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#they dont care about the book accuracy with the looks
aterfish · 4 months
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You know what would be funny? If people were obsessively looking for a kid with black hair in lotus hotel scene, maybe even finding one.
And then they cast Nico as blond
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nyara · 3 months
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„but annabeth wasnt black in the books“
okay and percy didnt look like will in the books and grover is supposed to look older and have acne and anabeth is supposed to have grey eyes and you are just racist and dont actually care about book accuracy uwu
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i havent watched Rings of Power and i dont plan to but JESUS the racism from even self-proclaimed liberals is exhausting. like ive seen ppl moaning abt the dwarves being black bc ‘ooohhh biological accuracy about the sun and blaaaaaaaaa’ theres a spider the size of a car. ‘weeehhhh tolkien wouldn’t approve!!!’ the man’s been dead longer than ive been alive. ‘b-b-b-but it’s an ALLEGORY for EUROPE’ brown people have existed in europe for centuries, die mad about it.
even the shit that isnt racist on the surface is weak. ‘but amazon is an EVIL CORPORATION and BAD PEOPLE BENEFIT FROM US WATCHING’ okay fine but youre gonna hate looking up who produced the original trilogy!! (hint: it was harvey weinstein) ‘oh but it isnt faithful to the source material!!!’ 1) where was this energy for the hobbit trilogy 2) i dont really care. books are a completely different format to tv, yeah there’s gonna be changes. if they made it exactly like the silmarillion only diehard fans would watch it and it wouldn’t be good. ‘uhhhh the fx and costuming is bad’ literally every big production is gonna have that flaw, they dont wanna use unions.
man i wasnt gonna say anything abt this bc i dont rlly watch tv shows in general but yous have pissed me the fuck off. if you dont wanna watch it, fine, but dont go pissing over the ONLY tolkein-related work that actually has POC featured bc ultimately the ppl ur hurting most are the cast and crew who fought for this.
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allyneedislove · 2 years
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lol look you dont have to like or understand why season 3 is about polin and you can choose to live your lives being bitter about something you really cant do anything about.
funny how you think perhaps your opinion matters? when we live in a world where probably more than half of bridgerton's audience are really hyped about polin next season and/or are not consumers of the book series and therefore do not care about timelines and book accuracy. dude...... what shondaland wants... shondaland does. 🤸‍♀️
if you dont want to watch it next season. then don't!
it's just a TV show. it's not that deep. 🙃
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[I love Benedict to pieces and would have been happy if S3 was about him or the same way I'd be ecstatic if S3 was about Eloise!]
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greyssell · 2 years
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Newstream enterprises sucks
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NewStream is located in Springfield, Missouri, as well as in Joliet, Illinois. Our workforce is well informed and highly engaged in our business, creating a culture that is dedicated to Quality, Reliability, and Cost Savings for each customer. From materials management, to direct order fulfillment, NewStream becomes a seamless extension of your business. NewStream Enterprises is an employee-owned company that practices open-book management. if you arent a good candidate, then you dont get a call back. NSE manages supply chain processes through kitting and packaging, assembly and sub-assembly, or warehousing and distribution services. They will read newspapers to see which companies are laying off that will create a new stream of qualified candidates that they can sell to hiring companies.30 answers 3 votes: The company is legit. We have service offering in 3 areas: Kitting and Packaging, Assembly and Sub-Assembly, and Supply Chain Management. Our services are customized to fit your requirements. NewStream Enterprises (NSE) is a comprehensive supply chain management company delivering unparalleled services to the world’s leading on and off highway original equipment manufacturers. NewStream Enterprises, LLC is a comprehensive supply chain management company, delivering unparalleled services to the world’s leading On and Off Highway original equipment manufacturers (OEM). NewStream can manage all or any segment of your supply chain process. NewStream’s reputation of exceeding customer needs has created opportunities for the organization to venture into new areas including our most recent business expansion into government kitting and packaging. Furthermore, we can significantly reduce liabilities in labor, overhead and inventory through this shared investment. Nearly 30 years later, NSE continues to offer supply chain management solutions to companies in a variety of industries. , was formed in 1990 to provide comprehensive supply chain management to the world’s leading original equipment manufacturers (OEM). Increasing Efficiency and Reducing Costs Product managers looking to outsource their kitting and packaging needs ultimately care about meeting KPIs like on-time delivery, fill rate, quality metrics, and inventory accuracy. NewStream Enterprises, LLC (NSE), a subsidiary of SRC Holdings Corp. Our unique business model provides OEM’s superior cost control, enhanced throughput and service levels, and greater utilization of assets. NewStream Enterprises, LLC provides comprehensive supply chain management services that increase efficiency and reduce costs. NewStream offers OEM’s customized product flow management specializing in the On/Off Highway Transportation Industry. If you want the good wages and positions this Employer. It is an employee owned company which truly believes in the power of a workforce when each has a stake in outcome. Overall this is still a decent company to work for although it continues to suffer from rampant nepotism. NewStream Enterprises, a subsidiary of SRC Holdings Corp., was formed in 1990 to provide comprehensive supply chain management to the world’s leading On and Off Highway OEMs.
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reynie-muldoons · 3 years
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'The Dance of the Celestial Orb' liveblog!
for real this time lmfao
book and show spoilers below
I'm ✨nervous✨ please let our children be okay
0:10 this Sticky arc hurts me so kuch
1:35 this music is BUMPIN
2:22 I just wanna know how she got under there without the dude seeing her
2:47 "all systems go" for the Improvement.... yikes 😬😬😬
2:55 she didn't wait even 5 seconds after they left, the door was still closing when she popped up 😂 can you imagine if one of them doubled back right at that moment
3:18 they look like the dudes from that veggietales movie, I think it was Esther- the island of perpetual tickling?? Anyone??? 😂😂😂
4:00 Kate vented.......
4:51 "not a rat" yeah no shit
5:07 if not for the suspense, I would be jamming out lmaooo
6:10 Mr. Benedict is looking at the shoreline, is he about to watch Kate dive in???? Because I mean that's where she's gotta be going
6:20 "memory challenges"? Is Rhonda talking about Milligan's amnesia, or has short term memory been affected as well??
6:29 .....thank you for answering so efficiently 😂
6:42 "I buy it. I completely.... buy it." RHONDA THAT'S NOT HELPFUL AHSKSHDJKD
6:56 can you imagine seeing your friend go down in a sub then hours later seeing the sub float up in fucking PIECES
7:06 KATE! KATE! KATE! KATE!
7:06 please let it be reunion time
7:25 oh hello that's a drop
7:38 *to the tune of Bezos I* come on Katie u can do it pave the way put ur back into it
7:51 she craves that mineral
8:06 Sticky, my child
8:20 oh my gosh they went out and LOOKED FOR HER I care them 😭😭😭
8:23 SHE KNEW HIS DREAM SHE KNEW HIS DREAM TELEPATH TELEPATH TELEPATH
8:34 STICKY STOPPPP
8:40 "jumping to conclusions is a failure of character" wow that really is something Curtain would say
8:52 angry Reynie. He is in rare form
8:54 "and you helped put her there!" OOOOOOOH I SCREAMED
9:03 "I shouldn't have yelled" okay but you kinda should have Sticky needs a wake up call
9:06 "dont apologize. I like this side of you." IS THIS THE START OF REYNIE AND CONSTANCE HAVING THE BEST SIBLING RELATIONSHIP
9:22 "if you really cared about me, you'd want me to be happy instead of standing there telling me who I am" oh Sticky my dude I am NOT digging the manipulation
9:36 Reynie pulling out the BFF card!!! Also Reynie digging in his feet because he knows he's right!!!! That's great setup for his arc as a strategist later
9:48 "I'm telling you, Kate's fine." Narrator: Kate was not, in fact, fine.
10:03 "they'll notice." Sticky has made one (1) good point.
10:11 oh dear god are they fingerprinting this bitch
10:19 all this equipment, has no one walked up to the cliff and looked down???
10:23 HAHAHAHA WAIT THEY ACTUALLY HAVEN'T
10:27 "we've been out here all night" that means Kate has been clinging to a cliff by her fingers and toes ALL NIGHT????
11:04 babe I know it's been a long night but maybe wait a second for them to actually leave before you climb back up
11:15 BUCKET NO
11:22 she has to go get it. There's no way someone wouldn't find that shit, it's in plain view
11:37 "WAS"???? WHY ARE WE SAYING WAS????? NO PAST TENSE HERE MILLIGAN'S FINE
11:43 "I only wish we could've known him better" NOOOPE NONONO WE'RE NOT DOING THIS
11:47 Rhonda back at it as the voice of reason!!!!!
11:59 "I have never met a more competent swimmer" throwback to "the baaAAAYYYY"
12:10 MR. BENEDICT'S FACE HAHAHAHA HOLD ON LET ME TAKE A PICTURE IM DYING
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12:11 NUMBER TWO, NOT HELPING
12:14 RHONDA'S FACE HAHENDJDKDN
12:33 "we will go rescue him" because of COURSE he would
12:36 Rhonda is his best wingwoman omfg she's so consistent
12:54 MISS PERUMAL??????
12:56 MISS PERUMAL!!!!!!
13:00 SHE KNOWS HE'S RIGHT GAKSHDBDHEKSNND
13:09 "how hard can it be? It's an island!" PFFFFT
13:16 oh SQ baby boy please get out of there
13:25 "I certainly have my own suspicions" he said, looking at SQ why are you looking at SQ like that
13:31 SQ GET OUT OF THERE PLEASE IS2G
13:36 here we fuckin go
13:43 the captions have the f in forest capitalized like it's this special place
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13:43 new hc that the Forest is a magical place like pixie hollow
13:57 TWO THINGS: 1. YES stand up for yourself baby!!!! 2. Shepard Quaid? Interesting! I don't think we ever got SQ's full name in the books, I hope TLS made that decision!
14:08 your "father hat"??? Oh my gosh shut the fuck up right there don't even continue
14:16 oh yeah real fuckin cute put on your "steward of this institution hat" and call that a good reason to be a shit person
14:43 "No." GOOD FOR HIMMMM GOOD JOB SQ
15:03 Kate's struggling right by the shore where a certain someone would be returning after a very hard swim, it would be a great time for a meeting wouldn't you think
15:09 KATE THE GREAT
15:11 "THE TRAPESE GODDESS" I WILL REFER TO HER AS NOTHING ELSE
15:26 sorry but that green screen of her falling was kinda funny
15:28 soooooo is someone, a very certain someone, gonna catch her...??????
15:36 YEEEAAAAAAAHHHHHHHH
15:43 IS THIS IT????@?@?!?
15:46 awww poor baby girl you can tell how tired she is
15:46 just putting this out there- they look so good in frame together
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15:46 the actor who plays Milligan is fucking huge in stature so I wasn't sure how that would go but it looks so good
16:00 THE WAY HE'S LOOKING AT HER WITH HIS HAND ON HER SHOULDER I CANT DO THISSSSS
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16:20 "keep going." 😭😭😭😭😭
16:23 "you dont understand." Ohhhh I think he does
16:25 "I think I do." What did I tell you, he's got your back babygirl
16:45 I'm so glad she's talking this out, and with Milligan of all people
17:01 it makes so much sense for Kate to feel alone in that situation, and when Kate feels anything less than positive she goes and does something, whatever that something is.
17:05 "So.. I...." "fell off a cliff and nearly died." Thanks for putting things into perspective Milligan
17:05 Milligan is such a good dad stop
17:19 "most of the way" is an understatement LMFAO
17:29 I'm so glad we know the intimate details of Milligan's illustrious swimming abilities 😂 out of all the new things wfrom the show that one wasnt on my radar
17:52 leave it to Milligan to come up with an escape plan off of an island with no water vessel with four kids in tow
18:08 THEYRE SO CUTE 😭😭😭😭
18:08 lowkey I'm super surprised they didnt take this opportunity to have Milligan's arduous swim force his memories out and have the father daughter bonding time they deserve. I hope they give that moment ample time to flesh out.
18:13 BUCKET!!!
18:13 wait that shot is so artsy hold up lmfao
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18:13 this looks like someone's photography final hahahaha
18:26 THE TENDER MUSIC STOPPPP 😭😭😭
18:41 Sticky is still on that jumping to conclusions bs he got from Curtain
18:44 WETHERALL'S WIDGET 😭
19:31 "Kate... she's in danger..." NO SHIT SHERLOCK
19:36 "and it's all because of me." Not just because of you but love to see you taking responsibility
19:52 once again I am asking WHY ARE YOU TALKING ABOUT THIS IN THE OPEN
20:26 "Kate. She has changed." "Not really. She's always been who she is." "Her clothes. She changed clothes." PFFFT HAHHAHA they really took a moment of self-reflection and made it so much better
20:55 AYYYYY KATE'S DEPENDENCY ARC CONTINUESSSSS
21:35 yikes yikes yikes
22:16 I love that Mr. Benedict got closure in telling Miss Perumal that her words stuck with him
22:40 the way she just knows Reynie took the position of leader 😭😭
22:54 SHE WROTE HIM A LETTERRR
23:02 "Would it be possible to get this to him?" Ma'am what part of undercover spy don't you get
23:54 it's still really weird that we are now in a position where Reynie is the one who is not trusted and Sticky is the one in Curtain's favor
24:13 and here we see Curtain's thinly veiled anger issues shining through
24:21 "the little things matter. Every minor detail, it all matters!" CALLBACK TO MR. BENEDICT TELLING THE CHILDREN THAT THEY ALL MATTER
24:55 "I can tell with complete accuracy when a person is lying." first of all, no. second of all, I cannot wait for him to talk to Constance.
26:33 why is Mr. Benedict graphically explaining the children's potential trauma so funny to me
26:40 "you're catastrophizing." "Yes. I am. Quite severely. Thank you." WHY IS THIS FUNNY
26:58 MADGE!!!!
27:16 she's so prettyyyyy
27:33 GOOD JOB MADGE!!!!!
27:36 wait did she just take the LETTER??? she's delivering the LETTER?????
28:05 WHAT DOES "OKAY FINE" MEAN??? REYNIE??????
28:22 it's sad because it's true 🥺
28:24 "I miss my teacher from the orphanage" the best lies are the ones rooted in truth 🥺🥺🥺
28:48 roll credits
29:16 Reynie honey Orion's Belt isn't on the ceiling
29:29 the way he was so confident that he had it right 😑 Curtain Stop Being a Pretentious Fuck challenge
29:52 our babygirl is so smartttt
29:55 did Milligan plant his prints 😳 oh no OH NO
29:57 MARTINA???? WHATSUEJHDKD
29:57 is this the replacement for when they pin cheating on her????
30:03 THE KEY CARD!!!!
30:11 MADGEEEE
30:21 "one attacked me as a small child" honey you are a small child
30:24 "it did not win," she said, smiling menacingly
30:40 "so we dance again" WHY DID THE MUSIC REV UP WHEN SHE SAID THAT HAHAHAHA
31:01 ✨woodworking is a passion✨
31:58 "was it functional?" "Well I guess that depends on how you define functionality" RHONDA'S FACE IN THE BACKGROUND HAHAHAHA
32:10 OH HEY MARTINA
32:17 wait 🥺
32:22 that has to be SQ :)
32:28 hi sweet boy
32:34 please tell me they did that shot of the sandwich because Madge is about to take it
32:39 LMFAOOOOO
32:44 hi good girl!!! Enjoy your snackies
32:50 oh god oh no the LETTER
33:25 oh wow we're doing this NOW??
33:52 and here we see another example of Curtain's thinly veiled anger issues bubbling to the surface
34:10 hey what if you uhhh weren't such an asshole
34:33 that man's voice is buttery
34:52 REYNIE'S TRYING TO TELL SQ????
35:02 and they're talking about this right in front of the office door, WHY??
35:24 AND THEY'RE TALKING ABOUT THIS RIGHT IN FRONT OF THE OFFICE DOOR, WHY????
35:55 he's letting him go 🥺🥺🥺🥺
36:14 why does that look like a body bag
36:17 oh my gosh it definitely is a body bag, hey Martina
36:25 yep, that's about what I expected
36:36 "whoever did this to me, they're gonna pay" oh girl do I have some bad news for you
37:12 ahhhh, so Martina is the burnt out gifted kid who keeps going out of spite and sheer force of will
37:12 everything makes much more sense now
37:30 ohhhhh my gosh feelings time
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37:44 "I think it's awesome." "Yeah. I know you do." THE SHIPPERS ARE THRIVING
37:54 THEY REALLY WANT TO MAKE THIS AS PAINFUL AS POSSIBLE HUH
38:10 "it's the least I can do" that's an understatement 😬
38:14 AAWWWWW SHKSHSLSBDK
38:20 "I don't know what I'd do without you, Wetherall" STOPPPPP
38:30 HEY BUD UH MAYBE CLOSE YOUR DOOR???
38:38 he's been writing letters to her every night and now he finally gets one back 😭😭
39:34 so Miss Perumal wrote this letter with the intention of it being sent to him, right- why did she write it like that?? 😂
39:34 they've gone to such lengths to communicate in code but the letter kind of undermines that- it was written in such a way that an onlooker would know Reynie was a spy but wouldn't know what he was doing or why. No wonder SQ was pissed
39:41 KATE!!
40:10 BREAKING NEWS: local bastard man treats everyone like shit
40:15 ohhhhh SQ bud please be careful
40:30 "always have time for my son," he said in a clipped voice that implied that he does not have time for his son
40:35 ohhh he's getting RIGHT INTO IT HUH
40:41 you mean to tell me he's never asked about Mr. Curtain's work?? Ever???? Somehow that doesn't seem right to me
40:57 hey uh what if you didn't talk down to SQ at every opportunity
41:02 "would you care to reconsider that answer, son?" "No." DIG THOSE HEELS IN SQ!!!!
41:22 I'm really not digging that Curtain is using the guise of openly expressing his feelings to communicate his anger and his unasked question. Not cool bitch head
41:33 the fact that he didn't answer SQ's spoken question kind of also answers his unspoken question
41:45 "I knew there was something off about that girl. But espionage?" "How do you so convincingly fake a tetherball obsession?" I love that this entire conversation could be about Martina or Kate interchangeably
42:34 WELL THAT'S NOT GOOD
42:36 IF IT WAS THAT EASY TO FIND WITH BINOCULARS HOW HAD THEY NOT BEEN SPOTTED UP UNTIL THIS POINT?!!?#? HOW????
43:05 Kate advocating for Martina with the Society 🥺🥺 the interaction I didn't know I needed
43:58 "I definitely don't like to leave anything unfinished." "That's true, I've seen you eat." PFFFFT
44:05 YESS YOU GO STICKY USE YOUR ACCESS FOR PRIME INTEL
44:19 "well, you can't succeed without me, so..." baby girl you have no idea how right you are
44:28 please let that be Milligan PLEASE LET THAT BE MILLIGAN
44:32 YEAAAAAHHHHH
44:35 I simply adore him
44:45 "would you mind helping me down, please? I'm stuck." Your honor I would die for this man
44:54 oh shit, Martina's tryna sleuth it out herself.. this can't end well
45:04 is she about to find Kate's marbles or something?? Callback to the book?
45:26 the absolute MURDER in her eyes
45:31 FUCKIN YIKES
45:41 "the clothes of someone who had given up" ASEJDGEIDNDLFK
45:47 well that's not good
46:00 WELL THAT'S NOT GOOD
46:04 PLEASE let them be on their way already, please
46:14 THEY MADE A BLIMP????
46:17 Goodyear is QUAKING
46:35 why the fuck is Number Two in red, that's upsetting on principle
THEYRE JUST ENDING IT THERE???? goddamnit!!!!
How surreal is it that next week is the finale?? Idk if I'm ready for that????
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kakiwrites · 3 years
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Hi! Can I please request prince Akaasshi falling in love with a sorceress/witch and him just choosing her over the throne and living the life with her? Its ok if u dont want to :) have a great day!
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the not-so-perfect prince
Genre: fluff
A keiji akaashi x reader
Synopsis: A time where elves, fairies, dragons, and other wonderful creatures live in harmony, how would you choose to live? On a pirate ship? Making potions? Who do you stumble upon along the journey? A soldier, a poet, a king? Well, that’s for you to decide.
(masterlist is under navigation!)
A/n: hey guys! Been a while since I've written for this series but I'm back! I wanted to try something different and actually write for something I have inspiration for out of the list and this was what I was up to do! Hope you guys enjoy!
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Akaashi was always known as the perfect prince.
He was an amazing leader, can use his sword with accuracy and precision, and can sweep girls off of their feet with just a small smile.
But akaashi was more than what they see him for.
He was always overworked and doesn't like to weigh people down. He wants to be on top without disappointing anyone, which was near impossible. Seeing someone upset with him always struck a nerve with him and in turn, made him overthink his decisions.
He was never perfect in his own eyes.
And he was scared people will start to see him the same way he sees himself.
Imperfect.
"May I be excused?" Akaashi asked his advisor, kenma who was staring down at his clipboard for the next thing they have to do. Kenma only nodded at him before walking off to who knows where. Kenma knew more than anyone, how bad the prince's thoughts could get. He needed the fresh air to clear his head.
He walked around the castle gardens to admire the scenery before him, just wanting to clear his thoughts. He then spotted a figure crouched down by the castle wall, caressing a fully bloomed rose. Akaashi walked closer, his footsteps startling the hooded maiden, causing her to stand up, the quick motion causing the hood to slide off her head, revealing her identity.
"oh, I apologize for the intrusion, your highness." you said, plucking the rose and adding it to the assortment of flowers in your other hand. "your roses just looked lovely. I couldn't resist." you added, smiling at the male softly, getting ready to leave him alone.
"wait," Akaashi called out to you, making you turn back to him. He seemed very confused, his thoughts running all over the place. "who are you?" he asked, taking another step forward.
You let out a sigh before you fully turned back toward him. "since you already saw my face, I guess… it wouldn't hurt." you muttered. You stopped in front of the prince, only mere inches separating the two of you. You lent a hand out for him to shake. "I'm (y/n), a sorceress. You must be the famous perfect prince akaashi." you said. Your words made shivers shot up his spine. You see him just the same as the others.
The perfect prince.
But he wasn't at all perfect.
Usually, he would let that little nickname go but this time, his mouth moved before his mind could catch up. "I am definitely not perfect." the prince blurted. He covered his mouth in disbelief. Stupid. You were a stranger. He knew you could care less about what he thought of himself. Still, when he collected his thoughts and finally looked back at you, he saw that you were gazing back at him curiously, your brow arched, your mouth forming a small 'o', silently telling him that you were listening.
"I am far from perfect, (y/n). I'm not the tall, confident man the kingdom knows me for." he ranted, plopping himself down on the cut grass. "but I doubt that you would care to listen to-" he was going to say dejectedly when you chose to sit beside him, looking down at the small bundle of flowers.
"oh please, I have time to listen to your woes. So go on, speak." you interrupted, nudging him with your forearm. Akaashi felt a sense of comfort just being in your presence. So despite his very reserved nature. He decided to tell you all about himself and all of his raging thoughts.
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Since then, it's become a regular thing.
You would come into his gardens at the same time, Akaashi would hand you a bouquet he picked from the garden himself and he would talk to you about all of his problems. It started with the small inconveniences to larger problems a mere villager shouldn't know about.
Then it started to go beyond his problems and more about small memories and anecdotes you've experienced as children. It then became about each other's love life and eventually, deepest void of conversation topics, life itself.
"Sometimes, I feel like I should just run away." he said as he watched you sprinkle in the last of your rose petals into the small vial you brought with you.
"then you should," you replied, swirling the mixture around before looking down at the book on your lap. Akaashi's eyes widened. He was never really needed in the kingdom, they were a peaceful land after all. He learned more about you in the past few weeks and now a desire to just… be with you bloomed in his heart. And ever since he heard that you were single from one of your previous chats, the prince wanted to open this topic even more.
You were muttering under your breath, your hands moving as the pinkish water in the vial started to rise and glow an ethereal shade. "then run away with me." he said.
His words shocked you to the point that you almost lost your grip on the vial. You dropped your hand, the water going back to its bland color. You dropped your hand then let out a nervous laugh. "y-you can't be serious-"
"I am 100 percent certain." he cut you off, he placed his hand on your chin then made you look straight into his eyes. "you've been there for me. I'll be there for you. I'll make sure to keep you safe. We can actually see the world and be free… together." he said, capping the vial in your fingers before placing it in the groove of your book. He then took both of your hand in his and kissed them, making your face heat up in disbelief.
The prince you grew to love with each word he spoke was having the same thoughts as you?
"and you really want this? To be together?" you asked just to make sure he was actually telling the truth. The prince nodded his head before he pulled you in and placed a chaste kiss on your lips.
"I'm more than sure."
As soon as he said that, you two of you started to plan out the grand plan to run away with the once perfect prince.
But that's a story for another time.
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And that's all for today! Sorry anon for halving the story but if you want a part 2, I'll be happy to make one for you! Requests are open so please don't be shy to leave anything in my ask box! Love you guys 💖💕❤️
General taglist (don’t be shy to comment your tumblr @ below): @tokyoghoose @macaronnv @reogou @midnightangelfox @wumboho @seiijixcia
series taglist (don’t be shy to comment your tumblr @ below!): @astrxrism @kurookinnie @isentsworld @inkumistuki @booksandhoneymilktea
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svankmajerbaby · 2 years
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yes i am complaining about a show i havent fully watched from the year 2015 i dont care
so there’s this amazing comic book i love called El Hipnotizador (The Hypnotist) which is Quintessentially Porteño. like, the streets, the architecture, the dustiness and early-twentieth century style of it feels extremely familiar and even comforting if you’re familiar with Buenos Aires, especially older areas like San Telmo that retain that sort of aesthetic
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(the whole comic book is available to read here btw tho i recommend buying it and seeing the drawings in their full quality, it has a lot of superb detail and its just a nice thing to have available to read at certain times)
anyway there was this adaptation which was this big publizised thing that HBO Latinamerica wanted to be the first big project in the southern hemisphere of their reach. and, because it was cheaper or sth they decided to film most of it in Montevideo, Uruguay, instead of Buenos Aires. and, because HBO Latinamerica has offices in Brazil and not in, you know, the country that the comic book is set in, it decided to pad out the cast with brazilian actors.
so far, it’s ok. it’s a rather short comic book and its understandable that they would try to add more characters, especially when each episode is around an hour long??? (i think it was a bad decision, but that’s not the focus of this rant)
BUT. my issue is. The Casting
like. look at this. this is meant to be the main character, Arenas.
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first of all the whole cast is like, easily ten years younger. but apart from that, the Absolute Lack of historical accuracy is what irks me the most. No Man With A Steady Job On Show Business In The 1930s would have stubble and badly combed hair. i get that hes meant to look disheveled and Tortured but like. fuck. also where’s the hooked nose. the jowl. the hunch. the way the guy looks like he was plucked from a crowd in an old photo. sbaraglia you’re a decent actor but here you’re so badly miscast
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then there’s salinero who was also both thinned down and made younger. cowards
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and then there’s this. which i hate even more.
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i literally can only tell the women in this show apart from the hairstyles. and even these are extremely inaccurate period-wise, especially compared with the original very well researched comic book.... like guys, you should have the resources to properly research this shit.
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and then livia. my poor livia. looking like exactly every daytime tv gossip show presenter. and Yes she has historically innacurate long straight hair at All Times, unnecessary nude/sex scenes that weren’t in the comic book, and even less of a personality than the comic book :^)))))
anyway this is all just to say we could have had an interesting concise adaptation but it was done dirty by bad historical research a need to “expand” the cast (tho with nary a person of color, even though it would make a lot of sense to cast actors that aren’t, yknow, white, especially since it’s a brazilian coproduction and clearly not set in Buenos Aires in the 1930s anymore). also HBO is terrified of old and fat people so fuck them
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Y/N is an intelligence officer on Ren's ship and he always goes to her before missions
When she first gets hired, she always has the mission information sent to him as early as possible
During the debriefing missions, she has the balls to corrent and add information that aas left out or wrong
It's almost always directed to Hux
Kylo enjoys watching someone else irritate Hux by doing their job
When the missions became more sporadic and information was being brought in left and right, Y/N moved her living quarters closer to Kylo's and Hux's living quarters so when she needs to present the information, she goes to them any hour of the day
Hux hates it, wishing to fire her. He know how important she is to the First Order, so he can't
Kylo doesn't care what time she delivers information. Y/N isnt like the guards that stumble over their words and take for ever to relay information
Y/N shows up (after sometime she is given Kylo's code of access to his quarters), hands him her data pad, and leaves.
Hux get an older model of data pads, Kylo gets her own. Her information is all stored on those two devices
Kylo always returns her pad to the table in her quarters. Hux never seeks Y/N out to give it back.
One mission in particular was stressful
On both their ends
Y/N has a translator implanted in her brain to allow her to read and decipher words
During the mission debrief, Hux suggested that Y/N should go along since she mentioned one(1) time that she is one of the only people able to decipher those words
Kylo immediately rejected, having grown fold of his coworker, not romantically of course
"Commander Ren, General Hux is correct. I should go on the mission."
"You have no field training, you'll hold us back. We can just send you video of the dialect." He thought he had a point
"I remember you forgetting to ask what my previous job was commander, may I fill you in?" She snaps right back, General Hux smirking that she is now attacking Ren instead of him.
"Please, enlighten me." Kylo leaned back in his seat, arms crossed. She was nothing more than a brain.
Y/N untucked her uniform to show a gnarly scar lacerating her entire side.
"That was my last bounty hunting job I did with a mandalorian. Saved his skin and his ship. Left me for dead. General Hux has been watching me for a while to recruit me, saw his chance." Y/N would never credit Hex with saving her life, even though they both knew it.
"I know my way around any weapon you give me. I'll do my job and stay out of your way." She sits down in her seat, readjusting her clothes.
Kylo sits there for a moment, empathetic for her, his mask not showing it.
"Report at the hanger at 0600 tomorrow. Stop by the arsenal to pick a weapon." Kylo then leaves in a rush, the meeting quickly adjourned
He
Never
Left
Her
Side
The crypt was filled with strange coffins, some decorated, some not.
Cobwebs and rodents fill the place, Commander Ren taking lead and eliminating the distractions.
Any rune Y/N would see, she would decipher, hoping to point her commander in the correct direction.
Once they get to the end of the tunnel, a bare wall is presented to them.
Kylo ignited is Saber and was about to destroy the wall when Y/N shouted for him to stop.
The urgency in his voice made him hesitate, the hand on his arm guiding the saber close to the made him stop. He allowed her to hover his saber closer to the wall, her hand warm though his field clothes.
Then he saw it.
The heirogliphs showed faintly though the light of the Kyber crystal, the regular lights not doing anthing.
"Lights off. Now." The 4 storm troopers accompanying them complied, turning the hallway dark except for the glowing red saber.
The wall completely illuminated with glyphs, making Y/N gasp.
"What is it?" Kylo asked, his mask trained on her astonished face
"You found it. What your looking for is on the other side. I just need to find a way in." Her voice is low, focused. Kylo saw that she was in her environment, adrenaline rushing through her veins allowed for a quicker deciphering.
Her hands voided the saber in weird movement along the wall, allowing for her to read.
Kylo noticed everything about her, the way she bit her cheek when her breathing picked up, her eyes flickering to him fir a moment before continuing to read. Her grip on his forearm tightens as she holds her breath, hovering over the last hieroglyph.
Y/N let's go of Kylo's arm and takes a step back, creating professional spacing.
"In short, you actually have to stable the wall. In long, you can only stab it in one spot. Only you can see the spot using the force. Dont ask me how, it never said." Y/N steps back with the troopers, allowing Kylo to do his thing.
He nods his head to her, she nods back, her face blank.
Kylo turns to the wall, closes his eye, feeling for the weak spot. He grows frustrated when he cant find it, letting out a huff.
"What do you feel." You.
"There is no weakness in the wall." His voice is strained though the modulator, trying to not last out.
"Maybe the wall is all weak and you need to look for the strong spot. Breaking that should weaken the hold on the weak spots, allowing the wall to crumble." She sounded so close to him, like it was only them.
Kylo focuses on the calm in her tone of voice, allowing him to concentrate on his objective.
Not even seconds later, he finds it, the spot is in the direct center of the wall.
"The keystone." He whispers, the modulator garbling the word.
He reposition his last connection to his grandfather, the helmet being completely destroyed by Supreme Leader Snoke. Kylo drives the blade through the spot, the wall immediately shaking.
Two strong hands grab his robes and pull him out of the stones impact, the small group watching the wall shift and change.
Larger pieces of rock fall as the smaller ones swirl in a circle, assembling themselves in the doorway behind the wall.
The door opens to reveal a corpse cradling a book to its chest.
Kylo immediately rips the book from the corpse's grasp before Y/N could stop him.
"Is that what you need?" Chills run down her spine as the entire crypt turns silent.
Too silent.
"Yes." He turns back to her, handing the text to Y/N, allowing her to out it in her book bag.
Before the mission he pulled her aside. Her job is to translate and to protect the text. His job was to get them in and get them out. They agreed.
Y/N facial expression and the sense of dread Kylo could read on her told him to move quickly.
"Stay behind me. Make sure she doesnt get hit." He points to the respectful groups before charging off into the darkness.
Y/N asks the trooper to turn their lights back on to help them see their way back.
Not everyone has the force to guide them.
Everyone did their jobs, quickly and quietly. The six moved through the crypt, moving up from the deep dungeons.
Once they get to the first open area, they were ambushed. Reanimated skeletons, strange tan creatures, and those damn rats attacked the group.
Y/N drew her sword, charging it. She stayed relatively near the middle of the room, not seating out a fight.
Kylo Ren sliced and diced through the enemies, keeping an eyes on Y/N. The troopers shot down the rats with surprising accuracy. Kylo took care of everything else.
Until two yellow monster slipped from the main group and attacked Y/N from infront and behind.
Kylo quickly eliminated the rest of his threats and watched in awe as Y/N gracefully finished the fight.
Her kicked the one infront of her, throwing him on his back. She quickly pivots, her sword cutting up through the stomach, and down across its head. Before the second monster can register what happened, Y/N turned again, finishing off the first monster with a quick decapitation.
She quickly disarms her sword, reattached it to her back, and looked at the other 5 people in her group.
"They said that more are on their way. We need to leave. Now." It took Kylo a sweet second to put his ass in gear and steer his group out of the crypt, not meeting any more strange creatures.
Once in hyperspace, Y/N stands behind Kylo's chair, watching the stars.
"How did you hear them communicate? None of them spoke." Kylo was watching her through the reflection of the window, further respect for his colleague bloomed in his mind.
"The rats were actually in charge. The yellow creatures, called voulnders, were allowed to live in and around the crypts. Their exchange was that the Voulnders were to reanimate the corpses with their magic when their temple was under attack."
"They said all of that?" Kylo turned in his seat, Y/N already standing far enough away to not get hit.
"The wall that you hit showed the pact that those two creatures made. It also showed how to get in. Only a might warrior could." There was a pause before Y/N spoke again.
"Don't let that go to your head." She then walked out of the room.
Over the years, the two grew closer.
Sparring, talking, planning missions. Everything platonic.
When Kylo cant sleep because of the nightmares caused by Snoke, he'd go into Y/N's room, falling alseep on her couch, in view of her bed.
"If you like my couch so much, why not move it to your room." Y/N asks one morning, handing Kylo his caf.
"It's not the couch that puts me to sleep." His voice is low, eyes dropping to the ground.
Y/N hand cups his chin, lifting his eyes to meet hers. Her gentile smile puts him at ease.
Y/N remembers the first time she saw him without the mask.
It was a few nights in after relentless nightmares, the first time Kylo slept in Y/N's room.
He was half asleep, running on caf and a few minutes of sleep. Everyone on the ship could sense his worsening mood, assuming that it was from the last failed mission.
It was a repercussion of it, Snoke filling everyone involved in the mission with thoughts of dread.
Y/N hid it suprising well when on the command deck, doing her job.
But now, in the middle of the night, she knew she looked like shit.
When her commander knocked on her door, she rolled out of bed, her hair in a loose braid, her body clad in a pair of over sized black training shots and shirt.
Her commander was dressed similarly. She recognized the drained look in his eyes from her own.
She stepped aside to let him in her space, her eyes never leaving the constipation of beauty marks on his face.
Y/N shut off her night, resetting their automatic switch.
She grabs Kylo's bare arm and leads him to bed. She lies on her back, and she pulls him into her, his head resting on her stomach.
Kylo didnt right against her, his mind not raising any alarms.
Once her hands started to play with his hair, Kylo was out.
Y/N stayed awake a little longer, enjoying how soft and smooth her Commander's hair is. She falls asleep, her hands still tangled in his hair.
She woke up first at the rising of the dim lights, she took her time to wake up, enjoying the presence of another body against hers.
Kylo's breathing was still even as she replaced her body with her pillow.
Y/N went to her closet, pulled out her repaired bounty hunting armour, the silver beskar reminding her of painful memories of her old partner.
She changes quickly, keeping an eye on the commander in her bed.
"where are you going?" His voice asks, not removing his head from your pillow.
"To fix our problem."
"Snoke doesnt respond well to asking nicely."
"Oh, that's not why in going to Snoke. Go back to sleep if you can Commander. You need it." He seemed to get only a few hours of sleep last night.
Y/N straps the rest of her weapons to her body, her rifle sliding easily over her back. Her viroblade in the holster at her waist.
She tucks the bucket in her arm, looking at Kylo one last time before going on her first line mission during her First Order Career.
It wont be her last.
It only took her two days, the bounty hunter returning to Snoke with a head and the correct location of the cargo.
"How do you know its correct?" Snoke leans in his chair, observing the cleanly severed head at his feet.
"This tracker." Her voice is modulated, she throws the red chip to her Supreme Leader.
Snoke catches it, hums in approval.
"You have a new job. We have a suitable replacement for you."
Commander Y/N Y/L/N, leader of the bounties hunters and scouts of the first order.
The nightmares stopped
Missions became more successful
Kylo still couldn't sleep without being in the presence of Y/N. Her calm attitude put him at ease enough to fall asleep.
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dork-empress · 4 years
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So I started making a list of british actors for varied parts. A lot of it is variable, as most of Temeraire is a bunch of Uptight British Gentlemen types, and England makes those in Bulk.
HOWEVER, as I was doing it, the cast list looked very...white. In future books/seasons where they go to other countries, this list is expanded, of course, but still. I thought 'well it is a historical piece, so it is accurate' and then I threw up on myself and came to my senses. It's all made up anyway, and Naomi Novik herself came up with a plausible reason to have women lead characters. I could do the same!
I still do want Will Laurence to be played by a white man, specifically this one:
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Charlie Hunnam, of Pacific Rim and King Arthur fame. The Perfect Twunk British guy who's all strong looking, but could play both the Very Proper (Awkward) British Gentleman, as well as a fun loving dragon dad, and a feral warrior captain. He's our fish out of water character, so it makes sense he's as close to our idea of old timey british man as we can get.
NOW THOUGH: The aviators in this series are canonically lower staffed as it's hard to find people unafraid of dragons, plus they're a bit looser with the rules: as long as they get people on the dragons, they dont much care who they are, and dragons certainly don't give a damn about racism. Therefore, I think *historically* it would make sense as a career for a Freedman, or a Freedman's son, who may not have many prospects.
Enter John Granby:
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THATS RIGHT ITS A PACIFIC RIM REUNION
Canonically, John Granby is lower-class, and was sent to the Aviators at age 7 because his family couldn't feed him. This contributes to how bitter he is about Laurence, a gentlemen, just GETTING an uber rare dragon egg with no work, basically. Changing his race doesn't really change his backstory, and in fact enhances the tension with Laurence: We imagine he has had to have worked 4 times as hard as everyone around him to get half as much. Plus, John Boyega can do the physical comedy amazingly once he gets his own dragon (spoilers) who is a fireball.
Harcourt and Berkley can go a number of ways, though I favor Rose Leslie for Harcourt because pretty and feisty red head. Though Bonnie Wright may also work. I have Timothy Spell for Berkley, but again, I just need an overweight british man, I think I can find one.
For Jane Roland though:
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ITS CERSEI'S TURN FOR A DRAGON, BITCH!
But honestly it's her role in Imagine Me and You (great lesbian film if you're looking) that sets her as the crass but firm leader that Jane Roland needs. Plus, look at her, she could definitely Dom Laurence.
(though if we're opening this up to American Actors, she may have to fight for the role with Charlize Theron....)
For the dragons voice acting, I would like a Chinese-British voice for Temeraire, seeing as he's a Chinese Dragon raised British. You could bring forward some great british voice actors like John Rhys Davies and even, I'll say it, Benedict Cumberbatch. Say what you want, he has a good voice. Also Tom Holland for Levitas. Saying a brittle "You Came!" to his Captain as he dies, in the same tone as Spider-man's "I don't feel so good..." Ugh, I'm gutted thinking about it.
I want to throw Riz Ahmed in there somewhere. Maybe for Keynes, the Dragon Doctor? I can't pin it down, but he feels right for this series. I'd like a few British Indian's among the cast, considering the time period.
for season 2 I think Chow Yun-fat for Prince Yonxiang, Benedict Wong for sympathetic Sun Kai, and Gemma Chan as voice of Lien, the "evil" dragon. In Season 3, we need someone mixed Chinese and Caucasian for Tharkay, and I think Andy Serkis to do voice for the Feral Dragon Leader Arkady. Oh! And change Gong Su the chef to a woman. If you really want historical accuracy, maybe she came with her husband who died (there was another chef who disappeared on the journey). we just need more women of color in here. Maybe one on Temeraire's crew? Hm.
So yeah. I mean, it's not like a lot of them are set in stone, but I'm happy with a few of these choices to the point I can see it clearly in my mind.
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mudwingpropaganda · 4 years
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i dont know if you do background characters, but i feel like you are the right person to do my boy coconut justice. he's kinkajou's friend and is also at jma, and tui did him SO dirty... he's initially described as just being very tired and low-energy, but by winter's book he's the punching bag and joke and his described as being dumb with moon saying he has hardly anything going on in his head. i want him to have some justicebc i care him, so do u have any words on him
I planned on answering some other asks about tribes tonight, but the more I think about Coconut the more I want to talk about him! 
I agree completely that, despite Tui very much trying to act like RainWings are more competent than the “lazy” stereotype Glory was assigned, she fully embraces that “laziness” title as a writing backup if she can’t think of any other reason for a character to be uninteresting enough as not to follow. 
Anyway, I remember having an odd, specific attachment to Coconut. I can’t remember exactly why. Maybe there was just something I could cling to as a lethargic not-quite teen who couldn’t keep up with his relationships to quite register that his friend was missing. Well, maybe not that last part. 
Coconut is a RainWing who fully embraced the comfort that his tribe celebrated. He learned early that there was little need to put very much effort into things. He avoided working in excess and wasting his energy if he wasn’t going to be praised for his efforts early on. He was somewhat of a RainWing prodigy. Learning quickly how to use his venom as safely as possible, being able to adjust his scales with acute accuracy, navigating the rainforest, identifying safe food to eat.... so he had little attention from adults because he didn’t need help, unlike the likes of Tamarin who was monitored and flocked to if she were to fall from the platforms again.
So Coconut passed time by sleeping, snacking, and occasionally finding out why adults warned him away from certain frogs or plants. Otherwise, what else was there to do?
So there was a delayed reaction when Kinkajou came flocking back to him, grey scales and hugging him with scarred limbs. And at the moment, he didn’t realize that she had even been gone. But it soon began to set in. And hard. How his friend was abandoned on hellish island waiting for him. The only dragon who would praise him for giving the extra effort, he let down. He lost track of time, lost track of his relationships, and left Kinkajou to be rescued by an outsider RainWing altogether! And there’s something weighing on him about that. 
When he goes to Jade Mountain, he realizes quite quickly how “prodigy” from a RainWing’s mouth is much different from the standards of the other tribes. And the ambition he had left was crushed. Suddenly it wasn’t impressive how he could calculate the best times and places to get suntime when he couldn’t read or write. Suddenly conveying conversations with your scales’ emotions wasn’t that amazing when he couldn’t even recall his own tribe’s history. 
Coconut resigned himself to the stereotype, thinking about what he was good at nearly constantly. Napping when he wished. Eating when he could.
But that isn’t to say there’s not more going on in his head, regardless of what Moonwatcher says. He just has never quite gotten to the point where he’s ready to resign himself to the guilt he started feeling for abandoning Kinkajou. Which would open the floodgates of the inner world whirring in his mind. Because he’s not dumb, he just lacks the motivation to follow his passion or ambitions. Because adults stopped paying attention to him quickly after he proved he could survive. Because his peers stopped playing with him for “being better than him.” Because other dragonets his age scold him for being foolish and slow. 
But Coconut is full of opportunity. He takes much interest in his classes and is a quick learner like he was in his youth! Even if he has a short attention span. He clings onto subjects that he is interested in and as he learns to read at Jade Mountain, albeit slowly, he begins to pick up reading to pass time as well. Even if he often ends up rereading passages after zoning out, he finishes scrolls quickly. I feel like he would end up reading for fun even more so than the stereotypical nerds like Sora or Moonwatcher. Because he’s not running from the law or saving the world. 
Coconut may not be a protagonist, but he’s certainly an interesting story to me. He’s not quite in tune with his own train of thought and relies on directions and instruction. He thrives with attention, I feel like and is certainly a wonderful friend to spend time with. He’s attempting to get his grasp with time and retaining his attention but sometimes that’s just how it be! 
While I’m not quite sure what his ambitions are in particular, I feel like, with the positive attention from teachers (BESIDES the dumb ones we were given like Webs and such), Coconut could thrive and excel among his clawmates. Kinkajou and Coconut are still friends, I’m sure! I don’t know what she’s doing in Pantala at the moment, but when she returns, Coconut will be waiting with open arms this time. Ready to attempt to help her catch up on schoolwork (if that’s even possible). Maybe he travels with her when Kinkajou becomes a journalist or something? *I dunno noise!* 
Where Kinkajou and Chameleons are examples and byproducts of the flawed RainWing society, Coconut is an example of an ideal RainWing facing the realities of the world and attempting to settle into a place where he can either prosper with the new information he can absorb, or lay down and accept the lethargic tradition of his tribe. And I think he’s ready to try impressing dragons besides the RainWings.
Anyway, I hope this is interesting for you! I never want to tarnish anyone’s favorite characters. I did my best with this lad. :> 
---
Also, post-looking-at-the-wiki-Apologist here: Coconut’s clawmates with one of Clay’s siblings? And Coconut’s best friends with Marsh? I dunno, maybe they’re boyfriends or something. I didn’t remember Marsh existed, but sure, why not!
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If you feel like it : develop on your hatred of the new Beauty and the Beast movie? I've heard a lot of salt about the way the music score was handled 👀
O MAN DO NOT DO THIS
Every time I think about this film, rage fills me like a super saiyan powering up and i scream
How do i even start
i think i will do bullet points
these will not be in any coherent order, I take no criticisms on this or my extreme bias
also i have not watched this movie for like years so my rage may outweigh my accuracy BUT
The opening?? With Cate blanchett narrating?? Who do u think u are?? Lord of the Rings? Peter Jackson in an epic trilogy changing the world forever?? You’re Disney eating your own meal and shitting it out again don’t fucking even try it
They didn’t even change anything and the animated intro was much shorter and better
The enchantress enters like Malificent, acts like a trickster god japing bitches, but try to paint her as Good uwu Princess.
Gaston, roughly the size of an ox if the ox was a slightly buff man who would bounce off Terry Crew’s majestic chest like a ping pong ball
You don’t have to be a crusty cynical adult to narrow ur eyes at that twunk picking up a solid 170kg of two people and think CGI
Yes, a queer-coded snivelling sidekick who adores a horrible man is exactly the gay representation we all wanted may I lick ur boots Disney and also suck ur dick but only if we say no homo
Gaston’s sidekick (don’t ask me to spell french) bribing the bar people to like Gaston or something??? The whole point?? Is that Gaston DOES check off the list for Desirable Bachelor in those times!! Can hunt? Yes. Lorge? Yes. Well off? Yup! An asshole? Of course, but does that matter in these times? No! Your privilege is to wash his socks! But Belle is a Different and Special Girl who DOESN’T find Gaston attractive for all the things the village thots do! Gaston is the outer ‘perfection’ that society praises while he’s still a cunt, the Beast is seeing the goodness within no matter what society says! The whole movie is fucking inverted by that one goddamn scene!! I hate this film!!!
this also makes it fuckin weird that they then discriminate against Maurice and side with gaston in the end? The villagers just do whatever the fuck the writer wants them to do and in this it’s so painfully obvious, the CEO of disney may as well be standing there with flags directing their movements in the background, I hate this fucking film
Instead of making cool inventions belles dad just makes like, a weird dolls house if I remember correctly
THEY DUBBED THE WOLVES IWTH TIGER NOISES! W  H   Y
The Be My Guest was so lacklustre. It was like a clown singing kareoke in an empty warehouse while frisbees fly around. You wasted Ewan McGregor on this. Disney has no imagination anymore
To add to that, the ending ballroom scene dance thing?? Lacklustre. Disappoint. Bad dress.
The best character in this film is the horse, who not only remembers the impossible way to the Beast castle, but runs at max speed between the two locations (a half-day journey), regularly with ease, carries the Beast, who IS roughly the size of an ox, and fights off fucking wolves who also seem to totally ignore his presence
Disney robbed me of the one scene I did desperately want, which was Belle deadlifting the Beast on to the main character, the horse
THE PLAGUE
ok the fucking plague ok. You do not mess with the goddamn plague. And this wasn’t cowpox either, this was the full 1500’s shithole Paris Black Death burn-you-alive fucking PLAGUE. Belle’s mom had the Plague, and both her and her dad somehow did not contract this while living with her through her entire sickness, they go to a different town (ISOLATE U HEATHENS) and then?? The Beast and Belle GO BACK to a plague house and run their hands all over shit! Do you know how long the plague takes to die off?? Even TODAY when we dig up a plague pit, everyone has to get immunized, I know this from EXPERIENCE. Congratulations, you and the Beast either have plague or have introduced it to your lovely village. Do not fuck lightly with the plague.
The magic fucking teleportation book.
Why
what the shit
w
t
WHY
They use this shit to instantly Star Trek beam themselves into a plague house
I assume the Beast wasn’t using this to heist random women to see if they would fall in love with him because, like, why would you not do this when you can just politely return them with your stupid magical teleport book
People attack the castle? Use the magical teleport book dumbass
The Beast’s unnecessary, long, boring song from the top of some fucking tower, idk, I skipped it, I got bored
The Beast design. What’s the point if he doesn’t look like feral garbage please. Also his voice pissed me off but I can’t remember why
I dont like him even personality wise
give him to Guillemo del toro you cowards
This was set in Actual History for some fucking stupid reason, and for another unfathomable reason, it was set directly before the French Revolution, so I guess it’s not a happy ending at all. Who wants to be transformed into a guillotine ?
Why is it so fucking dark half the time
The teapot is creepy
Why in the shit did we get the Prince’s fuckin weird tragic backstory? We don’t care. Man get turned beast is what we come for. And why? Why do we need a tragic backstory to excuse his actions? Can he not just be an asshole? Rich, stupid asshole? Who then maybe has to learn a lesson? Instead of oh tortured soul rich boy is so misunderstood! No. Die.
Disney’s absolute desperate need to have characters be ONLY GOOD or BAD BAD makes me want to knee the face of the collective corporation so hard that they are sent into the Hell Dimension
Where did the hot priest at the start go? Why do I think of him sometimes
They want this to be painfully French, but somehow ends up and an even more agonizing blend between painfully British and ass-kissingly american.
Why does the castle just fall apart like that. What is holding it together? Spirit gum? Why? Stone that looks like it has been soldered together with a welding iron doesn’t just give out, or The Earth would have caved in millenia ago
Ian McKellan uses his Gandalf voice and in this film it’s honestly a crime and also jarring to hell
The prince is not hot at all
The stupid dubbed growl at the end which I try so hard to repress makes me want to throw myself into a swimming pool full of mace
The only 1 good thing about this film was the dude who got dressed up by the dresser and was so fucking happy about it.
People complain about the soundtrack, but I for one refused to listen to the songs that bored me within the first 20 seconds, and the ones I listened to were like average remakes of the OGs so that wasn’t really the worst sin
This film so visibly sucked its own dick that this is probably why it was banned in china
Thinking about this film makes me want to commit Violence so I think it’s about time I stopped
I will not be taking constructive criticism or counterpoints to anything about my thoughts on this ever.
Goodbye and thank you for your curiosity
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fipindustries · 3 years
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TENET, i have *many* thoughts
ok, that was a mess.
so.
This movie is nolan at his most cocky and self indulgent. it is in many ways nolan at his worst. this is the quintessential example of what a bad christopher nolan movie looks like, this is the movie that every person that disliked nolan has been talking about all along. to quote the northern caves:
is undeniably imaginative; it probably has the most dizzyingly elaborate plot ever featured in a work of children's literature. Does that make it complex? No, it makes it complicated. And between those two little words is a world of difference.
Salby's plotting builds hierarchically, inexorably, unforgivingly. Every new development serves as scaffolding for the next, and any idea or event, however minor, however many pages or books ago it was introduced, can serve as fodder for new narrative contortions. The result is a reading experience that recreates with eerie accuracy the atmosphere of the schoolroom. Salby demands academic devotion; everything will be on the test
Sean Carruth’s masterpiece Primer has a lot of its hermetical power resting on the fact that it is presented in the most opaque and confusing way possible. Entire plot points are skipped or merely alluded to in throwaway lines, which make what would already be a really complicated plot much more impenetrable than it already is. But what primer does to compensate for this and what Tenet lacks, is time to breathe, presentation, atmosphere, mood, all the necessary components of movie making.
a lot of what happens in this movie occurs almost in a slapdash fashion, as if it had been pushed and churned out the editing room as fast as possible. this movie feels like a five episode long miniseries crammed as awkwardly as possible into two hours and a half. Not because it suggest to impenetrable depths or to a larger breathing world beyond the film but because it is missing entire sections that would have helped us get acclimated to the world, the settings, the events and most important of all, the characters.
the characters are all function over form, they are a collection of basic traits and lines, all whose main function is to exposit and make the plot move according to nolans convoluted design. i could probably have a lot more to say about this but sadly i couldnt pay any attention to what the emotional core in this movie was supposed to be, busy as i was trying to stop my eyes from glazing over the plot.
in some ways this feels like michael bay, there is a clear priority on looking cool, and sexy and glamorous which borderlines on fetishistic (nolan seems to be desperate to make a james bond film but since he cant he decides to make his own bond, with time travel and hookers) the only difference is that nolan has different ideas from Bay about what counst as “cool” or “glamorous” or “sexy”. instead of going for gaudy, over the top douchy excess, he prefers sleek, sophisticated, anodine elegance.
in fact i almost dare to be so bold as to say that the entire premise of this movie, for all its pretense of carefully calculated, metodic, intricate well thought out rules, it really seems to follow exclusively the rule of cool. the very first scenes where the conceit is introduced it already feels stupid. and then the rest of the movie builds on top of that shaky foundation and i was never able to get over that initial stumble. spoilers ahead.
the general conceit here is NOT that things are moving backwards through time, but that “their entropy is inverted”. so, for example, if a bullet flies backwards from a crater into the gun, it is not because the line of causality goes backwards and it was some how “postdetermined” to get reverse fired, it is because someone aimed a gun at that crater and in that moment the bullet decided that was the gun that shot it, it could have been any other empty gun, wielded by any gunman and it could have happened whenever the gunman decided it was time for it to happen. so it is still us going forwards in time what decide when things are falling up, or getting repaired from exploding, or being shot backwards, simply by waiving our hands on top of it. it is not time travel is just a fancy form of telekinesis. which is bullshit.
and it is this central bit of gobbledygook what explains all further convolutions that spiral outwards. add on top of this ever increasing forms of quintuple crossing, sextuple agents, shell companies within fake agencies, within false fronts from a mediocre spy novel on steroids and you get a recipie for the audience being unable to give a shit about what is even going on.
i need to stress at one point the movie explains the grandfather paradox, as if people didnt already know about it and as if it had anything to do with the actual plot.
so this is a bad movie, right? it sound pretty close and shut.
well
thing is, i am a huge fucking nerd, primer is one of my favourite movies of all time, the homestuck interlude at the end of act 3 is the greatest piece of media i have ever read, i have written pages upon page analyzing almost nowhere, i can keep throwing names around: fleek, fine structure, hpmor, im not telling you these titles to brag about how smart i am for liking big brain boy stories, im telling you this to emphasize that i love weird intricate messes to pick apart and unravel and boy tenet is a fine example of that.
i cant help but respect how unconcerned with being liked this movie is. nolan is doing whatever the fuck he wants according to his ridiculous designs and is paying no heed to people enjoying the show.
but on the other hand, every time i finished one of the stories i just mentioned my first reaction was that of a kid coming out of a disney ride, i wanted to go immediatly back, this time with pen and paper, ready to draw diagrams, to chart formulas, to parse through it all at 0.5x the speed to make sure i got everything.
i certainly would have to do that for this movie, the problem is that i dont particularly care to. it doesnt feel like a fun puzzle to solve, it feels like homework, homework to figure out a movie that im not even sure i liked all that much.
which is a pity, maybe some day ill go back, ready to understand it all, but that day is not soon. tenet, it could have been great.
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kingjasnah · 4 years
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actually. actually let’s talk about diversity in fantasy let’s give that a go. im mad and im gonna be that way for a while
don’t want to read all this? fair. tldr: fantasy writers who rely not only on the medieval europe model but also hide behind historical accuracy in 2020 (fuck it, from ‘95 onwards) are lazy and unimaginative and should be held accountable no matter how many white 20 year old dudes jerk off to whatever power fantasy is embedded in the plot. so lets chat about that lads. (slightly) drunk rant under the cut
now prelim shit: we know fantasy is used both as escapism and as a way to deal with various traumas via magical metaphor. staples of the genre. even if jk rowling busted out the laziest and at times offensive metaphor for ww2 and racism ive ever seen, she still adhered to time and true tropes. whatever.
so why have we, in this post game of thrones era, become insanely obsessed with realism? i can hear sixty 20-something year old men crying at me rn like oh ohh oh its based off the war of roses oh wahh all medieval fantasy fiction is based off england and the crusades anyway so women should get raped and people of color should be demonized its not racism its xenophobia and also gay people dont exist and disabled people are systematically killed off and if we stretch the magic fixes mental illness thing a LITTLE further we have straight up eugenics.
we all know where the england but myth thing came from. now the thing about tolkien is that while i will always absolutely love lotr, looking at the LAZY state of fantasy? damn i kinda wish he hadn’t revolutionized the genre. the bitch was still racist. he still didnt give a shit abt women (eowyn was just a vehicle to show how much he fucking hated macbeth anyone holding jrrt up as a feminist icon for that needs to sit the fuck down and explain to me why i can count the woman speaking roles in lotr, a story with a name and fleshed out backstory for every minor character, on one hand but thats! another post). he had something to say abt class with sam i’ll give him that but he is still 100% NOT what we need to hold our standards to in 2020. 
i dont want to talk about old school fantasy, like 80s early 90s cause theres literally no point. its sexist, racist, ableist for sure, this we know. david eddings (not even that old school tbh) can rise from the grave and explain himself to me personally and i still wont forgive him for ehlana. 
so let’s talk historical accuracy. quick question. who the FUCK gives a shit? WHO is this elusive got fan who’s out here like blehh actually??? this method of iron production is TOTALLY anachronistic of the time. ummm these vegetables in this fictional world were NOT native to english soil so how are they here? cause i know this is the classic argument but ive never actually met someone who cared about the lack of dysentery as much as they care abt the women getting raped on screen/page. 
god forbid you have to worldbuild for a second god forbid you can’t rely on the idea of fantasy readers already have in their head god forbid you have an original idea god forbid you spend more than two seconds thinking about ur setting (oh i should mention i dont....really blame GoT for its setting cause of how long ago it was og written but trust me i sure as hell blame grrm for writing a 13 yr old giving ‘consent’ to sex with a grown man within the first couple of chapters) 
If we accept the basic premise of fantasy as escapism, and i AM drunk so i will NOT be finding fuckin. quotes and shit for this but come on tolkien said it himself and as much as i’ll drag him he crafted the simplest and most powerful fantasy metaphors on the board rn. But if we know its escapism. If we know. then who is it escapism for? certainly not for me, the gay brown woman who busted through all of GoT in 10th grade. 
modern fantasy lit used as an excuse for that white male power fantasy is literally disgusting. calling historical accuracy is so fucking dumb ESPECIALLY cause we, as ppl in the 21st  century, KNOW women have been consistently written out of the story. poc ppl, gay and trans ppl, anyone with a god forbid disability has been WRITTEN out of history as we know it, INCLUDING the fucking war of the roses so HOW can we hold up testimony we know is flawed to support our FICTIONAL. STORY. just to??? support the white power fantasy?? literally noah fence but if you are a white guy who felt really empowered by every time jim butcher described a woman tell me: how do you think that’ll hold up in classic HisToRiCaL fantasy. you think thats a fucking noble pursuit? or are you grima wormtongue out here. 
(side note: jim butcher stop writing challenge i dont need to know abt every woman on page’s nipples. anyone who hides behind subgenre like that? ‘ohhh its a noir story thats why hes sexualizing everyone’ shut the fuck up an author isnt possessed by a fuckin muse and compelled to bust out 500k they have agency and they have choice and they MADE the choice to reserve said will for none of their female characters)
which brings me to point 2: target audience and BOY is the alcohol hitting me rn but WHO is this for? this isnt the fucking 80s we know poc and other marginalized folk read fantasy FOR the escapism. on god ive had a cosmere focused blog for nearly three years and. im just gonna say it im interacted with A LOT of yall and ive managed to talk to VERY few white straight ppl as compared to everyone else. 
like....who deserves to see the metaphor on homophobia or racism. joanne rowling? the bitch who literally tried to sell us happy slaves and the disgusting aids metaphor and the worst case of antisemitic stereotypes i ever saw in an nyt bestseller? yall think that was for US? or was it for the white guilt crowd. 
literally white people can find any book about them that they can relate to. but hmmm maybe theres a reason gay women care so much about stormlight archive’s jasnah kholin, a brown woman who’s heavily coded as wlw. or kaladin, the FIRST fantasy protag ive ever seen with clinical depression. hmm i wonder why a bunch of millennials are vibing all of a sudden. im not saying sanderson is perfect--but its the best ive seen from a white author tbh
maybe theres a reason a lot of poc vibe with a literary way to express trauma, and maybe thats why i specifically get so pissed when its not done well. theres a REASON books about outcasts pushing through and claiming their own lives are popular with people who arent white and straight and able bodied. Junot Diaz had a point. maybe lets STOP catering to those assholes who think theyre joseph campbell’s wet dream personified. ive lost respect SO many authors who are objectively talented. pat rothfuss can write so beautifully that ive cried to bits of name of the wind but literally i will never pick that series up again (not just because of the felurian. women in general tbh. mostly the felurian ngl) cause 1) i personally KNEW men whod jerk off to that shit and 2) there was no need for it there was no plot reason for ANY of that shit 
so like obviously thers an issue with authors of color specifically not getting recognized for fantasy and genre work but on god??????? im still mostly mad at the legions of white authors churning out the same medieval england chosen one books year after fucking year. have an original thought maybe. also im sorry that you as an author lack the basic empathy needed to examine the way that women? or any group of people that youre explicitly writing about see the world and would specifically see YOUR made up world. 
yes your fantasy should be diverse, but more than that it should be kind. if you as a writer cant respect groups of people who deserve it....what the hell are you doing in a genre that traditionally is about finding ways to express injustice through metaphor? tolkien’s hero was sam. fantasy was NEVER about the privileged. yall know who you are so stop acting so fucking entitled. peace out. 
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finelythreadedsky · 5 years
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hi!! this isn't really abt the euripedes thing bc i agree with ur stance on that, but i was curious abt the tags dont treat anne carson as a translator -- im still relatively new to reading translations of ancient plays/poems/tragedies etc., so what makes her interpretations particularly different from most translators? is it the context and/or stylization? sorry if this is kind of a hard to understand question aksjdjka id just like to know for when i read!!
so all translations are some sort of balance between literal and interpretive, because it is almost impossible to directly capture both the poetry and the literal meaning of the original using a different language. some translations err more on the side of accuracy to the original text, sometimes at the expense of a translation that is simply not as beautiful or poetic as the original. other translations sometimes attempt to recreate the effect those words would have had on the original audience by using phrases and words more suited to the target language, though not necessarily strictly accurate. 
it’s a careful balance, and anne carson as a translator leans more toward the interpretive on that spectrum. if you look closely at a line of her translations, you may find that the greek says something different, she’s used a metaphor that isn’t present in the original, or altered the dialogue to appeal more to modern sensibilities and ideas of poetry. for instance, this post by @palatinamedea goes through what she’s done with the orestes quote that’s been making the rounds. because she is a poet and a poet whose original work draws a lot on ancient texts, her translations often take a lot more liberties with texts– which is something i often like!
for instance, one of my favorite lines from the machemer/collier translation of medea  is 1360-61 (medea: tell me, how does it feel with my teeth in your heart?/ jason: if you eat my heart, you swallow my pain.) but the greek literally reads: for I did so touch the needs of your heart/ and you are the partner of my grief and pain. and on the spectrum of translations, carson often falls even further away from textual accuracy and more toward original poetry than this translation, although it is ALWAYS a mixture of the two.
and i’ve been recently accumulating books like alice oswald’s memorial, seamus heaney’s burial at thebes, christopher logue’s war music, which, like carson sometimes does, frame themselves as “versions” or “interpretations” or “adaptations” rather than translations. her bakkhai is subtitled “a new version by anne carson”, and she published AN oresteia, not THE oresteia. i really like how this bring the translator into the forefront and keeping you aware that you are not reading the original text but something that has been passed onto you through the translator’s lens (as well as all the other cultural lenses the translator has interacted with).
to me these more poetic if less literal translations really speak to the power of translation as an art unto itself and I like how they try to get a line to land in english for modern readers as it would have landed in greek for ancient theatre audiences. they translate/adapt/interpret for a modern audience and acknowledge that the modern audience is different from the ancient audience and will read the same words differently, so different words might be necessary to evoke the same effects/emotions/responses.
@mutuals who are into translation: please do weigh in! (i keep forgetting which of you post about translation theory and the cultural transmission and reception inherent in translation)
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im in high school and it sucks do you have any advice you could give me
aright ive been thinking about this one for a little while, trying to actually come up with something helpful. in interest of accuracy, i graduated high school in 2019 and am about to enter my sophomore year of college. 
first and foremost, you're in high school. i dont know what grade you're in, but at most you've got 4 years left. and after that you never have to see Any of the people you go to school with ever again if you dont want to. i know this one might seem kinda stupid, but it was one of the few thoughts that got me through junior and senior year. (also when i was home on college breaks (and right now during *this*) the only people ive seen from school are the ones that i choose to see and if i happen to run into someone else we either wave or just ignore eachother. i also live in a fairly smallish town) 
find a spot to eat lunch thats not the cafeteria if possible. idk what kinda school you go to, and this is not possible at all schools, but if it is, take advantage of it. i would eat lunch in the crafts room 99% of the time and work on whatever project i was currently doing. sometimes my friends would join me and sometimes id be by myself, but either way it was nice to get away from the nonsense for a little bit. 
make fun of your awful teachers. not to their face obviously, but with your friends. it makes the class that you absolutely cant stand so much more bearable. i had a teacher in my senior year who was absolutely awful and my friend and i who had the class together would make fun of him outside of the classroom.
doodle. some teachers do notebook checks, so dont do it in that notebook, get some plain lined paper or do it in a different notebook entirely, but doodling is a great way to relieve some of the stress and shit that goes on in class. 
go on your phone. i probably shouldn't be advising this one, but i spent a fair amount of time on my phone in high school, esp as i got into senior year. i think i might have spent more time on my phone than paying attention honestly. theres definitely an art to it. but once you figure it out, its pretty simple. just make sure you're still getting decent grades. 
snacks! figure out which of your teachers let you eat food in class and bring snacks. you'd be surprised how much snacks improve your mood. (maybe not this year tho cause of the whole pandemic thing. but if you're taking classes from home, do it!)
try to take at least 1 class that doesnt require a lot of brain power. my classes of choice were dance and crafts. if your school offers stuff like that, its nice to have a break in your schedule that doesnt require you to be sitting and taking notes and thinking about things. 
know your limits when making your schedule. just because you place into all honors or get reccomeded for ap classes doesnt mean you Have to take them. obviously, parents (and sometimes guidance counselors) dont agree with this. but if theyre cool with it, only take honors or aps in areas that you actually enjoy. that way you will be more motivated to do the work. it also gives you a break in your other classes. when i was in high school, the bulk of my honors and ap classes were in history and english because that was what i was better at and liked more. i took non honors science and math when possible. those classes had significantly less homework, which left me time to do my homework for my harder classes without feeling stressed. 
determine which classes you *actually* have to pay attention in. there will usually be one or two ones that you actually have to pay 100% attention in, and then you can kinda get away with not completely paying attention in the rest of them. 
listen to music whenever possible. if you have a teacher that lets you have your earbuds in, take full advantage. or listen to music while changing classes, or during lunch. music does so much to improve your mood and its something to look forward to. just be careful of that one teacher every school has that makes you take out your earbuds. dont get in trouble.
give yourself an outlet. something that you can enjoy that is absolutely not connected to high school. it could be a youtube channel, a fandom, writing fanfic, a book, a movie, some form of media. and let yourself indulge in it after (or even during) school. i wrote a lot of fan fiction in class. i wrote character maps, hcs, song lists with themes, shit like that. and then when i got home i let myself watch like an hour or so of youtube before i did my homework. just because you're in high school doesnt mean you cant give yourself breaks. again, parents can be annoying about that because they see you not doing your homework and think you're a bad student, so dont get in trouble. but definitely give yourself breaks when doing homework. 
try not to start or get mixed up in drama. its a lot easier said than done, but it makes everything so much better. also in the grand scheme of things, high school drama is not important. 
find a few friends to be close with and stick by them. if you have one or two close friends in high school you're pretty much set. of course you can go through high school with no friends and make it out, but its easier to have a few close friends. it makes it fun. and if you dont have any friends at your school, internet friends work too. 
dont get caught up in the whole college application thing. yes its stressful, but whatever school you end up at will be fine. and people often get so consumed by the process that they get incredibly stressed and forget to take care of themselves. make sure you're still hanging out with your friends and making time for yourself. 
high school seems like the most important thing in the world when you're in it. but it's not. and you'll get through it. i hope this wast least a little bit helpful. if not feel free to message me or send me another ask!
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