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#to look at charlies characterization more
hearts401 · 8 months
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WAILS AND SOBS AND CRIES INTO MY HANDSSS
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anthurak · 7 months
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As someone who was very curious as to how Mammon was going to be presented in Helluva Boss, you can probably imagine I was looking through the new episode very closely.
And while I may have been off the mark with my theory that Mammon would follow the trend of Asmodeus and Beelzebub and NOT actually be antagonistic, I nonetheless think it is VERY interesting how Vivzie and the team handled and presented him.
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Specifically, in just how PETTY Mammon is shown to be in this episode.
Like really think about what you might generally expect from a character like Mammon just from a basic background description: He is one of the seven rulers of Hell, lord of the seven rings and embodiment of GREED. Likely a fallen angel who helped to create hell as it exists today, is matched in power only by his five fellow Sins, and is functionally only truly outranked by Lucifer himself.
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And yet, Mammon’s characterization in this episode presents him as this petty, selfish, manipulative asshole interested in little more than money and attention. He acts more like a shitty, full-of-himself asshole celebrity than a demon lord. Just look at how he manipulates Fizzerolli, not through lording power and authority over him but through emotional coercion like an abusive parent, ex-, or boss, which is precisely WHAT he is presented as. fi
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What makes this even more interesting is that despite Mammon being characterized as Fizz’s petty, manipulative boss, we nonetheless see him display all the POWER and experience we’d expect from one of the seven rulers of Hell. Asmodeus mentions earlier in the episode that he’s known Mammon ‘since the START of Hell’, confirming they were both involved in its creation, and when the two square off at the end, it’s clear that Mammon is very much Ozzie’s EQUAL in power, and that everyone else present is pretty much an insect in comparison.
This is what I think makes the inclusion of that one creepy, obsessive fan of Fizzerolli’s in this episode so significant; he serves as a point of comparison to Mammon.
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For all the power and authority that he might wield, Mammon is characterized as being no different/better than a creepy, manipulative, entitled and obsessive stalker.
I think this might be the true common ‘thru-line’ connecting all of the seven sins through Helluva Boss and possibly even Hazbin Hotel: That despite essentially being ‘God-Emperors’ of Hell and outclassed in power likely only by the most powerful angels of Heaven itself, the seven sins are characterized in a very grounded, down-to-earth and for lack of a better term, ‘human’ way.
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All the times we’ve seen them, Ozzie, Bee and Mam haven’t presented themselves as these all-powerful beings lording themselves over their subjects like we might expect or even what we’ve seen of the Goetic nobility. They don’t present themselves as ‘royalty’ but rather more like celebrity performers, which is certainly in keeping with Vivzie’s comments about how Hell is meant to represent a circus.
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It really gives this fascinating dichotomy to the Sins as characters, where they’re presented as these big wacky celebrities with big, over-the-top personas which in turn hide very grounded, down-to-earth people underneath. While at the same time still being these monstrously powerful and ancient beings whose dominion over Hell is entirely uncontested.
It also gives them a nice contrast with the Goetic Nobility and the Sinner Overlords. Like those two groups actually do act and present themselves like demonic ‘royalty’ who lord themselves over those considered ‘beneath’ them, while in reality they’re at best the ‘middle-managers’, and instead it’s these wacky characters who are the TRUE masters of Hell.
It may even continue into what we might see in Hazbin Hotel, what with Charlie being this bubbly, happy-go-lucky Disney-esque princess who also may very well have power outclassing literally EVERYONE else in the show apart from her parents.
Overall, I loved this episode and I think we may now have a good idea what we might expect from the other Sins, and possibly even Lucifer himself in Hazbin Hotel.
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blossomthepinkbunny · 3 months
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Vivzepops fetishization of queer men and the lack of Sapphic content in HH and HB
I found it a bit dissapointing that Charlie and Vaggie had very little interactions that could be read as romantic or sexual, especially since they are the supposedly the main couple of Hazbin Hotel and have been together the longest out of most of the couples in HH and HB.
Of course having more casual representation is also fine but the most memorable thing about their relationship was the quickly resolved argument they had when Charlie found out about Vaggies past. I've seen different opinions about how they were handled as a pair.
I understand when someone says that they enjoyed a more relaxed couple with subtle, realistic interactions, interactions that are often overlooked just because both characters are female.
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But I can also agree, that they were really not a stand-out couple (wich is weird since Charlie is the main Character) and that it was a bit dissapointing to not see a lot of content for them.
Now the main issue I found with this is that in Vivzepops stories there is a definitive lack of sapphic content. It sometimes seems like women are sexless unless they are with a man. But two men can be sexual and openly affectionate (romantically too). At first I didn't really understand why I felt weird about Chaggie as a couple, so I looked at all the implied/canon ships in Helluva and Hazbin (including past relationships).
Implied/canon couples between a man and a woman:
-Millie and Moxxie
-Blitzø and Verosika
-Stolas and Stella
-Millie and Chaz
-Beelzebub and Vortex
-Sir Pentious and Cherry Bomb
-Adam and Lute
-Lucifer and Lilith
Implied/canon couples between two men:
-Stolas and Blitzø
-Asmodeus and Fizzarolli
-Moxxie and Chaz
-Angel Dust and Husk
-Vox and Valentino
Implied/canon couples between two women:
-Charlie and Vaggie
Now please tell me if I missed any, but these were the ones I could think of.
Honorable mentions include Loona & Vortex, Blitzø & Striker, Blitzø & Chaz and Blitzø & Fizzarolli. But I didn't put these on there because they're either one-sided or don't have enough romantic content.
Now it's very easy to see the difference between representation for queer men in comparison to queer women in these shows. The only relevant (im not counting Background characters) Sapphic relationship there is, is Chaggie. And it's completely underrepresented when compared to the content the man x woman or man x man ships get (not to mention the total absence of gender-queer characters).
One of Millie's and Moxxie's jokes is that they're so in love, that they're almost always cuddling, holding hands, talking sweet or just straight up making out with eachother (I'll talk about Millie a bit later). Sir Pentious had multiple scenes dedicated to him trying to confess to Cherry Bomb or just crushing on her in general.
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Stolas' and Blitzø's relationship has become one of the main topics of Helluva Boss and they get a Backstory and explicit aswell as dramatic scenes for them as a couple. The same goes for Asmodeus and Fizzarolli (except that their love isn't as important). Angel Dust and Husk get a song and part of an episode for their relationship to develop.
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Here i'd also have to mention that by the list I made Vivzepop's fetish for queer men is very prevalent. Most of the couples between men and women are either past relationships or they get very little attention to them. The only ships that often get special focus, development or explicitly romantic/sexual focus are ships with two men (no matter if their dynamics are even good, healthy etc.).
Now for Millie there are different ways you could talk about her situation with relationships. In general I think that everyone can agree that Millie lacks Character and is a good representation for the neglect of the female characters. Most of her moments revolve around Moxxie in a way and she hasn't had precise characterization so far.
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Millie's relationship with Moxxie is sweet and simple and is generally one of the better things about Helluva Boss (if you ignore Millies lack of personality wich really pulls the couple down for me). Now the Episode "Exes and Oohs" shows the mutual Ex of Millie and Moxxie. Chaz dated both of them and as we see in the episode affected both of them very negatively. At the start we literally see Millie freak out and destroy a bunch of stuff, just because she saw Chaz on the street.
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Yet Millie's relationship with him is never explored further. All we know is that she dislikes him and that he's a giant asshole. Whereas Moxxie get's a whole Backstory and episode plot about him and Chaz. No focus is given to Millie at all even though Chaz is the ex of BOTH of them.
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Another thing that I wanna point out is Millie's possible Bisexuality. Now im not so sure for this point because I couldn't find genuine confirmation on wether Millie is actually confirmed to be Bisexual or if it's just a headcannon. So take this with a grain of salt BUT if Millie is Bisexual then she perfectly shows how little Vivzepop cares about Sapphic representation. What does Moxxie get to confirm him as Bisexual? An ex of the same gender (also multiple explicit flashbacks with him), a whole discussion about his queer identity and a scene where he literally says that he's Bisexual. Moxxie is pretty good Bisexual representation in that regard.
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What does Millie get? Nothing. Again I don't know if she's genuinely also Bisexual or if it's ever been confirmed but it'd also be pretty weird if Vivzepop apparently cares so much about queer representation and then doesn't confirm any female characters as actually queer.
I think a lot of people have talked about her blatant fetishization of queer men and I think that that's also mainly why I feel weird by the lack of attention on Vaggie and Charlie as a couple.
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I sorta wish I could enjoy a more toned-down and realistic couple in these shows, but when I see that a ship like Vox and Alastor (wich isn't canon nor would it even happen since Alastor is Aroace) is talked about more than the actual main character's relationship I just don't like it.
There's so much more you could say about poor queer representation by Vivzepop (like the fact that she's fine with people ignoring Alastors Aroace identity, and the stereotypes etc) I mainly wanted to talk about the neglect of her female cast in terms of sexuality.
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sidsinning · 3 months
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To expand on Lucifer's neglect more
Yes he loves Charlie dearly, yes he showers her with his love and affection and semi-approval ("it's uh...got a lot of character!") when he sees her after all these years for the first time, yes he is desperately trying to switch back her reliance on Alastor to reliance on him- all these feelings are real and strong when she's right in front of him
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-but when she isn't he is back in his own little world and rubber ducks. When he doesn't see Charlie in person she becomes white noise to him besides fleeting moments of courage and pining he gets to try and connect with her again. These are the moments where he regains a bit of clarity on just how fucked his family situation is.
He knows he has to maintain his connection with her somehow while also battling his own depression and urge to isolate and block off the rest of the world. They're in limbo of whether or not their relationship will finally be unrepairable, also expressed in how him and Lilith are not fully divorced, but still separated, with him still clearly loving her bc he still wears his wedding ring.
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I love him, I think his love for Charlie is stronger than anything in his life, and I know he'd do anything he could for her (besides the one thing she asked which is very unluckily directly connected to his trauma)
But it's true that he doesn't listen to her, doesn't keep up with how her life is going, and has remained estranged from her as a child through her adult life for years for whatever reason (smtg implied through this flashback we don't understand yet, and/or his mental health issues)
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For Charlie at this point, she's not a kid anymore, so just getting a call from him once in awhile is not enough if he still isn't addressing any of the issues that have built up between them, which has made her susceptible to being tricked by Alastor's empty words of praise and bonding
During Hell's Greatest Dad he isn't trying to address anything she's told him to, just trying to fix the surface level physical issues with the hotel to satisfy her- she looks uncomfortable the whole time he's trying to give her a sales pitch while smiling at everything Alastor says bc he is getting to her emotional needs, bc the bastard sees right through the father-daughter pair's issues
"I have angel powers! I can give you mountains of expensive things!"
"I'm always here for you! I'm so proud of you and all you've accomplished! We've grown so close bc I've always been by your side (unlike a certain someone 😇🐍🍎)"
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He's excited when she asks him to come over, and we're excited for him to finally see his daughter he seems to love so much who doesn't talk to him, but from their conversation it is very much shown that Charlie is the one who has been more desperate to remain connected to him. She always updates him on her life when she can and asks him if he's paying attention to her- which he doesn't. Leading to her disappointment and/or annoyance with only jobs for her or random calls where he talks about smtg irrelevant.
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I am a Lucifer stan through and through, but it is undeniable that he has not been a good dad despite being a good person. Now he's stepping up and reconnecting to Charlie again as she's fully accepting of him which is sweet.
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It's also nice to see that helping Charlie and reconnecting with her is what brings him true happiness in life- bc of his anxiety and trauma he avoids the thing he knows deep down is the underlying cause of his unhappiness- his distant family and confronting their fractured relationship
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So now that he's addressed a major part of the root of his depression, he stopped isolating himself, is being active, and given himself smtg productive to do, so his anxiety is down :)
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Helping Charlie addressed how broken hearted he was over his family splitting, and restored the faith in humanity and good he lost after he was banished from Heaven and failed to redeem sinners when he tried
Shshsjdjdkfk I just love the characterization we get in just 2 23 minute episodes, even though the pacing is undeniably insanely fast and I would have preferred more time to marinate in it- but what can you do about capitalism vs. artistic freedom
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hypnos333 · 4 months
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More than Anything
Lucifer x Adapted daughter! Reader
Synopsis: You were just a baby with weird shapes on your cheek and having no one Lucifer took you in while depressed until it got really bad so Charlie and Vaggie started taking care of you
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You played with your dolls as Charlie was playing with you. It’s been 1 years since the last time you saw your dad and yet you don’t know him. When you were first taken away you couldn’t eat anything at all until Charlie started to actually pay attention to you to the point where she knows every detail.
Charlie was happy to take you in as a sister but was disappointed at her dad for leaving such a young now two year old without a parental guidance. Charlie had her mom but who do you have?
She watched you sucking on you pacifier while characterizing the doll with innocence. It was no surprise that you were a hellborn because your cheeks gave it away. No human has the power that you have.
“Come little baby let go get you a warm bottle of milk and some lunch” Charlie exclaimed before picking you up as you clinged to her.
For a two year old you so small and adorable.
When Charlie reach the kitchen Husk was already in there grabbing an apple sauce before putting it in front of you. “Do you want me to feed her Charlie?” Husk mumbles as he gets a baby spoon to feed you in.
“Oh! Thank you Husk this helps so I can make her mil-“I always made her milk it’s in the microwave” Husk interrupt her that’s when the Microwave made a sound meaning it was done.
Husk airplane feed you the apple sauce as you played with his paws, he didn’t mind because he grown attached to you.
“Husk do you mind watching ___? I have to do business around the hotel” Charlie asked making Husk instantly agree. “Yeah I can definitely watch this kit” Husk said making Charlie tell him your schedule before kissing your forehead on the way out.
“Well it’s just you and me munchkin” He mumbles as you were sucking your bottle with the milk in it. He gently lift you up carrying you to the lobby.
He laid you down the couch, on your back as you continued to drinking the warm milk. As you fell asleep drinking the bottle. As you did Husk brought up a pacifier to your lips and automatically sucked on the pacifier.
Husk chuckles before making a pile of blankets so you don’t roll over and fall on the couch.
Hours later
Lucifer came in when Charlie called him, And when Lucifer saw his sleeping child being carried by Angel dust as rocked side by side so you can stay sleeping.
“C-Can I hold her?” He asked Charlie making her nod as she smiled uncontrollably. Angel dust gently put you in Lucifer’s arms making you squirm and slowly open your eyes.
“Hi Baby Angel, I’m your papa” Lucifer said gently and he rubbed your back. You looked at him tiredly and curiosity.
“Papa?” You mumbled
“Yeah I’m your papa” Lucifer chuckled with tears in his eyes as he put his forehead against yours as you giggle putting your hands on his cheeks as he does this. He can’t believe how much you grown as he cried in Joy finally getting to raise you properly Lucifer pulled charlie into a hug with you and him.
“I love you both more than anything” He whispered to you both.
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battlekidx2 · 3 months
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I'm making this post purely to shout out some incredibly talented fanfic writers from the Hazbin Hotel fandom and my favorite works of theirs.
Did anyone ask me for this? No. Will I post it anyway? Absolutely. The writers in this fandom are too good.
The first fanfic writer I want to shout out is @prince-liest (ao3 link)
I absolutely love their get cared for idiot (Alastor) series (not the official name but they called it that in one of their asks jokingly so it's now the default in my head).
Knock, Knock! It's Your Worst Fucking Nightmare! (this fic gets it!!!! This is what I meant when I said Alastor is growing a heart and part of him is raging against it. He still has ulterior motives and a massive amount of pride and part of him feels like that growing fondness is getting in the way, but he can't stop it. I need to stop before this becomes a long ramble. I've written a couple thousand words on this idea, but this fic is just a better use of your time than any meta I could ever write and way more entertaining :D )
Happily Ever After, and Other Shit Nepotism Can't Buy
The Last Bus Stop in Hell, Now Boarding (Please look at the tags for content warning. Angel and Alastor body swap story.)
They're amazing at balancing on that razor's edge with Alastor where there's a heart in there (really deep) and he's unintentionally growing attached to the hazbin crew, but he doesn't lose his edge. He's still manipulative and an asshole and can easily be the scariest guy in any room. He's in hell for a reason. A+ characterization at all times.
They're so good at writing the complicated dynamics he has with the residents, especially Charlie, and I enjoy how they expand on Alastor's potential dynamic with Angel Dust.
Anything they write from Lucifer's POV is gold too! My favorites are:
Take Two and Leave a Voicemail!
The Care and Keeping of Homo Angelus
I am also 100% here for their Aro!Alastor agenda and I'm enjoying their fic I Love Her, I Love Her Not so far!
The second person I want to shout out is @grayintogreen (ao3 link)
Their series Red Roses and Dead Things consistently gut punches me.
Just like Princeliest, they are also fantastic at balancing on that razor's edge with Alastor. A+ characterization for everyone and I love how they write HuskerDust. It's so soft, especially in the aftermath fic for Learn that Even Death May Die called If My Love Is Tomorrow, I've Forgotten Yesterday (that fic hurt in the best way).
The way they explore the aftermath of Learn that Even Death May Die is incredibly impactful. They capture the unique grief that comes from the reality that there are some things you won't get closure for so well that it's painful.
I can't say enough good things about their series. Genuinely go read it.
I found @lediz-watches (ao3 link) before the first season of Hazbin Hotel dropped (I've been a fan of the hellaverse for a few years now and have been enthralled with the Hazbin Hotel pilot since I first watched it in 2020) and I really enjoy their fics.
My favorite is Suffering Kindness. I love the Charlie and Alastor dynamic they explore in this story. I think I'm just a sucker for the Charlie and Alastor dynamic in general, but this fic hits all the right notes for me. (written pre-season 1 but man is it good. 100% recommend)
LeDiz also has a lot of one-shots/collections of one-shots that are very fun.
The Cure for Inexorable Boredom
Dollface (one-shots about Alastor theories. My favorite is the 3rd one. So fascinating!)
Choice Words (one of the few explorations of Alastor and Vaggie's dynamic that I've found in the fandom)
Don't Say It
I have to shout out @ckret2 (ao3 link) and their phenomenal fic You’ve Got a Face for Radio. This is such an amazing aroace!Alastor fic. (Embarrassingly it was this fic that made me realize I was most likely aroace myself. I’d had fleeting moments of suspecting it but it wasn’t until I saw my experiences laid out in a character explicitly written to be aroace that I put the puzzle pieces together. -_- some of these passages were too relatable.) I cannot express how much I love this fic.
I also like their fics Dumpster Baby and Bitter Grapes.
I have one last writer I want to mention because this is getting really long (whoops). The last one is tiredoflofteranditsshit and their Assume He Has a Heart series (because my favorite character and how I interpret them was not obvious enough already with the fics/authors I've recommended. I had to make it more obvious).
These fics are massive (17k and 26k words) and so much fun. Definitely worth the read. Yet another series that follows up season 1 and explores Alastor’s growing connections and how he lies to himself and pushes against it. Love this series and there’s a lot to sink your teeth into :D
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absolutebl · 3 months
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What to watch after Pit Babe? Thai BL Actor Guide
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So you loved Pit Babe and you wanna see your favorite BL boy in his old series? But should you?
Here's a guide...
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Babe AKA Pavel - 2 Moons 2
Pavel is one of my favorite actors in BL (he's this blog's icon for a reason) and actually 2 Moons 2 is pretty good, primarily because of his character, Forth. Who has an actual character evolution and growth arc... in a BL!
Amazing.
Don't be fooled 2 Moons 2 is a reboot and extension of 2 Moons, not a spin off. So you don't have to have watched the first iteration, in fact I recommend against it.
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Anygay, the main couple of 2M2 is naff, but Forth is great and Pavel is great as that character. He has good chemistry with his pairing, and as a BL fan it's not a bad idea to know your 2 Moon's roots. 2 Moons is one of the most popular Y-novels ever written, one of the most popular shows of it's time, and the perpetuator of many Thai BL tropes.
Pavel's second BL, Coffee Melody, is not worth watching.
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If Babe was your favorite character, and Babe & Charlie a pairing you enjoy, I would suggest Big Dragon as your next BL. Same vibes, high heat, chaotic. Another possibility is the slightly lower heat but stil unhinged Laws of Attraction.
You also might like some stuff out of Taiwan. They tend to have the angst + high heat + sappy softness that characterized Charlie + Babe.
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Way AKA Nut - Oxygen
Nut is way different in his previous rolls, as the lead in both Oxygen, and Something in My Room. Same gorgeous voice and soulful eyes and Nut tends to play sensitive torn characters but the similarities end there.
In Oxygen, his acting is stiff. In fact, Oxygen as a whole is pretty stiff. I like it very much and it is a big comfort watch for me because of it's smooth peaceful softness, but it's flawed, slow and awkward. I did an episode by episode thing for that show (my first watch along).
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In his second BL, Something in My Room, Nut demonstrates improved acting and chemistry, but I don't recommend it. It's a touch of horror, built on the "my ghost boyfriend" trope, and it's quite sad.
So try Oxygen but if what you're after is more BL with a Way-like main character then I would recommend Moonlight Chicken or The Eclipse chewy BL with sensitive boys and some grey morality.
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Jeff AKA Pon - Starhunter Talent
Pon was with Starhunter before this and so has appearances in several of their BLs. He's demonstrated great natural acting talent, charisma, and good chemistry with all his pairs but because he often appeared in chaotic ensemble pieces has been easily forgotten (including by me). Starhunter chronically underused him but also utterly miss-applied him.
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Gen Y 2 is actually a master class in flawed casting. They put Pon into a triangle, where he plays a fated mate pining uke against a very stiff lead pair - but they expected us not to want him to be end game. Big mistake. Watch this mess if you just want to see how a good actor can eat up all the air of a bad pair, winning hearts and influencing fans.
Otherwise the Gen Y series is a bloated mess, and I can't recommend them. I trashed watched so you don't have too. While Pon demonstrates skills against a backdrop of ranging tallent, oddball story, and chaotic outcomes I wouldn't have bothered if not for the dumpster fire.
Pon's first BL is The Moment, and he's good in it, but it's a terrible show. Boring and plotless.
He's fantastic in Make A Wish but only a side part (despite what is said in MDL) and his arc is VERY sad. Still it's a GREAT under appreciated BL, I recommend it as the one to watch if you have to see Pon in something else. It's nothing like Pit Babe though.
Yeah our pathway for Pon ends here, so lets look, instead, at
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Alan & Jeff - Bed Friend
This was Sailub's first BL role, and I speak for all of us when I say... more please.
So instead of a watching a pathway for him, I'm gonna give you a few BL suggestions based on the assumption that this side couple was your favorite from this series (as it was mine).
What we had with this pairing was
older sensitive sweetheart sunshine seme + tortured dark scared tsundere uke.
FUN dynamic! Here are some options where this style took center stage:
Bed Friend
Between Us
Love By Chance (AePete only)
Triage
Tokyo in April is
I Became the Main Role of a BL
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Pete & Kenta - Word of Honor
Ah you like your boys troubled with money, questionable morals, and the slight inclination to pick at their fingernails with a knife?
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Neither Garfield nor Ping have done other BLs but here are my picks for BLs that feature this kind of character and dynamic, and we are leaving Thailand for these (since it's darker territory than Thailand usually handles... well).
HIStory 3: Trapped 
Long Time No See 
Irresistible Love
Word of Honor
Where Your Eyes Linger
Other familiar faces
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NORTH AKA Michael
North played by Michael was our big comedy insert for this show.
But all his roles prior to this were very serious. Till the World Ends and Call It What You Want are practically depressing, even his role in Oxygen is pretty dark. He actually has been in BL a very long time, he was one of Noh's friends in Love Sick at just 18. Frankly, that'd waht you should watch if you are gonna watch any of his back catelogue, but it's NOTHING like Pit Babe or his role in it, still it's the beginning of Thai BL and Noh is a little sunshine of chaos, and it's great so...
Where was I?
If you really want a comedic himbo lead character there are are quite a few out there, and it's a crazy playing field because Japan is in it to win it.
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Leaving aside high school stuff, here are some options:
Cherry Magic (Japan)
Ossan’s Love 
Mr Unlucky Can Only Kiss
Love Tractor
Bad Buddy
Love Stage!!
My Day
History 4: Close to You
KIM AKA Benz
Benz who played Kim has also done BL before, En of Love: This Is Love Story, but it is not good and not worth watching.
While I want the queer Falling Into Your Smile or Love O2O or Appledog more than anything, that doesn't exist. We have yet to have a true gaymer BL. (I mean come on, nerdy queer is practically a stereotype at this point, where is it?)
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All of which is to say if Kim was your favorite... I don't know. Our Dating Sim maybe Semantic Error?
WINNER AKA Pop
Pop has lead out a BL, it's a very slow, very queer, very unwatched piece called La Cuisine.
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@heretherebedork and I loved it, but it's hard to imagine anyone else enjoying it. You have to be a hard BL stan to tolerate the pace and pulp quality of that one. He's a completely different character but if you really like the actor try him in La Cuisine, I think he was better cast for that than Pit Babe.
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I just enjoyed the show in general, what's next?
In general, if you really enjoyed Pit Babe itself as a series (and it's multiple couples and chaotic noise and erratic concept) you're in the KinnPorsche camp of Thai BL. I actually made a "watch next" pathways and rating guide for that show, which might work for you.
Specifically I would say Manner of Death. It's a little more focused in character and plot but still a wild ride. And MaxTul are the Kings for a reason.
You might also try Not Me, Never Let Me Go, and 3 Will Be Free although all of these, coming from GMMTV, are lower heat levels than Pit Babe.
Finally, seriously, try The Sign. I know it was airing "in competition" but there is room in your heart for both shows. I promise. They have the same wild sexy energy, and are loads of fun.
(source)
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aspoonofsugar · 1 month
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Charlie and Vaggie: Anima and Animus
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There's something that I've been dying to say More than anything, more than anything Need you to know I love you more than anything More than anything
Charlie and Vaggie have intertwined and complementary arcs, which are beautifully explored through the jungian archetypes of anima and animus.
WHAT ARE ANIMA AND ANIMUS?
According to Carl Jung, the anima and animus are parts of the human mind. In particular, the anima is the feminine and the animus is the masculine. Everyone has naturally both, but society promotes specific gender values and drives people to repress traits culturally associated with the opposite gender. So, to fully be complete, a person should integrate the negated part. In stories, this usually happens through a meaningful romantic relationship.
Charlie and Vaggie are two women, but they still exhibit opposite gender traits:
Charlie is a princess, who sings her heart out at every chance. She is focused on words, ideals, feelings and she strongly believes in love. All traditionally feminine traits.
Vaggie is a soldier, who shows pride in her fighting abilities. She is focused on actions, pragmatism, battles and she strongly believes in strength. All traditionally masculine traits.
And yet, things are not so simple. Let's consider Charlie and Vaggie's designs for example:
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Charlie usually wears masculine clothes, as she prefers androgynus suits. Not only that, but her name means "free man" and she goes with the gender neutral "Charlie", rather than her given name "Charlotte":
Valentino: YEAH! That BITCH Chuckie or Chandler, or I dunno- Something mannish like that.
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Vaggie usually wears feminine clothes, as she sports a short skirt and loose long hair. Even her name is linked to femininity, as it literally means "vagina":
Angel Dust: You're doing great, Vagina.
Even when it comes to Chaggie's The Nightmare Before Christmas's allusion...
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Charlie references Jack Skellington, as she is the Princess of Hell and a passionate dreamer
Vaggie references Sally, as she is a run-away and Charlie's level-headed helper
So, Charlie seems superficially more feminine and Vaggie appears more masculine, but their looks and inspirations suggest otherwise. Why?
In truth, even if Charlie is a singing disney-like princess and Vaggie is a badass super-soldier, they don't perfectly fit the typical anima and animus characterization. This is true for their appearances and on a deeper level. Specifically:
Charlie is linked to the anima (feminine), but she is active (masculine) and stronger than Vaggie. Finally, even if she is passionate about feelings, she is often insensitive. For example, she doesn't notice her loved ones' struggles, like Angel's pain and Vaggie's insecurities.
Vaggie is linked to the animus (masculine), but she is reactive (feminine) and very sensitive deep down. Moreover, she is weaker than Charlie in terms of raw power, so her obsession with protecting the princess is misplaced.
Charlie is an anima character with a strong repressed animus and Vaggie is an animus character with a strong repressed anima. They have to integrate with each other to become whole. Still, what should they learn from their partner?
LOVE AND HATE
Charlie and Vaggie have the same problem declined in opposite ways:
Husk: Princess, is a bleeding heart who wants to solve everybody else's problems 'cept her own.
Husk about Vaggie: This one judges everyone and everything because she hates herself.
Charlie wants to fix everyone in an unconscious attempt to fix herself. She loves everyone because she herself wants to be loved.
Vaggie is cold and closed off out of guilt and self-hate. She is suspicious of everyone because she can't really forgive herself.
Both girls have low self-esteem, but Charlie tries to compensate with love, whereas Vaggie tries to defend with hate. These different coping mechanisms stem from their upbringings.
Charlie is the daughter of Lucifer and Lilith, who love her deeply, but are also distant and neglectful. As a result, she admires them, but feels unworthy of their attentions and legacy:
Lute: The only reason you're still here is because daddy gave you and your hellborn kind a pardon from an exorcist blade. How does that feel, to know how little you matter?
She is stuck being the lovable, but useless princess.
Vaggie is brought up in Adam's army, which is an abusive environment, where hate is seen as strength. Vaggie has a place in the world because she kills and is good at it:
Adam: You were on the front lines, I wouldn't forget a bad bitch like you. It's why I named you after the best thing ever. Vaggie. Anyway, you sure fucked up, didn't you?
She is stuck being the ruthless and remorseless soldier.
The path ahead for both girls lies in discovering they are more than just the princess and the soldier. In particular:
Charlie must accept she herself is capable of feeling negative emotions, like pain and anger. She can be aggressive and this doesn't make her mean. It makes her healthy.
Vaggie: Well, I mean… You're the princess of Hell. You don't really use the power that comes with that, which I love about you, but maybe you can… I don't know, command a little more… Authority? Charlie: But that's so mean. Vaggie: It's not mean, exactly. It's… uh, aggressive kindness.
Vaggie must learn to open up to others. She must show vulnerability and express her positive feelings more. She has a merciful and sensitive side, which doesn't make her weak. It makes her strong.
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Chaggie have the potential to help each other bloom. Vaggie is the first person to tell Charlie she should be more self-assured in her role of Princess of Hell. Charlie is the first person, who takes care of Vaggie as she is hurt and unable to defend herself. Charlie can teach Vaggie to embrace her inner maiden (love, mercy). Vaggie can show Charlie how to be a real warrior (aggressivity, strength). At the same time, their opposite mentalities lead to some problems in their relationship.
TRUST FALLS (APART)
Charlie: I trust everyone, so maybe you know better on how to build it properly!
Angel Dust to Vaggie: To be fair, do you trust any man? Any men? Men?
Charlie trusts everyone, whereas Vaggie trusts no-one. So, none of them really knows how to trust properly. This becomes obvious in the episode Scramble Eggs, where:
Charlie trusts Vaggie so much she doesn't realize she is putting a lot of pressure on her partner:
Charlie: Oh, come on. It'll be easy! I'm sure you can handle this. Vaggie: Yeah, um, Sure, I can handle this. No problem.
Vaggie trusts Charlie so little she isn't able to confide nor lean on her partner:
Charlie: It's no big deal, Vaggie. You know, maybe I can just help, uh- Vaggie: No. I told you you could trust me, and I'm not going to let you down.
Charlie acts like the damsel and lets Vaggie handle the whole situation. Vaggie plays the knight and refuses to share the burden with Charlie:
So I, I'll be your armor Do whatever it takes, I'll make the mistakes I'll spend my life being your partner
The song Whatever It Takes plays the princess/knight motif straight. Vaggie sees herself as worthy of Charlie only if she can be her knight in shining armor. This may seem sweet, but there is something to be said about Vaggie echoing Carmilla, a mother who is singing to her daughters:
So I, I'll be your keeper Do whatever it takes, I'll make the mistakes I'll keep you safe and keep this secret
It makes sense for a parent to shoulder the burden for their kids' sake. However, a person wanting to do the same for their lover is unhealthy. Especially, when the secret of a balanced relationship is established early on:
Charlie: From the dust of Earth, they created Adam and Lilith, equals as the first of Mankind.
The two partners must be equals, but Vaggie sees herself as inferior to Charlie and tries to over-compensate. In this way, though, she takes away Charlie's agency. Charlie instead knows something is off deep down. However, she does not address the matter because she would need to go deeper into herself, her feelings and her relationships. And Charlie wants to avoid it at all costs.
Chaggie's communication issues are conveyed meta-narratively in Charlie and Vaggie's individual songs:
-Charlie's Happy Day in Hell has our princess sing so loud that she almost covers Vaggie's warning:
Charlie: If I can show them the dream I've dreamed That any soul can change! Vaggie: Those angels' minds are hard to change Charlie: Then they will know everyone can be redeemed From the evil to the strange! Vaggie: They're bloodthirsty and deranged!
She doesn't listen to Vaggie.
-Vaggie's Whatever It Takes is sung by our knight to her princess, but Vaggie has Charlie leave before the beginning:
Charlie: Vaggie, don't say that! You do so much! It's- Vaggie: I'm sorry. I'd… I'd like to be alone for a minute.
She doesn't talk to Charlie.
Eventually the couple's trust exercise is solved positively:
Charlie: No, no, I'm sorry. I'm sorry I put pressure on you. We work as a team. I guess I just thought all this would be easier, but, we'll figure it out, together. I mean, look what your exercise did for them.
Charlie goes out of her way to talk with Vaggie and Vaggie's team-building works. Charlie puts both her and Vaggie's feelings into words, whereas Vaggie builds trust through her actions.
Despite this, Chaggie don't really address their problems, which come back stronger:
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Adam: Don't you act all high and mighty Did you ever think your little girlfriend might be a liar? Vaggie: Don't, Adam, please! Adam: What's the fuss? Why hide the fact that you're an angel just like us?
Charlie has been ignoring Vaggie's dark side, so she is devastated when it comes out. Vaggie instead has been hiding the truth from Charlie, so it is revealed in the worst way possible. After this, there is an inversion in Charlie and Vaggie's dynamic:
Vaggie: Charlie, can we talk about this-- Charlie: We can talk later. Right now, we have a job to do. You with us?
Vaggie is the one looking for a conversation, whereas Charlie pushes her girlfriend away. Before they can reconcile, the two girls need to go through individual trips and to find the guidance of two mentors.
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A singer
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A dancer
SINGING AND DANCING
Rosie and Carmilla are mature versions of Charlie and Vaggie:
Rosie is the Ruler of Cannibal Town, one of the nicest place in Hell. She is good-natured, but respected by her people. Moreover, she runs an Emporium, where she helps her clients with their personal problems. This is pretty much what Charlie would like to do with the Hazbin Hotel. Rosie is also a singer and is inspired by Dolly, from the musical "Hello, Dolly!"
Carmilla is Hell's top weapon dealer, so she specializes in war and is herself an exceptional fighter. However, she is not ruthless and mostly fights to protect her loved ones. She is the kind of person a more balanced and self-assured Vaggie might become. Carmilla is also designed as a ballerina and her two daughters are called after protagonists of famous ballets.
Why do Charlie and Vaggie's adult selves have a singing and dancing motif? That's because Charlie and Vaggie are respectively a singer and a dancer.
Charlie is a singer:
Charlie: My name is Charlie, I like to sing! And when we get to know each other it's the greatest thing!
She always conveys her feelings through songs, like her many attempts to pitch her hotel (to the Sinners, to Adam, to the Cannibals). What is more:
Charlie: But Lilith thrived, empowering demonkind with her voice and songs.
Charlie wants to become like Lilith and to empower people with her voice. Her objective is to grow into an inspiring leader, who changes minds and touches hearts with words.
Vaggie is a dancer:
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The problem is that she has yet to realize it. Vaggie struggles with self-expression, which is why she has very few songs in the first season. That said, she shows her devotion through actions, like her determination to fight for Charlie. What she needs to learn is a new fighting style rooted in love. That is dancing, a way to express one-self through the body. This is made clear by the two cut episodes Challenge Day and The Baphomet Ball:
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This cut plotline had Vaggie fight proto-Carmilla and lose. Charlie would later cheer her up by inviting her to a Ball. There proto-Carmilla would be impressed by Vaggie's dancing skills. The basic idea is obvious. Vaggie is a fighter, who must evolve into a dancer.
So, once again Chaggie is complementary:
Charlie is linked to singing, words and "soul", as she herself is the Heart of the Hazbin Hotel.
Vaggie is linked to dancing, actions and "body", as she herself is the Arm of the Hazbin Hotel.
As a result, they are given opposite missions to save the hotel:
Charlie must convince the Cannibals to join her army (singing). She must find people, who will help them fight.
Vaggie must discover from Carmilla how to fight the exorcists. This means both learning her fighting style (dancing) and obtaining the angelic weapons.
And yet, to succeed in their respective areas of expertise both Charlie and Vaggie must step into the other's shoes.
Charlie learns to better understand Vaggie and by doing so she realizes the importance of actions:
Rosie: If there's anything I've learned, it's that words are cheap, but actions, they speak the truth. So, what have her actions said? Charlie: That she believes in me, and what we're doing.
Not only that, but she is forced to take a look inside and starts unpacking some of her negative emotions:
Charlie: My girlfriend is an Exorcist angel, and she never told me Rosie: Oh, shit! Quite a secret. How does that make you feel? Charlie: Just, angry, because we share everything, because she always supported me, and my ideas, and-and- and now, I don't know whether or not that was just more of the lies! Oh no that's a horrible thing to think! Do i think that?! Yes! N-no. Kinda?
As a result, she comes up with a song that combines her natural showmanship and charisma with a new resolution to act:
Charlie: For the first time in my life I might have to be ready for this Ready to be the one who's leading from the front Gotta come into my own Gotta come into my throne Gotta take charge and defend my only home And although I kinda feel unsteady Now I need to be ready for this
Charlie steps into the role of leader and is ready to take action:
All: For the first time in our lives We know that we are ready for this Rosie: We'll show Heaven a fight they won't forget! All: It's time to take a stand Charlie: It is time to lend a hand! (Cannibals: Huzzah!) Against the angels and their deadly threat! All: We cannot take it anymore The time has come to go to war Prepare to fight, we're ready for… THIS!
Vaggie inspires the residents of the Hotel to stay and convinces Carmilla to help. By doing so, she shows how much she has grown thanks to her time with Charlie:
Vaggie: What's important now is that we're going to have a fight on our hands. Look, this hotel is about to become the most dangerous place in hell, and we….I, can't guarantee your safety anymore. I still believe in Charlie's dream. I know this place can work. But none of you signed up for this. I'm gonna go learn how we can fight back, and when I come home….Well I'll understand if none of you are here.
Moreover, she learns to fight in a new way intertwined with music (Charlie's passion and world):
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This fighting style is focused on defense and survival, rather than attack and killing:
Carmilla: Angels attack quickly, viciously, and without mercy. You'll need to defend better than that.
Carmilla: Well, look at that. You might just survive this.
It is based on love:
Carmilla: I see you're driven by your detestation Your every step is stoked with animus You need a different type of motivation Or there's no way that you can handle this I know you're thirstin' for vengeance, Vaggie You're out for blood But you'll only stand a chance if you're out for love
By the end, Charlie and Vaggie meet each other in front of the Hazbin Hotel. Charlie leads the people (soul) and Vaggie has the weapons (body). They have also grown enough to better understand each other. Charlie empathizes with Vaggie and forgives her lie. Vaggie realizes how much Charlie cares for her and is ready to value herself more:
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At the same time, Charlie faces some of her repressed "aggressivity" and makes an important step as Princess of Hell:
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Rosie and Alastor: She's bound to pass the test as Princess of Hell Like her Daddy, she is madly power-fell!
Vaggie instead learns some "self-love" and makes progress into becoming a true angel:
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Carmilla: You're gonna fight without gloves And when that push comes to shove Yeah, you just might rise above Long as you're out for love
These changes are fully embraced and tested in the final battle.
FINALE: DEVIL AND ANGEL
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The fight against the Exorcists is where Charlie and Vaggie's integration is on full display, starting with their designs:
Charlie wears a mini-dress with a heart decoration and wields a shield.
Vaggie fully covers her body with an androgynous and practical attire. She fights with her signature spear.
The usually masculine looking Charlie appears feminine. The usually feminine appearing Vaggie looks masculine. Their outfits also fit their respective fighting styles. Charlie is defensive, whereas Vaggie is aggressive. Wait... isn't something wrong? Shouldn't Charlie grow more aggressive and Vaggie more defensive? Yes and this is precisely what happens as the battle progresses...
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Charlie is overwhelmed by her anger and grief over Sir Pentious's death and unlocks her full demonic form. She goes from defense (shield) to offense (pitchfork) and injures Adam. Finally, she transforms her arm into a claw and stops the First Man in his tracks.
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Vaggie is attacked by Lute, loses her spear and is forced on the defensive. She protects herself from Lute's relentless assault until she reveals her angelic wings and traps her opponent. Eventually, she has pity of Lute and lets her live.
Charlie's climatic moment is a show of strength, whereas Vaggie's is a show of mercy.
In other words:
Charlie appears more feminine, but acts more masculine
Vaggie appears more masculine, but acts more feminine
In comparison to their usual dynamic, Chaggie go through a complete inversion. This development is conveyed also by a small detail: their hair. Charlie lets hers loose, while Vaggie ties hers.
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Charlie's hair usually covers her horns and is tied because she represses her demonic side. The moment she gives in to her inner demon, the horns come out and the hair gets loose, just like her feelings are untamed.
Vaggie: I'm not used to fighting with long hair.
Vaggie's hair is an attempt to hide her past and vulnerability. She has it grow after her abandonement to mask her scars (her eye and missing wings). In the finale, she ties it to fight freely. In this way, her brand new angelic wings can come out in all their beauty.
So, Charlie embraces her demon side, while Vaggie has her inner angel emerge. The twist is that Charlie the demon teaches Vaggie how to be a proper angel. Vaggie the angel instead shows Charlie that there is value in demonic traits. They integrate with each other to become the best versions of themselves. This shows also before and after the fight.
In the Finale, Charlie expresses all her self-loathing:
Charlie: He did it for us, the ultimate sacrifice He gave me his trust, and look how we paid the price This bloodshed could have been avoided If I convinced Heaven to work together I took a hotel and I destroyed it I know I could have done better Better, instead of letting you down
Thanks to this, her loved ones come to her side and support her. What is more, she starts to back up her words with actions:
Katie Killjoy: Charlie Morningstar managed to fend off the angelic attack with more than just nice words.
In More Than Anything Reprise, Vaggie conveys her love to Charlie through words and is there for her in a moment of self-doubt and weakness:
Vaggie: You've already done so much So many lives you've changed So many souls you've touched And in the end, if it's only me you've saved
She shows her sweetness and sensitivity.
By the end of season 1, Chaggie are together and stronger than ever. They have made the first steps into integration and tapped into their respective potentials. Both as individuals and as saviors of the universe.
THE MYTH OF EDEN
Charlie: Drawn in by Lilith's fierce independence, Lucifer found her, and the two rebellious dreamers fell deeply in love.
The series starts with a retelling of the myth of Eden, which is set-up as the heart of the series:
Plot-wise all the characters are living with its consequences
Theme-wise it shows the birth of love between the first man and the first woman...
The twist is that the first couple isn't Adam and Eve, but Lucifer and Lilith:
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Who are foils to Charlie and Vaggie:
Both couples have a demon and an angel, who fall in love against the odds.
Both Charlie and Vaggie foil Lucifer in different ways. Like her father, Charlie is a wide-eyed idealist, who doesn't fit in her kingdom and wants to change it. Like the devil, Vaggie is a fallen angel, who is let down by heaven and finds love in hell.
Both Charlie and Vaggie are set-up to foil Lilith. Charlie is a demon full of love, who wants to empower others with her voice. Just like her mom. Vaggie is an angel hidden in hell, who keeps secrets out of a misplaced wish to protect others. Lilith is a demon hidden in heaven... wanna bet that she is keeping secrets from her husband and daughter to protect them?
Why is there such a juxtaposition between the two couples? Two reasons:
Charlie is gonna deal with her complicated feelings for her parents through Vaggie. Her partner is gonna challenge her to grow into her own person (microchosm).
Lucifer and Lilith unwillingly broke the world, but Charlie and Vaggie are gonna fix it (macrochosm)
This is why the two couples are immediately juxtaposed:
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After Charlie ends her retelling of The Story of Hell, Vaggie arrives to check on her.
Lucifer and Lilith destroyed the status quo:
Charlie: But this gift came with a curse. And with this single act of disobedience, evil finally found its way to Earth. With it, a new realm of darkness and sin. And the order Heaven worked to maintain was shattered.
Charlie and Vaggie will bring a new and better one:
Charlie: We'll make a difference, wait and see Charlie and Vaggie: We're gonna do this, you and me
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flower-boi16 · 1 month
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i kinda dislike with how they characterized Adam from HH.
Why do they make him a mysogynistic and swears alot (i thought heaven forbid for swearing bcs y'know its a "bad words" and only sinners do that). And why does his outfit looks like a demon? What's with the horns and the Sharp teeth?
Im not christian,in our Bible version he's a nice and a caring man so idk if HH Adam is accurate to the christian Bible.
My opinion tho
He’s supposed to be a demonization of Christianity cuz “heaven bad hell good”, so they made him purely a one-dimensional asshole just so they can tear him down, basically making him a pure straw character.
Honestly there could have been a lot of potential to make Adam into an interesting character but the show took the most boring route possible for his character. Like making Adam into an asshole CAN WORK, you just need to provide a reasoning for why he acts like this.
Considering that Christianity is known for teaching things like sexism, homophobia, etc, so what if Adam was raised with Christian values and his upbringing made him the way he is? This could be so interesting, since we would have a character who was raised with corrupt beliefs that made him into how he is now, and hell it could be a starting point for a redemption arc for Adam where he gets into Charlie’s hotel and unlearns his beliefs and becomes a better person.
That would be SO compelling and add so much more nuance to him as a character, and fit well with being a critique of Christianity…but the show clearly doesn’t care about interesting story telling so why would it do this? I highly doubt the writers have any real interest in making Adam more nuanced as a character beyond being a one dimensional asshole who’s just a straw man .
Maybe they’ll do that in season 2 but considering how they handled Angel’s and Pentious’s redemptions I highly doubt Adam’s is going to be done well.
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milkymoon-ramblings · 2 months
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Hazbin Hotel, and a list of criticisms
Hi! You can call me M, and I recently watched Hazbin Hotel. I used to be a fan of vivziepop, but I'm not anymore, after learning that she's transphobic and having Helluva Boss leave a bad taste in my mouth. Here is all of the strange areas I noticed, free of anything I've seen already. This is only hidden under a keep reading because I think this'll be a long post and I don't wanna waste space.
The show is way too fast-paced for its own good. The show was on episode 6 of 8 and STILL introducing new characters. I swear the show doesn't know how to pace itself.
Why have Adam be the main representative of heaven? I know that Eve was technically the first person to sin, but Adam sinned as well, and I highly doubt he'd be put into such a position of power after dying.
Why have Lucifer's character design be the way it is? If he's so old and a fallen angel, why not have that represented anywhere? God he looks like a middle schooler but with a horrendous colour palette.
Despite being named after the hotel, it barely serves more than a backdrop. There are no new guests other than Pentious, and there's no reason to have it around at the point of episode 8
Episode 8, after the fight with the angels. They fix the hotel, and say they'll get new guests. The main cast still has no idea how to redeem sinners other than what Adam said in court in episode 6. Why continue on this idea without even knowing if redemption is a possibility? Charlie hates the idea of instilling false hope into people, yet she still advertises the hotel as a way out, without any knowledge of how to leave.
There's barely any interesting representation in a supposedly queer show. When Angel Dust is on-screen, he's essentially the promiscuous gay guy stereotype. When Vaggie and Charlie act like a couple, it feels wrong. Alastor is supposedly aroace, but the only mention is a barely-characterized cannibal he supposedly goes way back with calling him an "ace in the hole", which means next to nothing.
Alastor isn't scary. Not one bit. He's said to be scary, but nobody in the main cast is afraid of him. Sure, Charlie is higher in power than him, and she doesn't seem afraid, but there is NOTHING showing that anyone is even slightly bothered by his threats, other than Husk, and he's revealed to be OWNED by him. Angel Dust even flirts with him in episode one. EPISODE ONE. The only slightly scary line from him is "This face was meant for radio", and even then it's undermined by how it's treated.
Pentious means nothing to the show, and I'm fairly certain means nothing to the cast. His only characterization is that he's a coward, and he's an inventor. Then he's fridged. Not even kidding. He dies to get a big reaction out of another character.
Charlie is strange. Despite being a princess of hell, she acts like she's never seen bloodshed before. She acts like a naive child until she starts swearing, and even then it sounds wrong with her characterization.
We never learn, in-show, how anyone died. We're assumed to know almost everyone.
New characters are introduced constantly, and most of them are treated like we already know them. It's like Spiderman: No Way Home, where they show off new characters, but the story acts like we're supposed to point at them like "OH, IT'S THE GUY FROM THE THING!".
Genuinely had this thought out loud, "If your character is named Cherri Bomb, why have her as a normal sinner?" Like, I know it could be a nickname. I don't care. It makes no sense to have her just be someone normal. She's like, the only character shown to use explosives. Why not have her use it as a main power.
Why is the art style inconsistent with noses? Charlie, Vaggie, Alastor, and Mimzy have noses, as well as others, I'm not sure, but others don't.
On the topic of designs, there's so much clutter, and they all use basically the same colour of red, except for Angel Dust, who I suppose is Vivzie's special little boy. They're all so sharp and uninteresting, there's barely any variation.
Mimzy's introduction is a nothing burger, and is barely anything more than an opportunity to make Alastor look more powerful. She adds nothing to the story, and does nothing other than attract supposedly dangerous people to the Hotel.
I've said it before, but so many storylines are rushed. The episode about heaven could easily have been, like, an entire season's worth of content. It could have been slower, introducing us to the general feel of heaven before slowly showing the cracks, like how nobody really knows how they got here, or how angels don't know much about Hell or the exterminations.
How do the exterminators not know that they can get hurt or that they can die? And if they don't, how come Lute knew that she could remove Vaggie's wings and harm her?
Vaggie says that she didn't know angels could be hurt before finding out about the dead angel. The writing must've been so out of wack, because SHE'S SUPPOSED TO BE AN EXTERMINATOR. An exterminator that was WOUNDED in order to not come back. What in the nine circles of hell.
So much is assumed that the viewer already knows. I used to be a fan of Helluva Boss, so I know probably a lot more than the casual viewer, but if I were to go in blind to this show, I would know absolutely nothing.
This show feels more like Vivienne's character showcase than a story set in Hell. Barely anyone associated with common Christian theology knowledge is part of the story, and even then it's written so incorrectly.
I'll admit, I am slightly biased, as I've read through the vivziepop critical tags, but there's so many small holes in the story.
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maravinc · 11 days
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From my 3 AM musings:
1) If Alastor is like a deer and Vox is like a shark, is it possible that their family patterns were similar?
I mean, for example, if Alastor was raised mostly by his mother, much like a mother deer takes care of her fawns, is it possible that Vox didn't have any parents as such? Maybe they did, but they didn't take care of him much, or maybe he was a post-war orphan? Because it's not often that sharks have a situation where even a mother shark looks after her offspring... No, there are a couple of species, of course, but that's more of an exception than a significant proportion...
And there are also species of viviparous sharks, whose cubs are characterized by intrauterine cannibalism...
2) Could it be that Lucifer, being a swan, misses Lilith so much that he even became depressed, because swans are monogamous? Well, that is, they choose a partner only once and for life, and they behave exactly the same if their partner dies...
3) Apparently, Vox will not only be the main antagonist, but will also die in the end, and most likely he will die as stupidly as Adam... So it is worth preparing for his demise in advance.
Perhaps this will not even happen at the end of the second season, but somewhere in the future, but I can say a couple of things already now: for him (or his company) there is no benefit from continuing the war between Heaven and Hell, and also, given the leak of the fragment script for one of the episodes of the second season, I don’t think that Viv will leave him alive.
(Unless, of course, she plans to somehow redeem him in the future, but I wouldn’t count on that...)
And I would say that Alastor would not be very happy about this, since the death of Vox is an even greater responsibility for Al...
4) Today, when I was rewatching the pilot episode of "Hazbin Hotel" while working in the background, I had the idea that Charlie's opening song REALLY could end up in the finale, only with a slightly different video sequence.
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Now imagine how all this can be used in fanfiction...)~
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princessfroslass · 3 months
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Angel Dust has a clear validation problem.
I had been thinking about this ever since episode 2 and episode 6 all but segmented this onto my subconscious.
Angel clearly doesn't care whenever anyone slut shames or just overall insult him- he lives to get a rise out of people. Hell, Hazbin Hotel's VERY FIRST SCENE on the Pilot was him going full "oh yeah slut, very creative." And going after Travis life- but not on a insecure way, he very clearly didn't care. Fast forward to the actual show and it's more of the same- he doesn't care whenever Vaggie or Husk or anyone else threaten him because he enjoys the chaos and it's open about the fact he is only there to no pay rent. He just doesn't care about what others think of him.
Except.... When he does.
You see it's interesting because back on that origin comic (that I don't even know if it's canon anymore but for a characterization point I'll take it.) when Charlie states they need a quest and even pays him for his time (Angel was working on the street when they meet him) and she goes full "this is an investment, on you." He leaves the limo all "oh...ok....sure...." Clearly moved or touched by her faith in him, even though he still thinks it's misguided trust.
Back to episode 2, it's pretty much the anthesis of this. For once, someone else seems interested on changing his ways and THAT obviously excites Charlie, who referred to Sir Pen as "the hotel's first real quest" now to be fair with her, Angel is very vocal about how he thinks the Hotel is BS and hadn't show any intention to change his ways soon- but y'know that still must stings like it hasn't even been a week and this girl that is all sunshine and rainbows already gave up on him lmao but it gets even worse- on the roleplay thing, look at the fucking role he is giving- A CRACKHEAD- like he had to pause before saying that shit- and to rub salt on the wound, Sor Pen performance ends with the "no sex before marriage!" Line. Like out of all sins one could commit- you pick Addiction to Drugs (more specifically CRACK) and Sex. Yo girl what the fuck- and ofc, only Sir Pen gets congratulated, because Angel was critical of the whole thing and the former was full on enthusiastic about it- the last shot before the bedroom scene we get us Angel staring at Charlie validating Sir Pen's efforts and how he is going to be redeemed so fast before Angel sadly goes upstairs.
Now the room scene..... Yikes. The fact that the roleplay was all and on about the drugs thing and how the last voicemail/Angel's imagination? Things we heard it's "Addict trash like you doesn't change"... Hahaha all the yikes with that fucking roleplay. So yeah it's very fucking clear from the get go Angel has....issues. Hell even after "It starts with Sorry" when everyone goes back to sleep he doesn't looks happy, just resigned lmao
(Which it's funny because on the very next episode he saves Sir Pen from the war thing going down but I digress)
Now episode 4- oh MAN where do I even start. Now remember how in the first paragraph I mentioned how Angel disses Travis but like, in a confident way? Not on the way someone affected would react? Well this ep is everything but that lmao "I don't give a shit about what a drunk ass bartender thinks of me" reeks of insecurity by the tone alone I am sorry. Notice how he looks very taken aback when Husk calls his act out before he doubles down and goes full "I am actor dumbass" bit. Man's defenses were penetrated in a way it hasn't before and he needed a moment to put more bs out of his ass because God forbid someone in this Hotel knows how horrible his life is and how much he hates himself- and then his advances were thoroughly rejected for good ("It's never gonna work on me") and he absolutely losses it. Not being able to compute that someone that clearly stared at him long enough to read him, doesn't want to fuck him. Disgusts from people that barely knows him he can take- being told to his face it's not working, he can't. And it's not even because he particularly want to fuck anyone there- that is how he sees his own worth. He makes Val money, everyone around wants to take him, his services are apparently FAR from cheap ("you know how much I am WORTH?!") and he had based his whole self worth around it- no matter how many times he gets taken advantage of on a random club on 3am or if is his own fucking abuser (he literally only opened Val's voicemails after the whole ep2 fiasco) people either despises him because of his overt sexuality or want to use him for it (there is also the middle road where his worse habits are enabled and that makes him 'fun' company- but I'll be there in a min) there just can't be a reality where he is told to his face that he is destroying himself and any connection he can have WITHOUT the alterior motive of wanting to fuck him- right? I mean even Charlie's hope on him was proven to be limited, so why bother?
Enter Loser, Baby.
And yes, my beloved Huskerdust atem- you see there is something fucked up about it. Angel only joins in to sing as well after he goes full "I am a hoe that likes drugs tehee" but unlike always, he is...not proud of it. He only sings about it because Husk sang how "it's ok to be a-" like expecting a negative, and it's ONLY when Husk completes it with a "Baby that is fine by me" does Angel truly smiles. He just had a whole breakdown, he doesn't has the energy to put his facade and his "I don't care what you think" actitude. But because Husk validates that he is able to follow along.
There is also the "This guy it's not that bad" part. Angel softened up at that because, again, Husk validated him- the real him. He saw through his facade and embraced it.
In episode 5 there is this little scene where Charlie is talking to her father over the phone and everyone else is silently supporting her from behind. And Angel, the ever realist- is just....grimacing through the whole thing lmao but to his credit seemed to support her regardless- but what cought my eye through the whole thing is that when Charlie goes full "Dad, this is important to me!" The camera focus on Angel a bit....touched? See the scene you'll get what I mean.
Then episode 6 came along. Cherrie comes along, and her and Husk play devil and angel on Anthony's shoulder the whole night. But there is something interesting about this- Angel never.... really stops Cherrie, nor explain why he would avoid drugs- Husk does. He ONLY explains himself when Cherrie confronted him about being so protective of Nifty. When Cherrie offer him the pills he doesn't goes full "I am sober now" cut and dry, instead he goes full "er....I dunno, I am tired. Maybe another time?" after Husk does the whole "I thought you were better than that" bit. Cherrie enables Angel- she clearly CARES about him, there is not doubt about that- but Hell is made with good intentions, validating his excesses and taking an active part on it is how they bond- and how his relationship with her makes him feel a bit better about himself, even when at the end of day it all comes crashing down (hello end of Addicted) and what is the first THING he smiles at after his confrontation with Valentino? "You did good, kid".
Ao in synthesis, Angel craves for validation in all and any way he can get it- regardless of how good the intentions of those giving it are. It either can be an validitation of his usual behavior (Cherrie) an validation of him wanting to better himself (Charlie, Husk) or just.... validation of his body as a whole (those weird sharks he ran to at ep4) it really depends of how much his mental state is on the gutter that day.
And then there is Valentino.
It's clear Angel's self Worth issues are not much better thanks to the way he is treated in and out of the studio- but, and knowing his familial relationship, it's doubtful they CAME from there, and it was an unfortunate result of it.
Valentino and the Vees pray on the vulnerable- that was DIRECTLY stated at ep2, and what is more vulnerable that a drug addict whose own family rejected? Sure Angel had been on Hell for a WHILE but his foundation was already shaky to begin with, he is street smart and posseses more common sense that some of his peers (literally the only one that stated they SHOULDN'T bring every psycho that tries to kill them to the Hotel lmao) but this need for Validation running deep on his core makes him the ideal pray for any asshole that is willing to drop a few "oh you are so pretty 💜"s his way until it's too late. How tragic would it be- to have the first person that validated him in a WHILE be the one that hurt him the most.
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poemsfor-her · 10 months
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A GUIDE TO FINDING YOUR OWN STYLE: PART. I Y2K ୨୧ ׅ ۫ 𖹭
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The Y2K Era became well-defined by 1997, replacing the Core '90s Era which had been known for its grittier aesthetics such as Grunge. The Spice Girls' single "Wannabe" was released in the U.S. and gained international popularity, leading to a new era in teen pop. Y2K fashion calls back to the biggest trends of the late 90s and early 2000s. It blends the pop culture of the millennium with bright colors and kitschy aesthetics to create an unapologetically maximalist look. One of the key fashion points of the y2k wave are: low raised jeans, crop tops, small handbags and mini skirts. POC POPULARIZED THE STYLE. The fashion icons of the y2k era were Destiny's child, Britney Spears, Paris Hilton and Christina Aguillera.
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I. TYPES OF THE Y2K STYLE ୨୧ ׅ ۫ 𖹭
1. CYBERCORE
Y2K (also known as Kaybug or Cybercore) is an aesthetic that was prevalent in popular culture from roughly 1997 to 2004, succeeding the Memphis Design and Grunge eras and overlapping with the McBling, UrBling, Surf Crush, and 2K1 aesthetics. Named after the Year 2000 problem, it is characterized by a distinct aesthetic period, encapsulating fashion, hardware design, music, and furnishings shining with tech optimism—sometimes literally. Some of its aspects include tight leather pants, shiny clothing, silver eye shadow, spiky up-dos, Oakleys, gradients, translucence, and Blobitecture. Most Y2K aesthetics rely on the use of technology and slick futuristic looks, signaling the optimism for the 3rd Millennium or 21st Century. The Y2K Era ended around 2004 and was succeeded by the Frutiger Aero era. This style is full of mostly gray, blue, green and black colors. One artist that i think perfectly describes the cybercore concept are XG in their newest concept photos alongside with AESPA that can sometime miss the concept they mainly do.
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2. MCBLING
The McBling aesthetic went into full swing around late 2004 with the release of the movie Mean Girls, the popularization of Myspace, the popularization of emo via Green Day's American Idiot, the phasing-out of 2K1, the iPod becoming a huge status symbol via Apple's silhouette ad campaign, the premieres of Laguna Beach and Lost, and Gwen Stefani starting her solo career, further hastening the end of the Y2K era. McBling was concurrent or overlapped with a number of other 2000s aesthetics, such as UrBling, Surf Crush, 2K7, and Frutiger Aero.This led into the ElectroPop 08/Hipster/Jersey Shore Era, which lasted from about 2008 to 2013. On social media in recent years, the McBling aesthetic has grown in popularity, albeit it is often lumped with or mistaken for the Y2K aesthetic. The colors of this style are: pink, white, silver and gold.
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3. DARK Y2K
Instead of lighter and brighter colors, like pinks and pastels, the Dark Y2K aesthetic heavily revolves around colors like black, grey, deep blue, dark purple, and dark green. However, hot pinks are also seen in Dark Y2K fashion. The Dark Y2K visual focuses on freedom and youth, and rebelling. Visuals that are typically seen in the aesthetic are low-rise jeans and belts, with lipgloss and sometimes even glitter eyeshadow. Some of the styles worn could even be viewed as provocative.The 2003 film Thirteen can be seen as an influence to Dark Y2K fashion and visuals, with its main characters wearing cropped tops, low-rise jeans with a noticeable thong, and studded belts. The main characters are also seen rebelling and sneaking out, and getting tongue and bellybutton piercings.
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II. MOVIES AND TV SHOWS TO WATCH
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1. Y2K
— bratz: the movie
— fast and furious
— clueless
— any bratz content
2. CYBERCORE
— men in black
— the matrix
— charlie's angels
— x-men
— any superhero movie
3. MCBLING
— mean girls
— white chicks
— wild child
— the house bunny
— legally blonde
4. DARK Y2K
— twilight
— jennifers body
— skims
— thirteen
— girl, interrupted
III. SONGS TO LISTEN TO
1. Y2K
— devil - slayyyter
— gimme more - britney spears
— summertime - flo
— sugarcoat - natty
— attention - newjeans
— tokyo drift - teriyaki boyz
2. CYBERCORE
— stereo love - edward maya
— lovefool - the cardigans
— hello kitty - slayyyter
— any hyperpop song
3. MCBLING
— rumors - lindsay lohan
— faboulous - sharpay evans
— he said she said - ashley tisdale
— queencard - gidle
4. DARK Y2K
— all the things she said - t.A.T.u
— bang, bang, bang - soho dolls
— take me away - avril lavinge
— brutal - olivia rodrigo
— no celestial - le sserafim
— teen idle - marina and the diamonds
information provided by aesthethics.wiki
with love, 𝒯
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katy-l1988 · 3 months
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Head Canon/Theory Part 11: Angelic forms
Continuing with the thread that Carmilla is a Seraphim, sister of Lucifer and Sera…here I have another point that would contribute to my concept, and that makes a lot of sense to me.
Sera's angelic form
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To begin with, we know that both Sera and Emily wear "humanized" costumes when introducing themselves to Charlie and Vaggie, but if we look closely at their true form…Sera has a particular design.
Her angelic form is very similar to an Owl, a White Owl like the one seen in the photograph.
We must take into account that Owls are associated with wisdom and intelligence, since they are capable of capturing a large amount of information even at night. Sera is the emissary, and like Serafin, she would be the "Eyes of God".
What better bird to represent her?
Lucifer's angelic form
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Now, we know that Lucifer was also a Seraphin as he had three pairs of wings, but what is his true form? His obsession says it all, even the illustration in "More then anything"...A duck. But not the ugly duckling, a beautiful one full of dreams and hope.
Carmilla's Angelic form
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Carmilla is characterized by her outfit, which simulates the clothing of ballet dancers. Her face has similarities to the "Black Swan" makeup, which some dancers adopted after the film of the same name.
Also, her colors are similar to those of this magnificent bird.
I can believe that when he lived as Seraphim, her color palette didn't differ from Sera's (at least not that much), being a White Swan. But when she fell, and was corrupted by the evil of hell, she changed and became the Black Swan.
Plus, why else could she called her daughter Odette as the protagonist of "Swan Lake"?
There are more ballet classics, like Carmen, The Magic Flute (Lise), Giselle…why Odette?
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profoundbondfanfic · 5 months
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Lost and Found
Lost & Found by fangirlingtodeath513, GhoulsnHalos (@fangirlingtodeath513,) Rating: General Word count: 5k
Castiel's somehow been coerced into attending the biggest Hollywood party of the year-his brother Gabriel's Halloween party. It's not his scene, but he figures with Charlie and her girlfriend there, at least he won't be alone. Dean Winchester is looking for a bit of anonymity and Gabriel Novak's party presents the perfect opportunity. No one will have a clue who he is and he'll get to spend one, blissful night as just another guy at a party. Everything changes when Castiel loses his cell phone.
Dean and Castiel meet at a Halloween party. They have a drink together, each unaware of who the other is and then go their separate ways. But life finds a way to bring them back together.
This fun story starts as a meet cute at a Halloween party. The characterization is on point, and the chemistry is off the charts from the moment these two cross paths for the first time, even though they're both in costume (no spoilers, but their costumes are awesome!) It also includes their first date, which is just adorable! I really enjoyed their flirting and playful banter, and I liked that though the story is mostly lighthearted, there are hints about the hardships each had to overcome to reach this point in their lives. As a bonus, several of our favorite characters make an appearance in this (Benny, my beloved), making the alternate universe this is set in feel more alive and vibrant. I would recommend this story to everyone interested in something soft and cute.
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cringefailvox · 3 months
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when it comes to alastor as a character how do you typically approach him ? i’ve seen many interpretations like pilot!alastor dialed to the max (transatlantic old timey friendlyshebang all the way) and eldritch!alastor where the funky deer imagery is played around w and he’s like a cosmic freak lmao anyway tldr; what’s your interpretation of him ?
thank you for the question, it's really interesting!!
i tend to steer pretty clear of the pilot in terms of characterization, if only because i REALLY like the cleaned-up version of him we get in the actual series way more—a little more reserved, a lot less touchy, proud and very careful about maintaining his own ego. he's creepy enough to set people on edge, but his affable manner is easy to mistake for genuine generosity, especially when he's dialing it up to manipulate someone, like when lucifer shows up at the hotel.
in my own writing, i like to characterize him as insecure but deeply resentful of it, to the point of totally deluding himself into believing he's not. alastor's a character who lies to himself so much that even he loses the plot sometimes. i do enjoy exploring a very genuine array of [shudder] feelings at the core of him, what manages to hit him where it hurts before he twists everything sideways into violent fury, but very few people, if any, get a glimpse into that complicated interior. i also believe the smile is an active choice he makes and uses as a shield; it would be a weakness to react in any other way, and in moments of especially high stress, he smiles even harder to convince himself that he's fine.
another thing is, i do interpret him as being a weird and freakish little guy whose polite affect is also equally real. much in the same way i think rosie is genuinely very compassionate and empathetic, she's just also a freak who eats people. he's deeply human in that way. he'll call charlie "my dear" and laughingly chide someone for having poor manners and then, in the same breath, say something insanely sinister that serves the same purpose as dropping everyone into an ice bath—oh yeah, he's not just our quirky uncle with a weird sense of a humor, he's a sadistic serial killer. i actually think a lot about these tags from this excellent radioapple fic strange appetites by gotllphi:
i think alastor probably looks back on being human, and having to fit into human society, as his like depressed cringefail era, sure he's put together for a serial killer, but serial killers are so disorganized and unwell as a class
he has power, respect, and fear in hell, but he's still a human soul who killed lots of other humans before he went to an eternal world where that's the status quo. he is very psychologically unwell, startlingly normal at turns, and nightmarishly terrifying all at once. the opaqueness of his own motivations, even to himself, on top of this makes his little fucked up mind very delicious to try and capture in my work
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