Everyday Heroes on mangadex. The names will be spelled differently at first since the group was translating when there were no official ones released, but they update the names as the story goes on.

I am BEGGING you not to go to websites like dungeonmeshi dot com or mangaread or mangaf4life or whatever because those are all plastered with advertisements and will install adware on your browser in a hot second if you don't have protections installed.

Mangadex is ad-free, loads fast, and is preferred by reputable scanlation groups. I kept up with dungeon meshi for years via mangadex and had zero issues. Your computer will thank you.

#dungeon meshi #delicious in dungeon #getting your hands on the official translation includes checking your local library #if they just aren't there then mangadex is the way to go

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kaizokuou-ni-naru · 1 month

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Hello. I’m an English reader of One Piece, and confidently know *nothing* about the Japanese language (atleast how to read it). I own all 4 box sets that are currently officially available in English. I was wondering, considering your expertise, is the VIZ translation good (in terms of how reliable it is in accuracy)? Does it convey what it needs to? If not, do you think any scans you’ve read are better compared to the official? Curious what you think as a translator. Thanks!

i think that these days the viz translation is basically fine. it conveys what it needs to. often there's little quibbles i have with it, like little differences in how i might personally have phrased things, but i certainly don't think i could do better at translating whole chapters of manga on a week-to-week basis.

my new chapter reading process now that i'm properly caught up again starts with reading the raws in japanese, and then i skim both the unofficial scans from tcb and the official release from viz when they each come out to see what choices they made. doing this, i do see more mistakes in the unofficial scans than in the official viz translation. and that makes sense! the people who do the official viz translation are professionals who are being paid for their work and they have more time to do it.

like, just for one low-stakes recent example i noticed, in chapter 1112, the unofficial scans (left) messed up this panel by attributing both of the lines on the left to vegapunk, when in fact the second one should be spoken by pythagoras (something made clear in japanese by his distinctively polite speech pattern), a mistake which was corrected in the official (right).

and i'm not saying this to insult the scanlators, by any means! it's something i've wanted to get into myself, and they provide a really cool and valuable service largely for free as volunteers. i love scanlators. but if you are wanting the most accurate experience of the current manga as an english-speaker, the official is probably still your best bet.

however, from what i've seen (bearing in mind that my actual experience with the official translation is pretty limited, i mostly only look at it when people ask me questions or i have a specific curiosity) i do think the official translation has a lot more problems in the older arcs, roughly from east blue through, like, skypiea?

i've seen or been asked about a pretty substantial number of mistranslated lines and questionable choices from that stretch of the manga. for just one example, there's this one from drum i posted about a couple months ago, where a line that's quite thematically important to the series as a whole got cut up because of the translation's former unwillingness to use the word 'god' (also very visible and annoying in skypiea).

the anime for those arcs does use, from what i've seen, a better translation than the official manga. however, i personally don't know of any better manga retranslations of the early arcs (it's something i've actually considered trying to attempt myself, if i ever have the time for a project of that scale). if any of you have any to recommend, please let me know!

#jonny answers #one piece #not japanese #long post #arc: egghead island #ch 1112

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lettheladylead · 5 months

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Uncle Scrooge and the Christmas Leap

(read all these pages but its not the whole comic! just a partial scanlation 'cause i'm lazy and i love goldie)

OKAY so here's a three-part Christmas comic that came out this month that has Goldie in it! I don't have the energy or time to scanlate the entire thing, so I just chose the Goldie pages (and some Magica & Daisy pages) to share! Enjoy! [inducks]

The pages might be confusing by themselves so here's a summary of the whole comic for ya:

First part: Scrooge is having an extra bad Christmas 'cause he invited Goldie to come hang out and she said no thanks. He meets a creepy guy with a magic lamp and then wishes Christmas never existed. Then he wakes up in a new world where he's poor and lives with Donald and works as one of Rockerduck's accountants.

Second part: Rockerduck fires Scrooge but it's fine 'cause Scrooge finds out that Goldie lives in Calisota! Truly the sexy singles live in his area. They spend a lot of romantic time together and it's really cute. Mickey shows up ('cause he has a tie-in comic happening at the same time) and he tells Scrooge they have to go to the mountains and find the lamp and undo Scrooge's wish. They find Magica there!

Third part: Magica talks about her life in this AU. She helps them search for the lamp. Rockerduck is also there doing evil things blahblah Scrooge gets the lamp and makes the wish to bring things back to normal. He and Mickey hug at one point it was cute lol And then he's back to normal, he and Magica talk about the AU that they both remember, then Goldie shows up and says the boys invited her so she decided to visit for Christmas.

In the Mickey comic there's also things happening with the Phantom Blot but I did not read it so I don't know the details SORRY

#scroldie #goldie o'gilt #glittering goldie #scrooge mcduck #donald duck #daisy duck #magica de spell #dewey duck #huey duck #louie duck #scanlation #scanlations #translation #translations #duck comics #there might be typos in this but im SO late for a party i gotta goooooo

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transformers-translations · 3 months

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it looks like the entire blog has been copyright claimed... is there any way for you to create maybe a drive or document containing all of the translations for archival purposes? i have some fragments of your translations saved from showing friends, but i really hope to not lose your translations entirely, seeing as theyre a great resource for the community (and generally brings the manga over to a broader audience.) if you cant, i entirely understand and would like to honestly thank you so much for introducing this manga to so many people, frequently checking back here brightened up my days, and i wish you well going forth.

Hi, thank you so much for your message!!

Uploading the chapters to another platform seems like the best approach. My plan is to create another archive for this blog in a scanlation website.

However, I also can't deny that this experience was very scary, and very undermining too. Almost every post in this blog has vanished. I want to take this time to think about all legal implications going forward.

And it goes without saying, but I am grateful for everyone's support so far. Thank you all 🙇

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codenamesazanka · 5 months

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I need help writing the league of villains for a fan fiction. Like can you give me tips on to write their dialogue and stuff like that

Thanks for the ask! Here are some things that I think would be helpful, but please be aware that it's my approach to writing the League the way I interpret them. I'm sure there's people who finds my fic wildly inaccurate in terms of characterization. Sometimes I go back months later and disagree with my own stuff, given new information or outlook. You'll have different interpretations than me, and that's okay. And thus,

Tip #1: First of all, it’s fanfic, it’s fun, and it’s yours. You can do whatever the heck you want! It does not matter at all what you do with the characters, their dialogue, their personalities, their relationships, etc. I’ve read plenty of AU fanfics where I could not recognize Shigaraki Tomura/Shimura Tenko, despite the character having the name, but I still liked the story okay. Really, it’s all up to you and what you want.

That said, to actually answer your question:

Tip #2: Re-read the manga. Read the scanlations - multiple versions from different scanlation groups. Read the official. No version will be perfect, some are better than others (Viz Official has its issues, but it is done by a professional translator and I tend towards it; Fallen Angels (Chapters 1-150s) was the first to scanlate and iirc they even included translation commentary at the end of their chapters; I found mangastream to be more accurate than Jaimini (Chapters 150-250s)), but having a variety of translations will give you insight into the intention of a dialogue, and different ways of achieving it. Read the original Japanese, if you can.

Tip #2.5: Best way to figure a character, I find, is to describe the panels they’re in as if you’re writing a very plain, objective, impartial image description. Now you have an overview of their outward behavior, their actions, their dialogue. Using that, you have the basis for developing their motivations and personality. It’s the difference between ‘Shigaraki used gamer lingo a few times here, so he is a gamer... therefore he’s obsessed with games and that’s all he does’ and ‘In the first 100 chapters of the story, despite speaking sometimes like a gamer, Shigaraki is actually seen reading newspapers rather than holding a game console’.

Put another way, don’t assume generalized descriptions or traits for a character and write them based on that. You risk writing a trope or archetype or situation rather than the actual character.

When a loved one dies suddenly, people will be in shock, before sobbing and weeping uncontrollably. That’s generally true, but the character may manifest grief in a different way. Someone close to Toga is killed - what does she do? You can write her breaking down crying, that’s perfectly reasonable. But if you look at the manga, when Twice is killed, she doesn’t cry right away. She gets angry; she lashes out. She’s deeply hurt by his murder, of course! But the tears she sheds for his passing are few in the immediate aftermath - her grief mostly takes the form of slicing Heroes’ throats.

Tip #3: Read everything else, for inspiration, for background knowledge, for tone, for your own gain outside of fandom.

Just the other day, I read Real, the wheelchair basketball manga by Inoue Takehiko. Its three main characters are marginalized by proper society - two because they’re disabled, one because he’s a high school dropout - and there were moments where I was reminded of the League’s situation. In the first chapter, the high school dropout makes a final visit to school where his teachers didn’t think much of him, and his classmates looked down on him. As he leaves, he thinks to himself that everything he does ends in failure and he’s an idiot, all the while he takes a dump at the school gates as a parting gift.

While I can’t see anyone from the League doing that exactly shot for shot, the spirit of it - being seen as a fuck up, being unwanted, being defiant in face of that, even in a inadvisable way - is similar.

Tip #3.5: Another book I’ve read years ago is Codes of the Underworld: How Criminal Communicate. It was very informative, and I think back to it sometimes when I write for the League.

Criminals face severe constraints on communication imposed by the action of the law, and, unlike the rest of us, cannot easily develop institutions aimed at circumventing them. This central feature of criminal lives makes communication and above all reliable communication exceptionally hard to sustain. For instance, the same secrecy that protects criminals from the law hinders their opportunities to advertise their goods and qualities… In the underworld, moreover, punishments for mistakes and irrational behavior are harsher than they are elsewhere. In the world of regular business, failures of communication can lead to a loss of business, but in the underworld they can result in years behind bars, or worse.

I don’t follow it exactly, because the League is in a children’s fantasy story, and maybe this was obvious but now that it was written out to me, I know how to give the Villains an “edge” to them that a non-Villain might not have, because as Villains, they do often logically would to be secretive and brutal and cautious. Dabi walking around in broad daylight meant their hideout was discovered and All Might literally took down the wall to the bar; a breakdown in negotiations with Overhaul meant Magne dying and Compress getting his arm blown off.

Tip #4: Related, let the League be assholes, because sometimes they are. Let them be mean and cruel and problematic. Sometimes they’ll be jerks to each other. Nearly all of them grew up in bad circumstances where they probably were not taught important lessons and details about respect and boundaries and being nice. They are definitely not going to be aware of the intricacies of fandom's (oft-American and oft-terminally-online) consensus about problematic behavior. And that’s fine.

I remember once receiving an ask about why Shigaraki would pull Twice’s mask off in Chapter 224. Wasn’t that terrible of Shigaraki? Yeah, it was. It was also the quickest, most efficient way to get Twice to quit his arguing with the rest of the League, so Shigaraki can announce that they are going to rescue Giran (what Twice was arguing for). After that, he puts the mask back on for Twice. If you ask me, I’d say Shigaraki thinks this evens out - he does something mean that he knows will freak out Twice for a moment, but it’s because he’s arguing for Twice’s side, and he’s putting on the mask back at the end.

You and I would likely never do something like that because we know taking away someone’s important assistive aid, even for a moment, hurts them and we don’t want to cause them pain for even a second if we could help it/there’s not ‘evening it out’/it demonstrates a power unbalance that perpetuates ableism/there are other ways to stop someone and grab attention/we know not to touch someone even the slightest without permission/etc. But does the character you’re writing know all this? Does he care? Does he think it’s worth following these rules? Does he have time for it, does he have incentives for it, does he have the lucidity, does he think he’s an exception because of this and that, etc, etc.

A lot of things, most people often just don’t know until they’re taught to be specifically aware. As an example: When I was younger, I knew broadly that taking things without permission was bad; but what if I took these pair of scissors from my friend’s desk and used it and put it back before the owner knew? The owner is my friend. They once told me it was okay to take it, so it counts even today, right? It was just a pair of scissors, a common household item. My friend did not care; still does not care. But knowing what I do now about things like violations of boundaries, explicit consent, the continuation of these concepts for the most trivial and mundane things even in the deepest of friendship or familial ties - I feel the need to ask to use something. That’s me and what I’ve learned through the years, though. It’s probably not going to be [fictional character].

And sometimes the League are just bad people. Shigaraki tried to kill Toga and Dabi at their first meeting. Mr. Compress is seemingly a-okay with kidnapping and murder despite his ancestor being more of a Robin Hood type. Spinner likely knowingly doomed his family to even worse ostracism and harassment from his fantasy-racist hometown when he ran off to join a group of well-televised terrorists.

That’s also fine. They’re not real. They’re fictional Villains, and you’re temporarily using them as hand-puppets to tell a story.

Tip #5. For dialogue, it helps knowing what each character’s voice/speaking style sounds like. Some basics:

Shigaraki:

“Shigaraki speaks with the normal masculine contracted speech, but with a sinister tone. Surprisingly not very cussy. He likes aggravating other people though.”

Caleb Cook notes that Shigaraki talks like an overgrown kid. (In comparison to ReDestro, who “uses more SAT words, since he’s had a formal education.”)

He can be a sarcastic smartass.

Kurogiri:

“Kurogiri is Extremely Polite”

He only refers to Shigaraki as ‘Shigaraki Tomura’. Always the full name, always just that.

He speaks very formally and respectfully; however, there is also a nastier side to him that comes out when he faces off Heroes: Saying to All Might, “I can't say I like the idea of having blood and guts inside my gate, but… if they're yours, I’ll happily oblige.” (Chapter 18); mocking Eraserhead and Mic when they're being sad over him, “Have you mistaken this place for a confessional of some kind?” (Chapter 254)

Dabi:

“Dabi is like Shoto but ruder, though not to Bakugo’s extent”

He calls people names: Toga most often, as 'crazy'; he called Spinner 'lizard' once; when he first met Shigaraki, he said 'gross'.

Note that all the examples above are people younger than him; as far as I know, Dabi refrains from name-calling his allies who are older than him: Compress, Twice, Skeptic.

He inexplicably politely calls Ujiko ‘Ujiko-san’.

Compress:

“Compress is kind of like Sero. He’s got that trickster tone to him. Gets rougher when things don’t go his way.”

Likes to call himself an ‘old man’ at age 32; talks like an older gentleman as well.

Twice:

Twice contradicts himself a lot. Generally, he says one thing, his alter then says the opposite of that immediately afterwards.

However, when things are urgent or serious, his alter’s speech fades. See Chapter 148, when he confronts Shigaraki about the Overhaul plan - he spills out his feelings with no contradiction. See Chapter 224, after they find out Giran’s been kidnapped - when arguing with the League about whether to say Giran, he’s completely coherent.

Twice argues back with the alter sometimes, rather than the alter simply blurting out the opposite of what he says.

After he gets over his clone trauma, the alter seemed to have…integrated into himself? He still speaks in contradictions, but less so, and it doesn’t seem to be a separate voice speaking out involuntarily

Spinner:

“Spinner also speaks the normal masculine contracted speech like Kirishima and Kaminari, but he talks like Tokoyami during the Forest Lodge arc because he’s a Stain chuuni.”

An average, normal guy, compared to the rest of the League: not very polite, but not particularly rude; no great wit or affect (after he stops being a Stain fanboy), but not unintelligible; game references infrequently.

Giran:

“Giran is also like speaks the normal masculine contracted speech similar to Shoto, but he’s a lot more mature.”

He calls Shigaraki “Shigaraki-san”, being polite towards him as a customer.

He calls Twice by his last name, ‘Bubaigawara’, likely because they seem to be friends beyond just business.

Toga:

Toga is a generally polite girl, talks like a teenager.

She can be bad at explaining herself! Seems to forget the people are lacking context for the things she says. “Hey, my best friend Jin just got killed by a Hero, which makes me sad, as well as worried that I'm going to be cut down like nothing as well, especially because I've been told how abnormal I am, even though I think I'm a normal person just like you, because I have emotions like love and fear, as any regular human does, and that lifetime of repression has hurt me.” -> Whatever she actually says to Uraraka in Chapter 289.

Only Toga uses first names with honorifics with the other League members. This is her being cute and desiring familiarity, but still polite.

　◦ Twice is ‘Jin-kun’

　◦ Shigaraki is ‘Tomura-kun’

　◦ Dabi is, at first ‘Dabi-kun’; after she finds out he’s Touya, he’s ‘Touya-kun’

　◦ Spinner is ‘Spinner-kun’

　◦ However, Mr. Compress is simply ‘Mister’

Conversely, only Mr. Compress and Twice call her ‘Toga-chan’. All the 20-somethings dudes call her just ‘Toga’.

*Note what the League calls each other. They all call each other using Villain names. If the male members of the League are using first names and honorifics for each other, they’ve either gotten extremely close and intimate and weirdly polite, or they’re being possessed by AFO.

Tip #5.5. Instead of fretting over writing good dialogue right away, just write whatever you need to get a scene over with. You can go back later to change the tone and speaking style of the sentence.

Here’s a line I had for Dabi at first:

“Whatever hospital he works at should be shut down for incompetency in background checks.”

Wayyy too formal. Here’s the line after I went back and fixed it:

“Whatever hospital he works at should be shut down for being shit at background checks.”

Still not my best shot, but better. Sometimes all you need is just to change a word.

Tip #6. Humor. The League is ridiculous and hilarious. Always try to have fun with their interactions and antics.

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cashmoneychiyo · 6 months

Text

ohey we're finally using this poll feature

anyway thanks to tumblr's questionable updates, it's come to our attention that we can actually do photosets with more than 10 images now -- up to 30, in fact!!!

So we're actually able to fit whole chapters into one post rather than splitting them (obviously except for volume omakes which have maaany pages). Something you guys might appreciate since it means everything is in one place and we don't have to link to other parts in the post description.

However this also means the posts will become very long, which some people might not like; you can look at the Volume 14 omakes Part 3 post if you want an idea of how long a typical chapter post (14-16 pages) would look like. Also, I personally like to be consistent with how many images are in each row (2 per row vs 3 per row), which is easier to do when splitting the chapters HFKSJDHFJSKD but that is very specific to me, you guys probably don't care as much

So we're interested in hearing how you guys would like us to upload upcoming translations \o/ CMC members shall think about how to proceed with your thoughts in mind~

#mod grolia #still hate the new editor but I've figured out how to upload images + edit the post w/o screwing up the layout now so long posts are doable #but mayhaps there are other tumblr bugs/updates I'm not aware of #welcome to leave comments to share yours insight but please do it on this post's replies!

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the-conversation-pod · 1 month

Text

Dispatch! (The Ossan's Love Episode)

And we're back!

NiNi and Ben bring our friend @twig-tea to the show to talk about the entire Ossan's Love series. We'll talk about the way this franchise evolves over time, the difficulties of comedy, what it means to love older queer men, and how this show tackles the complexities of family and masculinity.

Timestamps

The timestamps will now correspond with chapters on Spotify for easier navigation.

00:00:00 - Welcome 00:01:15 - Introduction and Some Context 00:06:25 - Ossan’s Love History and Summary 00:13:42 - The Characters 00:28:23 - Love or Dead and In The Sky 00:39:00 - Ossan’s Love Returns 00:45:33 - Final Thoughts and Ratings

The Conversation Transcripts!

Thanks to the continued efforts of @ginnymoonbeam as transcriber, and @lurkingshan as an editor and proofreader, we are able to bring you transcripts of the episodes.

We will endeavor to make the transcripts available when the episodes launch, and it is our goal to make them available for past episodes (Coming soon thanks to @wen-kexing-apologist). When transcripts are available, we will attach them to the episode post (like this one) and put the transcript behind a Read More cut to cut down on scrolling.

Please send our volunteers your thanks!

00:00:00 - Welcome

NiNi

Welcome to The Conversation About BL, aka The Brown Liquor Podcast.

Ben

And there it is. I’m Ben.

NiNi

I’m NiNi.

Ben

And we’re you’re drunk Caribbean uncle and auntie here sitting on the porch in the rocking chairs.

NiNi

Four times a year we pop in to talk about what’s going on in the BL world.

Ben

We shoot the shit about stories and all the drama going into them. I review from a queer media lens.

NiNi

And I review from a romance and drama lens.

Ben

So if you like cracked-out takes and really intense emotional analysis…

NiNi

If you like talking about artistry, industry, and the discourse…

Ben

And if you generally just love simping…

NiNi

There is a lot of simping on this podcast…

Ben

We are the show for you!

00:01:15 - Introduction and Some Context

Ben

And we're back!

This week, we are covering all of Ossan's Love, from 2016 through 2024. We have brought on a special guest for this special episode as we're going to talk about the longest-running BL project. We have brought on our friend @twig-tea.

Twig

Hello.

NiNi

Hi, Twig. Welcome to the show.

Twig

Thank you so much for having me.

NiNi

New friend of the pod. Super excited to have you here. Twig is what we delightfully referred to as a ‘fandom old.’ I'm very excited to be having this conversation with two fandom olds in here, Twig and Ben, because, dear listeners, I have not had the time to watch Ossan's Love, so this is gonna be interesting. Ben and Twig are gonna school me.

Twig

We'll do our best.

Ben

This is going to be an interesting episode because we're going to be talking about a project that was somewhat overlooked by fandom, myself included, until the last couple of months. And I'm a little bit salty about it, and so I wanted to bring on somebody who has watched all of this in real time, and I thought that their perspective would be helpful.

Twig, you are new to our listeners. Why don't you tell them a little bit about yourself in fandom and your history with queer cinema and BL?

Twig

I actually started on the GL side, which is a little bit different than I think a lot of folks in the BL fandom. I started with getting into Sailor Moon and got involved with a group of women who started Yuricon. The first Yuricon was held in Newark, NJ, in 2003 and I was the secretary.

From there, there just wasn't enough GL content, and so I got into BL, too. I was really into Japanese manga, was part of a few scanlation groups, got oversaturated, stepped away, came back in 2016 to be shocked at the fact that a whole lot of the stuff that I used to watch was now made into live action.

The YouTube algorithm in late 2016—early 2017—fed me Lovesick and I sort of went, “Hello. What's this?” Then watched Make it Right and was hooked on Thai BL. Tried to backfill as much as I could, so I watched Gray Rainbow, and Diary of Tootsies, and all this stuff that nobody talks about, really, anymore.

One of the things about fandom at that time was that the way you found stuff was digging and a prayer, and random people making random lists, and it was very hard to tell how good those lists were. And so I managed that by watching everything and making my own opinions. And that is why I watched Ossan’s Love when it aired, or as soon as I could get my hands on it.

NiNi

So we're talking like real, real old school. We're talking about “Oh God, maybe some fansubber might help us out here.”

Twig

Fuckin’, like, Internet relay chat.

NiNi

IRC was my job back in the day.

Twig

Yes!

NiNi

I was talking about other things—not BL, but I was there.

Ben

Twig has sketchy as shit DVDs that were handed to her by a fan that have not great rip but really solid subs.

Twig

Bought in a mall parking lot with Mandarin subtitles that we used to watch with my friends who spoke Mandarin so they could translate for us in real time. It was hard. We used to walk uphill both ways back in the day.

Ben

A lot of folks who have been in this for a long time—we joked that we watched everything because we had to. You have done a better job of keeping track of what you've watched.

Twig

I wish I'd done better. I only really started tracking things in 2020. I did try to backfill the years before that, but I only really captured all of the major series. There was so many shorts, and things like that, I just couldn't do. But my spreadsheet has about 600 things on it, 606 as of today.

Ben

Incredible.

NiNi

I have been watching media overall—like seriously watching media—for…30 years…and I have not watched 606 of anything.

Ben

Nah, I believe her. It adds up. I engage with close to 100 BLs every year for the last 2-3 years.

NiNi

Clearly I'm not in these streets with y'all.

[Twig laughs]

Ben

I'm so glad Twig has showed up because it has given me permission to not watch so much.

NiNi

I bow down to you guys, because there was a point in time where, trying to keep up with week-to-week, I was watching something like eight shows at a time and I literally felt like my head was on fire. So, I don't know how you guys do it.

Ben

Practice. [laughs]

NiNi

We talked about this on the show, how last year I watched 50 things, maybe, for the whole year, and I felt like I was losing my mind. I usually watch like 15.

Ben

50 is good. Like, that's a really healthy number.

Twig

That is. That's pretty solid.

NiNi

As in five-zero?

Ben

Yeah, no, that's great!

NiNi

A year?!

Ben

Yeah! And we made a whole fucking show out of it! It’s good!

NiNi

Deep breaths. Okay, let's continue. Let's go on. [laughs]

00:06:25 - Ossan’s Love History and Summary

NiNi

Let's get into Ossan's Love. Ben, do the honors, tell us what is Ossan's Love about?

Ben

Actually, I want to do this one a little bit differently.

NiNi, you have not engaged with Ossan's Love. The most you have is the fandom vibe on it from the periphery. What is your impression of Ossan's Love prior to all of us posting a lot about the new show?

NiNi

When you say periphery, I think you're being incredibly generous. There was one where they’re flight attendants maybe, or something to do with an airline. I am aware of that. And then there was something with a boss. There was a thing about a shower. There's some dirty jokes that go over my head because they're referential to this show. But in terms of my awareness of Ossan’s Love, it's honestly not much.

Did I get any of those things correct by the way?

Twig

You totally did.

Ben

You did. I almost shouted “Dispatch” when you mentioned the airport. [Twig and Ben laugh]

All right. So, I will give what I knew of Ossan's Love prior to earnestly engaging with it: Ossan's Love is a workplace-set drama in which a guy who works in an office is being pursued by a colleague of the same age as him and his boss—who is like 20-plus-odd years older than him. At the time when I didn't watch it, the fandom vibe on it was that it was fairly offensive, particularly around the old guy character. And, when it was hard to find this show, I was like, “Whatever, I'm not going to work that hard for a show that people seem really put off by.” I have had to make sure that I check if I am riding an old fandom opinion from prior to 2019 when it comes to older work, because those opinions are usually not informed by the lens that I use. And so I decided to engage with Ossan's Love properly.

Before we start describing what the show is specifically, Twig, what do you remember about your experience watching the show in real time and the popular opinions about it?

Twig

So, the first thing is real time had really different meanings back then because we didn't have international distribution. It was sort of when things were fan subbed and when you could find them and knew they existed. So, I actually didn't get to watch the short until years after the original. So my first outing with Ossan’s Love was season one.

At the time, it felt like if you liked it, you should be quiet about it, because the opinion was so negative that you would be shouted down if you said anything positive about it. So I just sort of stayed in my corner of enjoyment and tried not to think too hard about it.

Ben

That is unfortunately how I remember it being. It was not popular to say positive things about Ossan’s Love at the time. Even the fans of Ossan's Love seemed super ambivalent about the second season, which was an alternative universe.

Twig

Yeah. When Season 2 aired it was an even wider swing. The people who really loved Season 1 seemed to hate Season 2. I actually like Season 2 better than Season 1, so I was even more like, [laughs] “Okay, I guess I don't know what I'm talking about, guys, so I'm just gonna stay over here and let you all have your opinions over there.”

Ben

So our quick timeline: we have Ossan’s Love the TV special in 2016. We have Ossan’s Love the TV show airing during spring of 2018. They released the movie Ossan’s Love: Love or Dead —that went into theaters on August 23rd of 2019—and then a few months later, in November, they released Ossan’s Love: In The Sky. It's my understanding that Ossan’s Love Returns was originally supposed to air in, like, 2020-2021. They've returned to that project this year in 2024.

NiNi

I know they're going to be doing a Thai version of this coming up and they also have the Hong Kong version?

Twig

That's right. Yep. There was a Hong Kong version in I think 2021 or 2022.

NiNi

I love when they take a property and they remake it across cultures over and over again. I'm always intrigued to see how they turn out.

Ben

Have you watched the Hong Kong version, Twig?

Twig

I peeked at it. It's really true to season one in a lot of ways. I haven't actually watched it all the way through because I was like, “If I want to rewatch season one, I'll just rewatch season one.”

Ben

I feel like I have to watch it at some point.

All right, so let's get into Ossan’s Love properly now: Ossan’s Love is about a 33 year old man named Haruta who is a slob. He is a hot mess of a man. He cannot take care of himself. He lives with his mom, and she does all the housework. She decides to bail on him and go run off with the hot new man she's with. And so he asks his colleague, whose name is Maki, to move in with him to help him out because Maki is very good at house chores.

He learns accidentally that his boss, whose name is Kurasawa Musashi, has had a crush on him for a long time and also simultaneously learns that Maki has been crushing on him for a long time. Hijinks ensue as the two of them begin aggressively pursuing him, and he is not prepared for this sudden surge in gay activities.

Twig

One thing I add to your description, Ben, is it's a comedy.

Ben

So this is where things get a little bit complicated. Comedy is hard to do correctly, because a big part of comedy is playing with people's preconceptions of how an interaction should go. A lot of folks struggle with Japanese comedy because they're just not aware of the expectations for how an interaction should go, and so the humor is not landing on them, and this can happen even in your own culture. Like, if you showed a teenager today Airplane, many of the jokes in that movie would make no sense to them because they're missing some of the cultural context. Some of that exists with peoples engagement with Ossan's Love, I think.

Twig

I think that's right.

00:13:42 - The Characters

Ben

The big part about Ossan's Love that impresses me is how the show gets better each time they come back. There are things that are kind of yikes in the short that are tweaked out in the first show. There are things that they retooled Haruta and Kurosawa over in the airport season. And then, in the most recent season, Ossan's Love Returns, they've shifted where the focus of their storytelling is after everything that's going on. So we are seeing the same characters, but they're dealing with much different dynamics.

So, Ossan's Love Returns was a completely acceptable point for a lot of people to jump on, and I almost just jumped on. But, I like to know how we got here. So I was like, “I must watch all of this first!” [laughs]

NiNi

I was about to say on what point were you ever gonna just jump on without going back into the before times? You, sir, are a historian and a completionist.

Ben

Of course. And so I went back and watched.

Twig, since you didn't have a lot of people to talk about Ossan's Love with at the time, how about you talk about your impressions of Haruta, Maki, and Kurosawa when you first engaged with it?

Twig

The thing that stuck with me is that, even in 2018, it felt a little more queer than a lot of the other stuff I was watching alongside it at the time. Haruta and Maki, and all of the characters, play into that in different ways. Haruta is an extremely frustrating character. I just wanted to reach through the screen and strangle him through most of season one, and I think that's partially intentional.

Haruta is set up as the literal straight man. He's there to be what your average straight guy reaction might be when confronted with gayness, and everyone around him literally slaps him and tells him he's being an idiot. Delightful, but it doesn't make the character himself very likable at first. The fact that he grows on you anyway, even while he's being so frustrating, speaks to the other strengths in his character: his kindness, and the way he values his coworkers. And I think the later seasons did a really good job of picking up the things that made Haruta such a great character, and enforcing that in the character writing itself to make him more likable overall.

I loved Kurosawa from jump. I think he's [laughs] incredible. He lives life on 11, and I think watching an older man step through some of the more standard romance tropes very clumsily but earnestly is incredibly charming.

Maki is the competent character. He's also a self-actualized gay man. He at no point questions his sexuality at all, has no crisis about it. He knows who he is and what he's attracted to. And that was also really refreshing for BL at the time.

NiNi

Describing the kind of character that Kurosawa is made me think of Ben describing characters like Shin from Minato's Laundromat. When you tend to see these younger characters who are full on gung-ho chasing after the ones that they like, people like that. But they don't like the boss because they don't think their character should be doing that.

Twig

When I was first telling Ben about my opinions about the show, I said one of the things I struggle with is whether Kurosawa is telling the joke or is the joke. I think the more I have watched and rewatched, especially in later seasons, they do a really good job of him being a funny character and we're not laughing at him. He's not the butt of the joke, he's just funny. The people who would be turned off by an old guy hitting on a younger guy no matter what were turned off by that character and the ones who were sympathetic to older men also having romance in their lives were turned off by the idea that it was a comedy.

Ben

The comedy in the way Kurosawa pursues Haruta is about the age gap, not the fact that he's an old man. It's that he's at a different stage of his life. He's not fumbling to figure out stuff, he knows what he wants and his time is limited, so he's pursuing it determinately and also because he's older, he's behaving in line with his generation.

Like, if you don't have friends who are more than 10 years older than you, sometimes you're going to get weirded out by their cultural stuff. Like right now, I'm reaching the age gap with some of the kids I tutor, and I had to deal with all the various iterations on rizz and I don’t like it.

[Twig and NiNi laugh]

I had an 8 year old call himself The Rizzler the other day and I almost pushed him down.

Twig

Oh no.

NiNi

Oh my God.

Ben

I understand the concern around Kurosawa. But that is not what I think the show is doing, and even if it accidentally does it, that is not the show’s intent. Haruta is dealing with the sudden shift in his relationships with men who are important to him. Maki was just like his friend and colleague, who he was low-key mooching off of to do housework for him, and he has to deal with the fact that the only reason Maki is willing to put up with him is because Maki likes him. With Kurosawa, a big part of their relationship is the fact that he respects and admires him so much. The relationship between them is very paternal in a lot of ways?

Twig

A mentorship.

Ben

Yeah, he sees Kurosawa as a respected mentor and Kurosawa respects Haruta as well as a valued member of his team. A big part of the show is them sorting out the way that affection complicates some of these relationships, and we as the audience have to struggle with why these men like this man. Haruta is fucking useless in the household. He may be good at his job, but he is horrible at house related stuff. And so the question is why would anyone want him?

And this is not rhetorical for the show. They really want you to grapple with this. The fact that Haruta is kind of repulsive as a romantic interest is something the show wants you to think about. You have to work to understand why so many people are into Haruta, and I think this gets better overtime.

Twig

They do a really good job with all of the women characters in this show, which was super rare for the time and still worth saying. His best friend Chizu also is terrible at housework, but she's a woman, and so she's struggling with the expectation that she get married and she keeps talking about how she needs to find somebody who does for her what Haruta’s men are willing to do for him. I just love putting those two characters side by side. And the silent question that's asked of the audience. That's like, why is this okay for Haruta, but not for Chizu.

Ben

It's not really subtle. As the show goes on, Maki won't really commit to Haruta because Haruta is ostensibly straight. Maki is hesitant about full committing because it's hard to be gay, like you got a lot to face as a gay person and he doesn't know that Haruta is going to stand up to all that. He's kind of a waffly type of dude. He's kind of a people pleaser who won't really stand up to anyone. This is kind of good for him as a salesperson. It's obvious why all their clients like Haruta. But it makes him kind of unreliable as a partner because you're not certain he's going to hold ground with you when the world is telling you that you shouldn't be together.

The first season ends on a really cool note, ‘cause Maki and Haruta break up and Haruta just falls apart. And Kurosawa moves in with him for a while to help take care of him. For Kurosawa, it's a romantic thing, but it very much feels like someone’s parent going to take care of their kid. Haruta recognized where he failed with Maki, and he starts trying to help out with house stuff a little bit. But it's not like he suddenly becomes like a great housekeeper. I really liked that choice, that he starts putting in an effort but he's still horrible at it.

Kurosawa ends up proposing to Haruta. Haruta has a hard time saying no to people, so he accepts. Also, he used a flash mob. It's hard to say no when someone flash mobs you.

NiNi

Pause. Pause for cause.

Twig

Michael Jackson-themed flash mob.

NiNi

Okay, not pausing. Unpausing. Go ahead.

Ben

Kurosawa is always at 11. He is an incredible character and like he and Haruta are going to get married and at the altar, Kurosawa is like. You need to go to him. You don't actually want to be here. And so Haruta runs to Maki and proposes to him at the end of the first season.

And then there's just an incredible supporting cast in the show. I don't think we have time to talk about all of them properly, but. Haruta’s friend Chizu’s older brother Teppei runs a little bar diner that they often hang out at. He's so funny, always giving them weird gross food combinations to try out. They’re’s Maro, who's a member of their team who did not know Haruta’s given name for the years they worked together, there's Maika, who's kind of a nosy busybody at their work. She's a great source of comedy, ends up with Teppei. There's Takegawa, who's the second at their office in the first season, who is revealed to be Maki’s ex later. And he is intense as hell and becomes a complicating factor in the budding relationship between Haruta and Maki because he challenges Haruta. He's like, why is he putting this much effort into you? You suck! I really love the Takegawa character because he is a hot mess.

Twig

He just is so pained at Maki falling for a straight man. Something that is deeply relatable for anybody in queer spaces. [NiNi laughs] Like we have all been that person. Like, what are you doing to yourself?

Ben

I want to nod to Choko real quick. In the first season, Kurosawa has a wife of 30 years. Her name is Choko. Once his feelings for Haruta become known to Haruta, he decides he's going to pursue them and he tells this to his wife and they get divorced. She is understandably upset about this whole situation. But what's so great about it is, the show allows her to have a journey of figuring out what her life is going to be now that this information is out there. Like, she was hurt and upset at first, but then decides to support Kurosawa because this is her partner of 30 years and she understands him, so she ends up eventually supporting what he's trying to do with Haruta. And she ends up developing her own relationship with Maro.

It's really cool in this show where there's this whole complicated thing about whether or not these three gay men are going to sort themselves out into various relationship configurations, they're also doing a pretty steep successful age gap romance between like a 30-something year old man and a woman approaching 60.

Twig

I love Choko's arc so much. It's the one thing that stayed with me the most. She is also allowed to be funny. She's silly and immature in the same ways that the male characters are. She's not perfect either. And I think that is super important that she's a complicated character.

I think it's really important that this show talks about the ways in which homophobia and being in the closet hurts everyone, not just gay people. I think this show does a good job of at least alluding to the fact that the hurt that's caused by people having to live lies makes waves in communities.

NiNi

I like when they put that on older characters, as well. There's so much to unpack when you're talking about a life lived in the closet, emerging from a life lived in the closet later on in life. What you're gonna do with that life and how you're gonna treat it. From what you guys are saying about Kurosawa, it’s like he just decided to take life by the balls once he came out of the closet, and that's always something that I enjoy seeing.

Ben

I guess, well, on some of the negatives. The humor is choppy in the first season. You do have to recalibrate as you're watching. It is very funny, but in ways that are unexpected. You will end up feeling a sense of revulsion in the show, particularly to season one Haruta. When I started going back to it, I had a difficult time with the first episode because I'm asking myself why would anyone want to fuck this man? [NiNi and Twig laugh] That is a real and valid reaction that you have to work with as you're watching the show. And so parts of it are a little bit difficult to watch in that regard.

And Kurosawa is a huge character. You have to take time to get to know him and understand him and understand where his behaviors are coming from. And if you're not willing to do that work, the show is super off putting.

Twig

It is loud. You do have to allow your comedy ear to calibrate to its shouting.

Ben

However, I will say that if you want to see romance in BL about older characters, Ossan’s Love is right there. The entire drama is about 30-somethings and much older dealing with life and love. There is no wistful stuff about “things were easier when we were kids” in this show at all. It is very much grounded in the perspective and dramas that people in their 30s and 40s and 50s are dealing with in life and romance.

Twig

I feel like the one other thing that I always feel the need to call out about the first season is Haruta, because of what his character is struggling with, is physically uncomfortable with displays of affection, and particularly with kissing, in the first season. And that can be off putting too, but he makes it clear verbally that he's not actually against physical affection, he's just familiar with it? It is one of the things that the show does better later on.

00:28:23 - Love or Dead and In The Sky

Ben

Let's talk about the movie! Ossan’s Love: Love or Dead.

Twig

[laughs] Every time I think about that title, it makes me laugh, ‘cause it's just so extra.

NiNi

I'm sorry, Love or Dead?

Ben

Mhmm.

Twig

Oh yeah.

Ben

The premise of this movie is at the end of season one, Haruta got an opportunity to go work in Shanghai for about six months, and the guys are going to be facing a separation for a bit. There's drama when Maki goes to pick up Haruta ‘cause he's found in a compromising position, and a big part of this is Maki still dealing with his anxiety around whether or not Haruta can be a partner to him. Maki gets selected to be part of this high-powered real estate team, and there's a bunch of drama that unfolds involving a partnership with a drug peddling organization and then we end on like an action note where they have to rescue Haruta from a burning building.

Twig

There are explosions.

Ben

Lots of explosions.

NiNi

This sounds… delightful. This sounds like exactly my kind of crack.

Ben

You should watch it sincerely.

Twig

It is delightful.

Ben

If you're not certain about Ossan’s Love, legit, watching Ossan’s Love: Love or Dead is not a terrible place to start. It's a two-hour outing that covers the basic ground of the franchise, has some really strong moments, and is super cracked out.

What's so fun in it is, we talk about the retooling of the characters. In season one, Maki and Kurosawa beef a lot over Haruta and legit get into physical brawls over it. This is a feature of the entire franchise. These men scrap on the regular. There's this great moment when they're trying to rescue Haruta from this building where Kurosawa's role as their mentor comes through and he reads Maki about how he's always holding back in the relationship. That's what I think works for me the most in this franchise, the collective love that everyone has for each other. It's true that Kurosawa is not going to succeed as a romantic rival to Maki in this story, but that doesn't mean that he's not important to everyone and everything going on. And I really, truly love that.

Twig

His mentorship relationship with Maki really starts to flourish in the movie, the moment where Maki’s hanging off of a ledge and Kurosawa is helping him physically back onto the ledge so he doesn’t fall into the flames, but also verbally telling him what he needs to do to save his relationship. This movie is not subtle with its metaphors. But it's such a good moment where we realize that Kurosawa plays that role for Maki, too, of a mentor, and that he's willing to do it for the relationship, even at the same time as being a love rival. And it sets up the new season really well.

Ben

The movie matters to the timeline of the series. The movie is not just some sort of one off moment that occurs. The events of the movie are built into the characters, and it was the beginning of them retooling how these characters function.

NiNi

This sounds like a very experimental type of series, just the way that they do different things each time. While they are refining their central characters and the central storylines, they're also experimenting with style and tone, and a number of other things it feels like?

Twig

I think that's really true. One of the things about the movie that's really fun is it's the first instance of sports in the series. We get Justice playing basketball with Haruta and working his feelings out through basketball.

Ben

JUSTICE!!! [Twig and Ben laugh]

Twig

Love and peace! And that becomes a huge part of the AU and also part of Ossan’s Love Returns that I think really adds to the experience. They try things out and then if it works, they pick it up and add and yes, and it, and then they pull out the things that didn't really work. I find that really interesting to watch happen.

NiNi

The concept of something being iterative like that in real time, it's not for everybody.

Ben

This series went on to do something super experimental where a couple of months after they released a continuation movie promising that these characters would get back together, they released an alternative universe season where only Haruta and Kurosawa were present from the original cast, and now we're at an airport dealing with a completely different set of characters and a slightly different dynamic.

It also gave Twig and I our favorite bit.

Twig

[laughs] Dispatch! 👍

Ben

Dispatch! 👍 Oh my God. It is so funny, every single time.

NiNi

Every time.

Ben

Every episode has at least two dispatch moments. [Twig laughs] It's so fucking funny.

Twig

Sometimes it's to end a conversation. Sometimes it's to greet somebody, sometimes it's to shut down a conversation, distract from someone saying something you don’t want them to say.

Ben

So in this particular season, Kurosawa is still a leader. He is the captain of a flight crew. Haruta is a new flight attendant who is joining this team. In this case, Kurosawa is not Haruta’s long-term mentor who has been harboring a crush on him. He develops his crush in real time. Haruta moves into company housing and there's a slightly older guy there who's got a crush on Haruta, but he won't say anything about it. And then there's the meanest twink who's ever existed in BL.

NiNi

I mean y'all just seem to be giving me multiple reasons to watch this show at this point, so.

Ben

So in the second season, there's far more complicated people in the Haruta stuff. There's Kaname who is the older mechanic who lives in the dorms, and he's got this huge crush on Haruta, but he'll never say anything about it. Naruse is causing fucking problems all the time, because every time he has relationship drama and people show up at their airport to fuck with him about it, he just starts kissing Haruta to make people go away. And then people throw drinks in Haruta’s face over it. Because Tanaka Kei is a master of physical comedy.

Twig

One of the staples of the series is what I call the Haruta reaction supercut, where they just have multiple cuts of Haruta’s face as it morphs into more and more absurd huh, no, whaaa faces. He does bend his body in ways that's like a cartoon falling over, it's pretty incredible.

NiNi

Ben knows that I love physical comedy.

Twig

Yoshida Kotaro has incredible physical comedy, too.

Ben

Like if you ever want to see an old man try and kill an aging twink [Twig laughs], this is the show for you.

I get why people who liked the first show bounced off of this, because the rest of the cast is gone. The supporting cast is a really strong part of the Ossan’s Love experience, but I really like the AU season because I think it allowed them to retool Haruta and Kurosawa. And retool the relationship between them to make it more about their mentorship. They're building that relationship in the AU season ‘cause they don't know each other.

Twig

The thing that I really like about the AU setup is because Haruta is coming into a new environment, we get to see him build his network of people around him over the course of the season. Showing us what's likable about Haruta because he has to charm all these people around him in order to get friends and build a community, is a really important piece of the puzzle that allowed me to get to like that character a lot more, because he was charming me at the same time.

Ben

We get a lot of great moments in the season. Kurosawa has been a pilot for 30 years and he decides to retire and everyone is sad about it. I'm sad about it, Twig is crying about it.

Twig

Mmhm.

Ben

He ends up inviting the three guys who we've mentioned out to hang out in the park with him. He has this sumo tournament with them where he's basically giving them the last bit of advice he's going to give them and it is, one of the most intensely emotional man moments I have had in this genre. I was losing it and I was crying. I was hollering and screaming, messaging Twig like, “Wake up, I need to talk about this right now, I don't care what you're doing. Get up.”

Truly, it is one of the best moments in TV about the relationships between men that I have ever experienced, and it is this hyper ridiculous sumo wrestling moment in a gay romance drama in the AU season that is technically not canon, and it was the moment from the series that lingers with me the most.

Twig

Even in the moment they're looking at each other like, is this happening? How is this happening? This isn't real. Nobody does this. Nobody calls each other to the side of the river with a note [laughs] to hold a wrestling competition in which we talk about our feelings.

Ben

But it works really well. I ended up really loving the way it allowed us to think about these two men and the relationship between them. We get to appreciate how important Kurosawa is to Haruta.

Twig

That sumo wrestling moment allows us to see Kurosawa's relationships with all of his subordinates. The way he's so firm and so gentle with Naruse, with like “soft landing,” meanwhile, throws Haruta out of the ring.

Ben

The way he talks to all of these men as specific to them, like his role as leader is strongest in the AU season. My primary concern for the Thai adaptation is who is playing Kurosawa, because this character is as important as the romantic leads.

Twig

I think it's more important.

Ben

I am with Twig. Who is going to match Yoshida Kotaro in Thailand? I need to know.

Twig

I'm eagerly awaiting that announcement.

NiNi

The answer is going to be Nu Surasak or Kob Songsit.

Ben

I really hope it's good.

00:39:00 - Ossan’s Love Returns

Ben

Ossan's Love Returns reunites the original cast after five years. Maki is returning from an extended stint in Singapore, and now he and Haruta are gonna start their cohabitating married life together. Maki is now part of the super team at headquarters, following up on the movie. Haruta is still on the streets with regular folk, ‘cause that's where he wants to be. Kurosawa has retired, I liked that follow up from the AU season. And now he's working as a housekeeper. Maki is working too much and Haruta is still bad at house, and so they hire a housekeeper, who ends up being Kurosawa [Twig laughs] who cannot hold back his feelings for Haruta and it becomes one of the ongoing dramas of the season.

One of the things I enjoyed in this season is… they explore how to integrate Kurosawa into their lives long term. Haruta is serious about Maki and committed to their romance. Kurosawa is also extremely important to him and he treats him like a father figure. They explicitly have Choko talk to Kurosawa about how a lot of the ways he feels [laugh] about Maki are a lot of the ways a mother-in-law might feel about their daughter-in-law with the way they beef with each other. And when we say they beef with each other, I mean, these two men are legit fighting in their kitchen, like Kurosawa hits Maki in the head repeatedly with a frying pan. Maki legit throws Kurosawa through a door at one point and knocks it off the hinges. These two men, when they scrap with each other, are fighting for real and I love it every time.

NiNi

It's just like you all conspired to come into this recording booth today and just be like, okay, so you say this and I'll say that and between us we're gonna get her to watch this, because she likes this kind of stuff.

Ben

I didn't really have to work that hard. We're just legit talking about what the show was doing. We get a really great season of Maki and Haruta settling into what their life is going to look like. There's some introduced new characters in the season that we all had very complicated feelings about who I think end up fitting fine by the end. Most of the original cast comes back and there's like a really great bit of exploring what all these characters settling into their relationships that they got into in the first season in this one.

So Haruta and Maki are now living together and figuring out what that is going to look like, who are they gonna be as a couple now that they're not doing long distance ‘cause they've basically been long distance between every outing. Which I think was a clever choice because it means that the characters’ relationship dynamic doesn't really move that much between outings.

Choko is now living with Maro and Maro’s mom, and Choko is struggling because she's older than Maro's mom. She can't just treat this woman like her mother-in-law. And Maro doesn't know how to help because he's caught between his wife, who's way older than him, and his mom, who's confused and a little bit uncertain about this whole dynamic.

Twig

I also love that that's not the only thing we see Choko having worked through in the time we've been apart from her. She opened an archery range after her divorce, and sort of reinvented herself with this new life that she's actually thriving in.

Ben

They get new neighbors who are a bunch of weirdos.

Twig

[laughs] They're so weird. They're so weird.

Ben

These two are revealed to be members of, like, a public security division that maybe doesn't actually exist. Izumi ends up becoming obsessed with Haruta because he's a doppelganger for his dead lover who was killed in the line of duty, who is very, very different from Haruta. It was fun to see Tanaka Kei play a very different type of character in those flashbacks. I don't know that it entirely landed for me over the course of the season, but by the finale, which was fantastic, I was okay with them.

Twig

A large part of the way they were written is that they were a mystery for a large part of it, too. It's hard to bond with a character that you know nothing about and is intentionally opaque.

Ben

Chizu is trying to make it as a single mom and this reinforces one of the big themes of the season, that family is all the people who are going to show up for you all the time. She relies on Teppei and Maika to help, and she feels guilty about this and they tell her straight up, like, don't feel guilty. We are a family. You should rely on us.

She had already made Haruta and Maki designated adults who can pick up her kid from the daycare. An important gay right of passage is your friend calling you and telling you I need you to go pick up my kid, and then you show up at said kindergarten to pick up a kid and they look at your ID and they go “oh you're allowed” and the kid runs to you and everybody goes, well, that makes sense. An important gay moment that everyone must experience.

Twig

One of the things that I love about this so much is that it picks up from a throw away line that Chizu says in the movie. She sort of brags that she's going to balance having a kid and her career. One of the things about the series is that it really feels like the people who are writing it love the whole series and are constantly thinking about how to call back in loving ways and how to pick up threads in loving ways. Something that she just sort of confidently stated she was going to do no problem in the movie becomes a whole plot in the following season.

Ben

There's a final arc in the season where Kurosawa has a health scare where we think he's going to die.

Twig

When we were talking about it, Ben, you said that it was an important moment for Maki and Haruta to confront the idea that Kurosawa won't always be around. And I was like, oh, that's why I don't like this part because I don't want to ever think about that. [Twig and Ben laugh]

Ben

The entire finale is this really great examination about the way this whole group of people are a family to each other.

Twig

It's not even just that it's happening, but they're explicit about it. They're having conversations about what is family? What are we to each other? How do we define our relationship? Where do those lines get drawn? And the answer is just sort of, yes.

Ben

There's an explicit line, like, what is Kurosawa to them? And then Maika comes over and hammers it home for the audience and is like, “There's no need to describe it. What matters is you all are going to be part of each other's lives forever.”

00:45:33 - Final Thoughts and Ratings

Ben

I don't think we talked about it as much. So, the first season is pretty light on kissing and intimacy between the male characters. Ossan's Love Returns is not! There's so much married intimacy between Haruta and Maki.

Twig

The casual intimacy in Ossan's Love Returns is constant, and it just feels very lived in? They're just constantly touching each other and having small kisses and teasing each other.

Ben

We got more of that today in the unexpected special spin-offs we're getting. I was like “ohh, I thought we were done. Oh, it's another cute little 20-minute office episode ending on the two of them making out next to the copier.” Love it.

NiNi

This is called Forbidden Gout Temps Nouveau.

Twig

Mhmm.

NiNi

I have so many questions, but I feel like I should not ask those questions right now.

Ben

My general attitude is you don't need to watch all of Ossan's Love to enjoy parts of Ossan's Love. I think if you are interested in gay domesticity and complex family units, you can just watch Ossan's Love Returns right away.

NiNi

I'm watching it all. Eventually. I don't know when. There's a lot going on in the IRL space right now, but I'm gonna be watching the whole thing.

Twig

I feel like I should say something about the original short. It has a lot of the things that people found the hardest to swallow about season one. A lot of the stuff that they did originally they fixed or did better as they moved through. I would say the short is the thing to skip, of all of it, unless you're really curious about the journey of this franchise.

NiNi

I'm really fascinated by the idea of this as a reserve process of working through and refining the show in kind of a real time. I would like to see the whole thing just for that purpose. I'm a writer, so the way that this feels like multiple drafts, and you getting to actually see the multiple drafts to see why they might have decided to make a particular change in the next draft, or why they would have gone for an overhaul, or what would they have tweaked around the edges. I like the idea of looking at that.

Twig

It is not just the writing that they iterate. We haven't talked a lot about the visual effects that this show uses, but it has its own style. One of my favorites: it uses the bokeh effect, where the lighting in the background is blurred and sometimes takes shapes. It starts from the very beginning. You'll see the lights behind Kurosawa make little hearts while he's confessing to Haruta and Haruta’s has little like stop signs. [Ben laughs] And then they get bigger and bigger with that where Kurosawa’s hearts have little like heartbreak. They have– there’s little, like, zigzags in the hearts behind him when he gets rejected. Sometimes he'll be crying tear lights. That’s just one of the things that they play with in the different versions.

Ben

Naruse having that whole tantrum trying to get someone's attention for help? Then having that super cut of them screaming and then smash cutting to them just sitting at the table. There's like the courtroom audio stinger that dominates the first season that I fucking love [mimics the sound] thing that happens over the course of the whole season. It's so, so dramatic, and I'm like, “Is Judge Mathis gonna walk out? What is happening?”

Twig

Oh, and they do this thing where they hard cut to a visual metaphor like water leaking out of a water bottle or a pot boiling to represent the character’s emotions. There's so many visual moments. It's not just written well and acted well. It's also represented visually really well, and seeing how they experiment with that and how that changes. Like, the weird bobble heads we got in the AU season. I'm still not over those. I'm glad those didn't return.

Ben

It is not a perfect show. This is not a “Everybody was wrong. They should have watched all of this. Grab your pitchfork!” situation. This is not an easy show to love. If you can find your way to loving the show, I think it has been one of the most rewarding watches I've had in the genre since What Did You Eat Yesterday?

Japanese BL is different from Thai BL. More experimental and weirder things are gonna happen over time if the series has a lot of leg in it, and Ossan's Love is one of those that has so much leg in it. Like the second season just ended, and I'd be okay if we don't see them again, but, I really hope we do.

Twig

Me too.

NiNi

All right, so let's get into ratings. I mean, is this the kind of thing that you rate? Instead of rating, let's rank. If you had to rank the different parts of the Ossan's Love franchise, how would you rank them? In terms of, for you, most enjoyable to probably the least enjoyable?

Ben

Well, the least enjoyable is the original special. It's the most rough and the hardest to swallow. I think the best season is the current one?

Twig

Yeah. I mean, for me, it's basically chronological order, I think. I struggle between the film and the AU ‘cause I like them for different reasons, and I struggled with them for different reasons. But I think Naruse tips it over there so that it stays ahead.

Ben

[Ben and Twig laugh] I love that mean twink!

Twig

He's just so great.

Ben

I don't know that I'd want to…rank them that way. I think each outing adds something to it. It's really a question of, do you like seeing people try to get together for the first time, or do you really like seeing people be together? For me, I'm very partial to Ossan's Love Returns because it's about gay life drama, which is what I’ve wanted for a while. And so I'm really fucking enjoying that.

Twig

Yeah, I love it when people have to figure out, “Now that we're in this relationship, how do we make this work?”

Ben

But I also love the AU season. I think the retooling of Haruta and Kurosawa is actually really helpful. I think taking a break from Maki is actually helpful for appreciating Haruta when you come back to them. I think you end up liking Haruta more by the time you get to Ossan's Love Returns and seeing the potential in him. The love people are trying to pour on to him in the current season is more accessible to me as a viewer because I got to spend time with Haruta growing to love him in the AU season.

Twig

I also just have affection for an entire season that seems to have basically been built off of like a throwaway reference to episode one, when Haruta says he's most attracted to stewardesses. And then, and also, like, maybe a pun because Kurosawa’s character is called bucho which means, like, manager essentially through all of the regular Ossan's Love stories. But in the AU he's kucho because he's a captain. And I think that's very funny.

Ben

In terms of my ratings, I'm looking at on MDL, I gave Ossan's Love and Ossan's Love Returns a 9. But I gave the AU season a 9.5. [Ben and Twig laugh] So, there's your answer.

Twig

There you go.

Ben

Twig, what did you rate the second season? I know ratings aren't always your thing, but did you give the second season a rating?

Twig

I didn't. If I was going to give it a rating. Ossan's Love Returns? Yeah, I’d give it a 9.

Ben

It's a 9 for me in that I think if you're into BL, you should watch the show, but I don't know that it is the most accessible show, so I don't want to give it a 10.

Twig

I think the thing about this show, too, is it's about multiple relationships. It's not just about Maki and Haruta, and I wouldn't even say their relationship dominates the story. So, to rank it against other BL as a romance narrative is quite difficult. It's about family and what that means in a queer context. Part of that is romance, but it's not even the biggest part? The family feels is what gets me about this series.

Ben

That's going to do it for Ossan's Love. We have succeeded at our mission. NiNi has agreed to watch the show. Twig and I got to unpack the entirety of this whole franchise. We have the benefit of knowing it gets better over time now, and so I don't begrudge people bouncing when they did in 2018. I think that in 2024, it is beneficial for people who care about the history of the genre to go back and properly engage with Ossan's Love. I genuinely think it is worth reconsidering your initial opinion. They… grow. Their characters are not static. What has occurred is taken seriously and what worked and didn't work is considered as they move forward.

NiNi

That is going to wrap us up on the Ossan's Love episode. Twig, it was so great having you on, and I hope you come back.

Twig

Thank you so much for having me. It was really fun.

NiNi

With that, we out. Say bye to the people, Twig.

Twig

Dispatch!👍

Ben

Dispatch! 👍

NiNi

At some point I'm going to find out what that means, and then I will be unstoppable. Say bye to the people, Ben.

Ben

Peace.

#ossan's love returns #ossan's love #ben and nini's conversations #podcast #lgbtq #the conversation #on art #thai bl #bl series #japanese bl #spring series #spring 2024

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makeste · 8 months

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BnHA Chapter 403: (But Just That One Part, Because I'm Not Caught Up)

Previously on BnHA: Truly no idea, but it kind of looks like Katsuki is riding some sort of spaceship, and everyone has gotten really, really sparkly. I see you all have been busy these past 22 months. Great job, keep it up.

Today on BnHA: “So it’s come to my attention that a truly shocking number of you are only reading this manga for a single character.” – Horikoshi Kouhei, October 2023.

so. where to start, lol

I guess I should open with an apology, because I am about to make a fairly selfish decision! what I am about to do, is post a reaction to Bakugou’s Return To The Manga. however, because I’m not caught up, I’m going to be reading this one scene completely out of context without knowing anything about what is going on. which means that I’m going to be missing out on god knows how many nuances and details, which means this reaction post will be short on those things as well. so basically I’m prioritizing my own personal gratification as a fan here even though it is 100% going to affect the quality of my reaction blog, and for that I genuinely am sorry. eventually I will finish catching up, and when that happens I will post a proper reaction with all the trimmings. that’s just how it is for now though

anyway so with that said, basically what I’ve done now is I have gone to the scanlation website, and clicked on chapter 403, and then scrolled down through most of the chapter while sort of half-looking away from my screen with my eyes squinted so that everything is mostly blurry, until I finally reached the big double-page spread with you-know-who doing his thing. namely, standing around on this giant glowy cereal bowl from the future, which appears to be either hovering up in the air, or slowly crashing onto the ground

and this right here, is exactly what I was rambling on about a moment ago. you guys I really am sorry to be doing this, because even I can tell this should be solemn and sincere moment of awe and excitement and relief. but because I completely lack any context whatsoever for wtf is happening, most of the dramatic impact is lost on me, and to tell the truth right now this page is a hell of a lot funnier than it has any right to be

like, so Deku. this boy is crying all the tears. I recklessly scrolled back up one page to see why, and it appears the answer is Because All Might Is About To Fucking Die (which, !??!?), so that’s actually VERY fucked up, and I’m sure I will have PAGES AND PAGES OF WORDS to say about all of that once I finally catch up properly. that is very traumatic and emotional and I will probably cry a lot about it

BUT, that being said, I just need you guys to know that without that context, Deku standing here with his giant head all >:O in the foreground, while Kacchan appears out of nowhere glowing with the power of a thousand suns and standing on top of this giant floating Smash Bros level that Nezu maybe probably built with his nine million dollars, is one of the wildest fucking things I’ve seen in my life. I feel like an accidental time traveler. you know when a character has one of those crazy prophetic dreams showing them chaotic glimpses of the future, and they’re just standing there all “???” because they have absolutely no clue what the fuck is going on? that is what it’s like right now

heh but there he is

“did you miss me, Izuku. back by popular demand after being on IR for 14 goddamn months. rebuilt better and stronger than ever thanks to the heroic spaghetti man wrapped tightly around my heart keeping me alive. just BnHA things. just a flesh wound. by the way, it’s me, Kacchan, just in case you didn’t recognize me on account of my still being really far away and completely covered by smoke, and also you thinking I was dead. here let me give you a close up to make this easier”

“fuck yeah. it really is me, btw. just in case you still couldn’t tell on account of me also being like 100x prettier than you remembered. guess it’s just that blindingly handsome character development”

also, “the end of an era” um hello, yes, what?? just what exactly have I missed here with all this All Might stuff?? because apparently All Might just prior to this was in some sort of mortal danger, is what I’ve been hearing, because everyone keeps posting excitedly about Kacchan showing up in the nick of time to save him? which incidentally makes my heart so incredibly fucking warm omg. it’s what both of them need AND deserve

why is everything so goddamn sparkly right now. this is like a Sailor Moon battle over here

love that look of instant recognition and shock and overpowering relief in Deku’s eyes though. also has he really been fighting in this cracked out OFA-overflowing mode this entire time?? he looks just like he did on the cover of volume 37. I still haven’t seen his actual canon reaction to the “death”, and I haven’t been keeping tabs on his fight with AFO??/Tomura?? at all, but I’m glad it looks to have been as emotional as I could have hoped

aw fuck yeah

his precious card. I’m now almost as invested in the saga of the All Might card as I am in all the rest of this. it’s all beat to hell, but somehow still made it through in the end. just like him

oh. my. g

protect them.

protect them all.

so is the reason this fight is so sparkly just because of OFA symbolism, then?? or is there something else happening here?? goddammit, okay, I‘m gonna very carefully scroll back to the beginning of the chapter, because I’m 100% positive there is some sort of deeply meaningful symbolic thing going on here and I’ll be damned if I miss out on it, spoilers or no

-- oh my goD??!

1. BABY ALL MIGHT WHAAAAAAT

IS THAT HIS MOM???? OH MY GOD DID WE GET ALL MIGHT BACKSTORY. oh my god. oh god. no actually don’t tell me, ahhhh I cannot fucking wait to read this properly, holy shit

so did something wind up happening to Mighty Mom later on then?? feels like it must have, since he wound up getting so attached to Nana? man I don’t want to think about any of that stuff after seeing this panel though :( just, damn it, why is this man’s whole entire life so goddamn fucking tragic

“the one thing I’ve done most is looking back to the path I took” my god I cannot wait to read this. only two short pages and I’m already buried miles deep into my All Might feels. came here for the triumphant Kacchan return and now I’m sitting here tearing up about All Might, god damn you Horikoshi YOU’VE STILL GOT IT. and I am STILL A SUCKER FOR ALL OF IT

anyway, so now back we go to the last couple of pages with this additional context, aaaaand...

...and apparently I’m now full-on crying about All Might! (: well how about that. turns out when you read the manual and follow the instructions properly this series still works exactly as advertised. don’t mind me I’m just sitting here sobbing because everything is exactly what I wanted and I apparently don’t know how to deal with that!!

THEIR FEELINGS BECOME WHAT?!?!?!

EVERYTHING IS EXACTLY WHAT I WANTED AND I’M GONNA BE A MESS ABOUT IT FROM NOW UNTIL THE END OF TIME BECAUSE LIFE IS GRAND!!

ARE ALL OF THESE WATERY SPARKLES LIKE. DEKU’S FUCKING TEARS LMAO OR WHAT. HOW IS KACCHAN IN THE SPLASH ZONE. HOW ARE HIS TEARS HOLDING UP THE SPACESHIP. I DON’T UNDERSTAND A GODDAMN THING BUT THIS IS NOW OFFICIALLY A SHOUJOU MANGA, I DON’T MAKE THE RULES

the urge to ruffle baby Deku and baby Kacchan’s hair is so goddamn powerful you don’t understand. this is PRIMAL. they are SO happy and SO good and perfect. I’m gonna fucking die

there’s not even any dialogue. what the fuck are they even gonna say. their expressions say it all and more. also they are being kind to me because they know I’m not caught up so they don’t want to spoil me any further, thank you my sons

lastly, I guess, because I don’t really have anything else to add now that my brain has fully turned to sappy mush: so uh. I truly have not the slightest clue how or why, but. does Kacchan have OFA though. and why is the answer, “yes he definitely does.” ???

like, I don’t understand it, but I confess that by now I have spoiled myself on the last few pages of chapter 362 for reasons (those reasons being “I finally gave in and looked at them on purpose, because I’d already seen most of them out of context here and there, and my willpower is only so strong”), and so I know that this boy was talking to vestige!Might, and as far as I’m aware that is 100% not possible unless he has some sort of connection to OFA in some way so yeah

and now here he on this last page being all Profoundly Connected with Deku while they gaze into each other’s eyes, and I can’t help but notice that said eyes are all explodey and they look a LOT like Deku’s actually. and on top of that we have all of this All Might symbolism that I’m still crying about, so like? ???

anyway so I’m not going crazy here right? like this is definitely a thing? for whatever reason?? unless you guys know something here that I don’t. in which case I actually am asking to be spoiled fully just this once, because at this point I just need to know one way or the other and I don’t care lol

anyway so that concludes my thoughts I guess! so now my absurdly ambitious goal is to speed read the manga this next week and hopefully at least catch up to Kacchan’s “death”, so that I can better understand what’s happening when I inevitably wind up spoiling myself for chapter 404 as well. the plan right now is to still type up my liveblog notes as I go, but to not worry about posting or editing anything in between chapters. so I’ll have a big backlog of chapter recaps which I’ll eventually get to uploading whenever I can, but in the meantime I can participate more in the fandom side of things. since I really want to share all of my endgame theories and so forth, but in order to do that I really need to find out just what the fuck is actually going on lol, so yeah

#bnha 403 #bakugou katsuki #midoriya izuku #all might #bnha #boku no hero academia #bnha spoilers #mha spoilers #bnha manga spoilers #makeste reads bnha #I see your bakugou katsuki: rising #and raise you one bakugou katsuki: risen #he comes back to us now at the turn of the tide

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