#they're what make him interesting to follow through his journey!

[steddiewithachance]

Vampire Pancakes

A response to this writing prompt. Thought it was too cute, had to write it! @dwobbitfromtheshire

🥞🫐

No one really knows what to do with Eddie right now. Everyone is jittery around him, going so far as to hold their breath when he so much as twitches. Even Dustin is squinting at him with calculating eyes; he's analyzing Eddie for threat.

Eddie will continue to courteously ignore the hand that Nancy is keeping stationed on her belt conveniently close to the little pistol everyone knows she's hiding. It doesn't matter that Eddie helped them kill Vecna, or that he saved Baby Byers' life. It doesn't matter when he has sharp teeth, dark eyes, and a thirst for blood. He can't blame 'em for being scared.

Eddie thinks about his dad. Wonders if even Al would see Eddie as a monster now.

Eddie got picked on a lot as a kid and he'd often come home from school tired and weepy. Al would look up from the couch in that black tank top he always wore. He'd set down whatever he was smoking to pat the spot next to him.

"What happened Ed? Was some little shithead mean to ya?"

Eddie would nod and slump into his father's side, eyes burning from the spicy, smokey air. When Eddie pressed his face into his dad's arm, Al would pull back and pat his head with sorrowful eyes. Al didn't really know how to comfort a kid or maybe he thought that being distant was in Eddie's best interest.

"You're too soft, Ed. Ya gotta make those kids think you can pack a punch. Chin up, eyes mean, shoulders back. Make 'em intimidated, make 'em fear ya."

So like any kid who thinks their dad's word is law, Eddie listened, or tried his best at least. But his dad never said that mean eyes, dark clothes, and loud music would get him accused of witchcraft by a bunch'a angry jocks and chased straight into hell.

Now his sheepies -his kiddos- are looking at him like they're scared, like they can't trust him and that is a fucking gut punch. Because pretty early on in his high school career, he decided that his purpose was gonna be standing as a shield for other kids like him. He wanted to be a source of safety and warmth in an otherwise cold and unforgiving storm.

Being feared is lonely and sad, Eddie has discovered, and he worries this is his new permanent reality.

Eddie quietly sits through his friends hammering out the logistics of a nighttime schedule to organize sleeping shifts so someone always has an eye on him. It's sick. Eddie has to excuse himself to cry about it. He has no uncontrollable urges to eat anyone here, Steve does smell appetizing, but he wouldn't jump the guy.

He can still eat human food apprently, it barely does anything for him, but it's something. Eddie thinks it's enough to quell any feral urges he may or may not get. He thinks the party is being unreasonable about their safety precautions, but really, he'd probably do the same if there was a monster in the same house as him.

🥞🫐

It's a long night, he can't fall asleep but he'll pretend to so that everyone can relax a little. The changing of the guard chafes at him and makes his lip quiver. He bites his lip to prevent a wounded sound from slipping out when Robin nudges Steve awake and says it's "his turn on hell shift". Eddie jolts because he remembers he has real sharp teeth now, and biting his lip does, in fact, hurt like a bitch.

"You're not asleep, huh?" He hears whispered into the air of the big living room after Robin has settled back into sleep. It's Steve's sweet and melodic voice.

"I'm trying." He responds, brokenly.

"Wanna get some fresh air with me for a minute? I need'a smoke." Steve is already shrugging the sheets off of him and carefully stepping over his sleeping friends towards the back door. Eddie doesn't think he has a choice, but to follow. Stepping out of this stuffy room does sound like a relief though.

Eddie makes the same journey through the sea of teenagers sprawled across Steve's floor and out the sliding glass door. When he steps onto the patio, all of the crickets stop chirping around him. The night goes silent. What the fuck? Is that because of him? He loves the sound of crickets, though.

He walks over and curls up in one of the Harringtons' fancy-loungy-pool-chairs. Steve stays standing, leaning artfully against the side of his house next to the glass. He flicks open his lighter and the small flame illuminates his square jawline with a warm glow. He's so achingly handsome. He's like a movie star, or a model.

"You okay?" Steve asks conversationally.

"Not even a little."

Steve sighs and pushes off the wall to walk towards Eddie's chair. He sits at the foot of it and swivels so he's looking at Eddie.

"I'm really sorry Eddie. I can't even imagine how you must be feeling. I won't pretend to." Steve sets a hand on Eddie's ankle and Eddie could cry from the small gesture of comfort that he's practically writhing for. "I feel like what happened to you is all my fault. I know that 'sorry' wont cut it, but for the record, I am. Completely and utterly sorry." That's a silly thing to think.

"It's not your fault, are you kidding? How do you reckon it's your fault?"

"Sending you with Dustin? Alone? Putting all that responsibility on you?" Steve looks down at his cigarette with disgust. He twists it into the cold concrete next to his socked foot and looks back at Eddie. There's no fear in his expression, and for once Eddie is grateful for his reckless bravery.

"It was the best plan and we all agreed to it. Don't sweat it, Harrington." Eddie feels like he's not all there. Feels like maybe if he was more composed he could comfort Steve better, but he's hungry and dazed, sad and tired. Steve nods solemnly, and clears this throat.

"And about everyone being kind of on edge... It'll pass. I think they're all thinking about when Billy Hargrove got possessed by the mind flayer and went homicidal on us. He tried to kill all the kids."

Eddie desperately wants to hear all the other Upside down stories one day. He keeps trying to stitch together all these scraps of lore that keep getting dropped on him. He has no right to ask about something so traumatic, so he'll just be patient and wait for more lore to drop.

"Everyone's just being cautious. Vecna's dead though, so I'm not really sure who they think would possess you." Steve finishes and squeezes Eddie's lower calf where his hand rests.

"I get it. Kinda hurts my feelings, but I get it." Eddie mumbles and feels his eyes getting heavy. He wonders if he could fall asleep out here. Maybe if the crickets were still chirping and it wasn't so goddamn quiet.

"I'm sorry, Eddie." It's fine, this might not even be the worst thing that's ever happened to him.

🥞🫐

In the morning Eddie curls himself into Steve's little kitchen nook. Eddie kind of loves the window seat, it's something his mom would have wanted, Eddie theorizes. She was always looking out windows, probably daydreaming about escaping. Eddie does it too.

The kids seem warmer this morning. There's no more hushed whispers or pointed looks. They're talking and moving around the house less cautiously. Hopefully, the stiffest interactions and the worst of their distrust is behind them. Nancy's still watching him like a hawk though.

Steve shuffles into view, his socks are bunched up around his ankles. It's cute.

He holds out a plate for Eddie with a dumb smile on his face. When Eddie reaches for it, he sees a stack of pancakes and the top pancake has a little face made out of blueberries and two whipped cream fangs. It's a vampire pancake. Steve made Eddie a sweet little vampire pancake.

"Oh my god, you're so adorable." Eddie squeaks and makes a grabby hand for the fork Steve's holding. Steve blushes and hands over the fork.

"Do you like it?" Steve asks coyly. The pancakes feel like a hug, they feel like an apology that Steve doesn't even owe.

"I love it, chef." Eddie pokes at the pancake-vampire's cheek. "I don't know if I can eat him. He's too cute." Eddie giggles. Steve looks up at him with bright sparkly eyes. God he's perfect. Eddie's hungry for him in five different ways.

Robin and Dustin come up beside Steve to look down at the plate.

"I want one!" Dustin announces loudly. Steve turns around and heads back to the stove, he looks so proud of himself.

"You can have normal pancakes. Those are special for Eddie." Steve says with a wink. Dustin looks down at Eddie and pouts at him as if Eddie has any say in who gets what kind of pancake.

"Dustin had to watch it all happen, he should get one too." Eddie tells Steve earnestly while Steve is pouring more batter into the pan.

Dustin gloats and yells "Exactly! Thank you, Eddie."

And it feels like things are gonna be okay.

#eddie munson #steve harrington #steddie #steddie ficlet #steve x eddie #steddie fluff #soft steve harrington #steve harrington is a sweetheart #kas eddie munson #vampire eddie munson #vampire eddie x steve #writing prompt #steddie microfic

[violentdelightsandviolentends]

☀️ with evan buckley "I would choose you over anyone." { keeping the relationship a secretl and catching eyes in a crowded room} pleaseeee

Fire Hazard.

l. Catching eyes in a crowded room + m. Keeping the relationship a secret + 17. "I would choose you over anyone."

Author's Note - this is a drabble written as part of my 500 Followers Celebration!! find that post here if you're interested. my first buck fic!! love him so much, he's an angel :((

Pairing - Evan Buckley x Female Reader

Age Rating - 16+

Warnings - none!! just tooth rotting fluff x

Word Count - 710

Masterlist. 500 Follower Celebration Masterlist.

It's absolutely against the rules.

There's a strict no fraternisation policy in place in every firehouse. It's there for a reason, after all. The city can't have all of its firefighters totally distracted because they're in love with each other.

Buck has never been one to follow the rules.

The minute he saw you, he knew he was in trouble. You cruised into the 118 with your sun kissed skin and gentle eyes and he knew there was no turning back. You flashed that million dollar smile in his direction and he could have sworn his heart skipped a beat. Yeah, he was screwed.

Little did he know, the feelings were very mutual. The first time he laughed at one of your jokes, your knees almost gave way. He looks at you like you're the only girl in the world. You feel like it, when you're with him.

At the 118, they call you Hazard. No one knows the meaning of the nickname besides Buck. Your little secret.

It came about one Friday morning shift. You weren't supposed to be working that day, but Hen called in sick, so Bobby asked you to cover. You were actually planning on going to the farmer's market, but you diverted your journey and made your way to the firehouse.

You weren't exactly dressed for work. You were wearing a pale yellow floral sundress that fell mid thigh, paired with sneakers and sunglasses. Buck took one look at you and almost passed out.

"Thank you so much for coming at such short notice. You're the best," Bobby says as you walk across the floor.

"It's no problem," you smile, making your way upstairs to grab some water.

Everyone goes back to their tasks, but Buck's eyes are glued to you. You look at him through your lashes, and he abandons cleaning the truck to run after you.

"Hey, you," he grins.

"Hey! You're in a good mood today," you wink.

"Well a pretty girl just walked into the room, so."

"Really? Where?"

You look around while laughing, and he shoves you playfully.

"You're an idiot," he chuckles.

You look at each other for a moment, before you realise what you're wearing.

"Well, I guess I better change," you tell him, turning to leave.

"Wait!"

Buck grabs your wrist and spins you back around, pulling you into him.

"Can you just give me one more minute to admire you in this dress?"

You look down at your feet, slightly taken aback by his boldness. Buck is not one to ever hold back, but he seems to with you. If only you knew it's because he's worried he'll accidentally tell you how he feels - or worse.

He uses his thumb to tilt your chin up so you're looking at him.

"You're so beautiful," he whispers, aware of the other people on the level below. "Most beautiful girl in the world."

"In the entire world?" you tease.

"Are you kidding?" he asks sincerely. "I would choose you over anyone."

He leans in without hesitation and presses a kiss to your lips. It's sweet and chaste and a promise of so much more. When he pulls away, you're both grinning like idiots.

"I've been waiting to do that since the first day I met you," he confesses.

"Well I've been waiting for you to do that since the first day you met me," you giggle.

He kisses you again quickly, before grabbing a hold of your hand.

"Wear this dress again tomorrow night."

"Tomorrow night?"

"When I take you out on a real date."

You aim a beaming smile at him, and his heart skips a beat.

"Fine, since you asked so nicely," you wink. "I can't wait."

You lean up to kiss him softly. You both can't get enough.

"If I knew that this dress is all it would take for you to ask me out, I would have worn it months ago," you laugh.

"You walked in and I thought I was gonna burst into flames. You're a fire hazard, woman."

You shove at his arm jokingly, smiling as you do it.

"Well it's a good job I'm a firefighter, huh?" you tease.

No one needs to know how you got your nickname. It's your little secret.

#murphy's 500 followers celebration #911 #tv: 911 #911 fic #911 fanfic #911 fox #evan buck buckley #evan buckley x reader #evan buckley #buck 911 #evan buckley imagine #evan buckley x reader fluff #911 fluff #evan buckley fluff #buck 911 fluff #reader insert #oliver stark #buddie #9 1 1 fanfiction #evan buckley x you #evan buckley x oc #evan buckley drabble #evan buckley oneshot #911 oneshot #evan buckley smut #evan buckley x female reader #buck x reader #buck fluff #eddie diaz x reader #eddie diaz

[seriousbrat]

this says a lot about Snape's character development for me. There are many parallels drawn throughout the series between Harry and Snape; obviously, they're very different characters but there are similarities too.

I think here Snape is talking about himself. The teenaged Snape we see in the Pensieve is very much like this- emotional, heart on his sleeve, easily provoked, a definite wallower in sad memories... weak. Adult Snape, though he retains some of these characteristics that do emerge in stressful moments (in PoA we see how angrily he reacts to Sirius's escape, for instance) on the whole is a great deal more thoughtful, reserved, calculating, measured.

I think that Snape at some point had to force himself to become this. I think he actually relates to Harry here, and is giving him advice based on personal experience. In my fic he begins to learn to control his emotions partially out of a desire to protect Lily; he's fully aware that she's his weakness (or really, his strength, viewed a different way) and that openly displaying any sort of emotion towards her at all makes her vulnerable to the likes of Avery and Mulciber, who will have the perfect weapon to get to him if they want to.

Severus doesn't have the advantages of his peers, he's not pureblood, he wasn't born into money. If he wants to join the Death Eaters and rise in their ranks, he needs to be subtle, cunning, careful. he can't afford to be careless and entitled like mulciber or bellatrix or even sirius. what he's got to offer isn't his name or his money, it's his sheer talent and cleverness. moving on:

When Voldemort decides to go after Lily this becomes even more important. Imo the reason why Voldemort believes that Snape only "desired" Lily is because that's what Snape told him. He lied to Voldemort's face and told him something probably disgusting tbh because that's the only way Voldemort would accept it and agree, if it was a selfish, callous request that Voldemort could understand. We can see evidence of this here:

Asking Voldemort to spare a mudblood because he was in love with her would likely not have gone over well- and as we know, Voldemort actually bore his request in mind, though obv didn't give enough of a fuck about Snape to follow through. Because although asking voldemort to spare her must have taken serious balls, Snape's mistake here was trusting someone inherently selfish to do something selfless for him.

Clearly he immediately realises this and goes to Dumbledore, which is when controlling his emotions becomes of paramount importance, because now he's working against perhaps the most highly accomplished legilimens of all time.

It's also interesting to me that Snape in this conversation is probably the character who is most forthright and informative with Harry in the whole of OotP until Dumbledore at the end; Harry actually learns a lot in this conversation. And Snape also kind of gives him credit which is interesting too:

like for Snape that's high praise lmao. A shame because if he wasn't so bitter (i.e. didn't wear his heart on his sleeve so much around harry) then he might have actually been pretty helpful to Harry and a decent teacher. Again, during the Occlumency lessons his unrestrained emotion brought up by memories of James is a hindrance. He defies Dumbledore's orders to teach Harry Occlumency because of his emotional response to SWM, as well as honestly doing kind of a shit job before that (by not being empathetic and teaching Harry in a way that would've been actually productive.)

At this point Dumbledore believes that Harry learning Occlumency and controlling his emotions is of vital importance; he turns out to be wrong about this. In Harry's case, it turns out to be his emotional nature that saves him- unlike Snape, who is the opposite. Snape's journey is about learning that some things are more important than his selfish need to give into his own emotions.

By DH Snape's learned this lesson fully; his old hatred for James doesn't stop him from doing what has to be done, from giving Harry the tools he needs. Even in the final moments of his life, he can look past James and see Lily in Harry- and, by giving Harry the information that leads to his self-sacrifice, he can let her go.

#sorry if this is kind of incoherent lmao its late #but this occlumency scene is so good tbh. the conversation between them is rly interesting #severus snape #meta #honestly the way snape views harry must be so complex and contradictory like no wonder he cant get a grip when harrys around lol #SORRY this got so long rip #severus

[doumadono]

(Sinful Sunday)

Karaku with lactation Kink. Y/n has just recently given birth to his baby and complain about sore chest so Karaku offers to help her by sucking them. Obviously not in front of the baby who happily sleeping

SINFUL SUNDAY

You and Karaku have embarked on a journey of exploration together — venturing into desires mutually shared and fantasies that each of you yearned to try before your paths converged fully. Now, you've discovered a comfort in exploring these facets with each other.

For Karaku, a particular desire lingered in his mind — he harbored a keen interest in tasting breast milk directly from the source. Despite the challenges you faced in conceiving, the two of you found pleasure in dry nursing. The sensations brought forth by his skillful mouth and tongue were almost orgasmic for you, and your moans, in turn, stirred a powerful response from him, making his cock hard within seconds. This intense connection often led to a swift conclusion of the nursing session, yet neither of you voiced any complaints.

Your deep care for him extended into various aspects of your time together, but the act of breastfeeding remained elusive. The moments you shared never seemed enough to satisfy the yearning for the regular, daily suckling that both of you craved.

Then, as if a miracle unfolded, you discovered you were pregnant with Karaku's child. As your pregnancy progressed, a tangible transformation occurred — your breasts grew rounder and more substantial. Karaku, captivated by this change, couldn't divert his gaze from the captivating sight before him.

Following the successful delivery of your child, a process marked by the intricacies of labor that relied solely on the benevolence of Karaku's counterparts, considering you resided with demons outside any human village, your recovery spanned several days.

Upon commencing the nursing of your newborn, a welcome revelation unfolded — luckily, you encountered no impediments with lactation. Your breasts swelled with milk, providing a nourishing source of sustenance for your unique offspring, a blend of demon and human heritage.

One evening, after Karaku gently placed the baby into a meticulously crafted wooden crib, a creation Sekido graciously assisted him in preparing for the child, he found you nestled on a futon, tears streaming down your face. Concern laced his voice as he inquired, "What's troubling you, my love?"

"My chest… I mean, my breasts, they're incredibly swollen, and it's painful," you expressed, revealing the physical discomfort you were grappling with.

In that moment, Karaku swiftly discerned a method to alleviate your discomfort while simultaneously satisfying his deep-seated desire for the nourishing milk. "I can suck them for you, if you don't mind?" he proposed.

Responding with a wry smile, you remarked, "Somehow I knew you'd suggest that; I'm not even surprised. Okay, let's give it a shot."

You gradually unveiled the nightgown that adorned your form — a thoughtful gift from Aizetsu — exposing your breasts to the gaze of your beloved.

Karaku observed them intently before delicately cupping them in his rough, clawed hands, applying a gentle squeeze that evolved into a soothing massage.

Your response was evident — a moan, a blend of pleasure tinged with a hint of pain, escaped your parted lips.

Karaku grinned, continuing his skillful manipulation, while leaning down to trace the tip of his tongue around your aureolas. Each area received the precise amount of attention, heightening the sensations coursing through you.

With your hands finding their way into his hair, you engaged in a gentle massage of his scalp, deepening the connection between you and Karaku.

Karaku shifted his focus to your left nipple, encircling the bud with his lips, creating a subtle suction while simultaneously applying a gentle squeeze to your breast. The sweet, fluid essence spilled over his tongue, eliciting a reaction from him as a low growl of anticipation escaped his lips, and a noticeable twitch in his hakama pants revealed the impact of the intimate encounter.

Karaku continued to suckle, varying the pressure and squeezes on your tender breast, immersing himself in the act as if he were an infant seeking nourishment. The audible pop that followed marked the release of your bud from his mouth. "Damn, baby, your milk is exquisite. Every part of you is delectable, from toe to head!" he exclaimed.

Amused, you giggled and playfully urged him to indulge in your other breast, a request he readily fulfilled. His lips enveloped the bud, initiating another round of sucking. Simultaneously, his hand ventured down into his hakama pants, and you bit your lower lip witnessing him palm his dick within the confines of his clothing. Occasional grunts punctuated the air, and he would intermittently nibble on your nipple, each bite gentle enough not to cause any discomfort.

"Just like that," you encouraged, your fingers gently stroking his nape. "Holy shit, it feels so good, Karaku…"

He persisted until no more milk flowed into his mouth. With a final, fervent suck, a groan escaped him, and with blush covering your cheeks, you observed the formation of a damp stain in the center of his pants — an unmistakable testament to his climax.

A moan escaped your lips as you drew him into a passionate kiss. "You've really eased my discomfort, my love," you whispered, gazing up at him with a grateful smile. "Thank you. My breasts feel so much better now."

Karaku grinned, gently pinning you down onto the futon. "Well then, let me continue having some more fun with you, my sexy mommy."

#doumadonos sinful sunday 🔥 #sinful sunday #anime smut #smutty blurb #divider by cafekitsune #kny smut #karaku x reader #karaku smut #karaku x you #karaku x y/n #demon slayer smut #hantengu clones #karaku demon slayer #karaku kny

[phantomrose96]

hi your short story is giving me absolute brainworms it’s DAMN good. I don’t have anything of real note to add so I’ll just ask: is there anything you really want to say about the story but haven’t yet (like trivia or whatnot)?

(938 Seconds Per Second)

Probably that I'd very nearly abandoned it!

The idea started from an article I was reading about time dilation - the gist of it being "okay but what's to stop you from accelerating infinitely? Up to and past the speed of light?" and the conclusion was kind of "you sort of can... from YOUR frame, from YOUR perception of time, potentially. but from a resting frame, you will appear to only ever approach the speed of light." So even if you could perceive yourself traveling 100 light years in a month... to every resting body, 100 years have passed.

So I was like cool! Fucked up potential! I really liked the concept of "you can notice your mistake after 5 minutes and already be 100 years too late to fix it."

I toyed with a few ideas and ended up gravitating towards "what if one shipmate intentionally leaves another shipmate behind... and by the time this is discovered days later, the left-behind shipmate is long dead." I also settled on "what if your shipmate sucked so bad that he causes you to snap and leave him behind"

So I started writing with that as the core idea. Main character Mendoza has the Worst Coworker in the World Universe, and he snaps and leaves Carson behind on a planet.

...But then I was a little lost. I was struggling with the substance. The "what makes this interesting" and the "what ties this all together." Sure I could just write Carson being an ass for 3,000 words and then... Mendoza leaves him behind the end?

I was even struggling with the first draft because part of me was like "what's even enjoyable about reading about a completely insufferable person...?" Even Mendoza himself is no peach. Maybe the whole concept was just unpalatable. I kinda just... ditched it where it was.

Then I came back to it this weekend and decided to kind of rethink it, fresh. And the absolute biggest difference between the early stumbling draft and what I ended up with was Sampson. He actually solved so much. (He existed in the early draft, but not importantly.) He introduced the character stakes and the tying thread to the story I was missing.

Now it wasn't just Carson annoying Mendoza. Once Sampson's tome enters the story, the stakes change. Mendoza is now in the middle of Carson actively destroying the thing Sampson is even alive for. Mendoza is now in a position of actively needing to make choices--he could intervene and try to save Sampson's tome. He could tattle. He could do anything--but he doesn't. Because "not letting Carson win" is the single most important thing. Mendoza doesn't need to be any kind of hero. He chooses not to be.

And now the reader is captive to this conflict, privy to everything Mendoza knows, and does not act on, as Sampson unravels in the background.

And now we have a thread that leads to Carson and Mendoza ending up on-planet together. Carson isn't out there for shits and giggles, he's out there because the plot point about Sampson's tome led to this. Now Carson knows about the cargo, and now he's offering Mendoza the chance to not just be passive witness, but be accomplice to Sampson's destruction.

And it's enticing. It's unimaginable wealth, and it's getting off the shitty ship, and it's never seeing Carson again. Mendoza has the chance to stick to his every-man-for-himself ideals and go along with Carson. And it's interesting to explore Carson's reasoning for why they deserve this! They're the ones who sacrificed 300 years for this journey! Don't they deserve this over some fucker who wasn't even born when this mission started?

And then it reaches one pivotal moment--Carson's gleeful declaration that Sampson will totally kill himself once he discovers what they've stolen. Because now there are consequences to this action. If Mendoza follows through with this, it's with the knowledge that he's gotten Sampson killed. (And maybe he shouldn't care. Maybe it doesn't matter. As he's asserted this whole time.)

Mendoza doesn't do it. He pulls up the ladder after Carson.

He doesn't let Carson win.

And then the ending... the ending where Sampson very much was witness to Mendoza following Carson out of the ship. If Sampson were every-man-for-himself, he could just comply and tell Major Kensington what he saw. Mendoza knew Carson was outside the ship. Mendoza came back. Carson didn't. The ship took off. Sampson knows this all.

But, Sampson has an idea of what, may, have happened. He knows he accidentally revealed too much to Carson. He knows Carson stole the tome which contains information about the cargo. Sampson, maybe, knows what decision Mendoza made.

So Sampson lies to Kensington. Sampson will swear on his life he never saw Mendoza that evening. No one will ever know.

And just!!! It was delightful to find the piece that ties the WHOLE story through. It's not just "your coworker sucks and you booted him to live out 40 years on a planet for your next 2 weeks". It's character-driven now. It's about choices and consequences and the fucked up implications that the time-dilation travel throws in.

#938sps #thank you sdkjdsjjhsd

[valyrfia]

I have to way I'm a bit surprised by all the hate charles gets and all the support carlos gets

I used to think charles was more popular

I guess when it comes to Fandom he does have a bigger one, but I think general audiences seems to support carlos more

Maybe it's underdog narrative idk. Like charles is constantly called spoiled, brat, whiny etc whenever he says ANYTHING that isn't super nice, while carlos can bitch as much as he want and barely gets called out

Fandom is always a bubble. I'd say the top two drivers in fandom are probably Charles, Max, and Lando because they're the ones that are popular with younger audiences. It's certainly not true outside. Sure, there's an RPF to fandom, but I think it's also worth noting as well if you're in F1 fandom, you're probably a more avid viewer of the sport than most casual fans, so things like Max's current domination are made more interesting by knowing the ins and outs of his journey, and it's easier to reject anti-Charles viewpoints because when you watch a drive like Suzuka in real time and look at the data afterwards, you understand why the past four WDCs think him generational, and why Carlos is a GOOD driver, indisputably, but has a deficit of skill in comparison to Charles which is masked with luck.

Also ultimately, it's a difference in what type of PR sells to different generations as well. Charles has carefully cultivated quite a strong parasocial relationship with a very loyal fanbase mainly comprising of the countries of Italy and Monaco and younger fans–he does this through playing into inside jokes online with his fans, making us feel like we have a 'special' understanding with him by liking certain tweets, or using certain emojis, or using pictures for his instagram that sneakily reflect a piece of online discourse that happened on a race weekend. Carlos has gone for the more traditional media approach of an underdog narrative to gain sympathy, but he doesn't have the same legion of loyal fans as Charles and makes no effort to build the same fan backchannels that Charles does, which is why I think that Charles, ultimately, will win the PR game. The support of traditional media is fickle, but the lecfosi would follow Charles into hell if asked. It's why Charles knows ventures like LEC or his music will succeed, wheras can the same be said for Carlos outside of Spain?

#i am always super wary of those who seek to build parasocial fanbases but i think charles has managed it in a taylor swift way ie quite well #lando also has a parasocial relationship with his fans but i think he manages that one worse #max in a weird way does not want anything to do with parasocial relationships at all but him basically being a child star helped build one #also i think he piggybacks off of lando's and charles' a fair bit #carlos also piggybacks off of lando's but in a weird way the positive effect from that one is balanced out by the negative from charles' #anyway thoughts! #f1 journalism discourse #f1 parasocial PR #charles leclerc #anon #asks

[writingquestionsanswered]

I’m so stuck in my fantasy novel. My protagonists need to do some sneaking and researching and such to figure out what the antagonist is up to, but I feel like I can’t make it interesting. It’s supposed to be mysterious, but the antagonist is also smart and isn’t just leaving clues in the street. They’ve also been framed for some crimes because he knows they’re coming after him, so they can’t just go ask anybody on the street for help either. But I’m so stuck.

Adding Interest to Fantasy Investigation

Well... in any mystery, no one is "just leaving clues in the street," you know? The whole point of clues is they're subtle hints of an event that were inadvertently left behind.

So, where you can start is with your antagonist's goal and plan... what are they trying to accomplish and how? In other words, when you say your characters are trying to figure out "what the antagonist is up to,' what *are* they up to? And what are they doing in an attempt to accomplish that?

Look at each of the steps the antagonist has to complete in order to accomplish their goal and break those steps into smaller steps. Look at every facet of each step and think about ways clues might be inadvertently dropped. So, for example, let's say you have an antagonist whose goal is to get the current king dethroned and replaced by a heroic-looking usurper who is in fact their puppet, and one of the steps they need to accomplish is throwing a battle which, when lost, will cause the people to lose faith in their king. And lets say one of the steps in throwing said battle is leaking information to the enemy that allows them to ambush a supply caravan that was headed to the king's army. And lets say he accomplishes this leak by paying a peasant boy to sneak into the enemy's camp and deliver the information.

What are some clues that could inadvertently be left behind for the investigating protagonists to find? Well, for one thing, there could be a witness that saw one of the antagonist's associates coming out of a mill where he wouldn't normally have been. And maybe, upon closer investigation, the protagonists discover that one of the miller's sons was seen talking to this man and then disappeared for two days. Maybe they talk to the boy and he claims the man simply asked for directions, and explains his time missing by saying he got lost in the forest. But... further investigation reveals that one of the boy's playmates saw him in the town square, where he climbed into the wagon of a man who fits the description of the antagonist's associate. And maybe the protagonists are able to trace the journey of said wagon through a few witness reports, and find that the boy climbed out of the wagon and followed a particular path into the forest. Looking on a map, they see that this path leads due east into the enemy camp. These are not clues what were intentionally or even clumsily left by the antagonist, but rather little elements that, when looked at closely, became hints as to the bigger picture.

Ultimately, that's what you're going for here... and see how much more interesting that is? Because now there's interest in the process... finding out the associate was in the village, at the mill, and seen talking to a boy. Finding out the boy went missing temporarily. Tracing the wagon's path and they boy's path into the forest... There are many opportunities to create mystery and tension with the investigation.

I hope that helps!

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I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!

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[sideprince]

If I'm honest I think the way the Deathly Hallows were made into a theme in the HP books is much more interesting than the whole Christ allegory, especially since it's a bit more original. I mean, sure, the Tale of the Three Brothers borrows heavily from the European storytelling tradition as filtered through the homogenized lens of the Grimm Brothers - the number three, the two older brothers being rash and unthinking and the youngest being wise, the outwitting of a dangerous foe, the lesson that brute force and bending nature's order will only end badly, etc. But there's still something interesting and original there, and I find that much more exciting than pinpointing how Christian tropes manifest in a children's story that follows them without building on them or raising questions.

What I find particularly fascinating about the Hallows theme is the way it connects to the characters, and how the three brothers and the objects they represent come to be reflected in three of the most key characters in HP:

Harry, Voldemort, and Snape are so inextricably connected, but even though the only moment they're all in the same place is when Snape is killed, it feels like Snape's the one whose journey to that moment is the most clearly laid out. It's the third time we know him to be in the Shrieking Shack: the first, when he's nearly killed by Lupin-turned-werewolf but escapes unscathed, and the second, when he corners Lupin and Black in PoA and is knocked unconscious sustaining a head wound. With each visit to the Shrieking Shack he inches closer to his own death metaphorically.

It's no secret that each Hallow is connected to or representative of one of these characters.

The Deathstick/Elder Wand is Voldemort: he's its penultimate wielder and even before possessing it, his own wand might as well be a death stick. He kills with impunity and without remorse. It's said several times in the series that ultimately all the death and destruction Harry, Ron, and Hermione fight against comes down to Voldemort; even the Death Eaters do what they do in his service. (And, while I take issue with the simplistic and naive perspective it conveys, the story makes it clear that as soon as Voldemort dies, the chaos he has wrought on the wizarding world is already beginning to be set right again.) Harry meets Voldemort in the forest at the end of DH in order to meet his death because it's Voldemort who brings it about.

The Resurrection Stone is Snape: we find out in DH that he has spent the entire septology haunted by the heartbreak and regret losing a loved one caused, and everything he's done has been in service of her. Though he never possesses the Resurrection Stone, he might as well - we see through his patronus that the memory of Lily is with him "always." Interestingly, it's also the Resurrection Stone that sets him on his final path - it's the stone in the ring that curses Dumbledore's hand, leading to Snape agreeing to kill him, and to him making the Unbreakable Vow. Killing Dumbledore draws him into Voldemort's trust even more, but also puts a target on his back. So, like the second Peverell brother, Snape's main drive is a departed loved one, his devotion to whom ultimately dooms him. The more he tries to keep her alive and honor her memory, the more she draws him to his death.

As in the Tale of the Three Brothers, death claims both the first and second brother.

It's the third brother who escapes death and meets him on his own terms through his use of the Invisibility Cloak. Harry literally wears it into the forest at the end of DH and throws it off to meet his death. Harry starts the story having escaped Death and working his way towards it on his own terms. When he dies, it's because he is ready and he chooses to - and once again, he escapes it. Harry is also closely connected to the youngest Peverell brother, being descended from him, and as per the Beadle the Bard's story, the cloak gets handed down from parent to child so Harry is its rightful owner.

Finally, there's the character of Death, whose parallel is, reluctantly but determinedly, Dumbledore. There's an irony in his ownership of the Elder Wand, in that he learned from the mistakes of his youth and understands and eschews its capacity for death and destruction. Even so, he becomes a character who plays a key role in the death of several other characters, not least of whom are Snape, Harry, and Voldemort. His main goal throughout the series is to bring about Voldemort's death. In the process, he sacrifices both Harry and Snape (not to mention countless others). Dumbledore is also the person who gives all three Hallows to their ultimate owner, Harry. In the process, it's from Dumbledore that Voldemort takes the Elder Wand, and it's through Dumbledore's actions that Snape is doomed by the Resurrection Stone, not to mention he's the one to give the Invisibility Cloak to Harry. When Harry escapes death as a baby, it's Dumbledore who leaves him with the Dursley knowing he will return for him later (or will do so through a proxy), sort of - but not quite - foreshadowing that death will come for Harry when the time is right. When Harry is killed by Voldemort, it's Dumbledore who meets him in Kings Cross limbo.

Interestingly, of these four characters it's only Voldemort who is not connected to all three hallows. Dumbledore has, at some point, had each in his possession, and at the end of the story Harry possesses all three and is the only person who knows where the Resurrection Stone is in the forest. Snape is the only person we see use the Invisibility Cloak without an invitation to do so from Harry (in the Shrieking Shack in PoA), and he's the only one aside from Dumbledore and Harry to be connected with the Resurrection Stone. Though he never does so, he was meant by Dumbledore to possess the Elder Wand, and it's the direct reason he's killed. There's an interesting parallel there, based on what Dumbledore says to Harry in King's Cross Limbo:

Harry is obviously the Specialest Boy™️ because he's the protagonist, so he's fit to unite the Hallows (which he never quite does - he uses the Resurrection Stone while wearing the Cloak, but drops the stone well before he physically takes possession of the Elder Wand and wields it). Dumbledore nevertheless has the Cloak for a decade between James' death and giving it to Harry, by which point he has had the Elder Wand for much longer. He takes possession of the Stone when he takes Marvolo's ring, and in the process experiences a parallel to the second brother's story (similar to Snape) as his efforts to reconnect to a deceased loved one instead sets him on the path towards his death. Snape, as stated above, is similarly connected to all three Hallows at one point or other.

As interesting as I find all this, I feel like these parallels and, really, this theme, could have been worked out more throughout the septology and been dealt with in richer, more wide-reaching ways. Maybe it didn't occur to Rowling (boo, hssss) until she was well into writing the series, whereas the Horcruxes clearly had, since Voldemort's inability to die is established in PS and the first Horcrux crops up in CoS. There's a clumsiness in the way Hallows vs. Horcruxes becomes the great dilemma in DH, and if the themes each represents had been established early on and been an undercurrent through the whole series it would have been more powerful.

That's not to say that the themes connected to each Hallow - death, loss, choosing wisdom over power - aren't overarching ones on their own. But Harry's contending with them against Voldemort's focus on that power and his fear of death alongside his cavalier implementation of it ends up being a bit flat, because Harry doesn't waver. It's one of the things Dumbledore points out when they discuss the prophecy, that because Voldemort killed his parents, Harry was never at risk of being seduced by all that Voldemort represents. So even though the themes are there, the tensions between them aren't really present in Harry - again, the protagonist - until the second half of the last book. Not until HBP do we start to see Voldemort's past and understand the parallels between him and Harry, and not until the Prince's Tale chapter in DH do we really see how Snape fits into this trio of "abandoned boys." The fleshing out of his character was sacrificed for the sake of the big reveal of his motivations and I think it would have been more interesting to have moments throughout the series that turned out to be foreshadowing along the theme of the Hallows, and not just ones that clarify his allegiances through the insight into his life.

#meta #long post

[multiversal-madness]

Professor Layton Au - Pandora's Call

((I have made an intro post for this au before but it's been a while and things have changed so here we go))

The Pandora's Call Au follows the idea of pairing the games (+ the movie and crossover) and merging them together, combining the stories and mysteries while changing some other story details to fill the gaps left behind.

The namesake of this Au (and the first combination to be created), Pandora's Call is the combination of Pandora's Box and Spectre's Call.

It follows the Professor and his new assistant Emmy as they investigate the Elysian box. They follow its trail to the ghost town Folsense where they must uncover the secrets behind the spectres — two large and formless entities that fight in the streets — the Spirit — a figure commanding the animals of the town into harassing visitors — and the Golden Kingdom — a castle rumoured to be buried beneath Folsense originating from the Azran.

The Black Ravens are instead the Raven's Guild located in Dropstone and while they do participate in the market, they're more so 'adventurers' that oversee most of the travel to the ghost town.

Arianna isn't sick, Tony doesn't dress up as Seamus and Evan Barde doesn't die, they live in Dropstone together peacefully.

Instead of the manatee like creature she is in canon, Loosha is instead a Quetzalcoatlus that flew out of the Golden Kingdom when she was small enough for Luke to hold.

And Luke Triton is instead Lord Luke Herzen, the grandson of Duke Anton Herzen, raised by his grandfather in Folsense with his only contact with the world outside Folsense being when he uses the animals of Folsense to scare away outsiders.

The other game pairings in this Au are as follows:

Eternal Diva + Curious Village — Eternal Village

St Mystere exists on the island of Ambrosia, the looming tower is mixed with Descole's castle and the Whistler and Reinhold families are combined. Flora and Melina are sisters and Melina's consciousness is put into a robot after she dies.

Miracle Mask + PLvsAA — Mysterious Mask

Labyrinthia is its own world accessible through the Akbadain ruins which is where Randall ended up when he fell, the magic is real (but bound to that one area) and the one behind the Masked Gentleman is the Storyteller (Descole isn't in this one due to Dahlia related injuries).

Lost Future + Azran Legacy — Lost Legacy

Mostly follows the plot of Azran Legacy, but Bill Hawks has disappeared in a time machine related incident and someone claiming to be Luke from the future joins them on their journey. Targent makes it to each location first so they have to use a rudimentary time machine that can only go back a few days to let them collect the eggs first. Also Clive is Luke's half brother, though he has to wear a purple wig to cover his blonde hair.

I do have some extra details for what happens outside the main 'games' as well, though this post is getting long so I'll put them under the cut for anyone who's interested (sorry it's also pretty long):

Clark and Brenda have been dead for around 10 years by the time Pandora's Call starts (though Brenda isn't quite gone), though Clark's death was confirmed while Brenda went missing on her own accord and was presumed dead

Losing Clark and then Brenda in short succession then only a few years later losing Claire left Hershel in a very bad place, he withdrew more so than before and became more reckless in the cases he'd pursue

After being beaten up by the government, Lucille and Roland were worried about him only having them and his mentor Dr Schrader to support him so Lucille called the Ledore household and asked if they would be willing to check in on Hershel, which they agreed and Henry went to go check on him

It was rocky at first, but Henry reaching out really helped Hershel and the two became friends again, Angela joining them too, though with Monte d'Or they couldn't be there all the time

During Hershel's 'reckless era' Henry would often be the one to come over and make sure he's eating enough and looking after his injuries (both from the government incident and injuries he gets while being reckless)

He has two major injuries around this time, one from before the Government beat down and one that ended his 'reckless era' and made him realise he couldn't keep doing this

The first happened the day Claire died. A young boy ran into the burning building next door to the lab to look for his parents and Hershel ran after him, burning his hands in the process of saving the kid

The second was when he was in a particularly bad place mentally, when he decided to look into the case of Claire's death a second time. He got further with his investigation, but then he was jumped and beat up worse than the first time, severely damaging one of his legs in the process and needing it to be amputated from the knee down (When it heals enough he gets a prosthetic, but he also carries a foldable cane and crutches in case he needs them)

On a brighter note, his reckless era did bring about one good change and that was running into his old 'friend' Paul who had also gotten involved in some shady dealings. After escaping the people Hershel was investigating/Paul was getting even with, they ended up reconnecting (things were a bit more complicated than that but this post is already too long-)

This Au's Hershel is a lot tidier than his canon counterpart, he also tends to collect odd souvenirs from his travels (traits he's picked up from Clark and Brenda, *gestures to 'guy who's nothing but the people he's lost' post*)

He's also a bit quicker to go against law enforcement when they're interfering with his investigations (nothing extreme of course, but he's definitely hidden evidence he hasn't had a chance to observe properly before an inspector could take it away)

And that's all I'll share for now. I have a lot planned for this Au and eventually I want to write a few fics for it too (a multichapter fic for each 'game' and a few oneshots too, though it is a very ambitious project) so we'll see what happens.

#Pandora’s Call Au #Professor Layton #Professor Layton Au #I won't tag all of the characters mentioned but I'll tag those who play a big part in the Pandora's Call part of the Au or in the- #Other details below the cut #Luke Triton #Hershel Layton #Emmy Altava #Anton Herzen #Loosha #Henry Ledore #ask to tag

[stagefoureddiediaz]

I’m literally sitting here with a rainstorm raging around me thinking about every single relationship (of any type) of Eddie’s that we’ve been shown. And I hope this makes sense after my app deleted what I had previously written for this meta!

Nearly every single one of them has been easy for him - except for a few, those with Buck, his father, Taylor and Josh (and arguably Ana which is a whole other interesting conversation point that I'll get to!) I'm not going to go into the Buck and Eddie relationship and its lack of ease - its a whole post on its own and I want to focus on the other aspects of Eddies journey through these other relationships he has.

Because he easily befriends Hen and Chim, there’s an easy relationship that develops with Bobby, and even with Athena. We’ve seen an easy friendship between him and Karen, easy friendships grow with the people at dispatch (lindaand May espeically). We saw an easy friendship with Michael (and David) and then at the firehouse with Lena, with Ravi and with Lucy (the two minutes of it we saw!)

He has a good realtionship with Abeula nad with Pepa - they're his family yes, but the show takes the time to show us that their relationships are close and good ones.

He even makes friends with the woman Pepa sets him up with (even if they have no further contact beyond that awkward date it was still friendly and reads like they could’ve pursued a friendship if they had wanted to beyond that meeting) even Marisol is easy and requires very little effort or energy on his part.

Even with Shannon - there might be a bit of suspicion initally, but he falls back into bed with her pretty easily, and then back into some form of a relationship with her. He re-finds that magic and it’s pretty easy for him, even if what we see heavily implies its all surface level and sex.

And now we have Tommy and this easy friendship that just clicks, but more on that a bit later.

If we look at the difficult or more complicated relationships he has, well they tell their own story and the subtext is delicious.

Let's start with Ramon. It not an easy relationship and Eddie feels a lot of resentment towards him. There are a million heart metaphors in play around this relationship and the moment we see it being repaired and beginning to heal is telling. Eddie has spent his entire journey through fatherhood scared of ending up the same type of father as his own and the moment he recognises and accepts that he isn't following the same path and that he doesn't have to/wont in the future, is the moment we see it heal and Eddie is able to move forward. from then on we're shown that relationship as being in a much more positive light and we see his own relationship with Chris improve as well.

Ramon is a mirror for Eddie and fatherhood.

Then there is Ana - while they had a good initial meeting it quickly turned sour when Chris fell of the skateboard and got injured. Ana stops being Christophers teacher and leaves the school and then when they meet back up in s4 it became easy once they’d cleared the air - but easy in the fact that Eddies heart wasn't really in it and he was ultimately sticking it out or Chris.

I find the Ana thing interesting because there is the fact that it doesn’t read to the audience like Eddie would’ve pursued anything with her had he not been pushed by his friends. and this plays into the theme surrounding Ana - she is a parallel of Shannon.

From what we know from what Eddie has told us - he met Shannon and it was magic, then she got pregnant so they go married, Eddie signs up and things turn sour. Eddie gets injured and comes home - they are at loggerheads with one another until she leaves. then they meet back up again once Eddie has moved to LA an they fall back into bed with one another and essentially pick back up their relationship. its easy, but again they are not truky in it for themselves or each other - they're sticking it out for Chris.

See where I'm going - the ups and downs of Eddie and Ana's relationship hits the same points at the same moments as Eddie nad Shannons relationship did.

So like Ramon, Ana is a mirror, just she is a mirror to Shannon rather than Eddie himself. Because the moment Eddie breaks up with Ana is also the moment he accepts the reality of his relationship with Shannon was about Christopher rather than about himself. from then on we see him building a more positive experience about Shannon for Christopher (we know as an audience that they have probably been talking about Shannon etc, but its actually from this moment on when we are shown it - its when start to see pictures of Shannon more explicitly being shown in the Diaz house outside of Christophers bedroom)

Then there is the Taylor Kelly of it all and this one is a fascinating one to me. Eddie dislikes Taylor because she is pretty damn similar to Helena Diaz. I know that sounds a bit far fetched, but they have the same personality traits and hit similar beats. Taylor is loud and forceful, her personality is domineering and we are shown her taking over and or inserting herself into every scene scene she's at and into places she does't belong. She has next to no qualms about throwing people under the bus for her own benefit and to ensure she stays the centre of attention.

Helena is the same - pretty much every scene we see her in she pulls focus she is domineering and controls the conversations and the narratives. She thinks she knows best and inserts herself into places she shouldn't be (the scene from Eddie begins where she sends Eddie back to get a juice box for Chris is a prime example of this and its implied by Shannons reaction and words that its a common occurrence) even down to making all the food for Ramon's retirement party because she doesn't trust the caterers. She, like Taylor, has no qualms throwing people under the bus to be the centre of attention - even her own son - at her husbands retirement party - an event manifestly not about her and yet she makes it about her.

And the thing is Ramon, personality wise, is very similar to Buck. This is particularly true when it comes to his relationship with Taylor - it mirrors Ramon a fair amount - going along with Taylors wants and needs rather than his own and allowing her to control things. Letting her be the centre of attention and dominate the relationship. The fact that things come to a head with her in the same episode (hero complex) as Eddie begins to reconcile with his father and we are shown Helena throwing Eddie under the bus (in the same way Taylor did with Buck (I can't reiterate enough this is in the very same episode).

One of the reasons I personally think Eddie dislikes Taylor as intensely as he does is because of these similarities between Ramon and Buck and Helena and Taylor. I couldn't say if its on a conscious or subconscious level, but Eddie knows that his parents marriage isn't perhaps an especially happy or good one, that they are fundamentally not really right for one another. I think he perhaps sees his father as downtrodden and under the thumb of his mother and that he's essentially trapped and won't get out because it's too late and he doesn't want that for Buck. Like I said its not necessarily on a conscious level, but it makes sense with the context we have that even if he isn't fully cognisant of his feelings/ the depth of his feelings for Buck, the last thing he would want is for his friend to become a shell of himself in the way his father has at the hands of a woman who is exactly like his mother.

This is such a choice by the show to parallel Ramon and Buck, especially if you entertain the concept of people marrying versions of their parents (generally taken as men marrying women similar to their mothers but it can also be applied to a queer relationship and the idea of a queer man marrying a man who is similar to his father), so Eddie ending up in a romantic relationship with Buck would play into this as a trope/ concept - one that I would actually love the show to explore.

Finally - Eddie has a difficult relationship with Josh at dispatch that we never really truly see resolved. So as far as we know, while the last time they interacted showed them in a slightly more friendly light, it was still evident that they are not friends and there is still tension there. the reason this is super interesting is that Josh is the only single gay guy on the show (and is loosely friends with buck and the show riffed on the idea of Maddie setting them up) and because Eddie hasn’t reckoned with his queerness yet, he can’t become friends with Josh. If the show continues the way it has - reconciling those relationships that are not easy for Eddie once he has accepted/confronted/ reckoned with that aspect of himself, I think we might see him become friends with Josh once he’s actually accepted he’s gay!

The fact that the Josh relationship hasn't been resolved is what makes this friendship Eddie has struck up with Tommy so interesting - it's looking like its going to play out along a similar (extended over multiple episodes) line to the Buck/Red friendship for Eddie (I'm not going into the Buck aspects of Tommys appearance in this meta). Its about Eddie reckoning with himself so all the dialogue that has seriously queer undertones to it and the directorial choices of bro high fives etc that are all just a little too much and trying a little too hard - its all about Eddie facing up to himself and looking in the mirror and accepting all the parts of himself.

#I don't know if attempt no 2 is as coherant as atempt 1 wasbut at least this one has made it to posting! #i'm fascinated by the various relationships Eddie has and how they play in to aspects of himself #an putting these aspects to bed when he has confronted them #Eddies various relationships #its just endlessly interesting! #911 spoilers #eddie diaz #evan buckley #tommy kinard #meta #long post #911 meta #911 abc #shannon diaz #helena diaz #ramon diaz #josh russo #ana flores #taylor kelly

[kawaiichibiart]

You voted for it, let's develop my Kya Lives AU

For those who haven't read through it, my Kya Lives AU explores the idea of Kya being kept alive in the FN as Ursa's servant, rather than in prison. While she could have been locked away, they didn't want to give her that luxury. It was also because they wanted her be around when the real last SWT waterbender was found. They'd be killed and Kya would be forced to watch as they die. That way she'd see her failure before she, too, was ultimately killed. This is also why, when they find out she isn't the real last SWT waterbender, she isn't killed on the spot.

From there, she Ursa develop a mutual companionship, which turns into a cautious friendship, neither woman wanting to lower their guards at first. After all, while both are nonbenders, both must have skills elsewhere that should be taken seriously.

Time goes on and the search for the last SWT waterbender becomes an afterthought. The FN has a war to win, chances are they might have killed the last waterbender from the South Pole and not known. Kya's living on edge, careful when she speaks of her family and home to Prince Zuko who has taken an interest in it.

And then Prince Lu Ten dies. The Siege of Ba Sing Se fails and Prince Iroh goes "missing" after he pulls back his men. Ozai goes to present his children to Azulon, and we know how the rest goes. Azula overhears Azulon tell Ozai that he has to feel the pain of losing a firstborn son by losing his own, she tells Zuko Ozai is going to kill him, Ursa intervenes and kills Azulon after making a deal with Ozai so he can become Firelord. Not the best retelling of what happened, but you get the idea.

This where we once again, leave canon behind. Because they're sorta friends now, Ursa tells Kya about what she plans to do and offers to make a deal with her. Help her get her children out of the FN, and she'll help her go home. It's risky, but Kya jumps at the chance to go home. She gets Zuko, Ursa gets Azula, and they get the fuck out as fast as they can.

At first, things are tense. Azula is fully blaming Zuko for what happened, fighting with her mom, demanding to be returned home, and snapping at Kya whenever she tries to intervene. She's upset she got dragged along, because had she been asked, she would have preferred to stay in the FN with her father.

Zuko is also blaming himself, knowing, whether his father was actually going to kill him or not, he should have just not let Azula get to him. They're on the run because of him. For once Azula has to be right, right?

Ursa and Kya are just trying to get by. They'll separate the two kids whenever their fights get bad, and will take turns watching them as one of them goes gets supplies. It isn't an ideal situation for either of them, honestly why they hadn't split paths earlier is lost to them. Would they split once they find a ship? Would Ursa and her kids literally follow Kya to the South Pole and see to it she reunites with her family? (yes)

Both women have wanted posters up. Posters that paint Kya as a witch, a savage who caused Ursa to kidnap the Crown Prince and Princess. Posters that paint Ursa as an usurper. Since she took the kids, the deal she made with Ozai is essentially void. Her murdering Azulon soon becomes public knowledge and Ozai "worries" she plans to kill his "heirs" as well. This makes traveling more difficult, as know all four of them need to be heavily disguised.

And because they have to be so careful now, a journey that, at longest (like extremely long) it should have been roughly half a year to a year. And it takes them longer. They're doing what they can to get by, but they have several points in time where they have to stop and lay low.

The three FN Royals use fake names (Noriko (obviously), Lee (again obviously), and I haven't chosen one for Azula yet, but part of me really wants to choose Loh for the irony). Kya ends up going by Mera.

As time passes their relationship evolves. Azula and Zuko still fight, but Azula no longer blames him for what happened (he hasn't stopped blaming himself yet). Their fights are moreso petty (not the word I was looking for but whatever, I can't think of the right one) fights (one called the other a name, one was being annoying, one kept making faces at the other, etc.). Kya and Ursa have settled into their friendship. Their journey to the SWT has slowed significantly, and they've lived in several places temporarily, but they do, eventually, reach the South Pole.

Once there, they have to track down Kya's tribe, which in itself is, thankfully, an easier journey. It takes them about a day to find someone who recognizes Kya. And, while weary of the 3 people with her, they lead all 4 of them to the tribe.

Kanna is overjoyed at Kya's return, and upon being asked where Sokka and Katara are, tells her about the Avatar. How he returned and was found by her children. That they left with him to stop the war. And Kya's heard the rumors. But she didn't want to consider the Avatar was traveling with her kids. She'd hoped they were home, safe.

But they were gone, they left to help the Avatar, and as proud as she should (and later would) feel, worry takes a front seat in her mind. Her children were the one thing she hoped to see when she arrived. And they weren't there. She ends up sitting with Kanna, listening as she tells her about what had happened while they were gone. The men had left to help fight the war, something she'd suspected would happen. She knew there a chance Hakoda wouldn't be around when she returned. She'd hoped her family was waiting for her, that Hakoda, Sokka, Katara and Kanna would all welcome her home. That, maybe only her husband would be absent. But only Kanna was there. And while, yes, the rest of the tribe welcomed her home, it's not the same thing. Kanna does her best to reassure her that things will work out. That she'll see all of them again.

If you're wondering about Ursa, Zuko and Azula, yeah they're just sorta...standing there. They don't know what to do. Or rather, Ursa and Azula don't know what to do. Zuko thinks he has the solution.

While some Kya and Kanna go about helping the FN ex-royals settle in, Zuko takes note of where the canoes are. That night, he leaves a note, takes a canoe, and leaves in hope of finding Sokka and Katara. And maybe the Avatar. Maybe. (Queue another mother becoming worried sick, because what the fuck?)

Through his random, whatever the fuck you wanna call it, luck, Zuko manages to survive and arrive in the Earth Kingdom. And we enter the second half of the AU which focuses on Zuko looking for, and eventually joining, the Gaang. The first one he finds is Sokka and that's by pure chance. Sheer luck. And Sokka becomes the first between him and Katara to learn Kya is still alive. That she's home. And he's learning this through this boy, this FN boy who spent a few years living with his mom. This boy who had heard stories about him and his sister. Heard his mom speak about them with so much love and decided he had to meet them. It's a bit overwhelming but...mom's home. Waiting. Waiting for him. For Katara. Maybe even for this weird boy.

Katara, takes this revelation differently. Since Zuko isn't their enemy here (that role belongs to Zhao), her animosity towards him isn't because he's chased them around. It's because, all this time, all these years she's spent blaming herself. Believing she'd gotten her mother killed, that her mom died protecting her. Her mom had been alive this entire time. Telling a FN boy, no, the FN Prince, all about her and Sokka. And while she knows chances are Kya couldn't leave without being hunted or being followed, she hates that she apparently bonded with members of the Royal Family. It wasn't fair. It's not fair. He has no right talking so fondly of her mother. He has no right saying her hugs were comforting. That she told the best stories. He had no right being close to her mom.

Katara is hurting, so a lot of what she says comes out because of that. Things she doesn't mean. Things she knows aren't important or will matter in the end. But she watched as her mother was taken away. As her betrothal necklace was ripped off her neck and tossed in front her crying daughter. Told she might as well have a last reminder of her mother. Her mom was gone and it was all her fault. If only she hadn't been a bender. If only the NWT actually helped them. If she'd just been born earlier or never at all. She doesn't mean what she says.

She knows her mother loves sharing stories, of course she'd tell a little boy if he asked for one. She knows her mom's hugs are comforting, she's been held in one every time she hurt herself, like when she pricked her finger on a needle, or when she got scared, such as the time she accidentally broke the ice under Sokka's feet and he fell through. Her hugs were warm and loving.

She can't help but feel hurt. And it takes her time to apologize, not for how she feels, never because of how she feels, but because of how she let those emotions made her act. For the things she said out of anger. Not just to Zuko, but to her brother, to Aang and Toph.

But she spent 6 years blaming herself and she still blames herself. And she can't help but just feel afraid. She's scared Kya blames her as much as she blames herself. That, when they go home, her mom will look at her in disdain. With nothing but hatred, any love she had for her daughter gone. It's so, stupid, but...

And Katara does eventually become friends with Zuko. The two take to talking, listening as the other vents. She thinks he's a moron for deciding to look for them via a fucking canoe (and now understands her brother's constant prayers to Yue to help him deal with this, he wasn't asking for more crazy benders even if they were cute, and wow was that a way to find out her brother liked boys). But it's also kinda nice, that it was solely because of Kya's stories and worry for them that he decided to look for them.

Not like she can get rid of him, they all got attached.

I've written a lot, so the rest will be in bullet points, feel free to ask about this AU, relationships (the only one I was sure I had planned was Zukka or Zukki):

Kya definitely wanted to leave earlier but wasn't sure how to go about doing so

Because they left the night Azulon left, Zuko doesn't have his scar

That being said, he gets captured in Ba Sing Se with Iroh and upon arriving home, gets one chance to reveal where his mom, sister and Kya are at. When he refuses to say, Ozai burns his face and ships him off the Boiling Rock, which is where he meets Suki for the first time.

Katara's guilt is something she's been hiding for a while. So when Sokka shows up with Zuko and says their mom is alive, that he was told by the FN boy next to him, her emotions slowly begin to break through the wall she built until it broke and she let everything out on everyone. She was hurting and wanted everyone else to feel hurt so she used her words to do that. And while she knows she was wrong to speak to them in the way she did, she was not going to apologize for how she felt.

That also being said, she's genuinely afraid of reuniting with her mom, because she can't help but think of it going wrong. She keeps imagining what her mom will say. How she'd look at her. And when the day comes she can finally see her mom again, she's the last one to do so.

Azula does, eventually, track down her dumdum brother's new friends. She'd hoped he was with them and was more than a little pissed when she learned he got captured by Zhao (I can't remember it correctly, but I think originally I had her catch up with all of them, so prior to Zuko being caught, but I like this more).

Zhao just barely made it out alive. First was his escape from the NWT and his failed siege. The next was when Ozai gave him one last chance to redeem himself. Now he's on his last chance. And he was sure he redeemed himself. He killed the Avatar, he caught the traitor Iroh and brought Prince Zuko home, who then revealed himself as another traitor. His last task? Find Ursa and Azula and the savage woman. Hopefully before the two women corrupted her as they did the Prince.

That's all I'll be sharing for now. A lot of it is things I've written before, some of it is changes I've made and some of it's new. This AU will still go through changes and I do want to go over the relationship between characters, so feel free to ask for certain ones!!

#atla #atla au #avatar: the last airbender #avatar au #kya lives au #kya atla #kya #ursa atla #ursa #zuko #zuko atla #azula #azula atla #katara #katara atla #sokka #sokka atla #also because they tied #i will be making a post about my atla teen titans au #and my sun spirit yue/moon spirit zuko au #(:

[nemmet]

What are some of your favorite Fred and Daphne moments? Romantic or platonic

AAAH thank you for giving me the opportunity to ramble about them!! always so so appreciated. and for specifying romantic or platonic too!! while a lot of their significant moments together from the 90s onwards have been somewhat romantically charged, i love them even when they're just a goofy pair of friends with no immediate romantic implications.

because (mini fraphne history side tangent), they weren't always intended as love interests! the "fred chooses to search for clues with daphne because he fancies her" reading of the original show technically isn't true — they were just paired off because the writers found them boring and wanted an excuse to get them out of the picture for a few scenes. which makes the fact that they've since grown to become an iconic duo in their own right all the more inspiring!

so without further ado, here are some of my favourite moments of theirs!! 💙💜

(begins under the cut!)

the best birthday present ever — zombie island

if i could count their general existence in this movie as a single moment i would. i am so weak to the fact that even after the gang splits ways, fred and daphne stick together, and fred plays such a crucial supporting role in daphne's dreams/career/life. and their relationship hasn't descended into being just boring coworkers — daphne has been so busy with work that she forgot her own birthday, but fred is sure to make it special by doing no less than getting the whole gang back together. the way he teases her before revealing them, too!!! and the hug she gives him when he explains. i get such cosy, "known each other since forever" vibes from them in this movie, like they're just so comfortable and silly with each other and (sobs into my hands)

my hero — scooby doo and krypto too

the way this movie has already given us so many fraphne moments for the books. the Literal Kiss aside, this scene just made me smile from ear to ear. i'm not always so hot on the jealousy subplots these two often get, but i appreciated how this film had a more light-hearted take on it, and how fred was simply confused rather than upset. additionally, his attempts to impress daph are just so funny and sweet, you get the sense that he's just hamming it up to make her laugh and doesn't care if that's all he ends up doing. of course then he gets so into it that he doesn't register the monster right behind him, and jumps into daphne's arms just like the rest of the gang always do with him. the way he clings to her!! and how she says "oh come on". they are disasters and they need each other in this essay i will.

you're never going to lose me, fred — mystery incorporated

following their relationship in this show sure is a journey... and not always the best one. while i understand that they're teenagers going through a lot, it's sad to so often see their inherent chemistry as a duo lost in miscommunication and arguments. which makes the moments where they connect and come out stronger as a couple all the more rewarding!! this is hands down my favourite scene of theirs — while the conflict that leads up to it is uncomfortable (fred tightly scheduling their activities together), i like how daphne addresses it quickly rather than keeping her feelings hidden and simply expecting fred to pick up on them. by now she understands that fred needs direct communication (autism!!!), and that's ok!! meanwhile, fred has grown too; he actively opens up to daphne about his fears of losing his loved ones, something i don't think he could or would have done at the start of the show. he's come to understand his own emotions and the importance of expressing them. both of them learn from each other, and are able to move forward because of that. it's a wonderful little moment that really showcases the best of them!!

i love you — stage fright

THE fraphne scene. god. where do i begin. the fact that daphne wrote lyrics about her feelings for fred to the music he composed, and was terrified of ever showing them to him. but then she decides to break the condition she established to velma (only confessing to him after the contest), throws caution to the wind, and just,,,,, confesses her love to him live on stage in front of thousands of people!!!! and how fred looks so happy and content playing along to these lyrics that i'm sure he knows are about him, and when it comes to daphne singing "i love you", he says i love you back with ZERO HESITATION!!! like he was waiting to say it too!! because they're mutually pining dumbasses who will cry if they make eye contact in a remotely romantic context!!! god!!!!!!! also the nose boop before daph goes in for the kiss. adorable.

the engine / the driver — curse of the 13th ghost

this scene is another that has a lot to say about their relationship in a general sense, and it's so special to me!! i'm not crazy about this movie as a whole, but i love the running theme of fred and daphne's differing leadership qualities, and how they balance each other out. fred just wants to keep things the same as they've always been (autism!!!), but that often leads him to coming off as controlling or dismissive when he's in Planning Mode. he doesn't mean it, because he genuinely believes the best in the gang and their individual skills, so it's no wonder that he grows insecure when his place is questioned. but by the end of the film he accepts that daphne is the engine, the glue that fundamentally holds the gang together and keeps them running as a unit — they would be nowhere without her constant energy and willingness to take action. however, daphne reassures him that he'll always have his place as the driver, the man with the plan, the one to put things in motion and support everyone with all his heart along the way. and the tender way they look at each other to cap it all off!!!!!!!

knight in shining armour — sword and the scoob

i saved the (probably) best for last. less serious analysis here and more just me gushing because i spin this moment around my microwave brain on a daily basis. continuing the theme of "fred embraces his role as team cheerleader", he's not even upset when daphne has to fight in his place — he planned this and is wholeheartedly supporting her, to the point where it makes her flustered (she’s HIS knight in shining armour)!! and him giving her his ascot as a good luck charm!!!! nem found dead on the floor. not to mention "sir daphne/sir fred" and how they continue to call each other that. i swoon every time. they are so romantic in their own very silly and very teenager-y way and i love moments where they're just so unapologetic about that!!

i really hope you enjoyed and that this was what you were looking for!! fellow fred & daph fans, please feel free to comment and/or reblog with some of your own favourite moments!! i always love to see them. :D

#man this was so fun to write #i still want to keep this blog mostly art focused but i do miss making big rambly posts like this back on i-can-bench-220 #local fraphne guy feels emotions about fraphne while slightly loopy on flu medication #scooby doo #fred jones #daphne blake #fraphne #scooby doo on zombie island #scooby doo and krypto too #scooby doo mystery incorporated #scooby doo stage fright #scooby doo curse of the 13th ghost #scooby doo the sword and the scoob #nem misc posts :]

[megabuild]

what is aoyuer? is that an acronym for something?

okay so i meant to make a big doc explaining what aoyuer is like months ago but then i started working on different projects and put it on the back burner.. and then i got ill and now i don't have much time to work on stuff at all. but not having the doc sucks and means anything i ever say about it is very confusing. so i'm so sorry anon for using your ask as an excuse to just dump as much aoyuer lore as i can without reasonably spoiling it but also thanks for reminding me that i have a lot of followers here who have never heard of it. a sobering thought

tldr; aoyuer (as of yet untitled empires rewrite) (sorry bree) is my au rewrite of empires smp that aims to connect seasons 1 and 2 as well as after life, new life, and a bunch more inbetween, with a major focus on pixlriffs' story. it also ties up a lot of loose ends and is generally darker and more adult-aimed than the original series. technically that's all you need to know but here's the no spoilers plot rundown for those interested

so aoyuer is built up of ~7 arcs but only 4 of them are like Super important

arc 0: this is just afterlife smp and a ton of early worldbuilding, the crash of the great stags, etc; what's most important from this is that oli exists and has for thousands of years, probably

arc 1: empires season 1! set in the 1500s, the world is going through a sort of renaissance period with massive technological advancements. pixlriffs the copper king (cprk) is working a boring little library job and spending most of his time kicking himself and being mad he hasn't done anything with his life (he is only like 30 but the idea of feeling old and unaccomplished even when you're young is a major theme for arc 1). enter fwhip! who is his annoying ex-roommate ex-bestie ex-boyfriend from university that left him on pretty bad terms. he has a way more accomplished job and as part of that he has been allowed to head The Empires Project which is a major journey intended to further some distant colonies while also investigating the land they're on. the land has some weiiird properties which fwhip thinks could be harnessed to create functional immortality (which was the subject of pix's thesis). he wants pix to come with him and investigate. pix feels weird about it but agrees to come along and be the "emperor" for the desert colony while he does his research... and then things get fucked up and scary! its a high fantasy that switches between a metaphorical dissection of their horrid will they won't they relationship and both of their issues aaand a more Literal dissection of the land and things living in it. including people and animals. at times. and also involves pix accidentally awakening a curse for a billion million years which sets the rest of aoyuer in motion.

arc 1.5 is sort of Not important but iwlike it a lot. there's not much to be said for it without major spoilers but it's set a little bit after arc 1 and comprises of fwhip being very upset about how his stupid project fell apart and trying to write up an Official Report on why everything fell apart while also coming to terms with him being the worst guy to ever have lived or something. much of aoyuer is like thinly veiled metaphors for mental illness but this one is just about mental illness

arc 2 sends us years forward into season 2 in the 1800s and our protagonist is professor pixelle riffs, lorekeeper (lrkp) who leaves his job as an archaeology lecturer to go and study the ancient capital and The Machiiine. because the machine set up WAY too much cool stuff to just ignore. sculk infection/possession is a big part of this arc. however while he's doing all this he meets oli! remember him? who has crash landed in S2 (basically the same way he did in canon) and is now regularly butting heads with pix. they eventually become friends and then umm something more :3 a lot of this remains the same as canon except the sculk arc gets a proper conclusion and ties into the ghost stuff. it ends with oli's finale where he still fakes his death (the goblin stuff is going to be changed but it's up in the air right now) and pix is devastated but pretty certain there's something not quite right so he picks greggory up and goes off in search of his lame ass boyfriend.

arc 2.5 actually takes place mid arc 2 because it's the hermpires crossover, which is less different dimensions and more different times (hermitcraft is our present and the rift facilitates time travel). when pixelle the archaeologist steps through the rift it causes serious time fuckery and so he sort of gets. forcefully ejected from his body and becomes a ghost possessing pixl riffs of the hermitcraft recap (rcp) who stumbles out of the rift very tired and very confused! there's a lot of fun mistaken identity stuff between him and oli and this is generally the most like. comedic and casual of the arcs though it still has some sweet moments.

arc 3 is just new life smp. where pixelle finally ends up in nl, finds that his lame ass boyfriend is still alive, and has relationship drama with him Except on top of that the land that new life is set on has similar properties to the land from arc 1 (functional immortality except it has some different effects, aka. going through drastic physical changes every time you "die") and so pixelle starts investigating that and maybe finds out that his whole life and his ancestors and descendants lives might be caught up in a time loop because of the copper king. forever and ever. this hasn't got much for it because i was going to work from new life canon as a base but then both pix and oli stopped playing on it LMFOHALDH but anyway.

aaand arc 4! final arc! which is set in the present right after pixl (the recap one) returns home from the hermitpires crossover. except the weird ghost voice of his ancestor in his head.. isn't going away? or rather its been replaced by a different one who is sending him on The Heros Journey. along with zloy and lyarrah and modern fwhip. this is basically the long awaited Conclusion to the curse that the copper king put in place and a lot of bullshit happens that icant really explain but it ties up all the loose ends and is generally just pix consistently having the worst time. hes the only pix who goes through hell without bringing it upon himself like he was just born.

and um. that's aoyuer! obviously there's more for all the arcs and i am happy to answer Basically any questions even though i get a little nervous sharing stuff about it because im shy. But iwhope thag explains at least a bit for everyone. My dream is to write this all into various fanfics but that looks kinda unlikely rn but it means a lot to me and you can kinda safely assume if I'm ever talking about or drawing empires there's a 99% chance it's actually aoyuer because I forget canon exists .AOYUER WORLDWIDE

#anon #asks #aoyuer

[forpiratereasons]

do the mermaids represent ed and stede, do they represent the two sides of ed, do they represent the two sides of stede, do they represent the two arcs ed and stede have to confront in s2, do they represent the two possible paths for their characters to take in s2, do they represent good and evil.

answer: yes.

they represent personal myth and legend and the conflicting nature of being a fucking person.

it's a myth - mermaids - holding up a past and a future, and it's divided with one hand reaching and the other closed off. it's a myth holding up hope and love in one hand, separate from and reaching out to a myth holding up violence and anger. heartbreak in one hand, power in the other. softness in one hand and a threat in the other. blackbeard's reputation and ed's softer heart. stede's willingness to become a real pirate to follow his love. it is about everything they are capable of - everything they're both capable of - separated and divided and in opposition to one another.

this is the antithesis.

series one showed us the thesis. here is one version of these men - here is one way ed and stede can be, one way they can be together. but the way they were together in series one wasn't enough and it's important to recognise that. it wasn't enough to make it work. it wasn't enough because stede still hadn't worked through his guilt with regards to his family and because stede still won't talk it through as a crew and open up to ed. it wasn't enough because ed still hasn't reconciled himself-as-blackbeard with himself-as-ed and because he still struggles with self-worth as an individual separate from the legend he's built.

so here we have series two: if that was one version of these men, if that was one way they could be, show us the other side. the separated mermaids make those conflicts visible. they put these conflicts in direct opposition to one another, highlight how they work off one another. separated, but not in isolation - they are two sides of the same coin.

the question becomes: what are the stories we tell ourselves about each other, and about ourselves?

ed and stede both learn about each other first through stories - stede's books and black pete's dramatization, izzy's recounting of the incident with the hostages in ep 2 and following spanish jackie's. and those stories keep coming back and keep coming back. stede in ep 9 is aghast to see ed without his beard, but you can't be blackbeard without your black beard, and how are you handling this so well? which imo arises from stede's blatant expectation for ed to blackbeard them out of this situation. ed's apparent willingness to believe that stede dismissed him, or abandoned him, or refused him, the same way he did to izzy before they met.

and they both have personal myths they tell themselves - stede's disbelief in his value to other people, in his importance, while simultaneously believing in his condemnation as a murderer who can and has defiled beautiful things, including ed himself. ed's belief that he's just not those kind of people - that he isn't deserving of fine things, and that he will never have anything good given to him - he can only take it through violence (piracy), which no longer interests him, but it's the only path available to him. it's that, or death.

so they have to come up against these stories and these myths. they have to come up against themselves, against each other, against what they want and what they'll do to get it, and to see those clashes and to work their way through them. they'll have to ask what does it mean to be a man and what does it mean to be a myth and what does it mean to be a human being and to struggle with some of those answers.

this is important. this is the center of the hero's journey - this is the abyss. this is temptation. this is the ordeal. this is the major defeat, the moment where we ask, is this worth it, do i give up.

but from this: transformation. rebirth. the second, really juicy training montage set to i can do this music. synthesis, and reconciliation, and truth, and Becoming. the moment they step out of their myths and into their future. the moment when everything is finally enough - real enough, true enough, honest enough, safe enough.

when both hands open, and reach, and meet as one.

#ofmd #blackbonnet #gentlebeard #ofmd meta #ofmd s2 #the dual mermaid flag

[the-phantom-author]

Hasan Piker | Artist S/O

I love Hasan and his little artist S/O. Honestly one of my favorite concepts. Reblogs welcomed! Request are open!

Honestly he would be obsessed. He has said on multiple occasions that as a kid he used to draw all the time but doesn’t do it anymore. So Imagine the joy that would be brought to his face upon telling you that you are an artist? He’d be so interested and intrigued about what you do, and how you do.

So show him, like he is so excited to tell you about the things that interest him, so he is so happy when you do the same. Like if you ever take out your sketchbook and show him your warm ups, he is so ready to do them with you, or when you show him the different styles of shading or color blending he’s so ready to show you his examples of him doing those things.

I can see him walking around your apartment the first time and seeing that your little “studio” that is actually just the extra bedroom or a glorified closet, so he offers to set you up in one of the extra places that he has in his mansion.

The moment that you do he’s just watching you do your thing as often as he can. Like, if your in front of an easel minding your own business and painting away, he’s just leaning in the doorway, watching you do your thing.

Ever since this was requested, I've had this idea of just painting an entire wall in his house. Like a little mural, like in the hallway or something. He’d be taking pictures of your progress and putting them on twitter, it’d be its own little instagram post when it’s done.

Also painting his nails, obviously, but making them cool/cute designs. Like you know how he usually has the plain solid color? You can paint them with nice little flairs. He would love it, even if it's just like stripes or dots, he’d be obbsessed wiht them.

If you’re making something out of clay, he’s so happy to just sit next to you and watch, but he also wants to join you. He just thinks it neat. Like, imagine as a little date night making mugs together, but for the other person, and painting them matching colors. They're not even drinking mugs, but you both use them to hold pencils, pens, and such. YOurs is on your work desk and his is on his stream desk, he would never let the opportunity to talk about down, honestly all it takes is one chatter to ask about before he starts gushing about you and your art.

Speaking about your work in his stream room, your art would be everywhere. Paintings that would be scattered on the walls, clay projects that would be on his shelves, any kind of tapestry or crochet just laying around as a decorative piece. They would be everywhere, and he’d be so proud of them. Anytime he adds a new piece, you can bet the “personal updates” part of the stream would include him introducing the piece, he’d also start talking about the specific things that he likes about it before he moves on. Ever so often he’ll just show his collection of items in the room.

Art segments on stream! You are already a stream icon, so when Hasan asked if you wanted to do some art on stream together, and chat saw you in your element? They ate that shit up. Sometimes it’s jewelry making streams, sometimes its making the beads, other times it’s threading them into bracelets or necklaces. Or it is like a Bob Ross follow along thing, they love the dynamic, and Hasan chronic over/under mixing of colors and never getting the right amount of paint, leading him to have to ask you if you have some to spare. Painting streams where you invite chat to paint with you and post the results on twitter, after you’re done you go through and talk about them, people in chat would kill for you to compliment their work.

Chat would also love to ask you about your journey through art. Like what make you start doing it profressianly, why you use your specific medium, how yo started selling things, and how you’ve been able to make a living. Things of the nature.

#hasanabi x reader #hasan x reader #hasanabi #hasan piker

[shakingparadigm]

WOW. I JUST. I JUST REALLY LOVE YOUR ANALYSIS AND THEORIES DON'T EVER STOP PLEASE. I LOVE THE STRUCTURE OF YOUR EXPLANATIONS.

In the chaos of the wait,there is someone to accompany me through a journey of madness with Alien Stage. Haha.

*insert meme of cat with wine*

I wonder what does Till think about Ivan.Now that Mizi is missing,and he seems to have completely lost himself and a reason to pursue forward,I couldn't help but ask myself: "Does he feel like he's condemned to die because of his guilt towards Ivan too? Does he feel like this or l'm just overthinking?" What if there's a retrospective we don't know about in which Till thinks Ivan didn't escape because of HIM and,now that Mizi isn't there,he's not torn about lvan anymore and what to do if he ever had to compete against him? Was he going to be conflicted in the first place? Like: "I have nothing,l lost my last hope. I may just die now rather than make my friend being killed. Is this the right thing? Why it had to be this way from the beginning,suffering because of the aliens? What am I? Why do I have to remember those things? What am I doing this for? I just wanted to survive and love Mizi"

Like we all know,thanks to the community posts,we see him have a certain dynamic with Ivan,in which they interact joking or bickering,and this strengthens a type of attachment he cannot deny. So,in the ROUND CURE we'll see Till (or Ivan) remember their past and we'll get to know more about their story with the progression of the actual one. (Ivan indeed didn't escape to stay with him,but Till doesn't know about lvan feelings,he may have been supposing all this time that he didn't made it or he just followed him back for some strange reason) I'm uncertain if they remember about seeing each other in the laboratories,through all the trauma...

l just hope that Till and Ivan don't succumb. What if lvan encourages Till to fight again unlike Luka with Mizi. What will Ivan do to try to protect Till?

Sometimes I suspect Vivinos like to play with us. Not just our feelings. WE ARE HERE JUST TO SUFFER.

THE HEARTBEATS IN THE TEASER MAKE ME FEEL SO NERVOUS HELP.

I just know that Till looks so broken and... he may have had a breakdown at this point. He has dark circles under his eyes and it's clear he has not been sleeping. I wonder if the aliens drugged him or something. For the lenght of the hair: how much time has passed?! At least a month?

One more thing I noticed,is that Till doesn't seem to have that sort of IV tube they used to sedate him like on stage in ROUND 2.

And in Hyuna's song,around the end,a security guard writes something in the sand. I don't think they'll be discovered for this but I'm really nervous.

Anyway,l really enjoy my time on your beautiful page! 🫂 Oh,please! Don't think you write stupid things,because your ideas and perspective are interesting and well put. I really like how you express yourself!

Have a nice day!! (and sorry for any mistake)

AH?!!! THANK YOU!! THANK YOU SO MUCH!!! tears in my eyes...

Yes!!! I shall accompany you through the madness. In fact I carry the madness in myself as well. If my yelling and flood of posts are anything to go by.

ALSO. WOW. That's genuinely so heartbreaking. Till having guilt isn't talked about often but it's very plausible that he'll be feeling it tenfold during this round. It's his fault, after all, that they're still here. Now that Mizi, the whole reason he stayed, is gone too, what was all of it for? He doomed himself and Ivan for nothing. You're right. He seems hopeless. I can definitely feel Till in those words, and it's so sad to think about how his thoughts could devolve to that point. He seemed so determined, so bright and dynamic at the beginning during ROUND 2. Now he seems so empty. Ivan and Till are definitely much closer than the both of them let on, there's no way they were just "fine". I think Till does hold fondness for Ivan, maybe even a little aware of his feelings (I don't think he knows what extent though, not sure he knows that Ivan's world literally revolves around him). What I'm sure of is that Till isn't as indifferent to Ivan as he might seem. Ivan is incredibly important to him too, and he has to come to terms with all of the guilt and feelings that were previously buried under his love and fixation for Mizi.

Oh... If Ivan spent most of ROUND 6 encouraging Till to fight I would be HEARTBROKEN. I remember one of the most common theories in the beginning was that Ivan would refuse to fight so that Till could win, and maybe Till would try and convince Ivan to fight. It's really interesting to see that the opposite might be true instead! And yes, VIVINOS LOVES to play with our feelings! It's their specialty.

Haha, Till's always had horrible eyebags! He apparently only gets less than 5 hours of sleep per day, and he's an incredibly light sleeper. Despite his eyebags though, Till always possessed such a large amount of energy. He had a lot of fight in him. You're right though, now he just seems exhausted. He's definitely been spiralling down into some very dooming thoughts. I wonder how much time has passed too...

An IV tube? I believe that's just his leash (just to make sure he's constantly restrained), but wow, thinking of it as an IV tube has some very horrifying implications. If they tried to sedate him, it definitely didn't work well HAHAH (RIP Freddie).

I thought the security guard writing in the sand was just a fun little visual gag, but if it's actually used to track down Mizi and Hyuna, oh shit. Improved security, after all. This isn't gonna be easy for them.

Thank you so much for enjoying my blog!! It means a lot to me, seriously. I might cry receiving all these nice notes and messages. Don't worry about any mistakes, by the way! You're quite a well-put writer yourself! :) Thank you for expressing yourself to me as well! I appreciate sharing all these ideas and hearing about new ones! I hope you have a great day too! ^^

#alnst #alien stage #alien stage round 6 #asks