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#to be more productive or to find a job that suits them better
tamelee · 1 year
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Just wanted to share with you a preview of something I'm working on ;-; because this is my very first real (?) Manga panel and it's a lil Naruto 🧡 🔆
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simp-ly-writes · 3 months
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Office Love (pt.1)
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What if Vox had an assistant that soon became more than that?
Pairing: Vox x assistant!Reader
Warnings: some suggestive content near the end and canon-typical language.
A/N: something different to what I usually write- hope you enjoy!
Masterlist | Taglist | edited.
Hazbin Hotel Masterlist (PT.2) (PT.3)
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↳ When the application advertisement first flashed against your social media feed- you clicked past it very quickly before one of your friends was ushering you to apply. They had been working with the V's for a number of years now and produced a plethora a fan-favorite shows
↳ When you application got accepted and you were being thrown into a suit for the interview, you were all the more thankful when the overlord themselves were not hosting yet the managers were. A more than few warning here and there- but that was with every job you worked in hell. You didn't work hard enough, you were better off dead- simply put.
↳ You did not often see your boss in person after signing the contract with him day one. Only emailing him his schedule that was often cancelled mid-way through the day and you were running out of excuses for his clients
↳ Velvette and Valentino were often more intimidating that Vox. You had gotten used to his tantrums, PR nightmares, and televised cancellations that were often fixed with a light bit of hypnotization that you could only roll your eyes at before going back to your emails
↳ You would memorize his every need, knowing his favorite meals and coffee preferences, when he needed to recharge and even how to text exactly like him. You kept track of every social media handle that held his name, growing his followers while riffing on Alastor- an action that Vox dearly appreciated
↳ As time would progress, you would become too good at your job. So much so that his other six assistants had all gotten fired for lack of polish as Vox excused it. Clinking his coffee mug to yours sat at your desk. He hardly used his own office these days, often taking calls at your computer as you sat on your desk- off to the side as you rearranged his schedule once again
↳ You were starting to become his shadow and he always noticed when you were gone for a minute too long. He liked the reassurance your presence brought him- he enjoyed knowing that you would always know what to say in order to benefit the company and find ways for him not to interaction with people he disliked
↳ Velvette and Valentino noticed this as well- how close you had gotten to their business partner without a second thought. Sometimes you would even show up in replacement for Vox when one of their branches had gone down once again and often times they wished it was you that addressed the problem rather than the man himself
↳ When a reality show comes out, highlighting the lives of overlords all over the city including the three V's (mostly them though for PR that they desperately needed and had made multiple comments on). It did numbers and your friend from earlier could not have been happier getting that promotion to head producer of the show
↳ You soon became a fan favorite for your witty comebacks at the TV head as he wold only smile in return- liking that you had the heart to knock him down a few pegs. The fans would stalk everyones social media profiles, liking each image that had you just cropped out of it
↳ Vox had insisted that you were not to be seen in any of the media production- something about no wanting to corrupt your mind as well. You could only shake your head at this information- all you ever did was stare at screens all day, this comment made Vox's box go pink as his speech buffered. Taking a second to rethink your wording, your cheeks had appeared red while the cameras rolled and money starting pouring in
↳ The fans demanded more attention put towards you, screaming at you from behind the barricades as you walked the corporate building each morning. "CAN I GET A PICTURE WITH YOU," "I SHIP IT," "WORK FOR ME INSTEAD." They started to shove one another over, trying to get your attention as your feet picked up pace
↳ Vox had made his way through the wires and various security cameras settled around the neighbourhood. He wrapped an arm around your waist, ensuring that when the barricade fell and you were swarmed that you would not be dragged away with the crowd
↳ You voiced your thanks once safely in the building as Vox announced a surprise for your recent good work- this was their most profitable quarter yet and you would have Velvette tailored work to wear each day. Picking up the various blue suits you eyed them suspiciously to those of your boss. Vox only shrugged his shoulders before taking a call
↳ The dating allegation grew every week as blushed heavily at the headlines, Vox who now was only found in your office asked what was making you have such a reaction, even when he was in the middle of a meeting. You quickly hid your screen as he could only chuckle, sparking it back to life and projecting it on the monitor
↳ "Oh, so THIS is what has you all red- me is it?" Vox states with pride, leaning over the table and into your personal space as your blush only grows down your neck. You take a sip of your now cold coffee, hiding a wince as you get back on track with answering Valentino back
↳ When you arrive the next morning, dead flowers are found on your desk that make you chuckle, you read the note with a smile before handing the TV man his coffee for the morning, your chairs right beside one another as you work in tandum
↳ Years into your work now, you barley find yourself going home, choosing to stick for the V's movie nights together that they insist on you being present for alongside finding it easier to let Vox know of scheduling changes last minute from within your shared apaprtment
↳ After much demand, you and Vox have a one on one livestream interview for the public within your apartment, you both make small touches to one another, fixing his tie, he holds your knee, rubbing circles with his thumb- the fans are losing their shit as the other to V's sit back and rake in the cash
↳ A question about your work ethic and sex-worker allegation gets read out by Velvette that has Vox glitching out with rage as you pull on the back of his jacket, urging him to calm down as you loop your arm in his, leaning into his side, "run that by me one more time, Velvette," Vox states with a twitch as you blink your eyes towards her- pleading that she does not.
↳ After a particularly good corporate event, you find yourself in Vox's bed as he urges you not to leave, his voice is merely murmurs in your ear as you do not have the heart to roll away from. Soon these off hand-nights become a more common occurrence that as Valentino the slitest bit jealous at first, but when he surprises you in the mornings with a new package that got sent to the wrong apartment, he cannot help put wink at seeing the marks on your skin
↳ You and Vox never made anything official, you were still his assistant of course- his assistant that he would always have a hand on a bit too low for public attention. A worker who was NOT allowed to be asked on a date by someone else. And the person he jumped to protect against the smallest threat but against your name
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(PT.2) (PT.3)
↳ Taglist: @jtcat305 @amarokofficial
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cherry-pop-elf · 2 months
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George Weasley As A Dad Headcanons
Newborn/Baby Edition
Offered by your certified George Weasley Wife. I have the ink to prove it. Ask my Muts!
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He’s going to be the most emotionally there for his kid possible. Once he has his first kid, it kinda dawns on him that having a big family like Molly and Arthur did might be a bad idea. He loves the idea of a big family, but is quick to realize that he just wouldn’t be there emotionally like he wants. Especially with the job to worry about. At most, three kids. If anything, he’s fine with one. That just means they get all his attention after all.
That baby is gonna be in a sling, as he runs around the shop. He’s not gonna just be the type to leave the kid to be ‘nannied’ by his partner. He’s going to be a parent. And don’t worry. He lost an ear after all. He’s gonna make sure the baby is wearing ear protection in the shop. Then again, they’ll be a Weasley. Kinda built in.
Since he’s always been the ‘emotional’ twin, he also has that emotional maturity. Such as knowing not to utterly spoil his kid, and make sure they understand the value of money. Along with poor habits don’t mean bad habits. Not to say he doesn’t love to spoil, but he’s gonna make sure they understand that being rich isn’t what makes you happy. But it sure solves alot of problems.
That baby honestly might be more glued to him than his partner! And they were actually inside being made! What can he say? He loves family. Especially children.
He is also the one to offer diaper duty. He’s kinda immune to bad smells at this point, and also has changed diapers before. Plenty of times. So it’s not like it’s a big deal to him. His job is about invent messes after all, and someone had to clean them before Molly got home. Diaper duty on him
That baby is 100% being taught Sign as well, as they grow up. Not just because of him being partially deaf. It’s good to learn anyway! Another language, a great way to communicate when they can’t speak, stimulating, it’s gonna only benigit. It can also be kinda like their own secret language they can share, since so few people know it after all. Over all be invested in the deaf community, as he would be as well
Speaking of languages, that baby is going to grow up knowing so many. Arabic, Romanian, French, oh man. Big family, lots of languages. This baby is never going to worry about a damn job with knowing tongues like that
That baby is going to be eating so good. He’s going to make everything by hand. He’s going to make baby food fresh himself, and make sure that milk is given different flavors to make sure that little ankle biter gets all the nutrients they need. That baby isn’t going to have to suffer like the younger Weasleys did
You better get used to the baby talk. This man is going to have the most straight face conversation with that baby’s babbling, yet somehow know exactly what’s going on the whole time
Like I said. He’s going to have that baby in a sling while he works. It’s gonna be matching to his suits, it’s gonna have sewn on patches, he’s gonna style
Three am baby feeding? He would have that covered…..But Ghost Fred says not to hog the baby. You two will think for the longest time you have a well mannered calm baby. Hey, bless him. More sleep for you two, and private time!
Group costumes group costumes group costumes. He will find an excuse somehow. Holidays, selling limited time products, he needs his family all matching!
Love. So much damn love. That baby is never going need to worry about coming home with a problem. That baby is never going to be scared to come out of the closet, or talk about self doubts. Never ever EVER-!
It’s one big happy family. Never worry about that. Family, well off, happy, stable, and just so full of love. Love and happiness
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tenderlady · 4 months
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Hi there! A while ago, you said in your tags to this post that you believe David Lynch would be one of the best suited directors for making a movie about the Beatles. What can I say, I've been thinking about this ever since, vaguely-yet-passionately agreeing, without putting my thoughts into actual sentences...Would you mind elaborating?
You ever get an ask so good you have to break out your laptop to type up your thoughts with greater alacrity?
My friends and I have this concept that we call "trapdoors," which are basically concepts or things that, if brought up in conversation, will cause whoever is talking to you to tumble into an abyss of information that you are duty-bound to provide. Beatles biopics happen to be one of mine, so if you would like to join me in the abyss, the trapdoor is under the cut.
I actually have a few working directors that I think would do a great job with a Beatles movie, including Sofia Coppola, Peter Greenaway, Park Chan-wook, and even, potentially, Martin Scorsese. But the more I think about it, the more convinced I am that the best-suited director working today for making a Beatles movie is actually David Lynch.
I think a lot of this ultimately comes down to what you want from a Beatles biopic, and what you haven't liked about Beatles movies in the past. For me, I'm tired of Beatles-biopic-as-hagiography and I want more stories that approach them as fully-rounded people. And one thing that is very specific to me personally is that I'm interested in the moments when the Beatles story has occasionally tilted toward the magical and mysterious, for lack of better phrasing. So an ideal Beatles biopic, for me, would be one that is dedicated to showing the Beatles themselves as holistic human beings and doesn't shy away from showcasing their bad behavior, but also one that is concerned with portraying those magical realist elements that I find so fascinating.
Enter David Lynch. Lynch has a well-documented fascination with the pop culture of the mid-20th century and an interestingly sumptuous eye toward production design (I'm thinking about the ambiguously midcentury setting of Blue Velvet in particular here), so I think at the bare minimum, if he were to make a Beatles movie, it would look right. But I'm more interested in Lynch's directorial choices and pet themes than I am in how his films look.
Much of his work is concerned with fame, be it the attainment of it or what it means to have it (ex: Mulholland Drive, Inland Empire), and also with the production of art and what it does to our psyches to create (ditto the above examples). These themes would obviously come to bear in any serious film about the Beatles, but I think David Lynch has historically had interesting things to say about these topics.
Lynch's films (and work in general) often veer into horror in their sudden depictions of graphic violence and sexuality, but that would actually be a more realistic depiction of the Beatles' history than most of what we've gotten. I think a gritty, Wild at Heart-style Lynch movie about Hamburg could be very fun. The leather and the 50s and the weird sex stuff of all of it is very Lynch, but all very true to the reality of what the Beatles' lives were like. Their story is full of these seemingly random spurts of violence (Stu getting kicked in the head, the Bob Wooler incident, the cherry bomb at the concert, John's murder, George's stabbing, just to name a few), to the point where reading about them can feel occasionally Lynchian in itself.
For me, though, the biggest draw of having a Lynch-directed Beatles movie is what Lynch is best known for, which is that dream-(or nightmare) feeling that so much of his work has. Something that drew me to the Beatles as an overeducated adult with lots of music listening behind me now is this strange sense of the mystical that hangs over so much of the Beatles narrative. The story of Paul's premonition of the dream with the gold coins, the John and Paul being mirror images of each other, people in the Beatles circle being visited by dead loved ones in their dreams, John and Paul claiming to have SHARED dreams, the whole Emperor of Eternity thing; like I could go on and on and on. These stories are all so fascinating, but often get underexplored in the (legitimately) very rich text of the Beatles story, so I get it, but I also know that Lynch would see these moments and do something really fucking cool with them.
Primarily, I see a Lynch-directed Beatles biopic going one of three ways: a Blue Velvet-style gothic set during the Beatlemania years about a naive black-Irish twink biting off more than he can chew in the pursuit of fame. David Lynch loves doubles and doppelganger imagery (Mulholland Drive, Twin Peaks, Inland Empire....), so I think he would get a lot of mileage out of the matching Beatle suits and haircuts and all the merch with their likenesses on it. I also want to see some real horror mined out of the hiding in meat vans and getting mauled by girls with scissors trying to cut off your hair for relics. Shit is crazy.
Option two would be a Mulholland Drive-style psychological horror set during the height of the Beatles' Swinging London decadence, like around 1967, potentially including India. It would definitely 100% include the Emperor of Eternity acid trip and would be primarily focused on the strange relationship and identity sublimation between John and Paul. Again, Mulholland Drive-style. Gayest potential option imo.
The last option, and the one that makes the most sense with where Lynch is in his career rn, is a Twin Peaks: The Return-style meditation on nostalgia and memory and time. I think this one would probably be getting a little too close to the present day to be feasible, but I think a lot could be done with the idea of current-day Granddude Paul constantly seeing reproductions of his own younger self and dead friends and lovers everywhere he goes. As much as I love Now & Then, the whole thing does how a weird techno-gothic, Black Mirror sheen to it, one that I think Lynch would recognize and have something to say about. Would this make Paul Coop and John Laura Palmer? Hard to say and much to unpack there, but still.
Regardless: I think David Lynch is the only one out there doing it in a weird, fucked-up way that the Beatles would deserve. (Also he literally got into transcendental meditation because of the Maharishi, so there's definitely some six-degrees-of-Beatles happening there lmao)
If you read all of this, thank you, and I'm sorry, and here is a picture of Kyle MacLachlan as Paul from the David Lynch Beatles biopic that is currently screening in my heart for your trouble
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wannaeatramyeon · 1 year
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Lookism Shopping headcanons
Thinking about the spectrum of shopping hc - my quad of Johan (hates), Gun (tolerates), Jake (likes), Goo (loves)
Johan
Warning: shop with this guy at your own risk.
Absolutely does not enjoy it in any way shape or form. You wouldn't find him shopping on his own and god knows why he wanted to come with you, guess his clinginess won out.
Sulks the whole time, acting like a kid forced to follow their parent for the day.
At least with children you can placate them with toys or ice cream. Even your presence or attempts at bribery doesn't get him out of this funk. He has no interest and zero money.
Doesn't just steal people's shoes and coats, everything is up for grabs after a fight. What's the point in shopping and using money when it's all just there for free?
Very light-fingered even if it doesn't involve a brawl. Turns out he wasn't completely brooding the whole way round, he did notice your interest in that little something or other. Just don't ask how he acquired it.
Gun
If time is money, then he prefers not to waste both.
Gun knows the importance and power of a well fitting suit and dressing for status but shopping isn't a process he particularly enjoys. Especially not when there's fights to be had and successors to be found.
Executive assistants at HNH and premium personal shoppers take care of shopping and tailoring for him.
It's not a bad job, he has a pretty distinctive style and he's got a great body so he wears most clothing well. But if something isn't to his taste, expect either a pile of discarded clothing on your desk or for it to be just binned. Brand new, with tags - yes even that limited designer shirt.
Grooming and hygiene products are the only things he dedicates more than a passing thought to. High-end clothing is one thing, it's all the same after a while, but this is too personal to leave to others. Once he finds what he likes, very rarely changes it.
Doesn't mind shopping with you, eventhough there are other things he would prefer to be doing. Don't push it though - you're really stretching his patience if you insist on trying on everything.
Jake
Eh, money. It's not that he doesn't have it, he just... doesn't have a lot of it. And any that he does have spare, he prefers to keep in a rainy day fund for Big Deal. (Too bad it has been pouring for nearly the past year.)
If he's with you though, then it becomes infinitely more enjoyable. Another chance to spend time with you rather than the activity itself.
Doesn't allow himself to indulge in gratuitious purchases. If he needs something, he would find it on clearance. Otherwise, he can just do without.
Guilty that he can't treat or spoil you the way you deserve. He still tries to get you small things here and there but Big Deal finances takes priority.
Makes mental list of things that he would like to buy one day. Oh that shirt would suit Brad. Jerry would like that backpack. Jason could do with a new pair of shoes.
Only luxury is giving himself a small allowance to keep himself groomed. Cologne, hair products, skincare. Big Deal No.1 does have appearances to keep up, y'know.
Goo
What's the point of making all this money if you can't spend it? You can't take it with you, right?
Loves to look good and feel good. And what better way is there to remind Goo of his success than with some retail therapy. Having store assistants wait on him hand and foot gives him a kick too.
Treats clothing as an extension of his status, and also his personality. So what if that shirt is loud and garish? He's loud and garish too, and it also enhances his already buff shoulders? He'll take it!
Cologne for every occasion and mood, and then some. Need to flex on his inferiors? Sniff sniff. Yep this one. Going to be stuck in the car all day with Gun? Oh this one will definitely give him a headache!
Shopping trips with Goo are almost always fun and he's generous to boot. Asks for your opinion but if he likes something, then it doesn't really matter what you think.
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feverdreamjohnny · 8 months
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Orbo's Odyssey - Post Mortem
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My Feelings About The Game
It's an odd thing to try and pull together your thoughts about something so chaotic.
I guess it'd be easier to just catalogue how my emotions evolved as the project went on, and then wrap it up by trying to pull apart how I feel now, as arcane as that is.
I've been a part of a private developer community for a bit now, and during a majority of my time there I felt sort of like a fish out of water. I guess it was just weird seeing people at the top of their craft while my work sort of paled in comparison. A majority of them had a background in developing character action games or platformers with intricate movement systems, and that was absolutely outside the range of what I understood.
Late 2022 I decided to try and make a movement system with a really strong focus on momentum so I could feel "at home" with the other devs. So I made a small tech demo where most of Orbo's moveset was formed.
In the end it didn't really make me feel more confident in my work, but at least I proved to myself that I could tackle unfamiliar waters and make headway. Regardless, I left the tech demo where it was and continued to work on Nowhere, MI for the next few months.
I made a lot of progress on Nowhere, and around late November a publisher reached out to me to offer help. I was desperate, after all. I didn't have a lot of money to my name and this was the kind of lifeline I needed to secure so I could finish the game.
To cut a long story short, they kept delaying talks about the game over and over and it became increasingly clear to me that my dream of being funded wasn't going to happen.
I was sort of in a bad spot now. It was early 2023 at this point, and I was going to have to make a tough decision: delay Nowhere and get a retail job to make money (potentially losing sight of the project in the process), or find some other solution to secure funding. No other publishers were going to pick me up (and I really didn't trust a majority of them so I only had my sights set on a handful I felt I could trust), so I came to a new conclusion:
What if I just made something short, say in the span of a month or two, and sell it? Surely that would be easy.
Surely.
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The Game
In March of 2023, I began working on the game. I wasn't sure what sort of format I wanted for the game at first, and I had initially considered a rogue-like arena combat game where you'd use the game's momentum mechanics to fight enemies, collect upgrades to improve your abilities, rinse and repeat.
The idea ended up feeling sort of strange when I began pre-production, so I ended up scrapping it.
I thought about the movement system some more and realized that it had a strange kinship to a game I had played just a month earlier: Super Kiwi 64.
Then I thought about Siactro's other games, how they were similarly small-scope platformers that seemed to perform well on Steam and Switch, and I realized that if there was something that would suit my own development style (focused around exploration and secrets), it was a 3D platformer.
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The first month was fairly strong. I moved at lightning-speed, hammering systems into the game piece by piece. Collectables were done. Time trials (and their records) were done. Movement had been refined further and felt better than in the initial tech demo. There was also a lot of underlying structuring that I won't get into because it's boring (but important).
About a week in I even started working with my friend Tim (who's a professional environment artist), and we began working together on the hub environment (we brainstormed the layout, I designed the greybox, and he wrapped it up with the environment art).
It was going great, but as March was nearing its end I began to realize what I was dealing with.
"Oh, well yeah I mean I knew it wasn't going to be possible in a month! I'm sure if I grit my teeth it'll be done by the end of April!"
So April came along. Tim and I finished the hub area, I got the world portals set up, and eventually we moved to the first level of the game, Shlarp City.
Tim managed to get a decent chunk of the decorative props done, but circumstances were changing and he had a fulltime job in the industry to attend to, so he had to leave the project.
I reasoned "well, I sort of know how to do environment art and I guess I can just go on without help."
Shlarp's greybox was done, and I was sort of happy about the layout. Some friends playtested the game and liked the movement, so I felt a bit more optimistic about the project.
Despite the boost in optimism, I was starting to feel some kind of dread leaking in. My nights were becoming more frantic and troubled, more than they already had been.
I moved onto the next level, reasoning that it'd be best to get the greyboxes for all of the levels finished first, then return for an art pass afterwards. It was the sensible thing to do, after all.
So I began work on Dunbarrow Mines, and this time I was alone. I finished the greybox, and while I wasn't a huge fan of the level, at least it was done. I moved onto Sleepytime Manor and similarly got the greybox finished. Even since the beginning of the month, something was starting to grow inside of me. April was coming to a close, and I still had another level to greybox, a boss fight, secret areas to add, and an art pass on the entire thing. I hadn't really developed much of a game at that point, just 3 barren levels.
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And so May came along.
And this was where it all went to hell.
I had been suffering from a lot of issues in my personal life for a while. The year prior had been particularly traumatic and the waves coming from it weren't done passing over yet. If anything the terror was that the major event from the last year hadn't even finished coming to fruition. The stress from everything had caused me to develop a disorder that made my blood acidic, melting away at my nerves. I fought hard and managed to improve my health, but the damage was done and the occasional return of the neuropathy was just a reminder that my life was spiraling downward.
I entered a period of intense stress and depression as waves of terrible memories came over me. I became neurotic. Started having trouble designing levels. It was already an issue for me, but as my mental state deteriorated I was hitting brick walls over and over.
I had my back against the wall. Game development was my only purpose in life, after all. I had been built for it, sacrificed so many hours to it, put everything else aside for it. The only thought going through my head was that I was dying, and that this stupid game was going to be my graveyard.
So roughly two months came by, with sparing work on the game. I finished Monolith station, but it had to be redesigned 3 times to reach the version you currently see in the game today.
The neurosis made me insane. Constantly seeing my peers succeeding while I flailed desperately in a pit was definitely not helping matters.
But something changed in June.
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The Garden
I always had an on-and-off again relationship with plants. I had a sort of preternatural skill with growing things, but my interest waxed and waned a lot. The main thing that stuck through this on-and-off relationship were herbs, since they were easy to cultivate and they needed very little maintenance during the periods where I was losing interest.
As I began to take game development more seriously around halfway into 2021, I stopped gardening entirely.
But something very strange happened in the June of 2023. I was frantically compelled to return to it. I raked, toiled and weeded until I had a plot. Then I started buying seeds and began cultivating vegetables again for the first time in 2 years.
And for the first time in this nightmare I was finally happy about something. I don't know what compelled me to start cultivating plants again, but whatever it was, it rescued me from a very long, dark road.
After 2 weeks, I finally finished the final boss of Orbo's Odyssey.
The game needed a lot more work, but I was finally getting a foothold after months of misery.
Eventually my friend Ben was able to help me with the project, and we made a lot of headway. We brainstormed new ideas for how the player could get gear parts. He modeled a load of props. I scripted a load of systems. Finally, the game actually began to look like a game.
Ben was really important. He was optimistic about the project and wasn't suffering from burnout the way I did, and he helped me get out of my fugue. I can't thank him enough for his help.
After around half a year of hammering, we finished the game.
3 weeks after that, we released it to steam.
And about 2 weeks after the release, we're here now.
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The Takeaway
Typically in post-mortems you talk about what you would've done differently, but I think this ending might be a bit different.
I'm not really proud of the level design. I think I also could've done better with my share of the environment art in some levels. I think there could've been more details. I think there could've been more content.
But there's no use kicking myself for what could've been. Of course the next game will be better. The mental state I was in during the development of this game was dire and it had a major impact on the quality of my work. I had to break out of a really bad mindset and try to find a better way of engaging with my life. That wasn't easy.
I think some gamers like to imagine that something that's fun to play was fun to make. It's true that sometimes there are moments where you get excited during game development, but at the end of the day the majority of it is just pure work and toil.
In the end, the reviews on Orbo were very kind. Even the negative reviews were at bare minimum sorta funny.
Hilariously the reviews that bothered me the most were actually positive. The perspective of these reviews was that the game was really the story of some little kid taking his thumb out of his mouth and naively making something he thought was fun. It mainly felt like a way for the reviewers to excuse the weaker elements of the game.
These are the reviews I hate the most. I don't care that they were positive. They're infantilizing. It makes it come across as though the shoddier elements of the game weren't a product of a person having a mental breakdown, but of a child smacking blocks together and making mistakes because he didn't know better.
If you really view art like that, I want you to lean in very closely and listen: Most of the time, people suffered to make something you could enjoy. You're welcome to praise or shun the art by itself, but don't patronize the creator for their effort. I didn't have fun making Orbo. I hated it. And even though I hated it I still tried to put passion into it, because I care about my work.
Anyway I'm glad it's over with. If I attempted to develop the game now it would probably be significantly better, but that's mostly because I've found better methods of managing my mental health.
I have to get back to work on Nowhere, and eventually I have to work on Peeb Adventures. For now, though, I'm taking a break. I'm tired.
Before I go I just want to thank some people.
Thank you Ben for being supportive and helping me make this game happen. I couldn't have done it without you, and I mean it.
Thank you Socpens and Grayfruit for streaming the game and for your kind words. It really means a lot to me, and it gave me a lot more confidence about Orbo's Odyssey post-release.
Thank you Tim for helping early on. I know it was a brief period between us, but I do appreciate the work you did.
Thank you (in no particular order) Bryce, Simone, Jett, Aaron, Quinn, Drew, Ian, and Cosme for being supportive of my work.
Thank you for the folks in the private dev server who were particularly supportive as well.
Thanks for reading.
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chad-enigma · 7 months
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Jaime Reyes (+Khaji) Headcanons ↓
(Unless specified these are all based off Jaime from the 2006 issues)
Everything's under the cut to avoid clutter!
He has birthmarks. So many birthmarks. The most noticable ones are; two over his left brow, one under his bottom lip and another on his right eyelid. He has a lot more but their less prominent in comparison. They all come from Bianca who has just as many but they're in less obvious spots.
He has a bad habit of working in the dark because after so many complaints about the light bill Khaji just gives him night vision. Which has the consequence of others finding him working on essays in the pitch dark like a cryptic. His vision doesn't change much besides a slight green tint that the night vision adopts so he rarely notices the difference until someone points it out.
He gives the suit appendage (?) Fist bumps when they do a good job <3
Watched Naruto religiously as a kid and will drop lore bombs unprompted if anyone mentions the show (Paco is a constant victim)
Adjacent to this he also watched Digimon and prefers it to pokemon (this is mostly out of spite because Milagro would hog the TV to watch reruns and he'd miss his shows).
His hair gets longer after graduation. It just happens while he gets busy with college and this new chapter in life. Khaji suggests it give him a haircut but Jaime decides against it and keeps the hair just below the shoulder.
He and Khaji practice the body swap thing a lot more after life calms down. They don't have a system just yet. Khaji helps Jaime with cooking because despite Bianca trying her best, her son is still a clutz in the kitchen. The furthest Khaji has gone is taking control of their limbs to keep Jaime safe from mundane accidents.
He knows how to speak a little Japanese and German thanks to Khajis' help now! He figures the more he knows the better and practices in his free time.
Khaji burns his flannels at one point and sets a rule that Jaime can only wear flannel twice a week. His fashion sense isn't that great yet but he's trying <3
His taste buds have gotten used to bad foods. Only because of Khaji who's demanded the most atrocious combinations of ingredients during emergencies for the energy and he didn't have a choice but to down them.
Khaji clicks with Brenda a concerning amount and they scare Jaime a bit.
When they do both feel comfortable with taking/giving up control of their body, Khaji makes it a habit of tying up their hair in a half-up half-down style. It also has a habit of using eye make up (a habit it gained when it first landed in Egypt). Khaji replicates the products himself, since the prices are outrageous. + Brenda finds out and considers Khaji her make up dealer.
Since Khaji first fused with him–and since Khaji has made some 'adjustments'–Jaime has a tendency to sleep in weird positions. Face down planking with his arms hanging off the sofa, upper torso hung off the bed, twisted like a pretzel so his back muscles stretch. It scares whoever finds him like that the first time.
Jaime gets called mom a lot by any younger heros/vigilante as a joke (some of them mean it). He'd try rebutting them but he catches himself fretting over them and accepts his fate. (Alberto says he's a lot like Bianca in a lot of ways)
He figures out he's bi only after graduating. He doesn't do much with this information though; just collects a bunch of hero crushes over time. Khaji complains about him not getting laid yet and Milagro tries to set him up with the worst people she can find.
That's it for now! A lot of this is word dump based off of different ideas that have been filling my head for a while now. I hope it's coherent enough! More than willing to keep going if asked just hmu <3
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gamerwoman3d · 3 months
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Lin Kuei Headcanons based on this wonderful post about the change to appreciating material things as you age.
Includes Smoke Sub-Zero and Scorpion.
No warnings necessary
SUB-ZERO
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Bi-Han is the only one of the three to have truly reached this point of caring about material things. Tomáš is rapidly approaching this point and Kuai Liang burned through another six ropes and two blades this month alone.
I imagine Bi-Han’s hair looked more like Kuai Liang's two to five years prior. Both of those bros lucked out with amazing wash-and-go locks, and they probably had a more similar look when they both had the same simpler hair care routine. Bi-Han probably didn't invest in finer hair products until after his parents both died.
At some point, holding on to the things his parents used every day when he was a kid, and comparing it to the things he grabbed in a hurry that just don't last, he had a realization that cheap things are barely usable while good things outlasted his own parents. Those things might outlast him.
The fine hand-carved fountain pen his dad signed important documents with was still here, never again to make that exact same beautiful distinct calligraphic signature brushtroke that served as the official seal of the Lin Kuei for decades. Throwing another ballpoint pen in the garbage in frustration, he might have started to understand the need for something so reliable. Dad had that pen his whole life. There's a spirit in that object now, part of his father lives on in the soul of that pen.
Bi-Han’s signature with dad's pen is splotchy at first, but the pen does the job. Soon he talks with Smoke about how his father would have done maintenence and cared for the pen; Smoke being one of the only other people he knew that cared for small handcarved objects like his knives and other family heirlooms. Smoke has a pen handcrafted that might suit Bi-Han’s style better. Using the pen, Bi-han realizes that the object may wear out, or it be with him for life. He wonders what other objects may also be with him for life. He even realizes in that moment that his hair, nails, face - these are all stuck with him for as long as they will last.
He begins pampering himself better, the way his mother might have pampered her own hair, and doted on her own nails. He may even begin to consider these parts of himself gifts from her, and attempt to love and honor them by taking better care of them. And in that way, he honors her.
SMOKE
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He's had the same kukri since he was a kid. Anything his parents had when they died, Smoke took care of. When something of theirs wore out too fast, at first he blamed himself for not taking better care of it. But then, when any replacement of the highest quality also wore down, he finally forgave himself: He knew he did the best he could with it, this time. And that means he did the best with what he had, last time.
He was always fussy about his hair. After the adoption, the hardest thing was finding a hairstylist that didn't make him cry. Mom tried, but couldn't do his hair in a way that made him happy. When they found the only man in the clan with the skills to razor-cut his hair the right way, the two bonded instantly.
It was all about the angle of the cut, the stroke had to be perfect, the microscopic fibers of the hair required precision to not come out a frizzy mess. Smoke learned everything he could about honing blades from this man, and no one in his lineage would ever have a sharper, more deadly blade.
While smoke understands the longevity of hunting gear, of personal gear, he had yet to truly transfer his appreciation of quality to other areas of his life. Relationships with him could be fleeting; he had trouble trusting the longevity of human connection. And so those things that are all about connecting, those are the things for which he lacks an appreciation of quality. He would scoff at a nerd's comissioned 1000$ gaming table with custom carved DM screen. He would think a good couch and expensive couch cover a total waste of money. His phone screen usually has a crack in it and he keeps it until he's forced to upgrade.
But his boots? His gear? Immaculately kept and honed.
SCORPION
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I think he's just young and not to that point yet. He expects certain things to never break or need upgraded [Such as, oh, say, Tradition.] And some things he treats as far too easily replaceable. As someone who can catch on fire and melt steel, most material things probably seem incredibly temporary to him.
Harumi's kitana might change that for him, but I just think he's too young to appreciate long lasting things. If he had appreciation for them, he might have respected the dragon army a bit better.
He's the guy who realizes later in life that he's using the same four shitty forks. That all of his rope darts are suffering abuse and banged all to hell because he needs a higher quality toolset. That Harumi, Kenshi, and Ashrah all have tools that are generations old and still operating.
He thinks that the Lin Kuei can be replaced by a clan that has barely trained. The Lin Kuei are analagous to a tool, a weapon, generations old, crafted and honed by the God of Fire, kept sharp for centuries, irreplaceable. The Shirai Ryu are the last minute dollar store replacement, scrounged up in a moment of haste and desperation.
I don't think Scorpion is materialistic at all. He's still young, unappreciative, and rushed. This isn't a fault of his character; but a fault of his age and experience.
Ty for coming to my ted talk i guess lol
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fatuismooches · 4 months
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Hii smoochies! Read all of your works in one go 🔥! I love them all, platonic ones are such a nice treat especially that little kitsune reader... Loved it. But I have the say the fragile reader is my favorite thing now✨️. With any harbingers, but Dottore kinda become my favorite... (because of all the brainrots and just the eternal love and trying to find a cure plot is delightful)
I want to know if you have any design in mind for fragile reader? Like what do you imagine in your mind when you write about them. What do you think they would wear, how they would style their hair, would they have any accessories (maybe given by the dottore himself? Matching earrings ?) I actually wanted to draw something about them. If it's okay!
Besides that, I really love to imagine Dottore/segments taking care of reader. Mostly segments since Prime is busy. They would be giving you a bath, dressing you up, brushing and drying your hair, brushing your teeth, getting on their knee to put on your shoes. The daily routine of a segment. They don't complain even though they are not used to doing these sort of things. They are not sure what they are doing, they are meant to do more... bloody jobs but here you are enjoying their gentle touches. Like, they would struggle with one of the tasks, (brushing your hair without tugging on it?), they would get frustrated, grumbling and huffing and reader is just sitting there with a smile on their face. Touched that the segments care so much about them to try to be... I don't know... be caring? haha
Also I just love how everyone throws ideas about the harbingers and reader in your blog. And how excitedly you response to each one. Just feels like a safe space to talk in. So uhh thank you ! Oh and I hope you have a very very nice day/night!
Dottore and his segments are selfish people. They're not interested in others, they're focused solely on themselves and their research, their goals, their experiments, knowledge. However, there is an exception to their mindset... you, of course. The one person who they do actually give a damn about. (Astonishing, really). Due to your health, there are times when you struggle to get through even the basics of your routine, but thankfully, the segments are always there to assist you. Even though you always apologize for "wasting their time" with such simple things, they really don't mind. Even if Prime didn't program that responsibility into them, they would still take care of you regardless. And, they get to spend time with you and be lavished with your affection after, so how could they ever say no?
Even though they're certainly not used to such tasks, usually carrying out things better left unsaid, they're actually not bad at it. Well, some things, at least. No matter what you wear they're going to be able to pull it on you without too much difficulty. I mean, do you see how complicated their outfits are?? Showers are good too, but you're going to have to get some better hygiene products... we know how Dottore and his segments tend to be, cooped up in the labs for unspeakable amounts of time... *cough cough*
If you happen to have hair long enough to brush, then only the older, more patient segments have that duty. The younger ones aren't suited for the job... unless you like getting yanked around.
AHHH THIS BRAINROT WAS SO CUTE THANK YOU... I'M VERY HAPPY YOU LIKE MY BRAINROTS AND FRAGILE READER!! I'm glad you feel safe in my blog~ that's my ultimate goal! And I'm honored you'd want to draw them! As for your question, I don't have any design in mind for fragile reader! I prefer to leave them completely up to the reader's imagination, so they can visualize whatever they want! So really you can just draw whatever you want, maybe yourself or an OC? :D
(But I'm totally on board for matching earrings hehe... personally i imagine it's clipped onto somewhere on their clothing instead, because the earring might put them off balance or something...)
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pinkch3rie · 1 year
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~coquette self care tips~
🍒 have a skincare routine that suits u! 
there’s no need for a 10 step skincare routine, all you really need are makeup remover, cleaser, moisturizer, some special treatment serums if you really need it, and sunscreen. If you want to figure out if there is an area in need of improvement or how to treat a special concern, one thing I’ve found helpful is to go back to the basics and add products after having that routine for a while. 
🍒shower on a regular basis and take care of your teeth. 
this should go without saying but take care of other parts of your body too. your teeth are so important and brushing them regularly is the best way to protect them, especially if you’re like me and live for sweet treats. as for a shower routine, you only need a body wash/soap that you like the smell of, some type of exfoliant, and lotion. again, do not fall into consumerist traps that is not very lana del rey vinyl of you. 
🍒pretty ppl need pretty hair
wash and condition your hair based on your hair type! and by that I mean wash it as often or not often as you need to. In between washes, use a hair oil/serum to keep ur luscious locks healthy. same as skincare, start with a very basic routine and add onto it as you see fit. If you dye your hair, try to maintain your color so that it doesn’t become patchy. finally, don’t forget to style your hair everyday! they do not need to be intricate, but i find doing a cute hairstyle just makes me feel better, even if it is a very slight change. and sleep on a satin pillowcase.
🍒get ur beauty sleep
I love sleeping but I can’t always get my 8 hours, either due to school work or I just can’t fall asleep. to solve that, i started to use a shit ton of fairy lights and other ambient lights in my room, and turning them on after 10pm. I also suggest doing something fun but relaxing when you’re ready for bed, no matter how late it is. this helps ur brain destress and get better quality sleep. for me it is crocheting/reading/watching a youtube video. I also recently started wearing vintage slips and nightgowns instead of pajamas, which not only are cute but also very comfortable. oh and i think having sex before bed also helps me fall asleep but it’s completely circumstantial. 
🍒spice things up w/ accesories
having a signature scent is important, but I also love having a signature jewelry. instead of buying more lesser quality pieces, invest in 2 or 3 well made, gold or silver quality pieces that you’re going to wear everyday. some motifs i personally love are hearts, fruits, initials, and bows, but yours can(and should) look different. the great thing about these pieces is that you can just keep them on your body at all times, saving time and effort in the morning. 
🍒romanticize school/work/errands/whatever you need to do
oh you have to go to school? that is so cute it’s so americana unreleased lana del rey. but you have to work at a shitty minimum wage job? it’s ok so does *insert whatever character you want*. you have to go to a stupid 4 hour lab for your chem class that’s only worth 1 credit? it’s ok ur a woman in stem and isn’t a lab coat all the smart girls wear in sci fi movies? have an essay to write? you’re literally just like a journalist girl living in nyc working for an editorial. stay delusional but don’t let it go to your head
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seancosy · 8 months
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I saw ur post in the solarpunk tag and! I think we can do better! I think nobody should have to work ever, because how do we pick who's exempt? who's making that decision? the only way I can think for it to be fair is if the person themself gets to make that decision.
bc like the system you're describing isn't hypothetical and as someone who's gone through a nightmare of uncaring bureaucracy just to be allowed not to work due to disability I can say it doesn't work and definitely doesn't feel like a utopia!
I don't follow you and not gonna come back to this so do with it what you want but yeah something to consider I guess
Points I agree with:
People should have the ability to self-determine their capacity to work, and should not be expected to work if they are unable to.
External parties should not be deciding who is able or unable to work.
Points I disagree with:
"Nobody should have to work ever"
I may be misunderstanding you, but... life is work. Someone needs to drive trains, design functional sewerage systems, deliver babies, rescue people from burning buildings, grow rice, implement grain shipping logistics, change diapers, develop vaccines, wash clothes, teach children to read, sterilise surgical equipment, provide counselling to antisocial or dangerous people, cook food for the elderly, insert urinary catheters, repair potholes in roads, pick up rubbish, code the software that checks pressure in dam walls, etc.
None of the above jobs are particularly sexy. Very few people would dream of performing any of these roles when they are growing up. But the work is necessary to maintain a functional society. What links these jobs is that they are meaningful. They help. They improve society. People can find purpose and fulfillment in these tasks because they know they are helping society, even if indirectly.
There are so many jobs in our current society that do not provide a benefit to anyone other than a select few capitalists. If we restructured to become more 'solarpunk' (which I interpret as more communist and likely more anarchist than current societies), these capitalist jobs wouldn't exist, and we wouldn't miss them. Merchant bankers, advertising executives, influencers, soldiers, funko-pop factory workers (I have a personal dislike for these products; such an overt waste of materials and for literally no benefit! people often don't even take them out of their packets?!?!), mortgage brokers, the list goes on.
If we redirected the people working in these capitalist jobs towards roles that directly help society.... everyone would work a lot less, but society would function just as effectively, if not more so. There would be fewer jobs, and more people to do them. There would be more chance to rest and enjoy leisure time. And yes, some people would probably be able to never work at all, if they chose to. But if the work is meaningful, I genuinely believe most people would want to work, and I don't think it's unreasonable to expect people to do something meaningful for others even for just a few hours a week (clean the dishes at the cafeteria or babysit your friend's kids). But no, I don't think people's work contributions should be monitored or quantified at all, unless it's to tell people to rest when they are overworked. People should work of their own volition. And of course those with disabilities or any other factors that prevent them from working safely shouldn't need to work if they are unable or unwilling.
An interesting book that portrays a world that is anarcho-communist is The Dispossessed, by Ursula K LeGuin. It details the struggle between the need for work VS personal freedom exceptionally well.
(Original post linked below)
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mobius-m-mobius · 5 months
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I find it so funny that Owen's creative process really is just: 1. Be handed a sandbox, sometimes already good, sometimes subpar. 2. Say, I can make this little guy so much better. 2.5. Actor's prayer. 3. Ad-lib on set and blow everyone away. 4. Refuse to elaborate. 5. Leave. What do you mean he has to explain his """acting choices"""? They all come to him in a moment of brilliant improv, isn't that enough? Aren't you having fun? You should be! *bikes away*
Anon you've summed up his entire dynamic in a way that's about to make it impossible for the entire world not to fall desperately in love with him as we speak, but hopefully for his peace of mind and probably ours too things don't get that far 😂💖
Honestly his mind and approach to acting amaze me more and more each day and after becoming a fan and learning more about him I was genuinely shocked there isn't more general discussion about how naturally talented and hardworking he is?? Which probably has a lot to do with him being the type who doesn't like to call attention to himself or play the press game but I always find myself hoping he really does know how incredible he is since everyone who interacts with him on and off camera is left in awe of what he brings to a production and makes a point of mentioning his unique perspective is responsible for the best parts of everything he works on.
Also can I just add it's not only his improv in the moment that impresses me but how carefully he crafts a backstory for his characters?? This goes back to him constantly improving the sandbox and we don't get to hear as many details as I'd like but it's often mentioned he shows up with scripts noted with novels his characters could like/relate to, past jobs that suit them, literary passages relating to their state of mind, etc, and so on which is so cool and again not mentioned enough that he seriously puts time and effort into expanding the universes his characters live in simply because he loves telling stories and is one of the best to ever do so in my opinion 🥰
Then on top of all that he wraps then rides his bike into the sunset while the sound of radio silence echos until we inevitably see him weeks later picking flowers or grabbing a newspaper or some green juice in some random town like the example of living your best life that he is, truly couldn't ask for anyone better!
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deke-rivers-1957 · 5 months
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Roustabout Review
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Marred by pre-production issues, Roustabout took about 3 years to put out. Announced in 1961, Elvis didn't start filming until March 1964 at 29 years old (well after he stopped playing bad boy characters). This film also had Colonel's influence as he wanted the film to be portray carnival life as a respectable profession.
Made after VLV and Kissin Cousins, this is the last film from Elvis' 2nd Hollywood phase (lighthearted musical comedy travelogues). Does Roustabout have enough of a gritty yet colorful edge to make it enjoyably different, or was it trying too hard to capture a movement and emotion that was no longer relevant? Let's find out.
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The titular song "Roustabout" gets us off to a great start. The colored lights are tolerable for those who are photosensitive. The song itself is very enjoyable but I'm not sure if it fits the movie's characterization of Charlie. He's characterized as a ruffian with a chip on his shoulder. I personally recommend looking up "I'm A Roustabout", an alternate opening title song that I think better suited Charlie's character.
So we get introduced to some college kids that only show up for this one scene and I don't like their attitudes. They get all uppity with a waitress who insists on giving them non-alcoholic drinks despite one of them claiming they're all 18 (unless this takes place in Louisiana, states even back in 1964 had the purchase age at 21 to buy alcohol so that argument is moot). The establishment has the right to enforce underage drinking laws, so regardless of their actual age, the waitress has to at least check.
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This is the first example of the movie telling us to think one way about Charlie despite showing evidence suggesting otherwise. The college students start heckling him and then get mad when he heckles back. "Poison Ivy League" is an entertaining song that calls out the rich college students and has a unique sound for an Elvis song.
When the song is over, we're made to believe that Charlie is some type of bad boy who picks fights because he's got a chip on his shoulder for being an orphan. That isn't the case at all because Charlie didn't start the fight. Him being an orphan has absolutely nothing to do with this interaction. The college boys started it by making remarks and if you look closely, the one in the blue actually started to swing first. Despite this, Charlie is the only one who gets arrested then gets slapped by the waitress who bailed him out. She's upset that he wouldn't take her with him, when in reality he's not obligated to do anything more than pay her back.
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"Wheels On My Heels" is a good song that properly fills in what otherwise would've been dead air. You want to believe that Charlie is content with being on his own as he travels to his next job. However, given the circumstances that lead to this, you still don't get the idea that he's a bad boy. He's acting like a relatively reasonable person that doesn't like getting blamed for things he didn't do.
Which is what makes Joe running off the road so frustrating. Charlie flirts with his daughter, Cathy, and he just completely loses his mind. He verbally stated his intents on killing Charlie, yet still makes it like it was Charlie's fault. What's worse is that, Charlie is forced to work with Maggie and the family until his motorcycle is fixed. Instead of offering to buy him a new bike all together, this family makes like Charlie should be honored to work there as opposed to being held against his will.
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We get a walk through of the carnival and I immediately get the idea that Colonel contributed to the script. Cathy uses all this carny talk and then compares it to doctors using Latin because it separates them from the common man. I'm all for wanting to break stereotypes, but Cathy saying this makes her come off as nothing but high in mighty. At least with Cody and the other carnival workers, they have a realistic perspective of trying to take pride in their work despite their low status. It's just a shame none of them show up again to do literally anything. Charlie so far is quite personable and even tries to be nice to Cathy by going on a Ferris Wheel ride singing "It's a Wonderful World." It's a beautiful song with unique tracking shots of the Ferris Wheel moving.
Joe is still unreasonably awful when he's not even the boss. He would literally rather pick on Charlie than accept his half dollar coin for using a ride. We later find out that Maggie is also an irresponsible carnival owner for keeping him employed there. Joe as we learn, was drunk on the job and rigged a ride that ended up killing someone. As a result of not having insurance, Maggie now owes the bank compensation. Instead of doing literally anything, she still insists on keeping Joe employed and only blames herself for letting the insurance lapse. In reality, she'd likely be forced to shut down her business and Joe would definitely be out of a job. There's no way she'd be in business if she kept Joe working there as she'd be complacent in his negligence.
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It's the first night of the carnival and while there is business, Cathy simply isn't doing enough to get money at her booth. So what does the bad boy Charlie do? He sings "It's Carnival Time" to attract business on a toy ukelele. Wow that's such a bad boy move /s. Charlie was so bad that he actually manages to earn the carnival a lot of money for that game.
The song itself is still good but I don't think it was lip-synched well. In the shots like this one, Elvis sometimes isn't even moving his lips while he's singing. But ultimately I still buy the idea of using him to attract customers since his songs are entertaining. If only the movie also properly utilized the Wall of Death since we know Charlie is a motorcycle rider.
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We get a double header of "Carny Town" and "Hard Knocks" which both do a good job of entertaining the crowd. In the meantime, we get an introduction to the so called "villain" of the movie. Harry Carver is meant to be this no good carnival owner that buys out dying businesses. However, given what we know so far about Maggie and co. I don't hate this man at all. Maggie has shown that she's unwilling to get rid of Joe despite him actively being cruel to other workers, while Harry Carver actually comes off as a reasonable man who just wants to provide the highest quality entertainment possible.
When Charlie's show ends up being a success, Joe still can't even have the guts and admit that he was wrong. He still thinks Charlie is the bad guy here. So of course when Charlie is still salty about the damages Joe caused, Cathy is mad at him for being ungrateful when Maggie gave him a new guitar. Do you see how messed up that is for Cathy to not only defend her father's awful actions, but then have the gall to get mad at Charlie like he's the heel? I'm sorry but the movie is actively trying to gaslight its audience into think Charlie's this bad boy when in reality Charlie's the victim. I just can't support this downright unreasonable and unlikeable family.
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At Charlie's next show we get "One Track Heart" and it's one of the best songs in the movie for how entertaining it is. That being said, I have no idea why Charlie changes his mind out of nowhere when he signs Maggie's contract. Nothing we've seen indicates any major change in his status there. This is where not giving his relationship with the other male carnies any development, really hurts the movie. It just feels like the script is forcing Charlie into this instead of naturally establishing reasons to make him change his mind. That's bad storytelling where you're telling us this is what needs to happen as opposed to showing us how Charlie grows.
Cathy also comes off as being super unlikeable by getting mad at Charlie for so much as being with Estelle, the fortune teller. They are not dating and she didn't even tell Charlie how she felt. Charlie is not at all obligated to stay loyal to her. She just comes off as high and mighty like Charlie should never dare have affections for another woman and it's very annoying. I just don't get any chemistry from these two at all and it's another aspect of the story that just feels forced.
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After signing the contract with Maggie, Cathy is seen running the dunk tank with Joe and my god do we get the most obnoxious couple I've ever seen in my life. This couple actually makes me feel bad for Joe when they accuse him of stealing their wallet when they have been nothing but a nuisance and started a fight with Charlie. Then again, this family gets mad at Charlie having dared feel concern over Cathy's wellbeing. I was so mad at Cathy when she slapped Charlie because I have no idea why I'm supposed to get at someone who just wants to help. How I'm supposed to like anyone in this family over Harry Carver when they've all treated Charlie as nothing but dirt?
Estelle the fortune teller and Cathy are just awful love interests. They wanna make like they're interested in Charlie, but just when Charlie shows interest back, they get all disgusted. That's not a bad boy. A bad boy wouldn't listen to Cathy when she says she's not a one night stand type of girl. Like Estelle gets mad at Charlie even though she was the one who wanted him to have sex with her. It comes off as these women being so flakey and unlikeable as opposed to Charlie actually being wrong for pushing.
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So he finds the wallet and like a good friend decides that Joe needs time to get sober. The next morning, he gets his bike back and is about to leave when he sees the Wall of Death. In a scene that absolutely serves no purpose outside of wasting time before the big reveal, Charlie tries his hand at it. Once he had his fun, Charlie tells Maggie and the other carnies that he found the man's wallet last night. As rational, reasonable people, every single person gets mad at Charlie for betraying Joe. They think Charlie was a heel for having dared think it was a good idea to keep a drunk man in jail longer than he should've been.
I just can't stand any of these people. Charlie actively tries to keep an absolutely terrible person in jail just long enough to sober up and HE'S THE BAD GUY! I think everyone in this carnival is insane. The colonel wanting to make this a specially coded business with rules ended up making this a straight up cult. If you don't drink the kool aid and support your fellow carny no matter how much of a horrible person they are, you're the bad person. I want this carnival to fail and go out of business because of how awful they are. That's a complete failure on the writers part to just completely fumble the ball when making Charlie this "bad boy" who has to change his ways. I want Charlie to get as far away as possible from these people.
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Charlie of course signs with Harry Carver and I refuse to believe he's supposed to be the bad guy like the movie wants to make him. He's an actually reasonable man who runs a far superior business. This is a whole theater with numerous performers providing a quality show. However, "Little Egypt" is by far the weakest song in the movie. I hate the sound effect used as it hurts my ears and is completely unnecessary. It ruined what would've otherwise been an absolute banger and a good reason to believe that Charlie is a good performer.
We see Maggie's carnival and of course it's failing. It's almost like they didn't realizing casting Charlie out would have consequences. Cathy and Estelle talk and despite literally watching her kiss Charlie multiple times, Estelle says "she didn't even get to first base". I have never seen a movie completely mess up on its own continuity this badly. It gives you this feeling of anxiety that you're being gaslight as the movie tells you one thing despite being shown something completely different. We never once see Charlie use anyone like Estelle says he did and it's completely ridiculous.
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I love "Big Love, Big Heartache". It's the quintessential Elvis ballad but if Charlie had an actual character arc this is the perfect way to show that he actually does love Cathy. It's such a shame that he doesn't have any character arc at all. Cathy just shows up because she wants to manipulate Charlie into coming back and he does. I think Charlie is absolutely insane for leaving a legitimately superior job for an actually toxic work environment. Based on what we're shown, no one at Maggie's carnival is likable enough to make Charlie want to be there.
I honestly feel bad for Harry Carver because he's a reasonable man who actually cares about his business. He even cares about Charlie being in love with Cathy and tries to give him advice. Charlie just gives him the shaft because we're near the end and this has to have a "happy" ending where Maggie's carnival is saved.
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This is the most forced ending I've ever seen in an Elvis movie. Absolutely nothing is earned here. Absolutely nothing in this movie was properly developed as we're introduced to things like Charlie being an orphan and the wall of death only to have neither of those things matter. It's not like Loving You where Deke being an orphan actually matters as he learns how to heal and accept that he's good enough to have friends. With the Morgans you can't help but think this is the most unlikeable family you've ever seen. It's so badly written that the only way you can make sense of it, is to come up with the conspiracy theory that Joe is abusive towards both of them. It would other wise make zero sense for Maggie or Cathy to defend Joe.
Charlie can't accept the Morgans as his family because despite "There's A Brand New Day On The Horizon" telling us things are going to get better, I just don't think it will. Joe didn't have his epiphany and realizes Charlie is a good guy. Joe only accepts Charlie coming back because it's the end of the movie and the script tells you that he does. It's all so forced and I have no reason to believe Joe will get better. A complete mess of a story that is absolutely frustrating to watch.
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I said in my Clambake review that it was the hardest film to develop a solid opinion on whether I liked it or not. Roustabout to me is like a Clambake but in reverse. Clambake had bad production and some bad songs but had the best character writing I've seen in a mid 60s Elvis movie so far. Roustabout meanwhile had good production and an amazing soundtrack (outside of the sound effect used in Little Egypt.) but the worst character writing I've ever seen in an Elvis movie.
Since the writing is the worst part of the movie that singlehandedly ruined my ability to enjoy it, I have to give it 5/10. This movie's production and soundtrack just wasn't enough overcome the failures of basic story telling. I personally didn't vibe with it so I can't say I'd recommend it but if you're someone who only watches Elvis films for the songs or doesn't care as much about the writing, then I think you would have a great time.
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AN: Thank you @xanatenshi for requesting this review as well as @thedaisymaisy for providing input about the film. If anyone wants to send a request, feel free to send it in.
Tagging: @lynettethemadscientist, @motht-eeth, @ash-omalley, @spooky-hazex, @teamnefarious, @blighted-star, @ab4eva, @oh-my-front-door, @father-of-2cats, @stormie-ryan23, @yksuwyksud, @tacozebra051, @alienelvisobsession, @vintageoldsoul, @ohmygiddd, @lovininapinkcadillac, @stephthestallion, @mistyspresley, @bisexualwvtson, @ahundredlifetime, @karel-in-wonderland, @elvispresleywife, @georgefairbrother, @moonchild-daniella, @musiclover712, @worldofyns, @sillybookmarks, @g00d2balive, @leighpc, @generoustreemystic, @peskybedtime, @thetaoofzoe, @renegadewarrior, @vintagepresley, @tupelomiss, @myradiaz, @pinkcaddyconfessions, @kiankiwi, @presley72elvis, @delulubutidontcare, @januarypresley1969, @livelaughelvis, @all-hookedup-on-elvis, @slayingjd, @ilivebecauseiamforced, @dusintv, @cattcb, @jaqueline19997, @richardslady121, @iloveelvis2, @lett-them-eatt-cake @if-i-can-dream-of-elvis and @lookingforrainbows.
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fourseasonsfigs · 4 months
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Building Block Figs - Catching Light
Continuing on from the last Building Block Figs - Basking in the Sun and Building Block Figs - Beautiful Fight Scene in the Middle of the Lake, Part 1 and Part 2, we have this wonderful set.
These figs make me laugh - I love them so much! I don't know why, I just find them ridiculously charming.
This building block set is 1,544 pieces, measures 8.4 x 17.6 x 15.6 cm, and is rated 10 hours. I did indeed take all 10 hours to build this, if not a little bit more.
Here is the sales pic of what the finished product is supposed to look like:
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Cute, isn't it? As usual, sellers do a much better job of setting the scene than I do. I will say, though, that I did make two little tweaks to the set to make it a bit more canon compliant. Can you spot them?
It'll be easier to tell as we get better pictures, so I'll get into it!
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First, here's the box of doom bricks. Like the others, this came in a generic sales box, with a super handy little unsnapping tool, and a sticker with a black and white image of the set and QR code instructions.
Once again, you'll notice my line up of extra bricks from the previous sets hanging out in quasi-neat little rows. Originally I figured I'll leave them all out in case I ran short of any, but in reality, this set maker gives me extras of each color every time. Which is handy, as you will see for later posts, when I make some adjustments to the fig sets to make them a bit more canon compliant.
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As you can see, there's a LOT of extra bricks left over. To be honest, there shouldn't be so many white bricks - those are from another set that I made a major change to. I'll post about that one tomorrow.
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Here's the different order of assembly - I went ahead and started with the base and tree, as they suggest.
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As you can see, this is a very beautiful terrain here. I did not remember this area being so green and flowery from the show - in fact, I remember it being kind of sandy and desolate, but my memory is pretty lousy, there might be a scattered flower or so. Let's check.
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HUH. There is not a flower in sight, is there. Hmmm. Well, this is kind of gonna bother me. Maybe I should have looked up the inspiration before putting together the entire 10 hour plus set, huh! Well, the little flowers are easy enough to lever off.
Hmm, anyway, moving on (for now).
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So a couple things here. First, as you can see, there are only two green colors. I mean, one normal color really - the light green here is actually a neon green. It's brighter than it looks here. It looks great here, don't get me wrong, but now all I can see is the very sandy terrain of that screenshot.
Second, I tried something a little different here. It actually takes a long time to sort all the individual bricks, so in an attempt to shave off some time, I decided to experiment with this set. As you can see, I dumped the entire bag out to the right and am just picking out individual pieces as I go.
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You'll note it's now evening. This tree took a LONG time to build. I actually timed myself up to this point, and to get to this mostly-done state took 2 hours and 58 minutes. I was pushing hard, too, because I really, really wanted to get the whole tree done that evening before I went to bed. But there was no way. I was too tired and was hitting the point where it was less fun and more work. So, despite really not wanting to, I summoned my inner adult and called it a day here.
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Fast forward through time to the next day, and I'm all bright eyed and ready to bust this tree out. And it's done! I like this tree a whole lot...I think they did a beautiful job modeling it. Imagine if they had the full Lego suite of colors and special pieces! It would be really something. I kind of like it this way though (although I would take more colors, I can't lie). It really has an old-school style charm.
You can see the grey rock there where Lao Wen will be propped up against. And of course, the cheerful greenery and pink and yellow flowers.
Feeling VERY accomplished, I put the tree aside, and moved on to A-Xu.
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Yep, looks pretty good. I was a little surprised they picked the medium blue color instead of the dark blue color, considering how bright the dark blue color actually is. But this looks fine too.
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I am going to proudly say that I did, in fact, knock this fig out in record time. I've put together two and a half A-Xu figs by now (the half is going to be explained tomorrow, I promise!), so this third one went like a breeze.
As you can see in the back, I couldn't help myself, I was starting to make a few little piles of the colors I was working on. The big messy pile of bricks was kind of a pain, and I had to keep resisting the urge to sort them out.
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And here he is! All done. He has a very solemn no-expression on his little brick face, which is appropriate. Can you see how there's a little bit of a neck (nothing too saucy or anything), the thin white layer of his under-robe, and then the lighter blue layer? I love it. Very charming. We also have his black belt with a bit of the tails.
It was yet another evening by this time, but since I did manage to finish him before I went to bed, I did indeed sleep the sleep of the righteous.
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I woke up even brighter eyed and with pep in my step, ready to rock this last fig out. 10 hour assembly time? I don't think so!
I had now made three Wen Kexing brick figures, so the fourth one was gonna be just as quick as A-Xu was, no doubt. I pulled up the instructions on my phone, and got ready to go. 95 steps for our battle-weary Valley Master, huh? Huh. That's kind of a lot. But considering A-Xu was 85, not too bad. The tree was 119, by the way.
As I looked at the picture, however, I noticed that they had Lao Wen's (virtually) omnipresent hair wispies here. Given that this red wedding costume is the one outfit where his hair is pulled back all the way, it kind of bugged me. Which is funny because I've never liked how he doesn't have the wispies with this hair style on the show. It's my least favorite look on him, which is too bad, because I did like how they at least mixed his hairstyles up some. In my defense, I feel like I'm right (so right!) about how much better he looks with the wispies with this hair style, because you could see it at the concert. And he looked spectacular.
Anyway. Warring between my extreme desire for him to have the wispies and the simple fact of it not being canon, I started to build.
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I got the first big chunk done very quickly indeed. Many of these figs are done where you do a big piece, and then set it aside while you work separately on the next piece. This is where I was.
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And that's where I stayed, for a long time. I built this piece three times. I had to completely disassemble the entire thing the first time I built it, because I was off on my brick count, and the second time I had to disassemble it down to the first third.
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Part of the problem was the way the directions were. As you can see, they still have the first "set it aside" part showing up on the directions directly under the new piece. Unfortunately, all that red blended into each other when I rotated the image around, and it was very easy to accidentally think I needed more or less pieces than I actually did.
I went ahead and built it with the wispies, as directed...and then just couldn't do it. I disassembled half the head and re-built it again without them. I also think that this fig, just like Lao Wen, does not look as good without them, but canon is canon.
Unfortunately, it was so late and I was so tired by the time I finished him (and yet also pretty jubilant), that I forgot to take a pic of the finished fig! Yes, I literally finished this set late last night, despite my best intentions of finishing it up and then triumphantly posting about it on the same day. It did, in fact, take longer than the 10 hours build time.
It took a long time, in general. My finger tips have actually toughened up a bit, so they don't feel sore from snapping the bricks in place, but my neck isn't all that pleased with me from hunching over these various sets for so long. So, I've been taking a few more breaks to stretch and do other things.
But, I woke up early today, and very happily took this set's beauty pics in the clear light of the morning. I love it!
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I love how this set all fits together. We have the tree growing over the edge of the base, and Lao Wen there leaning up against the rock. A-Xu is standing with his elegant posture, and their little brick hands are reaching out to each other. Cute cute cute!
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Wow, this light is great. I clearly should get up early to take fig pics more often.
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The tree looks great, I think (and not just because I spent hours building it!).
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This is a good view of the rocks behind Lao Wen here, and his big ponytail (I do like this part of his hairstyle).
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The green doesn't look so bad on the ground, I think. I'll pull off the yellow and pink flowers, and maybe make a brown patch on the corner closest to A-Xu. That'll keep it colorful but make it a bit more like the show.
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A-Xu's hair looks great, as usual. You can also see how I removed the wispies on Lao Wen's hair. I'll get a close up later so you can see it better.
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Shoot, not my best pic - can't really see any of the detail on A-Xu's glorious night-black hair.
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There we go, now you can. Oops, I see I knocked a tiny piece out of kilter on the bottom of his hair, I'll have to fix that. But! Here you can see both changes I made from the instructions - the lack of wispies of course, and then I made Lao Wen's guan gold instead of white. This took a while too, because I didn't have enough yellow pieces. The only yellow I had from any of the sets was literally from the yellow flowers here and the few extra they gave me of it. I actually pulled a few yellow flowers off the base there and replaced them with green or pink, just because I needed them for his guan. I then also carefully checked to see what internal yellow bricks were covered up by the black of his hair, and replaced them with black so I could save the yellow ones for the parts that did show. I'm very happy with how it turned out! It looks just like the white one, except, you know, yellow.
I don't know why they didn't originally design it with yellow, given that it is gold on the show, and they had already included yellow bricks with this kit. Maybe they felt the white stood out more or something. Anyway, it was bothering me it was white, so I'm glad I was able to figure out a way to make it work.
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Alright, we're back around! And a bit of a different angle here, so you can see the poses a little bit more clearly.
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Alright, a true top-down pic here. May I just say one more time how much I like this tree! The detail in A-Xu's guan is really nice too.
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The bottoms-up pics are always tough here with the bases. Not a flattering picture, sorry A-Xu!
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A close up of our noble shixiong with his little hand outstretched...
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...and our weary shidi. What a great set, I love it! I'm so delighted by it, I can't even tell you.
Alright! come back tomorrow, for the much hinted at next set. And the last one, for a while - I have to wait for the remaining sets to be sent to me.
(Come back tomorrow, she says, as she still has some assembly on the last fig to do! I'll wake up bright and early tomorrow, and hopefully finish up).
Material: Plastic bricks
Fig Count: 506
Scene Count: 35
Rating: They're actually both reaching for their light
[link to the Master Post Index]
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myjunkisyuzuruhanyu · 8 months
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Some thoughts about One Piece on Ice
Thanks to some help by one kind fan I managed to watch One Piece on Ice. 😍 Thank you so much! ❤️
Admittedly I probably wouldn't have watched the show if Shoma wouldn't be the star of the show. I was so interested to see his character portrayal because it's so out of Shoma's own character.
But before I talk about Shoma here are some other thoughts...
First of all I am quite clueless about the anime or manga of One Piece which probably would have helped to understand the story better because I don't own any Japanese language skills, so I won't say anything about the story. I just wish I could appreciate the whole story better. (I have basic knowledge of the characters and I watched a couple anime episodes when I was like 12 years old so 😅)
I think anyone who has seen pictures of the show, knows how amazing the costumes are and how close they are to their animation counterpart (I mean at least I know the characters with my less than good one piece knowledge)
It's quite a different than usual ice show. It really tells a complete story, no "extra" skating to just show off, every skating is implemented into the story. It really feels more like a theatre on ice than an actual ice show. It's not easy to produce a theatre that needs to tell a story from 3 viewing angles. Usually theatres are directed to watch from the front. Here it's watched from 3 sides, which on a stream made it sometimes difficult to see the conversation that was going on but in the arena it's needed. (Tbf no stream or video can ever give justice to a theatre production no matter if on ice or in theatre just because the circumstances are wildly different. I won't elaborate on that but let you tell this by a musical nerd who watched countless musicals live and on screen)
The choreography ideas are great. Especially cool are the choreographies for the fight scenes, each fight scene has a different set up. The spcial effects on top of it are so cool. Congrats to Kenji Miyamoto for this show and also congrats to the lighting and special effects designers. These things really add a lot.
The ACTING!!! OMG the acting is so good for an ice show. These are skaters not actors (besides Miyu) and all of them do an amazing job. There is a lot text going on especially for Marin, who is actually the main star of the show, no one has as much to do besides her and she is emoting so well to an audience. She really should be thinking about going to theatre. Rika Hongo is one of my favorite characters in this whole show. This suits her so well. How she can implements the skating skills into the character and how she is never off charater. And SHOMA OMG OMG OMG 🔥 🔥 🔥 🔥 How can this be Shoma? He can act. Like really. He's full of energy, full of different expressions, he is a come to life animated character, acting over the top like it's suited to the character and on top he does skills on ice I haven't seen him do anywhere before. Admittedly I was sceptical about Shoma acting and on top such a "quirky" character, but they couldn't found a better person for it.
I applaud the full cast for their acting. And they stayed in character until the very end until the curtain call.
It's a great show from the ideas, to the choreography, to the costumes, to the acting! ❤️
What an amazing show! 😍
Do I have any negative points about the show? 🤔 Well only one thing...the availability for ppl outside Japan is a disaster. I know countless ppl who would have paid to see the show on stream but weren't able to because of the geoblocking and trouble finding a working vpn or credit card. It probably has to do with copyright but then at least give the fans an explanation...The other small critique is simply on me personally😅...without knowing Japanese or One Piece it was not the full experience it would surely give...but you know what maybe that actually gives me a reason to really learn Japanese and to watch the anime/manga 😉
If anyone wants to and is able to watch. Do it, you won't be disappointed!
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okk so for my boys being from 1940s, anything related to music I have down but I have NO IDEA how life operated back then and since you mentioned it I haven't been the same since please talk to me all you want abt the '40s
imma be honest, most of my knowledge on the 40s is either about the war or the precursor to the war, so probably not the most helpful of info-remember to do your own research for extra information!
with that, some quick bullet points cuz I can’t sort thoughts concisely:
Okay so to get into the 40s we gotta go at least 10 years before that cuz that’s also important: the Great Depression hits in 1929-not just in America, but the rest of the world as well-the US supposedly suffers the worst (aside from Germany, which was in debt from the first world war and their crippled economy as a result of the treaty of Versailles). I’m assuming your story takes place in the US?-otherwise I’d probably have to do some digging to find you some facts. But yea, with the stock market crash in the 20’s, tons of people were placed out of jobs, banks closed, people started living out on the streets. Government started creating random corporations to give people jobs after 1932-FDR’s presidency.
Fun fact, the radio was around at this point, so if you wanna listen to tunes, there’s your ticket. TV was a thing, but it became more popular in the mid 40s because it was used to showcase propaganda-televised entertainment became a thing in the 50s.
Anyways, some laws were passed and stuff to give people jobs-not all of them would be considered important for you, I think, cuz most of them were environmental or economical-the Workers Progress Administration was a thing though, and it hired artists and actors and others for their talent, if that’s of any importance.
Corporations weren’t faring much better either, especially the entertainment industry. The 20s were their peak years, with film being introduced and festivals or carnivals brought in cities-but with the crash of the market and extreme poverty, not too many people wanted to spend money on amusement over food. So a lot of those industries lost money and laid off a lot of people before either shutting down or being extremely poor.
Nother fun fact-ovens and stoves existed at this time, similar to how they are today-just in case one of your guys needs to make their human pal some food on their possibly outdated technology. Telephones were also available to the public by the 20s, the landlines.
Games like Monopoly (kinda ironic that it was made during the Depression), Scrabble, Sorry, and the Game of Life (originally made in 1860) were popular at the time-plus actual sports. Yes, kick the can was a thing around this time, you can make that reference.
If you want literature, I'm told island adventure stories were pretty popular for kids at the time (you'd have to double check that one, though, cuz I'm not too sure)-Superman and other heroes were a thing in the late 30's early 40s-Donald Duck comic strips were early 30s. Comedies and dramas/romances were popular in both literature and theatre (Charlie Chaplin was pretty funny), though they had this trope of things magically working in their favor until sometime in the 20s (you're gonna need to check that one cuz again, this isn't really my strong suit).
The Depression really only evened out with the start of the war-the US needed to militarize and stock up on their artillery, which meant a ton of job openings in that department, and other ones related-car companies (yea cars were a thing-you'd have to check how accessible they are though, that's not really my strong suit in history-only thing I remember is Ford releasing a model in the 20s) started building tanks, film productions started making propaganda videos (donald duck was a common character in Disney's anti-nazi propaganda for some reason), toy companies sold toy soldiers and guns to kids to convince them to support the war effort. Propaganda had advanced after ww1, which meant bigger, more eye-catching headlines in the media and clever usage of poster layouts and formatting to persuade people. The US stayed neutral up until 1941, though it did provide resources for the Allies who were fighting Germany.
That's basically all I have about the 40s-again, most of it is about the war and the economy, so not sure how much that would help. Maybe FazCo went bankrupt during the Depression and prompted your carnival to shut down?-I can see it trying to start more locations in the MidWest or something (the Plex is in Utah, if I remember correctly, though I don't know how important that is to your plotline) and scrapped it after the Depression and the War? I dunno, take your story in whichever direction you'd like, it'd be interesting any way you make it! Thanks for the opportunity to ramble, by the way-I hardly ever get to talk history or philosophy on here, so it's pretty refreshing! Hope this helped, thanks for droppin by!
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