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#the specific way you draw them gets me feeling a certain way
sethcertified · 15 hours
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hello! how are you doing today?
can i request stu macher and billy loomis with a reader who’s love language is giving gifts? specifically they hand make gifts for every little occasion or just because they feel like it, but feel guilty if they get gifts themselves? thank you :)
「 LAME ! 」 . . . 📂
scream : billy loomis, stu macher
w.c : 733
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⊹˚.⋆ synopsis . . . You give your first gift to Billy and Stu… except you’re a total nervous wreck about it.
⊹˚.⋆ starring . . . billy loomis, stu macher, & implied!male reader
What were you doing?
You asked yourself that a million times now as you made your way back to Billy’s house. It wasn’t any special occasion. It wasn’t even a holiday! Yet, there you were, outside Billy Loomis’s door, gift in hand.
God, you were lame.
You stifled a groan as you stared at the friendship bracelets you had made for Stu, Billy, and yourself. The teasing from them would be endless! Stu would probably love the gift, show it off to everyone. And.. threaten anybody who dared to make fun of you for making the bracelets, saying how much of a queer you are or something stupid.
But Billy..?
Would he even wear it? All your efforts into making the bracelets? Wasted..?
Before knocking on his door, you paused and looked down and just… stared. Rethinking your life choices; however, was interrupted by a certain loud mouthed boy swinging Billy’s front door open.
“Is that [Y/N], I see?!” Stu exclaimed teasingly. He slung his large arm around your tense shoulders, “I was just thinking about you.”
“Hi, Stu.” You said as you hid the bracelets clutched in your hand as quickly as possible. Stu was more perceptive than a lot of people took him for. And pushy. And nosy. Not a good combo when trying to hide something from him.
However, not quick enough for Stu not to notice. He was practically breathing down your neck trying to catch a glimpse of whatever was hidden in your clutches.
“What’s that?” He asked, eyeing you, trying to draw out your secrets with that look in his eyes. That puppy dog look.. Christ.
Desperate to hide the flustered expression covering your face, you played his question off, “What’s what?”
“Whatever is in your hands.” He said quickly.
Caught red handed. Ouch. Your flustered expression dropped into a frown. There was no backtracking now. Stu wasn’t who you were worried about anyways.
“It’s for you and Billy..” You admitted.
Stu was quick to wrap his long limbs around your torso in delight. His hold was tight. Too tight. However, it was impossible not to melt into his grip. He was albeit a big, sometimes scary, teddy bear. One of the cheap ones from the fair though, you thought with a snort. Not stuffed enough, so it’s all lanky and saggy.
“Okay, don’t make it weird when we get in there. Billy doesn’t know.” You practically beg before reluctantly heading inside. Billy was in his room, lounging on his bed, some stupid horror flick. His dark eyes eyed Stu and you as you guys walked in. Suspicion— for obvious reasons. You looked like a nervous wreck, and Stu was bouncing on the balls of his feet behind you. Something was up, and it didn’t take a genius to see that.
“Hey guys,” he said coolly. You waved at him in return before climbing on to his bed. The three of you sat in a small circle, and you never regretted your life choices more. It was far too late to turn back and run and pretend like you never got them the gift in the first place.
Preparing yourself for humiliation, you ripped the bandaid off. “Okay, even if you hate this, please save me the embarrassment, and don’t make this weird. Just pretend it never happened, got it?” The two nodded. Billy— in confusion. Stu— in excitement. You unclench your fist to reveal three bracelets. Matching, too.
“I- uh. Well- tada??” You said awkwardly before shoving the bracelets in their hands, eager to get rid of them.
As you thought, Stu was like a kid in a candy shop. His smile beamed at you, easing your discomfort. Billy observed the little bracelet before carefully sliding it onto his wrist. You watched in anticipation.
“It’s cute,” he remarked gently. His hand cupped yours as he slid your bracelet on your wrist.
“I’m glad you guys like them,” you said eagerly, “I’ve been wanting to get you guys things for ages, but I thought you guys would think I’m lame!”
“Already do,” Billy teased.
That same flustered expression came right back onto your face, but this time it didn’t feel so mortifying. Maybe being lame wasn’t so bad. Staring down at the matching bracelets on all three of your wrists, you couldn’t help but smile.
You really ought to make them more gifts in the future.
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✎ notes . . . this kinda sucks so I’m sorry— still just trying to get back into the groove of writing, so pls give me a little bit of patience! but this was cute, so thank you for sending in the request <3
©️ sethcertified 2024
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lolathepeacocklord · 7 months
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Woe. Poorly drawn blitzbulk be upon ye.
EVERYTHING SCREECHES TO A HALT WITH A LARGE METAL SCRAPING NOISE. THE WORLD STOPS IN MOTION FOR SEVERAL MOMENT. FOR JUST A SPLIT SECOND THIS BECOMES THE CENTER OF TIME AND SPACE AND EXISTENCE ITSELF.
JAW DROPS TO THE FLOOR EYES SHOOT OUT OF SOCKETS MAKING A REALLY LOUD HONKING NOISE I START RUNNING AROUND IN CIRCLES LIKE A REALLY EXCITED DOG AND STARTS SPINNING AROUND AND RAPIDLY ASCENDING AND GLITCHES AND SPAZZES OUT LIKE A MESSED UP GMOD RAGDOLL
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somelazyassartist · 1 year
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What do I have to do to never see graphic novel Taako ever again (/nbh)
#THAT FUCKER MAKES ME SO GODDAMN UNCOMFORTABLE I CAN'T STAND HIS FACE#I HAVE SO MANY TAGS BLOCKED TO TRY TO AVOID HIM BUT I STILL SEE HIM CONSTANTLY#NOT THE FAULT OF ANYONE HERE AND I GUESS IT'S UNAVOIDABLE WITHOUT LEAVING THE FANBASE ALTOGETHER#BUT HE MAKES MY FUCKING SKIN CRAWL I CAN'T STAND LOOKING AT HIM#ESPECIALLY AFTER GETTING 'THE ADVENTURE ZINE' AND HOW CAREY USED TO DRAW TAAKO#LIKE. THEIR OLD DESIGN FOR TAAKO WAS BORING BUT THE GN VERSION IS SO MUCH WORSE NOW#BECAUSE SHE LIKE. ACTIVELY CHOSE TO GIVE HIM VISUAL TRAITS THAT ARE VERY SIMILAR TO CERTAIN ANTISEMITIC CARICATURES#(WHETHER SHE KNEW THEY WERE TRAITS OF THOSE CARICATURES OR NOT DOESN'T REALLY CHANGE THE FINAL PRODUCT)#ESPECIALLY SEEING THAT SHE USED TO DRAW TAAKO IN A COMPLETELY NORMAL WAY#AND THE LOOKS PAIRED WITH HOW THEY CHANGED HIM TO BE SO MUCH CRUELLER AND GREEDIER IN THE GRAPHIC NOVEL....#LIKE. CAN YOU UNDERSTAND WHY HE GIVES ME THE FUCKING CREEPS#I CAN'T STAND LOOKING AT HIM I ONLY EVER ACTIVELY LOOK AT HIM WHEN DIRECTLY TALKING ABOUT HIM#I DON'T EVEN DISPLAY MY COPIES OF THE BOOKS. I ACTIVELY COVER THEM UP BECAUSE I CAN'T STAND LOOKING AT HIM#OUGHGHGGGHHHHH AGAIN THIS ISN'T DIRECTED AT ANYONE IN PARTICULAR#HE JUST MAKES ME FEEL SICK TO LOOK AT AND I SEE HIM CONSTANTLY DESPITE HAVING EVERY TAG I CAN THINK OF BLOCKED#(EXCLUDING TAGS THAT INVOLVE THE ORIGINAL SERIES. IT'S SPECIFICALLY THE GN THAT BOTHERS ME)#(I DON'T WANT TO BE LEFT OUT OF THE PODCAST'S FANDOM BECAUSE I LOVE THE ORIGINAL)#(BUT THE GRAPHIC NOVELS OFTEN DON'T GET TAGGED WITH SEPARATE TAGS SO IT'S HARD TO FILTER OUT JUST THE COMICS)#(AGAIN LIKE. THIS MIGHT BE JUST ME AND I'M NOT TRYING TO VAGUE ANYONE BUT JUST. UGHGHHGHHGHHHHH HE MAKES ME SO UNCOMFORTABLE)#vent
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blaiddraws · 2 years
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If i were to make a fangame would i be allowed to include the wormy boys(and girl?) Context: thinking about creating a fangame set in the far future[300-9000 years] based on a mental thought experiment i did based on, how life would evolve on an completely irradiated world, and its adaptations and quirks(assuming the first problem of genetic fuckery, and biological fuckery gets solved by more lead dense cell walls)
sounds like an interesting premise! however i think i would have to decline, no hard feelings. It just doesn't seem like the kind of setting the worm squad would have a good time in. yanno? it doesn't fit the spirit (??) of the au, for lack of a better description.
but if you wanna make characters/creatures Based Off Them then i have no problem with it at all!
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spicymancer · 3 months
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So just wanted you to know, "yellow" is a common slur against Asian Americans and so Huang Feng, being a Bruce Lee (whos an Asian man) clone and all could raise some eyebrows to your intentions. And before i get accused of white knighting, i am Asian
Thanks for reaching out! This is honestly something that might be important to discuss and I appreciate your attempt at broaching the subject delicately. More after the jump.
So to start. I am also Asian. Specifically Chinese American.
As an American born Chinese, I have a weird relationship with my Asian heritage. I have a bad accent when I speak Chinese and most of my upbringing and cultural understanding is very American and western-centric. So I have certain biases at play here that I fully acknowledge. My experience is not universal. But these characters are drawn from that experience.
Huang Feng is a reference to Bruce Lee's performance as Kato in the Green Hornet. Dà Huángfēng being a Chinese term for a hornet.
The character is also narratively implied to be a secret moonlighting identity for the Yellow Ranger in my made-up sentai team. (Who, due to my own decision to always refer to the characters by their Ranger color, is literally just called Yellow by the other members of the cast.)
This is also a reference. Specifically to one of my greatest inspirations, Thuy Trang (Rest in Peace), who played the original Mighty Morphin Yellow Ranger. She was one of the first "Cool Asian Characters" that I encountered in media targeted at me as a child, problematic color choice aside. I sincerely adored her and her giant robot Saber-Toothed Tiger.
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To be honest I have a complicated relationship with "Asian Themed" characters in media. So often saddled with cliché stereotypes: Martial Arts, dumplings, nunchucks, etc etc.
But the thing is, even as I roll my eyes whenever I see the Fighting Game character that is The Chinese One who wears a rice hat and a qipao. Or when one is literally just Bruce Lee. I do also immediately main that character. It's a bit of a guilty pleasure. Taking what representation I can get with mixed feelings. Similar to my enjoyment of sexy anime girl art even though it's all rooted in pretty uncomfortable sexist and objectifying aesthetics. A lot of my work comes from a place of exploring my own sexuality/identity. These characters are, partly, my own attempt to explore Asian themes and ideas for myself.
I would love to say that I'm trying to "reclaim" the term or something but I'm just some internet artist drawing cute anime girls and monster smut. For me, playing with these clichés is just another way of being self-indulgent.
Not really defending these creative choices so much as explaining my perspective on them. I totally understand if all this turns folks off! I fully respect those who don't vibe with my work and wish them all the best. It's a big internet and I'm sure they can find something super great to enjoy elsewhere!
Anyway, sorry for the long rambly post. Despite the fact that I'm posting this on Tumblr, I am not super mentally equipped to engage in Discourse, so forgive me if I don't respond to the tags on this.
So I'll just leave y'all with a neat article by Kat Chow discussing the history and usage of the color Yellow in regards to Asian Identity.
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pureastrologywisdom · 2 months
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ℌ𝔬𝔴 ℑ 𝔭𝔢𝔯𝔠𝔢𝔦𝔳𝔢 𝔡𝔦𝔣𝔣𝔢𝔯𝔢𝔫𝔱 𝔱𝔶𝔭𝔢𝔰 𝔬𝔣 𝔟𝔢𝔞𝔲𝔱𝔶 𝔦𝔫 𝔞𝔰𝔱𝔯𝔬𝔩𝔬𝔤𝔶
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How I perceive different types of beauty in astrology 
The more you have of one placement the more prominent or obvious it becomes
If you have a few you will give off a mix of the vibes I talk about, you may resonate more with one at a certain time, or tap into different ones for different occasions. In the future I may analyse some celebrities so you can see an example of all influencing placements mixed together.
That is what is so interesting, everyone has different mixtures of these placements, so finding the mixture you give off can help you see what type of vibe/aura you give off.
Pisces Placements - specifically rising, moon and Venus 
Neptune dominant people, or Neptune aspecting the Asc
Aspecting mc can have an influence too - mainly conjunct
This is an etherial type of beauty. It’s soft and heavenly. Remember Neptune is the higher octave of Venus. Neptunian people have something about them where it feels like they literally glimmer, they give off this glowing light. They remind me oof the sound of wind chimes. This can be their eyes or a certain feature that can reflect this, but usually it’s just an overall vibe. There can a preciousness or innocence about their look. It is almost angelic. Extreme beauty can be seen through these placements. 
Examples
Sofia Loren - ascendant trine Neptune
Julia Roberts - ascendant trine Neptune
Andrew Garfield - ascendant square Neptune
Pricilla Presley - ascendant square Neptune 
Whitney Houston - ascendant in Pisces
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Aquarius placements - rising, moon, Venus (using modern astrology for this)
Uranus dominant people, Uranus aspecting the Asc
Uranus aspecting mc too - mainly conjunct 
This is a striking type of beauty. It’s unforgettable. There is a uniqueness to these people, one or a few of their features stand out because it’s unusual. There can be something almost other-wordly about them. There is something about uranians that draw people to them, something you cant ignore or put your finger on, almost a shocking beauty, it strikes you like lightning.  They like being different and standing out. They cut through the crowd with their looks. In some ways their looks can also be ahead of their time.
Examples
Zendaya - Aquarius rising 
Johnny Depp - Uranus in 1st house
Audrey Hepburn - Aquarius rising and Uranus in 1st house 
Gemma Arterton - Uranus trine Ascendant
Emma Stone - Uranus trine Ascendant
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Thank you for reading!
I did want this to be longer but I only had time to write about and research two so far.
there will be other parts to this with descriptions for for each sign/planets influence. I will be getting them out this week so if your placements haven't been mentioned look out for that.
If you like this type of content I will also be releasing some slots for chart readings from me soon, looking at not only your overall chart but also options for analysis of specific sections, so please look out for that too in the next month as I will have limited space :)
Pure astro wisdom
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silksongeveryday · 1 month
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Drawing Hornet everyday until Silksong comes out - Day 400!!!
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Well then.
Thanks to everyone for all the love and support, genuinely one of the biggest reasons I still continue doing this daily. You all are amazing :)
And thank you for 2.3k!!!
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…I don’t really know what else to say at this point lol???? I’ve been doing this so long these milestones are starting to become less and less exciting. /lh
I’ll be honest I was really banking on Silksong being released in 2023 I genuinely wasn’t expecting to make it more than 250 days tbh. But hey, I guess I was joining the delusional crowd with that one lol. I just really hope Silksong releases this year or at least we get a confirmed release date at all???? All this waiting is starting to feel like kingdom hearts 3 all over again
Well anyway, here’s my 100 day checkup I guess:
Burnout has been wavering in and out I think. I’m not putting in effort like I used to during the day 150-250 period of this blog but hey the fact that I’m still dedicating a brain cell to this at all is impressive to me. Generally speaking I’m not a person who likes to commit themselves to something for more than a year unless I absolutely have to. I could literally take a break from this blog whenever I want but it’s been such a consistent part of my daily routine that I just haven’t lol.
I’ve been debating back and forth with myself on whether or not I want to have a couple people helping out with the blog. On one hand it would be really nice to have a helping hand so I could take more consistent breaks but on the other hand I’ve never been good at communication especially because organizing something like that is wayyyy out of my comfort zone. I run my blog a very specific way and I’m often bad at explaining my process to others without something getting misunderstood.
So I’m thinking up a few other ideas as well. Don’t feel like going into specifics because I’m not certain on them at all but if I feel like one works I’ll talk about it more in the future here or on my main blog.
Life has been really busy lately but after a long time I think I might finally have time to dedicate a full day to drawing multiple doodles so I can mass schedule and take a longer break I think. No promises on that but here’s to hoping.
Oh yeah also today’s specific drawing is inspired by Day 174. Also considered a redraw I guess??
That’s all I can think to say right now, so I guess that’s everything, thanks for reading! Here’s to more doodles! :)
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meanbossart · 2 months
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Oh boy, VaM is kind of a trial and error experience LOL I couldn't really show you how to use the interface and stuff without a whole video or something, but it's not THAT difficult to get a hang of if you just give yourself a day or two to play around, not to mention the number of tutorials you find out there. Luckily, if you only want to use it as a reference software that makes the process far easier (to this day I have no idea how to animate on that thing, since that's not what I use it for)
As for how I use it, it's pretty self explanatory - if there's a complicated pose I want to draw but I'm either having trouble with it, or just want to double-check angles/anatomy, I will use it as a resource! I use for most of my "proper" pieces (y'know, the nicer looking ones) and every once in a while for my silly comics if I'm having trouble with a pose.
Lets use this drawing for example (the character on top of DU drow belongs to @namespara )
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I don't draw a lot of mud-wrestling (shocking, I know) but I had an idea of the kind of pose I wanted them to be in. So the very first thing I did was make a rough sketch of what I was envisioning:
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I often do a rough sketch first, even If I know I'm going to be pulling the program up because A) It's less tedious than adjusting the models over and over again until I pick a pose and B) because sometimes I'll decide I don't need the reference, after all, and so that's 30 minutes I'll have spared myself of playing around on the software.
Now, this is a pretty complicated pose! It's in a weird angle and the bodies are making contact in ways I'm not used to depicting, so I did choose to whip out VaM for this one. I went into the program and after some messing around, I flopped my little dolls together like this:
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Now something really cool about VaM is that you can completely customize your models, and if you have the patience, I would definitely encourage you to do so! Obviously, you don't have to make picture perfect replicas of every single character you have, but as you can see here I have made a DU drow "decoy" to help me better understand some of his features when I draw him: he has a strong brow, a short nose, a square jawline - these are all going to look a very specific way from certain angles, and I might not always be sure of how to draw it right! So it's useful to have models that bear SOME semblance to the character so you can better understand how different viewpoints will affect their bone structure and mass.
Also thank fucking god for the elf-ear slider. Figuring out how to draw those shits from certain angles was a huge pain in the ass when I started drawing DnD races.
So, with the reference in hand, I go over the sketch again:
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Now you may notice that I don't stick to the reference 100%. There's three reasons for this:
posing on VaM is tedious as hell. You can get something incredibly natural looking and picture-perfect to reference from if you wish, but it's going to take you hours to do. So, for the most part I just slap guys together until the results are "close enough" and use that.
In my opinion, you should always aim to ENHANCE your reference material, not replicate it exactly!
While VaM is a PRETTY DANG GOOD source of anatomical reference, it isn't perfect, I often supplement it with further reference from real life resources or make tweaks based on my own knowledge where I catch it falling short (and, antithetical to what I just said, I sometimes fuck the anatomy up further on purpose if I think it looks better that way LOL it's all jazz baby).
Then lines, color, yada yada. I don't have a tutorial on that and I don't think I could make one, because my process is chaotic as hell, but I do at times use Virt-a-mate as loose reference for lighting too when coloring - waaaaayyyy less so however, because that process is even more tedious and I feel like I often get better results by just winging it. It is a feature of the program though, and I'm sure it would be helpful for someone who has a difficult time visualizing lights and shadows. I only started using this program a few months ago, so I happened to already have a pretty good understanding of that kind of thing and just don't personally feel like I get much out of that particular mechanic.
Here's a few other examples of pieces that I made reference for (WARNING: Suggestive)
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Now, for the question many of you may want to ask:
"Can I trace this junk?"
And to that, I say: Buddy, you can do whatever the hell you want with the reference material you created.
However,
If your goal is to learn and improve your art, and to recreate realistic proportions and anatomy from memory, tracing won't help you.
Developing your own style, your muscle memory, and personal technique will all be hindered by choosing to trace instead of drawing from observation, so I would encourage against it. Hell - even when tracing is employed as a technique, it's usually by high-skill realism & concept artists who are looking to either cut some corners, save time, or just double-check their own proportions in order to improve further - if you try tracing as a beginner, you will most definitely find the result to still look stiff and "off".
So trust me, there is so much more to be gained from drawing from observation. Make note of tangents, compare proportions, use all the elements of the picture to dictate where and how things should go - it will be a far more rewarding experience.
Hopefully this has been helpful! VaM is a really cheap program (you get it on the guys' patreon for I think 8 dollars, just google it!) and it's definitely been worth my money as an artist since I found it. Learning to use it can be a little intimidating at first glance, but as I said above you only really need a day plus one or two tutorials to get a hang of the interface.
A fair warning though, IT IS A SOFTWARE MADE FOR VIRTUAL SEX/ADULT ANIMATION So when looking it up expect to see a some spicy content.
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youremyheaven · 1 month
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Random Astrology Observations
Moon in the 1h is often talked about like 🥺🥺wears their heart on their sleeve🥹🥹uwu softie way but tbh Moon in 1h can make someone incredibly manipulative, they know just what to say and when to say it and know how to work their audience, this is perhaps why this placement is found in the charts of soooo many successful actors. ex: Leonardo DiCaprio, Audrey Hepburn, Henry Cavill, Charlie Chaplin, Priyanka Chopra, Antonio Banderas, Brendan Fraser, Benicio Del Toro, Jared Padelecki, Val Kilmer, Adrien Brody etc
I think this is a very manipulative placement, again manipulation is not in and of itself a bad thing, its what we use it for that matters. Some people completely lack the ability to manipulate at all (they don't have Moon influence)
2. Debilitated placements point to unconventional intelligence & wisdom in that area. I feel like they've cracked the code . They struggle a lot but when they triumph it's magic
3. I've mentioned this in other posts but many notorious sex offenders have Venus influence. Actions of this sort, as well as criticizing others' beauty, not taking care of yourself/surroundings, being shabby or disorderly in general are all things that harm your Venus. Abusing someone is the quickest way to ruin your Venus, you start corroding and that ugliness begins to manifest on the outside.
Ex: Harvey Weinstein looks like a cartoonish villain
4. As I explore the astrology content put out by others across different platforms, I've seen how the nature of the take themselves are so specific and unique to the person making them. Claire Nakti has a tendency imo to focus heavily on romance, sex and women's sexual behaviour and what sort of men they attract.
Going through her website, it's obvious that she's deeply immersed in occult & esoteric philosophy (all of which ties together with vedic astrology, philosophy, Buddhism etc because I truly believe that spiritual truths are universal and different schools of thought/religion/culture/mythology express these same truths in their own way with a LOT of recurring patterns) and Carl Jung as well.
It's studying Jung that helped me understand that what we see or draw from something is a reflection of who we are. As a beginner to vedic astrology, I initially believed Claire's one dimensional portrayal to be the all encompassing truth of a nakshatra until I started doing my own reading and research.
The things I talk about or the patterns I find are a reflection of me and I get a lot of asks about why I don't do xyz nak and honestly it's not as simple as doing research for an essay for uni, you kind of have to have a gnosis or innate knowing of its themes, something to base your search off of. And different naks call to me at different points. I come across content that describes certain naks in lights i could've never imagined which is to say that gnosis or inner knowing is an important aspect of studying anything esoteric, it kind of has to be revealed to you and what you see, what you can discern is a reflection of you.
5. you have to have a strong Rahu to discern patterns and similarities because Rahu is maya/illusion and a well-placed Rahu will allow you to see through those patterns/illusions. it will be very hard for someone without a strong Rahu to find similarities or common tropes, patterns, themes etc. Seeing through the veil or fog is Rahuvian.
6. Claire Nakti made a video about Venusian men where she said they were the ideal type of man and tbh that just confirmed my suspicion that she's Moon dominant because I think Moon dominant people are attracted to Venusians but in my humble opinion both Venusian men and Moon dominant men are some of the most batshit crazy people (manipulative and controlling at the least, psychopathic at worst) basically men who have a lot of Yin tend to be psychotic
7. I've noticed that Revati people tend to speak in a very verbose way. Nigella Lawson, Revati Moon is a really good example. Obviously other placements will also impact speech
8. Moon dominant people hate it when others share sob stories. They're the type to have the least amount of empathy for others and will either react in a neutral way or like they don't understand why you're saying this stuff at all. They're bored by other people's mundane problems and make it known as well. Not people you want to open up to.
My former friend was this way, I once cried in front of her and she showed zero emotion and didn't even try to comfort me lol
9. The way others treat us is the way we treat others. ik this is a basic take but karma is cause and effect. if you're dismissive of others feelings, other people will be dismissive of yours. what you do is what will be done unto you. Its so crazy to see how people who've been treated like shit by their friends will turn around and treat other people like shit. this is sooo basic but genuinely dont do anything to others that you dont want done to you.
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hiroshikoi · 10 months
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What natural traits do you have that your future spouse wanted in their spouse? (Which made them decide they would marry you)
Intuitive Reading + Shufflemancy
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this reading could basically double as a pick-a-pile simply talking about your qualities/traits. these are the traits your future spouse prioritizes in what they want in their spouse (which you have). At the same time if you don't have every single trait mentioned, please take note that this is a general reading.
thank you so much for 900 followers! 🥳
How to Pick a Pile: Take the time to look at each picture above it is numbered piles 1-4 from top left to the bottom right. Which one sparks a memory? What emotions do you feel? Do you feel anything at all? If all piles spark a memory, choose which one is the strongest. If none, try to go with the one that draws you in the most otherwise, these messages are not meant for you (at this time).
Photos aren’t mine, got it from pinterest and all credits go to the owner.
1 • Pile One
Kiss Me More by Doja Cat ft. SZA, My Little Love by Adele, and beside you by keshi
One of the traits that you have that your future spouse wanted in their (future) spouse (so you) is someone that is comfortable with showing their affection to someone. They may like someone that is clingy even. They want someone that would tell them that they love them, verbalizing what you love about them. Shamelessly saying that you wanted to kiss them, hug them, be with them... They want someone that shamelessly expressed their love to them. Your future spouse doesn't necessarily want someone that shows public displays of affection though, but if you were to do that they'd have no problem with it. The emphasis here is you being open about your love to them. Leaving nothing that could be interpret a different way. "If you love me tell me. Please show me. I want you to show me. Please don't be shy or embarrassed.. I love it. I really do. Please don't give mixed signals.."
Communication is definitely a big thing for them, and that's what you have that made them want to marry you. You are not afraid of confrontation, and believe that the best way to resolve things is to talk about it. "I don't want anything to not be clear with you, with us. Please tell me if you have a problem with me, or have a problem in general. Please talk to me, I want you to talk to me." Your future spouse may have had past relationships or were surrounded in an environment that kept him guessing. This caused them a lot of hurt, so now, they really just want someone that makes things "clear as day". They don't want things to be left unresolved, they'd really always make the effort to talk to you to make amends whenever you would have an argument, disagreement, or what not. They love you so much...
I feel like this applies to the both of you, as in they want someone who has this trait because they are like that as well and that is specifically them wanting someone that is a romantic. I feel like before, a lot of people around them thought it was cheesy or may even think they were a player with them expressing their romantic nature but they truly are just like that. They want someone that would do (grand) romantic gestures. I am specifically getting that they want (again i feel like this applies to both of you, so they would do this to you as well) someone that listens to them where they would just randomly say that they like a certain food and you'd come home/meet them surprising them with it. I can see them grinning at this... "You remembered! Wow... hahah"
They are overflowing with their love for you pile one oh my god. Its like they don't want me to end this reading lmao. They also want someone to almost overwhelmingly express your love to them. You'd feel so light. Your body lightweight, speaks to me... lmfao sorry it just came to mind.. You'd definitely feel your love be overwhelmingly reciprocated, I'm seeing like water rushing together but... you don't feel scared of it. You're not thinking about the past, you're not scared of what negative thing that might happen, you're just happy to be there and now. They're happy to just be with you, in that present moment. They'd cherish you everyday for the rest of your lives.
traits: clear intentions, freely showing (overwhelming) affection, open communication, a romantic, putting effort in resolving the problems in the relationship
2 • Pile Two
See You Again by Tyler the Creator ft. Kali Uchis, 00:00 (Zero O'Clock) by BTS, Nervous by The Neighbourhood, and MOON by (G)I-DLE
Hmm.. this pile may be opposite to pile one. Your future spouse likes someone that is more shy about their feelings sometimes. I get that they may have been love-bombed, or flat-out lied to a lot that's why they prefer it to be this way. They may think that its more authentic, because "why would anyone fake being shy anyway? especially of their feelings?". Yeah, while I'm typing this I got the song "MOON" by (G)I-DLE for you lmao. If pile one’s fs liked someone that embodied the sun, your future spouse wants someone that embodies the moon.
Mm.. don't take this the wrong way but your future spouse wants someone that is maybe more of a mess with their feelings. They're more than happy to be your saving grace. They don't care that you're not perfect or that you have lots of lows. They want you... raw.. lmao. not me snorting. They want someone that is comfortable with showing them their bad side, their ugly side. They're someone that will always be with you through the difficult times, the rocky times, for as long as you love them back as they would not stay with someone that doesn't even like them (back; refer to the love-bombing...).
Again, if you don't have every single trait here please don't feel bad but I'm getting for some, your future spouse is into someone that has pretty eyes and you may have that. They may really like the colour of your eyes and how the light hits it, if not your eyes itself. They may like someone that is animated with their facial expressions as well or... you and your future spouse may communicate a lot through your eyes. Like you just know when you give them that look or vice versa (they could tell what you're feeling). They also like someone that keeps their promises, its not necessarily a deal breaker but they'd really really like whenever you are true to your word. It makes them feel like you really are the one. "I can't believe I'm with someone like you... I can't believe you really did it..." (they slightly tear up at this honestly, you're unreal. what a sight..like the moon 😉)
They also want someone that they can run to. They want someone that would be their safe space. They'd especially like moments where you'd just lie in each other's presence not talking, just things being peaceful, enjoying each other's company. They may like to lie their head on your lap.
They just want to make you happy, they want to take your pain away. I am getting that some of you may have a chronic/serious illness (maybe mental illness: depression, anxiety, or etc.) that you are facing everyday. If not, you may be someone that feels like you put so much effort than other people in your life. You may be someone that repeatedly feels defeated (in life). They want to be strong for you, they want you to know that they are there for you, and that they love you. They want someone that they can see wants to keep trying no matter how hard it gets, even though sometimes you think it'd just be easier to give up/you'd want to give up. “I want to take care of you. Let me make it easier for you. Let me help you. I want to make you happy.”
traits: shows/expresses your difficult emotions, shy, keeps their word, someone they can run to/someone that will be their safe space, keeps fighting despite hard problems you're personally dealing with
3 • Pile Three
Hold Me Tight by BTS, Green Light by Lorde, Homewrecker by MARINA, and Uh Oh by (G)I-DLE
You're very loyal and committed. You have so many layers to you, you may be more outspoken and even are pretty levelheaded which sometimes may suggest that someone is more emotionally detached but no you're not like that. To your future spouse at least, you make the possible impossible. You make fantasies real, you cross boundaries (not in the negative sense)/genres/charts (?). You may be logical but still very much in touch with your emotions. Wow I'm so overwhelmed right now, you really are a dream come true to them. They never thought they could meet a human being like you, but here you are. To them, you are perfect, perfectly imperfect. As an analogy/metaphor, its like how a little asymmetry here and there makes someone even more extremely attractive. You make them hypnotized, they can't express how much they love you because its so surreal. You're surreal. Trying to ground these messages more, they may have thought or have been told that they have high standards and so they assessed what they wanted in a spouse. They concluded that yeah maybe they were asking for too much, "I guess how can someone be like that..." and may have not been even possible. I'm specifically getting that of course it will be a lot more personal for each of you but I'm getting maybe you are someone that are freedom loving. As in you like talking to a lot of people, or travelling to a lot of places and with that it may suggest that someone is more flighty or non-committal but you're not. You may actually be the opposite, you're really loyal and are able to exhibit/embody traits that may be contradictory to each other at once.
Yeah, you showed them another way that they never thought was possible. For example, if you travelled a lot or had a job that had that kind of nature, you make the effort to bring them with you and/or you text and call them every day even though you're hella tired. You buy them things/suggest to do things with them that shows that you listen to them all the time.
Again, I feel like this pile is more personal to each one so the traits would be a lot more specific (as in the mix of traits. just emphasize on seemingly more polarizing/contradicting traits that's what you have, you are able to make both co-exist pretty seamlessly). But trying to get a little more here, pile 3 you just have a different way of thinking than most. You just say it how it is or you say these thoughts of yours in such a matter of fact way. You're your own person. You definitely think for yourself.
Your future spouse is so speechless when it comes to you, they're so in awe so unfortunately there's not much dialogue/thoughts that I got compared to the other piles, other than this: "You're... wow.......perfect.." traits: very loyal and committed, having seemingly contradictory traits co-exist, outspoken, different way of thinking than most (or that they have met)
4 • Pile Four
Francis Forever by Mitski, Big AL by Westside Gunn feat. Rome Streetz, and Already by (G)I-DLE
You're transparent. You have your heart on your sleeve, you don't keep secrets from people. You're honest, you live life how you authentically would like to. I'm getting that even though something may be said to be "cringy" (just do what you want guys who cares. life is short! "I'm having all this fun, so why. would I. ev-er stop?") you still do it anyway because you like it. You have the right attitude (for life). People should be more like you. I'm getting that you may have a certain niche you're very good at, and I'm referring to "niche" as in you may have "invented" something. I'm getting that you may be the first at making youtube videos about a certain thing (you're a guide for that game? that job? you may be someone that people mainly go to because you're the first one who does this and you're good at it). You may do podcasts a new way, I'm seeing like drinking on the podcast? lmao i know that's not really new but I'm getting maybe something with liquor/alcohol. There's a lot of traits coming up here now, and I feel like I really am just exclusively describing you.
I'm getting that you're also a calm person, a nice person to be around, like someone just wants to bask in your presence. You also seem to keep improving in life. You keep leveling up. You know how to leave things when it is time. You are able to move on efficiently (?, that's what I got). If pile 3 was kind of more a force to be reckoned with, you may be less "groundbreaking" (not an insult omg) but you're continuous. You just keep going. You continue to live your life. Your past experiences with people or life in general have no weight upon you. Yes you may have been affected and may have made certain adjustments from the lessons you have learned, but you never are weighed down by any of it. "It is what is" may be your mindset and the way you approach life.
You barely mope is what I'm feeling like lmfao. You learn, and continue to keep your head up high. With this consistency, you may have achieved so much. Looking back, a lot has been dealt with by you.. loose ends do not exist with you. You completely close chapters, and that is so admirable. Your fs just can't help but take you in. They're enthralled, they're inspired, they're subtly motivated. With your behavior you make them want to change naturally...and they do. You are a good influence to them and to others (yeah even though you have other habits that may not be role-model worthy.) I'm getting they're almost like your biggest fan pfft. Its like if you for example eat your chicken with ketchup or something, they're like "oh wow cool" and casually starts to do it themselves almost all the time too, and shares it with others that its good even though they may not particularly say it was from you hahah. You influence a lot of their life. With this, I feel like you may also be older than your future spouse or at least act more mature. They're saying this with their eyes gleaming, wholesome vibes: "Can I do that too? I want to do what you did last time it was pretty cool."
traits: transparent, consistent, learns and moves on, lives life authentically, calm, good influence/example
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kelocitta · 11 months
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Hey I was just wanting to ask if you some tips on drawing Slugcat legs. I really want to be able to draw these little cuties and I have everything else done but the legs (specifically poses and action) is really tough for me
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It'll depend heavily on how you actually wanna do their legs, but since your asking me I'll assume you like how i do them- I draw them digitigrade when in motion, which basically means that the weight of the animal is carried on the on the toes (the other is plantigrade, which means the back of the foot makes contact with the ground when moving.) This is important since it changes how the leg tends to be formed and rest, but slugcats have a lot of flexibility here.
The other thing to keep in mind is that slugcats are *sleek* and tend to be smooth no matter what pose they're in, so you can hide the specifics of the legs under this and squash and stretch them as you see fit. Think about how fur or feathers tend to hide exactly how the body looks (and thats why so many animals look weird when wet and all that stuff lays flat) As for how I do it, I try to keep slugcats to a tube or triangle shape with most of the weight/fat being in the hips and tail. In most cases, you can get away with just imaging the leg as a flexible ball, and treat the foot as a point (like your pulling on a water balloon). The further the foot from the body, the more that ball stretches. The specifics of whats going *on* in the ball can be hidden unless its its really stretched out
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Mentally I don't put much thought into it, but if you need more structure think of the bones of the leg as three sections- the foot, fibula/tibia (Lower leg bones) and femur (Upper leg bone/thigh). Digitigrade and plantigrade tend to favor certain positioning, but ultimately the only major focus is on how the foot functions. Digitigrade in particular tends to favor this sort of 'z' formation even when fully stretched (Humans, in contrast, are plantigrade, and our legs can be fully straighten out even if they still fold the same way). So if your going for that you'll always want to keep a bit of a 'z' shape even if your stretching it waaay out. When at rest, I keep the foot of the slugcat flat. But anytime it's in motion or would be active they shift weight to their toes. You could keep them fully plantigrade, but personally I think digitigrade allows for easier shows of motion and more natural looking action shots with the upright posture if you dont want to stretch the leg out fully. Also i just like the look of it more. (If you want to get into biology more, this would normally be hard on the legs weight-wise, but I like to imagine slugcats are mixed tripedal rather than strict bipeds, and make use of their tails as a third grounding point.)
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And heres a very quick run over some of the official cutscenes to show similar:
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I personally just wing it when it comes to the sizes of those sections, but a general rule of thumb is that everything gets shorter as you go down- the upper leg has the longest bones, then the middle leg, then the foot. A lot of that is hidden in the body of the slugcat, but keeping that in mind might help keep the leg length feeling natural. (But the biggest secret is that your drawing a fake, stretchy blobby animal so you can bs a lot and be imperfect and honestly just do whatever in a lot of cases and not end up with something that noticeably wrong. This DOES get a little harder if you draw them more lithe or cat like, just because that exposes the leg more) And lastly, if cutscene art isnt helping and you might benefit from a real life reference- rather than using an actual cat I would actually recommend mustelid like a ferret, otter or stoat. They're plantigrade rather than digitigrade, but their form and posturing is a little bit closer to the slugcat and it might help with visualizing the way the legs can sink into the body. I will give a heads up that these are little predators so general search results do tend to show them hunting small animals like mice, if your sensitive to that stick to domestic ferrets for safer results.
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Just remember to fatten them up- they're way longer and thinner than slugcats are
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thedustyleaves · 5 months
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Sorry if you’ve answered this before, but I really love how your illustrations have such a cohesive color palette, how do you pick your colors to have a certain theme without looking monochromatic?
(In your breakdown on the saloon/western BP illustration, you mentioned that the overall color was reddish brown so you added blue to the main group to set them apart. But like how did you decide on which reddish brown colors to use for the flats?)
Thank you!! Your art is really expressive and the colors always work so well in the illustration. I’m always in awe of your pics
That’s an excellent question! My drawings actually start out pretty monochromatic because I tend to put most of my effort into the lighting and shading part to help differentiate where I want people to look.
For all of my pieces, I want my characters to be in focus. So no matter what, I always have to keep their main colors in mind and make sure their outfits and the background don’t clash with them (Kain’s red hair tends to be a problem, pft).
For my flats, I generally work with two main colors that tend to contrast each other and then I mix a lot of neutrals around them. (Sometimes the main colors are in the light and shading itself, but I’ll just focus on the flats!).
Sometimes, I will change the hue of their colors. So while Kain has bright orange hair, I will dull it down if it overwhelms the piece or doesn’t fit with the tone - like I did for the cowboy drawing - but never so much that it no longer looks like him.
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With the cowboy drawing as an example, if I strip it down to my flats, it instantly becomes very dull and monochromatic. I really enjoy working with these colors because they’re easy on the eyes (or my eyes specifically) and I can see the difference in subtle hues a lot better than if they were very high in contrast. I like working with subtleties when I want background characters to become a single unit but still be separated as individual people.
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When I picked the colors for the background, I wanted to separate the characters from the walls. Therefore, I kept the walls red and gold, and the characters brown - they’re still within the same warm-colored family, but they’re far enough away from each other that they don’t become one with each other. I also like to not have clothes from different characters blend together, so overlapping colours can't be the same. I made one coat lighter than the other, the glove warmer than the dark jacket, and so on.
(their coats are also in the same realm as the green/gold colour of the details for the curtains and the frames on the walls)
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For the paintings I actually chose to put a bit of blue and green in to help create some interest for the main characters and keep your eyes around that area, as it matches the blue they’re wearing, just a whole lot darker. It also makes them pop just enough so they look interesting against the wall, but not enough to overshadow the main characters
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I know, because of the way I work with layers, that when I add my overlays, I automatically brighten and saturate the colors a lot. It’s a lot easier for me to saturate something “dull” and move it into all kinds of hues than saturating something already high in contrast and then trying to force it into a new color theme.
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But because of this, I usually have to go back and change the colors I work with constantly while the overlays are on. Since the overlays don’t know what sort of materials they’re laying on top of, everything gets lighter and washed out, so dark skin tones, hair, and clothes have to be corrected one by one afterward. If I were to remove the overlays after I corrected it to make it feel like a dark blue outfit on Raki, it’s basically just a black void now; but with the overlay, it’s a dark blue outfit. Before that, he simple blended in with the background too much and he didn’t feel like he was a part of the group either. 
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I always try to put down colors how I imagine they’re going to look like, unaffected by light, but I’m also naturally drawn toward more earthy and warm tones, so all of my color choices will tend to lean that way.
Here’s another example of main colours vs. neutrals; the main colours are red and green/turquoise, with dark browns and greys to encapsulate them, and gold for accents or to make certain things pop (the chair, Dakon’s dark coat, etc.).
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I never want them all to wear the exact same color, but I want them to feel connected and be in the same 'colour family,' so Dakon and Kain have nearly the same dark red/brown, and Christie and Raki have nearly the same 'bright'/red.
The blacks and browns, I’ve kept warm as well, so they stay within that realm of red. I also make sure that none of them are too close to Kain’s hair since he’s in the middle of the piece, and I want your eyes to be drawn toward the middle, and his orange hair helps with that.
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The paintings I basically do not care too much about, as long as each individual painting has a single dominating colour. I mute them down with a darker overlay and ensure they don’t have strong shadows and light, so they get pushed to the background, so despite being a bunch of different colours, each painting feels like a solid color and they’re still cast in the same light as the rest of the piece, so they feel like they belong in the same room.
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I try to help move the eye around the piece as well, so I keep the big painting sort of in the same realm of red and brown as the main characters, because it’s so big it shouldn’t dominate with a new color and force interest toward it. The blue/purple ones melt in with the background as they’re close to the turquoise background, but without disappearing, the yellow ones work sort of like the gold accents and blend in with the frames, and the green paintings at the top give the illusion of a monochrome fade, so everything gets more eerie and green as the image goes up - there’s also a subtle green fade that affects the gold accents from the top down, to enhance that effect.
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This is just a few examples, if there are any pieces in particular you were thinking of, and it’s neither of these, just let me know, and I can break those down as well!
Thank you for the question; I hope I answered it somewhat, and thank you for the kind words! <3
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artbyblastweave · 5 months
Text
An interesting thing about the Monarch is that while obviously the entire gag is that he’s enmeshed in this postmodern weirdly formalized etiquette-and-code-of-conduct-based form of super-villainy, this notably does not translate to him being a Megamind-style functionally-benign-showman kind of villain-in-name-only. He kills innocent people constantly. There’s a running gag where he kills cabbies to get out of paying fare. This doesn't really seem to be a salient factor in the other character's assessment of him as a threat or moral agent-his ability, or lack thereof, to tow the Guild line and keep pace with the inside baseball is what actually makes waves, draws scrutiny. There's the comedy of that Season 1 episode where they basically call a time-out mid-death trap in compliance with Guild Law, but this doesn't translate to anyone outside the game receiving similar protections or considerations. He lets Dr. Venture leave midway through an arch to see his shrink and then murders the shrink so that those interruptions will stop happening.
And to me this feels like it’s gesturing at a very real thing that can happen in cape comics, where even the nominally harmless bit-villains aren't actually harmless even if they fail to kill the hero specifically, where even the really overtly silly ones have in fact likely whacked at least a few unnamed characters over the course of their 60-year publication history- only for this to sort of get sanded away as a morally salient feature of the character unless they become specifically known as One Of The Ones Who Constantly Kills People (Joker, Bullseye, Carnage, etc.) because security guards and people trapped in collapsing buildings aren't really real. The show is also attentive to the analogous thing that happens with superheroes with the weird moral myopias they suffer from, in the way that basically every hero has some insane instance of superdickery rattling around in their closet that's still technically canon but hardly relevant. The show is very very clear that as long as you correctly couch your behavior within the idiom, color within the lines, you're entitled to a certain level of carnage and collateral. Which is demonstrated in the second episode with the Revenge Society, where Phantom Limb and company are genuinely freaked out when a nameless slasher shows up to the try-outs. Phantom Limb constantly brutally kills people, but this guy in a bear costume with a kitchen knife? He's killing them in an off-genre way.
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seokgyuu · 10 months
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hi beloved mitchie :) my phone autocorrected ur name to mischief which seems very fitting hehe! so anyway. deekay who always begs you to sit on his face because he wants to feel you suffocating him as he drowns in your pussy and not just any deekay but specifically this deekay because he wants to feel you dripping down his neck
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A/N: YOU ARE CRAZY. But of course, you ask I deliver. I hope you enjoy!
PAIRING: Dokyeom x Reader
GENRE: Smut MDNI!
WARNINGS: kinda sub!seokmin/dom!reader, usage of the word slut for seokmin, reader has female anatomy, begging, oral (f receiving), face sitting, squirting, multiple orgasms (f)
WORD COUNT: 1420 (I'm not joking)
Requests are open! Check out my 1k special!
Smut under the line.
“Please baby,” his voice is dripping in lustful honey, wrapping around your whole body and soul, pulling you down into its dirty trenches. Fingers press against your hips and you feel heat between your legs, a continuous throbbing that only gets worse the more you look at him. Tingles all over your skin, wishing to be touched, wishing to be worshiped. You bite your bottom lip hard, almost drawing blood as you let your fingers wander over his perfectly shaped face, reaching up to softly caress his carefully styled hair. 
“You just got here, my love, in your pretty outfit, with your pretty hair… and you already want to drown in my pussy? Is that all I am to you?” 
His eyes grow wide, hands pulling you closer as he rapidly shakes his head.
“No! No, of course not, my love. You are so much more to me, but… I need you, I want you so bad, I couldn't stop thinking about you all day. Would have been here sooner but because I couldn’t concentrate, the shoot lasted even longer…,” he almost whispers his words, his feet carrying him, having him push you against the wall, his hands sneaking down to your bare thighs. 
“And now I get here and you’re wearing nothing but my shirt, babe, you must understand-,”
“Oh, I must do nothing,” you interrupt him, a small grin on your lips as you let his hands wander regardless, your legs spreading for him, “I understand that my boy is a horny little slut that doesn’t have it in him to wait. Did the stylists allow you to keep that outfit, baby? Or did you just take off the second they called “cut”?”
Seokmin is kissing your neck, his one hand already between your legs, feeling the wetness that has already gathered. He moans when you call him a slut, his teeth sinking into your sensitive skin and you let both of your hands rest on the back of his head, digging into his scalp.
“I am… such a horny slut for you, babe, please let me eat you out, wanna taste you… drown in your sweetness, please?” His breath feels like a soft spring breeze against you, feels so comfortable and familiar and it makes your heart race and your cunt clench. You nod, not able to hold back any longer because he just looks too good and you’ve been craving his mouth on you for hours now. 
The second you give him the go, he is on his knees. Your panties are discarded on the floor and his tongue is licking through your wet folds, your head bumping against the wall as you continue to stroke his soft hair. He loves your taste. Loves the way you sound when he does certain things with his tongue. He knows you inside out by now, knows where to kiss you, touch you, where to put his tongue and for how long. He knows it and he does it. Flicks his tongue against your clit, fingers slipping through your lips, coating them in your wetness. He smells you and he tastes you and he feels you all around. His senses are you and there is nothing he wants more than for you to drench his face in your cum. 
“So, so sweet for me. So perfect, my love,” he licks up a stripe from entrance to clit before pushing a finger in, having you moan his name. His finger moves slowly at first, slowly but hitting you deep, your sweet spot engraved in his brain. He kisses your cunt, kisses it as if it was your mouth, tongue swirling as if it was dancing with yours. He sucks your clit between his lips, tongue around it in circles and you cry out, nails digging into his scalp once more. 
“Oh.. oh god, Seokmin,” you feel yourself nearing a first orgasm and Seokmin wraps his free arm around you, pulling you closer as he sucks on your lips, sucks on every bit of skin he can get, making such dirty noises with his mouth it gets your cheeks all heated up. 
Then he stops and you feel like crying. You look down at him and his eyes are telling. He is going to beg for something. 
“Baby… can you sit on my face? Please, I wanna drown in your sweetness“, he still pumps his finger inside you, adding a second one now and you gasp, nodding your head yes because there is nothing else you can do at this point.
You move to the couch, Seokmin on his back, still in his expensive photoshoot outfit, mesh shirt showing his toned chest and torso and you position yourself above him, thighs spread over his head. He licks his lips resting his hands on your ass as you sit down. The first times you had been scared to literally suffocate him - but he hadn’t been. He had begged you and he did so every other day. He simply loved your pussy, loved smelling it, eating it, feeling it. 
The second you sit down, he is back at work. Your moans fuel him, make him more eager. He squeezes your ass, and soon enough you know he is encouraging you to actually fuck his face. Biting your lip, you let your hands play with your tits, hips moving as he shoves his tongue into your hole, a loud whimper escaping your throat. Your juices are dripping down his face, his nose bumping into your clit repeatedly and you feel like you’ve reached heaven. Seokmin feels about the same. Nothing is as wonderful to him as this. His beloved partner on his face, riding his tongue like it was his cock. He puts his all into this, his cock straining against his designer pants that he knows he has to give back eventually. He doesn’t care though. Doesn’t care that you’re dripping down his neck, some of it probably landing on the pearl necklace and meshed top. He doesn’t care that he will give back cum drenched clothes and accessories - all he cares about is making you cum over and over again. 
Your first orgasm hits you a few seconds later, when his tongue is pressed against your bud and his hand grabs the flesh of your ass harshly. You ride it out, moans filling the air of the room that already smells like you. Seokmin doesn’t stop, he only works harder, wants you to let it all out, wants to be suffocated by you, by your cum, your taste and smell. He pushes you down, and you let out the loudest moan yet, hands gripping the armrest of the couch, hips moving frantically on top of his face.
“F-fuck, Seokmin! D-Don’t stop, oh my god,” you feel tears prickling, overstimulation kicking in and having your whole body shake. You know it won’t take long for him to make you cum again, to have you squirt on his face. You also know that that’s exactly what he wants to achieve and you’re more than willing to give it to him. 
Moving his hand, you soon feel three of his fingers pushing into you at once, your eyes rolling back and for a second you’re scared you’ll fall off him - but his other arm is quick to wrap around you, holding you steady as he fucks you with his fingers and sucks on your clit, your wetness dripping with no end in sight. Feeling another wave of pleasure, his fingers hitting you, stuffing you so perfectly, the familiar feeling of liquid shooting out of and drenching everything beneath you is having you cry out, actual tears spilling out of your eyes as Seokmin moans around your clit, drinking in all he can, lapping at the juice he deems as the tastiest drink there is. He can never get enough of it, almost like an addiction. A second orgasm follows straight away, black and white dots appearing in front of your eyes as you ride this one out as well, all while Seokmin has never been happier. 
The second you’re done, he lets go off your hip and you fall to the side, Seokmin catching you skillfully and pressing you against his wet chest. His whole face is covered in you, his hair wet as well and your heavy eyelids flutter open to look at him and smile sheepishly.
“You’re insane,” you mumble and peck his lips, having him giggle.
“I’m only insane about you, babe.” 
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antlergrave · 11 months
Text
Commissions Reopened :)
SLOTS: 5/5
Email me to commission: [email protected]
(Make sure to check your emails to see if I've replied)
The prices shown below are in USD, but I can accept other currencies as it can be automatically converted :) (PayPal only)
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TOS:
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I will be doing 5 slots. I will let you know if you're in or not. Make sure to email me so I know who is interested in commissioning. If I tell you that there are no more slots left, don't worry! I'll come back to you soon with an email notifying you once all the commissions are finished. (I will be selecting commissioners in order of whoever sent first)
☆Email requirements before payment
-Character references, pics, sketches, pose references, etc. are HIGHLY recommended. Explaining characteristics of your character to me is fine but I usually prefer visual imagery since I feel like I would not do your character justice by just referencing off of words
-Again with pose references, if you want your character drawn in a specific type of pose, you can tell me or send a picture
-Email you use for PayPal ready
☆Process
-Email me on what type of commission you want. Have all your resources ready (I don't read DMs, so emailing me is your way to go)
-I may ask you to be more specific about your character if I find that your resources/references are too vague
-I will have you double-check and finalize everything to make sure everything looks okay for you
-A PayPal invoice will be sent to you momentarily after I've gotten your approval
-Once full payment goes through, I will begin working on your commission
-Once the commission is finished, it will be sent to you via email. I expect a reply back so I know you've seen it and that it went through.
☆Other
-If I find you rude or simply ill-mannered when chatting with me, I may not continue the commission for you.
-Ask me about my boundaries. I'm aware it says gore and suggestive on the list of things I CAN draw, however please ask me if I'm okay with certain things first. The only thing I won't be doing (very heavy) gore or suggestive stuff on are the Marble Hornets cast, or any other slenderverse characters.
-Be mindful of timezones. I usually reply fast during commission time but If I don't, it either means I am very busy or asleep. Once I start getting overloaded with emails, I will start becoming very slow with everything.
-If you feel like you still haven't gotten your commission after several weeks/months, you can check up on me by sending me an email to ask about your commission (since some commissioners had a problem with their commissions not being sent to them due to email issues and whatnot. Sometimes my emails do not go through and I don't know about it so please let me know)
-Again, if you have any more questions or want me to elaborate/explain things further, don't be afraid to ask me
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dailyhatsune · 2 months
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hi! not exactly a request but i do wanna ask, whats your process when you're rendering more paint like art? (if that makes sense, English isnt my first language so apologies hdskhsjdbd) i really love how you use the colors and im curious how you do it :0
i’ve been meaning to answer this one for a while so here’s how i painted miku in today’s post (put under the read more because yeah prepare for a long post
i’d also like to preface this by saying that i never follow a set way of doing things, so in terms of what my personal process is like, these are only broad strokes of what i do! sometimes i’ll combine or skip parts entirely, depending on how i feel. also, this is not a tutorial, just how i do things, so please don’t treat it like one :’D this will read like the ‘how to draw an owl’ picture if you do
first, like every artist, i sketch. more specifically, i’m getting an idea of what i want to paint later on. this could be how a scene is set up or in this case, how a character is posed. here i’m not concerned about details or getting everything perfectly, i’m only planning how the thing will be composed. maybe a lot of canvas size changing, or adjusting what miku’s doing (note how busted miku’s right hand looks from all the transforming!) however, i still have to be concerned with how clear the sketch will be to future me, because the sketch won’t be any good if i can’t read what miku’s doing
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after that, i lay down a flat gray under the sketch, mainly focusing on giving miku a clear silhouette. this is also a good time to make adjustments to the composition on the fly if i suddenly feel like something can be improved upon, like shortening miku’s left arm from the sketch!
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after painting a flat silhouette, i start shading in grayscale, focusing only on lighting. i usually do it in two passes, one for the lightest and darkest tones i’ll use (not black and white) and then a second for midtones to blend them better with the base gray but i forgot to screenshot the result of the first pass 🗿 nevertheless, here is where i can start adding some amount of details. i’m not including any extra accessories yet, just focusing on the base design of the outfit and the character herself (for anyone wanting to draw characters from That Gacha Game, this is how i personally make the process more bearable for myself.) i still use the dark gray to separate where certain details (like the facial features and fingers) begin and end, mainly to make colouring more bearable later.
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now here’s where i get the Good Colours. it’s a cheat lol. i put a gradient map layer over the grayscale painting so that there’s a little bit of color to start. some gradient maps can be applied as is, some need the layer settings adjusted to make it look good. this one, for example, is a (free) gradient map set from the csp assets store that needs you to set the layer opacity to 20% and to set the blending mode to color to achieve this result. in general, i tend to pick which gradient map i want to use based on vibes, or basically whether i want the work to be warmer or cooler, colour-wise. but this does do quite a bit of lifting for the colors in my stuff.
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and then, finally, i add the colours. i add flat base colours in an overlay layer. at this stage, i’ve made the character silhouette clear enough that i don’t need to refer to the sketch anymore for what miku looks like. also, the gradient map layer does its magic by making the shading a bit more vibrant than it would’ve been without it. after that i paint over with a new layer to add details like the lace.
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and then i put some extra shading on top. basically this is where the ‘better lighting’ happens. again, this isn’t a tutorial, so i’m not here to say what each part of the lighting is, but i’ve labeled which layers do which job. in other works where the lighting within a scene is more defined (from a window, from a small crack in the walls, etc) the glow dodge layer may be more opaque and sharper, but since this isn’t a work with that, the lighting was applied using an airbrush. the linear burn layer is also there to make the whole thing darker so the glow dodge doesn’t end up oversaturating miku. i also usually match the lights to the vibe i want, and use a complementary color for the shadows. so here you can see i have warm colors on the glow dodge layer, but light purple on both the linear burn and multiply layer.
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and that’s it for the character—here’s a gif showing how each layer adds to miku! (sorry it’s so toasty)
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as for the background, depending on the complexity, it may go through a similar process, or if i can settle with flat image backgrounds, i just go for that. it’s ok to use external image materials. i didn’t have a background in mind for this miku in specific, so i got some default csp materials and threw together something
and that’s about a rough overview of what my process for more finished works looks like! again, art is a fluid process so i never specifically stick to certain steps all the time, and you shouldn’t either. i can probably answer why i’d pick this colour over another in one particular work, but it’s something that kinda has to be learned on a grander scale. i think everyone can already feel what colors work with what atmosphere or what setting, even if they can’t immediately explain why. colors and composition do take some level of experimentation to find what works best!
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