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thereallyreallylatebird · 7 months

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From some of the discourse I've seen, I've gotten the impression that some people think intersectionality is like math. Let me explain.

Some people think of certain identities as universally giving privilege (we'll say these have a value of +1) and some as universally taking privileged/causing discrimination/bigotry/etc. (we'll say these have a value of -1).

And what I've seen is that people will add these values and decide how hard someone has it based on the value of the product.

For example: A white (+1) Christian (+1) gay (-1) man (+1) would have a score of 2, since 1+1-1+1 is 2. (Keep in mind I'm not saying people literally do this sort of math, though I have actually seen charts that do, it's more of a way of illustrating a way of thinking I've seen.)

The problem with this, of course, is that this isn't how the world works at all. Depending on where he lived and his situation in general, that white Christian gay man could be bullied severely, called slurs, or even beaten and killed--all things you wouldn't expect going off a score of 2--because intersectionality is not like math. And because, in some places, this man's gayness would overshadow all his other identities.

Also, this mathy way of looking at things fails to consider how identities interact with each other. For instance, (and this is something several of my mutuals, but especially @dysphoria-things, have discussed in the past) a trans man's identity as a man does *not* serve to "cancel out" his being trans in the eyes of society. First, many won't even view him as a man. Second, even if he is viewed as a man by a certain group, he still may be subject to less explicit forms of transphobia. Not to mention the expectation many hold that he perform his man-ness in order for them to keep seeing him as a man. There's a lot more to unpack here specifically, but the previously mentioned mutual has already done many many posts on this, and is more qualified to speak on this than I am as a cis person, so I suggest you go check that blog out if you want to hear more on this topic.

Another example would be one of *my* identity intersections. That of being aromantic and allosexual. Now, being allosexual (not asexual) is not a minority identity. However, it by no means "cancels-out" my aromanticism. In fact, the specific combination of this majority identity (allosexuality) with my aromanticism actually leads to some seriously nasty assumptions and stereotypes. Because what do you think goes through the majority of people's (especially conservative's) heads when they hear "Oh I'm attracted to people sexually, but not romantically." Nothing flattering.

Point is, intersectionality is not like math. Having a majority identity does not necessarily mean that identity will always be rewarded (especially depending on the combination with a minority identity), and also this way of thinking is one thing that can start people down the "oppression-olympics/who has it worst" route, which is helpful and productive to exactly no one. The world is complicated, society is complicated, and people are complicated. And anything boiled down this much is usually inaccurate enough to be useless or actively harmful. Thank you for coming to my TED-talk.

#intersectionality #queer #lgbtq #lgbtq+#things are complicated #nuance #thereallyreallylatebird

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vaspider · 8 months

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Hi! I’m in my early 20’s and a baby gay and i was wondering if you could help me understand the nuances of a particular issue (or point me towards recourses to find some answers). I’ve heard that as an afab enby i shouldn’t be using the f slur because historically it has been used to attack/demean gay men, but i’ve also seen (mostly on tumblr) a push by the queer community to reclaim the word by any queer identity. I want to be inclusive and intersectional and not insult people to the best of my ability so my question is: can i participate in the reclamation of the f slur or should i leave this word to queer men? (I’m also not clear on wether it’s just cis men, includes trans men/amab folks, etc). You don’t have to answer but thanks for your time regardless!

You can do whatever you want forever.

Seriously, though - whoever is telling you that you can't reclaim a particular slur because that doesn't get used against people like you should come review my history sometime. I've had faggot yelled at me (often out of moving cars or in connection with physical abuse) more times than I can count. They need to talk to Hannah Gadsby, who talks in Nanette about a man who pushed her, thinking she was a faggot and then found out she was a woman, realized she was a "lady faggot" and thus outside his definition of woman and able to be beaten up... so he did.

That kind of "I have decided that people like you haven't been hurt by this so you can't touch this word" cop nonsense is genuinely harmful. We need to bring back the 90s energy of "it takes all of us to take the sting out of a word" where gay men showed up to lesbian marches with "fags for dykes" signs.

This infighting over terms is fucking cop garbage meant to divide us. It's bullshit. If you find strength in calling yourself a fag, a dykefag, a fagdyke, a ladyfag, a girl homo, a lesbo, whatever the fuck, it doesn't fucking matter.

This "no one uses that against people like you" bullshit is just that. Ignore it freely, because it's utter nonsense on many many levels.

#reclaimed slurs #intracommunity issues

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windvexer · 10 months

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the intersection of divination and unintentional spirit contact

Generally I'd say, no - divination (tarot cards, spirit/"ouija" boards, black mirrors, crystal balls, etc etc) in and of itself does not automatically conjure or evoke spirits.

If a spirit is already not in the space where you're performing divination, an act of divination will not spontaneously make spirits appear.

That being said, I have experienced and seen others experience increases in spiritual contact, activity, and awareness after "getting into" divination.

My goal in this post isn't to try to make people fearful of divination (which they should not be) but to try and highlight some of the nuances I've experienced at the intersection of divination and unintentional spirit contact.

Generally, we can divide these experiences into two categories.

There's a specific spirit who is already around, and they'd love an opportunity to chat, and,

"Hey spirit chums, isn't it neat that there's a new practitioner in town who's developing a consistent practice? Let's go over next time divination is open and say hi!"

You'll notice a distinct lack of a third category, "the demons you learned about in your nondenominational Protestant Sunday shool spontaneously appear and your house will one day be featured in a string of Amityville spinoffs."

Of course, not all divination occurs in unintended spirit contact. I'd hazard that a minority of all divinatory attempts end up this way.

So, what kind of specific spirits might already be around, wanting to chat?

I believe (and I'm not so unique in this belief) that spirits are just around us and within things, all the time. A person may have spirits in their home and yard; have spirits attached to family heirlooms; be watched over by ancestors, guides, angels, or protectors; or, in the case of many Seekers, have obtained the attention of various gods or other allies.

When a reader shuffles their tarot cards with the intent to access information they would not be able to have if not for magic, we can conceptualize that the reader is opening a little window and peering into the beyond. If spirits are "beyond," and wandering past the window, they have the ability to wave back and say howdy.

Sometimes - and, in my experience, rarely - these spirits will jut in and "take over" a reading in order to deliver some important message.

Much more often, spirits who push their way into a reading don't have anything important to say at all. They're not there because they're big, powerful, important, or relevant - they're there because it's something to do.

Many random spirits who are already around and like to show up to readings are just curious, don't particularly care about you, and are happy to be very weaselly if it means they get more attention from you. These spirits may be thrilled to claim that they are powerful demons, top-tier angels, faerie kings, your hitherto-unknown familiar spirit, and so forth.

A major giveaway is that they will often not reveal this identity until you specifically ask them if they are a faerie king, or whatever, and they'll agree that they are because to them this is Omegle and it's fun to have you on the hook.

These spirits are easy to get rid of, because they have exactly as much power over you during and after a reading as they had before the reading - which is to say, zero.

If these spirits are already not affecting your life, they will continue to not affect it once the reading is over. The fact that a reading occurred does not "magically" give them power or influence over you.

And again - while a reader worth their salt can intentionally petition helper spirits and ask to receive messages, it is pretty dang uncommon for a person's guides to force their ways into readings. More likely than not, you're dealing with some rando.

Now, all that being said - from time to time, various spirits demand attention and will use a reading as an excuse to get that attention. In my experience, this is a problem often experienced by people who are specifically spirit workers (although it can happen to others).

In circumstances like these, it's not a random curious spirit who's taking the opportunity to chat, nor is it a guide giving advice. Rather, a spirit has figured out that someone nearby can hear it, and it would like to engage your services.

It's not unheard of for a spirit worker (or very spiritually sensitive person) to take home a unique little trinket from the thrift shop, something that just catches their eye, something that makes them feel ways about things, and ignore it, and ignore it, and ignore it...

Until they open up the spirit board to try and do a meditation on the meanings of the runes, and the thrift shop spirit barges in and demands a proper shrine and maybe an offering every now and then.

Again, this isn't summoning, or conjuring, or whatever. The act of divination didn't cause the spirit to appear - it just created an opportunity for a spirit to speak.

The solution to getting rid of such a spirit is often to help it out, or respectfully remove it from the premises, or so on. That's spirit working stuff, and not a facet of divination.

But, what about people who experience an increase in general spiritual activity after readings?

Well, it's a bit like buying a new house and becoming very active in the neighborhood. The neighbors take notice of you. That attention doesn't stop the second the cookout ends and you go back inside.

I'm much less inclined to believe that divination alone will cause you to be an active member in your spiritual neighborhood. But many diviners are witches, pagans, or practitioners. They're not just reading cards, but also practicing spells, praying to gods, and modifying their own spiritual environment.

A witch who is attempting meditations to find their spirit guides, experimenting with full moon rituals, casting spells, and trying to take care of their local environment, should not really be that surprised if spirits start showing up wanting to hang out.

It doesn't mean that witch has special spirit-drawing powers (sorry), and it doesn't mean the runes you bought off Etsy are summoning demons - it means you're integrating with the spiritual reality around you.

Of course, people who don't desire random spirit contact don't have to just deal with it. There is a big difference between throwing a neighborhood bbq where anyone is invited, and having a private cookout for friends in the yard.

Spirits, by and large, often don't bother people who don't want to be bothered. Hang a big no solicitors sign on your spiritual house, and a lot of spirits just won't bother.

Again, I doubt that just reading tarot (even if you do it a lot) is going to suddenly inspire tons of spiritual contact. A lot of people work very hard to get spirits to talk to them. It's usually not as easy as coming into contact with spiritual tools.

Even direct divination that actively seeks contact with spirits (like, trying to channel someone's ancestors for them) often does not bring the spirit into the space - it's more like a two-way phone call. It doesn't actually bring the spirit to where you are and then set it loose.

Anyway. Unintended spirit contact while using divinatory tools does happen, but it's... usually not a big deal. It's often the equivalent of someone walking past your picnic at the park and saying, "some weather we're having!"

And in the random instances I've encountered where the spirit contact is actually a Situation, nine times out of ten, the spirit just wants a spirit worker to help them with someone so they can get on with their life.

#spirit work #divination #tbl

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sideblogdotjpeg · 20 days

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not over it actually . that sol is a clone and what his response to that says about him as a character.

like okay. traditional clone angst shit is like "oh am i real/im not the original/im just a fake copy of someone else/etc etc etc" . and that route of a character arc might have even made sense w sols whole launchpad history - that he self-identifies as a sidekick. but also. maybe that rejection of being the main character is what allows sol to take a different route entirely. swag isnt just his prime clone, hes his "daddyself". sol doesnt really care about being the prime version of himself, he just wants family.

im so deeply fascinated by how the concept of clone-dom intersects w the concepts of family. what is a son but a version of you fated to go through all the same patterns of experience you have. what is a brother but a version of you whose choices has led him to a place you could never go. what is family if not enveloped in fear, love, idolisation and rejection. what is family if not a piece of your heart fragile and vulnerable and walking away from you.

anyway. so like. just compare how mothership sees clones (expendable identical bodies) vs how sol sees clones (brad & bron, youll always be a part of me you are me)

like. does that drive anyone else crazy.

and the original point of this post has completely flown away from me but in a feeble attempt to bring it back. my interpretation of sol is like. sol doesnt want to be a hero, he wants a purpose to fight for. he wants people to fight for. he wants to be part of this thing *bigger than he is* to dedicate himself to. and that used to be the mothership corporation, and has now taken the form of his friends and family. its only natural he would have adapted the spore network, as someone so clearly driven by his connections to other people. it makes so much sense he would see his clone identity this way because ultimately he sees himself in terms of his relationships to other people

(and if you want to be insane like i am, then you can think about sol as a child abandoned and alone in a derelict waterpark, so desperate for any kind of connection that it comes to form a defining character motivation for the rest of his life) 👍

#naddpod #ba2mia #ba2umia #solum bufo #everytime i write any kind of ''''analysis'''' im always afraid i forgot like #a huge detail/plot point that totally contradicts everything im saying #bcus my memory is Bad and i havent finished my c1 relisten so i cant start my c3 relisten yet #so um. all of this might just be made up and in my head LOL #forgive me if so. as i sad. i am insane in the head #i hope this made any kind of sesnse to anyone #ramble tag

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imissthembutitwasntadisaster · 14 days

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Taking this out of Faith's notes because it's not fair to clog them up but seriously I feel like Tilney is very often boiled down to charming man who knows about muslin but to me honestly the people who are like "hmm seems like a fake flakey guy" are more right because it's definitely got this underlying cynicism to it which put together with the charm gives a fairly calculating feel. But to me it's like! Imagine your mother dies and your father didn't murder her but when you describe it later you say he as good as killed her by his slow cruelty and disinterest, and you're left with your sister, your older brother who is also AWFUL, and that same father in an old obscure abbey. What do you do? a. you stop really liking or trusting many people because 2/3 of the people you're meant to like and trust are awful, and b. you get Really Good at being liked. Because that's going to get you out of that house, and it's also going to, as much as possible, save you when you are still in that house. It's not the ONLY response to an essentially emotionally abusive situation like that, but it is a clear response.

And this also explains why Tilney doesn't seem to take things seriously very often, because making a joke out of everything is also a tried and true way of surviving a life like that. If you laugh at it then it won't hurt you so he laughs at his family and he laughs at the shitty parts of society and at the Thorpes and at everything.

Except Catherine then turns up and she's not calculated, she's the opposite of calculated. She's charming because she's so honest, she runs up and pours out how sorry she is that she didn't make the walk and how much she wanted to and had been whisked away, and she tells it without an inch of propriety and it's impossible to keep being angry with her. She's silly but she's also inexplicable clear-eyed, she sees the unhappiness at Northanger so clearly even if she imagines the source wrong! That's always been so important to me as part of her character that she was RIGHT there WAS something rotten in the state of General Tilney!!! It just wasn't Literal Murder. And I think Tilney sees that and he loves that because it's so different from the twisted nature of his own past and upbringing, because it's true and honest and good and he still strives for those things (because even if his charmingness IS calculated, he still sees young women and their chaperones unhappy and abandoned and immediately steps in! he is still very much kind! I might speculate about how it's possible to live an identity for so long that it becomes true, but in this case that would just be speculation because we don't have enough information so I won't.) And then I think he does come to love Cathy properly with more time and all, but the original attraction I think is how straightforward she is.

And I KNOW this isn't the only interpretation of the characters but it's the one that makes Tilney make sense to me, he's too cynical and slightly bitter to truly be the perfectly kind charming man he makes himself out to be, but he genuinely cares too much to be a fraud. I think the complexities arise from the survival mechanisms he's created which make sense given his background, and how they intersect and interact with the rest of his nature and the outside world.

#northanger abbey #when I tell you I met this man lowkey in the middle of still living with my parents when it was Bad and I thought ough mood

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genderkoolaid · 9 months

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^ lets deconstruct this post

So. Look. If you want to define transmisogyny not as "transphobia targeting transfems" but as the intersection of transphobia and misogyny, that's fine. Honestly, I'm for differentiating between anti-transfemininity and transmisogyny, while acknowledging that transmisogyny is fundamental to anti-transfemininity (and fundamental to anti-transmasculinity, and sexism/genderism based in male stereotypes ("misandry"/"antimasculism") is also fundamental to both, but I digress).

However. If we are seriously defining transmisogyny as the intersection of transphobia and misogyny, then it makes no sense to say that trans men can be transmisogyny exempt. If its just about the intersecting oppressions and not identity (or perceived identity), then it makes no sense to center transmisogyny entirely on transfeminine experiences. Under this definition, trans men are transmisogyny affected not only when we are perceived as transfems but all the time because its a fundamental part of transphobic rhetoric against us. The best example would be how transmascs experience the intersection of anti-trans bigotry against "unnatural" modification of bodily sex/gender status and the misogynistic obsession with controlling pregnancy and the bodies of those who can become pregnant.

For example: a trans man is outed to his family, who then force him into a marriage with a cishet man where he is maritally raped and impregnated. Its inaccurate to say that this is just transphobia or just misogyny; this is about punishing him for threatening the patriarchy on two levels: taking autonomy over his "female" body, and transgressing the gender/sex boundary.

But if "transmisogyny" refers exclusively to the intersection of misogyny and transphobia which targets transfems, then it only makes sense that we need another term to describe that which targets transmascs. You can't both complain that transmisogyny isn't "transphobia targeting transfems", so there doesn't need to be a transmasc equivalent, and argue that transmisogyny only targets transfems and transmascs are capable of being TME.

The rest of this is just the same shitty takes on transandrophobia discourse:

"Its a term made in retaliation against transfems!" No it isn't. It was and has always been a term made for transmascs so we have our own language to center our own experiences. Your obsession with making everything we do about transfems says more about you than it does us.

"Its just used to say "when transfems are mean to transmascs!"" No it isn't. For one, personally and from what I've seen from others, we tend to complain a lot more about self-identified TMEs than about transfems because honestly? Other transmascs have been the most annoying in this discourse. But two: it is disgustingly reductive to say this shit when we discuss the very real issues of suicide, rape and sexual assault, forced pregnancy, forced marriage, the way criminalization of T criminalizes transmascs and especially TMOC, the murder of transmascs and how we are erased after death. Again, this is your obsession with making everything we do about transfems.

"As it seems to be used only on this site" No it isn't. Multiple academics, including the literal coiner of the term, are doing research onto this concept & terminology.

EDIT: OP was not aware of the ongoing sexual harassment. I still think saying "trans women taking the piss" is downplaying a lot of the lateral transphobia that takes place, but she's not referring to anything specific I believe.

#m.#examples of transandrophobia #rape tw #forced pregnancy tw #forced marriage tw

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mogai-sunflowers · 10 months

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I hate it when I can't use a term that fits me very well because my brain (which processes everything with images) has an image of that term that doesn't look like me.

Like when I think of "transmasc" and all that pops into my head are skinny, white, American boys with very basic styles (which isn't a bad thing, it's just "too basic" for me personally), and of course, who look like cis boys and hate their bodies or prefer other body.

Meanwhile, I'm a POC, fat, Latine person, with questionable style (/joke), who CERTAINLY doesn't look like a cis boy and who really loves their body.

How could I use a term when my brain tells me that term doesn't fit people like me? I hate that. It's just me?

hey anon. i so wish I could reach through this screen and tell you that who you are is perfect and that you have every right to terminology that feels right, but as a fat trans person myself I know it takes more than kind words to deal with a pain like this, and one that’s even more intersectional than mine with your race and culture in the picture.

but that image you have in your head of what transmasc means, that is not the reality. that is what a small part of the community, of the world, WANTS you to think because they would rather throw other members of their community under the bus to gain faux acceptance for themselves, which is NOT your fault, but it’s also not everyone, there are so many people in this community who look like you or who truly stand with you. Transmasculine history is and never has been white or thin or any of that.

I’m going to link a few things you may want to look into if you’re wanting to start accepting your identity a little more, or just to see that you really ARENT alone. trans men/transmascs of color have been part of our history since the beginning. some of these things im sharing may be somewhat nsfw and have the word 'tranny' in them, just as a warning if that stuff bothers you.

newspaper clipping showing three trans men of color at a festival for a film they were part of, the first ever sexual/porn film by and for trans men of color

some pictures showing some fat trans men and trans men of color at marches are here

Bobby Cheung, the Asian and Pacific Islander trans man who won the Mr. Transgender San Francisco Pageant in 2004

trans men of color discuss intersectionality in a film they directed called "Trappings Of Transhood"

a photo showing the attendees of an FTM conference- you can see many non-white people in attendance

a photo of a group of Latino trans men who attended Tranny Fest in 1999

basic info on victor j mukasa, a Black transmasc lesbian active in East African LGBTQ rights scene

an older fat trans gentleman's photo and experience

a post on pauli murray (please look them up. his experience is much more nuanced than this post gives them credit for, and she was a wonderful intersectional activist)

various trans men (many fat and of color) who have contributed to our history

a conference of Indian trans men

the story of a trans man named Ben

one of my personal favorite transmasc historical figures, Amelio Robles Ávila

Zander Keig, the fat Latino trans man who won social worker of the year in 2020

a wonderful read on the intersectionality of transmasculinity and race

a digital archive of trans and queer Latino history

the Instagram page of a popular Black drag king

an article with interviews with various drag kings, including several of color

Florence Hines, the Black drag king once called the most excellent male impersonator in America

more drag kings many of color!

Drag Kings: An Archaeology of Spectacular Masculinities in Latino America

anon, it is so easy to feel like you are alone when your own history has been unfairly erased from you. but when I say “you are not alone”, I am not offering empty words of comfort- YOU ARE NOT ALONE. Transmasc and similar identity has truly NEVER actually been just for white people or thin people. You are WONDERFUL, and you are ABSOLUTELY a part of trans masculinity and transmasculine history is YOUR history and community as much as it is mine and others. You belong.

#🌌written in the stars ; asks🌌

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ardafanonarch · 4 months

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Welcome! This is an Ask-based meta blog for looking into the intersections of fanon and canon in The Silmarillion fandom.

What does that mean?

“Fanon archaeology” means digging into the canon texts to theorise about where fanons come from. It's a bit like a "fanon mythbusters" blog except that nothing is being busted. The aim here is to investigate in a spirit of curiosity and fun that celebrates fandom creativity. It is not to criticise or argue against. It is also a great place to send in a Ask about the various “versions” of canon you hear about in this fandom.

Ask Guidelines

To be revised as the blog evolves.

Currently only taking Asks primarily to do with the Years of the Trees and First Age.

Please be respectful in your wording. Avoid language that is judgmental or generalising. For example, instead of saying, “I hate that everyone thinks Sauron tortured Maedhros, can you set the record straight?” just ask the question: “Where does the idea that Sauron tortured Maedhros come from?”

We don't do meta on the canonical basis of ships (Vingilot excepted). This topic is very subjective and outside the scope of the blog.

Responses will focus on links to canon, not fandom history.

We will try to answer approx. one Ask per week.

Replies to anon asks will be tagged #anon.

More info below the cut.

Why bother with this?

The entire corpus of works published by J.R.R Tolkien or his son Christopher is massive, difficult to navigate, and not always accessible. Many fans are curious about the relationship between fanon and canon but perhaps don’t have the time, energy, or resources to dig into the texts. We’re here to do the archaeology: excavate the quotes, dust off the footnotes, and report back on the findings.

Who are you?

Currently this blog is run by one person, but to avoid any confusion between my individual takes and the intended objectivity of this blog, I am keeping my fandom identity on the down-low. I am not a scholar or an expert, but I love researching and writing meta. For now the blog is Silmarillion-focused because that’s my area of interest and knowledge. If and when the blog grows, I hope to expand to include other Tolkien canon and invite fandom community members to contribute responses to Asks.

This is a positive space.

We love fanon, canon, and the creative process that connects them. Positive, constructive, and supportive engagement with our posts is encouraged. Negative, hostile, offensive engagement is not, and we may block users who choose to engage in this way.

Please be respectful of the community and remember we are all just here hanging out because we love the works of J.R.R. Tolkien.

#guidelines #mod post #ask guidelines

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windienine · 2 months

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on soul of sovereignty, ysmé the exalted, and gender presentation.

so! soulsov. soulsov and gender identity.

on my second playthrough (a livestream with friends), somebody pointed out that ysmé scanned to her as trans woman. i asked why, and we ended up in a conversation that lasted long into the night and notes for an analysis post i'd make at some inchoate point in the future.

that inchoate point is today!!

below the cut are some explorations into ysmé's character, her past, and potential intersections with gender identity. spoilers for the prelude ensue. if you're planning to play the game yourself in any capacity, i gently urge you to do that now before reading further. :)

I. YSMÉ, PRESENTATION, AND SPECTACLE

Ysmé is a practiced mage whose highly idiosyncratic use of artisanry (constructive magic) as a body mod is vital to how she chooses express herself as a person. She's out to become God and/or die trying.

We get introduced and reintroduced to Ysmé a whopping seven times throughout the prelude alone. In order, we are presented with her:

as a thief, stealing from a church,

as a sickly damsel, at the Lamplight,

as a treasure-hunter, when her guise starts to falter,

as a crazed mage, when she holds Loïc at gunpoint,

as a spooky ghost, when she is stabbed,

as a goddess, when she ascends,

and, finally, as a tired and scarred woman in the epilogue.

In many of these circumstances, how she appears to others is something she gets to dictate. Most notably, this factors into her choice to take the guise of a frail, sickly maiden` to better court the goodwill of Loïc (who she's already designated as a mark for this kind of act)

and when she later reveals her "true self" in the middle of the Hollow Temple to awe and frighten him. Here, she's in her full clowngirl glory! You can tell that she's spent time poring over every little flourish of this outfit, down to her nails matching the color of her facepaint. It's tacky, it's maximalist, it's sensual, it's a little unsettling, and boy is it everything. This is Ysmé qua Ysmé, and she makes sure you know it with the impact this one scene makes.

Even when we see her put together a look as a literal goddess, we get so much ostentatiousness that points exactly to what kind of person she wants to be seen as!

Two faces, one beneath the other, victory beneath a pulled-aside mask of tears. Fuller lips, fuller lashes behind a mask of smudged makeup. Eyes on her tatas because who the hell is there to tell her not to. She gets scene after scene where we get to see that she curates every single aspect of her appearance, and as someone who takes on many of the signifiers of a stage performer, she cares deeply about the kind of mask she chooses to wear.

Nothing here is accidental. Everything about how she genders herself is purposeful!

II. GHOST YSMÉ... (HEAVY SIGH) AND ALSO LANGLAIS'S ACCOUNT

The first time we see a version of Ysmé who isn't carefully curating her presentation using glamours, it's when she is quite literally dead. Along with wild hair and a body made of ghostly flames, she has a broader, straighter build than she had in any of her past guises (plus a gaping stab wound.)

It's our first hint that Ysmé's use of "glamour" goes beyond just a change of outfit and hairstyle. For friends more observant than I was on my first playthrough, this was the first "wait hold on is this an art style thing or is Ysmé being telegraphed as transgender, here?" moment.

There's one other named character appearing in the prelude who already has his own idea of who Ysmé is prior to the plot, and that's Langlais-- a police officer pursuing Ysmé at the behest of the Church of the Builder.

He quickly demonstrates himself to be pretty repugnant.

Regarding Ysmé's skill with artisanry, he remarks:

From context clues laid out in the wider text, "artisanry" is a magic based around weaving physical matter out of nothing. It is used in construction, art, and the production of goods, generally at a slow, measured pace, making one object at a time. Constructs made with artisanry are meant to be durable. It seems to be the main form of magic taught within the Mosaic, and its creation-based theming seems appropriate to the Builder writ large.

Ysmé's favored use of it (weaving entire new outfits and tools out of thin air, trading durability for speed and flexibility) is considered non-standard and low-brow-- "illusions" that are deceitful or childish in nature. Loïc has been mislead, he warns.

Langlais feels justified in treating Ysmé like some backyard nuisance that needs reining in and Loïc like a wuss for flinching at the sight of a gun, despite him having taken a demonstrably very real bullet from Ysmé's demonstrably very real (if spontaneously generated) handgun just the day before. It all clashes from what we've seen and the inferences we're meant to draw about how Ysmé uses magic--

however temporary, however breakable, Ysmé's "illusions" are to be taken seriously. I think that the way in which she chooses to modify herself should be included here, along with the possibility that that's not exactly an intended use case for artisanry.

In addition, when initially interrogating Loïc, he refers to Ysmé like this

implying that he believes that "Ysmé" is some sort of fake name or alias.

III. BOYMODER YSMÉ

The scene after Ysmé comes down off of her holy high and wakes up ass-naked in god-knows-where, having been assigned to do god-knows-what by the Voice of the Sovereignty, holds a lot of interesting implications for Ysmé in particular.

We get this remark from her internal narration:

Okay, so this is generally the first thing she does when she wakes up. Before doing anything else with her day, she uses artisanry to change her appearance. There are plenty of reasons why this could be the case (vanity, status as a wanted criminal, etc.), but the emphasis on it in this scene makes me believe the text is indicating that Ysmé might suffer from dysphoria and/or dysmorphia.

We get a good look at her in the very next CG, along with the one after, showing us an Ysmé with a different appearance than any of the guises we've seen before...

Ysmé, without any glamours or illusions being sustained, is an androgynous figure, akin to her ghost form. Still quite pale, still a skinny little thing, but the entire cut of her face and all of her body proportions are pretty different than, say,

any of this, in scenes where she's in full control of how she gets to look using magic.

Frankly, she looks like "mysterious elven prince" material, and it contrasts quite a bit with how she presents herself in the temple especially.

For now, I'm not going to go into any supplemental materials like the sketches and paintings featured on GG's blog, but they play with Ysmé's presentation on the regular there as well.

The conclusion I feel like I'm supposed to draw from all of this is that Ysmé is a transgender woman who uses her unique skill for artisanry to change her appearance to whatever she feels suits her. She is not necessarily comfortable being seen or seeing herself without a glamour on, but in this scene she is too spent to do anything about it.

IV. HAHA HEY GG WHERE ARE YOU GOING WITH THIS

BUT, that is not where the game ends. The prelude leaves us on a stinger.

A lone figure stands over an altar, praying to the Builder that His lost children, swayed by the Devil, may yet find their way.

The camera then pans over a figure that looks nearly identical to the Ysmé we saw a scene ago (albeit without any scars), right down to the soul-stealing blue eyes, fancy hair part, and really good clavicles. They open their eyes in response to the prayer.

So far, we've got very little context for this. It appears to take place in the same church as the opening scene where Ysmé is caught stealing, but we don't know who this person or the figure in the church is, and we don't even know if this is happening concurrently to the prior scene or if this is a flashback.

It's still of interest, I think. Something that didn't catch my eye the first time around and that I still didn't quite process until I saw the isolated CG on GG's blog:

Hey, check out that carved idol (presumably of the Builder himself?) right in the center of the goddamned church-- a familiar cut of the jaw, and a familiar hair part. Ysmé doesn't just look the part of a prince, she quite literally looks like an incarnation of the Mosaic's creator deity, who is exclusively referred to using masculine terms.

If the person in the end CG isn't Ysmé, then who is it? Why do Ysmé and this person both heavily resemble the Builder?

I could draw all sorts of conclusions about this from the text as written so far, but the one that feels most relevant here is this: if Ysmé is indeed "meant" to look like the Builder, if she was made to serve a very distinct purpose, if she was at some point meant to serve as a living vessel for His will,

wouldn't that put any decision by her to trans her gender in a very narratively relevant light?

Wouldn't that put her decision to leave the Mosaic and seek the Sovereignty in a very different light?

Wouldn't that mean that the story that she told Loïc on the way to the Hollow Temple (fleeing a religious family to serve a higher purpose-- even if it's just for herself) was technically true, after all?

If nothing else, it would put into perspective why a Church lapdog such as Langlais has been ordered to pursue her, along with a fully mobilized police unit in tow.

This pretty quickly takes a flying leap into the realm of speculation on my part, but I'm sure there's some connection between all of these similar elements and I'm interested in how it plays into Ysmé's character.

V. LOÏC, AND CONCLUSIONS

Let's jump back to that scene of Loïc and Ysmé waking up together.

None of this seems to come as much of a surprise to Loïc, who gives her the cloak off his back for modesty and regards her kindly despite the kind of day she has just put them both through. There's never any demand from him for her "real" name, no demand that she explain herself further, and certainly no shock about her appearance.

I'm inclined to agree with Loïc's read of the situation, here.

Ysmé is demonstrably a pretty poor liar. The dying ingenue act doesn't have much in the way of substance to it-- certainly not enough to buoy her through several conversations and a mutant wolf encounter with Loïc on the way to the Hollow Temple-- but the speech she gave in the forest about wanting something better for herself, a second chance away from a controlling family

struck a chord with Loïc. Despite it having been woven into her ongoing wicker basket of lies, there's a glimmer of something true, there. Ysmé wants the capital-S Sovereignty-- and lowercase-s sovereignty over her future and what she gets to make of herself.

Judging from her seeming unfamiliarity with the outside world, it might not be something she's ever had before.

None of her presentations by themselves comprise a complete snapshot of who Ysmé is as a person. However, they are different parts of the elephant, so to speak-- there is flicker of truth in each of them. After seeing several, Loïc decided that the fuller picture they form isn't one of the kind of person who would doom humanity.

He doesn't truly know her, yet, no. However, I think he has decided what he has seen of her paints a picture of a lonely, long-suffering, malcontented queer lady who, indeed, as mentioned by the pastor (?) figure in the first CG...

... has a heart. More alike to his own than different, even. In every form she's taken, she's revealed a little more about who she is and who she would like to be seen as. (For the record, I also feel like there are a few parts of the text that imply Loïc is his own flavor of trans and/or queer, but that's a much bigger leap and would deserve its own post)

I'm not sure how much all of these inferences will be backed in the final release. In Loïc's words,

Thank you for reading!

(your honor, i love her.)

#soulsov #soul of sovereignty #victor text #character analysis #ah. gender. this game is full of it.#this kind of rambles but i hope you get something out of it #<333

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brigdh · 6 months

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I was thinking more about how Stede doesn't really have an arc this season (see my previous criticism here), and I've decided that what I would have loved to see was Stede actively attempting to court Ed.

Now, we did get a little of this in the first few episodes: Stede's letters in 2x01 are great, I love his attempting to track Ed down via a crime-map in 2x02, and of course the "I'll never leave you. I'll never leave again" speech at the end of 2x03 is fantastic. But once Stede and Ed are both in the same location and conscious, there's really nothing. Stede just hangs around, waiting for Ed to figure himself out, or take the lead, or something, I don't know, but Stede's certainly doesn't take any action to progress their relationship himself. He's such a static character in the second half of S2.

But! Imagine instead the arc where Stede is actively trying to romance Ed! I don't need him to be good at it; it's probably a better character arc if he isn't, in fact. Maybe he comes on way too strong at first and this is why Ed asks him to slow down, until Ed can figure out what he's doing about his own guilt/violence/identity/daddy issues (maybe Ed can actually figure out something about his guilt/violence/identity/daddy issues). Maybe Stede's entire conception of romance comes from poetry and novels and it hits a hard skid when he tries it out in reality. Maybe there are cultural clashes between how pirates approach one another and how the landed upper class does it. The exact way Stede fails doesn't really matter, because the point is that Stede is trying something, and fucking it up, and trying again, and growing as he does so, learning more about what the relationship between him and Ed needs and who they are as people.

This also could have been a really interesting arc for Stede internally. Throw in a couple of flashbacks to Stede courting Mary, to make a parallel between how he acted then and how he's acting now with Ed. If it's beyond the budget to fly Claudia O'Doherty to New Zealand or she's busy or something, give Stede a random other lady or two he approached as a young man – ones who obviously refused to accept his hand. Excellent! Now there's even more weight to him getting it right this time with Ed, when he's never managed to get someone to like him before! Or give young Stede an intense friendship with another young man that went wrong, and back then he didn't understand, but now he can look back and be like, 'oh I guess that wasn't as platonic as I thought'. (Personally, this would be my favorite option, but I know Jenkins & co said they didn't want to write a coming-out story, so maybe they'd have been less interested in this one. Fine, but I want it! 🥳 ) I think you could do this without taking up a lot of screentime – I doubt all the scenes we got of Ed's childhood add up to five minutes in total, but we got plenty of information from those three glimpses.

It would also make sense for Stede to discuss the issue with the crew, which gives the show a chance to flesh out their role a little more, another thing the season could have used. If he asks Lucius, what Lucius responds and how he reacts could help to develop the Lucius/Pete relationship. Similarly, if Stede turned to Olu or Jim, we could have heard more about Jim/Archie or Olu/Zheng or any combination of the four. Or any of the crew! What kind of relationship advice does Frenchie give? Roach? This also could have intersected with Ed's redemption arc nicely: which are the crew are willing to put aside their anger at Ed to help Stede (and them doing so would give more credence to Izzy's speech about them being family and loving Ed at the end)? Who isn't willing, and tries to deliberately sabotage their relationship for revenge, and how do Stede and/or Ed react to that?

Overall, I think such an arc could have fit the show's themes of masculinity and toxicity really well. There's so much about dating and pick-up lines and romance that reflects on gender – there are expectations of who should be aggressive vs receptive, flowery vs crude, prudish vs too fast, gifts as a sign of love vs gifts as obligation... it's endless. Obviously the season wouldn't have time to explore all these angles, but I list them as a sign of how many directions they could have taken this topic in. Ultimately it all comes down to: Who does Stede want to be as a partner? And who does Ed want him to be? And that would be so strong as a direction to go in, even if we didn't get final answers to the questions! At least they would be asking them.

But instead we got a vision of a mermaid and never explored who Stede is in reality. :(

#ofmd meta #our flag means death #stede bonnet #gentlebeard #blackbonnet #ofmd season 2 #ofmd critical #(for real this time unlike my last post)

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aifanfictions · 7 months

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Write a love story about (y/n) taking the hunter exam along with Gon and Killua and Gittarackur (Illumi Zoldick in disguise) finds (y/n) very interresting and slowly falls in love with her powers, her looks and her character

Whispers of Shadows: An Enigmatic Love

In a world where extraordinary abilities were wielded by those who dared to dream, an enchanting love story was poised to unfold. (Y/N), a spirited and determined individual, had embarked on a life-altering journey by undertaking a prestigious examination. Alongside two remarkable companions, Gon and Killua, they ventured into a realm of trials and tribulations that would push their limits, both physically and emotionally. Unbeknownst to them, their path was soon to intersect with an enigmatic figure, Gittarackur, who concealed his true identity as Illumi Zoldyck.

(Y/N) had long harbored the dream of becoming a Hunter, a title that promised boundless opportunities and adventures. Their resolve was unwavering, their spirit unyielding, and the Hunter Exam was the initial step towards realizing their aspirations. Amidst the numerous aspirants, Gon and Killua shone as exceptional talents. Their camaraderie, forged through shared challenges and victories, grew stronger with every trial. It was amidst these tests that (Y/N) not only discovered the allure of the hunt but also found themselves drawn to the captivating personalities of Gon and Killua.

As days turned into weeks and trials morphed into friendships, a shadowy presence lingered in the background. Gittarackur, an adept assassin disguised as an examinee, had been assigned a mission to observe and gather information on (Y/N). However, his mission evolved into something more complex and compelling, as he found himself inexplicably drawn to (Y/N)'s powers, appearance, and character.

Gittarackur, from his concealed vantage point, watched (Y/N) with unwavering fascination. He admired their grace in combat, their resolve in the face of adversity, and the loyalty they held for their friends, Gon and Killua. Every moment spent observing (Y/N) only deepened his intrigue.

As days turned to weeks, and weeks to months, Gittarackur's fascination evolved into something he hadn't anticipated—love. It wasn't just (Y/N)'s powers or physical attributes that enamored him; it was the essence of their character, their unyielding spirit, and the depth of their emotions that captivated him.

One evening, in a quiet moment away from the hustle of the Hunter Exam, Gittarackur found himself alone with (Y/N) in a secluded corner of their lodgings. It was a rare respite, and he seized the opportunity to engage in conversation.

"You possess an extraordinary aura," Gittarackur remarked, his voice tinged with admiration. "Your abilities are truly remarkable, and your determination is unmatched."

(Y/N) smiled, humbled by the compliment. "Thank you, Gittarackur. But my journey here wouldn't have been possible without the unwavering support of my friends, Gon and Killua."

Gittarackur's gaze lingered on (Y/N), his fascination growing more profound by the day. "There's something about you that transcends mere talent and determination. You exude a unique charm—one that is difficult to define."

As their eyes met, a peculiar connection seemed to form—a thread of unspoken understanding and uncharted emotions that hung in the air. Gittarackur's fascination had grown into something deeper, something he couldn't ignore any longer.

Amidst the trials and chaos of the Hunter Exam, Gittarackur struggled to come to terms with his newfound emotions. His mission, once straightforward, had transformed into a labyrinth of conflicting desires, torn between his duty and the affection he felt for (Y/N).

One fateful night, with the Hunter Exam reaching its culmination, Gittarackur decided it was time to reveal his true identity to (Y/N). He exposed the depth of his deception, confessing not only to his mission but also to his burgeoning feelings—a love that had taken root in the shadows and grown into a profound affection.

"(Y/N), my mission was to observe and gather information about you," Gittarackur began, his voice laden with emotion. "But it has become more than that. I've fallen for you—your powers, your character, your very being. I know it's complicated, but I couldn't keep the truth hidden any longer."

(Y/N) listened, their heart a tumultuous sea of emotions. They were torn between the shock of the revelation and the complexity of their own feelings. In that moment, they realized that beneath Gittarackur's assassin facade, there was a person—a person conflicted and flawed—who had come to cherish their existence.

As the Hunter Exam concluded and (Y/N), Gon, Killua, and Gittarackur embarked on new adventures, their love story became intertwined with the enigmatic world they inhabited—a tale of love and self-discovery amidst the chaos of their extraordinary lives. It was a journey filled with challenges, danger, and the discovery that true love could flourish even in the darkest of shadows.

NOTE! This story was generated by OpenAI

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whetstonefires · 7 months

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“The Justice League and the Avengers are very different teams”

In what respect? Like, how would you say both teams differ in terms of overall function, how they respond to threats, how they’re viewed by their respective publics, etc?

😂 who even are you?

anyway, these two teams have been reformed and rebooted so many times and are the flagships of the two juggernauts of their industry, so their natures have evolved and influenced one another heavily over the decades as you see armies tend to do in prolonged warfare, so there is probably not one single statement you could make about either one that's always true.

it would be crazy to try to explain the difference in diegetic terms, because those aren't goalposts they're hockey pucks. the difference in kind exists at a publishing level.

fundamentally, the Avengers was designed to rest, in narrative terms, on everyone's personal relationships and neuroses, and develop soap opera subplots and office drama around how these intersected with each other and various villains. because in the 60s Marvel was launching the Big New Thing which was heightened naturalism and relatability in comics.

(spiderman and the whole genre of underdog superhero who can't catch a break rather than slyly winking at the audience as the world looks down on his secret identity, not knowing how impressive he really is, dates to this pivot of Marvel's. both Superman and Captain America did the latter in their early days, which is highly dissonant from Cap and Bucky looking at them today, but Cap was retired from print for like 20 years and got heavily rebooted for the new age.)

they had an actual mansion they could all live in, and many of them did, for a solid chunk of time early on. there's a reason people swung so hard for the 'everyone lives in stark tower' scenario foreshadowed at the end of Avengers (2012)--that's how the Avengers are! you bang the action figures together and give them angst and bonding about it!

they fractured repeatedly under the weight of all that drama (because psychology and because stories that don't end are unable to make any narrative sense, and breaking up a team is honestly a half-decent substitute in the Eternal Now of big comics) and at this point the current avengers is much more impersonal and even pays salaries, like basically the commune-underwritten-by-rich-buddy has reincorporated as an NGO.

but it still runs on the same types of narrative tensions mostly--huge epic stuff will be happening, but the Avengers tension comes down to whether everyone really hates T'Challa this month for that thing he did. and what this is doing to group cohesion.

the Justice League on the other hand was not built for character-driven story.

they've done plenty of them, after it became the done thing, and even imitated the Avengers and did the diegetic collapsing and reforming arcs and so on. but it's not fundamental to how a Justice League runs; you could do a super long run where the interpersonal tensions never rose above B-plot status and it wouldn't be tonally dissonant.

it would be weird for many of the Justice League to live together--when a character is shown living in Justice League facilities it is usually to signify that they are isolated and don't have a life and this is Bad. the Martian Manhunter and Maxwell Lord dominated era was deliberately aping the Avengers imo and came out weird as a result, and Lord turning out to be a mind-controlling supervillain was not unrelated to how weird most people felt it was.

the Justice League is like. joining a club rather than a frat. like being on the board of an NGO, rather than taking a full-time job there.

you know? the type of commitment is different. the level of intimacy is different.

cap and iron man's relationship has generally played out primarily in the context of their positions within the Avengers, even though it spills into their own titles, while superman and batman have had entire joint books just for them, and their friendship has not usually been allowed to take up much page time in Justice League issues. because that would be indecorous.

commercially speaking, Justice League is first and foremost an easy-buy showcase for high-profile hero characters and anyone you want to burnish up by displaying adjacent to them.

They've totally gotten messy with it over the years but like. I think the seminal Justice League internal dramas were 1) that time Barry Allen killed the guy who'd killed his first wife and was about to kill his second one and they put him on trial 2) that time Wonder Woman killed a dude who told her under truth compulsion that the only way to stop him from mind-controlling Superman to murder people was to kill him and they put her on trial 3) blah blah Batman paranoia exploited by eeeeevil (barely counts imo) and 4) that extremely oogy time it turned out the Justice League had been using magic to forcible reform criminals and erased Batman's memories of this being a thing when he found out and objected because ethics wtf.

That last one was sufficiently story-breaking they started pretending it hadn't happened as quickly as possible. Which was amazingly quickly considering Identity Crisis was the basis for things like killing off the presiding Robin's remaining parent. They actually soft-reset the whole world fairly soon after by timeskipping over most of a year and being like ahem anyway the past is in the past. And then the universe just kept serially ending for over a decade, so it's been weird.

Justice League has reliably gotten a shiny coat of polish with every reboot tho lol.

(Still not over the way they were like, okay we're wiping Green Lantern back to Hal but now we don't have the token black guy everyone who saw the cartoon expects, let's promote Cyborg people know him because of that other cartoon, ah shit he doesn't work without a partner to do bits with. well we can't put garfield logan in the justice league it's too prestigious, he's from the doom patrol for a reason, yeah i know we've had folks like plastic man shut up this is a Cool Sexy new reboot where Superman and Wonder Woman are fucking, we're not using friggin beast boy. how about Captain Marvel? yeah ok shazam is An Silly Joker now and besties with this 20 year old who may or may not know about his elaborate cognitive situation. i don't actually think they put even this much effort into it but otoh maybe they debated really hard and this was the compromise.

........actually vic could probably work up a decent oppositional patter with eel o'brien ik they were never gonna use plastic man but i don't hate it.)

Right. There was a point.

Obviously I'm probably missing a few big dramas here, but the point is DC was trying to keep up with the fantastic dysfunction of the Avengers because if it bleeds it leads, but even in the Dark Age they could not dive in groin first without tarnishing valued brands. The Justice League is simply not built to tell the same types of stories that the Avengers are.

In Justice League stories the narrative will typically be split in focus to a varying degree between the problems created by the villain and the personal emotional situations--the problems--of the heroes. Usually the villain leads and provides the emotional stakes. Only occasionally, overall, do problems between the heroes rise to the same level. Even when they're having them canonically in some other book Justice League tends to be ruled not the right place for that.

Secret identities are traditionally kept to a minimum in the League and League stories, though what this means in practice has gone through some shifts.

This is not just the difference between DC and Marvel house styles, though of course that's part of it, nor is it the League being older, because it isn't by any significant amount. It replaced the Justice Society of America in 1960. Other teams, even the Titans to an extent which was just the junior wing of the League at first, were allowed to get more into the grit sooner, and have the experimental story of Speedy's career-ending heroin problem happen and intra-team dating drama take the foreground, and all that. Doom Patrol was all about the dysfunction, god.

But the Justice League is simply not designed to be that kind of a team book, and when it's occasionally written that way the seams usually creak.

#ask #hoc est meum #Anonymous #despite racing to the bottom of the pit in many ways #dc has never stopped being fundamentally more conservative than marvel #somehow even now that marvel is disney owned #like partly that's just dc being in internal meltdown mode #but also like the incredible hulk got to be a hellacious horror comic under disney etc #soon i will be out of quarantine and these asks will stop working #comics #damn i spent so long writing this shit i almost lost my duolingo streak #i need to make different life choices #i'm putting away laundry and going to bed

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songoftrillium · 5 months

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Meet The (Updated) Writing Team

Hello Kinfolks! These last two months have been quiet for y'all in terms of updates, but BUSY in terms of the work being done by the sept of contributors to this project!

At the start of October I put out the call for help, saying that this project cannot succeed without the help and support of the Werewolf fandom. I'm happy to report that you as a fandom have responded phenomenally, and production on this series is now underway! These last few months have been dedicated to recruiting team members, and researching our book framework. We've about filled in the main core of the team, and have already gotten started writing Book 1: Cliath!

October through November has been dedicated entirely to research, both putting together a collection of citations we'll be using in this first book, and passing out initial writing assignments. This list is sure to grow in time, but for now we have plenty of work to do!

With that all said, I'd like to introduce you to the team that are showcasing the Gaians.

Amy Waller (she/her)

Bluesky

Ms. Waller is a freelance writer and massage therapist based in not-quite Northern Virginia, and is a contributor to D.W.A.R.V.S. . Werewolf the Apocalypse was her first RPG, and she loves the themes of shapechanging as self-actualization and of trying to balance instinct and wisdom.

Amy has joined the team to depict the journals of Cryptobiologist Esme "Leaping Ghost".

Bek Andrew Evans (He/They)

Linktree

Mx. Evans is a freelance writer and illustrator from Jackson, Mississippi. He explores themes of mental illness, disability, abuse, poverty, queer themes and the intersection of these statuses. He uses body and psychological horror, meticulous attention to medical details, and deep character dives as some of his favorite methods to achieve those goals.

Bek has been indispensible in book research, and will be taking his experience with M20 Sorcerer and writing for the Hearthbound, and fictitious news article citations.

Evie Emerson Smith (She/It)

Tumblr

Evie is a programmer and designer of video games living with her pack in Pittsburgh, PA. She uses primarily anthropomorphic characters to tell stories about identity, queerness, and the power of community.

She has joined the team as a technical writer, and contributor to the opening comic: Cracking The Bone

Excelgarou (She/Her)

Carrd

She's been described as a Werewolf: The Apocalypse academic, and wears this title proudly. She labors at all hours on resources for Werewolf fans - particularly as regards aggregating otherwise obscure information - such as the Build-a-Veteran tool or (especially) the Werewolf Index Project.

Excelgarou is our lead researcher, ensuring our book citations and narrative voices remain consistent through all editions. She has also been conscripted to write the introductory passage on the World of Darkness, and to redraft the Children of Gaia.

James E. Deeley (He/Him)

Linktree

Jim has been playing, running, and writing for tabletop roleplaying games since he was first introduced to them over twenty years ago. Jim has presented on the subject of writing for games since 2010, and has been contracted to write mechanics and to do character design by the likes of High Level Games, Lostlorn Games, and Renegade Game Studios, but is equally skilled at writing lore and narrative, skills honed over two decades of running roleplaying games and medieval studies, lending a deep historical context to his writings.

Jim will write the Western Concordat, showcasing the Silver Fangs, Fianna, Get of Fenris, and Glass Walkers.

J.F. Sambrano (They/He)

Patreon

J. F. Sambrano is an author of horror and (urban/dark/depressing?) fantasy and an advocate for indigenous rights. He lives in Washington (the state) and is originally from Los Angeles (the city); the differences are staggering but the ocean and the I-5 are the same. He is Chiricahua Apache (Ndeh) and Cora Indian (Náayarite). He may or may not be a believer/practitioner of real world magic. If he were, he would not be interested in your hippy-dippy, crystal swinging, dream-catcher slinging garbage.But magic is real, let’s not fuck around.

Beloved Indigenous World of Darkness author J.F. Sambrano is joining our team to depict the Bastet in the Dawn Tribes! A friend and frequent topic of discussion on this blog, we are honored to have him on the team to bring the Werewolf: the Apocalypse he's long-felt the world deserves to life!

LeeKat (She/Her)

Linktree

Lee is a freelance artist, writer, and English teacher based in Brazil. The bulk of her content is furry, homoerotic, and TTRPG-centric works. Her writing focuses on exploring the depths of emotion with tales of self-discovery, queerness, and finding hope in a desolate world.

A huge lover of Werewolf, themes of generational trauma and rediscovering oneself in a world of turmoil resonated deeply, as well as themes of spirituality and ancestry. Writing for this project, she hopes to bring others the same catharsis she felt through exploring the books and their many themes.

Mórag (it/its)

Tumblr

Mòrag is a writer and botanist from Te Wai Pounamu. It writes both botanical articles and horror stories, the former to raise awareness of ecological issues and the latter to explore what it means to be human, represent trans and autistic experiences, and addiction. It's horror writing is best recognized for its use of visceral first-person perspectives, body horror, and the grotesque. It is influenced heavily by works such as the Hellraiser films and the philosophies of Georges Bataille.

It has joined our team to write the story portions of the Song of Trillium, showcasing the legend of Tawatuy.

#world of darkness #werewolf: the apocalypse #dead mountain #werewolf the apocalypse #werewolves #w5 #werewolf the essentials #indie games #indie ttrpg #horror ttrpg #queer writers #queer ttrpg #witers #ttrpg #indigenous authors #brazilian authors

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forbidden-sunlight · 2 years

Text

Pink Venom

yandere! Calix Rochester x Loure!reader headcanons [I’m a villainess but I became a mother]

warning: spoilers from the manhwa, obsessive behavior, implied sexual references and implied references to k-pop music. Please take caution.

Note: this is a work of fiction with the intention of entertainment purposes only. The behavior exhibited here is inappropriate and unhealthy, hence it should not be encouraged. Special thanks to @soleilician and @d10nsaint for their feedback during the drafting phase.

So without further ado, let the show begin! :)

Calix Rochester. Everyone in the Eclair mansion had assumed that it was a matter of fact that you knew the name of your fiance because the engagement had already been announced, hence why you cried upon first meeting him. But that was not the truth at all. Quote the opposite.

The only reason you knew the identity of this young boy is because who wouldn’t recognize the male lead of a shitty romance novel you read in your past life? Definitely not you, who had bought the book series with your hard-earned money in another life at a friend’s passionate recommendation before it all came to an abrupt end thanks to a speeding truck at an intersection on a rainy afternoon. If you were given the choice, however, you’d do it all over again. You couldn’t have lived with yourself if that little kid had gotten hit instead of you.

Anyway, back to the matter at hand: the boy you were now engaged to. In the future, Calix Rochester would inherit his family’s duchy and rise to become a prominent figure in the Empire. He was arranged to be married to Loure Eclair, share one passionate night with her and then dump her for the saintly female lead.

To sum it up, he was scum. A piece of trash who did not care about his fiancee and divorced Loure so he could deepen his relationship with the woman who had stolen his heart. Uh-huh. Right.

He might not have cared for Loure, but damn it all, this was your new identity. The villainess in a novel that had so much potential before it recycled so many old tropes and cliches in the last two books that it had made your head spin. Hell, even you could have written better fanfiction than this garbage!

Yes, you were a fandom writer and proud of it. Shush.

Now fully aware of the fate that lied ahead of you, there is no way that you would allow yourself to become enthralled with Calix if he was just going to dump your sorry ass once the female lead arrived. That’s a recipe for heartbreak and unnecessary drama, which you really didn't need again in this lifetime, thank you very much!

Plus, in this world there were young women who would secretly write sensual novels for money and even attend masked soirees to recite the aforementioned tales in front of an all-ladies audience. Do you hear money or did you hear the crowd asking for an encore? Heck yes.

You had a plan. Now all you needed to do was dive head first into the well of creativity and start zero drafting some ideas. There is the saying that nothing is ever original in art, but you would not stoop so low as to steal the stories from your own world and publish them here under your name.

Plagiarism is plagiarism no matter what the isekai manga have said or did. And it was about time for you to step out of your comfort zone for the sake of your own survival. You’d figure it all out as you went along.

Still…what could you do about Calix? As much as you wanted to stay as far away from him as possible, he is your fiancee now. But isn’t there a saying in your old world, to kill someone with kindness?

As much as you wanted to not marry him and avoid being burnt at the stake for trying to kill the female lead, this was a political arrangement between your respective families. You could not simply beg your father to call off the engagement unless there is enough evidence to appeal to the emperor that the Rochester’s heir was an unfit match for the Eclair’s only daughter. The love affair between the main characters would not happen until after you turned eighteen. Twelve years from now.

There was no choice but to go along with it. Shutting his invitation for outings would only make him more persistent.

So you will have to play along; be cordial, be pleasant, and all that jazz. Furthermore…you’ll have to open with Calix. Letting yourself be vulnerable around someone who would cast you aside in the near future….it sucks. But you were not going to experience the misunderstanding troupe, thank you very much. Communication, in any relationship, is crucial.

You were going to be honest with the male lead, even if it might kill you in the end.

Time flew by quickly. Lessons in the morning, tea in the afternoon, and writing manuscripts until late at night for your maid to secretly spirit them to the publishing house you worked for under the pseudonym Black Rabbit. It was a comfortable cycle, and you were delighted to see your hard work being paid in gold coins with an occasional participation at a literary soiree.

Of course, you spent some time with Calix, watching a performance at the opera house or dining out at a fancy restaurant. He was a courteous gentleman in public, appearing as a man who adored his fiancee very much. And that is what is bothering you.

In accordance with the original storyline, he never once shared any concern towards Loure Eclair. She had been his fiancee in name, nothing more. He minded his own business until the female lead arrived and turned his dull, gray world into a kaleidoscope of vibrant colors. And yes, that is a direct, gag-worthy quote from the novel. However, in this timeline, he showed concern.

He smiled at you, laughed, cheeks flushed a bright pink or red. He was the sweetest man in your presence. And that bothered you a lot. It shouldn’t have, in fact, you should have felt relieved that your actions had changed the course of the novel for the better.

So why was your gut telling you that this was all an act? A mask he wore to keep you close until he would cast you aside for the female lead? You didn’t like it. Not one damned bit.

It looked like you were going to have another talk with him, again. You already asked him to be honest. Pleaded to speak his mind. Get angry with you, damn it, don’t just smile!

Why does he keep acting like this, as if he were afraid of you? It’s supposed to be the other way around, you being afraid of being abandoned by him? You already voiced your concerns about it, how many more times do you have to repeat yourself?!

So, you sat down with him and talked about it. A heart-to-heart conversation that ended with a promise to do better. Although it went better than you initially thought…why did it seem like the novel’s plot was about to deviate even further?

From the moment he met the pink-haired girl known as Loure Eclair on a sunny afternoon, Calix’s initial thought had been the following: she was adorable. Even when she cried out to the servant that she did not want to marry him, being betrothed to her had made him incredibly happy.

At first, she kept her distance from him. But then, slowly, very slowly, she began to open up. She told him what she liked, what she disliked, and some of her hobbies. She had even gotten feisty on occasion, growling in annoyance like a puppy baring its fangs.

So cute. He thought. Every expression she wore was absolutely charming. She seemed more real to him than the image of an ethereal fairy princess waiting to be swept off of her feet by a knight in shining armor.

He cherished these small moments when Loure opened herself up to him as much as he cherished the time that they spent together. As the heir to his father’s duchy, Calix could not go out very often with his fiancee and spoil her, much to his annoyance.

But Loure understood. She reminded him to take care of himself and not work too hard, occasionally sending over some sweets from a famous bakery to cheer him up. He still kept the ribbons of those pastry boxes in his desk.

When he wasn’t by her side, his servants kept an eye on her. Imagine his surprise when he discovered that she was a writer. Not just any writer, but the infamous Black Rabbit herself! The harlequin whose words enraptured the hearts of young maidens and books flew off the shelves as soon as they were available.

Calix did not spare any expense in purchasing all of Loure’s books. They were not just for his own amusement; he read them as well, devouring one novel after another. His beloved was incredibly talented, there was no doubt about it…but why put in so much effort when they were to be married soon? Once she becomes his wife, she will have enough money to be comfortable for three generations even after shopping in the capital’s shops.

When he asked her one evening after attending a piano recital, she flinched. Flinched, in his presence, when he would never dare to harm a single hair on her head. He did not like that at all. But he sat in silence, hearing their carriage rattle beneath the cobblestoned streets before she made an unlikely confession.

Yes, she enjoyed writing novels…but it was also a failsafe. A nest egg in case something happened to her father’s estate…or their engagement. She was afraid of being abandoned with nowhere to go. That was the truth.

Why? He thought. Why would she even think of such a thing, when all she had ever done is shown him kindness? It was unbelievable. And yet…the confession made him so happy. Elated he had discovered another secret of hers, building up the trust between them. It made her even more desirable to him.

Ah, he wanted them to be married soon. He wanted to wake up every morning by her side, seeing things that he would never let another man see.

No, no. He cannot think like that. Loure had made it clear to him that she was not interested in another man. That was one of their many conversations that they had when he got jealous of someone being near his woman.

He had nothing to worry about. Yes, there were men she had to meet, investors and representatives from the publishing house. But that’s all there was to it. Just business.

Hmm…perhaps he could purchase a failing business and turn it into a publishing house under his name? It wasn’t a bad idea. He’ll ask her when she comes to visit him for tea.

First, he needed to have a small chat with the crowned prince. That brute believed because he was the heir to the throne that he was entitled to take any woman as he pleased, including his Loure.

She belonged to him, as his heart and soul belonged to her. He had been infected with the sweet pink venom known as ‘love’.

A love so brutal that he would not allow anyone to touch his beloved. Royalty or not.

#yandere manhwa x reader #yandere #x reader #i'm a villainess but i became a mother #calix rochester #yandere male #ns.fw #headcanons #forbidden-sunlight #acuriousmoon

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artemisia-black · 8 months

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Chamber of Secrets- an insight into intersecting identities.

I'm currently rereading the series, and while Philosopher's Stone introduces us to the magical world in general, Chamber of Secrets provides detailed insight into the hierarchy of the wizarding world and the intersectional identities within it.

For context: Intersectionality was first developed by Kimberle Crenshaw, a legal scholar and critical race theorist, to address the limitations of traditional feminist and anti-discrimination movements, which often focused on single dimensions of identity, such as gender or race, while overlooking the intersections of multiple identities.

Intersectional identities recognize that people have various social, cultural, and personal characteristics that collectively influence their experiences and social positioning.

Using the information the reader learns in Chamber of Secrets, I will outline how specific characteristics influence an individual's social positioning within wizarding society by examining each broad social category.

1.0 Squibs: Magical competence as a baseline to acceptance within magical society

In chapter 8, the reader is first introduced to the concept of Squibs via Harry finding Filch’s Kwickspell letter on his desk.

The letter itself quickly establishes how Squibs are viewed within magical society:

“Feel out of step in the world of modern magic? Find yourself making excuses not to perform simple spells? Ever been taunted for your woeful wandwork? “

Terms such as “feel out of step” denote a strong sense of societal disadvantage. The final question about being “taunted for your woeful wandwork” shows how this disadvantage is viewed in wider society.

This sense of societal disdain is furthered by the testimonies at the end of the letter, with Madam Z. Nettles apparently saying that her potions were a “family joke” and Warlock D. J. Prod of Didsbury claiming that his “ [...] wife used to sneer at my feeble charms.”

Indeed, reading the letter makes Harry ask himself the following question:

“ Why on earth did Filch want a Kwikspell course? Did this mean he wasn’t a proper wizard?”

This idea of Filch not being seen as a ‘proper wizard’ is then further reinforced when we examine the position of Filch within Hogwarts.

In the scene leading to Harry reading the letter, Filch has been cleaning the school despite having a cold, both of which could be easily fixed with magic.

“It’s only a bit of mud to you, boy, but to me, it’s an extra hour scrubbing!” shouted Filch, a drip shivering unpleasantly at the end of his bulbous nose.”

Interestingly, in a previous scene, we see Ginny Weasley taking a Pepperup Potion for a cold, yet Filch is visibly ill and made to do manual labour.

This contempt towards squibs takes on a new layer when we examine the pureblood character’s attitude towards them. When Harry first tells Ron about Filch, Ron “stifles a snigger” before saying:

“Well — it’s not funny really — but as it’s Filch,” he said. “A Squib is someone who was born into a wizarding family but hasn’t got any magic powers.”

This quote demonstrates that Ron essentially regards the characteristic as a misfortune, and this is furthered by Neville Longbottom’s anxiety when the attacks begin ramping up:

“Neville Longbottom bought a large, evil-smelling green onion, a pointed purple crystal, and a rotting newt tail before the other Gryffindor boys pointed out that he was in no danger; he was a pureblood and, therefore, unlikely to be attacked.

“They went for Filch first,” Neville said, his round face fearful. “And everyone knows I’m almost a Squib.”

Neville’s behaviour provides an interesting insight into how being a pureblood doesn’t count unless you have magical power, and therefore, being a pureblood with the intersecting identity of being a squib nullifies all social power afforded by the label of pureblood. It is also interesting that Neville spends money in order to protect himself from attack(and I will get onto wealth later).

2.0 Muggleborns - Wealth does not buy social capital

This is the first book where the slur ‘mudblood’ is used and is the first (in depth) look at how muggleborns are treated within society.

The reader first learns about the myth of the chamber from Professor Binns, but Hermione says that the myth is also discussed within “Hogwarts a History.” Therefore, the muggleborns who read the book about the history of their school are aware of a myth about a monster who exists to rid the school of their presence (a myth that is reinforced by the slurs that are thrown at them). Additionally, the very real chamber being located under the foundations of the school, only further reinforces the idea that muggleborn students exist in a world that at its core is hostile to them.

Furthermore, the markers of social privilege from the muggle world does not provide any protection from the discrimination and we see this in the character of Justin Finch-Fletchley. In his introduction to Harry, he says:

“My name was down for Eton..”

For context, Eton is an elite British public school that has turned out countless politicians, royals and the majority of the people in power today. Thus, Justin being down for Eton is shorthand for the immense privilege he must come from within the muggle world.

However, this wealth and privilege do not save him from attack. Similarly, neither Penelope Clearwater’s status as a prefect nor Hermione's magical aptitude save them from being petrified.

Therefore, it can be concluded that the stigma and discrimination associated with being a muggleborn often detracts from or does not influence characteristics that would add to their social standing if they were purebloods.

3.0 Part humans and wizarding unease

In this book, house-elves are introduced as powerful magical beings who despite being fully sentient are enslaved to wizards, and in later books we learn about the ban on Goblins carrying wands (despite, or more likely because of, them running the wizarding banking system). Both house elf enslavement and the treatment of Goblins allude to deep unease felt by wizards towards sentient beings with magical power.

Furthermore, the reader gets a glimpse into the treatment of part-humans through the story of Hagrid’s expulsion (although at this point we don’t know that he is half giant).

Indeed according to Tom Riddle, there was very little evidence for Hagrid’s expulsion:

“It was my word against Hagrid’s, Harry. Well, you can imagine how it looked to old Armando Dippet.”

And while it is clear that Tom Riddle leveraged his own charisma against Hagrid, even he expresses surprise at how well it worked:

“…. but I admit, even / was surprised how well the plan worked.”

Perhaps the plan worked so well, because consciously or subconsciously Dippet did not like seeing a half human with a wand?

And upon expulsion, Hagrid is given a manual job (much like Filch) and occupies a lesser position within the society. That he perhaps wouldn’t occupy if he were fully qualified (like Flitwick who is part Goblin).

4.0 Hierarchy amongst Purebloods

The top of the wizarding pecking order is undoubtedly the purebloods. However, amongst them there is an internal hierarchy which is determined by two key intersectional identities:

Being part of the sacred 28- This list represents a group of families who claim to have no Muggle or muggle born ancestry and these families consider themselves to be the "purest" of wizarding bloodlines. They are also often concerned about keeping muggleborns out of wizarding spaces.

Wealth

Although the Sacred 28, is not mentioned directly in this book, Lucius Malfoy uses its principles to assert his superiority over the pureblood Arthur Weasley:

“Obviously not,” Mr. Malfoy said. “Dear me, what’s the use of being a disgrace to the name of wizard if they don’t even pay you well for it?”

[...]

“We have a very different idea of what disgraces the name of wizard, Malfoy,” he said.

“Clearly,” said Mr. Malfoy, his pale eyes straying to Mr. and Mrs. Granger, who were watching apprehensively. “The company you keep, Weasley ... and I thought your family could sink no lower — ”

During this exchange, Malfoy slips Riddle’s diary into Ginny’s book, imposing his ‘Sacred 28’ onto a family that lacks the wealth to shield themselves from the consequences of the havoc about to be unleashed. And this is not something he does on a whim, as Dobby tells Harry about the plot to open the chamber weeks before this (although he doesn’t say it directly). It is a calculated move by Malfoy who understands the intersecting identities at play between himself and Arthur.

5.0 The case of Half-bloods

Ostensibly Half-bloods appear to occupy the middle ground between Muggleborns and Purebloods.

However, the identity of Half-blood does not have a slur attached and is often presented in the text as fairly value neutral when compared to the other blood status identifiers. And the key Half-blood characters seem to place on a spectrum depending on their other intersecting identities:

Dumbledore- is more on the Pureblood side of the spectrum as he has magical power (which from the discussion about Squibs can negate even Pureblood status) and potentially also has wealth (a marker of hierarchy even amongst Purebloods).

Harry- is similar to Dumbledore in that he has power and wealth. In addition to having the social status of being the wizarding world’s saviour.

Tom Riddle/Voldemort- uses his magical power to move towards the Pureblood side of the spectrum and becomes a ruler to many sacred28 Purebloods.

Snape- Despite his lack of wealth, his magical power moves him towards the Pureblood end of the social spectrum. But the lack of wealth does impede him from being fully accepted.

In conclusion, the wizarding social hierarchy is not as clear cut as pureblood or muggleborn. Instead it is formed of several idiosyncratic, intersecting identities.

#harry potter #hp meta #chamber of secrets #muggleborns #hermione granger #ron weasley #the weasleys #the malfoys

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