Story Ideas that I need to elabroate eventually
Blonde Knight One: a lady knight swore loyalty to the crown, but after finding how vile and twisted her kingdom was, she swears loyalty to a tricksy witch and becomes her knight. The story follows the adventures of her and two magicians: a transgender sorcerer (she/her) called Adam (short for Adamite) who is very very cheesy and has a boosted ego, and her equally chaotic counterpart, a black trans bard called Eve who is way too flamboyant. The separated may be prime examples of magic casting, but together, they are so unhinged the knight's job is usually to keep them from getting them expelles from whatever kingdom they have a mission on. Based on random ideas from my daily life that somehow fit together, and Vibes.
Venera and [unnamed]: Venera is a russian lved in paranormal adventures with this nonbinary guy (clove motif) that has a more open and dumbass personality than him. They are a great contrast, but they work well together. Based on a design challenge.
The Chosen One: Victor is a chosen one hero from a prophecy in a fantasy world; he knows what his duty is, and hed be happy to comply, if there wasnt so much paperwork. Victor is supposed to slay The Dragon, but each time he gets close, he has to sign so much stuff and get so many appointments before getting close to actually killing it that hes in that for ages. Gabriel, on a fairly distant country, is a magician (he has his diplome) that uses his time helping passerbys and prophecy heroes that criss his path. He is quite poor and had a hard time paying for his magic scholarship, unlike his friend Toriel, a way wealthier magician. One day, Victor stumbles upon the bar where Gabriel usually hangs out, and after they meet, the three of them go in a mission to try and slay the dragon that has been terrorizing their kingdom for ages.
New one: Two freed slaves, a guard dog and a guy who was forced to do sex services, go on a journey together and the Romantic finds out he is actually a chosen one. And can fuel the power of The Seven Deadly Sins, that are the basis of the magic system on this world. Neither the guard dog nor the romantic have pleasant personalities, but now they'll have to save the world ^v^
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"why do we even have that lever" is made funnier by the fact there are only 2 levers to begin with (disguised as a pair of tusks on a statue)
i find the implications hilarious:
kronk only had to remember the location of one lever, and couldn't even manage that
but on the other hand, it's easy to get two identical unlabelled levers confused, this one's on yzma tbh
yzma only needed to make one lever to begin with, but she actively chose to turn the second tusk into a functioning trapdoor. she could have just...just not connected the second tusk to anything. it didn't need to have a function
upon reflection, this also answers the question itself: "why do we even HAVE that lever?" it's because yzma herself specifically designed it as a booby trap. "why do we have that lever?" because yzma had it built to keep people out of her secret lair! yzma made the very purposeful choice to put that lever there! and then both she and her inept henchman immediately forgot about her own booby trap! yzma that is YOUR LEVER!!!!!
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You know what I realize that people underestimate with Pride & Prejudice is the strategic importance of Jane.
Because like, I recently saw Charlotte and Elizabeth contrasted as the former being pragmatic and the latter holding out for a love match, because she's younger and prettier and thinks she can afford it, and that is very much not what's happening.
The Charlotte take is correct, but the Elizabeth is all wrong. Lizzie doesn't insist on a love match. That's serendipitous and rather unexpected. She wants, exactly as Mr. Bennet says, someone she can respect. Contempt won't do. Mr. Bennet puts it in weirdly sexist terms like he's trying to avoid acknowledging what he did to himself by marrying a self-absorbed idiot, but it's still true. That's what Elizabeth is shooting for: a marriage that won't make her unhappy.
She's grown up watching how miserable her parents make one another; she's not willing to sign up for a lifetime of being bitter and lonely in her own home.
I think she is very aware, in refusing Mr. Collins, that it's reasonably unlikely that anyone she actually respects is going to want her, with her few accomplishments and her lack of property. That she is turning down security and the chance keep the house she grew up in, and all she gets in return may be spinsterhood.
But, crucially, she has absolute faith in Jane.
The bit about teaching Jane's daughters to embroider badly? That's a joke, but it's also a serious potential life plan. Jane is the best creature in the world, and a beauty; there's no chance at all she won't get married to someone worthwhile.
(Bingley mucks this up by breaking Jane's heart, but her prospects remain reasonable if their mother would lay off!)
And if Elizabeth can't replicate that feat, then there's also no doubt in her mind that Jane will let her live in her house as a dependent as long as she likes, and never let it be made shameful or awful to be that impoverished spinster aunt. It will be okay never to be married at all, because she has her sister, whom she trusts absolutely to succeed and to protect her.
And if something eventually happens to Jane's family and they can't keep her anymore, she can throw herself upon the mercy of the Gardeners, who have money and like her very much, and are likewise good people. She has a support network--not a perfect or impregnable one, but it exists. It gives her realistic options.
Spinsterhood was a very dangerous choice; there are reasons you would go to considerable lengths not to risk it.
But Elizabeth has Jane, and her pride, and an understanding of what marrying someone who will make you miserable costs.
That's part of the thesis of the book, I would say! Recurring Austen thought. How important it is not to marry someone who will make you, specifically, unhappy.
She would rather be a dependent of people she likes and trusts than of someone she doesn't, even if the latter is formally considered more secure; she would rather live in a happy, reasonable household as an extra than be the mistress of her own home, but that home is full of Mr. Collins and her mother.
This is a calculation she's making consciously! She's not counting on a better marriage coming along. She just feels the most likely bad outcome from refusing Mr. Collins is still much better than the certain outcome of accepting him. Which is being stuck with Mr. Collins forever.
Elizabeth is also being pragmatic. Austen also endorses her choice, for the person she is and the concerns she has. She's just picking different trade-offs than Charlotte.
Elizabeth's flaw is not in her own priorities; she doesn't make a reckless choice and get lucky. But in being unable to accept that Charlotte's are different, and it doesn't mean there's anything wrong with Charlotte.
Because realistically, when your marriage is your whole family and career forever, and you only get to pick the ones that offer themselves to you, when you are legally bound to the status of dependent, you're always going to be making some trade-offs.
😂 Even the unrealistically ideal dream scenario of wealthy handsome clever ethical Mr. Darcy still asks you to undergo personal growth, accommodate someone else's communication style, and eat a little crow.
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